All language subtitles for Growing Pains s05e14 The Triangle

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,539 --> 00:00:02,800 So you're saying I'm wrong? 2 00:00:03,080 --> 00:00:05,440 No, no, no, I'm not saying you're wrong. I'm just saying that you know 3 00:00:05,440 --> 00:00:06,780 absolutely nothing about women. 4 00:00:07,380 --> 00:00:10,500 Mike, there's not a girl in the world who's going to let you kiss her after 5 00:00:10,500 --> 00:00:11,500 got her name wrong. 6 00:00:11,540 --> 00:00:13,080 Kara, Karen, I mean, they're so close. 7 00:00:13,320 --> 00:00:14,440 Her name was Joan. 8 00:00:16,340 --> 00:00:17,500 When were you when I needed you? 9 00:00:18,020 --> 00:00:21,000 I was with David, the only man who knows less about women than you do. 10 00:00:21,280 --> 00:00:22,360 Did you not hear my name mentioned? 11 00:00:23,660 --> 00:00:24,660 Where have you been? 12 00:00:24,740 --> 00:00:26,000 You're supposed to meet me here for lunch. 13 00:00:26,700 --> 00:00:29,760 Cut me some slack here, babe. As director of this play we're doing, I 14 00:00:29,760 --> 00:00:31,780 lights, I gotta get props, I gotta get costumes. 15 00:00:32,060 --> 00:00:33,060 But I ain't alone. 16 00:00:33,080 --> 00:00:36,980 Look, our one act has got to be perfect. You know what a royal pain in the rump, 17 00:00:37,000 --> 00:00:38,040 Professor Thorne, is? 18 00:00:38,400 --> 00:00:39,400 Ah, David. 19 00:00:39,460 --> 00:00:42,600 Let me share with you an anecdote from Ralph Richardson. 20 00:00:42,880 --> 00:00:47,580 Mr. Ho, I roll my ass far more regally than that, right? 21 00:00:48,600 --> 00:00:50,720 Ah, Professor, you're spitting on me. 22 00:00:51,360 --> 00:00:52,360 I know. 23 00:00:53,900 --> 00:00:56,720 A principal tool of the director is observation. 24 00:00:57,820 --> 00:00:59,020 So watch it, Bob. 25 00:01:01,760 --> 00:01:03,300 Maybe I should apologize. 26 00:01:03,800 --> 00:01:06,120 No, just sit down. Eat your sandwich. I'm used to it. 27 00:01:08,100 --> 00:01:11,020 Figured. Hey, come on. David is crazy about you. 28 00:01:12,080 --> 00:01:13,360 Yeah, what do you know about guys? 29 00:01:13,640 --> 00:01:15,780 Hey, I've been one for the last 15 years. 30 00:01:16,220 --> 00:01:17,220 But you're 19. 31 00:01:18,200 --> 00:01:19,200 Interesting story. 32 00:02:34,220 --> 00:02:36,460 You remember Kate? Yeah. Tell Mom that we're going to be rehearsing through 33 00:02:36,460 --> 00:02:37,460 dinner, okay? Yeah, fine. 34 00:02:38,260 --> 00:02:40,300 Hi there. Um, Dad. 35 00:02:41,840 --> 00:02:42,840 Like she cares. 36 00:02:47,500 --> 00:02:48,500 Okay, 37 00:02:49,980 --> 00:02:50,980 ready to go again? 38 00:02:51,060 --> 00:02:52,060 Uh, yeah, sure. 39 00:02:53,120 --> 00:02:54,280 Uh, what's the score? 40 00:02:54,520 --> 00:02:56,280 Is that Kate waving to you? Uh -huh. 41 00:03:08,650 --> 00:03:09,650 It's time to make a choice. 42 00:03:10,010 --> 00:03:12,850 You can stay here in this town living other people's dreams. 43 00:03:13,770 --> 00:03:15,270 Or you can take a chance with me. 44 00:03:16,670 --> 00:03:19,530 Jeff, I can't decide my whole life in a moment. 45 00:03:21,070 --> 00:03:22,350 Well, a moment's all we got. 46 00:03:26,510 --> 00:03:27,850 Then kiss me goodbye, Jessica. 