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1
00:00:05,570 --> 00:00:06,689
Left ear. Clear.
2
00:00:06,690 --> 00:00:07,930
Right ear. Clear.
3
00:00:07,931 --> 00:00:09,210
Left nose. Clear.
4
00:00:09,211 --> 00:00:10,260
Right nose.
5
00:00:10,261 --> 00:00:11,461
The wiry one's still there.
6
00:00:12,461 --> 00:00:13,540
Like bracken...
7
00:00:13,541 --> 00:00:15,569
I can smell burning.
That's normal. Thanks, Lynn.
8
00:00:15,570 --> 00:00:16,850
And we go in five, four...
9
00:00:16,851 --> 00:00:19,570
Good job you had yours on you.
I left mine in a restaurant.
10
00:00:23,740 --> 00:00:25,900
The calm before the storm.
11
00:00:25,901 --> 00:00:27,730
The hush before the hoe-ha.
12
00:00:27,731 --> 00:00:31,398
The me time before the This Time.
13
00:00:31,399 --> 00:00:33,838
Hello, I'm Alan Partridge,
14
00:00:33,839 --> 00:00:37,168
and you join me in Dressing Room A
at Broadcasting House,
15
00:00:37,169 --> 00:00:40,038
where every weekday evening
I don my trousers and tie
16
00:00:40,039 --> 00:00:41,638
before fashioning my hair
17
00:00:41,639 --> 00:00:44,448
into the silhouette of
a small scooter helmet.
18
00:00:44,449 --> 00:00:46,958
In Dressing Room One,
my co-presenter is having
19
00:00:46,959 --> 00:00:51,088
her make-up applied by two women
in a very specific way.
20
00:00:51,089 --> 00:00:53,677
With her nearly ready, there's
just time for me to scroll through
21
00:00:53,678 --> 00:00:55,249
a few expressions...
22
00:00:59,608 --> 00:01:01,807
KNOCK AT DOOR
And then...
23
00:01:01,808 --> 00:01:03,198
It's time, Mr Partridge.
24
00:01:03,199 --> 00:01:04,998
Music, and let's roll!
MUSIC BEGINS
25
00:01:04,999 --> 00:01:07,918
The distance to the studio
is exactly 8O metres.
26
00:01:07,919 --> 00:01:10,038
Most presenters cover it
in 60 seconds.
27
00:01:10,039 --> 00:01:12,168
We do it in 40. Thanks, Rachel.
28
00:01:12,169 --> 00:01:13,758
Emerging from the door
to my right is...
29
00:01:13,759 --> 00:01:15,118
"Jennie Gresham. Hello.
30
00:01:15,119 --> 00:01:18,758
And welcome to the show that covers
the full spectrum of human life.
31
00:01:18,759 --> 00:01:20,677
From aqua-aerobics to abortion,
32
00:01:20,678 --> 00:01:22,318
from zebras to Zionism.
33
00:01:22,319 --> 00:01:24,088
The show that promises
to be all things...
34
00:01:24,089 --> 00:01:25,838
...to all men. And all women!
35
00:01:25,839 --> 00:01:27,398
And everything in between.
36
00:01:27,399 --> 00:01:29,528
So join us for chit-chats
about Kit Kats...
37
00:01:29,529 --> 00:01:30,958
...chinwags about bin bags...
38
00:01:30,959 --> 00:01:32,357
...and natters about matters.
39
00:01:32,358 --> 00:01:34,807
Hi, Nathan, Jermain,
Shauna and Trent.
40
00:01:34,808 --> 00:01:36,758
It's that time. What time?
41
00:01:36,759 --> 00:01:40,278
High time to say, if you've got time
to give This Time your time,
42
00:01:40,279 --> 00:01:42,607
then it's time to let This Time
spend time
43
00:01:42,608 --> 00:01:44,638
making your time a good time
44
00:01:44,639 --> 00:01:45,998
on This Time.
45
00:01:45,999 --> 00:01:47,759
Welcome to This Time. Yeah.
46
00:02:08,839 --> 00:02:10,318
APPLAUSE
47
00:02:10,319 --> 00:02:11,958
THEY LAUGH
Here comes the camera!
48
00:02:11,959 --> 00:02:14,477
Yes, welcome to This Time
49
00:02:14,478 --> 00:02:16,528
with Alan Partridge...
..and Jennie Gresham.
50
00:02:16,529 --> 00:02:18,758
Whoo! Well, that certainly got
the blood flowing, didn't it?
51
00:02:18,759 --> 00:02:20,557
Yeah, I thought you did that
really well, Jennie.
52
00:02:20,558 --> 00:02:22,038
And you got your breathing right.
53
00:02:22,039 --> 00:02:25,038
But, yes, slightly different
opening tonight,
54
00:02:25,039 --> 00:02:28,088
prompted, I should say,
by a letter from Euan Anderson
55
00:02:28,089 --> 00:02:30,758
of Disley Road Primary School
in Oldham.
56
00:02:30,759 --> 00:02:32,477
He wrote simply to ask,
57
00:02:32,478 --> 00:02:35,368
"Please can we see the inside of
your dressing room?"
58
00:02:35,369 --> 00:02:37,677
And we were happy to oblige.
Or Alan was.
59
00:02:37,678 --> 00:02:41,398
Yes. Yeah, Jennie's dressing room
is off limits.
60
00:02:41,399 --> 00:02:44,088
Yeah, the only way to see inside
a lady's dressing room at the BBC
61
00:02:44,089 --> 00:02:48,477
would be to get a time machine, and
set the coordinates for the 1970s.
62
00:02:48,478 --> 00:02:50,088
Which we know was good and bad.
63
00:02:50,089 --> 00:02:52,807
Besides, there's not really much
to see in my dressing room anyway.
64
00:02:52,808 --> 00:02:54,758
No, it's beautiful!
Loads of smelly candles,
65
00:02:54,759 --> 00:02:57,677
lots of photographs of you with
all the famous people you've met.
66
00:02:57,678 --> 00:03:01,088
And she's got a little sign above
the mirror, which says simply,
67
00:03:01,089 --> 00:03:03,198
"Never Ever Compromise."
68
00:03:03,199 --> 00:03:07,477
Lovely. Yes, happy to know that
we have younger viewers tuning in.
69
00:03:07,478 --> 00:03:09,638
Euan, thanks very much
for getting in touch.
70
00:03:09,639 --> 00:03:11,638
Obviously a keen interest in telly.
71
00:03:11,639 --> 00:03:13,838
Who knows? Maybe one day
he'll be running the BBC!
72
00:03:13,839 --> 00:03:15,168
THEY LAUGH
Yeah.
73
00:03:15,169 --> 00:03:18,248
Oh, no, no, no, he...
He attends state school.
74
00:03:18,249 --> 00:03:21,477
Coming up tonight,
Alan will be putting a cork in it —
75
00:03:21,478 --> 00:03:25,038
I wish — as he visits
a silent order of monks.
76
00:03:25,039 --> 00:03:28,448
Resident humourist Simon Denton
will be taking a sideways look
77
00:03:28,449 --> 00:03:30,477
at good old—fashioned common sense.
78
00:03:30,478 --> 00:03:33,528
I'm sure you've got a zinger
about that, Simon.
79
00:03:33,529 --> 00:03:35,038
Oh, yes. What is it?
80
00:03:35,039 --> 00:03:37,198
I'm sure I can rustle something up.
Have you got one now?
81
00:03:37,199 --> 00:03:38,758
Not now, no. Not immediately.
82
00:03:38,759 --> 00:03:40,138
Always have something ready.
83
00:03:40,139 --> 00:03:44,188
And Alan will be dropping
a bombshell as he reunites
84
00:03:44,189 --> 00:03:48,418
twin brothers who haven't seen
one another for over 60 years.
