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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,527 --> 00:00:12,358 THE TYRANT FATHER 2 00:02:10,767 --> 00:02:14,043 It�s the best pair that we�ve seen around here IateIy... 3 00:02:14,087 --> 00:02:15,315 Yes, they�re very nice... 4 00:02:15,367 --> 00:02:17,403 They don�t make them any better abroad. 5 00:02:17,447 --> 00:02:19,836 The Portuguese have aIways been great shoemakers. 6 00:02:19,887 --> 00:02:23,367 - How much are they? - They�re inexpensive, 1 1 0 escudos. 7 00:02:23,367 --> 00:02:25,278 That�s good. I�II take them. 8 00:02:26,887 --> 00:02:28,320 Not those! 9 00:02:28,727 --> 00:02:31,639 - They�re horribIe. - Now, now, my Iady! 10 00:02:31,967 --> 00:02:33,798 The "�Diogenes"� modeI... 11 00:02:34,047 --> 00:02:37,084 You haven�t any with cork soIes? 12 00:02:37,367 --> 00:02:42,646 I wouIdn�t if I were you, my Iady, because they bottIe up the feet... 13 00:02:42,727 --> 00:02:46,276 The best pair were the ones I tried on in the first pIace. 14 00:02:46,327 --> 00:02:49,603 In the first pIace! It�s the same thing every time. 15 00:02:50,927 --> 00:02:53,680 - ShaII I wrap them up? - Yes, of course. 16 00:02:55,327 --> 00:02:58,478 One hundred and twenty... thirty... one hundred and fifty... 17 00:02:59,847 --> 00:03:01,963 - Thank you. - The souliers... 18 00:03:02,007 --> 00:03:05,363 - Thank you, Madame. - Here. I haven�t any change... 19 00:03:06,207 --> 00:03:07,799 As you wish, my Iady... 20 00:03:11,847 --> 00:03:13,075 This has to stop! 21 00:03:13,127 --> 00:03:16,447 Mr. Santana aIways gets to serve the gaIIant women that come to GrandeIa, 22 00:03:16,447 --> 00:03:20,167 whiIe I put up with the "�characters"�! - That�s not funny to Dona Candida... 23 00:03:20,167 --> 00:03:21,964 I didn�t mean to offend you. 24 00:03:22,007 --> 00:03:25,283 Mr. Chico, who wouId have thought in my days of naivet�... 25 00:03:26,687 --> 00:03:28,166 There�s no rehearsaI Iater today, is there? 26 00:03:28,207 --> 00:03:32,167 Of course there is! We�re very behind. The recitaI is on the 20th 27 00:03:32,167 --> 00:03:37,007 and our Drama Group can�t disappoint on the day of its Anniversary. 28 00:03:37,007 --> 00:03:38,759 The "�GrandeIinhas"� have never disappointed! 29 00:03:38,807 --> 00:03:42,356 No, but keep missing rehearsaIs and you�II see just how disappointing! 30 00:03:42,407 --> 00:03:44,367 - No one�s been warned about it. - Machado didn�t warn them? 31 00:03:44,367 --> 00:03:45,687 Nobody said anything to me. 32 00:03:45,687 --> 00:03:48,804 If it wasn�t for me, the group wouId coIIapse! 33 00:03:48,847 --> 00:03:51,527 What counts is that no one ever catches me in my bare feet! 34 00:03:51,527 --> 00:03:56,207 Mr. Mega, as the decorator is sick, and you have such good taste... 35 00:03:56,207 --> 00:03:59,517 PIease go and arrange the smaII window in Assun��o Street. 36 00:03:59,567 --> 00:04:02,001 - With pIeasure! - Such good taste! 37 00:04:03,847 --> 00:04:05,485 Want me to teII the boys that tonight there�s a rehearsaI? 38 00:04:05,527 --> 00:04:09,645 Of, course, teII them. Of course, there is! And don�t you miss it! 39 00:04:17,407 --> 00:04:18,726 Let me try! 40 00:04:28,647 --> 00:04:30,126 Do it carefuIIy... 41 00:04:39,527 --> 00:04:42,127 ImpossibIe! Making a boy cry Iike that... 42 00:04:42,127 --> 00:04:45,642 If you were a mother you wouIdn�t treat chiIdren Iike that! 43 00:04:47,047 --> 00:04:51,247 ChiIdren are sweethearts! Later tonight there�s a rehearsaI. 44 00:04:51,247 --> 00:04:54,080 - I�m stiII to pIay the cynic? - Of course, and you�II pIay it weII. 45 00:04:54,127 --> 00:04:57,127 PIay it weII! Santana doesn�t want to Iet me shine... 46 00:04:57,127 --> 00:04:59,967 Now, drop aII that. The maestro isn�t capabIe of such a thing. 47 00:04:59,967 --> 00:05:02,765 You onIy say that because you aIways get the main roIes. 48 00:05:03,607 --> 00:05:05,916 When wiII I pIay "�Don Manfredo"�? 49 00:05:07,167 --> 00:05:10,876 Get back, viIe skin! For faith, doomed souI! 50 00:05:11,207 --> 00:05:14,916 If you I don�t kiII, My sword most certainIy wiII! 51 00:05:20,367 --> 00:05:25,521 Does Your ExceIIency prefer Marras- quino or Rum, Mr. Attorney GeneraI? 52 00:05:36,767 --> 00:05:38,807 - There�s a rehearsaI Iater tonight. - FortunateIy! 53 00:05:38,807 --> 00:05:41,082 Have the others been warned? And you, don�t miss it, either! 54 00:05:41,127 --> 00:05:43,407 I won�t. I�m going to warn Pinto and Gracinha. 55 00:05:43,407 --> 00:05:45,087 - How are the Iovers? - What Iovers? 56 00:05:45,087 --> 00:05:47,282 You�re going around making that girI suffer... 57 00:05:47,327 --> 00:05:49,443 In the rehearsaIs she even acts as though it were serious. 58 00:05:49,487 --> 00:05:51,727 I onIy Iike Gracinha to share scenes with. 59 00:05:51,727 --> 00:05:54,367 She�s a dramatic presence, she makes it... 60 00:05:54,367 --> 00:05:58,645 She makes it, aIright. She makes it with you especiaIIy, you rascaI! 61 00:06:01,047 --> 00:06:04,278 - I�ve got chiIbIains! - I noticed, Madame. 62 00:06:04,367 --> 00:06:07,040 WeII, it doesn�t seem Iike you noticed! 63 00:06:07,367 --> 00:06:08,766 AIIow me... 64 00:06:10,127 --> 00:06:12,960 - Good morning, Gracinha! - What brings you up here? 65 00:06:13,007 --> 00:06:16,487 The management asked me to arrange the shop-window of Assun��o Street. 66 00:06:16,487 --> 00:06:19,047 But Assun��o Street is down beIow... 67 00:06:21,247 --> 00:06:24,205 - Is it fiIIed yet? - I�m sorry, Madame. 68 00:06:24,287 --> 00:06:28,519 It seems impossibIe! Look here, if the mustard gets into my nose... 69 00:06:30,327 --> 00:06:31,601 BIess you. 70 00:06:32,087 --> 00:06:34,237 Conversation is not eIastic. 71 00:06:34,727 --> 00:06:38,402 Now, you don�t want to see the soda pop with no bubbIes! 72 00:06:38,807 --> 00:06:40,320 Madame, wiII you be taking the gIoves? 73 00:06:40,367 --> 00:06:43,916 I�II take the gIoves, and with my dress aII dirty! 74 00:06:45,487 --> 00:06:47,239 PIease sign this biII for me. 75 00:06:47,327 --> 00:06:49,687 - WouId you Iike me to bIow it off? - That won�t be necessary! 76 00:06:49,687 --> 00:06:53,043 I�ve had just enough of your Iack of consideration! 77 00:06:53,087 --> 00:06:56,443 And you can keep the gIoves, you impudent man! 78 00:07:00,967 --> 00:07:02,798 She even gives off smoke! 79 00:07:05,607 --> 00:07:07,327 Good thing I met up with you. 80 00:07:07,327 --> 00:07:10,046 Mr. Santana toId me to teII you there�s a rehearsaI Iater tonight. 81 00:07:10,127 --> 00:07:13,087 You�ve been there aII morning and onIy now do you teII us about it? 82 00:07:13,087 --> 00:07:14,759 - It escaped me... - It escaped you? 83 00:07:14,847 --> 00:07:16,599 And you�re the one who wants to be the stage-manager. 84 00:07:16,647 --> 00:07:19,087 I want to be a stage-manager, not a prompter. 85 00:07:19,087 --> 00:07:22,284 - Now that you�re aII informed I�m off. - And I�m off to my Iife. 86 00:07:23,007 --> 00:07:27,000 The principaI quaIity of a stage- manager is having patience. 87 00:07:27,127 --> 00:07:30,039 WeII then get ready to hear it from Mr. Santana. 88 00:07:52,847 --> 00:07:55,127 They�ve Iost their enthusiasm for the theatre! 89 00:07:55,127 --> 00:07:58,403 There�s no dedication, nobody cares! They aII just think about the cinema! 90 00:07:58,527 --> 00:08:01,678 They�II trade the great TaIma for any oId CIark GabIe! 91 00:08:01,727 --> 00:08:04,207 Even Chico... A Iad with such a knack... 92 00:08:04,207 --> 00:08:07,327 My greatest discipIe; and he�s crazy about a girI that Ioves movies! 93 00:08:07,327 --> 00:08:09,318 That�s why he�s aIways missing rehearsaIs. 94 00:08:09,367 --> 00:08:11,835 - Yes, aII because of that Tat�o. - That what? 95 00:08:11,887 --> 00:08:16,085 A girI that works in a perfume store, and goes by the name Tat�o. 96 00:08:16,127 --> 00:08:17,487 Goodness, Tat�o! 97 00:08:17,487 --> 00:08:20,718 And he�s so in Iove with Tat�o, that he�s not at aII interested in Gracinha. 98 00:08:20,767 --> 00:08:24,807 Poor thing, such a sweet IittIe girI, and she Iikes him so much... 99 00:08:24,807 --> 00:08:27,241 ThankfuIIy, she doesn�t know anything about it and she mustn�t find out... 100 00:08:27,287 --> 00:08:29,687 ... or there goes the equiIibrium of our company. 101 00:08:29,687 --> 00:08:34,363 -And this Tat�o is a fan of the movies? - She is, she�s crazy about the screen. 102 00:08:34,407 --> 00:08:38,559 And that pIatonic imbeciIe is just crazy about Tat�o! 103 00:08:39,647 --> 00:08:40,966 About Tat�o... 104 00:08:41,647 --> 00:08:43,717 It�s not a woman it�s a drum! 105 00:09:19,727 --> 00:09:21,638 And so, Tat�o... Does Ginger get married in the end? 106 00:09:21,727 --> 00:09:24,116 Of course! But she�s so dim, she doesn�t marry the miIIionaire. 107 00:09:24,207 --> 00:09:27,165 - She prefers a penniIess doctor! - Is the miIIionaire CharIes Boyer? 108 00:09:27,247 --> 00:09:30,364 That�s a Iaugh, CharIes Boyer doesn�t even make movies with Ginger. 109 00:09:30,447 --> 00:09:31,926 And who pIays the poor doctor? 110 00:09:32,047 --> 00:09:35,562 I don�t know, but he has the face of an idiot, the other one is much nicer. 111 00:09:35,647 --> 00:09:37,638 For you, it�s enough that he�s a miIIionaire... 112 00:09:37,687 --> 00:09:40,599 Not a chance! Don�t you see I�m waiting to end up with a poor man anyway? 113 00:09:40,687 --> 00:09:42,439 If he has good sentiments... 114 00:09:42,527 --> 00:09:45,803 Good sentiments and a bad saIary aren�t enough for the rent... 115 00:09:45,887 --> 00:09:48,685 And a good saIary with bad sentiments doesn�t make anyone happy. 116 00:09:48,767 --> 00:09:51,076 - This is aII about me? - It�s about you, yes ma�am. 117 00:09:52,487 --> 00:09:55,206 - She thinks you shouId marry Chico. - You wished! 118 00:09:55,287 --> 00:09:57,926 Rather Chico than that Mr. Artur de Castro. 119 00:09:58,007 --> 00:10:01,283 I don�t know why. He�s a reaIIy fine man. 120 00:10:01,367 --> 00:10:03,676 Have you found out if he�s a miIIionaire? 121 00:10:03,727 --> 00:10:06,639 -At Ieast he isn�t a cIerk at GrandeIa! - What�s wrong with that? 122 00:10:06,687 --> 00:10:10,316 - And us? Aren�t we cIerks, too? - I�m not saying Chico�s a bad guy... 123 00:10:10,527 --> 00:10:13,280 ... but I have other aspirations. 124 00:10:13,367 --> 00:10:17,406 And he�s wearisome with his phiIosophies and with his jeaIousy. 125 00:10:17,447 --> 00:10:21,042 He made such a fuss about seeing me speaking to Artur... 126 00:10:21,087 --> 00:10:23,317 that he prohibited me from waIking home with him. 127 00:10:30,607 --> 00:10:32,086 Poor guy. 128 00:10:32,167 --> 00:10:36,319 Just Iooking at Artur, you can teII right away that it�s something eIse. 129 00:10:38,927 --> 00:10:40,280 Speak of the deviI... 130 00:10:47,247 --> 00:10:50,444 - What do you desire? - I desire that your friend serves me. 131 00:10:51,367 --> 00:10:53,164 - No�mia? - No, Tat�o. 132 00:10:54,087 --> 00:10:58,285 She�II serve you just now. And maybe sooner than you think... 133 00:10:58,407 --> 00:11:02,446 When that happens, I�II offer you a bottIe of "�SiIver Night"�. 134 00:11:02,487 --> 00:11:04,921 - The big one? - The biggest there is. 135 00:11:05,767 --> 00:11:08,998 Right, weII then, profit the tides and accompany her home today. 136 00:11:09,087 --> 00:11:10,805 But what about that other... 137 00:11:10,887 --> 00:11:15,005 He�s out. Take her to the movies and don�t worry about your rivaI. 138 00:11:15,087 --> 00:11:16,725 Thanks for the advice. 139 00:11:16,807 --> 00:11:22,404 Ladies prefer decisive gentIemen Iike yourseIf. Chico has no sex-appeaI... 140 00:11:45,087 --> 00:11:47,681 Either it�s my vision, or you are Tat�o! 141 00:11:49,887 --> 00:11:50,763 No... 142 00:11:50,847 --> 00:11:52,439 You�re not Tat�o... 143 00:11:53,487 --> 00:11:54,886 You�re a mannequin. 144 00:11:56,527 --> 00:11:59,439 And in the end Tat�o... is aIso a mannequin. 145 00:12:00,567 --> 00:12:05,004 She has no souI, and she hasn�t a heart, just Iike you don�t have either. 146 00:12:06,247 --> 00:12:08,761 But she�s beautifuI, and eIegant 147 00:12:08,847 --> 00:12:11,122 and she Iikes to dress weII... 148 00:12:11,207 --> 00:12:13,516 ... as you aIso Iike to. 149 00:12:14,247 --> 00:12:16,636 You and her are the same. 150 00:12:16,767 --> 00:12:18,564 I know how it is. 151 00:12:19,167 --> 00:12:21,158 But that�s of no use to me... 152 00:12:21,247 --> 00:12:26,241 The more I try, I just can�t rip out this passion I have within me. 153 00:12:27,087 --> 00:12:29,555 - Passion! - What did he say? Passion? 154 00:12:29,647 --> 00:12:30,966 Passion! 155 00:12:32,047 --> 00:12:34,607 He says he�s got passion, did you hear that? 156 00:12:39,447 --> 00:12:42,564 Tat�o, my beautifuI mannequin! 157 00:12:43,207 --> 00:12:48,327 If we were two birds, I couId fIy away with you to great heights. 158 00:12:48,647 --> 00:12:50,797 FIying, fIying... 159 00:12:52,207 --> 00:12:53,720 He says he wants to fIy! 160 00:12:53,847 --> 00:12:56,725 I AM MUTE, PLEASE BUY FROM ME! 161 00:12:57,487 --> 00:13:00,445 For you, I�d make any and aII sacrifices. 162 00:13:00,527 --> 00:13:05,601 I�d steaI, I�d kiII, I�d work night shifts for free,if that made you happy. 163 00:13:05,727 --> 00:13:09,481 I�d even be abIe to go to the cinema, and I don�t even Iike the movies... 164 00:13:09,567 --> 00:13:11,683 I couId go to the Garden of Eden with you... 165 00:13:11,847 --> 00:13:14,122 It seems the doII wants to go to Eden! 166 00:13:14,207 --> 00:13:15,322 To Eden? 167 00:13:15,407 --> 00:13:16,965 To Eden! 168 00:13:17,047 --> 00:13:19,880 She�s going to Eden, you understand? 169 00:13:33,167 --> 00:13:34,964 Even the mutes!... 170 00:13:52,727 --> 00:13:56,436 That�s not it at aII! The curtain Iooks Iike it has hiccups! 171 00:13:56,847 --> 00:14:00,078 The perfect rise of the main curtain is fundamentaI! 172 00:14:00,927 --> 00:14:03,236 When it raises dramaticaIIy, 173 00:14:03,367 --> 00:14:06,598 the audience is immediateIy transported to the scene! 174 00:14:06,727 --> 00:14:10,083 But, Mr. Santana there is onIy one question here... 175 00:14:10,167 --> 00:14:13,796 Either I raise the curtain, or I thump with the stick. 176 00:14:14,047 --> 00:14:16,641 Man! In the theatre, there�s aIways time for everything. 177 00:14:16,767 --> 00:14:20,237 - You�ve got the stick in your hand... - Right, the stick�s in my hand. 178 00:14:20,967 --> 00:14:22,764 1 , 2, 3, 4, 179 00:14:22,847 --> 00:14:23,757 5, 6, 7... 180 00:14:24,287 --> 00:14:26,596 1 ... 2... 3... 181 00:14:27,167 --> 00:14:28,316 4... 182 00:14:29,127 --> 00:14:31,118 5... 6... 7. 183 00:14:31,207 --> 00:14:32,162 You see? 184 00:14:32,407 --> 00:14:33,556 I see. 185 00:14:33,807 --> 00:14:36,958 In theory, this is aII fine and good. 186 00:14:37,087 --> 00:14:39,999 But in practice, it doesn�t work... 187 00:14:40,087 --> 00:14:43,284 It doesn�t work? No? It doesn�t work! Did you hear that?! 188 00:14:43,367 --> 00:14:45,244 I�ve gone 34 years in the theatre, 189 00:14:45,327 --> 00:14:48,763 and it�s the first time my timing theory is doubted! 190 00:14:50,047 --> 00:14:54,006 - The times are changing greatIy. - And they�II change even more... 191 00:14:54,687 --> 00:14:59,681 ... whiIe there�s such a Iack of dedi- cation and of spirit of coIIaboration! 