47 00:03:30,310 --> 00:03:31,310 Ah! 48 00:03:33,430 --> 00:03:36,750 Look, look, look, look. The play's just going great until this kiss here at the 49 00:03:36,750 --> 00:03:37,448 end. Mike. 50 00:03:37,450 --> 00:03:38,450 You're not kissing her goodbye. 51 00:03:39,070 --> 00:03:40,610 You're kissing her hello. 52 00:03:42,650 --> 00:03:45,350 I mean, after this moment, we're supposed to believe she falls in love 53 00:03:45,410 --> 00:03:48,510 I mean, the way you kissed her, I think you're the kind of guy who owns a lot of 54 00:03:48,510 --> 00:03:49,510 cats. 55 00:03:51,550 --> 00:03:52,550 Okay, from where we were. 56 00:03:56,670 --> 00:03:57,910 A moment's all we got. 57 00:04:02,350 --> 00:04:03,590 Then kiss me goodbye, Jessica. 58 00:04:12,880 --> 00:04:13,880 Girls, right? 59 00:04:16,220 --> 00:04:17,579 Yeah, of course I like girls. 60 00:04:17,860 --> 00:04:20,600 Okay, then what the heck's the problem here? Nothing. Nothing's the problem. 61 00:04:20,660 --> 00:04:22,400 It's just that she's your girlfriend. 62 00:04:24,380 --> 00:04:25,380 No, she's not. 63 00:04:25,680 --> 00:04:26,499 Pardon me? 64 00:04:26,500 --> 00:04:27,500 Okay, okay. Bear with me here. 65 00:04:28,420 --> 00:04:29,420 She's an actress. 66 00:04:29,500 --> 00:04:31,740 You're an actor. Kisses mean nothing between actors. 67 00:04:36,060 --> 00:04:37,060 Hey! 68 00:04:39,240 --> 00:04:41,460 Look, while you guys make out, I'm just going to sit down. 69 00:04:43,880 --> 00:04:44,539 Kate, please. 70 00:04:44,540 --> 00:04:49,220 Okay? Take it again. Same page. David, we've been rehearsing for five hours. 71 00:04:49,220 --> 00:04:50,980 tired. Hey, it's your grade, too. 72 00:04:51,320 --> 00:04:53,300 Don't lecture me. I know it's my grade. 73 00:04:53,540 --> 00:04:56,220 Yeah, why is it whenever I got a point to make with you, you think I'm giving 74 00:04:56,220 --> 00:04:58,540 you a lecture? Look, look, look. If we just calm down, I'll kiss your 75 00:04:58,540 --> 00:05:01,500 girlfriend, all right? There. See? Now, why can't you be more like Mike? Why 76 00:05:01,500 --> 00:05:02,560 can't you be more like Mike? 77 00:05:03,100 --> 00:05:04,760 Okay, so we're agreed. I'm a great guy. 78 00:05:06,020 --> 00:05:09,640 Can we please call it a night? No, no. We're wrapped after we get this kiss 79 00:05:09,640 --> 00:05:10,640 right. Now, listen to me. 80 00:05:12,100 --> 00:05:13,100 Jessica. 81 00:05:13,150 --> 00:05:17,110 is the one hope for bringing meaning to your aimless life. All the passion you 82 00:05:17,110 --> 00:05:21,690 once held for the open road, you now feel for her. And Jeff is your chance, 83 00:05:21,690 --> 00:05:28,250 one possibility to escape the life that's trapped you. The life you've 84 00:05:28,750 --> 00:05:29,750 Okay? Okay. 85 00:05:31,030 --> 00:05:33,330 Train whistle blows. 86 00:05:38,170 --> 00:05:39,390 It's time to make a choice. 87 00:05:39,850 --> 00:05:42,570 You can stay here in this town living other people's dreams, or you can take a 88 00:05:42,570 --> 00:05:43,570 chance with me. 89 00:05:43,630 --> 00:05:47,050 Jeff, I can't decide my whole life in one moment. 