85
00:03:48,419 --> 00:03:51,218
Yes, it's a piece of television
I'm very proud of.
86
00:03:51,219 --> 00:03:53,468
When I thought of the idea, I cried.
87
00:03:53,469 --> 00:03:55,827
But we start tonight with haggis.
88
00:03:55,828 --> 00:03:57,418
I went to meet the woman behind
89
00:03:57,419 --> 00:03:59,908
Britain's most
controversial delicacy.
90
00:03:59,909 --> 00:04:02,339
It's just a fat, sheep
and porridge sausage.
91
00:04:03,909 --> 00:04:05,939
And we're off. Two minutes, guys.
92
00:04:07,389 --> 00:04:08,778
Lynn, look at you go.
93
00:04:08,779 --> 00:04:10,747
That new hip's been
the making of you.
94
00:04:10,748 --> 00:04:13,108
Like Robocop or Oscar Pistorius.
95
00:04:13,109 --> 00:04:14,468
What did you go for in the end?
96
00:04:14,469 --> 00:04:15,697
PVC composite.
97
00:04:15,698 --> 00:04:17,697
Ah, Lynn! I said get titanium!
98
00:04:17,698 --> 00:04:20,259
They last for years and years.
99
00:04:21,299 --> 00:04:23,658
What am I talking about?
PVC is going to be fine.
100
00:04:23,659 --> 00:04:24,978
Alan. Two things.
101
00:04:24,979 --> 00:04:28,497
Number one, your tie knot needs
a tug. Got it. Number two...
102
00:04:28,498 --> 00:04:30,188
I love how you've got into
bullet points, Lynn.
103
00:04:30,189 --> 00:04:32,218
I knew you'd like them
if you'd tried them.
104
00:04:32,219 --> 00:04:34,218
Number two, the new producer's in.
Right.
105
00:04:34,219 --> 00:04:36,188
They didn't go with
Peter in the end.
106
00:04:36,189 --> 00:04:39,218
It's a younger chap from E4.
Oh, God.
107
00:04:39,219 --> 00:04:41,338
It's fine.
You're worrying about nothing.
108
00:04:41,339 --> 00:04:42,617
Change is afoot, Lynn.
109
00:04:42,618 --> 00:04:44,138
Listen to this.
110
00:04:44,139 --> 00:04:45,658
This was the theme tune.
111
00:04:45,659 --> 00:04:48,108
TUNE PLAYS
112
00:04:48,109 --> 00:04:50,978
Now listen to this.
They've remixed it.
113
00:04:50,979 --> 00:04:52,978
The electric guitar's got
a wacka-wacka sound
114
00:04:52,979 --> 00:04:54,778
like the start of Newsnight.
115
00:04:54,779 --> 00:04:56,908
GUITAR PLAYS
Well, what's that got to do with?
116
00:04:56,909 --> 00:04:58,418
Because this is how it starts.
117
00:04:58,419 --> 00:05:00,827
First they came for the theme tune,
but I did not speak out,
118
00:05:00,828 --> 00:05:02,138
because I am not a theme tune.
119
00:05:02,139 --> 00:05:03,908
Then they came for
the title graphic,
120
00:05:03,909 --> 00:05:06,827
but I did not speak out
because I am not a title graphic.
121
00:05:06,828 --> 00:05:09,218
Then they came for me
and I was cross,
122
00:05:09,219 --> 00:05:11,258
because I've taken my eye
off the ball!
123
00:05:11,259 --> 00:05:15,498
First positions!
And we're back on in five, four...
124
00:05:16,748 --> 00:05:20,617
Haggis maker Jill Tickford there,
whose culinary pride and joy
125
00:05:20,618 --> 00:05:23,008
has become something of
a legal football.
126
00:05:23,009 --> 00:05:24,827
Well, best thing for it,
to be honest.
127
00:05:24,828 --> 00:05:27,548
You'd sooner kick one than eat one,
definitely.
128
00:05:27,549 --> 00:05:29,028
Now, body language,
129
00:05:29,029 --> 00:05:32,338
from the twizzling of hair to the
batting of eyelids. Sound familiar?
130
00:05:32,339 --> 00:05:34,468
There's much our body can tell us.
131
00:05:34,469 --> 00:05:37,648
To explain more, body language
expert Clarissa Hoskin.
132
00:05:37,649 --> 00:05:39,258
Great to have you on the show.
Hello.
133
00:05:39,259 --> 00:05:40,468
Now, body language —
134
00:05:40,469 --> 00:05:44,548
some call it a sixth sense,
others, a hunch about people,
135
00:05:44,549 --> 00:05:48,648
but I actually think it's almost
a science, in a funny kind of way.
136
00:05:48,649 --> 00:05:52,028
It is a science. Right...
In a very real sort of way. OK.
137
00:05:52,029 --> 00:05:54,577
A lot of people know
the pop psychology version
138
00:05:54,578 --> 00:05:57,258
of body language —
folding your arms is defensive,
139
00:05:57,259 --> 00:05:59,938
avoiding eye contact means
you have something to hide —
140
00:05:59,939 --> 00:06:03,188
but the science itself is
a little more forensic than that.
141
00:06:03,189 --> 00:06:08,388
So if a divorcee bites her lip
when I say should we skip dessert,
142
00:06:08,389 --> 00:06:10,058
is she anxious or intrigued?
143
00:06:10,059 --> 00:06:11,938
Questions like that,
I just don't deal with.
144
00:06:11,939 --> 00:06:15,138
I help people who are high-profile
communicators in their field
145
00:06:15,139 --> 00:06:17,648
become more effective.
OK. Probably intrigued?
146
00:06:17,649 --> 00:06:19,958
The problem is when you hear
the same old BS from people
147
00:06:19,959 --> 00:06:22,597
who think they know a little bit
about it. I know, yeah.
148
00:06:22,598 --> 00:06:24,798
I actually do know
a little bit about it, so...
149
00:06:24,799 --> 00:06:27,637
Actually, I think we have something
that you worked on a few years ago.
150
00:06:27,638 --> 00:06:30,717
Er, yeah. It's just from my clays
as a producer—writer—director—
151
00:06:30,718 --> 00:06:33,157
Presenter of straight-to-video
instructional videos,
152
00:06:33,158 --> 00:06:35,277
but see what you think.
153
00:06:35,278 --> 00:06:36,917
High five, job-seeker.
154
00:06:36,918 --> 00:06:38,516
You've got yourself an interview.
155
00:06:38,517 --> 00:06:39,716
IN CHORUS: Neat!
156
00:06:39,717 --> 00:06:42,357
But how can you make
a good impression using
157
00:06:42,358 --> 00:06:43,797
body language?
158
00:06:43,798 --> 00:06:47,877
An anxious candidate flaps her arms
around like an unattended hose.
159
00:06:47,878 --> 00:06:49,557
But if she can't control her arms,
160
00:06:49,558 --> 00:06:51,877
how can she control
a sales team of five,
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00:06:51,878 --> 00:06:53,997
and they're all men?
162
00:06:53,998 --> 00:06:57,957
I know! Gesture one-handed,
placing the spare one on her hip.
163
00:06:57,958 --> 00:07:00,487
If in doubt, handle and spout.
164
00:07:00,488 --> 00:07:01,636
Rad!
165
00:07:01,637 --> 00:07:03,957
What's this? No eye contact?
166
00:07:03,958 --> 00:07:06,846
Studies show failure to look at
your potential employer
167
00:07:06,847 --> 00:07:09,687
can project qualities including
shyness, dishonesty,
168
00:07:09,688 --> 00:07:11,127
gypsy and boredom,
169
00:07:11,128 --> 00:07:14,047
so always maintain eye contact!
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00:07:14,048 --> 00:07:15,797
Body language!