192 00:15:00,807 --> 00:15:02,399 - They wiII? - They wiII... 193 00:15:03,367 --> 00:15:05,881 Right, do you know the timing by heart? 194 00:15:06,527 --> 00:15:10,202 - I know the numbers. - The numbers... Let�s see... 195 00:15:10,527 --> 00:15:11,596 We�II see. 196 00:15:11,927 --> 00:15:13,838 Maestro Santana is wasting his time. 197 00:15:13,927 --> 00:15:17,442 And in this group, one�s true taIents are never tested... 198 00:15:18,447 --> 00:15:20,244 - Right, Iower me the curtain... - Lower it down? 199 00:15:26,807 --> 00:15:27,762 You may begin. 200 00:15:28,087 --> 00:15:30,726 - 1 , 2, 3, 4, 5... - 6, 7... 201 00:15:32,047 --> 00:15:34,356 Now, with pauses... One... 202 00:15:35,327 --> 00:15:37,602 Two... Three... 203 00:15:38,087 --> 00:15:40,043 Four... Now hang... 204 00:15:44,447 --> 00:15:46,677 Five, six, seven... 205 00:15:49,447 --> 00:15:53,486 God forbid! They�ve smashed the machinery to pieces! 206 00:15:55,527 --> 00:15:58,519 But that wasn�t raising, that was Iowering! 207 00:15:58,687 --> 00:16:01,360 Mr. Santana, isn�t there a rehearsaI today? 208 00:16:02,407 --> 00:16:04,045 Is everyone here? 209 00:16:04,207 --> 00:16:05,720 OnIy Chico is missing. 210 00:16:05,807 --> 00:16:08,719 It�s aIways the same, that man aIways arrives Iate, if he arrives at aII! 211 00:16:08,807 --> 00:16:10,843 Maybe he went to the movies... 212 00:16:10,927 --> 00:16:15,079 Chico the movie buff! That notion doesn�t fit into anyone�s Iogic! 213 00:16:16,127 --> 00:16:17,879 And here I too, don�t fit! 214 00:16:17,967 --> 00:16:20,356 Machado, raise me this curtain! 215 00:16:21,407 --> 00:16:23,125 That�s going to take some time. 216 00:16:26,007 --> 00:16:26,917 1 ... 217 00:16:28,087 --> 00:16:28,997 2... 218 00:16:29,607 --> 00:16:30,960 3... 219 00:16:32,887 --> 00:16:34,684 In my day, peopIe were on time. 220 00:16:34,807 --> 00:16:38,004 None of this abandonment, this Iack of dedication! 221 00:16:38,087 --> 00:16:39,839 Don�t be angry, Mr. Santana, I�m here now! 222 00:16:39,927 --> 00:16:42,760 And yet stiII you arrive with an innocent face! 223 00:16:42,847 --> 00:16:44,326 Good evening everyone. 224 00:16:44,407 --> 00:16:47,638 How are you Dona Candida? How are you my IittIe goIdfinch? 225 00:16:47,847 --> 00:16:51,362 - Maybe he saw some new bird? - This taIk of birds, it�s about me? 226 00:16:51,447 --> 00:16:53,403 To me you�re nothing more than a sparrow! 227 00:16:53,447 --> 00:16:55,756 You can be as angry as you wish... 228 00:17:08,927 --> 00:17:10,918 - Hypocrite! - Mr. Santana... 229 00:17:11,167 --> 00:17:13,397 I�m the happiest man in the worId! 230 00:17:15,167 --> 00:17:17,442 Imagine, a room became vacant at Dona Em�Iia�s 231 00:17:17,487 --> 00:17:19,318 and tomorrow I�m having Iunch with her! 232 00:17:19,407 --> 00:17:21,637 Now you�ve got an Em�Iia, too? Haven�t you any shame at aII? 233 00:17:21,727 --> 00:17:24,082 Dona Em�Iia is her godmother! 234 00:17:26,167 --> 00:17:30,001 I took to take my cases over there and it�s onIy 300 000 reis a month! 235 00:17:30,087 --> 00:17:32,647 Dona Em�Iia costs 300 000 per month? You�re nuts! 236 00:17:32,687 --> 00:17:35,042 I�m nuts but I�m happy! 237 00:17:35,087 --> 00:17:38,443 And I�II be eating and sIeeping near my beIoved Tat�o! 238 00:17:38,727 --> 00:17:39,364 What? 239 00:17:40,087 --> 00:17:42,920 - Tat�o�s godmother owns a guesthouse. - So what? 240 00:17:43,007 --> 00:17:47,159 I found out that there�s a vacancy so I moved in without hesitating. 241 00:17:47,207 --> 00:17:49,038 You�re a disaster! Now you�ve done it! 242 00:17:49,087 --> 00:17:52,762 She doesn�t know yet! Imagine her surprise tomorrow at breakfast! 243 00:17:52,847 --> 00:17:55,042 She won�t eat. She�II go to work on an empty stomach. 244 00:17:55,127 --> 00:17:56,879 -You think? -Don�t you think? 245 00:17:56,967 --> 00:17:59,527 - What about IittIe Gracinha? - I�II teII her aII about it. 246 00:17:59,647 --> 00:18:02,115 That wouId be hiIarious! Don�t you see? 247 00:18:02,407 --> 00:18:06,400 If you teII her what�s going on, she�II Ieave the Group, Ieave GrandeIa... 248 00:18:06,487 --> 00:18:09,160 ... and become yet another unempIoyed artist? 249 00:18:10,207 --> 00:18:12,402 You don�t teII her about a thing! 250 00:18:12,487 --> 00:18:14,284 Remember the recitaI is on the 20th, 251 00:18:14,367 --> 00:18:16,881 and the "�GrandeIinhas"� mustn�t disappoint. 252 00:18:16,967 --> 00:18:20,357 - But I onIy Iike Tat�o... - I�m not teIIing you to not Iike her! 253 00:18:20,487 --> 00:18:23,559 But here, Gracinha is your girIfriend! 254 00:18:23,647 --> 00:18:26,764 In the theatre, everything�s conventionaI. 255 00:18:28,527 --> 00:18:31,121 LittIe Chico must be getting it good... 256 00:18:31,207 --> 00:18:33,675 Your ExceIIency summoned? 257 00:18:35,087 --> 00:18:38,045 I�II do everything the Maestro orders. 258 00:18:38,607 --> 00:18:40,643 I sacrifice myseIf to Art. 259 00:18:40,727 --> 00:18:41,716 Bravo! 260 00:18:42,047 --> 00:18:44,163 Ars super omnia! 261 00:18:44,607 --> 00:18:45,676 Give me a hug. 262 00:18:57,367 --> 00:19:00,165 Don�t come to me with hugs. I�m not moved 263 00:19:00,247 --> 00:19:04,399 nor do I accept your apoIogies for not arriving on time. 264 00:19:04,447 --> 00:19:06,085 That�s the way I am! 265 00:19:06,127 --> 00:19:07,924 I caII a spade a spade! 266 00:19:14,847 --> 00:19:16,360 Mr. Prata, wouId you Iike some more cheese? 267 00:19:16,447 --> 00:19:19,120 And more bread, too, pIease. I�m a reaI bread-eater. 268 00:19:19,207 --> 00:19:21,243 Bread-eater, soup-eater, and meat-eater! 269 00:19:21,367 --> 00:19:23,835 I haven�t the sIightest where you put it aII! 270 00:19:24,687 --> 00:19:29,078 WhiIe we�re on it, Miss Laura, don�t forget to put some fruit in my Iunchbox. 271 00:19:29,167 --> 00:19:33,718 - I aIready have. Today, it�s Ioquats. - Loquats! A fruit fuII�s of pits! 272 00:19:34,007 --> 00:19:36,043 Fruit is as dear as Iife, Mr. Prata. 273 00:19:36,247 --> 00:19:39,557 Good morning, Dona Em�Iia, Mr. Prata. Good morning, Laura... 274 00:19:41,487 --> 00:19:45,639 - Have you read the newspaper? - Why? Is there some bad news? 275 00:19:45,727 --> 00:19:49,322 No. It just that I haven�t read it, and you might know something or other. 276 00:19:49,447 --> 00:19:53,520 By Jove! Miss Am�Iia aIways gives us a fright or two... 277 00:19:53,727 --> 00:19:56,480 You were frightened. How funny that is! 278 00:19:56,567 --> 00:19:57,841 Miss Am�Iia! 279 00:19:58,167 --> 00:20:00,283 It�s aIready twenty minutes to nine. 280 00:20:00,367 --> 00:20:03,723 - Miss Laura... - I know aIready. You want Iettuce... 281 00:20:05,207 --> 00:20:08,836 My Iady, if I aIready know he onIy eats cricket food, 282 00:20:08,927 --> 00:20:11,236 why does he teII me every day? 283 00:20:11,327 --> 00:20:15,525 - The cricket is indeed a sage beast. - How do you know that, sir? 284 00:20:15,607 --> 00:20:18,724 It feeds itseIf excIusiveIy on vegetabIes, 285 00:20:18,807 --> 00:20:21,605 thus abiding by the sane Iaw of nature. 286 00:20:22,047 --> 00:20:23,958 That�s so funny! 287 00:20:24,047 --> 00:20:26,402 Miss Laura, give me the quince jam. 288 00:20:26,487 --> 00:20:29,240 Quinces are aIso a vegetabIe! 289 00:20:30,407 --> 00:20:31,601 Good day! 290 00:20:35,807 --> 00:20:36,762 Good day. 291 00:20:38,727 --> 00:20:43,198 My friends, Iet me introduce you to my new guest, and your tabIe companion... 292 00:20:43,247 --> 00:20:45,841 - Mr. Francisco... - Mega. 293 00:20:45,887 --> 00:20:47,525 That�s so funny! 294 00:20:47,567 --> 00:20:51,162 Mr. Francisco Mega, is a very decent person, a cIerk at the GrandeIa store. 295 00:20:51,207 --> 00:20:55,086 I�m certain we�II aII get aIong just fine. If you pIease... 296 00:21:01,927 --> 00:21:04,805 - I find you to be very nice. - Thank you. 297 00:21:04,887 --> 00:21:06,878 Miss Am�Iia dos Santos, typist... 298 00:21:07,167 --> 00:21:10,955 Ad�o Prata, accountant. WouId you Iike some jam? Cheese? 299 00:21:11,047 --> 00:21:12,958 Some butter? Sugar? 300 00:21:13,607 --> 00:21:15,245 Thank you, very much. 301 00:21:15,487 --> 00:21:19,162 My friend, you�re aIso one of those peopIe that poisons himseIf... 302 00:21:20,527 --> 00:21:22,643 Pay no attention, that one is crazy. 303 00:21:23,607 --> 00:21:26,246 It remains to introduce you to Mr. CiriIo. 304 00:21:29,647 --> 00:21:32,639 CiriIoff AIeksandervich Popov. 305 00:21:33,167 --> 00:21:34,725 - Laura... - It�s her! 306 00:21:37,567 --> 00:21:40,718 Laura hurry, my coffee with miIk. It�s 9:1 5, and I start at nine sharp. 307 00:21:40,807 --> 00:21:42,559 I have IittIe time to spare. 308 00:21:44,847 --> 00:21:47,600 PIease be seated, I�m not one for ceremonies... 309 00:21:48,807 --> 00:21:51,879 Good morning, Mr. Prata. Good morning, Miss Tat�o! 310 00:21:52,127 --> 00:21:54,687 I answered for you, because right now you�re unabIe to, sir. 311 00:21:58,807 --> 00:22:00,286 What�s this?! 312 00:22:03,727 --> 00:22:06,685 Laura... A cIean napkin. That one feII on the fIoor. 313 00:22:07,927 --> 00:22:10,157 Tat�o, this gentIeman is our new guest... 314 00:22:10,967 --> 00:22:13,356 I know him quite weII. 315 00:22:13,447 --> 00:22:15,438 You aIready know each other! 316 00:22:15,527 --> 00:22:18,121 I�m not surprised, you both work in the same street. 317 00:22:18,247 --> 00:22:22,035 ExactIy, Madame, but I don�t onIy know her from the counter (baIcony)... 318 00:22:22,127 --> 00:22:26,598 The baIcony? Dona Em�Iia and Tat�o usuaIIy go sit in the main audience. 319 00:22:26,687 --> 00:22:29,326 I�m not referring to the baIcony of pIeasure, 320 00:22:29,367 --> 00:22:31,562 but the counter where one works... 321 00:22:31,647 --> 00:22:34,161 And the counter where I work is waiting for me. 322 00:22:35,327 --> 00:22:37,557 Good bye, Godmother. See you Iater. 323 00:22:37,647 --> 00:22:39,797 God onIy hopes that no idiot comes after me. 324 00:22:49,127 --> 00:22:51,482 As I�m going down, if you want, I�II accompany you. 325 00:22:51,607 --> 00:22:53,677 Let me just finish this bit of jam... 326 00:22:54,287 --> 00:22:56,039 Thank you, very much but that won�t be necessary. 327 00:22:56,127 --> 00:23:00,086 If a fooI tries anything with me, he�II get my purse in his face! 328 00:23:06,847 --> 00:23:08,280 Wipe yourseIf with this napkin. 329 00:24:31,767 --> 00:24:35,521 How dare he? To be so shameIess as to invade my house! 330 00:24:37,687 --> 00:24:40,281 But I threatened him with a purse in the face... 331 00:24:40,367 --> 00:24:44,155 She even threatened him with a purse in the face... 332 00:24:44,407 --> 00:24:47,524 She even threatened me with a purse in the face... 333 00:24:47,807 --> 00:24:50,719 What a big pair of shoes for you to fiII! 334 00:24:54,887 --> 00:24:59,358 I�II go over to GrandeIa and buy some shoes to amuse myseIf a IittIe bit. 335 00:24:59,407 --> 00:25:02,558 When he sees me, it�s Iike he�s seeing the deviI! 336 00:25:02,607 --> 00:25:03,926 See you soon... 337 00:25:04,407 --> 00:25:07,877 What�s more, that girI isn�t right for you that is simpIy fundamentaI... 338 00:25:07,967 --> 00:25:09,923 Besides, you don�t know anything about women! 339 00:25:09,967 --> 00:25:13,437 You Iower yourseIf too much, you squat before them! 340 00:25:13,487 --> 00:25:15,842 And they make fun of you. 341 00:25:15,967 --> 00:25:18,527 Knowing how to cIean one�s Iadder is a science. 342 00:25:18,647 --> 00:25:21,002 To cIimb in a woman�s concept, 343 00:25:21,127 --> 00:25:24,881 one must be Iess sentimentaI, and pay them Iess attention. 344 00:25:25,007 --> 00:25:27,680 OnIy that way can a man cIimb, 345 00:25:27,767 --> 00:25:29,519 and cIimb untiI he reaches where he wants to. 346 00:25:29,687 --> 00:25:33,202 Doing it as you do, one aIways gets hit with a fIying Iid. 347 00:25:33,247 --> 00:25:37,160 Just see if that fop, Artur, doesn�t taIk the taIk... He knows them aII. 348 00:25:37,247 --> 00:25:38,441 Do as I teII you, 349 00:25:38,527 --> 00:25:40,757 and one day you�II see that in the heart of that petuIant girI... 350 00:25:40,847 --> 00:25:43,680 ...you�re on top, and he�s on the bottom. 351 00:25:44,247 --> 00:25:46,602 Good afternoon! What do you wish, sir? 352 00:25:46,687 --> 00:25:49,326 I wish to be served by that gentIeman. 353 00:25:57,887 --> 00:26:00,606 - Do you have boots for hunting? - Boots with bunting we don�t have! 354 00:26:00,687 --> 00:26:02,996 There�s paper bunting, cIoth bunting, 355 00:26:03,087 --> 00:26:05,123 but they�re in another section of the store. 356 00:26:05,247 --> 00:26:08,364 I�m sorry sir, but he didn�t understand you. 357 00:26:08,407 --> 00:26:12,719 This gentIeman wants boots for hunting, not boots with bunting! 358 00:26:13,247 --> 00:26:16,364 ReaIIy, this gentIeman appears to be pIaying around with me... 359 00:26:16,447 --> 00:26:20,599 Not at aII, sir. You see my coIIeague is a bit perturbed today... 360 00:26:20,647 --> 00:26:23,719 - Pardon me, Mr. Santana... - Man, do as I say! 361 00:26:23,807 --> 00:26:27,163 Bring me the medium cut, white Ieather with the reinforced soIe. Size? 362 00:26:27,247 --> 00:26:29,841 - Forty-two. - Forty-two, very weII... 363 00:26:29,927 --> 00:26:32,395 - Excuse me, but Mr. Santana... - Man, do as I say! 364 00:26:32,487 --> 00:26:34,079 Now, if you pIease... 365 00:26:39,927 --> 00:26:43,044 PIease forgive him, sir. He�s out of his own skin. 366 00:26:43,127 --> 00:26:46,722 He�II soon be out of the GrandeIa store after I�m through making my compIaint. 367 00:26:46,767 --> 00:26:50,726 - Don�t do that, sir. Today he�s just... - Maybe it�s passion... 368 00:26:50,807 --> 00:26:54,720 You guessed it, sir. Can you not see that the man Ioves, but is not Ioved? 369 00:26:54,807 --> 00:26:56,001 Is that so? 370 00:26:56,887 --> 00:27:00,402 What is it? Forty-two! Medium cut... You understand, don�t you sir? 371 00:27:00,487 --> 00:27:03,923 We are aII men! And my coIIeague has a simpIy pernicious passion... 372 00:27:04,007 --> 00:27:07,761 - Poor him... -Yes, you�ve said it, sir, poor him! 373 00:27:07,847 --> 00:27:09,758 - Is it some cIerk here at GrandeIa? - It�d be better! 374 00:27:09,847 --> 00:27:11,838 At Ieast everything wouId be under the same roof! 375 00:27:11,887 --> 00:27:13,115 She�s from the Perfume Shop. 376 00:27:13,247 --> 00:27:17,035 But she doesn�t pay him any attention, she�s enchanted by someone eIse. 377 00:27:18,567 --> 00:27:20,046 What about the boots? 378 00:27:20,167 --> 00:27:22,522 You see? I�m afraid the boy wiII just go crazy. 379 00:27:22,607 --> 00:27:24,837 And do you know this other, the one she prefers? 380 00:27:24,927 --> 00:27:28,283 I don�t know him, but he toId me it�s a gentIeman that is a reaI pirate. 381 00:27:28,407 --> 00:27:31,956 - Did he say that? - The boots. They�II fit Iike a gIove. 382 00:27:32,047 --> 00:27:33,844 Chico, go tidy the boxes... 383 00:27:35,887 --> 00:27:37,286 If you pIease... 384 00:27:37,847 --> 00:27:41,760 As I was saying, the gentIeman in question is a big pirate! 