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1
00:00:01,044 --> 00:00:02,176
JOE CARROLL
TOOK HOSTAGES
2
00:00:02,219 --> 00:00:03,177
INSIDE DEATH ROW.
3
00:00:03,220 --> 00:00:04,700
AGH!
4
00:00:04,743 --> 00:00:08,095
YOU ASKED ME
IF YOU WERE IN MY DREAMS.
5
00:00:08,138 --> 00:00:10,010
YOU ARE.
WE'RE FRIENDS.
6
00:00:10,053 --> 00:00:11,141
AND?
7
00:00:11,185 --> 00:00:12,186
AND YOU'RE TEACHING
ME TO KILL.
8
00:00:12,229 --> 00:00:14,362
YOU ARE MY REAL
LEGACY, RYAN.
9
00:00:14,405 --> 00:00:18,061
I CAN DIE KNOWING
THAT I WILL LIVE ON
THROUGH YOU.
10
00:00:18,105 --> 00:00:19,062
I DON'T WANT
TO LOSE YOU, DOC.
11
00:00:19,106 --> 00:00:20,194
I'M GONNA DO BETTER.
12
00:00:20,237 --> 00:00:21,891
I'LL BE OUT
IN A MINUTE.
13
00:00:21,934 --> 00:00:23,501
I'M GONNA PUT YOU
OUT OF YOUR MISERY.
14
00:00:23,545 --> 00:00:25,982
NO! I KNOW HOW
TO GET TO MIKE WESTON.
15
00:00:26,026 --> 00:00:28,115
WELL, ACCORDING TO THIS,
SOMEBODY'S WATCHING MAX,
16
00:00:28,158 --> 00:00:30,030
SOMEBODY WE CAN USE
TO GET TO MIKE.
17
00:00:30,073 --> 00:00:31,205
I HAVE THE BIA.
18
00:00:31,248 --> 00:00:32,467
IF SOMEONE IS
USING THE LAPTOP,
19
00:00:32,510 --> 00:00:34,382
WE CAN FIND THEM
IN REAL TIME.
20
00:00:36,601 --> 00:00:38,603
THE SIGNAL JUST
DISAPPEARED.
21
00:00:38,647 --> 00:00:40,301
WHY DO YOU THINK THEO
REACHED OUT TO JOE?
22
00:00:40,344 --> 00:00:42,085
HE'S GETTING READY
TO COME AFTER ME,
23
00:00:42,129 --> 00:00:43,434
AND HE'S GONNA NEED
HELP IF HE WANTS
TO SURVIVE.
24
00:00:43,478 --> 00:00:45,001
BUT TAKING ON
RYAN HARDY AND THE FBI
25
00:00:45,045 --> 00:00:46,350
IS CRAZY!
26
00:00:46,394 --> 00:00:47,569
WE'RE GONNA NEED TO MOVE
QUICKLY ON THIS.
27
00:00:47,612 --> 00:00:48,918
WHAT THE HELL
ARE WE GONNA DO?
28
00:00:48,961 --> 00:00:50,137
I HAVE A PLAN.
29
00:00:50,180 --> 00:00:51,225
WHY DO YOU EVEN NEED
THIS NOTEBOOK?
30
00:00:51,268 --> 00:00:52,922
- WHAT'S IN IT?
- A NAME,
31
00:00:52,965 --> 00:00:55,142
SOMEONE WITH THE POWER TO
GIVE ME MY ANONYMITY BACK
32
00:00:55,185 --> 00:00:56,360
AFTER I TAKE OUT
RYAN HARDY.
33
00:00:56,404 --> 00:00:57,709
HERE'S TO YOU.
34
00:00:57,753 --> 00:00:59,581
NO. HERE'S TO US.
35
00:01:08,068 --> 00:01:09,112
OHH!
36
00:01:47,107 --> 00:01:49,239
SNEAKING OUT?
37
00:01:49,283 --> 00:01:53,113
YEAH. I GOT TO...
38
00:01:53,156 --> 00:01:54,592
GET HOME.
39
00:01:54,636 --> 00:01:55,985
I GET IT.
40
00:01:56,028 --> 00:01:59,162
I DON'T NORMALLY
DO THIS EITHER,
41
00:01:59,206 --> 00:02:01,425
BUT LAST NIGHT,
42
00:02:01,469 --> 00:02:04,254
YOU SEEMED SO SAD.
43
00:02:04,298 --> 00:02:06,996
I DIDN'T THINK YOU
SHOULD BE ALONE.
44
00:02:07,039 --> 00:02:09,694
YEAH, YOU'RE RIGHT,
45
00:02:09,738 --> 00:02:12,523
BUT...
46
00:02:12,567 --> 00:02:14,482
I SHOULDN'T HAVE
BEEN HERE EITHER.
47
00:02:29,497 --> 00:02:31,151
RYAN?
48
00:02:31,194 --> 00:02:32,456
I'VE BEEN WORRIED
TO DEATH.
49
00:02:32,500 --> 00:02:34,458
I'VE BEEN CALLING YOU
ALL NIGHT.
50
00:02:34,502 --> 00:02:36,243
OH. YOU'RE HURT.
51
00:02:41,509 --> 00:02:42,553
YOU'VE BEEN DRINKING.
52
00:02:42,597 --> 00:02:44,120
WHAT HAPPENED?
53
00:02:50,213 --> 00:02:52,172
WHERE WERE YOU
LAST NIGHT?
54
00:02:52,215 --> 00:02:54,130
I SCREWED UP.
55
00:02:54,174 --> 00:02:55,479
DID YOU...
56
00:02:58,787 --> 00:03:00,615
HOW COULD YOU DO THIS
TO US?
57
00:03:00,658 --> 00:03:02,617
I'M SORRY.
IT'S JUST AFTER
JOE'S EXECUTION--
58
00:03:02,660 --> 00:03:03,792
STOP!
59
00:03:03,835 --> 00:03:06,229
YOU DO NOT GET TO BLAME
HIM FOR THIS.
60
00:03:06,273 --> 00:03:09,319
I TOLD YOU TO STAY
AWAY FROM JOE.
61
00:03:09,363 --> 00:03:11,365
I BEGGED YOU
TO COME HOME TO ME,
62
00:03:11,408 --> 00:03:12,844
AND NOW YOU'VE
RUINED US!
63
00:03:12,888 --> 00:03:15,673
NO. NO. I C--I CAN
MAKE THIS RIGHT.
64
00:03:15,717 --> 00:03:17,371
HOW?
65
00:03:17,414 --> 00:03:18,415
HE'S DEAD,
66
00:03:18,459 --> 00:03:20,200
AND YOU CAN'T
LET HIM GO.
67
00:03:20,243 --> 00:03:22,332
HE OWNS A PART OF YOU
THAT I CAN'T REACH.
68
00:03:22,376 --> 00:03:25,117
YOU KNOW WHAT?
I'M TIRED OF TRYING.
69
00:03:25,161 --> 00:03:27,076
NO. GWEN, PLEASE.
70
00:03:27,119 --> 00:03:28,164
YOU GOT TO GIVE ME
A CHANCE.
71
00:03:28,208 --> 00:03:32,212
I HAVE. SEVERAL.
72
00:03:32,255 --> 00:03:34,605
I'M DONE.
73
00:03:34,649 --> 00:03:36,433
NO, NO, NO, NO. WAIT.
74
00:03:41,917 --> 00:03:44,224
DON'T WORRY.
75
00:03:44,267 --> 00:03:45,442
YOU STILL HAVE ME.
76
00:03:57,628 --> 00:03:59,282
THIS IS STUPID.
77
00:03:59,326 --> 00:04:00,414
YOU'RE JUST GONNA GRAB
MIKE IN BROAD DAYLIGHT?
78
00:04:00,457 --> 00:04:01,632
I'M DONE WAITING.
79
00:04:01,676 --> 00:04:02,764
I WANT TO MAKE
HIM SUFFER.
80
00:04:02,807 --> 00:04:04,244
LET'S JUST TAKE A BEAT
81
00:04:04,287 --> 00:04:05,680
AND BE SMART
ABOUT THIS.
82
00:04:05,723 --> 00:04:07,551
SOMEONE HAS MY LAPTOP.
83
00:04:07,595 --> 00:04:08,770
THEY'RE USING IT
TO WATCH MAX.
84
00:04:08,813 --> 00:04:10,380
THEY COULD BE
AN ALLY, OK?
85
00:04:10,424 --> 00:04:11,860
WE--WE CAN USE THEM
TO BLINDSIDE MIKE,
86
00:04:11,903 --> 00:04:13,209
GET HIM TO COME
TO US.
87
00:04:13,253 --> 00:04:14,428
THAT'LL TAKE
TOO LONG.
88
00:04:14,471 --> 00:04:16,299
- MARK, PLEASE--
- I'M NOT MARK!
89
00:04:18,954 --> 00:04:21,522
YES, YOU ARE,
90
00:04:21,565 --> 00:04:24,133
AND YOUR HEART
IS BROKEN,
91
00:04:24,176 --> 00:04:26,178
AND I UNDERSTAND THAT,
92
00:04:26,222 --> 00:04:28,137
BUT IF YOU TAKE A RUN
AT MIKE RIGHT NOW,
YOU'LL DIE,
93
00:04:28,180 --> 00:04:29,443
AND I'LL BE
ON MY OWN AGAIN,
94
00:04:29,486 --> 00:04:30,618
AND I DON'T KNOW HOW
TO DO THIS ALONE.
95
00:04:30,661 --> 00:04:32,141
KILLING HIM IS ALL
I THINK ABOUT.
96
00:04:32,184 --> 00:04:34,274
YOU DON'T THINK THAT
I WANT TO KILL RYAN
97
00:04:34,317 --> 00:04:35,927
FOR WHAT HE DID TO KYLE?
98
00:04:35,971 --> 00:04:40,280
WE'RE IN
THE SAME PLACE, MARK.