171
00:07:15,798 --> 00:07:18,437
SCATTERED APPLAUSE
Yeah, cheers.
172
00:07:18,438 --> 00:07:19,557
Yeah, it's...
173
00:07:19,558 --> 00:07:22,127
Should you always maintain
eye contact? I'd say not.
174
00:07:22,128 --> 00:07:25,207
Right. Even though it helps
develop rapport?
175
00:07:25,208 --> 00:07:26,307
Well, you tell me.
176
00:07:26,308 --> 00:07:28,667
I'm looking at you now
without breaking eye contact.
177
00:07:28,668 --> 00:07:31,158
Does it make you feel like
we have a rapport?
178
00:07:37,558 --> 00:07:38,636
No? Right.
179
00:07:38,637 --> 00:07:40,917
A lot of body language is
context-dependent.
180
00:07:40,918 --> 00:07:43,237
Crossing and uncrossing your legs,
for example. Mm-hm.
181
00:07:43,238 --> 00:07:45,716
Uncrossing your legs
isn't always an invitation.
182
00:07:45,717 --> 00:07:48,327
Like Sharon Stone with, erm...
Basic Instinct. Fanny.
183
00:07:48,328 --> 00:07:51,797
But equally when we cross our legs,
we're not always being defensive.
184
00:07:51,798 --> 00:07:53,636
Ah, no. Sometimes you
cross your legs
185
00:07:53,637 --> 00:07:55,596
just because you want
to feel more comfortable.
186
00:07:55,597 --> 00:07:58,797
Yeah, or you've promised to show
a brand of socks on TV.
187
00:07:58,798 --> 00:08:00,357
But let's talk about entrances
188
00:08:00,358 --> 00:08:02,197
because when you walked
over to the sofa,
189
00:08:02,198 --> 00:08:05,047
I immediately sensed you were
confident. Why don't we try it?
190
00:08:05,048 --> 00:08:07,877
Why don't you walk over to me
like you're entering my office?
191
00:08:07,878 --> 00:08:10,197
Mm.. BK'.
SHE LAUGHS
192
00:08:10,198 --> 00:08:11,597
I'm a bit nervous now.
193
00:08:15,918 --> 00:08:17,158
Jennie Gresham.
194
00:08:18,408 --> 00:08:21,186
You know what, Jennie Gresham?
Not bad at all.
195
00:08:21,187 --> 00:08:23,497
Ooh, I think you've found
a new friend. I take that back.
196
00:08:23,498 --> 00:08:26,007
It was a little fast, like you
wanted to get it over with. OK.
197
00:08:26,008 --> 00:08:27,381
But... So just slow down. OK.
198
00:08:27,382 --> 00:08:29,251
I'd echo most of that.
199
00:08:29,252 --> 00:08:30,851
Keep it nice and easy.
200
00:08:30,852 --> 00:08:32,131
Trot, don't canter.
201
00:08:32,132 --> 00:08:34,021
Now, if you're entering
a conference hall,
202
00:08:34,022 --> 00:08:35,820
something I've done
on many occasions,
203
00:08:35,821 --> 00:08:38,211
and, Sharon, do feel free
to jump in at any stage,
204
00:08:38,212 --> 00:08:40,570
I imagine when you walk in,
it'd be something like this.
205
00:08:40,571 --> 00:08:44,241
Head high, long strides,
you've got arms — use them!
206
00:08:44,242 --> 00:08:47,301
Segue into a scurry,
then it's a hop, skip, jump
207
00:08:47,302 --> 00:08:49,610
and bound onto the podium.
208
00:08:49,611 --> 00:08:51,662
Power stance. Hold it...
209
00:08:52,821 --> 00:08:54,332
...h0ld it...
210
00:08:55,772 --> 00:08:59,211
...hold it, step to the lectern
and begin.
211
00:08:59,212 --> 00:09:01,381
Yes, I mean, shoulders were back,
head was up,
212
00:09:01,382 --> 00:09:03,131
which suggested confidence.
213
00:09:03,132 --> 00:09:05,461
A little more control in the arms
might be useful.
214
00:09:05,462 --> 00:09:07,101
Yeah, I don't agree with that.
215
00:09:07,102 --> 00:09:08,531
Um, let's mix it up.
216
00:09:08,532 --> 00:09:10,381
You're entering a party.
217
00:09:10,382 --> 00:09:13,570
Obviously a lot less formal, but
you still want to ooze confidence.
218
00:09:13,571 --> 00:09:15,490
So it's hook jacket,
219
00:09:15,491 --> 00:09:17,211
tuck thumb and amble.
220
00:09:17,212 --> 00:09:18,771
Roll the shoulders,
221
00:09:18,772 --> 00:09:21,301
mosey, stop, scout the room.
222
00:09:21,302 --> 00:09:23,690
There's John. John can wait!
223
00:09:23,691 --> 00:09:25,891
Flick of the hair,
grab a drink, you're in.
224
00:09:25,892 --> 00:09:28,771
Free chair? You don't need it.
225
00:09:28,772 --> 00:09:30,171
Lean.
226
00:09:30,172 --> 00:09:32,381
I mean, you've obviously given it
a lot of thought.
227
00:09:32,382 --> 00:09:33,411
Thank you.
228
00:09:33,412 --> 00:09:35,411
And that's all we have time for.
229
00:09:35,412 --> 00:09:37,740
Clarissa Hoskin,
thank you very much.
230
00:09:37,741 --> 00:09:41,851
Still to come, Alan reunites
two long—lost brothers.
231
00:09:41,852 --> 00:09:44,851
Yes, you will see the twins
brought together
232
00:09:44,852 --> 00:09:47,560
as we trick one of them onto
the studio floor there
233
00:09:47,561 --> 00:09:50,891
under the false pretence of
winning a mid-range caravan.
234
00:09:50,892 --> 00:09:54,131
Little does he know that
the real prize will be to embrace
235
00:09:54,132 --> 00:09:57,661
his long—lost brother,
which I'm quite sure will outweigh
236
00:09:57,662 --> 00:10:01,021
the fact that there is no caravan,
because he does like caravans.
237
00:10:01,022 --> 00:10:05,971
But first, in the modern world,
where can we go to find some quiet?
238
00:10:05,972 --> 00:10:09,461
Alan Partridge put on his hush
puppies and went to find out.
239
00:10:09,462 --> 00:10:10,490
Shh!
240
00:10:10,491 --> 00:10:13,560
Www...
241
00:10:13,561 --> 00:10:15,662
What is silence?
242
00:10:16,811 --> 00:10:20,101
Beethoven understood the difference
between noise and silence.
243
00:10:20,102 --> 00:10:22,971
Duh-duh-duh duh! Silence.
244
00:10:22,972 --> 00:10:25,771
Duh-duh-duh DUH! Silence.
245
00:10:25,772 --> 00:10:29,531
Duh-duh-duh-duh, duh-duh-duh-duh —
there's less silence after that.
246
00:10:29,532 --> 00:10:31,610
For Beethoven, of course,
everything was silent.
247
00:10:31,611 --> 00:10:33,461
Poor chap was deaf as a door post.
248
00:10:33,462 --> 00:10:35,690
But I think silence is becoming
so scarce
249
00:10:35,691 --> 00:10:40,171
that one day you'll be able to swap
one hour of silence for a bike.
250
00:10:40,172 --> 00:10:45,172
Allow me, then, to be brief
and gift you the sound of silence.
251
00:10:48,561 --> 00:10:50,611
CAR CHIMING
252
00:10:53,172 --> 00:10:55,852
Morning. Morning.
253
00:10:57,491 --> 00:10:58,532
Morning.
254
00:10:59,852 --> 00:11:01,771
Don't worry,
these men aren't ignoring me —
255
00:11:01,772 --> 00:11:03,101
they're monks.