385 00:27:41,847 --> 00:27:44,077 He seIIs cars and goes around aII dapper, 386 00:27:44,167 --> 00:27:47,239 but it seems he�s actuaIIy quite broke. It was Chico that toId me about him... 387 00:27:47,407 --> 00:27:49,875 - Was it, now?. - Yes, and he toId me more, too. 388 00:27:50,007 --> 00:27:52,567 It appears that this scoundreI... Again, pardon the expression... 389 00:27:52,647 --> 00:27:56,322 The scoundreI was invoIved in some kind of fraud. One day it�II catch up to him. 390 00:27:56,567 --> 00:27:58,080 It seems it�s a bit tight... 391 00:28:02,047 --> 00:28:03,446 I�m not surprised! 392 00:28:03,567 --> 00:28:07,082 You wear a size 42 and these have a sIight difference. 393 00:28:07,607 --> 00:28:09,279 They�re a size 37 and a haIf! 394 00:28:14,127 --> 00:28:17,642 Better yet that you�re impressed with the Iad... 395 00:28:17,687 --> 00:28:20,804 - Give me my shoe! - Try another pair, another modeI... 396 00:28:20,927 --> 00:28:24,158 WouId the gentIeman care for something refined or something that reaIIy kicks? 397 00:28:24,207 --> 00:28:25,959 I want something that kicks... 398 00:28:26,967 --> 00:28:28,559 To kick that idiot! 399 00:28:35,407 --> 00:28:37,477 "�This guy�s the one, the same Artur!"� 400 00:28:38,567 --> 00:28:42,082 Of course, one day I�II get arrested; but it�II be for breaking his face! 401 00:28:44,687 --> 00:28:49,078 And so, you IittIe boy with the face of an idiot! You want Tat�o? 402 00:28:50,527 --> 00:28:53,917 Learn how to seII shoes and don�t try and pretend you�re some conqueror! 403 00:28:54,007 --> 00:28:56,157 In the end, you�re not interested in the goods? 404 00:28:56,287 --> 00:29:00,439 If you were, I�d have suggested waxing them. 405 00:29:05,367 --> 00:29:06,436 You dunce! 406 00:29:06,527 --> 00:29:09,803 Why didn�t you teII me when he entered, that he was Tat�o�s other suitor? 407 00:29:09,887 --> 00:29:13,004 Tat�o! Now I�ve Iost you for good... 408 00:29:13,127 --> 00:29:15,004 What a Ioss! Forget her. 409 00:29:15,087 --> 00:29:18,966 There are Iots of other Tat�o�s, and you beIong to your art... to our art. 410 00:29:19,007 --> 00:29:22,602 She was onIy misguiding you from your true caIIing, 411 00:29:22,647 --> 00:29:25,445 from the nobIe cuIture of the stage to that sham of the "�siIver screen"�. 412 00:29:25,527 --> 00:29:29,315 You can do without Tat�o, but you cannot do without the rehearsaIs! 413 00:29:29,447 --> 00:29:32,439 Your true fianc�e is the Theatre! 414 00:29:32,927 --> 00:29:34,121 Tat�o... 415 00:29:36,847 --> 00:29:38,519 There are so many women! 416 00:29:39,287 --> 00:29:41,562 But as a resuIt of fantasy, 417 00:29:41,647 --> 00:29:43,285 of among many, 418 00:29:43,407 --> 00:29:46,604 onIy one does our sympathy, 419 00:29:47,167 --> 00:29:48,520 distinguish, 420 00:29:49,527 --> 00:29:50,482 choose, 421 00:29:51,327 --> 00:29:52,521 and desire... 422 00:29:56,407 --> 00:29:57,442 Let�s begin, shaII we? 423 00:29:58,007 --> 00:30:01,682 My friends, I shaII mark the first act of the pIay "�The Tyrant Father"�... 424 00:30:01,767 --> 00:30:03,644 ...or "�The Last of the AImeidas"� 425 00:30:03,727 --> 00:30:07,686 transIated from French by Inocencio Fernandes Abreu. 426 00:30:08,487 --> 00:30:12,116 I�II read the actor�s directions, so you aII may be sure 427 00:30:12,207 --> 00:30:16,200 of the medium in which the action takes pIace. This is fundamentaI. 428 00:30:16,647 --> 00:30:17,875 Act One. 429 00:30:18,407 --> 00:30:22,195 The scene represents the NobIe HaII of the AImeida Manor. 430 00:30:22,767 --> 00:30:24,837 This d�cor wiII serve the purpose very weII... 431 00:30:25,127 --> 00:30:29,405 In the backround, two veIveteen doors open to a forest... 432 00:30:29,767 --> 00:30:31,962 The forest we�ve got wiII be fine... 433 00:30:32,407 --> 00:30:35,763 Downstage Ieft, a seignioriaI chair... 434 00:30:36,567 --> 00:30:37,602 ArmoriaI... 435 00:30:38,127 --> 00:30:40,038 What�s an armoriaI chair? 436 00:30:41,007 --> 00:30:42,156 ArmoriaI. 437 00:30:43,367 --> 00:30:44,641 ArmoriaI... 438 00:30:45,487 --> 00:30:47,398 This must be some typing error... 439 00:30:47,447 --> 00:30:51,918 Isn�t it a seignioriaI chair that�s been varnished? 440 00:30:54,087 --> 00:30:55,281 That must be it... 441 00:30:55,887 --> 00:30:58,924 Center stage: a buffet with knick knacks, 442 00:30:59,007 --> 00:31:03,319 framed by two chairs with antimacassar, and a teIephone. 443 00:31:03,807 --> 00:31:05,286 CarefuI with the teIephone! 444 00:31:05,407 --> 00:31:08,444 ChandeIier on the ceiIing... we�II see about the chandeIier... 445 00:31:08,567 --> 00:31:09,886 It is night. 446 00:31:10,007 --> 00:31:12,885 Downstage right, a consoIe... 447 00:31:13,847 --> 00:31:16,042 Another typing error! 448 00:31:16,167 --> 00:31:19,000 It says: "�Night"� and then it says it�s sunny! (com soI=with sun) 449 00:31:19,087 --> 00:31:23,524 That�s not it at aII! ConsoIe, is a verb! The verb to console ! 450 00:31:23,927 --> 00:31:26,395 A consoIe with two candeIabras 451 00:31:27,847 --> 00:31:29,041 and a cIock! 452 00:31:29,767 --> 00:31:32,235 Wait: it�s not the verb, it�s furniture! 453 00:31:32,447 --> 00:31:35,439 On the waII, oiI paintings weighted... 454 00:31:36,007 --> 00:31:38,919 No: oiI paintings, comma... 455 00:31:39,207 --> 00:31:42,961 ... weighted and gIoomy in keeping with the ambience. 456 00:31:43,487 --> 00:31:46,524 When the curtain rises, the scene is deserted. 457 00:31:46,607 --> 00:31:50,441 And so, the furniture is set onIy after the curtain rises? 458 00:31:50,527 --> 00:31:53,997 No, you animaI, the scene is deserted: of peopIe, you get it? 459 00:31:54,767 --> 00:31:56,325 Chico... Where�s Chico? 460 00:31:56,567 --> 00:31:58,558 He was here just a whiIe ago. 461 00:31:59,247 --> 00:32:01,920 I want everyone onstage when we�re rehearsing! 462 00:32:02,007 --> 00:32:03,042 Chico! 463 00:32:21,887 --> 00:32:24,685 Tat�o, Tat�o, Tat�o... 464 00:32:28,767 --> 00:32:30,758 That�s right, I hate the theatre. 465 00:32:31,487 --> 00:32:33,637 In the theatre it�s aII make beIieve! 466 00:32:33,727 --> 00:32:37,640 To be frank, I onIy go to the movies to keep Tat�o company. 467 00:32:37,727 --> 00:32:40,116 Take away theatre and you�ve taken everything. 468 00:32:40,167 --> 00:32:44,160 - And the movies harm one�s vision... - Don�t say such a thing, Godmother! 469 00:32:45,207 --> 00:32:49,758 Miss Am�Iia, which do you prefer: the theatre or the cinema? 470 00:32:50,967 --> 00:32:53,959 The one I Iike best is Don Ameche. 471 00:32:54,647 --> 00:32:55,716 And you, sir? 472 00:32:56,047 --> 00:33:00,837 WeII, I�ve aIways reaIIy Iiked the theatre. When it�s good, I prefer... 473 00:33:04,287 --> 00:33:05,276 ... the cinema. 474 00:33:06,527 --> 00:33:09,246 Now that�s the first correct thing I�ve heard that gentIeman say. 475 00:33:09,367 --> 00:33:10,641 Now, now, miss... 476 00:33:11,487 --> 00:33:12,363 Excuse me... 477 00:33:12,807 --> 00:33:15,162 You�re going out tonight stiII? 478 00:33:15,207 --> 00:33:17,084 I�m just going for a waIk, I�II be right back. 479 00:33:17,167 --> 00:33:21,558 You say that every evening and aIways return much Iater. Love is in the air... 480 00:33:21,687 --> 00:33:23,006 It�s some pussycat... 481 00:33:23,087 --> 00:33:25,885 There�s no Iove and no pussycat, no nothing. 482 00:33:25,967 --> 00:33:28,117 I have something to take care of... 483 00:33:28,167 --> 00:33:31,000 -Something serious? -Very serious. 484 00:33:31,127 --> 00:33:33,482 I can�t take care of it during the day on account of my work. 485 00:33:33,607 --> 00:33:35,438 So I go at night. 486 00:33:35,527 --> 00:33:38,803 But, my nights are free, so I take care of it at night... 487 00:33:38,887 --> 00:33:40,036 Goodnight. 488 00:33:43,967 --> 00:33:49,041 I�d reaIIy Iike to know what this moron takes care of at night, in the streets! 489 00:33:49,527 --> 00:33:51,597 This way, Mr. Attorney-GeneraI. 490 00:33:51,727 --> 00:33:54,321 I shaII announce your presence... 491 00:33:55,567 --> 00:33:58,525 Yes, go, my dear Joaquim. 492 00:33:59,087 --> 00:34:01,078 I�II await your master. 493 00:34:01,447 --> 00:34:04,325 Such that the tidings I bring him 494 00:34:04,447 --> 00:34:08,076 are not of the iIk to pIease his most nobIe spirit... 495 00:34:08,167 --> 00:34:09,759 Good, very good! 496 00:34:10,527 --> 00:34:12,916 CaImness and punctuation 497 00:34:13,567 --> 00:34:16,127 are the foundation of good decIamation... 498 00:34:16,207 --> 00:34:17,720 That is fundamentaI! 499 00:34:17,807 --> 00:34:18,922 Carry on! 500 00:34:19,927 --> 00:34:22,566 Is it bad news, Mr. Attorney-GeneraI? 501 00:34:22,607 --> 00:34:25,041 That�s right, my dear Joaquim. 502 00:34:25,167 --> 00:34:29,479 Therefore, I urge you, aIIow me to speak to Don Ant�o. 503 00:34:29,567 --> 00:34:34,436 Now Iet me ask you this: aren�t you ashamed to be rehearsing with scripts? 504 00:34:34,527 --> 00:34:36,836 Put the pages here, Iet�s go... 505 00:34:40,247 --> 00:34:41,521 Pinto wiII prompt you... 506 00:34:42,407 --> 00:34:44,716 Here, Pinto... Here! Prompt them Pinto! 507 00:34:45,527 --> 00:34:46,721 "�That�s right, my dear Joaquim..."� 508 00:34:47,407 --> 00:34:49,682 That�s right, my dear Joaquim. 509 00:34:49,807 --> 00:34:53,083 Therefore, I urge you, aIIow me to speak to Don Ant�o. 510 00:34:54,207 --> 00:34:55,799 "�Oh, martyr... Oh, incIemency..."� 511 00:34:56,007 --> 00:35:01,365 Mr. Seixas doesn�t know his cues! When you hear the word: "�Ant�o"�... 512 00:35:01,687 --> 00:35:05,282 ... you say: "�Oh, incIemency. Oh, martyr"�, 513 00:35:05,327 --> 00:35:06,999 and so forth. You understand? 514 00:35:07,087 --> 00:35:09,237 If by tomorrow you stiII don�t have it on the tip of your tongue 515 00:35:09,327 --> 00:35:11,238 I�II be damned if you remain in the pIay! 516 00:35:11,287 --> 00:35:13,562 Yes sir, Mr. Santana. Tomorrow I�II have it down pat. 517 00:35:13,647 --> 00:35:16,115 - Let�s go then... - It�s my cue... 518 00:35:16,487 --> 00:35:19,604 Oh, incIemency. Oh, martyr! 519 00:35:19,647 --> 00:35:24,721 Is it perhaps hazardous to the heaIth of this nobIe and dear boy 520 00:35:24,767 --> 00:35:26,723 that I heIped raise? 521 00:35:26,887 --> 00:35:29,685 It�s not about heaIth, it�s about honour... 522 00:35:29,767 --> 00:35:31,200 "�My God, my God..."� 523 00:35:31,287 --> 00:35:32,879 My God, my God! 524 00:35:33,007 --> 00:35:37,558 What other dispIeasures yet await this poor servant!? 525 00:35:39,167 --> 00:35:41,840 Not even you, you oId bag, shaII escape from my hatred! 526 00:35:41,927 --> 00:35:43,406 Mr. Lopes, Mr. Lopes! 527 00:35:43,487 --> 00:35:47,560 It�s stiII too muffIed, too empty, too weak! That Iine is fundamentaI! 528 00:35:47,607 --> 00:35:52,601 You�ve got to say it in a way that the audience gets a chiII. Like this, watch: 529 00:35:54,087 --> 00:35:58,000 Not even you, you oId bag, 530 00:35:58,087 --> 00:36:00,840 shaII escape from my hatred! 531 00:36:01,447 --> 00:36:03,677 I�m tired of saying I don�t have the right touch to pIay the cynic! 532 00:36:03,767 --> 00:36:05,803 But a good actor must have the touch for every roIe... 533 00:36:05,887 --> 00:36:10,483 You move across, and the butIer moves upstage. And you sit down. 534 00:36:10,647 --> 00:36:11,682 Where do I sit? 535 00:36:12,607 --> 00:36:13,881 Mr Machado! 536 00:36:16,247 --> 00:36:18,602 - What is it? - I�m missing a chair onstage. 537 00:36:20,727 --> 00:36:22,126 The chair is right here. 538 00:36:22,327 --> 00:36:25,524 There�s no hope for you at aII! The teIephone is aIso missing. 539 00:36:26,327 --> 00:36:28,158 - I don�t have one... - WeII, we need it! 540 00:36:28,247 --> 00:36:30,966 Mark its pIace with something eIse for the rehearsaIs! 541 00:36:36,767 --> 00:36:39,600 Does Your ExceIIency prefer Marrasquino or Rum, 542 00:36:39,647 --> 00:36:41,000 Mr. Attorney GeneraI? 543 00:36:41,087 --> 00:36:41,997 Rum. 544 00:36:49,727 --> 00:36:53,800 May the AImighty have pity on this nobIe famiIy of the AImeidas! 545 00:36:54,767 --> 00:36:58,965 CarefuI with those direct hits! It�s not "�have pity on"� it�s "�pity us"�... 546 00:36:59,687 --> 00:37:02,997 May the AImighty pity us... 547 00:37:03,607 --> 00:37:06,075 It even sounds more naturaI. 548 00:37:06,167 --> 00:37:07,725 - Yes, Mr. Santana. - Continue... 549 00:37:11,287 --> 00:37:13,005 You miserabIe, ancient man. 550 00:37:13,087 --> 00:37:15,476 It is with gIadness that I come with this bad news! 551 00:37:15,567 --> 00:37:18,001 More sarcasm, Mr. Lopes. More sarcasm! 552 00:37:18,087 --> 00:37:20,760 I�II do it so you can see how it shouId be... 553 00:37:21,847 --> 00:37:26,238 You drink the rum, the butIer exits. You take two steps forward and say: 554 00:37:30,887 --> 00:37:33,355 Is this the time to show up at rehearsaI? 555 00:37:34,767 --> 00:37:37,600 I�m sorry, Mr. Santana. It�s aII because of her... 556 00:37:37,687 --> 00:37:41,123 -What? Because of her? -Yes, "�Because of Her"�... 557 00:37:41,207 --> 00:37:45,564 It�s a samba I asked him to find for a variation of our scene together... 558 00:37:45,647 --> 00:37:48,719 Because of her Because of her... 559 00:37:51,047 --> 00:37:53,356 You idiot, you�II ruin everything! 560 00:37:53,447 --> 00:37:56,644 Maestro Santana, I wanted to rehearse our scene... 561 00:37:56,727 --> 00:38:00,436 We can�t rehearse it here. We have to refine it just the two of us, aIone. 562 00:38:00,527 --> 00:38:02,119 Tomorrow, after dinner, I�II go over to your house. 563 00:38:02,207 --> 00:38:04,482 My house! It can�t be my house because... 564 00:38:04,607 --> 00:38:07,565 Because of her Because of her... 565 00:38:07,647 --> 00:38:11,606 If she finds out I�m an amateur of drama, she�II never Iook at me again! 566 00:38:11,687 --> 00:38:14,884 I understand, you�d be in a reaI stew! But don�t you worry... 567 00:38:14,967 --> 00:38:19,245 We�II arrange a way for me to go there, without her ever knowing who I am. 568 00:38:23,007 --> 00:38:25,282 Attention, we�re going to rehearse the chiming cIock scene. 569 00:38:25,367 --> 00:38:27,244 - Mr. Machado, is everything ready? - Yes it is! 570 00:38:27,327 --> 00:38:30,364 Now, Mr. Lopes, for the Iove of God, don�t miss your entrance! 571 00:38:30,447 --> 00:38:32,915 When the cIock strikes one, 572 00:38:32,967 --> 00:38:35,356 you must enter immediateIy or eIse you�II ruin the effect. 573 00:38:35,487 --> 00:38:36,363 Chico! 574 00:38:36,567 --> 00:38:40,446 Gracinha, Dona Candida. To your pIaces, pIease... 575 00:38:40,887 --> 00:38:42,684 Wake up, it�s aImost one o�cIock! 576 00:38:42,847 --> 00:38:45,077 Machado, carefuI with your cue... 577 00:38:45,167 --> 00:38:48,955 When Dona Candida says: "�... wiII enter this room"�... 578 00:38:49,407 --> 00:38:51,398 Gong... one o�cIock! 579 00:38:53,247 --> 00:38:55,124 Mr. Lopes, go back over there. 580 00:39:00,887 --> 00:39:03,321 - Mr. Lopes, are you in pIace? - Ready! 581 00:39:03,447 --> 00:39:04,800 Prompt Pinto! 582 00:39:05,767 --> 00:39:09,316 May the wretch appear, if he has any courage! 583 00:39:09,407 --> 00:39:11,557 The struggIe wiII be gigantic... 584 00:39:12,407 --> 00:39:16,241 Don�t beIieve that, my Iove. This man is a coward! 585 00:39:16,367 --> 00:39:18,085 Never, Edmund! 586 00:39:18,167 --> 00:39:20,761 Dr. VasconceIos has sworn... 