90 00:05:47,510 --> 00:05:48,770 Well, a moment's all we got. 91 00:05:53,250 --> 00:05:54,510 Then kiss me goodbye, Jessica. 92 00:06:10,800 --> 00:06:11,800 all we got. 93 00:06:15,380 --> 00:06:16,740 Then kiss me goodbye, Jessica. 94 00:06:30,460 --> 00:06:33,080 Wait, wait, can you please turn the light back up? 95 00:06:36,140 --> 00:06:38,060 I've got kind of an announcement to make. 96 00:06:38,730 --> 00:06:40,670 Um, see, we weren't acting just now. 97 00:06:41,290 --> 00:06:46,910 And I want you all to know, heck, I want the whole world to know that I love 98 00:06:46,910 --> 00:06:47,910 Kate McDonald. 99 00:06:49,870 --> 00:06:53,570 And I think, as you can tell from that last kiss, she feels the same way about 100 00:06:53,570 --> 00:06:54,710 me. Mike! 101 00:06:55,550 --> 00:06:56,710 Mike, we're just acting. 102 00:06:59,230 --> 00:07:00,230 What? 103 00:07:01,550 --> 00:07:02,830 Mike, we're just doing a play. 104 00:07:04,450 --> 00:07:06,650 You mean you're not crazy about me? 105 00:07:08,300 --> 00:07:09,300 I don't even like you. 106 00:07:11,420 --> 00:07:14,080 I don't like you either. I'm a royal pain in the rump. 107 00:07:16,360 --> 00:07:17,360 Folks, 108 00:07:17,900 --> 00:07:24,340 what you have just seen here is proof that a kiss means nothing between 109 00:07:25,200 --> 00:07:26,260 Here, let me demonstrate. 110 00:07:30,100 --> 00:07:34,760 What are you doing here? 111 00:07:35,900 --> 00:07:38,380 With a dream like this, you're going to need help from... Somebody. 112 00:07:42,840 --> 00:07:43,840 Dad? 113 00:07:44,720 --> 00:07:45,720 Dad? 114 00:07:52,720 --> 00:07:55,940 Well, I could go upstairs, wake him up, and tell him I need to talk to him. 115 00:07:56,720 --> 00:07:57,860 Or I could be more subtle. 116 00:08:23,790 --> 00:08:26,330 energy, Carol, by running our planes at off -peak hours. 117 00:08:26,830 --> 00:08:29,070 Why don't you run in the toaster? It's quieter. 118 00:08:29,690 --> 00:08:32,610 Carol, why don't you go upstairs, circle three times, and lay down? 119 00:08:35,330 --> 00:08:36,330 You're up to something. 120 00:08:36,530 --> 00:08:37,530 No, I'm not. 121 00:08:37,570 --> 00:08:40,010 You dropped out of school. No. You burned down the garage. 122 00:08:40,230 --> 00:08:43,289 Carol. You held up a liquor store. Carol. Don't help me. This is fun. 123 00:08:43,490 --> 00:08:44,490 Okay. 124 00:08:44,590 --> 00:08:45,850 Okay, I have a question for you. 125 00:08:46,270 --> 00:08:50,110 Now, could you kiss a guy in a way that would make him think that you're nuts 126 00:08:50,110 --> 00:08:52,230 about him when you really don't feel anything at all? 127 00:08:53,200 --> 00:08:54,360 Who told you this? Was it Nick? 128 00:08:56,260 --> 00:08:57,260 What's all the noise? 129 00:08:57,540 --> 00:09:00,180 Oh, it's Carol. She's upset about some guy she's dating. 130 00:09:01,840 --> 00:09:05,700 What? Hey, Carol, if I were you, I would dump him. The man's got no taste. 131 00:09:08,020 --> 00:09:09,020 Good night. 132 00:09:09,080 --> 00:09:10,080 Wait a minute, Dad. 133 00:09:10,420 --> 00:09:12,600 I mean, how often do I come to you with my problems? 134 00:09:13,400 --> 00:09:15,420 Every Wednesday, 8 o 'clock, 7 central. 