99
00:04:40,323 --> 00:04:42,804
OK. WE BOTH DEFINED
OURSELVES BY ANOTHER PERSON,
100
00:04:42,847 --> 00:04:45,197
AND NOW THEY'RE DEAD,
AND WE'RE LOST,
101
00:04:45,241 --> 00:04:47,548
BUT THERE HAS TO BE
MORE THAN REVENGE.
102
00:04:51,421 --> 00:04:52,727
LIKE WHAT?
103
00:04:56,818 --> 00:04:57,819
I DON'T KNOW,
104
00:04:57,862 --> 00:04:59,777
BUT--BUT I KNOW
THAT KYLE
105
00:04:59,821 --> 00:05:01,823
WOULD WANT ME TO LIVE,
106
00:05:01,866 --> 00:05:04,739
TO TRY AND FIND
HAPPINESS,
107
00:05:04,782 --> 00:05:08,395
AND I'M SURE THAT LUKE
WOULD WANT THE SAME FOR YOU.
108
00:05:18,492 --> 00:05:19,884
MARK, NO.
109
00:05:19,928 --> 00:05:21,190
I HAVE TO.
110
00:05:21,233 --> 00:05:22,365
FOR LUKE.
111
00:05:46,694 --> 00:05:48,478
WHAT ARE YOU--
WHAT ARE YOU DOING?
112
00:05:48,522 --> 00:05:51,786
HE'S GOT A SECURITY
DETAIL WITH HIM.
113
00:05:51,829 --> 00:05:53,657
THAT WAS ALMOST
THE END, MARK.
114
00:05:53,701 --> 00:05:56,704
YOU WOULD BE DEAD,
AND MIKE WOULD HAVE WON.
115
00:05:56,747 --> 00:05:59,359
ALL RIGHT.
WE'LL DO IT YOUR WAY.
116
00:05:59,402 --> 00:06:00,882
I'LL SEE YOU LATER?
117
00:06:00,925 --> 00:06:02,405
HEY.
118
00:06:02,449 --> 00:06:03,580
WHAT'S UP?
119
00:06:08,063 --> 00:06:09,499
YOU HEARD FROM RYAN?
120
00:06:09,543 --> 00:06:10,805
NOT SINCE YESTERDAY.
HE'S NOT IN YET?
121
00:06:10,848 --> 00:06:12,502
NO.
122
00:06:12,546 --> 00:06:14,635
WELL, I'LL GIVE HIM
A CALL AFTER I TALK
TO SLOAN.
123
00:06:14,678 --> 00:06:16,376
I'VE ELIMINATED HER
FROM THE SUSPECT LIST
124
00:06:16,419 --> 00:06:17,507
OF POSSIBLE MOLES,
125
00:06:17,551 --> 00:06:18,639
SO I WANT TO BRING
HER IN
126
00:06:18,682 --> 00:06:19,727
ON THE INVESTIGATION.
127
00:06:19,770 --> 00:06:20,902
WE CAN USE A EXTRA
SET OF EYES.
128
00:06:20,945 --> 00:06:23,513
YEAH.
129
00:06:23,557 --> 00:06:25,428
- GWEN?
- HEY.
130
00:06:25,472 --> 00:06:27,604
IS EVERYTHING
ALL RIGHT?
131
00:06:27,648 --> 00:06:30,433
RYAN'S BEEN
DRINKING AGAIN.
132
00:06:30,477 --> 00:06:31,652
DRINKING?
133
00:06:31,695 --> 00:06:33,436
YEAH, AND, UH,
I CAN'T BE THERE
134
00:06:33,480 --> 00:06:34,872
FOR HIM ANYMORE.
135
00:06:34,916 --> 00:06:36,265
I JUST CAN'T,
136
00:06:36,308 --> 00:06:38,746
SO, UH, SOMEBODY
PROBABLY SHOULD BE.
137
00:06:38,789 --> 00:06:40,574
OK.
138
00:06:40,617 --> 00:06:42,314
I'LL HEAD
OVER THERE NOW.
139
00:06:42,358 --> 00:06:44,360
ARE YOU OK?
140
00:06:44,404 --> 00:06:45,883
NOT REALLY.
141
00:06:55,458 --> 00:06:56,720
GWEN?
142
00:07:05,947 --> 00:07:09,559
REMIND ME TO GET
THAT KEY BACK FROM YOU.
143
00:07:09,603 --> 00:07:10,734
WHAT ARE YOU DOING
HERE, MAX?
144
00:07:10,778 --> 00:07:13,737
GWEN CALLED ME.
145
00:07:13,781 --> 00:07:14,869
HOW IS SHE?
146
00:07:14,912 --> 00:07:16,784
SHE'S UPSET.
147
00:07:16,827 --> 00:07:18,089
SHE'S WORRIED
ABOUT YOU.
148
00:07:20,614 --> 00:07:22,311
HAVE YOU
BEEN DRINKING?
149
00:07:22,354 --> 00:07:23,617
WHAT ARE YOU DOING?
150
00:07:23,660 --> 00:07:25,314
I REALLY DON'T WANT
TO GO INTO IT RIGHT NOW.
151
00:07:25,357 --> 00:07:26,794
I LOVE YOU TOO MUCH
TO LET YOU GET
AWAY WITH THIS,
152
00:07:26,837 --> 00:07:29,623
SO LET'S CALL
A SPONSOR.
153
00:07:29,666 --> 00:07:31,712
WHY DON'T WE GO
TO A MEETING?
154
00:07:31,755 --> 00:07:33,931
I'M GOOD. REALLY.
155
00:07:37,413 --> 00:07:39,459
I DON'T KNOW WHAT
TYPE OF GAME
156
00:07:39,502 --> 00:07:40,503
JOE WAS RUNNING
ON YOU YESTERDAY,
157
00:07:40,547 --> 00:07:41,591
BUT HE IS FINALLY GONE.
158
00:07:41,635 --> 00:07:42,897
YOU ARE FREE.
159
00:07:42,940 --> 00:07:43,985
YOU SHOULD BE RELIEVED.
160
00:07:44,028 --> 00:07:46,422
AND YOU SHOULD
GET BACK TO WORK.
161
00:07:46,466 --> 00:07:48,598
WELL, THAT'S
NOT GONNA HAPPEN.
YOU'RE STUCK WITH ME.
162
00:07:48,642 --> 00:07:50,687
I DON'T NEED
A BABY-SITTER, MAX.
163
00:07:52,036 --> 00:07:53,908
THE TIP JOE GAVE YOU
ABOUT THEO BEING BORN
164
00:07:53,951 --> 00:07:56,780
FROM VIOLENCE
IN PHILADELPHIA--
165
00:07:56,824 --> 00:07:57,999
WE GOT A LEAD.
166
00:08:00,784 --> 00:08:02,525
THAT'S GREAT.
167
00:08:02,569 --> 00:08:04,440
I RAN ALL CRIME REPORTS
FROM THE YEARS
168
00:08:04,484 --> 00:08:05,528
OF THEO'S CHILDHOOD,
169
00:08:05,572 --> 00:08:07,138
AND I FOUND
A MULTIPLE MURDER
170
00:08:07,182 --> 00:08:10,141
SOME 25 YEARS AGO
IN PHILLY.
171
00:08:10,185 --> 00:08:11,534
ENTIRE FAMILY WAS
SLAUGHTERED
172
00:08:11,578 --> 00:08:12,840
EXCEPT THE OLDEST SON.
173
00:08:15,146 --> 00:08:18,454
TERRANCE JACKSON,
THE SOLE SURVIVOR.
174
00:08:18,498 --> 00:08:19,934
THIS IS THEO.
175
00:08:21,675 --> 00:08:23,677
HE POINTED TO HIS MOTHER'S
ABUSIVE BOYFRIEND
176
00:08:23,720 --> 00:08:25,809
AS A SUSPECT--
DOMESTIC VIOLENCE--
177
00:08:25,853 --> 00:08:27,768
BUT HE HAD AN ALIBI,
178
00:08:27,811 --> 00:08:30,814
SO THE CASE
WENT UNSOLVED.
179
00:08:30,858 --> 00:08:32,076
6 YEARS LATER,
THEY FOUND
180
00:08:32,120 --> 00:08:33,469
THE BOYFRIEND'S BODY
FLOATING
181
00:08:33,513 --> 00:08:34,862
IN THE TINICUM MARSH.
182
00:08:34,905 --> 00:08:36,733
CAUSE OF DEATH?
183
00:08:36,777 --> 00:08:38,039
INCONCLUSIVE.
184
00:08:38,082 --> 00:08:39,649
THIS COULD HAVE BEEN
THEO'S FIRST KILL.
185
00:08:39,693 --> 00:08:41,042
HE WOULD HAVE BEEN
16 YEARS OLD.
186
00:08:41,085 --> 00:08:42,522
REVENGE FOR
HIS FAMILY'S MURDER
187
00:08:42,565 --> 00:08:44,959
FITS HIS PROFILE.
188
00:08:45,002 --> 00:08:46,613
WHAT HAPPENED
TO TERRANCE JACKSON?
189
00:08:46,656 --> 00:08:48,528
AFTER 16,
HE CEASED TO EXIST.
190
00:08:48,571 --> 00:08:50,878
NO SCHOOL RECORDS,
NO FOSTER HOMES, NOTHING.
191
00:08:50,921 --> 00:08:52,923
CREATED A NEW IDENTITY.
192
00:08:56,623 --> 00:08:57,928
WHERE YOU GOING?
193
00:09:00,714 --> 00:09:01,889
SHOWER.
194
00:09:03,891 --> 00:09:05,719
COULD YOU MAKE ME
SOME COFFEE?
195
00:09:05,762 --> 00:09:06,981
SURE.
196
00:09:15,250 --> 00:09:17,208
DOING YOUR HOMEWORK?
197
00:09:17,252 --> 00:09:19,559
GPS COORDINATES
TRACE BACK TO
THIS HOUSE
198
00:09:19,602 --> 00:09:21,517
IN ANNAPOLIS.
199
00:09:21,561 --> 00:09:24,041
THAT'S FANCY.
WHO LIVES THERE?
200
00:09:24,085 --> 00:09:26,043
OWNERSHIP IS HIDDEN
BEHIND LAYERS
OF SHELL COMPANIES.