587 00:39:20,847 --> 00:39:25,284 that when the cIock strikes one, in the tower of St. Denis... 588 00:39:25,367 --> 00:39:27,278 ... he wiII enter this room. 589 00:39:32,527 --> 00:39:33,676 Here he is! 590 00:39:37,607 --> 00:39:39,086 Why didn�t you make your entrance! 591 00:39:39,687 --> 00:39:41,917 This way you ruin everything! 592 00:39:42,007 --> 00:39:44,726 Lopes, why didn�t you come in? 593 00:39:44,807 --> 00:39:47,844 - Machado, where�s Lopes? - He�s right here... 594 00:39:49,127 --> 00:39:50,242 Attention! 595 00:39:52,327 --> 00:39:55,717 FrankIy! Let�s try again... 596 00:39:56,247 --> 00:39:58,966 Dr. VasconceIos has sworn... 597 00:39:59,007 --> 00:40:03,159 that when the cIock strikes one, in the tower of St. Denis... 598 00:40:03,207 --> 00:40:05,118 ... he wiII enter this room. 599 00:40:08,487 --> 00:40:09,476 Here he is! 600 00:40:16,007 --> 00:40:19,761 By jove, Lopes! Are you toying with me? 601 00:40:19,847 --> 00:40:21,121 Are you entering or not? 602 00:40:21,327 --> 00:40:23,887 - He�s sitting over here... - He�s sitting? 603 00:40:26,647 --> 00:40:28,285 Are you trying to make me crazy? 604 00:40:28,407 --> 00:40:30,875 Go over to my seat and see how to enter on cue! 605 00:40:31,087 --> 00:40:33,317 Are you Iaughing? Come on, Iet�s go... 606 00:40:37,807 --> 00:40:39,445 Dona Candida, give me the cue... 607 00:40:40,687 --> 00:40:43,121 Dr. VasconceIos has sworn... 608 00:40:43,167 --> 00:40:47,683 that when the cIock strikes one, in the tower of St. Denis... 609 00:40:47,727 --> 00:40:49,922 ... he wiII enter this room. 610 00:40:52,127 --> 00:40:53,321 Here he is! 611 00:41:09,087 --> 00:41:10,076 The address? 612 00:41:10,207 --> 00:41:13,199 1 24, 3rd fIoor, Santo Ant�o Street... 613 00:41:13,647 --> 00:41:17,083 Oh, incIemency. Oh, martyr...! 614 00:41:17,487 --> 00:41:22,117 Is it perhaps hazardous to the heaIth of this nobIe and dear boy 615 00:41:22,247 --> 00:41:23,839 that I heIped raise? 616 00:41:24,567 --> 00:41:25,795 We�ve got airpIanes! 617 00:41:28,287 --> 00:41:30,517 We�ve got rifIes, toy doIIs... 618 00:41:30,607 --> 00:41:35,362 DarIing, why don�t you rather take a toy horse? Mommy wiII choose one. 619 00:41:37,967 --> 00:41:43,041 Not even you, you oId bag, shaII escape from my hatred! 620 00:41:46,407 --> 00:41:47,760 Third scene, 621 00:41:48,327 --> 00:41:49,919 Edmund says: 622 00:41:50,167 --> 00:41:54,604 TeII me, Eufemia. TeII me, for I shaII avenge you...? 623 00:41:54,847 --> 00:41:58,601 Can you teII me where is the section for kitchen utensiIs? 624 00:41:58,687 --> 00:42:01,406 Of course, Edmundo! Of course! 625 00:42:01,487 --> 00:42:05,844 I am forced to teII you, but on the condition that you never reveaI it. 626 00:42:05,927 --> 00:42:10,045 It is a secret that must remain buried within your chest untiI you die! 627 00:42:16,807 --> 00:42:19,275 At ten o�cIock, in Dona Em�Iia�s house. 628 00:42:20,687 --> 00:42:22,484 Our scene from the first act. 629 00:42:23,607 --> 00:42:24,596 AIright? 630 00:42:26,487 --> 00:42:29,001 These work perfectIy. 631 00:42:29,047 --> 00:42:31,800 And if they�re a bit wide, we can put an insoIe. 632 00:42:42,527 --> 00:42:43,801 My goodness! 633 00:42:44,527 --> 00:42:47,439 - Have the Iadies Ieft yet? - Not yet, sir... 634 00:42:47,727 --> 00:42:51,879 Listen, there�II be a certain individuaI Iooking for me, 635 00:42:52,687 --> 00:42:54,405 but I want to open the door. 636 00:42:55,127 --> 00:42:56,276 When you hear the beII ring Iike this... 637 00:43:00,447 --> 00:43:03,280 You don�t go to open the door. I wiII go. 638 00:43:03,967 --> 00:43:05,002 That�s fine. 639 00:43:08,847 --> 00:43:11,281 Hurry up, Godmother, or we�II miss the coming attractions! 640 00:43:12,247 --> 00:43:13,202 What�s going on? 641 00:43:13,287 --> 00:43:16,245 Mr. Chico is waiting for a certain individuaI, 642 00:43:16,367 --> 00:43:18,358 but he doesn�t want me to see who it is... 643 00:43:18,487 --> 00:43:20,717 He even insists on opening the door himseIf! 644 00:43:20,807 --> 00:43:23,321 My, my, such mysteries in our house! 645 00:43:23,407 --> 00:43:26,080 Come on, Godmother. Leave the mysteries to Mr. Chico! 646 00:44:24,287 --> 00:44:25,845 Right, here we are... 647 00:44:26,207 --> 00:44:27,401 Let�s get started... 648 00:44:30,847 --> 00:44:31,996 Godmother? 649 00:44:32,087 --> 00:44:34,555 Who might this certain individuaI be, the one Iooking for Chico? 650 00:44:34,607 --> 00:44:37,485 Now I shouId answer as you did me just now: 651 00:44:37,607 --> 00:44:40,326 What do Chico�s mysteries have to do with you? 652 00:44:41,327 --> 00:44:43,522 It�s the second time you�ve mentioned him tonight. 653 00:44:44,247 --> 00:44:46,363 Meaning you�re interested... 654 00:44:46,687 --> 00:44:47,722 Who me? 655 00:44:47,847 --> 00:44:49,439 That�s aII I need! 656 00:44:49,567 --> 00:44:50,841 That buffoon! 657 00:44:56,247 --> 00:45:01,480 Such a IeveI of degradation that you�ve sunken to, my son! 658 00:45:01,847 --> 00:45:06,079 Have you no modesty, nor shame to be Iiving where you are? 659 00:45:06,167 --> 00:45:10,957 This miserabIe aIcove you caII home is not fit for a person of your Iineage. 660 00:45:11,007 --> 00:45:16,559 Of an AIarc�o of AImeida! Remember, my son, that you�re of nobIe descent! 661 00:45:16,647 --> 00:45:21,437 Do not remind me, Father! I wish onIy to remember that I am simpIy a man! 662 00:45:27,807 --> 00:45:29,763 Don�t make any noise, so as not to wake the guests. 663 00:45:38,767 --> 00:45:41,839 What�s more, I shaII teII you this: I renounce my inheritance! 664 00:45:45,607 --> 00:45:47,598 You know who the certain individuaI is? 665 00:45:48,447 --> 00:45:50,039 It�s Chico�s father! 666 00:45:54,567 --> 00:45:56,364 CrueI, unnaturaI chiId! 667 00:45:56,847 --> 00:45:57,996 No, and no! 668 00:45:58,607 --> 00:46:01,201 I shaII never bestow you my bIessing 669 00:46:01,367 --> 00:46:07,203 if you persist with this crazy intention of marrying that... 670 00:46:08,087 --> 00:46:09,406 that... 671 00:46:09,527 --> 00:46:11,677 Father, be wary of your words! 672 00:46:12,127 --> 00:46:15,881 Be carefuI how you address the person that wiII, after aII, 673 00:46:16,047 --> 00:46:19,244 become my wife!? - Your wife? Never! 674 00:46:19,367 --> 00:46:23,758 Our iIIustrious coat of arms shaII never be tarnished 675 00:46:23,887 --> 00:46:28,961 through the incIusion into our famiIy of a girI of such... modest origins! 676 00:46:30,407 --> 00:46:33,126 Modest perhaps, yet pure! 677 00:46:33,767 --> 00:46:35,678 Modest perhaps, yet dear! 678 00:46:36,287 --> 00:46:37,845 Modest perhaps... 679 00:46:38,367 --> 00:46:39,356 ... yet I Iove her! 680 00:46:41,287 --> 00:46:43,118 It�s aII useIess! 681 00:46:44,207 --> 00:46:45,799 It�s aII useIess! 682 00:46:46,647 --> 00:46:49,605 - And Iook at you, tyrant Father... - You insuIt me? 683 00:46:49,727 --> 00:46:52,560 I insuIt you not. Seize your true name. 684 00:46:52,607 --> 00:46:54,723 See, tyrant Father... 685 00:46:54,807 --> 00:46:56,718 ... what Iove can do. 686 00:46:57,207 --> 00:47:02,600 I Ieft our paIace, and subjected myseIf to Iive mereIy off my honoured work! 687 00:47:02,647 --> 00:47:06,879 I�ve subjected myseIf to aII of these hardships for her! 688 00:47:07,207 --> 00:47:12,565 Your preconceptions, your affronts, your threats... nothing wiII succeed! 689 00:47:12,687 --> 00:47:14,484 Succeed... Succeed... 690 00:47:15,047 --> 00:47:16,400 Succeed! 691 00:47:16,487 --> 00:47:18,398 As such, my son... 692 00:47:18,647 --> 00:47:21,559 ... you�II ruin the famiIy AIarc�o! 693 00:47:21,647 --> 00:47:25,356 What do I care about your money, about your inheritance, Father... 694 00:47:25,447 --> 00:47:28,803 ... if you choose to strangIe my souI! 695 00:47:29,447 --> 00:47:32,837 For the Iast time, 696 00:47:33,327 --> 00:47:37,605 forget this woman that does not Iove you... 697 00:47:37,687 --> 00:47:40,076 She Ioves me, I know that weII! 698 00:47:40,607 --> 00:47:42,518 And I Iive with the heart, 699 00:47:43,007 --> 00:47:44,201 of the heart, 700 00:47:44,767 --> 00:47:46,962 for the heart! 701 00:47:50,287 --> 00:47:54,565 There�s something about the inheritance. He spoke of procuration... 702 00:47:54,647 --> 00:47:56,444 Quiet! Let me hear. 703 00:47:56,927 --> 00:47:58,042 Tat�o! 704 00:47:58,487 --> 00:48:01,126 AIways that girI, Tat�o... 705 00:48:01,287 --> 00:48:03,278 Godmother, Iet�s go. 706 00:48:15,007 --> 00:48:19,478 Santana! It�s aIready one o�cIock! For the good of your heaIth, get going! 707 00:48:58,727 --> 00:49:01,844 And that�s how we found out... 708 00:49:01,927 --> 00:49:04,964 ... that he�s a rich nobIeman who doesn�t get aIong with his father. 709 00:49:05,007 --> 00:49:06,679 That�s so funny! 710 00:49:07,207 --> 00:49:11,280 So he�s a nobIeman? Very rich? And a cIerk at the GrandeIa Store? 711 00:49:11,887 --> 00:49:14,560 Such stuff! What is it? Did he ask for anything? 712 00:49:14,647 --> 00:49:16,922 He�s just asked for a gIass of water. 713 00:49:38,047 --> 00:49:39,082 Come in, Laura... 714 00:49:40,487 --> 00:49:41,363 Dona Em�Iia? 715 00:49:43,847 --> 00:49:45,439 PIease, come in. 716 00:49:46,127 --> 00:49:48,561 - A very good day to you. - Good day, good day. 717 00:49:48,647 --> 00:49:50,842 This is boiIed water... 718 00:49:50,927 --> 00:49:53,725 You shouIdn�t bother, thank you very much. 719 00:49:53,807 --> 00:49:56,640 I�m a bit Iate for breakfast today, but I�II be out in a moment. 720 00:49:56,687 --> 00:50:00,123 Don�t mention it! Come as you wish. 721 00:50:00,207 --> 00:50:02,163 Now, if you�II excuse me... 722 00:50:09,367 --> 00:50:12,404 - What�s that about? - Poor thing, he oversIept... 723 00:50:12,447 --> 00:50:14,278 But he said he�II be out in a moment. 724 00:50:14,367 --> 00:50:17,086 - I�II see that he hurries. - And I�II go get the coffee ready! 725 00:50:25,967 --> 00:50:26,956 Who�s there? 726 00:50:27,047 --> 00:50:29,402 It�s me, you Iazy feIIow! You�re stiII not ready? 727 00:50:30,727 --> 00:50:33,639 - Is that you, Miss Tat�o? - May I come in? 728 00:50:33,767 --> 00:50:34,916 You may... 729 00:50:35,287 --> 00:50:39,280 No! Don�t open the door! Wait a moment, I won�t be Iong... 730 00:50:39,367 --> 00:50:42,279 I�m coming, I�II just be moment... 731 00:50:42,367 --> 00:50:44,278 I won�t take Iong! 732 00:50:45,407 --> 00:50:47,443 So how are you? 733 00:50:47,487 --> 00:50:49,239 Did you sIeep weII? 734 00:50:49,847 --> 00:50:50,962 You Iook IoveIy! 735 00:50:51,487 --> 00:50:54,081 How can you teII? You haven�t seen me yet today! 736 00:50:54,927 --> 00:50:56,599 But I saw you yesterday... 737 00:50:57,327 --> 00:50:59,636 I see you every day... 738 00:51:02,047 --> 00:51:04,402 And you�re aIways beautifuI! 739 00:51:09,207 --> 00:51:12,563 - How are you? How are you doing? - Fine, thank you very much. 740 00:51:15,407 --> 00:51:18,479 How did you sIeep, my great friend? 741 00:51:19,287 --> 00:51:22,165 - Not as bad, thank you... - My highest regards... 742 00:51:22,247 --> 00:51:23,839 HeIIo, my iIIustrious friend! 743 00:51:23,887 --> 00:51:25,764 Such a wonderfuI Iook you have today! 744 00:51:25,847 --> 00:51:30,477 - Sit down, aII. - Have your coffee, it�s getting coId! 745 00:51:37,807 --> 00:51:40,321 It�s a beautifuI day, have you noticed? 746 00:51:40,727 --> 00:51:44,766 If I were you, friend, I wouIdn�t go to the GrandeIa Store today. 747 00:51:44,847 --> 00:51:47,566 Not today, nor ever again! Work is for sIaves... 748 00:51:47,687 --> 00:51:50,645 I�d reaIIy Iike that, but the worst is I need the money... 749 00:51:51,007 --> 00:51:52,565 That�s so funny! 750 00:51:53,207 --> 00:51:55,243 - WouId you Iike miIk? - Yes, of course. 751 00:51:56,167 --> 00:51:59,955 WeII, I�m off to work as there�s no two ways about it. So Iong everyone! 752 00:52:00,327 --> 00:52:03,558 It was a pIeasure seeing you, and fare thee weII... 753 00:52:10,247 --> 00:52:14,399 This is what we say to the peopIe of high standing in my country... 754 00:52:14,527 --> 00:52:18,486 - For those that are, Mr. CiriIo. - Come on, Popov. Let�s go. 755 00:52:31,247 --> 00:52:33,920 Miss Am�Iia, isn�t it time for you to get to work? 756 00:52:34,047 --> 00:52:36,607 And you, doesn�t your work begin at the same time as mine? 757 00:52:36,727 --> 00:52:38,206 I�m going to stay a bit Ionger. 758 00:52:38,527 --> 00:52:42,042 Today I don�t feeI Iike working the counter at aII. 759 00:52:42,167 --> 00:52:47,685 WeII, your boss is a good person. If I�m Iate, my boss is intoIerabIe! 760 00:52:47,927 --> 00:52:50,361 - See you Iater... - See you Iater, Miss Am�Iia. 761 00:52:56,367 --> 00:52:59,962 Today I just don�t feeI Iike putting up with those snobby Iadies! 762 00:53:02,167 --> 00:53:05,079 "�TeII me, Miss. Do you have pearI naiI poIish?"� 763 00:53:05,127 --> 00:53:07,357 "�Give me that Rhymel number 3."� 764 00:53:07,607 --> 00:53:12,044 "�TeII me, Miss. Has that new Dargy cream arrived from overseas?"� 765 00:53:12,887 --> 00:53:14,878 It�s such a terribIe bore! 766 00:53:17,127 --> 00:53:18,446 How about me, Tat�o... 767 00:53:18,687 --> 00:53:22,362 "�Have you any crocodiIe sIippers?"� "�Have you any boots with doubIe soIes?"� 768 00:53:22,447 --> 00:53:25,439 "�How much are those ones in the window, underneath the yeIIow ones?"� 769 00:53:26,207 --> 00:53:28,960 I wish I couId stay here quietIy aII day, 770 00:53:29,167 --> 00:53:32,523 with my dear IittIe Tat�o in front of me... 771 00:53:33,007 --> 00:53:36,886 ... drinking coffee with miIk and watching the canary. 772 00:53:39,207 --> 00:53:42,085 I wouIdn�t mind that at aII, either. But that�s Iife... 773 00:53:43,087 --> 00:53:45,806 I must get going to seII Iots more fragrances. 774 00:53:48,967 --> 00:53:51,720 God onIy hopes that no idiot comes after me... 775 00:53:51,807 --> 00:53:55,197 I know, I know: you�II get him in the face with your purse. 776 00:53:55,607 --> 00:53:58,041 The said the same thing the other day, remember? 777 00:53:58,527 --> 00:54:02,042 I remember very weII, and today I�m in the exact same mood... 778 00:54:02,527 --> 00:54:06,156 - If any fooI tries to foIIow me... - He�II get a purse in the face. 779 00:54:06,287 --> 00:54:09,643 No, because today I�ve got Chico with me to give him two sIaps... 780 00:54:09,687 --> 00:54:11,837 ... because, if you wouIdn�t mind, 781 00:54:11,887 --> 00:54:14,242 Chico wiII accompany me to the store. 782 00:55:27,327 --> 00:55:29,647 Right then, see you Iater at Iunchtime... 783 00:55:29,647 --> 00:55:32,081 Today I�m going to have a great Iunch! 784 00:56:30,167 --> 00:56:32,727 "�Honeymoon Night"� 785 00:58:23,167 --> 00:58:26,807 If it weren�t for the respect I have for you, and for the poIice... 786 00:58:26,807 --> 00:58:28,684 ... that fop wouIdn�t have had the Iast Iaugh. 787 00:58:28,727 --> 00:58:31,767 But Iook, he didn�t. You got him right on target. 788 00:58:31,767 --> 00:58:33,120 Did I? 789 00:58:59,807 --> 00:59:04,119 When I saw you remove your gIasses and advance on him I had goose-bumps! 790 00:59:04,167 --> 00:59:07,637 Me, too! But I gave him the punishment he deserved! 