256
00:11:03,102 --> 00:11:06,201
They keep a lid on it
because they think God likes it.
257
00:11:06,202 --> 00:11:08,331
Who am I to tell them any different?
258
00:11:08,332 --> 00:11:09,740
No, I'm here to see
259
00:11:09,741 --> 00:11:13,411
if keeping schtum will increase
my sense of inner peace.
260
00:11:13,412 --> 00:11:15,560
We all know people, such as bin men,
261
00:11:15,561 --> 00:11:18,411
who we wish would take
a vow of silence.
262
00:11:18,412 --> 00:11:22,610
Well, I'm about to spend the weekend
with people who actually have.
263
00:11:22,611 --> 00:11:24,690
Aren't I?
264
00:11:24,691 --> 00:11:25,741
See?
265
00:11:26,811 --> 00:11:29,661
Father Paul, just in case anyone
thinks I'm trying to lure you into
266
00:11:29,662 --> 00:11:32,411
breaking some sort of vow of silence
by asking you a question,
267
00:11:32,412 --> 00:11:34,331
you can speak, can't you, Father?
268
00:11:34,332 --> 00:11:36,810
Well, I wouldn't be much
of a spokesman if I never spoke.
269
00:11:36,811 --> 00:11:38,921
Catty! I like that.
270
00:11:38,922 --> 00:11:40,051
I like that.
271
00:11:40,052 --> 00:11:43,490
Why is it that monks love silence
so much?
272
00:11:43,491 --> 00:11:45,490
We all need silence.
273
00:11:45,491 --> 00:11:47,771
And it's harder to find
in the modern world.
274
00:11:47,772 --> 00:11:50,610
Yes, what one thinks is silence
is often not, because you listen
275
00:11:50,611 --> 00:11:52,971
a little harder, you can
hear the beep of a truck reversing,
276
00:11:52,972 --> 00:11:54,331
or in the still of the night
277
00:11:54,332 --> 00:11:56,281
what one thinks is a neighbour's
baby crying,
278
00:11:56,282 --> 00:12:00,690
but in actual fact it's two foxes
making love with one another.
279
00:12:00,691 --> 00:12:03,810
I suppose the only place one can
find true silence
280
00:12:03,811 --> 00:12:05,661
would be outer space.
281
00:12:05,662 --> 00:12:08,101
Hence the phrase "In space,
no-one can hear you scream."
282
00:12:08,102 --> 00:12:10,661
From Alien. Yes.
I remember when I first saw that,
283
00:12:10,662 --> 00:12:14,031
I thought, "Finally a movie that
acknowledges the fact that sound
284
00:12:14,032 --> 00:12:16,201
"cannot travel through a vacuum."
285
00:12:16,202 --> 00:12:18,391
I bet you guys would love a vacuum.
286
00:12:18,392 --> 00:12:20,641
It'd save the brothers having
to sweep the floor.
287
00:12:20,642 --> 00:12:22,231
There's that cattiness again!
288
00:12:22,232 --> 00:12:25,590
I mean, you're clearly a character,
you definitely are.
289
00:12:25,591 --> 00:12:28,790
From a Christian perspective,
290
00:12:28,791 --> 00:12:33,470
silence is a way of forming
a deeper bond with God.
291
00:12:33,471 --> 00:12:35,790
Although some young
Christians use noise.
292
00:12:35,791 --> 00:12:39,720
Much the same way that
Sirens of Greek mythology would lure
293
00:12:39,721 --> 00:12:41,641
unsuspecting sailors onto the rocks,
294
00:12:41,642 --> 00:12:45,720
the young Christians will sing hymns
whilst banging a tambourine,
295
00:12:45,721 --> 00:12:48,951
and in the confusion,
you end up believing in God.
296
00:12:48,952 --> 00:12:52,391
Well, every individual has their own
way of communing with God,
297
00:12:52,392 --> 00:12:55,151
but that's not to say that silence
is purely religious.
298
00:12:55,152 --> 00:12:58,031
I mean, it can work wonders
for your mental wellbeing.
299
00:12:58,032 --> 00:12:59,590
Why don't we try it right now?
300
00:12:59,591 --> 00:13:01,002
One minute. OK.
301
00:13:02,721 --> 00:13:04,821
The footage you're watching
has been sped up.
302
00:13:04,822 --> 00:13:07,871
Current BBC programming guidelines
prohibit on-air silences
303
00:13:07,872 --> 00:13:09,951
over 30 seconds in duration,
304
00:13:09,952 --> 00:13:13,151
except for state funerals,
like Diana's, or Springwatch.
305
00:13:13,152 --> 00:13:16,751
While greater flexibility
is permitted for BBCs Two and Four,
306
00:13:16,752 --> 00:13:19,181
BBC One viewers are thought
to benefit
307
00:13:19,182 --> 00:13:21,641
from content with frequent noises.
308
00:13:21,642 --> 00:13:23,432
ALARM RINGS
Ah. There's your minute.
309
00:13:24,671 --> 00:13:27,720
Life as a monk begins at sunrise.
310
00:13:27,721 --> 00:13:30,670
As we quietly dwelt
on our relationship with the Lord,
311
00:13:30,671 --> 00:13:33,431
it occurred to me that God,
all knowing, invisible,
312
00:13:33,432 --> 00:13:37,181
and all around us is identical
to high speed Wi-Fi...
313
00:13:37,182 --> 00:13:38,470
PHONE CHIMES
314
00:13:38,471 --> 00:13:41,720
...which I know for a fact that they
have at the monastery.
315
00:13:41,721 --> 00:13:45,181
I wondered what these men might have
been before they found God.
316
00:13:45,182 --> 00:13:47,431
Can you read a man's story
in his face?
317
00:13:47,432 --> 00:13:49,391
I believe you can.
318
00:13:49,392 --> 00:13:53,182
If I had to guess, I'd say this monk
was quite high up in ICI.
319
00:13:54,232 --> 00:13:56,790
This monk also worked for ICI,
320
00:13:56,791 --> 00:13:58,951
but in a more junior role.
321
00:13:58,952 --> 00:14:01,821
I don't have any ideas
about this monk.
322
00:14:01,822 --> 00:14:04,821
And this monk briefly joined
the band D: Ream,
323
00:14:04,822 --> 00:14:07,591
after Brian Cox left
to become a scientist.
324
00:14:09,752 --> 00:14:11,821
I decided to stroll the grounds
325
00:14:11,822 --> 00:14:15,871
and soon found myself walking
like a monk, hands behind my back,
326
00:14:15,872 --> 00:14:19,920
nodding at passers by,
a smile as my resting face.
327
00:14:19,921 --> 00:14:23,151
But smiling constantly starts
to make your face ache.
328
00:14:23,152 --> 00:14:25,752
I wondered if it felt the same
for Holly Willoughby.
329
00:14:27,752 --> 00:14:30,391
Although the Bible doesn't
mention potted plants,
330
00:14:30,392 --> 00:14:33,031
monks absolutely love them.
331
00:14:33,032 --> 00:14:34,590
But when I lent a hand,
332
00:14:34,591 --> 00:14:37,920
I began to see a very different
side to these brothers.
333
00:14:37,921 --> 00:14:39,002
Uh...
334
00:14:40,002 --> 00:14:43,281
You see, silence can be a kindness.
335
00:14:43,282 --> 00:14:46,920
It can show courtesy to a fellow
clay pigeon shooter.
336
00:14:46,921 --> 00:14:49,391
But anyone who's driven home
with their wife after a row
337
00:14:49,392 --> 00:14:52,461
at a party, will know that silence
can be used as a weapon.
338
00:14:53,512 --> 00:14:55,641
Could the monks have been
doing the same?