201
00:09:26,087 --> 00:09:28,045
I HAVEN'T BEEN ABLE
TO UNRAVEL THEM ALL,
202
00:09:28,089 --> 00:09:29,133
BUT IT'S SAFE TO SAY
THERE'S A LOT
203
00:09:29,177 --> 00:09:30,918
OF MONEY AND POWER
BEHIND IT,
204
00:09:30,961 --> 00:09:33,660
THE KIND OF MONEY
AND POWER THAT CAN
HELP US DISAPPEAR.
205
00:09:33,703 --> 00:09:37,620
OK. SO WHAT'S THE PLAN?
206
00:09:37,664 --> 00:09:39,230
HOW'D YOU LIKE TO
GO FOR A DRIVE?
207
00:09:39,274 --> 00:09:41,102
CAN WE GET BREAKFAST
ON THE WAY?
208
00:09:41,145 --> 00:09:42,582
SURE.
209
00:09:45,541 --> 00:09:47,456
DO YOU TRUST
THIS GUY?
210
00:09:47,499 --> 00:09:49,240
NO. HE WAS A FRIEND
OF JULIANA'S.
211
00:09:49,284 --> 00:09:51,547
HE GAVE US THE CAMERAS
FOR MAX'S APARTMENT,
212
00:09:51,591 --> 00:09:53,244
SET UP THE WEB PORTAL
TO STREAM THE FEED,
213
00:09:53,288 --> 00:09:55,769
SO HE SHOULD BE ABLE
TO TELL US WHO'S
STILL WATCHING IT.
214
00:09:55,812 --> 00:09:57,771
UM...
215
00:09:57,814 --> 00:10:00,251
I THINK LUKE SHOULD
BE HERE FOR THIS ONE.
216
00:10:00,295 --> 00:10:01,862
YOU DON'T NEED HIM.
YOU CAN DO THIS.
217
00:10:01,905 --> 00:10:03,167
NO, BUT...
218
00:10:03,211 --> 00:10:06,518
HE WAS ALWAYS GOOD
AT THIS KIND OF STUFF.
219
00:10:06,562 --> 00:10:08,782
SURE. WHATEVER YOU NEED.
220
00:10:22,970 --> 00:10:24,928
HEY, SILAS.
221
00:10:24,972 --> 00:10:25,973
WHOA.
222
00:10:26,016 --> 00:10:27,278
NOT COOL.
223
00:10:27,322 --> 00:10:28,497
YOU NEED TO GO.
224
00:10:28,540 --> 00:10:29,803
DON'T BE LIKE THAT.
225
00:10:29,846 --> 00:10:31,108
I JUST NEED A LITTLE
HELP WITH SOMETHING,
226
00:10:31,152 --> 00:10:32,283
AND THEN WE'LL BE
ON OUR WAY.
227
00:10:32,327 --> 00:10:33,676
FORGET IT.
DID YOU HEAR
228
00:10:33,720 --> 00:10:35,199
WHAT SOME FREAK DID
TO JULIANA?
229
00:10:35,243 --> 00:10:36,940
HER FACE WAS BURNED OFF.
230
00:10:36,984 --> 00:10:38,159
THAT FREAK WAS ME,
231
00:10:38,202 --> 00:10:40,291
AND HER DEATH WAS
A THING OF BEAUTY.
232
00:10:40,335 --> 00:10:41,771
LISTEN. DON'T BE
SUCH A DICK
ABOUT IT.
233
00:10:41,815 --> 00:10:42,859
TAKE HIM
IN THE BACK.
234
00:10:42,903 --> 00:10:43,860
OK.
235
00:10:43,904 --> 00:10:45,122
WHAT? NO.
236
00:10:47,734 --> 00:10:48,865
OK.
237
00:10:52,564 --> 00:10:54,915
YOU KNOW, I JUST DON'T GET
THE WHOLE HIPSTER THING.
238
00:10:54,958 --> 00:10:57,613
NEVER MIND
THE IRONIC HEADWEAR
239
00:10:57,657 --> 00:10:58,701
AND THE ARTISANAL
PICKLES,
240
00:10:58,745 --> 00:10:59,963
IT JUST SEEMS SO
STUPID TO GROW
241
00:11:00,007 --> 00:11:01,312
SOMETHING SO
FLAMMABLE
242
00:11:01,356 --> 00:11:03,010
ON YOUR FACE.
243
00:11:03,053 --> 00:11:05,577
IT DIDN'T HAVE TO
GO THIS WAY, SILAS.
244
00:11:05,621 --> 00:11:07,710
I WAS ALL READY
TO COME IN HERE,
245
00:11:07,754 --> 00:11:08,798
FLIRT WITH YOU
A LITTLE.
246
00:11:08,842 --> 00:11:09,930
IT'S COOL,
IT'S COOL.
247
00:11:09,973 --> 00:11:11,583
LET'S JUST
START OVER.
248
00:11:11,627 --> 00:11:13,977
I'LL DO WHATEVER
YOU WANT, OK?
249
00:11:14,021 --> 00:11:15,239
OK.
250
00:11:17,589 --> 00:11:19,113
BUT GIVE US
ANY TROUBLE,
251
00:11:19,156 --> 00:11:21,289
I'M GONNA ROAST
MARSHMALLOWS OFF YOUR FACE.
252
00:11:35,303 --> 00:11:37,218
LOOKS LIKE
SOMEONE'S HAVING
A PARTY TONIGHT.
253
00:11:37,261 --> 00:11:39,002
WELL, I LOVE PARTIES.
254
00:11:39,046 --> 00:11:40,961
WE GONNA CRASH?
255
00:11:41,004 --> 00:11:42,832
IF ONLY IT WERE
THAT EASY.
256
00:11:54,104 --> 00:11:55,758
NO.
257
00:11:55,802 --> 00:11:56,759
WHAT?
258
00:11:56,803 --> 00:11:58,065
WE NEED FINESSE
HERE, PENNY,
259
00:11:58,108 --> 00:11:59,196
NOT MAYHEM.
260
00:11:59,240 --> 00:12:01,068
FINE.
261
00:12:01,111 --> 00:12:02,765
HEY. HOW YOU DOING?
262
00:12:02,809 --> 00:12:03,766
CAN WE HELP YOU,
SIR?
263
00:12:03,810 --> 00:12:05,072
I SURE HOPE SO.
264
00:12:05,115 --> 00:12:06,726
WE'RE LOST,
AND OUR NAVIGATION SYSTEM
265
00:12:06,769 --> 00:12:08,118
IS ON THE FRITZ.
266
00:12:08,162 --> 00:12:09,903
YOU KNOW, YOU PAY
ALL THIS MONEY
FOR TECHNOLOGY,
267
00:12:09,946 --> 00:12:11,208
AND IT JUST SCREWS
YOU WHEN YOU NEED
IT MOST, RIGHT?
268
00:12:11,252 --> 00:12:12,253
AM I RIGHT?
269
00:12:12,296 --> 00:12:13,602
SIR, THIS IS
PRIVATE PROPERTY.
270
00:12:13,645 --> 00:12:14,777
YOU CAN'T BE HERE.
271
00:12:14,821 --> 00:12:15,952
YOU NEED TO LEAVE NOW.
272
00:12:15,996 --> 00:12:17,345
NO PROBLEM,
NO PROBLEM.
273
00:12:17,388 --> 00:12:18,781
YOU WOULDN'T HAPPEN
TO KNOW HOW TO GET TO 97
274
00:12:18,825 --> 00:12:19,782
FROM HERE, WOULD YOU?
275
00:12:19,826 --> 00:12:20,783
CAN'T HELP YOU.
276
00:12:20,827 --> 00:12:21,784
- OK.
- NOW.
277
00:12:21,828 --> 00:12:23,960
ALL RIGHT.
HAVE A NICE DAY.
278
00:12:24,004 --> 00:12:25,657
WE COULD HAVE
TAKEN HIM.
279
00:12:25,701 --> 00:12:27,790
THAT'S NOT
THE POINT.
280
00:12:27,834 --> 00:12:29,139
WE CAN'T JUST HOP
THE FENCE,
281
00:12:29,183 --> 00:12:32,664
WHICH MEANS
WE GOT TO FIND
ANOTHER WAY IN.
282
00:12:38,801 --> 00:12:40,977
HEY. HOW'S HE DOING?
283
00:12:41,021 --> 00:12:42,326
IT'S NOT GOOD.
284
00:13:04,174 --> 00:13:05,828
- YOU OK?
- YEAH.
285
00:13:05,872 --> 00:13:07,177
YOU COULD HAVE
CALLED ME.
286
00:13:07,221 --> 00:13:08,700
YOU KNOW, YOU CAN TALK
TO ME ABOUT ANYTHING.
287
00:13:08,744 --> 00:13:09,832
YOU KNOW THAT, RIGHT?
288
00:13:09,876 --> 00:13:10,833
I KNOW.
289
00:13:10,877 --> 00:13:12,008
LET'S GET TO WORK.
290
00:13:15,229 --> 00:13:17,057
MAX WAS JUST
CATCHING ME UP
ON THE LATEST.
291
00:13:17,100 --> 00:13:19,189
YEAH. I NOTICED SOME
THINGS IN THIS FILE.
292
00:13:19,233 --> 00:13:20,756
IT JUST DOES NOT
ADD UP.
293
00:13:20,800 --> 00:13:21,975
LIKE?
294
00:13:22,018 --> 00:13:23,280
WELL, LOOK
AT THE VICTIMS' BODIES.
295
00:13:23,324 --> 00:13:25,152
LEGS STRAIGHT, TOGETHER,
296
00:13:25,195 --> 00:13:27,328
ARMS EXTENDED
OVER THEIR HEADS.
297
00:13:27,371 --> 00:13:28,938
THEY WERE POSED
POSTMORTEM.
298
00:13:28,982 --> 00:13:30,940
YEAH, BUT THE AUTOPSY
REPORT SAYS
299
00:13:30,984 --> 00:13:32,159
THAT THE VIOLENCE
WAS FOCUSED,
300
00:13:32,202 --> 00:13:34,814
DIRECTED, METHODICAL,
NOT ERRATIC.