135 00:09:18,020 --> 00:09:18,959 Fine, fine. 136 00:09:18,960 --> 00:09:19,960 Make jokes. 137 00:09:20,160 --> 00:09:22,140 No, it was your idea for me to come talk to you. 138 00:09:22,550 --> 00:09:23,550 It was? 139 00:09:23,690 --> 00:09:25,110 All right, well, then I better stay. 140 00:09:25,650 --> 00:09:27,350 Want to join me in a late -night snack? 141 00:09:28,090 --> 00:09:30,630 Hey, if you're looking for it, I already finished the pineapple upside -down 142 00:09:30,630 --> 00:09:31,630 cake. 143 00:09:32,190 --> 00:09:33,410 Pineapple upside -down cake? 144 00:09:35,270 --> 00:09:36,910 Cake? Didn't I say cake? 145 00:09:37,210 --> 00:09:38,590 No, no, no, you said cake. 146 00:09:39,330 --> 00:09:41,310 Isn't that the girl you were rehearsing with tonight? 147 00:09:41,630 --> 00:09:44,270 Oh, yeah, Dad, I can't get it out of my mind. 148 00:09:44,470 --> 00:09:45,470 I don't wonder. 149 00:09:46,670 --> 00:09:49,030 Dad, I mean, she's even in my dreams, and you were, too. 150 00:09:49,610 --> 00:09:50,610 Really? 151 00:09:51,970 --> 00:09:53,330 Let's not share that with your mother. 152 00:09:56,490 --> 00:09:59,710 No, Dad, I mean, ever since I kissed this girl, I just can't forget about 153 00:09:59,850 --> 00:10:03,430 You kissed her? Yeah, about 50 times, with her boyfriend right there cheering 154 00:10:03,430 --> 00:10:05,870 on. Oh, that is some dream. 155 00:10:06,530 --> 00:10:08,870 No, no, no, Dad, that's not a dream. That actually happened. 156 00:10:10,130 --> 00:10:11,570 What the heck are you into, Mike? 157 00:10:13,570 --> 00:10:17,390 Dad, Dad, look, I mean, I think I really, really care about this girl, but 158 00:10:17,390 --> 00:10:19,010 taken. That's part of your dream. 159 00:10:19,850 --> 00:10:21,650 No, Dad, come on. You were there. I kissed you. 160 00:10:24,550 --> 00:10:25,730 What are you into, Mike? 161 00:10:27,110 --> 00:10:30,390 Dad, look, she wanted absolutely nothing to do with me at all. That's real? 162 00:10:30,770 --> 00:10:31,770 No, that's the dream. 163 00:10:31,950 --> 00:10:33,690 I wish I were charging you by the hour. 164 00:10:34,490 --> 00:10:36,030 Okay, I'll make it simple for you. 165 00:10:36,750 --> 00:10:41,550 For the first time since Julie, I'm friends with a girl before I kiss her. 166 00:10:41,950 --> 00:10:42,950 But she has a boyfriend. 167 00:10:43,270 --> 00:10:44,270 Yes. 168 00:10:44,910 --> 00:10:45,910 Why now? 169 00:10:46,350 --> 00:10:47,169 Why her? 170 00:10:47,170 --> 00:10:50,830 Well, maybe part of what you like about Kate is the fact that she is taken, 171 00:10:50,970 --> 00:10:53,830 Mike. I mean, maybe after everything you went through with Julie, you really 172 00:10:53,830 --> 00:10:57,510 don't want to get involved right now. So you've concocted this attraction to 173 00:10:57,510 --> 00:10:58,630 someone who isn't available. 174 00:11:00,130 --> 00:11:01,570 Nah, that's not it. What else you got? 175 00:11:03,090 --> 00:11:06,130 Well, the other possibility is you really are attracted to her and you want 176 00:11:06,130 --> 00:11:07,130 get serious about her. 177 00:11:07,650 --> 00:11:10,070 Okay, okay. Now, what would I do in this case? Nothing. 178 00:11:10,650 --> 00:11:12,550 No, Mike, no. Not as long as she's got a boyfriend. 