339
00:14:55,642 --> 00:14:58,311
It amused me to imagine
I was in an institute
340
00:14:58,312 --> 00:15:01,791
full of angry wives
in big brown dresses.
341
00:15:06,032 --> 00:15:08,511
But the more
they pretended not to see me,
342
00:15:08,512 --> 00:15:11,111
the more I wondered
if it was intentional.
343
00:15:11,112 --> 00:15:13,361
And when a spritely monk
snatched my pot,
344
00:15:13,362 --> 00:15:15,921
I became convinced
they were trying to break me.
345
00:15:17,432 --> 00:15:20,071
Perhaps they were tapping Morse code
messages to each other
346
00:15:20,072 --> 00:15:24,311
on plant pots like, "Why isn't this
new man wearing brown?
347
00:15:24,312 --> 00:15:27,111
"Let's pick on him till
he either cries...
348
00:15:27,112 --> 00:15:28,590
KNOCKING
349
00:15:28,591 --> 00:15:30,181
"..or cuts his hand."
350
00:15:30,182 --> 00:15:31,231
BANGING
351
00:15:31,232 --> 00:15:32,281
GLASS SHATTERS
352
00:15:32,282 --> 00:15:33,312
GRUNTING
353
00:15:34,512 --> 00:15:35,591
They had won.
354
00:15:36,791 --> 00:15:39,071
Can't you see that I need help?
355
00:15:39,072 --> 00:15:40,562
What are we all doing here?
356
00:15:42,002 --> 00:15:44,002
You get plants at Homebase!
357
00:15:46,072 --> 00:15:49,311
Some might say in breaking my vow
of silence
358
00:15:49,312 --> 00:15:51,071
I'd lost a competition with God,
359
00:15:51,072 --> 00:15:52,561
but it felt good.
360
00:15:52,562 --> 00:15:55,751
So I decided to break another rule
that had really annoyed me —
361
00:15:55,752 --> 00:15:57,872
no running and jumping.
362
00:16:00,711 --> 00:16:08,951
# Qui tollis peccata mundi
363
00:16:08,952 --> 00:16:12,821
# Dona eis requiem... #
364
00:16:12,822 --> 00:16:15,071
Would God disapprove of this too?
365
00:16:15,072 --> 00:16:18,431
After all, 2,000 years ago,
there was another man who got done
366
00:16:18,432 --> 00:16:20,182
for breaking the rules.
367
00:16:24,152 --> 00:16:26,311
Well, I was supposed to spend
another night here,
368
00:16:26,312 --> 00:16:28,511
but after injuring my hand
369
00:16:28,512 --> 00:16:31,311
whilst eight monks chose to
stand by and do nothing,
370
00:16:31,312 --> 00:16:33,821
or didn't hear — I suspect it was
the former —
371
00:16:33,822 --> 00:16:36,641
the folly of what I'm doing here
finally dawned on me.
372
00:16:36,642 --> 00:16:39,460
Human beings are meant to talk.
373
00:16:39,461 --> 00:16:41,710
Silence is golden?
374
00:16:41,711 --> 00:16:43,751
Bronze at best.
375
00:16:43,752 --> 00:16:48,461
Whoever you are, men and women,
give it a bit of that, good for you.
376
00:16:50,072 --> 00:16:51,821
Right, Burger King.
377
00:16:51,822 --> 00:16:54,461
# It's my life... #
THUMPING MUSIC
378
00:16:56,032 --> 00:16:57,460
Now, we've all seen it —
379
00:16:57,461 --> 00:17:01,331
a teenager near a window asking Siri
what the weather's like.
380
00:17:01,332 --> 00:17:03,940
A taxi driver using his phone
to calculate your change
381
00:17:03,941 --> 00:17:06,940
after you've given him
ÂŁ20 for an ÂŁ18 fare.
382
00:17:06,941 --> 00:17:08,810
Clearly the change is ÂŁ2.
383
00:17:08,811 --> 00:17:13,451
But is our addiction to technology
actually making us less intelligent?
384
00:17:13,452 --> 00:17:16,940
To gauge the public mood,
we cross to Simon Denton —
385
00:17:16,941 --> 00:17:18,581
with a slightly expanded role —
386
00:17:18,582 --> 00:17:22,412
sifting through your texts, tweets
and now live calls.
387
00:17:25,481 --> 00:17:26,971
Howdy. Howdy!
388
00:17:26,972 --> 00:17:29,581
So, yeah, bigger role,
more responsibility.
389
00:17:29,582 --> 00:17:32,331
Yes, indeed.
Finally got that promotion, Ma!
390
00:17:32,332 --> 00:17:34,531
Same money though I think?
Yeah. Yeah. Yeah.
391
00:17:34,532 --> 00:17:38,091
So we've been asking, have we lost
good old—fashioned
392
00:17:38,092 --> 00:17:39,841
British common sense?
393
00:17:39,842 --> 00:17:42,810
Eustice says, "Pick up bits of
broken glass
394
00:17:42,811 --> 00:17:45,891
"by pressing a slice of damp
bread against the floor."
395
00:17:45,892 --> 00:17:48,091
Very good tip.
I've done that myself. Yes.
396
00:17:48,092 --> 00:17:49,891
Just remember to bin the bread
afterwards.
397
00:17:49,892 --> 00:17:52,331
Which I didn't do.
Yes, my lips were lacerated.
398
00:17:52,332 --> 00:17:54,891
Oh, dear. My then girlfriend
wouldn't kiss me for a week.
399
00:17:54,892 --> 00:17:56,331
That must have been difficult.
400
00:17:56,332 --> 00:17:57,762
Well, you can do other stuff.
401
00:17:59,302 --> 00:18:02,891
Someone else who says, "| avoid pet
odours in my home by..."
402
00:18:02,892 --> 00:18:04,810
Yeah, that's more of
a housekeeping tip.
403
00:18:04,811 --> 00:18:06,940
We're really asking a slightly
deeper question
404
00:18:06,941 --> 00:18:08,221
about the way we live now.
405
00:18:08,222 --> 00:18:10,451
Have we lost something? Totally.
406
00:18:10,452 --> 00:18:15,451
So Anita says, "If you've lost the
end roll of a Sellotape..."
407
00:18:15,452 --> 00:18:18,690
But you're saying... You mean lost
something in society, as a society.
408
00:18:18,691 --> 00:18:21,690
So the ones you've selected,
are they all just housekeeping tips?
409
00:18:21,691 --> 00:18:23,371
Yes, the tweets are. Right.
410
00:18:23,372 --> 00:18:25,251
We could take a phone call?
Let's do it.
411
00:18:25,252 --> 00:18:27,480
Calls are under...
412
00:18:27,481 --> 00:18:29,051
...social...
413
00:18:29,052 --> 00:18:30,610
...and then...
414
00:18:30,611 --> 00:18:32,611
No, not social. Er...
415
00:18:33,892 --> 00:18:35,811
Stay calm. Hang on,
I've got it here.
416
00:18:37,402 --> 00:18:39,811
Live and then phone.
417
00:18:40,972 --> 00:18:42,731
Right, there are three phones.
418
00:18:44,092 --> 00:18:45,092
I just put "phone".
419
00:18:47,481 --> 00:18:48,532
No.
420
00:18:51,811 --> 00:18:57,480
Yes. OK. So now, I think
we have Steven Tent on line four.
421
00:18:57,481 --> 00:18:58,892
Steven?
422
00:19:00,691 --> 00:19:03,051
Steven, are you there? Steve?
423
00:19:03,052 --> 00:19:04,611
Steven Tent on line four?
424
00:19:06,402 --> 00:19:09,091
Go to... Steve? Go to emails?
425
00:19:09,092 --> 00:19:11,371
Let's do it. Let's do it.
Let's fall in love.
426
00:19:11,372 --> 00:19:13,581
Bear with me.