301
00:13:34,857 --> 00:13:37,686
THAT'S ATYPICAL FOR
AN ABUSIVE BOYFRIEND.
302
00:13:37,729 --> 00:13:38,948
WAIT A MINUTE.
303
00:13:38,992 --> 00:13:40,210
THERE'S A BROKEN MIRROR
IN THE HOUSE.
304
00:13:40,254 --> 00:13:42,125
ANY OF THE VICTIMS'
INJURIES CONSISTENT
305
00:13:42,169 --> 00:13:43,126
WITH BROKEN GLASS?
306
00:13:43,170 --> 00:13:45,215
NO. NO. DEFINITELY NOT.
307
00:13:45,259 --> 00:13:46,347
IS THE MIRROR
SIGNIFICANT?
308
00:13:46,390 --> 00:13:49,306
YEAH.
I'VE SEEN IT BEFORE.
309
00:13:49,350 --> 00:13:50,960
MATCHES THE M.O.
OF A SERIAL KILLER
310
00:13:51,004 --> 00:13:52,962
WHO WAS ACTIVE
IN PHILADELPHIA
IN THE NINETIES
311
00:13:53,006 --> 00:13:54,311
CALLED THE MADMAN.
312
00:13:54,355 --> 00:13:55,486
WHAT DO WE KNOW
ABOUT HIM?
313
00:13:55,530 --> 00:13:57,445
NEVER BEEN CAUGHT.
314
00:13:57,488 --> 00:13:59,795
FORMER COLLEAGUE OF MINE
LISA CAMPBELL HAD THE CASE,
315
00:13:59,839 --> 00:14:03,407
AND I THINK SHE'S
AN ACADEMY INSTRUCTOR
AT QUANTICO NOW.
316
00:14:03,451 --> 00:14:05,322
THIS IS HOW WE'RE
GONNA GET THEO.
317
00:14:08,848 --> 00:14:10,414
WELL, THE BROKEN
MIRROR DOES PLAY
318
00:14:10,458 --> 00:14:11,938
INTO THE MADMAN'S
SIGNATURE,
319
00:14:11,981 --> 00:14:13,853
SO THIS COULD BE
ONE OF HIS.
320
00:14:13,896 --> 00:14:15,811
IT'S POSSIBLE,
321
00:14:15,855 --> 00:14:17,378
BUT YOU DIDN'T FLY
ALL THE WAY
DOWN HERE
322
00:14:17,421 --> 00:14:18,727
FOR A COLD CASE.
323
00:14:18,770 --> 00:14:19,902
WHAT'S REALLY
GOING ON?
324
00:14:19,946 --> 00:14:21,861
TERRANCE,
THE SURVIVING MEMBER,
325
00:14:21,904 --> 00:14:23,775
VANISHED FROM THE GRID
WHEN HE WAS 16 YEARS OLD.
326
00:14:23,819 --> 00:14:25,952
WE THINK HE BECAME
THEO NOBLE.
327
00:14:28,128 --> 00:14:29,956
SO HOW DOES SOLVING
THIS CASE
328
00:14:29,999 --> 00:14:31,827
GET YOU TO HIM?
329
00:14:31,871 --> 00:14:34,351
OK. SO HERE'S
MY THEORY.
330
00:14:34,395 --> 00:14:36,179
10-YEAR-OLD THEO
BELIEVES THAT
331
00:14:36,223 --> 00:14:37,833
HIS ENTIRE FAMILY
HAS BEEN MURDERED
332
00:14:37,877 --> 00:14:39,182
BY HIS MOTHER'S
BOYFRIEND, RIGHT?
333
00:14:39,226 --> 00:14:41,881
SO HE PLOTS, HE PLANS
FOR 6 YEARS TO TAKE HIM OUT.
334
00:14:41,924 --> 00:14:44,884
I THINK IF WE REVEAL
THE MADMAN
335
00:14:44,927 --> 00:14:46,537
TO BE THE FAMILY'S
TRUE KILLER
336
00:14:46,581 --> 00:14:48,235
HE WON'T BE ABLE
TO RESIST.
337
00:14:48,278 --> 00:14:50,193
HE'LL COME AFTER HIM,
AND WE'LL BE WAITING.
338
00:14:50,237 --> 00:14:52,456
USE ONE SHARK
AS BAIT FOR ANOTHER.
339
00:14:55,242 --> 00:14:56,852
I'LL PULL ALL MY FILES.
340
00:15:03,946 --> 00:15:04,904
HEY, TOM.
341
00:15:04,947 --> 00:15:05,948
HEY.
342
00:15:05,992 --> 00:15:07,036
SORRY TO BOTHER YOU.
343
00:15:07,080 --> 00:15:08,864
UH, JUST DOING
SOME HOUSEKEEPING
344
00:15:08,908 --> 00:15:10,561
ON THE INCIDENT REPORTS
FROM THE RAID
345
00:15:10,605 --> 00:15:12,781
AT GRAY'S BROOKLYN
SAFE HOUSE.
346
00:15:12,824 --> 00:15:15,218
DO YOU HAVE A MINUTE TO
COME BY THE COMMAND CENTER?
347
00:15:15,262 --> 00:15:18,482
UM, I'M ACTUALLY
OFF SITE RIGHT NOW.
348
00:15:18,526 --> 00:15:20,441
CAN I CALL YOU
RIGHT BACK?
349
00:15:20,484 --> 00:15:22,356
WHILE I'VE GOT YOU,
CAN I ASK YOU A COUPLE
QUICK QUESTIONS?
350
00:15:22,399 --> 00:15:23,400
YEAH.
I'M KIND OF BUSY.
351
00:15:23,444 --> 00:15:26,969
IT WOULD REALLY
HELP ME OUT.
352
00:15:27,013 --> 00:15:28,971
ALL RIGHT. WHAT IS
THIS ABOUT?
353
00:15:29,015 --> 00:15:31,931
JUST CROSSING Ts
AND DOTTING Is.
354
00:15:31,974 --> 00:15:34,020
UM, YOU HELPED CLEAR
THE GRAY SAFE HOUSE, RIGHT?
355
00:15:34,063 --> 00:15:35,021
YEAH.
356
00:15:35,064 --> 00:15:37,240
WHICH FLOOR?
357
00:15:37,284 --> 00:15:38,807
FIRST FLOOR.
358
00:15:38,850 --> 00:15:40,852
AND WERE YOU UP
ON THE SECOND FLOOR AT ALL?
359
00:15:40,896 --> 00:15:42,115
I PROBABLY
PASSED THROUGH
WITH MY PARTNER.
360
00:15:42,158 --> 00:15:44,465
SO YOU WERE NEVER
ALONE UP THERE?
361
00:15:44,508 --> 00:15:46,075
NO. NO.
362
00:15:46,119 --> 00:15:47,468
OK. GOOD.
363
00:15:47,511 --> 00:15:49,339
YEAH. THAT'S WHAT IT
SAYS HERE IN YOUR REPORT.
364
00:15:49,383 --> 00:15:50,950
OK. COOL.
UM, LET ME KNOW
365
00:15:50,993 --> 00:15:51,994
IF YOU NEED
ANYTHING ELSE.
366
00:15:52,038 --> 00:15:53,953
WILL DO. THANKS.
367
00:15:56,477 --> 00:15:58,566
IF THE MADMAN
REALLY DID ATTACK HIS FAMILY,
368
00:15:58,609 --> 00:16:01,917
THEN TERRANCE--OR THEO--
IS VERY LUCKY TO BE ALIVE.
369
00:16:01,961 --> 00:16:04,267
HE'S EVER ONLY LEFT
ONE OTHER SURVIVOR.
370
00:16:04,311 --> 00:16:06,617
SHE DESCRIBED THE SUSPECT
AS MEDIUM BUILD,
371
00:16:06,661 --> 00:16:08,054
DARK HAIR, WORK BOOTS.
372
00:16:08,097 --> 00:16:09,490
ANYTHING ELSE?
373
00:16:09,533 --> 00:16:11,231
NO. SHE DIDN'T
GET A GOOD LOOK
AT HIM.
374
00:16:11,274 --> 00:16:12,536
THE LIGHTS
WERE OUT.
375
00:16:17,498 --> 00:16:18,890
HANG ON.
376
00:16:20,501 --> 00:16:23,025
PHILADELPHIA DEPARTMENT
OF WATER AND POWER VAN
377
00:16:23,069 --> 00:16:24,635
PARKED OUTSIDE
THE JACKSON HOUSE.
378
00:16:24,679 --> 00:16:26,246
WHAT WERE YOU SAYING
ABOUT THE LIGHTS
IN THE BUILDING
379
00:16:26,289 --> 00:16:27,551
IN THAT OTHER CASE?
380
00:16:27,595 --> 00:16:28,639
THEIR POWER HAD
BEEN SHUT OFF.
381
00:16:28,683 --> 00:16:30,337
THEY HADN'T PAID
THEIR BILLS.
382
00:16:30,380 --> 00:16:32,034
UTILITY WORKERS
ARE PRACTICALLY
INVISIBLE, RIGHT?
383
00:16:32,078 --> 00:16:33,601
UNFETTERED ACCESS
TO BUILDINGS,
384
00:16:33,644 --> 00:16:35,037
COME AND GO
AS THEY PLEASE.
385
00:16:35,081 --> 00:16:36,343
IT'S THE PERFECT
CAMOUFLAGE.
386
00:16:36,386 --> 00:16:38,214
WE NEED TO GO
THROUGH THE OTHER
MADMAN CASES
387
00:16:38,258 --> 00:16:41,000
AND SEE IF THERE WAS
ANY DWP ACTIVITY NEARBY.
388
00:16:41,043 --> 00:16:42,305
WORTH CHECKING OUT.
389
00:16:42,349 --> 00:16:44,133
I'LL REACH OUT
TO PHILADELPHIA DWP,
390
00:16:44,177 --> 00:16:45,526
SEE IF THEY HAVE
ANY RECORDS OF PEOPLE
391
00:16:45,569 --> 00:16:46,875
DOING SERVICE
DURING THE TIME
OF THE ATTACKS.