179 00:11:13,640 --> 00:11:16,300 Best thing is to have as little to do with her as possible. 180 00:11:17,160 --> 00:11:19,620 Well, Dad, it's going to be kind of tough. I mean, I'm kissing this girl 181 00:11:19,620 --> 00:11:21,040 tomorrow from noon till 4 .30. 182 00:11:21,760 --> 00:11:23,200 It's going to be a real test of character. 183 00:11:24,580 --> 00:11:25,580 Hers? 184 00:11:26,700 --> 00:11:28,680 I was afraid of that. 185 00:11:30,620 --> 00:11:34,060 Okay, let's take it from the train whistle, right before the kiss. 186 00:11:34,580 --> 00:11:39,920 Uh, David, have you fully explored the passion of a hearty handshake? 187 00:11:41,840 --> 00:11:42,840 Mike, I... 188 00:11:42,990 --> 00:11:43,689 I know. 189 00:11:43,690 --> 00:11:45,690 I know what your problem is. 190 00:11:46,190 --> 00:11:47,670 You do? Yep, and I got the solution. 191 00:11:48,570 --> 00:11:49,730 Wait, the solution is you're leaving? 192 00:11:49,970 --> 00:11:53,170 No, no, no, no, no. See, I got a tape with a train whistle in my car. 193 00:11:53,390 --> 00:11:54,690 I've been listening to it for days. 194 00:11:55,470 --> 00:11:58,170 Oh, David, how... like you. 195 00:12:00,350 --> 00:12:01,610 Why don't you guys work up to the kids? 196 00:12:01,950 --> 00:12:02,950 See what happens. 197 00:12:06,590 --> 00:12:09,670 Don't you think maybe we should do some acting exercises first? You know, like 198 00:12:09,670 --> 00:12:11,670 pretending we're furniture? 199 00:12:12,320 --> 00:12:13,780 I said work up to the kiss. 200 00:12:17,520 --> 00:12:19,160 Jeff, the train's coming. 201 00:12:22,140 --> 00:12:24,620 I said, Jeff, the train's coming. 202 00:12:26,780 --> 00:12:28,020 Okay, it's time to make a choice. 203 00:12:28,740 --> 00:12:32,900 You can either stay in this town, living out other people's dreams, or you can 204 00:12:32,900 --> 00:12:33,900 take a chance with me. 205 00:12:35,280 --> 00:12:39,020 Jeff, I can't decide my whole life in a moment. 206 00:12:39,560 --> 00:12:40,800 Well, a moment's all we got. 207 00:12:45,360 --> 00:12:46,480 Then kiss me goodbye, Jessica. 208 00:12:59,620 --> 00:13:01,220 Kate, I'm sorry. 209 00:13:02,700 --> 00:13:04,180 Mike, I wasn't acting just now. 210 00:13:04,600 --> 00:13:09,040 I know I'm crazy to think that you could feel the same, but I really like you. 211 00:13:15,310 --> 00:13:16,310 You like me? 212 00:13:17,210 --> 00:13:18,210 Yeah. 213 00:13:20,350 --> 00:13:21,350 Yeah? 214 00:13:23,370 --> 00:13:27,110 Okay, kind of, wait a minute. Now, do you like me, like me, like me, just like 215 00:13:27,110 --> 00:13:31,290 people you just like, or you like me, like, like me? 216 00:13:33,070 --> 00:13:34,210 I'm nuts about you, too. 217 00:13:36,590 --> 00:13:37,590 So, 218 00:13:37,690 --> 00:13:40,050 so, so you mean this whole time that we were just friends, I mean, it never 219 00:13:40,050 --> 00:13:41,910 occurred to you? Me neither. Until just yesterday. 220 00:13:44,180 --> 00:13:45,180 Guys! 221 00:13:48,940 --> 00:13:50,700 I'm telling you, our problems are over now. 222 00:13:55,360 --> 00:13:57,020 Yes, I timed it up. 223 00:13:58,020 --> 00:14:00,680 Fun is fun, Ben. Come on, get in the way. You better go do your homework. 