Wish there was a bear with you,
427
00:19:13,582 --> 00:19:15,581
he'd probably make a better job
of it than you.
428
00:19:15,582 --> 00:19:16,841
Seriously, mate.
429
00:19:16,842 --> 00:19:19,730
Now there is a way of getting
from here to emails.
430
00:19:19,731 --> 00:19:21,331
You make it sound like Fort Knox.
431
00:19:21,332 --> 00:19:23,171
Fort! Steven Fort.
432
00:19:23,172 --> 00:19:24,971
It's not Steven Tent on line four.
433
00:19:24,972 --> 00:19:26,891
BOTH: It's Steven Fort on line ten.
434
00:19:26,892 --> 00:19:29,451
Right! Right, well,
let's go find him.
435
00:19:29,452 --> 00:19:32,051
Come on, then,
what's all the fuss about now?
436
00:19:32,052 --> 00:19:35,531
Let's go. Come on, let's travel!
Steven Fort on line ten.
437
00:19:35,532 --> 00:19:36,971
CLICK, DIAL TONE
438
00:19:36,972 --> 00:19:39,371
Just missed him I think.
439
00:19:39,372 --> 00:19:42,891
Here's what we've got coming up
for the rest of the show.
440
00:19:42,892 --> 00:19:44,841
Off air. 30 seconds, guys.
441
00:19:44,842 --> 00:19:46,221
Lynn, what's he doing?
442
00:19:46,222 --> 00:19:48,610
The new producer?
He seems pleased. Good.
443
00:19:48,611 --> 00:19:50,401
He gave Jennie a thumbs up. Jennie?
444
00:19:50,402 --> 00:19:54,251
Lynn, there are two Comic Relief
glitter cannons in the loading bay
445
00:19:54,252 --> 00:19:57,810
set aside because of concerns
over plastic pollution.
446
00:19:57,811 --> 00:19:59,810
I need them set off.
447
00:19:59,811 --> 00:20:02,480
Quickly! Use those hips
while they last.
448
00:20:02,481 --> 00:20:03,731
First positions.
449
00:20:05,222 --> 00:20:08,292
And we're back on in five, four...
450
00:20:10,811 --> 00:20:13,860
Now, some questions seem
to have been with us forever.
451
00:20:13,861 --> 00:20:16,221
Is there a God? To be or not to be?
452
00:20:16,222 --> 00:20:18,971
Should I ever buy a Japanese car?
453
00:20:18,972 --> 00:20:21,171
Should I ever buy a Korean car?
454
00:20:21,172 --> 00:20:23,891
Should I ever buy a Chinese car?
455
00:20:23,892 --> 00:20:25,091
No!
456
00:20:25,092 --> 00:20:26,331
In my opinion.
457
00:20:26,332 --> 00:20:31,221
But should Heathrow get a third
runway feels as old as the hills.
458
00:20:31,222 --> 00:20:33,690
Joining us now
from the British Airports Authority
459
00:20:33,691 --> 00:20:35,736
is our very own Ruth Duggan.
460
00:20:35,737 --> 00:20:38,170
Hello, Ruth. Hello, Jennie.
Hi, Ruth.
461
00:20:40,170 --> 00:20:42,529
Ruth, we've been here
before, haven't we?
462
00:20:42,530 --> 00:20:44,529
Actually, no.
It's my first time here.
463
00:20:44,530 --> 00:20:47,608
I meant... But it's certainly
a debate we've heard many times.
464
00:20:47,609 --> 00:20:49,249
That's absolutely right, Jennie.
465
00:20:49,250 --> 00:20:51,579
The ongoing question
of runway expansion.
466
00:20:51,580 --> 00:20:54,249
I'm not sure there's any talk
of expanding a runway.
467
00:20:54,250 --> 00:20:56,649
Isn't it about adding a runway?
Exactly right, Jennie.
468
00:20:56,650 --> 00:20:59,249
The benefits of a third runway
are well known,
469
00:20:59,250 --> 00:21:02,219
but a new study suggests the harm
caused by air traffic
470
00:21:02,220 --> 00:21:03,889
is worse than first thought.
471
00:21:03,890 --> 00:21:06,039
But if the flight path goes through
a residential area
472
00:21:06,040 --> 00:21:07,219
or even a school...
473
00:21:07,220 --> 00:21:09,529
They tend to pass over schools
rather than through them.
474
00:21:09,530 --> 00:21:11,009
But you take my point.
475
00:21:11,010 --> 00:21:12,808
I take your point.
You take my point.
476
00:21:12,809 --> 00:21:14,219
I take your point.
477
00:21:14,220 --> 00:21:15,478
I've forgotten my point now.
478
00:21:15,479 --> 00:21:17,399
Now, this study...
Which was your intention.
479
00:21:17,400 --> 00:21:20,169
...it found that children in schools
affected by aviation noise
480
00:21:20,170 --> 00:21:22,529
developed poorer reading
and memory skills.
481
00:21:22,530 --> 00:21:23,928
Absolutely right, Jennie.
482
00:21:23,929 --> 00:21:26,649
Just a five-decibel increase
in aircraft noise
483
00:21:26,650 --> 00:21:29,608
is associated with a two-month delay
in reading age.
484
00:21:29,609 --> 00:21:31,889
While some say that runway
expansion...
485
00:21:31,890 --> 00:21:33,249
A third runway.
486
00:21:33,250 --> 00:21:35,858
...will boost the British economy...
The UK economy.
487
00:21:35,859 --> 00:21:37,289
...by as much as 30 billion.
488
00:21:37,290 --> 00:21:38,728
Billion pounds.
489
00:21:38,729 --> 00:21:39,828
Was that not clear?
490
00:21:39,829 --> 00:21:41,549
Well, you didn't specify
the currency.
491
00:21:41,550 --> 00:21:43,349
It could've been 30 billion euros.
492
00:21:43,350 --> 00:21:45,269
Or 30 billion dollars.
Exactly, Jennie.
493
00:21:45,270 --> 00:21:47,309
Or 30 billion guineas,
or 30 billion francs,
494
00:21:47,310 --> 00:21:48,599
or 30 billion Deutschmarks.
495
00:21:48,600 --> 00:21:50,698
Oh, yeah, but they're euros now.
That's right, Jennie.
496
00:21:50,699 --> 00:21:53,469
And that's what the aviation lobby
wants to focus on,
497
00:21:53,470 --> 00:21:56,549
and not the health concerns
which could affect thousands.
498
00:21:56,550 --> 00:21:59,059
Thousands of what, Ruth?
But with so much at stake...
499
00:21:59,060 --> 00:22:01,779
Chairs? Beans? Cats?
..and the two sides so entrenched...
500
00:22:01,780 --> 00:22:04,349
Grapes? Crabs? ..expect the debate
to continue for some time.
501
00:22:04,350 --> 00:22:07,419
People. Ah, gotcha, sorry,
just wasn't clear, that's all.
502
00:22:07,420 --> 00:22:08,669
Ruth Duggan there.
503
00:22:08,670 --> 00:22:11,139
And who knows what the future
holds for Heathrow?
504
00:22:11,140 --> 00:22:15,469
That's the 64,000 question, brackets
dollars, eh, Ruth? She's gone.
505
00:22:15,470 --> 00:22:19,948
Now, imagine a holiday where instead
of just putting photos of your meals
506
00:22:19,949 --> 00:22:22,779
on Facebook, or daydreaming of the
better holiday you'd be having
507
00:22:22,780 --> 00:22:23,989
if you didn't have kids,
508
00:22:23,990 --> 00:22:26,349
you'd actually appreciate the place
you're in.
509
00:22:26,350 --> 00:22:30,309
Well, BBC One travel show
A Sense Of Place has captured
510
00:22:30,310 --> 00:22:32,059
the nation's imagination.