392
00:16:46,918 --> 00:16:47,876
I'M GONNA HEAD
UP TO PHILLY.
393
00:16:47,919 --> 00:16:48,920
WE'LL HEAD UP TO PHILLY.
394
00:16:48,964 --> 00:16:50,096
WE'RE GOING, TOO.
395
00:16:50,139 --> 00:16:51,532
NO. STAY HERE.
GET US A NAME.
396
00:16:51,575 --> 00:16:53,055
CALL IF YOU GET
SOMETHING.
397
00:16:56,102 --> 00:16:58,060
YOU THINK HE DITCHED
US ON PURPOSE?
398
00:16:58,104 --> 00:16:59,366
I HOPE NOT.
399
00:17:13,162 --> 00:17:15,512
SORRY. YOU KNOW,
THEY DIDN'T HAVE
400
00:17:15,556 --> 00:17:18,211
MACROBIOTIC CHALUPAS.
401
00:17:18,254 --> 00:17:20,300
PENNY, YOU NEED
TO GROW UP.
402
00:17:20,343 --> 00:17:21,953
THIS IS SERIOUS.
403
00:17:21,997 --> 00:17:23,390
NO. YOU'RE SERIOUS.
404
00:17:23,433 --> 00:17:24,956
THIS IS WHAT
WE MAKE IT.
405
00:17:25,000 --> 00:17:26,306
YOU KNOW WHAT
YOUR PROBLEM IS, T?
406
00:17:26,349 --> 00:17:28,699
YOU NEED EVERYTHING TO BE
PERFECT ALL THE TIME.
407
00:17:28,743 --> 00:17:30,527
I AM SPONTANEOUS
AND FUN.
408
00:17:30,571 --> 00:17:32,007
TRY RECKLESS
409
00:17:32,051 --> 00:17:34,053
AND MORE THAN
A LITTLE IMMATURE.
410
00:17:36,403 --> 00:17:38,231
OK. SO WHAT IS GOING ON
INSIDE THIS MANSION
411
00:17:38,274 --> 00:17:40,711
THAT IT NEEDS
THAT MUCH SECURITY?
412
00:17:40,755 --> 00:17:42,104
I DON'T KNOW,
413
00:17:42,148 --> 00:17:43,584
BUT IT'S CONNECTED
TO STRAUSS.
414
00:17:43,627 --> 00:17:45,238
HOW DO WE GET IN?
415
00:17:45,281 --> 00:17:46,543
I HACKED INTO
ALL THE HIGH-END
LIMOUSINE COMPANIES
416
00:17:46,587 --> 00:17:48,328
IN THE D.C. AREA.
417
00:17:48,371 --> 00:17:50,199
I FOUND 5 HEADED
TO THE MANSION.
418
00:17:50,243 --> 00:17:53,072
RAN A CLIENT LIST.
419
00:17:53,115 --> 00:17:54,682
LOOKS LIKE HE COULD BE
OUR YOUNGER COUSIN.
420
00:17:54,725 --> 00:17:56,162
EXACTLY.
421
00:17:56,205 --> 00:17:58,251
MEET DANIEL CARR,
LOBBYIST EXTRAORDINAIRE
422
00:17:58,294 --> 00:18:00,253
AND OUR TICKET
TO THE PARTY.
423
00:18:09,653 --> 00:18:12,656
WERE YOU AND LUKE
EVER APART AS KIDS?
424
00:18:12,700 --> 00:18:14,658
NO.
425
00:18:14,702 --> 00:18:19,315
NO. WE DID
EVERYTHING TOGETHER.
426
00:18:19,359 --> 00:18:21,535
HE WAS
MY ONLY FRIEND.
427
00:18:21,578 --> 00:18:23,754
ALL THE OTHER KIDS
THOUGHT WE WERE WEIRD.
428
00:18:23,798 --> 00:18:25,756
I--I WAS
THE COMPLETE OPPOSITE.
429
00:18:25,800 --> 00:18:27,454
I HAD SO MANY FRIENDS
GROWING UP,
430
00:18:27,497 --> 00:18:30,109
BUT IT WASN'T
UNTIL I MET KYLE
431
00:18:30,152 --> 00:18:32,328
THAT I REALIZED
HOW LONELY I WAS.
432
00:18:32,372 --> 00:18:34,765
HE GAVE ME THE STRENGTH
TO FINALLY BE MYSELF.
433
00:18:34,809 --> 00:18:38,334
I'M JEALOUS.
434
00:18:38,378 --> 00:18:40,641
I DON'T KNOW WHO
I AM WITHOUT LUKE.
435
00:18:45,211 --> 00:18:48,562
YOU ARE A SMART,
SWEET MAN,
436
00:18:48,605 --> 00:18:51,304
AND YOU'RE STRONG,
AND YOU'RE FUNNY,
437
00:18:51,347 --> 00:18:53,784
AND YOU'RE A HELL
OF A COOK,
438
00:18:53,828 --> 00:18:57,353
AND WITH ALL THIS TRAGEDY
YOU'VE EXPERIENCED,
439
00:18:57,397 --> 00:18:59,268
YOU STILL GOT
A GOOD HEART.
440
00:18:59,312 --> 00:19:02,619
I MEAN, YOU TRUSTED ME.
441
00:19:02,663 --> 00:19:04,360
I'LL NEVER FORGET THAT.
442
00:19:07,233 --> 00:19:08,669
TONIGHT IN OUR
CONTINUING COVERAGE,
443
00:19:08,712 --> 00:19:10,018
AMERICA TAKES A DEEP BREATH
444
00:19:10,061 --> 00:19:11,150
AND CLOSES
THE FINAL CHAPTER...
445
00:19:11,193 --> 00:19:13,456
ONE MOMENT.
446
00:19:13,500 --> 00:19:15,328
...MOST NOTORIOUS
AND CHARMING MURDERERS.
447
00:19:15,371 --> 00:19:18,635
AFTER A BLOODY HOSTAGE CRISIS
DEFUSED BY AGENT RYAN HARDY,
448
00:19:18,679 --> 00:19:21,508
SERIAL KILLER JOE CARROLL
WAS EXECUTED YESTERDAY.
449
00:19:21,551 --> 00:19:24,032
CARROLL TERRORIZED
THE EAST COAST, KILLING DOZENS,
450
00:19:24,075 --> 00:19:25,294
AND MANAGED TO ESCAPE
FEDERAL CUSTODY
451
00:19:25,338 --> 00:19:27,296
NOT ONCE BUT TWICE.
452
00:19:27,340 --> 00:19:28,515
IT WAS RYAN HARDY WHO...
453
00:19:28,558 --> 00:19:30,038
YOU SHOULDN'T BE
OUT WORKING TODAY
454
00:19:30,081 --> 00:19:31,213
AFTER WHAT YOU
WENT THROUGH
YESTERDAY.
455
00:19:31,257 --> 00:19:32,823
I LIKE TO KEEP BUSY.
456
00:19:32,867 --> 00:19:34,216
HMM.
457
00:19:34,260 --> 00:19:36,305
IF WE CATCH
THE MADMAN,
458
00:19:36,349 --> 00:19:37,524
YOU NEED TO
UNDERSTAND THAT I'M
459
00:19:37,567 --> 00:19:39,482
GONNA BRING HIM
IN THE RIGHT WAY.
460
00:19:39,526 --> 00:19:41,223
YOU ACCUSING ME
OF SOMETHING?
461
00:19:41,267 --> 00:19:42,659
NO. I JUST KNOW YOU
LIKE TO COLOR
OUTSIDE THE LINES,
462
00:19:42,703 --> 00:19:46,185
BUT THIS GUY KILLED
A LOT OF PEOPLE
ON MY WATCH,
463
00:19:46,228 --> 00:19:48,491
SO I NEED
A CLEAN CONVICTION.
464
00:19:48,535 --> 00:19:49,797
GOT TO DO IT
BY THE BOOK.
465
00:19:49,840 --> 00:19:50,798
OF COURSE.
466
00:19:50,841 --> 00:19:53,322
HOW CAN I HELP YOU?
467
00:19:53,366 --> 00:19:55,237
I GOT THIS.
TWO ROOMS, PLEASE.
468
00:19:58,632 --> 00:19:59,720
HEY, MIKE.
469
00:19:59,763 --> 00:20:01,069
WE GOT A NAME.
470
00:20:01,112 --> 00:20:02,549
CROSSCHECK
OF DWP RECORDS SHOWS
471
00:20:02,592 --> 00:20:04,464
A LONE EMPLOYEE
WORKING WITHIN
THE SAME SECTOR
472
00:20:04,507 --> 00:20:05,726
OF AT LEAST 4
OF THE MADMAN MURDERS.
473
00:20:05,769 --> 00:20:07,771
SUSPECT'S NAME IS...
474
00:20:07,815 --> 00:20:09,077
OLEG VUKOVICH.
475
00:20:09,120 --> 00:20:10,296
MAX IS SENDING YOU
A PICTURE
476
00:20:10,339 --> 00:20:12,254
AND A LAST-KNOWN
ADDRESS NOW.
477
00:20:12,298 --> 00:20:13,864
SHOULD WE SEND A LOCAL
HRT TEAM TO MEET UP
WITH YOU AND LISA?
478
00:20:21,394 --> 00:20:23,526
NO. WE'LL CHECK IT OUT.
479
00:20:23,570 --> 00:20:25,093
WE'LL CALL YOU
IF WE NEED BACKUP.
480
00:20:25,136 --> 00:20:27,226
OK. MAX AND I ARE
ON OUR WAY THERE.
481
00:20:27,269 --> 00:20:29,271
HEY. YOUR GUYS
GET ANYTHING?
482
00:20:29,315 --> 00:20:31,578
NO, NO. THEY'RE
STILL WORKING ON IT.
483
00:20:31,621 --> 00:20:33,319
- ROOM KEY?
- AH. THERE YOU GO.