224 00:14:01,100 --> 00:14:04,880 Oh, come on, Dad. How about next time it wins? Sam, what's more important? Come 225 00:14:04,880 --> 00:14:05,880 on, hoops or homework? 226 00:14:05,940 --> 00:14:07,280 Now go on, we're going to call this a tie. 227 00:14:07,880 --> 00:14:08,880 Okay. 228 00:14:16,200 --> 00:14:17,200 who's she gonna believe? 229 00:14:18,300 --> 00:14:20,240 Man, telephone for you. It's Laura Lynn. 230 00:14:20,760 --> 00:14:21,940 You asked who it was? 231 00:14:22,240 --> 00:14:23,240 Yeah, is that a problem? 232 00:14:23,400 --> 00:14:25,800 Yeah, well, now she's gonna think that other girls call me, too. 233 00:14:26,560 --> 00:14:27,560 I'm a dead man. 234 00:14:29,520 --> 00:14:32,460 Now that you're finished with the game, huh? Oh, well, hi, Mom. 235 00:14:32,680 --> 00:14:35,120 Hi, Mike. I hardly see you these days. What's new? 236 00:14:35,640 --> 00:14:36,640 Um, nothing. 237 00:14:37,800 --> 00:14:39,200 You all ready for the play tomorrow night? 238 00:14:39,760 --> 00:14:40,760 Yep. 239 00:14:43,000 --> 00:14:44,000 Oh. 240 00:14:44,300 --> 00:14:45,480 You guys want to talk, huh? 241 00:14:46,570 --> 00:14:48,130 No, no, no, Mom. It's okay. We'll let you leave. 242 00:14:50,710 --> 00:14:55,530 Oh, if you're asking for advice about women, listen to him, Jason. 243 00:15:01,330 --> 00:15:03,710 Dad, Dad, the worst thing happened to me today. 244 00:15:03,950 --> 00:15:06,890 What? Were you telling her how you feel? No, she told me how she feels. How does 245 00:15:06,890 --> 00:15:07,529 she feel? 246 00:15:07,530 --> 00:15:08,850 Pretty darn good. No, 247 00:15:09,630 --> 00:15:13,830 Dad, I mean, I didn't want this to happen. Come on, you didn't. Okay, of 248 00:15:13,830 --> 00:15:15,810 I did, but I didn't want to want it to happen. 249 00:15:16,520 --> 00:15:17,820 I guess I'm just irresistible. 250 00:15:18,660 --> 00:15:21,480 Mike, you know better than this. Dad, come on. You think I wanted to mess up 251 00:15:21,480 --> 00:15:22,299 their relationship? 252 00:15:22,300 --> 00:15:27,280 No, okay, no, I don't. I'm sorry. I just, uh, I have a prejudice against 253 00:15:27,280 --> 00:15:28,280 like you. 254 00:15:29,060 --> 00:15:30,039 Pardon me? 255 00:15:30,040 --> 00:15:34,280 Hey. Look, when I was dating your mother when we started out, you know, we had a 256 00:15:34,280 --> 00:15:35,580 snag or two. That happens. 257 00:15:36,240 --> 00:15:40,040 So what do I do? I turn to my friend Aaron. This guy's my lab partner, for 258 00:15:40,040 --> 00:15:41,040 crying out loud. 259 00:15:41,480 --> 00:15:44,320 Before I know it, I tell him the whole story, and then he starts... 260 00:15:45,020 --> 00:15:46,520 He's sniffing around your mother. 261 00:15:46,960 --> 00:15:50,720 He's taking her out. He starts picking up the tab like that was going to 262 00:15:50,720 --> 00:15:51,720 her. 263 00:15:52,200 --> 00:15:54,280 Dad, this has nothing to do with me. I don't even have lab. 264 00:15:54,700 --> 00:15:58,760 The point is, Mike, that Aaron just being there was getting in the way of me 265 00:15:58,760 --> 00:15:59,940 getting back with your mother again. 266 00:16:00,280 --> 00:16:02,060 But, Dad, I have nothing to do with their problems. 