791 00:59:07,847 --> 00:59:11,726 I punched him so hard it gave me this bIack eye. 792 00:59:13,647 --> 00:59:15,763 And is it stiII causing you pain? 793 00:59:16,527 --> 00:59:18,757 Near you, I never have pain... 794 00:59:20,727 --> 00:59:24,515 Tat�o... I�ve got something reaIIy important to teII you. 795 00:59:25,447 --> 00:59:28,883 - So then teII me... - WouId you Iike to pick your fortune? 796 00:59:28,927 --> 00:59:31,202 Yes, of course. Tat�o, you go first! 797 00:59:38,367 --> 00:59:39,720 Thank you very much. 798 00:59:43,887 --> 00:59:46,117 How awfuI! Do you want to hear? 799 00:59:46,967 --> 00:59:50,721 "�If in Iife you wish to find A poor home, yet honest"� 800 00:59:50,767 --> 00:59:54,840 "�Whom this fortune finds ShaII marry someone earnest."� 801 00:59:55,247 --> 00:59:57,727 God forbid, me marrying Ernest! 802 00:59:57,727 --> 01:00:02,047 You�re right. I wouIdn�t either, it�s such an ugIy name... 803 01:00:02,047 --> 01:00:06,438 - Want to see how it wouId be better? - You�re going to change the name? 804 01:00:06,487 --> 01:00:10,526 No, if you�II aIIow me, it just needs a change in the second verse. 805 01:00:15,807 --> 01:00:17,206 So how does it go now?. 806 01:00:19,207 --> 01:00:21,007 "�If in Iife you wish to find"� 807 01:00:21,007 --> 01:00:24,636 "�Without risk, a man who�s your friend"� 808 01:00:25,207 --> 01:00:27,437 "�Whom this fortune finds..."� 809 01:00:27,687 --> 01:00:29,359 But now it doesn�t rhyme! 810 01:00:29,407 --> 01:00:33,639 It doesn�t rhyme because you don�t want it to. If you did, it wouId. 811 01:00:36,087 --> 01:00:40,239 "�Whom this fortune finds WiII marry a Iobster in the end!"� 812 01:00:40,287 --> 01:00:44,565 No, not with a Iobster! Have some pity on me and get the name right! 813 01:00:45,727 --> 01:00:47,127 "�WiII marry Chico..."� 814 01:00:47,127 --> 01:00:48,719 "�... in the end!! 815 01:00:49,807 --> 01:00:51,081 Do you want to? 816 01:00:54,567 --> 01:00:58,207 - And what does your fortune say? - Mine? Mine couId onIy say one thing: 817 01:00:58,207 --> 01:01:02,246 "�The gentIeman that draws this fortune Loves Tat�o, adores Tat�o."� 818 01:01:02,287 --> 01:01:05,887 "�Can�t Iive without Tat�o. And wiII Iive happiIy to the age of 89..."� 819 01:01:05,887 --> 01:01:08,845 "�... with Tat�o!"� - SeriousIy, see what it says? 820 01:01:09,607 --> 01:01:11,165 "�The gentIeman that draws this fortune"� 821 01:01:11,207 --> 01:01:13,807 "�shaII be modest, and not suffer mediocrity."� 822 01:01:13,807 --> 01:01:17,880 "�Unhappy with Iove, his weaIth being his generosity."� 823 01:01:17,927 --> 01:01:21,681 "�He shaII marry a vain and bad tempered girI,"� 824 01:01:21,727 --> 01:01:23,399 "�and they�II have 8 chiIdren."� 825 01:01:24,207 --> 01:01:27,199 "�From a humbIe famiIy, he�II Iive without inheritances,"� 826 01:01:27,247 --> 01:01:29,966 "�and work to the age of 75."� 827 01:01:30,047 --> 01:01:34,484 How fortunes can fooI you! That one says everything in its exact opposite. 828 01:01:34,527 --> 01:01:38,122 Not everything. Modest... Without inheritance... 829 01:01:38,687 --> 01:01:40,757 working untiI Iife�s end... 830 01:01:42,727 --> 01:01:44,206 Why are you Iaughing? 831 01:01:44,727 --> 01:01:47,446 I know that for a whiIe now you�ve been acting... 832 01:01:47,487 --> 01:01:51,607 Acting, me? It�s a Iie! I was invoIved in acting years ago, but I Ieft aII that. 833 01:01:51,607 --> 01:01:53,727 Don�t Iie to me, Chico. I know everything. 834 01:01:53,727 --> 01:01:55,927 - What everything? - Everything. 835 01:01:55,927 --> 01:02:00,087 I know how much you care for me. The sacrifices you�ve made for me... 836 01:02:00,087 --> 01:02:03,124 I know that you�re very rich, and that you abandoned your paIace... 837 01:02:03,167 --> 01:02:04,847 ... that your father wants to disown you. 838 01:02:04,847 --> 01:02:08,806 You became a cIerk, moved to my house just to be near me. 839 01:02:11,127 --> 01:02:15,279 I know aII this because at home I heard you taIking with your father. 840 01:02:15,367 --> 01:02:17,961 But don�t think I�II aIIow such a thing! 841 01:02:18,007 --> 01:02:22,876 Your father wiII have to forgive you, and then aII my dreams wiII come true! 842 01:02:22,967 --> 01:02:24,161 What dreams? 843 01:02:25,327 --> 01:02:30,560 I see myseIf with my husband in a car, with Iots of fox furs and jeweIIery... 844 01:02:30,887 --> 01:02:33,845 Your father wiII have to forgive you, just Ieave it to me... 845 01:02:33,887 --> 01:02:36,196 - Our Lady heIp me! - Where does your father Iive? 846 01:02:36,247 --> 01:02:39,603 - How shouId I know?. - You don�t know?. Where�s his paIace? 847 01:02:39,647 --> 01:02:40,921 His paIace? 848 01:02:41,087 --> 01:02:42,807 My father�s paIace... 849 01:02:42,807 --> 01:02:44,763 I�II teII you Iater. I�m feeIing quite nervous! 850 01:02:44,807 --> 01:02:48,004 Let�s have Iunch but don�t say anything to anyone! 851 01:02:48,047 --> 01:02:51,722 Let�s have Iunch, but first I want to know your reaI name. 852 01:02:51,807 --> 01:02:53,081 My name? 853 01:02:54,527 --> 01:02:55,927 They caII me: 854 01:02:55,927 --> 01:02:58,566 Don Edmundo de Lencastre e Abreu Sousa 855 01:02:58,647 --> 01:03:01,480 VasconceIos AIarc�o d�AImeida... 856 01:03:01,527 --> 01:03:03,677 ... and whatever eIse God wishes! 857 01:03:05,247 --> 01:03:09,763 - I couIdn�t do anything eIse! - You�re nothing but a scoundreI! 858 01:03:09,807 --> 01:03:12,327 - Don�t say that! - You teII her you�re nobIe, 859 01:03:12,327 --> 01:03:15,125 you�re an AIarc�o, you�re an AImeida and that you�re rich?! 860 01:03:15,167 --> 01:03:18,007 - You�re not right in the head! - I didn�t teII her anything! 861 01:03:18,007 --> 01:03:21,047 She overheard us rehearsing in my room, and beIieved. 862 01:03:21,047 --> 01:03:25,086 I Iike seeing her happy. I didn�t have the courage to teII her it was theatre. 863 01:03:25,127 --> 01:03:28,039 You shouId have toId her! The theatre never shames anyone. 864 01:03:28,087 --> 01:03:29,967 She hates the theatre, she can�t even watch it. 865 01:03:29,967 --> 01:03:33,164 She reaIIy hunts a bargain, you�ve got to hand it to her! This is fundamentaI. 866 01:03:33,207 --> 01:03:35,926 WhiIe you were a mere cIerk at Gran- deIa, she payed no attention to you. 867 01:03:35,967 --> 01:03:39,482 Now that you smeII of money, of AIarc�o and AImeida, she meIts compIeteIy! 868 01:03:39,527 --> 01:03:42,758 Don�t say that. She�s abIe to Iove me, cIerk and aII, I know that for sure. 869 01:03:42,807 --> 01:03:46,247 She�s not a schemer, Mr. Santana. Deep down, she�s just a chiId. 870 01:03:46,247 --> 01:03:50,607 A chiId, perhaps, but one of high maintenance! I can just see it: 871 01:03:50,607 --> 01:03:54,007 "�Lencastre, give me an automobiIe."� "�AIarc�o, give me some jeweIIery."� 872 01:03:54,007 --> 01:03:57,238 "�Edmundo, give me some furs."� My boy, if it was with me... 873 01:03:57,367 --> 01:04:00,407 She cares for me. I�II be damned if she doesn�t care for me! 874 01:04:00,407 --> 01:04:01,806 You have to be sure: 875 01:04:01,847 --> 01:04:04,202 does she reaIIy care for you or if it�s just for her own interests. 876 01:04:04,287 --> 01:04:06,357 - How can it be done? - How shouId I know?. 877 01:04:06,407 --> 01:04:09,956 We have to make her hate the tyrant father, to disIike the nobiIity... 878 01:04:10,007 --> 01:04:11,759 and to want you just the way you are. 879 01:04:11,807 --> 01:04:15,038 See if you get any ideas! Save me, you�ve aIways been Iike a father to me! 880 01:04:15,087 --> 01:04:17,203 Get off! I�m your father, but onIy in the pIay. 881 01:04:17,247 --> 01:04:20,000 The pIay! It was that darned pIay that got me into aII this troubIe. 882 01:04:20,047 --> 01:04:23,127 Wait. It might be the pIay that wiII save you. 883 01:04:23,127 --> 01:04:26,642 -The pIay? How?. -Listen, I�ve got this cousin... 884 01:04:26,687 --> 01:04:31,567 She happens to Iike the drink, and is the governess in a smaII paIace in Lapa. 885 01:04:31,567 --> 01:04:33,797 The owners aren�t here in Lisbon... 886 01:04:57,447 --> 01:05:00,200 I�II go speak to the shrew. You wait here. 887 01:05:00,247 --> 01:05:02,647 When the time�s right I�II come and caII you. 888 01:05:02,647 --> 01:05:06,037 Don�t be Iong. Chico is coming at ten with the girI. 889 01:05:06,127 --> 01:05:07,401 You�re right... 890 01:05:33,447 --> 01:05:35,119 HeIIo, cousin Teresa! 891 01:05:38,487 --> 01:05:41,007 And so, you came the two of you? 892 01:05:41,007 --> 01:05:42,645 The two of us? 893 01:05:43,247 --> 01:05:45,807 For now it�s just me, cousin! 894 01:05:45,847 --> 01:05:48,236 I needed to have a word with you. 895 01:05:48,287 --> 01:05:52,883 Listen, I�m your friend, but if it�s about money I don�t want to hear it. 896 01:05:52,927 --> 01:05:56,397 Today it�s not about that. You know that I�m the director of a drama group. 897 01:05:56,447 --> 01:05:59,883 I know, from GrandeIa. Have you come to impinge me a ticket? 898 01:05:59,927 --> 01:06:04,087 If it�s for free, maybe I�II go, but if it costs money... 899 01:06:04,087 --> 01:06:07,047 ... I don�t want to hear it. - Oh cousin, we�re not Iike that! 900 01:06:07,047 --> 01:06:11,007 You can count on the recitaI being for free. Today we have a situation... 901 01:06:11,007 --> 01:06:14,317 We have no pIace to rehearse because our theatre is being renovated 902 01:06:14,367 --> 01:06:17,767 and I remembered to ask you, since your patrons are away... 903 01:06:17,767 --> 01:06:19,927 ... to come and rehearse here at the house! 904 01:06:19,927 --> 01:06:24,284 Here? With that band of minstreIs dirtying aII the carpets? 905 01:06:24,327 --> 01:06:27,876 - I don�t want to hear it! - Cousin Teresa, don�t refuse me... 906 01:06:27,927 --> 01:06:30,395 And Iook I haven�t forgotten you. 907 01:06:31,927 --> 01:06:33,326 Two bottIes! 908 01:06:34,207 --> 01:06:36,287 That�s right, two bottIes! 909 01:06:36,287 --> 01:06:39,677 And of the best Port they make overseas! 910 01:06:39,727 --> 01:06:43,527 But Teresa has to aIIow us to rehearse here in the house, yes? 911 01:06:43,527 --> 01:06:47,805 No. I don�t want that gang in here. They�re probabIy a Iot of them, too! 912 01:06:47,847 --> 01:06:50,520 - What�s that? - Nine twenty-five... 913 01:06:50,727 --> 01:06:52,558 Nine and twenty-five... 914 01:06:53,167 --> 01:06:56,079 ... makes 34. I don�t want to hear it! 915 01:06:56,127 --> 01:06:59,403 Cousin, it�s better to be nice... 916 01:06:59,567 --> 01:07:02,764 Accept the bottIe, and Iet us in. 917 01:07:02,887 --> 01:07:06,721 No, you can�t convince me, and I have a Iot of those here aIready. 918 01:07:06,767 --> 01:07:09,884 Fine. WeII. We�II speak no more of it. 919 01:07:12,007 --> 01:07:14,807 Cousin, what�s that on your nose? 920 01:07:14,807 --> 01:07:17,367 - Me? - Yes, you�ve got something... 921 01:07:18,367 --> 01:07:23,395 Come on, boys. Come in, come in. It had to be rough, Chico�s aImost here! 922 01:07:23,527 --> 01:07:27,007 Jesus, what have I gotten into? They�re Iike gangsters! 923 01:07:27,007 --> 01:07:31,239 - What shouId I do with this? - In the ceIIar, I�II show you where... 924 01:07:31,327 --> 01:07:32,680 Shut the door! 925 01:07:33,127 --> 01:07:34,845 Quiet! HeIp me man! 926 01:07:38,167 --> 01:07:41,523 Machado, don�t hoId my cousin too tightIy... 927 01:07:41,647 --> 01:07:46,198 But Mr. Santana, this is a crime! Aren�t you afraid of the poIice? 928 01:07:46,327 --> 01:07:47,806 I don�t want to hear it! 929 01:08:00,407 --> 01:08:03,807 I�m so nervous. How wiII your father be to receive us? 930 01:08:03,807 --> 01:08:06,287 I don�t know. But he has a very bad temper... 931 01:08:06,287 --> 01:08:09,967 It wiII aII go weII, you�II see. But I�m reaIIy scared! 932 01:08:09,967 --> 01:08:11,878 Me, too. Me, too... 933 01:08:35,127 --> 01:08:38,517 HeIp! PoIice! You thieves! 934 01:08:38,567 --> 01:08:41,798 Thieves! Let me out of here! 935 01:08:50,367 --> 01:08:52,207 Hurry, boys! Let�s go... 936 01:08:52,207 --> 01:08:54,243 - Mr. Santana. - What is it? 937 01:08:54,287 --> 01:08:56,323 What shouId I do with your drunken reIative? 938 01:08:56,367 --> 01:08:58,756 I don�t know: Look, give her wine. 939 01:09:00,647 --> 01:09:01,523 Red or white? 940 01:09:01,807 --> 01:09:05,117 Idiot! Give her this, we brought it for her after aII. 941 01:09:07,847 --> 01:09:09,644 Mr. Santana where�s the Iipstick? 942 01:09:09,767 --> 01:09:11,200 Lipstick, are you crazy? 943 01:09:11,247 --> 01:09:14,205 None of that today, onIy beards and moustaches... 944 01:09:14,247 --> 01:09:17,603 If the girI sees us with make-up she�II know it�s aII a sham! 945 01:09:41,687 --> 01:09:44,485 Jesus. I�m so nervous I�m afraid I�II forget my big speech. 946 01:09:44,527 --> 01:09:47,887 Don�t worry about it, Dona Candida. Everything has been taken care of. 947 01:09:47,887 --> 01:09:49,764 Worse wouId be if someone�s taken the care to caII the poIice! 948 01:09:49,847 --> 01:09:54,079 Be quiet! Mr. Pinto, come here and I�II show you where to prompt from. 949 01:09:54,367 --> 01:09:56,517 Robbers! Assassins! 950 01:09:57,407 --> 01:09:59,647 And your cousin doesn�t shut up! 951 01:09:59,647 --> 01:10:01,080 HeIp, poIice! 952 01:10:01,127 --> 01:10:03,243 Thieves! Thieves! 953 01:10:06,247 --> 01:10:08,317 Dona Candida wiII sit in this chair. 954 01:10:11,247 --> 01:10:13,841 You Iie down over here and prompt. 955 01:10:21,967 --> 01:10:24,322 Assassins! Assassins! 956 01:10:24,607 --> 01:10:26,882 - Assassins! - Be quiet, IittIe one! 957 01:10:26,927 --> 01:10:30,715 - Your baby bottIe is coming. - Assassins, heIp poIice! 958 01:10:31,327 --> 01:10:32,919 Assassins! 959 01:10:32,967 --> 01:10:35,527 Get me out of here, you assassins! 960 01:10:35,567 --> 01:10:38,320 - Here you go, Teresa... - Assassins! 961 01:10:48,767 --> 01:10:49,802 Here we are. 962 01:10:49,847 --> 01:10:51,326 This is it. 963 01:10:52,607 --> 01:10:55,167 - I feeI I have Iess and Iess courage. - What if we didn�t go? 964 01:10:55,207 --> 01:10:58,836 - Let�s rather go to the cinema. - No, we have to go, Edmundo. 965 01:11:03,967 --> 01:11:06,407 - What�s your father�s name? - Ant�o. 966 01:11:06,407 --> 01:11:09,160 - What�s he Iike? Is he stern? - Not reaIIy. 967 01:11:10,167 --> 01:11:12,397 - Does he have a beard? - Kind of, sort of... 968 01:11:12,447 --> 01:11:15,598 - Kind of, sort of? - Kind of, sort of... Iike this. 969 01:11:15,647 --> 01:11:16,966 Ring. 970 01:11:20,967 --> 01:11:23,686 Attention, boys. They�ve rung, it�s them! 971 01:11:23,727 --> 01:11:25,319 Lopes, nobiIity... 972 01:11:26,367 --> 01:11:28,198 Seixas, your cues! 973 01:11:37,767 --> 01:11:39,564 Have you got aII you need? 974 01:11:39,927 --> 01:11:42,282 The matches, and the Iighting wick. 975 01:11:42,327 --> 01:11:46,036 The testament, I don�t have it. Where�s the testament...? 976 01:11:46,767 --> 01:11:50,157 And the money? Where are the notes? Ah, here they are... 977 01:11:50,207 --> 01:11:52,596 What�s not in the scene, get offstage! 978 01:12:01,727 --> 01:12:02,921 Open it. 979 01:12:18,527 --> 01:12:20,404 PIease enter, Don Edmundo. 980 01:12:21,247 --> 01:12:23,761 My master wiII most sureIy be pIeased! 981 01:12:24,007 --> 01:12:26,601 How have you been, my dear Joaquim? 982 01:12:27,247 --> 01:12:29,363 Let�s rejoice! 983 01:12:29,407 --> 01:12:31,284 Our boy has returned! 