484
00:20:33,362 --> 00:20:35,886
ALL RIGHT. I LEFT
SOMETHING IN THE CAR.
485
00:20:35,930 --> 00:20:38,193
- I'LL BE UP IN A MINUTE.
- ALL RIGHT.
486
00:20:50,771 --> 00:20:52,903
THIS PLACE
IS FAR, HUH?
487
00:20:52,947 --> 00:20:56,864
YES, BUT WORTH
THE WAIT.
488
00:20:56,907 --> 00:20:59,258
IT'S THE MOST EXCLUSIVE
PARTY YOU'LL EVER GO TO.
489
00:21:01,390 --> 00:21:04,350
AH. LOOKS LIKE
WE'RE HERE.
490
00:21:04,393 --> 00:21:05,394
I DON'T SEE
ANY HOUSES.
491
00:21:07,701 --> 00:21:08,919
WHO THE HELL
ARE YOU?
492
00:21:08,963 --> 00:21:11,400
EVENING, DANIEL,
MA'AM.
493
00:21:11,444 --> 00:21:13,359
HEH.
494
00:21:13,402 --> 00:21:14,838
WHAT THE HELL
IS GOING ON?
495
00:21:18,189 --> 00:21:20,453
I'VE GOT SOME
QUESTIONS ABOUT
THIS PARTY.
496
00:21:20,496 --> 00:21:21,758
IF YOU KNOW
ABOUT THE PARTY,
497
00:21:21,802 --> 00:21:23,282
YOU KNOW I CAN'T
SAY ANYTHING.
498
00:21:23,325 --> 00:21:25,371
IT'S EASY TO TALK
TOUGH, DANIEL...
499
00:21:29,288 --> 00:21:31,159
BUT I'M
A PROFESSIONAL
AT CAUSING PAIN,
500
00:21:31,202 --> 00:21:32,639
AND YOU'RE
AN AMATEUR
AT TAKING IT,
501
00:21:32,682 --> 00:21:34,510
SO LET'S CUT
TO THE CHASE.
502
00:21:34,554 --> 00:21:36,469
WHO'S HOSTING
THE PARTY?
503
00:21:38,906 --> 00:21:43,737
I'VE ONLY HEARD
A FIRST NAME--ELIZA.
504
00:21:43,780 --> 00:21:45,391
NOW LISTEN TO ME.
505
00:21:45,434 --> 00:21:47,262
THESE PEOPLE,
506
00:21:47,306 --> 00:21:49,308
YOU DO NOT WANT
THEIR ATTENTION.
507
00:21:49,351 --> 00:21:51,745
OH, BUT THAT'S
EXACTLY WHAT
I WANT, DANIEL.
508
00:21:51,788 --> 00:21:53,355
NOW BOTH OF YOU,
GET UNDRESSED.
509
00:21:53,399 --> 00:21:55,270
WE DON'T WANT TO GET
ANY BLOOD ON THE CLOTHES.
510
00:24:22,025 --> 00:24:23,549
AAH! STOP!
511
00:24:23,592 --> 00:24:26,377
GOD! AAH!
512
00:24:52,012 --> 00:24:53,579
ARRR!
513
00:25:25,741 --> 00:25:27,090
WHAT THE HELL
WERE YOU THINKING?
514
00:25:27,134 --> 00:25:28,570
YOU NEARLY GOT
YOURSELF KILLED,
515
00:25:28,614 --> 00:25:30,006
AND NOW THE MADMAN
IS IN THE WIND.
516
00:25:30,050 --> 00:25:31,573
WE'LL FIND HIM,
ALL RIGHT?
517
00:25:31,617 --> 00:25:33,575
WE HAD HIM, AND IF
YOU'D FOLLOWED PROTOCOL,
518
00:25:33,619 --> 00:25:36,186
HE'D BE IN CUSTODY!
519
00:25:36,230 --> 00:25:38,580
YOU BETTER TALK SOME
SENSE INTO HIM.
520
00:25:38,624 --> 00:25:40,539
HEY. YOU OK?
521
00:25:40,582 --> 00:25:41,583
I'M FINE.
522
00:25:41,627 --> 00:25:42,671
ARE YOU FINE?
523
00:25:42,715 --> 00:25:43,716
THEY COULD SUSPEND
YOU FOR THIS.
524
00:25:43,759 --> 00:25:45,413
I DON'T CARE, OK?
525
00:25:45,456 --> 00:25:47,415
PULL EVERYTHING
YOU CAN ON OLEG--
526
00:25:47,458 --> 00:25:49,156
FRIENDS, FAMILY,
OTHER PROPERTY,
527
00:25:49,199 --> 00:25:50,636
ANYTHING!
528
00:25:52,202 --> 00:25:53,464
I'VE NEVER SEEN HIM
LIKE THIS.
529
00:25:53,508 --> 00:25:55,249
I HAVE.
530
00:26:05,259 --> 00:26:06,434
HEY.
531
00:26:06,477 --> 00:26:07,609
SORRY. I KNOW
IT'S LATE.
532
00:26:07,653 --> 00:26:08,741
EVERYTHING OK?
533
00:26:08,784 --> 00:26:10,090
IT'S THE SAFE HOUSE
RAID.
534
00:26:10,133 --> 00:26:11,439
SOME OF THE DETAILS
JUST AREN'T ADDING UP,
535
00:26:11,482 --> 00:26:12,614
AND I'M ON A DEADLINE.
536
00:26:12,658 --> 00:26:14,442
YOU OFFERED TO HELP.
IS THIS OK?
537
00:26:14,485 --> 00:26:16,052
SURE, SURE.
COME ON IN.
538
00:26:16,096 --> 00:26:17,488
THANKS.
539
00:26:22,189 --> 00:26:25,148
UH, I GOT GOOD NEWS
AND BAD.
540
00:26:25,192 --> 00:26:26,628
DID YOU FIND WHO'S
WATCHING MAX?
541
00:26:26,672 --> 00:26:29,588
UH, NO, BUT I DID
MANAGE TO TRACK
542
00:26:29,631 --> 00:26:30,937
WHERE THE LAPTOP'S
BEEN USED,
543
00:26:30,980 --> 00:26:32,678
AND THAT'S
THE BAD NEWS.
544
00:26:32,721 --> 00:26:34,070
IT'S INSIDE THE FBI.
545
00:26:34,114 --> 00:26:35,898
YOUR MYSTERY MAN
WORKS FOR THE FEDS.
546
00:26:35,942 --> 00:26:37,552
HOW LONG TILL
WE IDENTIFY HIM?
547
00:26:37,596 --> 00:26:39,772
NEVER. HACKING
THE FBI FIREWALL
548
00:26:39,815 --> 00:26:41,034
IS TOO BLACK HAT FOR ME.
549
00:26:41,077 --> 00:26:42,252
I'M WORRIED I SET OFF
AN ALARM
550
00:26:42,296 --> 00:26:43,993
JUST SNIFFING
AROUND THE OUTSIDE.
551
00:26:44,037 --> 00:26:45,865
SEE? I TOLD YOU
THIS WAS A WASTE
OF TIME.
552
00:26:45,908 --> 00:26:47,606
NO, NO, NO.
THIS STILL HELPS, OK?
553
00:26:47,649 --> 00:26:49,651
WE JUST NEED TO FIND
SOMEONE WHO CAN HACK
INTO THE FBI.
554
00:26:49,695 --> 00:26:50,783
DO YOU KNOW ANYONE
WHO DOES THAT?
555
00:26:50,826 --> 00:26:54,177
BECAUSE I SURE AS
HELL DON'T.
556
00:26:54,221 --> 00:26:56,223
ACTUALLY, I DO.
557
00:27:17,636 --> 00:27:20,639
HOW ARE WE SUPPOSED TO FIND
THIS ELIZA CHICK ANYWAY?
558
00:27:20,682 --> 00:27:23,032
I FIGURE SHE'LL BE
PRETTY CLOSE
TO THE ACTION.
559
00:27:34,827 --> 00:27:35,958
COME ON.
560
00:27:36,002 --> 00:27:37,220
WHERE ARE WE GOING?
561
00:27:44,880 --> 00:27:45,838
BRACELET.
562
00:27:51,365 --> 00:27:52,714
HAVE FUN.
563
00:27:57,371 --> 00:27:58,894
BRACELET.
564
00:28:03,377 --> 00:28:04,726
HAVE FUN.
565
00:28:55,385 --> 00:28:57,866
SORRY, FOLKS.
THIS AREA IS OFF LIMITS.
566
00:28:57,910 --> 00:28:58,998
OH, IT'S OK.
567
00:28:59,041 --> 00:29:00,695
WE'RE JUST GOING
TO SEE ELIZA.
568
00:29:02,305 --> 00:29:03,742
AGH!
569
00:29:08,790 --> 00:29:10,792
YOU READY?
570
00:29:10,836 --> 00:29:12,011
READY.
571
00:29:33,162 --> 00:29:34,773
WHO ARE YOU?
572
00:29:38,211 --> 00:29:41,127
THEO IS AS GOOD
A NAME AS ANY.
573
00:29:41,170 --> 00:29:42,650
I'VE BEEN LED
TO BELIEVE
THAT WE HAVE
574
00:29:42,693 --> 00:29:43,956
A FRIEND IN COMMON.
575
00:29:43,999 --> 00:29:45,392
I'M SURE I DON'T KNOW
WHAT YOU MEAN.
576
00:29:45,435 --> 00:29:47,176
HE WAS FOUND DEAD
RECENTLY
577
00:29:47,220 --> 00:29:50,179
AFTER A VERY PUBLIC
MISTRIAL.
578
00:29:50,223 --> 00:29:53,095
ACCORDING TO THE NEWS,
YOU KILLED THAT GENTLEMAN.
579
00:29:53,139 --> 00:29:56,707
DR. STRAUSS' DEATH
WAS A TRAGEDY
580
00:29:56,751 --> 00:29:58,144
BROUGHT ABOUT
BY HIS WILLINGNESS
581
00:29:58,187 --> 00:30:00,276
TO BETRAY THOSE
CLOSE TO HIM,
582
00:30:00,320 --> 00:30:04,019
A TRAIT I CAN'T
IMAGINE THAT YOU
WOULD CONDONE.