511
00:22:32,060 --> 00:22:33,419
Up and down the country,
512
00:22:33,420 --> 00:22:35,948
all the talk is about
its presenter Sam Chatwin.
513
00:22:35,949 --> 00:22:37,549
Some of it very positive.
514
00:22:37,550 --> 00:22:42,349
Here he is in Tanzania, having a run
in with a slightly curious hippo.
515
00:22:42,350 --> 00:22:44,600
It's hilarious, isn't it?
I haven't seen it.
516
00:22:45,949 --> 00:22:47,340
90 seconds, guys.
517
00:22:49,190 --> 00:22:51,698
Hello, you horrible lot! Ha-ha!
518
00:22:51,699 --> 00:22:55,389
Now, I couldn't come here without
bringing you some goodies, could I?
519
00:22:55,390 --> 00:22:57,909
Got some books from the TV series,
there you go.
520
00:22:57,910 --> 00:23:00,748
Who's a good catch? Ha-ha-ha.
521
00:23:00,749 --> 00:23:01,909
That's great!
522
00:23:01,910 --> 00:23:04,549
Oh, stick around, guys, I've got
a few things from the green room —
523
00:23:04,550 --> 00:23:07,139
two plain white towels,
a bottle of still water,
524
00:23:07,140 --> 00:23:09,549
a couple bottles of fizzy water.
525
00:23:09,550 --> 00:23:12,139
In fact, who wants this?
Over here, Alan!
526
00:23:12,140 --> 00:23:13,589
Hello, monkey.
527
00:23:13,590 --> 00:23:14,949
Hello, you. Hi, Sam.
528
00:23:16,110 --> 00:23:18,670
Nice to see you. At work.
529
00:23:20,550 --> 00:23:21,948
We should do this again.
530
00:23:21,949 --> 00:23:24,989
Actually, I've not seen you two guys
since I found out you were dating.
531
00:23:24,990 --> 00:23:27,469
It was that paparazzi shot of you
hugging over the tennis net
532
00:23:27,470 --> 00:23:28,948
with the headline "40 Love."
533
00:23:28,949 --> 00:23:30,589
I don't know where
they got the 40 from.
534
00:23:30,590 --> 00:23:32,878
Probably my age.
Well, it's close enough.
535
00:23:32,879 --> 00:23:34,549
I supposed there is no 49 love.
536
00:23:34,550 --> 00:23:36,519
But you make a cracking couple!
537
00:23:36,520 --> 00:23:38,589
Aw, thank you.
That's so kind of you to say.
538
00:23:38,590 --> 00:23:40,698
And I mean, the thing is,
I actually mean it.
539
00:23:40,699 --> 00:23:44,139
I mean, you know, like, contrasting
hair colours, that works well.
540
00:23:44,140 --> 00:23:46,989
Height differential —
large but manageable.
541
00:23:46,990 --> 00:23:49,549
And you've got, Sam, that extra
bit of public school confidence
542
00:23:49,550 --> 00:23:52,059
that makes up for any shortfall
Jennie might have.
543
00:23:52,060 --> 00:23:54,419
So you've got the right amount
of confidence between you.
544
00:23:54,420 --> 00:23:56,550
And we're back in five, four...
545
00:23:57,829 --> 00:24:00,139
A Sense Of Place there,
and I'm pleased to say we're
546
00:24:00,140 --> 00:24:04,948
joined by its creator and
friend of This Time, Sam Chatwin.
547
00:24:04,949 --> 00:24:07,059
APPLAUSE
Thank you so much Jennie, Alan.
548
00:24:07,060 --> 00:24:10,269
Sam Chatwin — producer, writer,
charitable fundraiser,
549
00:24:10,270 --> 00:24:12,748
and perhaps Britain's
best loved TV presenter.
550
00:24:12,749 --> 00:24:16,109
Ha-ha, best loved! I don't know
what gives you that idea.
551
00:24:16,110 --> 00:24:18,339
Well, I just lifted it from
your website. Right.
552
00:24:18,340 --> 00:24:19,979
But, I mean, who would dispute it?
553
00:24:19,980 --> 00:24:22,878
All of a sudden you are everywhere,
you're like iPhones or...
554
00:24:22,879 --> 00:24:26,059
Coffee shops. Or what else do you
see everywhere? Simon?
555
00:24:26,060 --> 00:24:27,549
Childhood obesity?
556
00:24:27,550 --> 00:24:29,628
What can I say? People have
responded to the show,
557
00:24:29,629 --> 00:24:31,909
testament, I think, to the
strength of the premise.
558
00:24:31,910 --> 00:24:33,779
And it's such a simple idea!
559
00:24:33,780 --> 00:24:36,748
You ask a celebrity to name
their favourite place
560
00:24:36,749 --> 00:24:40,469
and the two of you head there
and truly explore.
561
00:24:40,470 --> 00:24:42,828
So you've had the Giant's Causeway
with jenson Button...
562
00:24:42,829 --> 00:24:44,189
I'd love to see that.
563
00:24:44,190 --> 00:24:46,878
...Balmoral with Morgan Freeman...
I'd love to see that.
564
00:24:46,879 --> 00:24:48,629
...and North Wales
with Amanda Holden.
565
00:24:49,910 --> 00:24:52,698
And, of course,
Jennie Gresham in Reykjavik.
566
00:24:52,699 --> 00:24:55,519
Which, from the clips I saw,
looked wonderfully cosy.
567
00:24:55,520 --> 00:24:57,309
We became very close on that trip.
568
00:24:57,310 --> 00:25:00,029
And, you know, I think there's a lot
to be said for cosiness, Alan.
569
00:25:00,030 --> 00:25:03,309
For all the far flung places we go
to, there's comfort in the familiar.
570
00:25:03,310 --> 00:25:04,878
I mean, even coming here,
571
00:25:04,879 --> 00:25:06,698
I know I only guest presented
a few times,
572
00:25:06,699 --> 00:25:09,828
but the warmth of the welcome...
APPLAUSE
573
00:25:09,829 --> 00:25:12,309
...it always feels like
I'm coming home. Aw!
574
00:25:12,310 --> 00:25:13,909
I live here now.
575
00:25:13,910 --> 00:25:17,389
So, why do you think the show
has gained such an audience?
576
00:25:17,390 --> 00:25:20,979
I think, somehow we bottle the
Boys' Own adventure of those trips
577
00:25:20,980 --> 00:25:23,828
we enjoyed as children
and put it on the screen.
578
00:25:23,829 --> 00:25:27,948
You know, I fondly remember
long summer holidays.
579
00:25:27,949 --> 00:25:30,828
We'd just pack up
and head off to Kenya.
580
00:25:30,829 --> 00:25:33,748
Father would hand us a camera
and a notebook each,
581
00:25:33,749 --> 00:25:36,669
and we'd march off after breakfast
and just explore the place.
582
00:25:36,670 --> 00:25:40,159
Yeah. I remember packing up
and heading off to Anglesey,
583
00:25:40,160 --> 00:25:42,589
and Father would hand me
a jigsaw after breakfast
584
00:25:42,590 --> 00:25:43,909
and just say, "Do that."
585
00:25:43,910 --> 00:25:46,159
And, you know, it wasn't
until the next time we came
586
00:25:46,160 --> 00:25:50,339
together as a family, perhaps home
from school after Michaelmas...
587
00:25:50,340 --> 00:25:52,059
Michaelmas? Michaelmas term.
588
00:25:52,060 --> 00:25:55,419
Michaelmas? ..that we'd share our
photographs and jottings
589
00:25:55,420 --> 00:25:57,909
and this show is an attempt
to capture that magic.
590
00:25:57,910 --> 00:25:59,979
And now your show is now so popular
591
00:25:59,980 --> 00:26:02,339
that it's given rise
to a spin-off book.