267 00:16:02,320 --> 00:16:05,780 Are you sure of that? Yeah, Dad. I mean, they were having problems long before I 268 00:16:05,780 --> 00:16:09,200 even knew that I liked her. Before she even knew that she liked me. 269 00:16:09,540 --> 00:16:11,400 Hey, only two people could know that for sure. 270 00:16:12,680 --> 00:16:13,680 Me and Kate? 271 00:16:16,240 --> 00:16:17,540 Don't help me. Don't help me. 272 00:16:22,280 --> 00:16:28,580 Good evening, parents and friends of the Al Flandern Junior College Department 273 00:16:28,580 --> 00:16:30,000 of Theatrical Arts. 274 00:16:30,200 --> 00:16:33,240 And welcome to the Ruth Buzzy Theatre. 275 00:16:34,320 --> 00:16:37,380 Tonight we are pleased to present three student one acts. 276 00:16:37,660 --> 00:16:42,040 Our first production is an experimental piece entitled Mr. 277 00:16:42,240 --> 00:16:44,720 Lincoln Goes to the Theatre. 278 00:16:50,120 --> 00:16:52,160 Take a seat. Find a seat. Find a seat. 279 00:17:01,160 --> 00:17:02,720 I'm not sitting next to this guy. 280 00:17:09,640 --> 00:17:11,520 So his wife shot him. 281 00:17:14,200 --> 00:17:17,619 We'll give you a moment to recover from that. 282 00:17:19,560 --> 00:17:21,339 Set the stage for our next one act. 283 00:17:23,020 --> 00:17:26,079 There's his name, Michael Aaron Sieber, who plays next. 284 00:17:26,300 --> 00:17:27,740 That's my boy, Michael Aaron. 285 00:17:28,079 --> 00:17:31,320 Maggie, why did you insist on Mike's middle name being Aaron? 286 00:17:31,840 --> 00:17:33,080 Oh, I don't know. I can't remember. 287 00:17:33,540 --> 00:17:34,540 Well, think. 288 00:17:35,160 --> 00:17:37,040 Oh, it was after my cousin. 289 00:17:37,580 --> 00:17:38,580 Yeah, right. 290 00:17:39,360 --> 00:17:43,160 It had nothing to do with that charming boy who paid for my lunches, who now, by 291 00:17:43,160 --> 00:17:44,760 the way, is a millionaire. 292 00:17:48,600 --> 00:17:53,360 poses the dramatic question, what if Romeo and Juliet were mimes? 293 00:18:00,500 --> 00:18:01,080 If 294 00:18:01,080 --> 00:18:09,560 Lincoln 295 00:18:09,560 --> 00:18:11,460 were here to see this play, he'd shoot himself. 296 00:18:21,160 --> 00:18:22,400 Well, I could see right down her dress. 297 00:18:27,440 --> 00:18:29,560 I'm next. Where the heck is Mike? I don't know. 298 00:18:30,580 --> 00:18:31,800 Maybe those mimes will get an encore. 299 00:18:32,520 --> 00:18:33,520 Who am I kidding? 300 00:18:38,160 --> 00:18:39,280 Mike, where have you been? 301 00:18:39,780 --> 00:18:41,440 Um, I was running my lines. 302 00:18:41,720 --> 00:18:43,380 Where? I've been looking all over for you. 303 00:18:43,600 --> 00:18:45,300 Look, Kate, can we just please stick to the play? 304 00:18:45,680 --> 00:18:47,300 Mike, you can't keep avoiding me. 305 00:18:49,260 --> 00:18:52,940 Kate, it's just that I don't want... to talk about things that we can't talk 306 00:18:52,940 --> 00:18:53,940 about right now, okay? 307 00:18:55,900 --> 00:19:01,520 Mike. Hey. Okay, guys, this is it. And remember, that kiss means everything. 