583
00:30:04,063 --> 00:30:08,981
CERTAINLY NOT WHAT ONE
LOOKS FOR IN A FRIEND,
584
00:30:09,024 --> 00:30:10,983
BUT I'M SURE YOU
DIDN'T COME ALL
THE WAY HERE
585
00:30:11,026 --> 00:30:12,854
AND SHOOT
MY SECURITY PEOPLE
586
00:30:12,898 --> 00:30:15,074
JUST TO TALK
ABOUT THE DEARLY
DEPARTED.
587
00:30:15,117 --> 00:30:16,336
NO.
588
00:30:18,164 --> 00:30:19,861
I CAME TO MAKE
AN OFFER
589
00:30:19,905 --> 00:30:21,123
BUT ONLY ONCE I'M
CONVINCED YOU'RE
590
00:30:21,167 --> 00:30:24,170
THE PERSON
TO MAKE IT TO.
591
00:30:24,213 --> 00:30:25,867
CAN WE CUT
TO THE CHASE
ALREADY?
592
00:30:25,911 --> 00:30:27,260
MY FEET ARE
KILLING ME.
593
00:30:27,303 --> 00:30:28,391
AND YOU ARE?
594
00:30:28,435 --> 00:30:31,394
NOT THE TOPIC
OF CONVERSATION.
595
00:30:31,438 --> 00:30:33,222
I ASSUME YOU ARE
FAMILIAR
596
00:30:33,266 --> 00:30:35,181
WITH SPECIAL AGENT
RYAN HARDY.
597
00:30:35,224 --> 00:30:36,312
VAGUELY.
598
00:30:36,356 --> 00:30:38,140
WELL, HE CAUGHT
JOE CARROLL
599
00:30:38,184 --> 00:30:39,489
AND ARTHUR STRAUSS,
600
00:30:39,533 --> 00:30:41,143
AND HE'S COME CLOSER
THAN ANYONE ELSE
601
00:30:41,187 --> 00:30:43,145
TO CATCHING ME.
602
00:30:43,189 --> 00:30:47,106
DO YOU REALLY BELIEVE
THAT YOU CAN STAY
OFF HIS RADAR FOREVER?
603
00:30:47,149 --> 00:30:50,065
FOR ARGUMENT'S SAKE,
LET'S PRETEND LIKE
THAT MATTERS.
604
00:30:50,109 --> 00:30:53,460
WELL, THEN LET'S ALSO
PRETEND THAT I CAN
DELIVER HIM TO YOU
605
00:30:53,503 --> 00:30:55,941
DEAD OR ALIVE,
YOUR CHOICE.
606
00:30:55,984 --> 00:30:58,944
JUST KNOW THAT ALIVE
WON'T NECESSARILY
MEAN WHOLE.
607
00:31:01,947 --> 00:31:03,862
NO OFFENSE,
608
00:31:03,905 --> 00:31:05,864
BUT WHY WOULD WE OUTSOURCE
SUCH A SENSITIVE MATTER?
609
00:31:05,907 --> 00:31:08,170
BECAUSE I AM
ALREADY EXPOSED.
610
00:31:08,214 --> 00:31:11,826
YOU GO AFTER RYAN HARDY,
AND YOU FAIL,
611
00:31:11,870 --> 00:31:14,002
YOU PUT A TARGET
RIGHT ON YOUR BACK.
612
00:31:14,046 --> 00:31:17,788
I'M PROVIDING YOU
WITH A FIREWALL
OF SORTS.
613
00:31:17,832 --> 00:31:20,748
QUESTION IS WHAT IS
THAT WORTH TO YOU?
614
00:31:20,791 --> 00:31:24,491
WHY DO I THINK
YOU ALREADY HAVE
A PRICE IN MIND?
615
00:31:33,456 --> 00:31:35,415
DISCUSSION
FOR ANOTHER DAY.
616
00:31:39,158 --> 00:31:40,811
SORRY ABOUT THE MESS.
617
00:32:30,992 --> 00:32:32,428
HEY.
618
00:32:32,472 --> 00:32:34,256
LISTEN. I'M GIVING
YOU A PASS
619
00:32:34,300 --> 00:32:37,216
BECAUSE IT WAS YOUR
LEAD THAT GOT US
SO CLOSE TO OLEG.
620
00:32:37,259 --> 00:32:41,307
WHAT HAPPENED TONIGHT
CANNOT EVER HAPPEN AGAIN.
621
00:32:41,350 --> 00:32:43,004
I GET IT.
622
00:32:43,048 --> 00:32:45,398
YOU WOULDN'T LOOK GOOD
IN AN ORANGE JUMPSUIT.
623
00:32:49,054 --> 00:32:51,404
BOLOs FOR OLEG ARE OUT
ACROSS THE CITY,
624
00:32:51,447 --> 00:32:53,972
AND ALL HIS FINANCIALS
HAVE BEEN TAGGED
625
00:32:54,015 --> 00:32:55,451
IN CASE HE TRIES
TO RUN.
626
00:32:55,495 --> 00:32:57,540
YEAH. WELL, HIS
JOURNAL INDICATES
THAT HE SUFFERS
627
00:32:57,584 --> 00:32:59,629
FROM PROFOUND
PSYCHOTIC DELUSIONS,
628
00:32:59,673 --> 00:33:02,154
THINKS HE'S CHARON,
THE BOATMAN OF HADES,
629
00:33:02,197 --> 00:33:04,983
FERRYING SOULS
ACROSS THE RIVER STYX.
630
00:33:05,026 --> 00:33:06,375
WHAT'S HIS COMPULSION
WITH MIRRORS?
631
00:33:06,419 --> 00:33:07,507
WHY BREAK THEM?
632
00:33:07,550 --> 00:33:09,030
HE'S SCARED OF THEM.
633
00:33:09,074 --> 00:33:11,467
HE BELIEVES THEY ARE
THE GATEWAY TO HELL,
634
00:33:11,511 --> 00:33:13,339
AND HE'S NOT READY
TO GO BACK YET.
635
00:33:29,007 --> 00:33:30,312
HI. HOW CAN I
HELP YOU?
636
00:33:30,356 --> 00:33:32,184
THE FBI--
WHAT ROOM?
637
00:33:32,227 --> 00:33:35,187
I'M SORRY. I CAN'T
JUST GIVE YOU
THAT INFORMATION.
638
00:33:37,102 --> 00:33:38,973
WHOA. WAIT A SECOND.
639
00:33:39,017 --> 00:33:40,975
WAIT A SECOND.
WAIT, WAIT. AAH!
640
00:34:01,517 --> 00:34:02,562
HI. YOU'VE
REACHED GWEN.
641
00:34:02,605 --> 00:34:04,955
PLEASE LEAVE
A MESSAGE.
642
00:34:04,999 --> 00:34:06,522
GWEN, IT'S ME.
643
00:34:06,566 --> 00:34:08,437
I NEED TO TALK
TO YOU.
644
00:34:08,481 --> 00:34:09,525
I CAN--I CAN FIX THIS.
645
00:34:09,569 --> 00:34:13,094
PLEASE, PLEASE
CALL ME BACK.
646
00:34:13,138 --> 00:34:14,443
I LOVE YOU.
647
00:34:27,021 --> 00:34:28,414
THAT CALL HAVE
ANYTHING TO DO
648
00:34:28,457 --> 00:34:30,068
WITH HOW YOU
BEHAVED TODAY?
649
00:34:30,111 --> 00:34:31,199
NOT AT ALL.
650
00:34:31,243 --> 00:34:34,072
I'VE LEFT
THAT MESSAGE BEFORE.
651
00:34:34,115 --> 00:34:36,248
DIVORCED TWICE.
652
00:34:36,291 --> 00:34:37,727
I FINALLY REALIZED
OUR LINE OF WORK
653
00:34:37,771 --> 00:34:39,120
DOESN'T LEAVE A LOT
OF ROOM FOR RELATIONSHIPS.
654
00:34:39,164 --> 00:34:41,470
JUST ONE OR THE OTHER.
655
00:34:41,514 --> 00:34:43,081
I DON'T
BELIEVE THAT.
656
00:34:43,124 --> 00:34:47,128
A WORD
OF UNSOLICITED ADVICE--
657
00:34:47,172 --> 00:34:48,434
JUST WALK AWAY.
658
00:34:48,477 --> 00:34:49,739
SHE'LL BE BETTER OFF,
AND IN THE END,
659
00:34:49,783 --> 00:34:51,741
SO WILL YOU.
660
00:34:51,785 --> 00:34:53,743
YEAH. LISTEN, UH,
661
00:34:53,787 --> 00:34:56,224
I'M GONNA GO DOWNSTAIRS,
GET SOME AIR.
662
00:34:56,268 --> 00:34:58,270
YOU WANT ANYTHING?
663
00:34:58,313 --> 00:35:00,185
NO. I'M GONNA TAKE
THESE BACK TO MY ROOM.
664
00:35:00,228 --> 00:35:01,490
WILL YOU GIVE ME
A HAND?
665
00:35:16,157 --> 00:35:17,332
SEE YOU TOMORROW?
666
00:36:00,332 --> 00:36:02,812
NO, PLEASE! NO!
667
00:36:05,859 --> 00:36:07,034
HELLO?
668
00:36:27,663 --> 00:36:29,230
OHH!
669
00:36:38,631 --> 00:36:39,632
RYAN!
670
00:36:39,675 --> 00:36:41,373
RYAN, STOP!
671
00:36:47,248 --> 00:36:49,032
SO I GOT
A FEW QUESTIONS.
672
00:36:49,076 --> 00:36:51,078
NOVEMBER 14, 1990,
673
00:36:51,121 --> 00:36:53,254
AN APARTMENT
IN KENSINGTON.
674
00:36:53,298 --> 00:36:55,256
MOTHER, 3 CHILDREN,
THE JACKSONS.
675
00:36:55,300 --> 00:36:56,866
YOU REMEMBER THEM?