984 01:12:33,967 --> 01:12:35,764 I�m sorry to have come. 985 01:12:35,807 --> 01:12:38,447 I�m afraid your father wiII get angry and forbid you from Ieaving here ever... 986 01:12:38,447 --> 01:12:40,278 You�II be imprisoned and never see me again! 987 01:12:40,327 --> 01:12:41,680 Me imprisoned? 988 01:12:46,207 --> 01:12:48,801 Don Ant�o beseeches you to penetrate... 989 01:12:49,287 --> 01:12:50,959 ShaII we penetrate...? 990 01:13:13,767 --> 01:13:15,086 Father! 991 01:13:18,207 --> 01:13:19,765 Enter, Edmund... 992 01:13:21,247 --> 01:13:25,035 FinaIIy, you�ve returned to your proper home... 993 01:13:26,687 --> 01:13:29,599 Come, kiss the hand of your father... 994 01:13:34,567 --> 01:13:37,559 Note there is someone eIse in this haII. 995 01:13:37,887 --> 01:13:40,879 Your Aunt, the Baroness of AItamira. 996 01:13:45,287 --> 01:13:47,039 Nephew! 997 01:13:47,647 --> 01:13:49,239 Nephew... 998 01:13:52,607 --> 01:13:53,960 Nephew! 999 01:13:55,527 --> 01:13:56,880 Nephew... 1000 01:14:03,967 --> 01:14:05,367 I verified with sorrow... 1001 01:14:05,367 --> 01:14:08,200 I verified with sorrow and dispIeasure, 1002 01:14:08,607 --> 01:14:14,603 that onIy after your progenitor remin- ded you that I am your father�s sister, 1003 01:14:14,687 --> 01:14:16,564 and that I have the right... 1004 01:14:16,607 --> 01:14:21,287 if not to your friendship, then at Ieast the right to your duties of courtesy. 1005 01:14:21,287 --> 01:14:24,996 Lady Baroness, I acknowIedge your reproach 1006 01:14:25,487 --> 01:14:28,797 and ask that you forgive me, if you are abIe. 1007 01:14:30,447 --> 01:14:32,881 VasconceIosconceIos! 1008 01:14:33,527 --> 01:14:37,315 How the nobiIity is not how it used to be... 1009 01:14:37,647 --> 01:14:40,878 CaIm yourseIf, Baroness. 1010 01:14:41,367 --> 01:14:43,687 Soon we wiII crush 1011 01:14:43,687 --> 01:14:46,599 this insoIent microbe... 1012 01:14:50,127 --> 01:14:52,925 This is aII so strange, I don�t feeI right here at aII. 1013 01:14:52,967 --> 01:14:56,596 Don�t worry. Here in this famiIy, we�re aII a bit strange. 1014 01:14:56,647 --> 01:14:58,000 Edmundo! 1015 01:14:59,927 --> 01:15:01,645 Come here next to me, 1016 01:15:01,687 --> 01:15:05,566 and give me the warmth of your hand. 1017 01:15:06,687 --> 01:15:08,967 My frozen, trembIing hand 1018 01:15:08,967 --> 01:15:14,405 needs the support of your warm and vigorous one. 1019 01:15:17,967 --> 01:15:19,241 Now teII me: 1020 01:15:19,327 --> 01:15:22,080 who is that girI I see over there, 1021 01:15:22,127 --> 01:15:24,960 who entered with you... 1022 01:15:25,567 --> 01:15:27,956 It is your servant, most certainIy... 1023 01:15:28,007 --> 01:15:30,157 No, I am her servant! 1024 01:15:30,327 --> 01:15:34,287 She is the one I Iove, and onIy she shaII become my wife. 1025 01:15:34,287 --> 01:15:35,515 Never! 1026 01:15:35,567 --> 01:15:37,717 Damned! Damned! 1027 01:15:37,767 --> 01:15:39,723 FIee from my sight! 1028 01:15:39,767 --> 01:15:42,725 This is how you dare stain the honour of the AImeidas 1029 01:15:42,767 --> 01:15:44,962 bringing this girI to our house? 1030 01:15:45,047 --> 01:15:49,882 I forbid you to ever caII me your Aunt! 1031 01:16:00,887 --> 01:16:03,845 My chubby one, wiII you give me a kiss? 1032 01:16:04,327 --> 01:16:07,797 - I can�t reach you... - Send it in a bottIe. 1033 01:16:14,687 --> 01:16:16,405 Here you go, Teresa... 1034 01:16:22,087 --> 01:16:25,397 I shaII never be abIe to forgive this affront! 1035 01:16:27,047 --> 01:16:30,244 Dr. VasconceIos, my friend... 1036 01:16:32,047 --> 01:16:33,321 Go inside... 1037 01:16:33,407 --> 01:16:35,125 Open the counter... 1038 01:16:35,367 --> 01:16:38,325 And bring me the paper. I want to have... 1039 01:16:38,607 --> 01:16:39,881 ... justice! 1040 01:16:40,927 --> 01:16:42,440 Justice. 1041 01:16:44,407 --> 01:16:47,407 I shaII hereby annuI, before you aII, 1042 01:16:47,407 --> 01:16:48,886 my testament... 1043 01:16:49,527 --> 01:16:52,887 Dictated through paternaI Iove, 1044 01:16:52,887 --> 01:16:54,479 and undone... 1045 01:16:54,647 --> 01:16:58,003 ... through the pride of ancestry! 1046 01:16:58,727 --> 01:17:02,242 - Be quiet! It�s not your cue... - Don Ant�o, sir! Don Ant�o! 1047 01:17:02,367 --> 01:17:05,916 Oh, incIemency! Oh, martyr! 1048 01:17:05,967 --> 01:17:09,127 - Is it perhaps hazardous... - Not now you idiot, not now! 1049 01:17:09,127 --> 01:17:13,200 - I heard "�Ant�o"� and entered... - I want to destroy my testament! 1050 01:17:13,247 --> 01:17:14,760 My testament! 1051 01:17:15,567 --> 01:17:18,479 I�m getting tired of saying: "�my testament"�? 1052 01:17:18,527 --> 01:17:21,087 - Testament, that�s my cue, isn�t it? - Now you�re the one that�s off! 1053 01:17:21,127 --> 01:17:24,642 By Jove, Lopes! You never come with the testament! 1054 01:17:33,407 --> 01:17:34,123 Here it is. 1055 01:17:34,167 --> 01:17:37,045 I wouId Iike to burn it here before you! 1056 01:17:37,607 --> 01:17:42,203 I�d Iike that the ashes be spread out on the waiIing winds 1057 01:17:42,247 --> 01:17:47,047 that shaII aIso carry the atoms of my heart, 1058 01:17:47,047 --> 01:17:52,519 broken forever through the ingratitude of a son! 1059 01:17:52,727 --> 01:17:56,083 Joaquim, bring me a fIame! 1060 01:17:56,487 --> 01:17:57,920 Bring a fIame... 1061 01:18:03,887 --> 01:18:07,641 Come cIoser, o purifying fIame! 1062 01:18:07,727 --> 01:18:12,596 Come and destroy forever the penuItimate wishes of an oId man 1063 01:18:12,727 --> 01:18:16,686 that wiII abdicate for aII eternity, 1064 01:18:17,007 --> 01:18:19,282 the word... father! 1065 01:18:38,847 --> 01:18:39,802 Look! 1066 01:18:41,447 --> 01:18:46,441 BehoId how the fIames intertwine 1067 01:18:46,527 --> 01:18:49,724 in a pungent dance 1068 01:18:49,807 --> 01:18:52,605 that destroys and ends. 1069 01:18:52,967 --> 01:18:56,039 And now, my duty compIeted, 1070 01:18:56,127 --> 01:18:59,563 I shaII Iet out a sigh of reIief. 1071 01:19:15,847 --> 01:19:18,566 Joaquim. Light the haII. 1072 01:19:18,807 --> 01:19:22,356 As far as darkness, it is quite enough what we have in our spirits. 1073 01:19:41,887 --> 01:19:44,526 Turn it off, turn it off! 1074 01:19:44,647 --> 01:19:49,118 I don�t want the Iight to iIIuminate the shame of my beard! 1075 01:19:52,007 --> 01:19:55,636 ImpossibIe! I never thought a father couId act this way toward a son! 1076 01:19:55,727 --> 01:19:59,322 - CaIm down, Tat�o. Be caIm! - Leave this house immediateIy! 1077 01:19:59,407 --> 01:20:01,125 I never want to see you again! 1078 01:20:01,327 --> 01:20:05,036 But take enough with you so that hunger doesn�t knock on your door, 1079 01:20:05,287 --> 01:20:06,686 at Ieast, for now... 1080 01:20:09,287 --> 01:20:10,640 One, two, 1081 01:20:11,127 --> 01:20:12,719 three, 1082 01:20:13,327 --> 01:20:14,362 four... 1083 01:20:26,167 --> 01:20:27,441 ... 38, 1084 01:20:28,207 --> 01:20:29,322 39, 1085 01:20:30,727 --> 01:20:31,716 40. 1086 01:20:32,367 --> 01:20:34,676 Here you have 40 000 francs. 1087 01:20:34,927 --> 01:20:37,236 Take it, and Ieave! 1088 01:20:37,327 --> 01:20:39,397 No, I don�t consent that you take this money! 1089 01:20:39,487 --> 01:20:40,806 You don�t consent? 1090 01:20:40,887 --> 01:20:42,525 No! Edmundo and I don�t need anyone! 1091 01:20:42,607 --> 01:20:45,679 I care for him and he cares for me, and we don�t need anything eIse! 1092 01:20:45,767 --> 01:20:47,803 I�m sorry, Edmundo. But this isn�t for me. 1093 01:20:47,887 --> 01:20:50,481 Here�s your money, hang yourseIf with it! 1094 01:20:50,607 --> 01:20:53,963 - Forgive me, Edmundo. - No, Tat�o I even thank you! 1095 01:20:54,047 --> 01:20:55,366 Thank you! 1096 01:20:56,087 --> 01:20:58,362 Come here, indignant son! 1097 01:20:58,447 --> 01:21:01,280 Do you take responsibiIity for what this rotten girI said? 1098 01:21:01,327 --> 01:21:02,885 - I do! - WeII then, here! 1099 01:21:02,967 --> 01:21:06,004 You�re not a father, you�re nothing! Are you take it? 1100 01:21:06,087 --> 01:21:08,806 - I remind you, he�s my father... - WeII he�s not mine! 1101 01:21:08,887 --> 01:21:11,640 If I had a father Iike you, I wouIdn�t even want to see his painting! 1102 01:21:11,727 --> 01:21:14,161 - Get out of my sight! - We�re going! 1103 01:21:14,247 --> 01:21:18,160 And we�II never set foot in this house again! Let�s go! 1104 01:21:19,847 --> 01:21:23,522 You can stay here you mean oId cranks, you�re bad! 1105 01:21:23,687 --> 01:21:24,915 Let�s go. 1106 01:21:41,047 --> 01:21:42,765 That was spotIess! 1107 01:21:45,207 --> 01:21:48,483 And so fareweII, Tat�o. And don�t think about my father any more. 1108 01:21:48,807 --> 01:21:51,275 DecidedIy, you�re going out and not going home. 1109 01:21:51,407 --> 01:21:53,523 I�m not going home but I�m aIso not going out. 1110 01:21:53,567 --> 01:21:56,127 I aIready toId you that I have a friend waiting and I can�t miss him. 1111 01:21:56,207 --> 01:21:58,516 A friend... it�s that you don�t care for me anymore, that�s what it is. 1112 01:21:58,607 --> 01:22:00,086 Don�t say that. 1113 01:22:00,167 --> 01:22:03,398 You can�t understand how much I care for you... 1114 01:22:03,527 --> 01:22:05,404 - So I�m stupid then? - No you�re not! I�m stupid! 1115 01:22:05,487 --> 01:22:09,685 I want to teII you everything I feeI inside, but I don�t know... 1116 01:22:09,807 --> 01:22:12,275 It�s something very speciaI! 1117 01:22:12,367 --> 01:22:15,837 A great Iove, a Iove capabIe of aII things... 1118 01:22:15,927 --> 01:22:18,680 How shaII I put it? My Iove is a drama... 1119 01:22:18,847 --> 01:22:21,600 "�Doomed Love"� Of course, it�s a Iove from the oId days. 1120 01:22:21,687 --> 01:22:24,247 Maybe it�s no Ionger done, but that�s how I am. 1121 01:22:24,367 --> 01:22:27,518 If that�s how you care for me, I think it�s very good. 1122 01:22:27,607 --> 01:22:30,280 Besides that, I�m sorry you�re so awkward. 1123 01:22:30,367 --> 01:22:31,686 Even now, with your father! 1124 01:22:31,807 --> 01:22:34,401 You were Iike those girIish boys from the theatre! 1125 01:22:34,527 --> 01:22:36,324 You mustn�t act Iike that anymore. 1126 01:22:36,367 --> 01:22:38,119 - You must be daring... - I�m not. 1127 01:22:38,247 --> 01:22:39,521 - You must have courage... - I haven�t. 1128 01:22:39,607 --> 01:22:43,156 You mustn�t fear Iife. Nor your father, nor your aunt, not anything in the worId. 1129 01:22:43,287 --> 01:22:46,324 I can�t. But I reaIIy care for you! 1130 01:22:46,407 --> 01:22:47,840 That is my drama... 1131 01:22:47,967 --> 01:22:50,800 Drama, drama, drama... Dramas are out of styIe. 1132 01:22:50,927 --> 01:22:53,043 You shouId be a man of today... 1133 01:22:53,287 --> 01:22:57,565 Who Iikes cinema, waIks with no hat, goes to the beach on Sundays... 1134 01:22:57,647 --> 01:23:00,286 Even us girIs aren�t as we once were... 1135 01:23:00,407 --> 01:23:03,558 We hoId jobs Iike you, we�re independent, 1136 01:23:03,687 --> 01:23:07,157 we do gymnastics... we want more from Iife! 1137 01:23:07,367 --> 01:23:10,279 And I�d Iike Iife to be Iike it once was... 1138 01:23:10,447 --> 01:23:12,961 "�GirIs of Today"� Rubber boots... 1139 01:23:13,167 --> 01:23:15,078 My father used rubber boots... 1140 01:23:15,167 --> 01:23:17,556 and not even that kept him from being happy with my mother. 1141 01:23:17,687 --> 01:23:19,882 If onIy we�d Iived in those days... 1142 01:23:19,967 --> 01:23:22,003 How awfuI! I�d be oId now... 1143 01:23:22,087 --> 01:23:26,160 You wouIdn�t waIk around with your Iegs showing, and I�d be Iess jeaIous. 1144 01:23:26,247 --> 01:23:27,600 On your way to the beach, 1145 01:23:27,687 --> 01:23:32,397 you wouIdn�t show others what onIy I shouId see... 1146 01:23:32,527 --> 01:23:34,757 "�Lisbon - 1 900"� Egotist! 1147 01:23:34,887 --> 01:23:36,320 There was no cinema. 1148 01:23:36,407 --> 01:23:40,685 Instead of gaping at moustached boys every night... 1149 01:23:40,767 --> 01:23:44,203 You�d be at home with me, and we�d have no radio. 1150 01:23:44,287 --> 01:23:49,407 Or we�d go, cIinging to one another, to hear music pIaying in the Avenue. 1151 01:23:51,967 --> 01:23:55,084 You�re so cute, and I reaIIy care about you a Iot. 1152 01:23:55,167 --> 01:23:56,316 You do? 1153 01:23:56,407 --> 01:23:59,319 - You swear? - I couId swear... 1154 01:23:59,607 --> 01:24:01,040 If I dared... 1155 01:24:01,687 --> 01:24:03,643 Can I give you a kiss, Tat�o? 1156 01:24:04,567 --> 01:24:06,922 You may, but as you Iike it... 1157 01:24:07,607 --> 01:24:10,246 Here, on my cheek. The oId Portuguese way... 1158 01:24:12,447 --> 01:24:14,165 - Goodbye. - Goodbye. 1159 01:24:14,247 --> 01:24:16,283 Go quickIy so as not to keep your friend waiting. 1160 01:24:18,407 --> 01:24:22,036 "�See If You Fathom Women"� 1161 01:25:35,207 --> 01:25:37,437 They�II stretch eventuaIIy from the movement of the fingers... 1162 01:25:38,807 --> 01:25:40,957 - TeII me something... - If you pIease. 1163 01:25:41,047 --> 01:25:45,086 Do you know a Iad that wears gIasses, from the shoe department? 1164 01:25:45,247 --> 01:25:47,886 - Why do you ask me that, sir? - No reason... 1165 01:25:47,967 --> 01:25:50,003 I have the impression that I know him from somewhere eIse... 1166 01:25:50,367 --> 01:25:53,245 Isn�t he an amateur dramatist? Raging... 1167 01:25:53,327 --> 01:25:56,797 Not raging! He�s a very gifted artist. 1168 01:25:56,887 --> 01:25:59,481 - He�s our Ieading man. - Not our Ieading man... 1169 01:25:59,567 --> 01:26:03,685 Yes ours, the GrandeIinhas. I�m aIso part of the group. 1170 01:26:03,807 --> 01:26:06,526 I didn�t know that GrandeIa had a drama group. 1171 01:26:06,607 --> 01:26:08,199 Have you given many recitaIs? 1172 01:26:08,287 --> 01:26:12,565 Are you kidding? We�ve put on "�PerenniaI Roses"�, "�A Morgadinha"�, 1173 01:26:12,607 --> 01:26:15,758 and tomorrow we�re putting on a new one: "�The Tyrant Father"�, 1174 01:26:15,847 --> 01:26:18,805 ... a drama in two acts. - I�d Iove to see them! 1175 01:26:18,927 --> 01:26:21,680 - Or rather, see you! - SeriousIy? 1176 01:26:21,767 --> 01:26:24,998 - It wouId probabIy be to poke fun. - Not on my word of honour! 1177 01:26:25,087 --> 01:26:27,555 If you can arrange me 3 tickets I wouId be most gratefuI... 1178 01:26:27,687 --> 01:26:30,440 We�II see what we can do. Mr. Pinto... 1179 01:26:30,487 --> 01:26:32,955 - Have we got anything for Father? - For Father? 1180 01:26:33,087 --> 01:26:35,555 Yes, for our recitaI. This gentIeman wouId Iike to attend. 1181 01:26:35,647 --> 01:26:38,115 I�d greatIy appreciate if you can arrange me three good tickets. 1182 01:26:38,207 --> 01:26:39,481 We have few Ieft. 1183 01:26:39,567 --> 01:26:43,640 In any case, I shaII do the impossibIe in order to pIease you. 1184 01:26:43,927 --> 01:26:47,158 Do you want the first row?. In the middIe? How many is it again? 1185 01:26:47,247 --> 01:26:50,045 -Three. -Three together is more difficuIt. 1186 01:26:50,087 --> 01:26:53,682 - Why don�t you take four, sir? - But the gentIeman onIy wishes three. 1187 01:26:53,807 --> 01:26:58,119 No, on second thought, give me 7 or 8, I�II take some friends aIong with me. 1188 01:26:58,327 --> 01:27:02,684 Here are ten tickets, a more rounded totaI. 50 escudos. The dress is casuaI. 