308 00:19:06,660 --> 00:19:09,020 Why are you keeping in touch with this Aaron guy? 309 00:19:11,820 --> 00:19:17,860 Our final one act of the evening is entitled The Passion, starring Kate 310 00:19:17,860 --> 00:19:19,360 and Michael Siva. 311 00:19:25,040 --> 00:19:27,320 Directed by David Hogue. 312 00:19:29,900 --> 00:19:32,280 Who is apparently not related to this lady at all. 313 00:19:35,760 --> 00:19:37,240 May I ask you a question, Maggie? 314 00:19:37,500 --> 00:19:40,860 Jason, I want to watch and see how Mike deals with having to kiss Kate knowing 315 00:19:40,860 --> 00:19:42,960 how she feels and that her boyfriend's the director. 316 00:19:43,440 --> 00:19:44,440 You eavesdrop. 317 00:19:47,340 --> 00:19:51,440 So you're not really keeping in touch with this guy at all, are you? No, but I 318 00:19:51,440 --> 00:19:52,760 could if you don't dummy up. 319 00:20:04,880 --> 00:20:07,740 stay here in this town living other people's dreams or you can take a chance 320 00:20:07,740 --> 00:20:08,740 with me. 321 00:20:09,500 --> 00:20:14,080 Jeff, I can't decide my whole life in a moment. 322 00:20:15,060 --> 00:20:16,340 Well, a moment's all we got. 323 00:20:19,960 --> 00:20:21,260 Then kiss me goodbye, Jessica. 324 00:20:48,360 --> 00:20:49,360 No, 325 00:20:55,220 --> 00:20:58,220 Caitlin, I can't find my feelings for you anymore. I wish I could, but I 326 00:20:58,460 --> 00:21:00,760 Maybe this is wrong. No, no, it's not wrong. 327 00:21:01,280 --> 00:21:04,060 Look, we'll explain it to David. Yeah, well, just tell him that we didn't plan 328 00:21:04,060 --> 00:21:06,660 for it to happen. Yeah, and that we didn't even want it to happen. He'll 329 00:21:06,660 --> 00:21:10,200 understand. Oh, yeah, he's a great guy. Oh, he's a great, great guy. Great guy. 330 00:21:10,640 --> 00:21:11,640 You guys. 331 00:21:11,860 --> 00:21:13,160 You guys were great. 332 00:21:14,040 --> 00:21:15,039 Oh, look, honey. 333 00:21:15,040 --> 00:21:18,120 I know I've been a total jerk for the last few weeks, but I know we can get 334 00:21:18,120 --> 00:21:19,120 things back the way they were, Katie. 335 00:21:19,740 --> 00:21:20,740 I love you. 336 00:21:21,820 --> 00:21:23,300 All right, people, it's time for the bows. 337 00:21:24,460 --> 00:21:25,460 Let's go. 338 00:21:44,590 --> 00:21:45,750 We'll be back in a moment. 339 00:21:49,690 --> 00:21:51,010 I gotta find out what's bothering Kate. 340 00:21:52,310 --> 00:21:54,750 Uh -huh. See, something's changed. 341 00:21:55,490 --> 00:21:56,329 Uh -huh. 342 00:21:56,330 --> 00:21:57,330 I can't talk to her. 343 00:21:57,550 --> 00:21:58,229 Uh -huh. 344 00:21:58,230 --> 00:22:00,230 Will you? Will I what? Will you talk to her? 345 00:22:00,430 --> 00:22:02,810 You mean about what's bothering her? Mike, I have to know. 346 00:22:03,090 --> 00:22:06,750 And she likes you. I mean, heck, you've been kissing her more lately than I 347 00:22:06,750 --> 00:22:07,750 have. 348 00:22:07,850 --> 00:22:08,850 You made me. 349 00:22:09,870 --> 00:22:12,990 Kate, I'm just trying to do the right thing here. You know, I'm trying to get 350 00:22:12,990 --> 00:22:13,990 you out of my mind. 351 00:22:14,360 --> 00:22:15,360 But it's not working. 352 00:22:16,020 --> 00:22:17,020 At all. 353 00:22:17,500 --> 00:22:18,500 Good. 26106

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