676
00:37:02,089 --> 00:37:04,091
WHY WOULD YOU SPARE
THE BOY?
677
00:37:10,315 --> 00:37:12,012
YOU KNOW, I READ
YOUR JOURNAL.
678
00:37:14,232 --> 00:37:16,103
I KNOW HOW YOU FEEL
ABOUT THESE.
679
00:37:17,887 --> 00:37:21,282
OHH! OH, GOD!
STOOOOOPPPP!
680
00:37:21,326 --> 00:37:22,762
AFTER YOU TELL ME
WHY YOU LET HIM LIVE.
681
00:37:22,805 --> 00:37:24,503
BECAUSE HE WAS
MY FRIEND!
682
00:37:24,546 --> 00:37:26,461
GET OFF OF HIM!
683
00:37:26,505 --> 00:37:29,072
WHAT DO YOU MEAN
YOUR FRIEND?
684
00:37:29,116 --> 00:37:31,901
I DID SOME WORK
IN HIS BUILDING.
685
00:37:31,945 --> 00:37:33,381
HE WOULD HIDE
ON THE STAIRS
686
00:37:33,425 --> 00:37:37,080
AWAY FROM HIS MOTHER
WHEN SHE HIT HIM.
687
00:37:37,124 --> 00:37:39,039
WHEN I LOOKED
IN HIS EYES,
688
00:37:39,082 --> 00:37:43,217
I SAW THAT HE WAS
LIKE ME.
689
00:37:43,261 --> 00:37:48,831
ONE DAY, HE ASKED ME
TO COME AND KILL HIS FAMILY.
690
00:37:50,964 --> 00:37:53,096
HE WAS 10 YEARS OLD.
691
00:37:53,140 --> 00:37:55,142
HE WAS A DEMON.
692
00:37:55,185 --> 00:37:57,797
HE MADE ME PROMISE
TO KILL THEM ALL
693
00:37:57,840 --> 00:37:59,842
EXCEPT
FOR THE LITTLE GIRL.
694
00:37:59,886 --> 00:38:00,974
WAIT.
WHAT LITTLE GIRL?
695
00:38:01,017 --> 00:38:02,410
HIS SISTER SOPHIA.
696
00:38:02,454 --> 00:38:04,325
TERRANCE DIDN'T HAVE
A SISTER, ONLY BROTHERS.
697
00:38:04,369 --> 00:38:06,936
SHE WAS A FOSTER,
TAKEN IN FOR THE MONEY.
698
00:38:06,980 --> 00:38:08,547
WHY WOULD HE
PROTECT HER?
699
00:38:08,590 --> 00:38:10,070
OH, HE LOVED HER.
700
00:38:10,113 --> 00:38:11,985
THEY SHARED
A SPECIAL BOND.
701
00:38:17,643 --> 00:38:19,122
I COME
BEARING GIFTS.
702
00:38:19,166 --> 00:38:20,298
STILL TAKE YOURS
WITH MILK, SUGAR,
703
00:38:20,341 --> 00:38:21,473
AND A SPLASH
OF COFFEE, RIGHT?
704
00:38:21,516 --> 00:38:24,127
YEAH. THANKS.
705
00:38:24,171 --> 00:38:27,609
♪ ALL MY DEMONS
706
00:38:27,653 --> 00:38:29,219
♪ ALL MY WORDS
707
00:38:29,263 --> 00:38:31,613
WHAT'S WRONG?
708
00:38:31,657 --> 00:38:37,140
RYAN WAS DRUNK BACK
AT THE HOTEL.
709
00:38:37,184 --> 00:38:38,925
IF CAMPBELL HADN'T
BEEN THERE TO STOP HIM--
710
00:38:38,968 --> 00:38:42,145
BUT SHE WAS,
711
00:38:42,189 --> 00:38:44,365
AND WE'LL BE
THERE TO GET HIM
THROUGH THIS.
712
00:38:47,542 --> 00:38:51,981
♪ NO LOVE IS EVER NEW
713
00:38:54,288 --> 00:38:57,335
SO THIS HACKER GUY,
HE'S THE ONE WHO
KILLED STRAUSS?
714
00:38:57,378 --> 00:39:00,468
YEAH, AND HE GAVE ME
A WAY TO CONTACT HIM
715
00:39:00,512 --> 00:39:02,427
IN CASE I EVER HEARD
OF ANYTHING THAT PUT
HIM IN JEOPARDY.
716
00:39:02,470 --> 00:39:04,864
♪ LORD, HAVE MERCY
717
00:39:04,907 --> 00:39:08,607
♪ FOR I'M UNKIND
718
00:39:08,650 --> 00:39:11,218
WHAT'S THE PROBLEM?
719
00:39:11,261 --> 00:39:13,655
THIS IS A SCARY GUY,
720
00:39:13,699 --> 00:39:18,486
LIKE, MAYBE THE SCARIEST
GUY I'VE EVER MET.
721
00:39:18,530 --> 00:39:21,010
YOU DON'T HAVE TO
STICK AROUND.
722
00:39:21,054 --> 00:39:23,491
I CAN DO THIS
BY MYSELF.
723
00:39:23,535 --> 00:39:26,407
NO. I OWE YOU, OK?
724
00:39:26,451 --> 00:39:28,017
WE'RE IN THIS TOGETHER.
725
00:39:28,061 --> 00:39:32,587
♪ I'D LIKE TO LET YOU SEE
726
00:39:40,290 --> 00:39:42,989
YOU THINK THEY'LL
GO FOR IT?
727
00:39:43,032 --> 00:39:44,120
I DON'T KNOW.
728
00:39:46,471 --> 00:39:48,690
♪ I'M NOT A HUNTER
729
00:39:48,734 --> 00:39:50,518
♪ THIS ISN'T HOW YOU...
730
00:39:50,562 --> 00:39:52,259
IS THAT THEM?
731
00:39:52,302 --> 00:39:55,262
NO.
732
00:39:55,305 --> 00:39:56,611
WELL, WHO IS IT?
733
00:39:59,701 --> 00:40:01,921
SOMEONE
VERY UNEXPECTED.
734
00:40:01,964 --> 00:40:03,531
AGENT RUIZ
CLEARED OUT THE BEDROOM
735
00:40:03,575 --> 00:40:05,446
ON THE SECOND FLOOR HERE,
736
00:40:05,490 --> 00:40:08,057
AND TALLEY AND HANCOCK
737
00:40:08,101 --> 00:40:09,711
SEARCHED
THE LIVING ROOM
AND KITCHEN
738
00:40:09,755 --> 00:40:11,104
ON THE FIRST FLOOR.
739
00:40:11,147 --> 00:40:14,237
SO RUIZ IS ALONE
ON THE SECOND FLOOR,
740
00:40:14,281 --> 00:40:16,196
BUT PROTOCOL STATES
THAT HRT AGENTS
MOVE IN PAIRS.
741
00:40:16,239 --> 00:40:17,937
WHY WASN'T THAT
DONE HERE?
742
00:40:17,980 --> 00:40:20,330
HEAT OF THE MOMENT,
ADRENALINE PUMPING
AND ALL THAT.
743
00:40:20,374 --> 00:40:21,549
HMM.
744
00:40:27,599 --> 00:40:30,732
♪ ALL MY WOMEN
745
00:40:30,776 --> 00:40:32,473
WHAT ARE YOU
LOOKING FOR?
746
00:40:32,517 --> 00:40:34,301
TRYING TO FIND
WHICH AGENT WAS PAIRED
747
00:40:34,344 --> 00:40:36,042
WITH RUIZ THAT DAY.
748
00:40:36,085 --> 00:40:37,130
ISN'T IT RIGHT THERE
IN MY REPORT?
749
00:40:37,173 --> 00:40:38,523
WELL, IT WAS
A JOINT ENGAGEMENT,
750
00:40:38,566 --> 00:40:41,264
SO THERE'S ANOTHER REPORT
FILED BY OUR TEAM.
751
00:40:41,308 --> 00:40:42,483
A SECOND REPORT?
752
00:40:42,527 --> 00:40:46,269
YEAH. IT'S NEW POLICY
THIS YEAR.
753
00:40:46,313 --> 00:40:47,619
HERE IT IS.
754
00:40:47,662 --> 00:40:49,577
♪ BECAUSE ONLY
WHEN YOU'RE ASLEEP ♪
755
00:40:49,621 --> 00:40:53,233
♪ CAN I JUST REST
MY FEET ♪
756
00:40:53,276 --> 00:40:55,409
♪ I'M SICK OF LOVE
757
00:40:55,453 --> 00:40:56,584
NO, NO. YOU DON'T
UNDERSTAND.
758
00:40:56,628 --> 00:40:58,107
LET ME EXPLAIN,
LET ME EXPLAIN.
759
00:41:01,371 --> 00:41:05,550
♪ OH, I THINK I'M
FALLING APART ♪
760
00:41:05,593 --> 00:41:10,642
♪ I KIND OF LIKE THE WAY
I FEEL WHEN I'M HURT ♪
761
00:41:10,685 --> 00:41:12,034
NO.
762
00:41:12,078 --> 00:41:14,297
♪ I'M NOT A DECENT MAN
763
00:41:14,341 --> 00:41:16,169
NO, NO, NO!
764
00:41:16,212 --> 00:41:17,344
NO, NO!
765
00:41:17,387 --> 00:41:20,739
♪ WHOA, OH, OH, OH
766
00:41:23,045 --> 00:41:29,356
♪ OH, OH, OH, OH, OHHH
767
00:41:35,362 --> 00:41:36,537
GWEN?
768
00:42:15,837 --> 00:42:18,187
COME ON.
769
00:42:18,231 --> 00:42:20,233
YOU'RE BETTER OFF
WITHOUT HER.
770
00:42:23,323 --> 00:42:25,412
NOW...
771
00:42:25,455 --> 00:42:26,761
HOW ABOUT A DRINK?
772
00:42:34,290 --> 00:42:38,120
♪ OH, OH, OH, OH
773
00:42:38,164 --> 00:42:39,731
♪ OH, OH, OH, OH
52183
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