1189 01:27:19,607 --> 01:27:23,202 - FortunateIy you came earIy, my Iove. - I�m here to see the recitaI. 1190 01:27:23,287 --> 01:27:26,484 But to get here on time, I missed my dinner. 1191 01:27:26,567 --> 01:27:28,523 Then you must eat something. 1192 01:27:33,207 --> 01:27:34,526 What do you feeI Iike having? 1193 01:27:34,647 --> 01:27:37,286 I don�t know, perhaps a shrimp cake. 1194 01:27:38,047 --> 01:27:38,877 ShaII we? 1195 01:27:39,327 --> 01:27:41,921 Bring me some fresh shrimp cakes. 1196 01:27:42,207 --> 01:27:43,799 We don�t have shrimp cakes. 1197 01:27:43,967 --> 01:27:46,435 Then bring me two gIasses of white wine. 1198 01:28:17,927 --> 01:28:19,565 Now, what�II it be next? 1199 01:28:19,847 --> 01:28:22,315 Now, I couId fancy a veaI dumpIing. 1200 01:28:22,887 --> 01:28:23,797 ShaII we? 1201 01:28:24,567 --> 01:28:27,798 Bring me some veaI dumpIings, nice and hot. 1202 01:28:27,887 --> 01:28:29,798 We don�t have veaI dumpIings. 1203 01:28:29,967 --> 01:28:33,164 Then... bring me two gIasses of white wine. 1204 01:28:43,487 --> 01:28:44,203 Chico! 1205 01:28:47,247 --> 01:28:50,637 Why don�t you speak to me? You pay Iess and Iess attention to me. 1206 01:28:51,167 --> 01:28:55,001 If you don�t answer me on the count of three, I�II never speak to you again! 1207 01:28:55,847 --> 01:28:58,077 Once, twice... 1208 01:28:58,647 --> 01:29:00,399 Three times... That�s it! 1209 01:29:02,967 --> 01:29:03,956 Oh, darn it! 1210 01:29:05,367 --> 01:29:06,595 Gracinha! 1211 01:29:08,727 --> 01:29:10,683 Now it�s you that doesn�t respond! 1212 01:29:10,767 --> 01:29:13,361 If you don�t answer me on the count of three, I�II never speak to you again! 1213 01:29:13,407 --> 01:29:16,558 Once, twice, three times... That�s it! 1214 01:29:16,647 --> 01:29:20,435 Don�t quarreI for the Iove of God! Today this has to aII go very weII. 1215 01:29:28,607 --> 01:29:32,077 - Ours are in the front row. - That�s so funny! 1216 01:29:32,167 --> 01:29:33,885 God forbid I don�t end up next to the trombone. 1217 01:29:34,007 --> 01:29:35,565 There are no trombones here, Dona Em�Iia... 1218 01:29:35,647 --> 01:29:38,400 ... onIy instruments of sticks and chords. 1219 01:29:58,287 --> 01:30:00,118 - You don�t want anything eIse? - No. 1220 01:30:00,727 --> 01:30:02,763 UnIess maybe some custard tarts. 1221 01:30:03,327 --> 01:30:04,237 ShaII we? 1222 01:30:04,727 --> 01:30:08,845 Mr. Barman, we wouId now Iike some custard tarts. 1223 01:30:08,887 --> 01:30:09,956 Yes, sir. 1224 01:30:17,567 --> 01:30:19,717 What were you thinking bringing me to the theatre? 1225 01:30:19,807 --> 01:30:22,321 If it weren�t for the surprise you promised, I�d never step foot in here. 1226 01:30:22,487 --> 01:30:25,320 But what do you know, in regard to Tat�o�s fianc�e? 1227 01:30:25,407 --> 01:30:27,875 Be patient, be caIm. 1228 01:30:27,967 --> 01:30:29,798 The show has yet to begin. 1229 01:30:32,167 --> 01:30:34,635 - Are there Iots of peopIe aIready? - Quite a few, the house wiII be fuII! 1230 01:30:40,807 --> 01:30:43,844 What is it, man? What�s wrong with you? 1231 01:30:44,207 --> 01:30:46,516 She�s here! 1232 01:30:46,607 --> 01:30:49,075 They�re aII here! 1233 01:30:49,207 --> 01:30:51,960 - HeIp! Mr. Lopes, caII the doctor! - The doctor? Where�s the doctor? 1234 01:30:52,047 --> 01:30:55,562 Chico, come to your senses! Come back to the stage! To your head! 1235 01:30:55,647 --> 01:30:57,842 - Where is the doctor? - CaII him on the phone! 1236 01:30:57,887 --> 01:31:00,481 - Where�s the phone? - Over there! Look in the Iisting... 1237 01:31:00,527 --> 01:31:01,960 Where�s the Iisting? 1238 01:31:06,367 --> 01:31:10,918 HeIIo, heIIo? Miss? The number? How shouId l know the number... 1239 01:31:11,007 --> 01:31:12,884 Mr. Lopes, it�s no Ionger necessary... 1240 01:31:13,927 --> 01:31:18,842 I won�t act! I�m not going on! I won�t do it! I want to Ieave now, now, now! 1241 01:31:23,047 --> 01:31:26,323 - ShaII I caII the doctor again? - Not at aII! Go and put on your wig. 1242 01:31:26,407 --> 01:31:28,045 I�II be the doctor here! 1243 01:31:32,047 --> 01:31:33,400 - Did you see? - I saw... 1244 01:31:33,487 --> 01:31:36,320 - And now?. - And now?. The show�s going to start. 1245 01:31:36,447 --> 01:31:38,677 You can start whatever, but not with me! 1246 01:31:38,767 --> 01:31:41,964 With her in the audience, in the front row next to that idiot... 1247 01:31:42,047 --> 01:31:43,878 I wouIdn�t have the courage to even Iook at them out there... 1248 01:31:43,967 --> 01:31:46,322 So don�t Iook... No one says you have to Iook. 1249 01:31:46,407 --> 01:31:49,524 For the true actor, there is no audience! 1250 01:31:49,567 --> 01:31:51,478 This here... is a waII. 1251 01:31:51,567 --> 01:31:56,038 That�s what our coIIeague CoqueIin used to say... And that is fundamentaI! 1252 01:31:56,127 --> 01:31:59,836 What do I care about CoqueIin... I won�t Iook at her, but she�II see me. 1253 01:31:59,927 --> 01:32:03,044 She knows me. She knows you with your beard and aII. 1254 01:32:03,167 --> 01:32:06,716 And I�II Iose her for good, and that idiot wiII Iaugh my beard off! 1255 01:32:06,807 --> 01:32:08,365 Your beard, no. 1256 01:32:08,447 --> 01:32:10,642 You don�t have a beard. 1257 01:32:10,887 --> 01:32:13,162 But if you did have a beard... 1258 01:32:14,567 --> 01:32:17,320 - On top of that you�re puIIing my Ieg! - God forbid! 1259 01:32:17,367 --> 01:32:20,200 I�m thinking of a way to resoIve aII this: 1260 01:32:20,287 --> 01:32:23,085 you know my part, I know them aII... 1261 01:32:23,167 --> 01:32:27,604 I�m stiII young enough to pIay the son, you take the beard of the father... 1262 01:32:27,687 --> 01:32:31,566 - That way she won�t recognize us. - But she knows the others! 1263 01:32:31,687 --> 01:32:35,521 Don�t fret. We�II put a moustache on Seixas, and shave the one off Lopes... 1264 01:32:35,607 --> 01:32:37,962 ... and we�II stick a giant pear on Dona Candida! 1265 01:32:38,047 --> 01:32:40,959 - You�re insane! - Leave it to me. 1266 01:32:41,047 --> 01:32:45,404 We�II aII go in tuxedos and I guarantee she won�t recognize anyone! 1267 01:32:48,047 --> 01:32:52,086 It�s been ten o�cIock for a haIf hour! And the show starts at nine forty-five! 1268 01:32:52,127 --> 01:32:54,277 - Let�s go to it! - Let�s go to it, what? 1269 01:32:54,327 --> 01:32:57,558 - Peace, my son... - Son, no! I don�t want to be the son! 1270 01:32:57,607 --> 01:33:01,395 You�re right, now I�m the son. Let�s get going you tyrant father! 1271 01:33:31,527 --> 01:33:35,645 This way, Mr. Attorney-GeneraI. I shaII announce your presence... 1272 01:33:37,727 --> 01:33:41,879 Yes, go, my dear Joaquim. I�II await your master. 1273 01:33:42,527 --> 01:33:44,677 I stiII don�t get any of this! 1274 01:33:44,767 --> 01:33:48,077 Why did Mr. Santana send you to dress in bIack and put on bIack gIasses? 1275 01:33:48,247 --> 01:33:50,238 I�ve had it up to here! 1276 01:33:50,847 --> 01:33:54,078 If it wasn�t for the rest, I wouIdn�t even go on! 1277 01:33:54,167 --> 01:33:57,284 - It seems everyone�s gone mad! - And they reaIIy have...! 1278 01:33:58,247 --> 01:33:59,362 Look, darIing... 1279 01:33:59,447 --> 01:34:03,759 I�m your friend and it pains me to see the face you put on around here. 1280 01:34:03,847 --> 01:34:06,315 - Me, Dona Candida? - Yes, you! 1281 01:34:06,407 --> 01:34:11,481 Don�t you see that this is aII because that ridicuIous other is here watching? 1282 01:34:11,567 --> 01:34:15,082 - Other? What other? - I can�t take anymore! 1283 01:34:15,207 --> 01:34:17,926 If I don�t Iet off some steam, I�II expIode! 1284 01:34:18,047 --> 01:34:21,596 - Chico has another girIfriend. - What? 1285 01:34:21,687 --> 01:34:26,715 And yesterday, we were aII in a paIace in Lapa, pretending to be nobiIity... 1286 01:34:26,767 --> 01:34:28,564 ... and from Chico�s famiIy. 1287 01:34:28,807 --> 01:34:32,322 May the AImighty have pity 1288 01:34:32,407 --> 01:34:35,604 on this nobIe famiIy of the AImeidas! 1289 01:34:42,527 --> 01:34:44,438 You miserabIe, ancient man. 1290 01:34:44,567 --> 01:34:48,276 It is with gIadness that I come with this bad news! 1291 01:34:48,367 --> 01:34:51,120 My heart puIses and rejoices 1292 01:34:51,167 --> 01:34:54,398 in feeIing the pain I shaII transmit to you 1293 01:34:54,487 --> 01:34:57,365 when I teII you that your son, your own pride and joy... 1294 01:34:57,447 --> 01:35:01,565 shaII soon be married to a most humbIe pIebeian! 1295 01:35:02,127 --> 01:35:04,766 And the rest of you AImeidas, 1296 01:35:04,847 --> 01:35:08,123 shaII be frozen and muted witnesses... 1297 01:35:08,207 --> 01:35:11,563 ... of my joy, and of the pain of this oId father 1298 01:35:11,647 --> 01:35:14,002 who never knew how to be a father! 1299 01:35:17,127 --> 01:35:19,800 I hear footsteps. Here he comes! 1300 01:35:19,927 --> 01:35:23,681 The mask of humiIity shaII be fastened to our face. 1301 01:35:30,607 --> 01:35:32,677 My great and most nobIe friend! 1302 01:35:32,847 --> 01:35:35,919 My arms before aII eIse. 1303 01:35:36,407 --> 01:35:39,001 It is a great honour for me , sir. 1304 01:35:40,367 --> 01:35:41,595 CarefuI with the beard! 1305 01:35:42,047 --> 01:35:47,405 Be seated, oh most vigiIant sentineI of this oId house... 1306 01:35:47,807 --> 01:35:50,765 and teII me what you have for me. 1307 01:35:51,127 --> 01:35:53,925 I wouId it were another 1308 01:35:54,007 --> 01:35:57,317 that brought you this disgracefuI news. 1309 01:35:57,607 --> 01:36:00,758 Enough, proceed no further! 1310 01:36:00,807 --> 01:36:04,880 You most sureIy shaII announce new dispIeasures... 1311 01:36:04,967 --> 01:36:07,197 deriving from the depraved Iife... 1312 01:36:07,247 --> 01:36:10,319 ... of my first-born son. 1313 01:36:11,007 --> 01:36:12,281 Father! 1314 01:36:12,487 --> 01:36:14,318 I�ve come in time! 1315 01:36:15,687 --> 01:36:17,518 Justice...? 1316 01:36:19,167 --> 01:36:21,123 "�Get out, get out!"� 1317 01:36:21,207 --> 01:36:22,401 Get out! 1318 01:36:22,647 --> 01:36:25,286 No! I require your refuge! 1319 01:36:25,407 --> 01:36:29,241 You are the Ieafy oak in the forests of honour! 1320 01:36:29,327 --> 01:36:33,957 Expunge from your roots the damaging weed... 1321 01:36:34,047 --> 01:36:40,316 ... and receive in your branches this most feebIe and deIicate frond! 1322 01:36:41,847 --> 01:36:45,635 Do not Iend your ears to this sIander! 1323 01:36:45,767 --> 01:36:49,396 CaIumny is the supreme argument for those who prevaricate. 1324 01:36:51,567 --> 01:36:55,958 It is evident that you don�t know me, sir! 1325 01:36:58,087 --> 01:37:01,443 - Did she regognize you? - She did. 1326 01:37:01,527 --> 01:37:03,324 She did... 1327 01:37:03,407 --> 01:37:05,238 But chose to forget! 1328 01:37:05,967 --> 01:37:10,563 Because your conduct deems to be forgotten. 1329 01:37:10,927 --> 01:37:12,645 I know everything! 1330 01:37:12,727 --> 01:37:15,924 Yet, I�m certain that you haven�t brought here with you... 1331 01:37:16,007 --> 01:37:18,840 the cause of your deIirium, 1332 01:37:18,887 --> 01:37:23,324 the stain that has faIIen on our coat of arms. 1333 01:37:24,967 --> 01:37:29,404 - "�Father! Father!"� - Father, she shaII not enter here... 1334 01:37:29,487 --> 01:37:32,843 as Iong as you don�t understand her or forgive her... 1335 01:37:32,967 --> 01:37:37,438 She shaII not enter here as Iong as she is not my bride! 1336 01:37:37,487 --> 01:37:41,924 Therefore, rest in the knowIedge that she shaII never enter here! 1337 01:37:42,327 --> 01:37:44,318 I�m going in there... 1338 01:37:46,487 --> 01:37:48,796 You big cheater! 1339 01:37:48,887 --> 01:37:51,276 I toId her not to come on but she insisted! 1340 01:37:51,367 --> 01:37:53,722 You don�t have any shame in going around behind my back! 1341 01:37:53,807 --> 01:37:55,638 One doesn�t do that to a girI Iike me! 1342 01:37:55,687 --> 01:37:57,882 What is this? Who sent you in here? My God! You�ve ruined everything! 1343 01:37:57,967 --> 01:38:00,765 What do I care? I fancy him and no one�s going to shut me up! 1344 01:38:00,807 --> 01:38:03,560 But this is a scandaI! Coming here and putting on a scene Iike this! 1345 01:38:03,647 --> 01:38:06,400 Let it be here, or wherever! I don�t have a nose for gIasses... 1346 01:38:06,447 --> 01:38:07,596 And be warned! 1347 01:38:07,687 --> 01:38:11,965 You�II get it just as much as she does when I catch you with that hag! 1348 01:38:12,007 --> 01:38:13,679 Hag, what hag? 1349 01:38:13,767 --> 01:38:16,042 Yes, sir! You�re seeing another, I know that aIright! 1350 01:38:16,127 --> 01:38:18,118 What an interesting pIay! 1351 01:38:18,167 --> 01:38:19,839 - Get out of here! - I wiII not! 1352 01:38:19,927 --> 01:38:24,125 Dona Candida was the one who toId me, she�s the onIy one that�s my friend! 1353 01:38:24,167 --> 01:38:26,840 This girI is very taIented! 1354 01:38:26,927 --> 01:38:29,282 Pardon me! I didn�t do this to cause harm. 1355 01:38:29,367 --> 01:38:33,519 - Now this! - But reaIIy what you did was wrong! 1356 01:38:33,567 --> 01:38:35,319 - It�s aII your fauIt! - Me? 1357 01:38:35,767 --> 01:38:41,080 Oh, my Iady, I don�t understand! The serious oId guy aIso has a Iover? 1358 01:38:41,127 --> 01:38:43,960 Ignorant girI! This is theatre! Of the best... 1359 01:38:44,047 --> 01:38:46,003 - Why did you Iet them in here? - WeII? 1360 01:38:46,087 --> 01:38:49,636 Oh, incIemency! Oh, martyr...! 1361 01:38:49,687 --> 01:38:55,444 Is it perhaps hazardous to the heaIth of this nobIe and dear boy 1362 01:38:55,527 --> 01:38:57,757 that I heIped raise? 1363 01:38:58,087 --> 01:39:01,796 - Maybe that was aIso my fauIt? - This is a shame! 1364 01:39:01,847 --> 01:39:06,716 - See if you can save this somehow... - OnIy if it�s with "�Leonor TeIes"�! 1365 01:39:07,007 --> 01:39:10,363 I need to know who you want, if it�s me, or if it�s that other woman! 1366 01:39:10,447 --> 01:39:12,403 There are so many women! 1367 01:39:12,487 --> 01:39:14,876 But as a resuIt of fantasy, 1368 01:39:14,967 --> 01:39:16,161 of among many, 1369 01:39:16,207 --> 01:39:19,165 onIy one does our sympathy, 1370 01:39:19,287 --> 01:39:20,720 distinguish, 1371 01:39:20,847 --> 01:39:22,041 choose, 1372 01:39:22,127 --> 01:39:23,321 and desire... 1373 01:39:23,487 --> 01:39:25,762 One singIe subject... 1374 01:39:25,847 --> 01:39:30,125 Send down the curtain, I�II bring up the house Iights... 1375 01:39:31,807 --> 01:39:34,196 You cheater, I ought to compIain to my parents about you! 1376 01:39:34,287 --> 01:39:37,836 - Hit it with some "�Leonor TeIIes"�! - Get out, you bastard! 1377 01:39:37,927 --> 01:39:40,600 I never want to see you again! 1378 01:39:40,727 --> 01:39:45,278 You shaII not, sir! But forbid, and you shaII see...! 1379 01:39:45,447 --> 01:39:48,484 "�Bastard shaII Iead both throne"� 1380 01:39:48,607 --> 01:39:51,599 "�and father�s name to infamy!"� 1381 01:39:56,527 --> 01:39:58,040 Bravo! 1382 01:39:58,927 --> 01:40:00,406 Don�t think that you�II keep on Iaughing! 1383 01:40:00,487 --> 01:40:02,045 Raise it! 1384 01:40:10,407 --> 01:40:12,443 - You big ham! - You Iow-Iife! 1385 01:40:12,527 --> 01:40:14,757 - Raise it! - I�II rip your eyes out! 1386 01:40:19,207 --> 01:40:21,357 Machado, you come do the curtain. I aIso want to take a bow... 1387 01:40:21,447 --> 01:40:23,802 - That�s just what I needed! - Raise it! 1388 01:40:33,567 --> 01:40:36,718 Don�t think you�II keep Iaughing, you trickster! 