592
00:26:02,340 --> 00:26:05,389
It has, although I tend not
to think of it as a spin off.
593
00:26:05,390 --> 00:26:08,868
I wanted it to be a book very much
in its own right, and I think it is.
594
00:26:08,869 --> 00:26:10,269
Yeah. I mean, absolutely.
595
00:26:10,270 --> 00:26:13,269
Because on the one hand, there's
A Sense Of Place, the TV show
596
00:26:13,270 --> 00:26:16,469
with Sam Chatwin, and then right
over here, you've got this book,
597
00:26:16,470 --> 00:26:18,549
A Sense Of Place, by Sam Chatwin:
598
00:26:18,550 --> 00:26:22,828
Tales From The Hit BBC One Show
A Sense Of Place With Sam Chatwin.
599
00:26:22,829 --> 00:26:25,109
I mean, if it captures some
of the magic of the show,
600
00:26:25,110 --> 00:26:28,979
that's all well and good. In fact,
there's a passage I'd like to read.
601
00:26:28,980 --> 00:26:30,469
Sam, I would like nothing more.
602
00:26:30,470 --> 00:26:32,618
It'd be like all my Michaelmasses
coming at once.
603
00:26:32,619 --> 00:26:34,159
But, alas, time is against us.
604
00:26:34,160 --> 00:26:37,469
We're about to witness a very
special moment of live TV.
605
00:26:37,470 --> 00:26:39,469
But for now, Sam Chatwin,
huge apols,
606
00:26:39,470 --> 00:26:41,828
but great to have you on the show.
607
00:26:41,829 --> 00:26:43,828
Thank you.
And I hope you both enjoy the book.
608
00:26:43,829 --> 00:26:45,419
Alan, you can keep that one. Cheers.
609
00:26:45,420 --> 00:26:46,779
Jennie, this one's for you.
610
00:26:46,780 --> 00:26:52,309
Now, TV often gets a bad rap — too
formulaic, too cynical, too lazy.
611
00:26:52,310 --> 00:26:55,159
But every so often, along comes
a heart-rending moment
612
00:26:55,160 --> 00:26:57,470
of real humanity...
It's blank. Oh! Really?
613
00:26:59,470 --> 00:27:02,519
Sam! Sam, what are you...?
614
00:27:02,520 --> 00:27:03,698
AUDIENCE GASP
615
00:27:03,699 --> 00:27:05,059
Jennie Gresham,
616
00:27:05,060 --> 00:27:08,229
I hope you'll forgive this rather
self-indulgent interruption
617
00:27:08,230 --> 00:27:10,779
but you mean
a great, great deal to me.
618
00:27:10,780 --> 00:27:14,619
And, recently, our relationship
has developed into something
619
00:27:14,620 --> 00:27:16,919
rather more, something special.
620
00:27:16,920 --> 00:27:19,878
I suppose, in my rather
English way, I'm...
621
00:27:19,879 --> 00:27:22,377
He's asking you to marry him. Yes!
622
00:27:22,378 --> 00:27:26,745
Oh, what a wonderful way
to end that section...
623
00:27:28,466 --> 00:27:29,825
KISSING
624
00:27:33,006 --> 00:27:34,395
...of the show.
625
00:27:34,396 --> 00:27:37,085
OK. They're saying can we see the
ring? So just this camera here.
626
00:27:37,086 --> 00:27:39,005
Oh, yes! There. That camera there.
There you go.
627
00:27:39,006 --> 00:27:40,775
As you can see,
a bit of a mad house here!
628
00:27:40,776 --> 00:27:42,135
But it's live TV.
629
00:27:42,136 --> 00:27:45,365
Move! Sam, Jennie,
colossal congratulations.
630
00:27:45,366 --> 00:27:47,565
Now, sometimes along comes
a piece of television...
631
00:27:47,566 --> 00:27:48,804
Mm, smell those! Mm, nice!
632
00:27:48,805 --> 00:27:50,315
Along comes a piece of television
633
00:27:50,316 --> 00:27:52,485
that makes you think, you know
what? We're not so...
634
00:27:52,486 --> 00:27:54,365
BANG
Oh! Oh!
635
00:27:54,366 --> 00:27:57,135
Amazing. That's not for them!
Thank you!
636
00:27:57,136 --> 00:27:59,247
It's not for you! It's not for you.
637
00:27:59,248 --> 00:28:01,941
Aw! It's for the long—lost brothers.
638
00:28:01,942 --> 00:28:04,191
Which I'm afraid we will have
to leave today.
639
00:28:04,192 --> 00:28:05,830
No, no, no! Apologies.
640
00:28:05,831 --> 00:28:08,580
Alas, the unplanned intervention
by this little so-and-so... No!
641
00:28:08,581 --> 00:28:10,761
Guilty! ..has knocked our timings
for six.
642
00:28:10,762 --> 00:28:12,151
Go and get one of the twins!
643
00:28:12,152 --> 00:28:15,071
Rest assured, we will reunite them
backstage... Either of them!
644
00:28:15,072 --> 00:28:17,790
...and give you the full story on how
it all went in tomorrow's show.
645
00:28:17,791 --> 00:28:19,191
I can do this, I can do this.
646
00:28:19,192 --> 00:28:20,381
I've got this, just get him out.
647
00:28:20,382 --> 00:28:22,631
Where is he? Bring him out. There.
648
00:28:22,632 --> 00:28:25,401
Clap him now! It's fine, I'll speak
fast. Now, George Reynard.
649
00:28:25,402 --> 00:28:28,191
Tom Reynard. Tom Reynard.
Why did I say George?
650
00:28:28,192 --> 00:28:30,071
I used to have a brother
called George. Right.
651
00:28:30,072 --> 00:28:31,991
Yes, sorry. Tom comes out first.
652
00:28:31,992 --> 00:28:33,511
Pardon? I've ruined it.
653
00:28:33,512 --> 00:28:35,431
Ruined what? Tom Reynard.
You and twin brother.
654
00:28:35,432 --> 00:28:37,511
Twin die in hospital.
Except that not true.
655
00:28:37,512 --> 00:28:38,710
Twin not die.
656
00:28:38,711 --> 00:28:40,790
Twin given up for adoption
cos Mum not cope.
657
00:28:40,791 --> 00:28:42,660
Say "Aw." Too slow.
AUDIENCE: Aw.
658
00:28:42,661 --> 00:28:44,071
Twin grow up in Sydney.
659
00:28:44,072 --> 00:28:47,301
He leave school, become plumber,
good job, cash in hand, pay no tax.
660
00:28:47,302 --> 00:28:48,861
Sorry, I sounded
a bit Chinese there.
661
00:28:48,862 --> 00:28:50,151
Five years back, mum die.
662
00:28:50,152 --> 00:28:51,710
Boo-hoo. He find papers.
663
00:28:51,711 --> 00:28:53,271
"Hang on, she not real mum."
664
00:28:53,272 --> 00:28:56,091
Try track down you, can't find,
but we help find.
665
00:28:56,092 --> 00:28:57,241
Brother here now.
666
00:28:57,242 --> 00:28:58,600
Where's Tom? I'm Tom.
667
00:28:58,601 --> 00:29:01,071
George, then! Did you hear all that?
This bloke's your twin.
668
00:29:01,072 --> 00:29:03,151
Going to cry? No?
669
00:29:03,152 --> 00:29:04,221
All right.
670
00:29:04,222 --> 00:29:05,301
Good bye.
671
00:29:05,302 --> 00:29:06,351
LIGHT APPLAUSE
672
00:29:06,352 --> 00:29:08,221
Terrible television.
673
00:29:08,222 --> 00:29:09,942
What about the caravan?
There isn't one.
54034
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