1389 01:40:38,007 --> 01:40:40,157 - It was him! - Didn�t I teII you? 1390 01:40:40,727 --> 01:40:43,878 - Don Edmundo! - That�s so funny! 1391 01:40:51,007 --> 01:40:52,645 Wasn�t that just great? 1392 01:40:52,727 --> 01:40:56,163 It was beautifuI, it was a success! CongratuIations aII! Give me a hug! 1393 01:40:56,367 --> 01:40:58,597 Thank you very much. Good evening. And see you tomorrow... 1394 01:40:58,687 --> 01:41:00,484 - See who when? - Tomorrow... 1395 01:41:02,367 --> 01:41:05,837 I�m tired of teIIing you you�re crazy! Good night, see you tomorrow... 1396 01:41:05,887 --> 01:41:08,117 - OnIy once we�re finished the pIay! - What you want is for me to die! 1397 01:41:08,207 --> 01:41:10,960 Nonsense! I want you to Iive! There she is... 1398 01:41:11,167 --> 01:41:12,395 HeIIo! 1399 01:41:14,407 --> 01:41:17,001 So did you Iike it? 1400 01:41:17,127 --> 01:41:21,086 I did. But I preferred you with a beard at the paIace in Lapa! 1401 01:41:21,127 --> 01:41:23,721 Are you a bit angry? Look, that was just a IittIe joke... 1402 01:41:23,847 --> 01:41:26,486 But you, sir, don�t joke with me! Where is he? 1403 01:41:26,567 --> 01:41:28,842 -He�s around... -Now he doesn�t appear? 1404 01:41:28,967 --> 01:41:30,559 You be quiet, sir! 1405 01:41:30,647 --> 01:41:33,036 I onIy wish to find him so I can give him two sIaps in the face! 1406 01:41:33,167 --> 01:41:34,805 That�s very weII, Miss. 1407 01:41:34,887 --> 01:41:37,276 But Iet me make a request on behaIf of the management... 1408 01:41:37,367 --> 01:41:40,484 Hit him as much as you want, but onIy after the show. 1409 01:41:40,567 --> 01:41:43,286 AIright, I won�t cause a scandaI as I have my famiIy here with me... 1410 01:41:43,367 --> 01:41:45,119 But warn him, that the next time I see him, 1411 01:41:45,167 --> 01:41:46,805 my fianc� here, is going to cane him! 1412 01:41:46,927 --> 01:41:49,043 A caning! As you wish, madame... 1413 01:41:50,767 --> 01:41:54,476 And don�t forget, the fianc� is going to give him a caning... 1414 01:41:55,287 --> 01:41:56,402 I�II teII him... 1415 01:41:58,367 --> 01:42:00,005 Sorry, it was the door, yes? 1416 01:42:01,527 --> 01:42:03,006 Chico... 1417 01:42:03,447 --> 01:42:06,280 It�s aII under controI, you can go get ready for the second act... 1418 01:42:06,367 --> 01:42:10,440 -Mr. Santana! Was she very angry? -No, she�s a bit shocked... 1419 01:42:10,527 --> 01:42:13,166 ...but it wiII pass. I knew how to convince her. 1420 01:42:13,207 --> 01:42:14,640 Mr. Santana... 1421 01:42:14,727 --> 01:42:18,083 If she doesn�t forgive me, I�II never go back to the guesthouse, 1422 01:42:18,207 --> 01:42:20,562 never sIeep, never eat! 1423 01:42:20,647 --> 01:42:24,162 You�II eat. You can be sure that you�II eat! 1424 01:42:28,007 --> 01:42:33,479 Guys, you guys! Let�s go to it! Everything goes to its originaI pIace. 1425 01:42:33,807 --> 01:42:36,116 Put on your sideburns! Take off those gIasses! 1426 01:42:36,247 --> 01:42:39,239 Chico is the Son, and I shaII pIay the Father! 1427 01:42:41,687 --> 01:42:43,678 Let�s go, hurry up! 1428 01:42:45,207 --> 01:42:49,598 Someone wiII have to get my wig... CarefuI with the basin... 1429 01:42:51,287 --> 01:42:53,039 You stepped on my foot! 1430 01:42:53,287 --> 01:42:54,925 Take this... 1431 01:42:56,447 --> 01:42:58,483 How�s it going, hmm? 1432 01:43:02,607 --> 01:43:04,359 Man, you�re stepping on my tie! 1433 01:43:04,487 --> 01:43:06,205 I�m sorry. 1434 01:43:07,487 --> 01:43:10,684 Get off! Don�t be a bother! 1435 01:43:10,807 --> 01:43:14,720 -Now where are my shoes? -Get off! Get out of here! 1436 01:43:14,847 --> 01:43:17,919 -Excuse me, excuse me... -There just no space here! 1437 01:43:18,247 --> 01:43:20,477 Forgive me, Godmother, but I must Ieave now... 1438 01:43:20,567 --> 01:43:22,285 Go if you wish, but I�m staying. 1439 01:43:22,367 --> 01:43:25,439 No one couId tear me away from here! Laura wiII go with you... 1440 01:43:25,487 --> 01:43:29,196 -What a pain, my Iady, I�m enjoying it! -Go on, do as you�re toId. 1441 01:43:29,287 --> 01:43:30,766 I�II teII you the rest Iater. 1442 01:43:30,807 --> 01:43:32,798 Don�t bother, I�II take Tat�o by car... 1443 01:43:32,927 --> 01:43:35,964 No, not aIone, you won�t. Laura go, accompany the girI. 1444 01:43:36,087 --> 01:43:39,523 It�s aIways the same thing! Here goes the sIave... 1445 01:43:39,887 --> 01:43:43,846 And so now that it�s aII arranged, you TeII me you won�t go on! 1446 01:43:43,927 --> 01:43:45,565 AII on account of Chico! 1447 01:43:45,647 --> 01:43:47,444 Chico to me is... 1448 01:43:47,767 --> 01:43:49,644 Fine, but for me the pIay is not... 1449 01:43:49,727 --> 01:43:51,399 - He was never reaIIy my friend... - But I am! 1450 01:43:51,487 --> 01:43:53,443 - He never wanted to know about me... - But I do! 1451 01:43:53,527 --> 01:43:55,563 - He�s aIways been a swindIer... - So have I! 1452 01:43:55,607 --> 01:43:58,485 - And he�II never marry me... - But I�II marry you! 1453 01:44:02,847 --> 01:44:05,077 Guys, Act Two... 1454 01:44:06,687 --> 01:44:08,518 What�s not in the scene, get offstage! 1455 01:44:09,807 --> 01:44:13,482 Machado, don�t forget the teIephone, it was missing in the first act! 1456 01:44:13,567 --> 01:44:16,684 The teIephone�s right here! I know exactIy what I�m doing! 1457 01:44:16,727 --> 01:44:18,206 Such nerve! 1458 01:44:22,687 --> 01:44:23,597 Done! 1459 01:44:37,927 --> 01:44:40,043 I couId have seen the ending after aII! 1460 01:44:40,127 --> 01:44:43,358 You offer us a ride, and then make us waIk our Iegs off... 1461 01:44:43,407 --> 01:44:45,398 I couIdn�t park any cIoser! 1462 01:44:50,967 --> 01:44:53,003 How are we going to get rid of her? 1463 01:45:19,807 --> 01:45:21,240 What about Miss Tat�o? 1464 01:45:21,367 --> 01:45:23,562 She went to see the second act. 1465 01:45:27,047 --> 01:45:28,116 34... 1466 01:45:28,807 --> 01:45:30,240 35... 1467 01:45:31,727 --> 01:45:33,126 36... 1468 01:45:34,327 --> 01:45:35,555 37... 1469 01:45:36,967 --> 01:45:38,002 38... 1470 01:45:38,887 --> 01:45:40,115 39... 1471 01:45:42,007 --> 01:45:43,042 ... 40! 1472 01:45:43,967 --> 01:45:47,403 Here you have... 40 000 francs. 1473 01:45:47,647 --> 01:45:49,842 Take it, and Ieave! 1474 01:45:50,207 --> 01:45:53,802 No! Keep your goId, as it makes me bIush! 1475 01:45:53,887 --> 01:45:56,276 Back, viIe metaI that vexes me! 1476 01:45:56,807 --> 01:45:59,162 I shaII know Iife without your charity... 1477 01:45:59,247 --> 01:46:02,557 mereIy sustained by an ardent and purifying Iove... 1478 01:46:02,607 --> 01:46:08,045 ... and for my honest and honoured work which wiII duIcify my existence! 1479 01:46:08,967 --> 01:46:12,516 Riches, for what? Ambitions, for what? 1480 01:46:12,927 --> 01:46:14,042 For what? 1481 01:46:14,407 --> 01:46:16,477 For what, ignobIe goId? 1482 01:46:16,567 --> 01:46:17,841 For Tat�o? 1483 01:46:18,607 --> 01:46:20,120 For Tat�o! For her... 1484 01:46:20,207 --> 01:46:23,040 For sure! SiIver so viIe and avaricious! 1485 01:46:23,167 --> 01:46:27,001 For what? The Iabour and heart of a woman Ioved shaII suffice... 1486 01:46:27,087 --> 01:46:30,682 oh, shaII suffice in aIimenting once and for aII... 1487 01:46:30,727 --> 01:46:34,845 ... the ideaI of a humbIe and dreamy poet of such IittIe interest! 1488 01:46:36,127 --> 01:46:37,116 Bravo! 1489 01:46:38,167 --> 01:46:42,718 Very weII. FoIIow the errant impuIse of your wretched spirit... 1490 01:46:43,287 --> 01:46:45,847 But do not mar or smudge 1491 01:46:45,927 --> 01:46:48,441 the name of our Iineage with mud... 1492 01:46:48,727 --> 01:46:52,959 At Ieast remember, that you are the Iast of the AImeidas! 1493 01:46:53,287 --> 01:46:57,405 - No, my Iord, he is not the Iast! - What?! 1494 01:46:57,487 --> 01:47:01,116 What do I hear? What do I hear? 1495 01:47:01,287 --> 01:47:04,040 Am I going to become a grandfather? 1496 01:47:04,127 --> 01:47:06,243 Forgive me, Father!? 1497 01:47:07,247 --> 01:47:09,715 Do not Iet your wrath and curse faII on the head... 1498 01:47:09,807 --> 01:47:14,437 ... of an innocent that has never seen the Iight of aurora. 1499 01:47:14,727 --> 01:47:16,046 Daughter! 1500 01:47:16,087 --> 01:47:20,205 Dear daughter, an embrace! 1501 01:47:21,327 --> 01:47:24,956 Son! An embrace, as weII! 1502 01:47:25,047 --> 01:47:30,041 To pardon redeems aII men and purifies souIs... 1503 01:47:31,407 --> 01:47:33,045 It has come... 1504 01:47:33,287 --> 01:47:37,803 May the radiant sun and the indigo sky bare 1505 01:47:37,847 --> 01:47:40,884 witness to the happiness... 1506 01:47:40,967 --> 01:47:43,162 ... of a father that is to become a grandfather! 1507 01:47:44,687 --> 01:47:46,882 It has come! It has come! 1508 01:47:47,487 --> 01:47:50,320 Let us go! Let us go! 1509 01:47:51,847 --> 01:47:53,644 My dear chiIdren! 1510 01:47:53,687 --> 01:47:57,760 Accompany me to the park, to the park... 1511 01:47:58,127 --> 01:47:59,355 ... to the park! 1512 01:48:16,087 --> 01:48:18,999 You sir, are nothing more than a coward after aII! 1513 01:48:19,087 --> 01:48:22,682 And just Iike that, you Iet 20 miIIion escape from your hands! 1514 01:48:28,087 --> 01:48:32,478 I shaII not! For great iIIs, there are greater remedies! 1515 01:48:32,567 --> 01:48:39,006 The strength of hatred, a torch and a bit of courage shaII be enough... 1516 01:48:39,087 --> 01:48:42,841 to transform in a moment this manor where happiness reigns... 1517 01:48:42,927 --> 01:48:46,636 ... into a mountain of rubbIe and fumigating ash! 1518 01:48:48,807 --> 01:48:50,763 The dizziness of hatred! 1519 01:48:56,687 --> 01:49:01,761 What do I hear? They�re going to burn the PaIace? Reduce it to ruins? 1520 01:49:01,967 --> 01:49:05,039 No, you oId yet faithfuI servant. 1521 01:49:05,167 --> 01:49:06,919 You shaII never consent to such a thing! 1522 01:49:09,047 --> 01:49:10,765 HeIIo, anyone there? 1523 01:49:10,807 --> 01:49:12,559 Send for the poIice, 1524 01:49:12,607 --> 01:49:14,165 the fire brigade! 1525 01:49:14,687 --> 01:49:18,760 They�re going to set fire to the house! Fire! Fire! 1526 01:49:19,007 --> 01:49:23,046 MiserabIe arsonist! You repugnant toad! 1527 01:49:23,127 --> 01:49:28,247 It is thus, viper, that you try to bite the bosom that caIms and sheIters you! 1528 01:49:28,327 --> 01:49:32,684 - But you shaII die at my own hands! - Cease, young man. Cease! 1529 01:49:33,247 --> 01:49:37,365 I can no Ionger hush this invioIabIe secret, 1530 01:49:37,447 --> 01:49:39,677 so confided 1 9 years ago... 1531 01:49:40,567 --> 01:49:44,242 Do you know who that man is, the one you aImost strangIed? 1532 01:49:44,367 --> 01:49:47,404 - Yes, I know! He�s a crook...! - No. 1533 01:49:47,767 --> 01:49:50,361 He�s the father of the one who iIIuminates your Iife. 1534 01:49:50,487 --> 01:49:53,047 - My father! - What a horribIe mystery! 1535 01:49:53,127 --> 01:49:54,924 Yes, yes... 1536 01:49:55,007 --> 01:50:00,604 1 9 years ago, on a tempestuous and coId December night... 1537 01:50:00,687 --> 01:50:05,886 a woman that had just given birth to a chiId, pIaced it in my arms... 1538 01:50:05,927 --> 01:50:08,919 ... handed me a goIden dagger and said: 1539 01:50:09,007 --> 01:50:10,440 Go Joaquim! 1540 01:50:10,527 --> 01:50:14,486 Abandon this tender being to its destiny, for it onIy represents... 1541 01:50:14,567 --> 01:50:17,798 ... to the eyes of the worId, my ignominy! 1542 01:50:18,367 --> 01:50:19,925 My God! 1543 01:50:20,007 --> 01:50:24,956 But I hadn�t the courage and I Ieft her with Ana, 1544 01:50:25,047 --> 01:50:27,561 to be raised in secret. 1545 01:50:28,087 --> 01:50:30,965 - You mean to say that Euf�mia...? - Yes... 1546 01:50:31,047 --> 01:50:35,359 is the fruit of the iIIicit affairs between our Dr. VasconceIos... 1547 01:50:35,487 --> 01:50:40,436 ...and a nobIewoman of high standing! - But who was this nobIewoman? 1548 01:50:41,287 --> 01:50:44,802 - It was I, my brother! - You, my sister? 1549 01:50:44,887 --> 01:50:46,923 - Auntie! - Mother! 1550 01:50:46,967 --> 01:50:48,241 Daughter! 1551 01:50:48,287 --> 01:50:51,199 - Father-in-Iaw! - Forgive me son-in-Iaw! 1552 01:50:51,287 --> 01:50:55,724 Don Ant�o, I prayed to the heavens that I not die before seeing... 1553 01:50:55,807 --> 01:51:00,244 ... this most hoIy and nobIe famiIy reconciIe! 1554 01:51:01,087 --> 01:51:06,207 Joaquim, come embrace me, oId servant. 1555 01:51:08,447 --> 01:51:13,567 Now that the dove of peace has taken fIight. 1556 01:51:13,607 --> 01:51:16,360 White, above us aII... 1557 01:51:16,687 --> 01:51:18,484 I feeI most happy 1558 01:51:18,607 --> 01:51:21,963 to never again deserve the titIe 1559 01:51:22,047 --> 01:51:24,003 of Tyrant Father!? 1560 01:51:25,047 --> 01:51:26,366 Bravo! 1561 01:52:00,247 --> 01:52:02,044 Machado! Machado! 1562 01:52:21,927 --> 01:52:23,246 Where�s the fire? 1563 01:52:25,847 --> 01:52:27,405 - I don�t know! - Where is the criminaI? 1564 01:52:30,167 --> 01:52:31,282 I didn�t see him! 1565 01:52:32,327 --> 01:52:35,763 - What�s aII this? Is there a fire? - That�s what I want to know! 1566 01:52:41,167 --> 01:52:43,806 No doubt about it, this is a faIse aIarm! 1567 01:52:45,007 --> 01:52:47,601 - Who is the director here? - I am. 1568 01:52:48,407 --> 01:52:51,444 - You�re under arrest. - Me, under arrest? 1569 01:52:57,687 --> 01:52:59,518 Who was it that caIIed and asked for fire rescue? 1570 01:52:59,647 --> 01:53:02,241 Nobody, unIess it was... 1571 01:53:04,687 --> 01:53:07,247 Mr. Machado, now you�ve reaIIy done it! 1572 01:53:07,327 --> 01:53:08,157 What is it? 1573 01:53:08,287 --> 01:53:11,996 And so, you horse, you put the reaI teIephone onstage? 1574 01:53:12,087 --> 01:53:14,965 The reaI one? ...That�s funny! 1575 01:53:15,087 --> 01:53:18,523 You think it�s funny? Then you�re aIso under arrest 1576 01:53:18,607 --> 01:53:20,598 I�II go! But I go against my wiII! 1577 01:53:20,687 --> 01:53:22,917 Pardon me! I don�t consent! There�s been a mistake! 1578 01:53:23,007 --> 01:53:26,636 Officer, you have no right to arrest this man. Let me expIain... 1579 01:53:26,767 --> 01:53:28,405 WeII then, it�s better if you expIain this down at the station... 1580 01:53:28,527 --> 01:53:30,757 ... as you are aIso coming with us. 1581 01:53:49,047 --> 01:53:50,844 Chico, what happened? Are you under arrest? 1582 01:53:50,927 --> 01:53:52,406 - I am! - Let�s go! 1583 01:53:52,487 --> 01:53:55,559 - Look, he�s not going! - You�II come too, Miss. If necessary. 1584 01:53:55,647 --> 01:53:58,400 - I�m going aIright! - Tat�o, we�re shackIed! 1585 01:53:58,487 --> 01:54:00,443 And we�II stay shackIed for the rest of our Iives! 1586 01:54:07,567 --> 01:54:10,127 - Chico, are you happy? - Very happy! 1587 01:54:10,207 --> 01:54:12,562 - I�m compIeteIy happy! - Me, too! 1588 01:54:12,687 --> 01:54:14,040 What about tomorrow?. 1589 01:54:14,087 --> 01:54:17,397 - GrandeIa! We�re on the right track! - Carry on! 1590 01:54:24,287 --> 01:54:26,403 SubtitIes: Christian Campeau 1591 01:54:29,527 --> 01:54:32,405 THE END 132598