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-MAN: We've got a body. -♪ (INTENSE MUSIC PLAYING) ♪

We've got at least six other murders with the same MO.

DCI GABRIEL MARKHAM: If we could go back far enough,

now we've got a good chance of finding this guy.

-♪ (ROCK MUSIC PLAYING) ♪ -Rachel Sheridan.

She gets paid to design black sites for Octagon.

Let's find Sheridan and what she knows about Idrisi.

Lila Hall, Sheridan's daughter,

works in a bar part time.

Maybe we could talk about your mother.

Some very dangerous people are looking for her.

Don't shoot! I'm with you! I'm the informant!

-Volkan Horatio. -Call it in.

-(GLASS SHATTERS) -♪ (MUSIC CONTINUES) ♪

Jensen's gone. It's a set up.

COL. ADEENA DONOVAN: (OVER RADIO) Lowry may have turned Volkan.

JANE LOWRY: Where's Rachel Sheridan?

Project Tenebrae, that's the real enemy.

Grab your stuff. Hey, I'm here to help.

Sheridan, if Idrisi's alive we need to find out

which black site he's in.

-RACHEL SHERIDAN: There's a site controlled by... -Parker.

Parker finds Idrisi alive, decides he wants to pump him

for intel, so he hides him.

It's an abandoned military complex,

that's where you'll find Idrisi.

LCPL. GRACIE NOVIN: (OVER RADIO) Arriving at last location.

God.

DONOVAN: (OVER RADIO) Move out fast,

you've been compromised.

(GUNFIRE)

Everybody get down!

SHERIDAN: I'm gonna try and lead them away.

Rachel, wait!

SGT. SAMUEL WYATT: Stay down.

(GUNFIRE CONTINUES)

NOVIN: Sheridan's in the wind ma'am.

[engine revving]

[alarm blaring]

[gunfire]

[haunting music]

♪ ♪

- Jawedan.

- Can you walk?

- I think so.

[suspenseful music]

[laughs]

♪ ♪

[dramatic music]

♪ ♪

[console beeping]

♪ ♪

[alarm blaring softly]

♪ ♪

- We need to go.

Omair, we need to go.

- My father...

He gave this to me when I was 12.

[coughs]

Before he died.

He--

[sputters]

[retches]

- Omair!

Omair!

- [distantly] Can you hear me? Omair!

Omair!

[ominous music]

- Tell me about the terrorist cells

in Nangarhar.

Give me some names,

locations,

or we go again.

- He's had enough.

He keeps dying.

We keep bringing him back.

The human body can only take so much.

- In a month,

he hasn't given us a single piece

of actionable intel.

[disquieting music]

♪ ♪

We start again in an hour.

♪ ♪

[The Heavy's "Short Change Hero"]

♪ ♪

- ♪ I can't see where you coming from ♪

♪ But I know just what you runnin' from ♪

♪ And what matters ain't the "who's baddest" ♪

♪ But the ones who stop you falling from your ladder ♪

♪ Come on, feelin' like you're feelin' now ♪

♪ And doin' things just to please your crowd ♪

♪ When I love you like the way I love you ♪

♪ And I suffer, but I ain't gonna cut you ♪

♪ 'Cause this ain't no place for no hero ♪

♪ This ain't no place for no better man ♪

♪ This ain't no place for no hero to call home ♪

♪ ♪

♪ This ain't no place for no hero ♪

♪ This ain't no place for no better man ♪

♪ This ain't no place for no hero to call home ♪

- [gasping]

[eerie music]

♪ ♪

[mildly tense music]

- Sit-rep.

- Clear.

- We're at the last of Volkan's warehouses.

- How're the boys doing?

- McAllister and Wyatt are en route to the black site.

You just find out

what happened to Rachel Sheridan.

- Copy that.

[suspenseful music]

♪ ♪

Careful.

Could be rigged.

♪ ♪

Clear.

[mournful music]

♪ ♪

Jesus. It's Rachel Sheridan.

♪ ♪

Rachel Sheridan's dead.

They've done a number on her.

♪ ♪

- We have to assume that Jane and Volkan

got the location of the site

and are coming for Idrisi.

I have no other choice.

[confrontational music]

♪ ♪

Your office told me where you were.

There's a black site...

in Klomino, Poland,

paid for with a Special Operations slush fund

and controlled by you.

- You know I can't talk about

this shit, Adeena.

- Jane Lowry knows Idrisi's there.

She took out Krieger, Sheridan,

and now she's coming for him.

- You're telling me that

I have Omair Idrisi at this site?

You are aware that I was the one

who ordered the MOP strike on him?

- Let's not waste time being cute.

- Do you have any evidence or solid facts

to support these ludicrous claims?

- Your site is off the grid.

That means that if anything happens,

there's no backup, no reinforcements,

so tighten your security.

- You really want me to get on the phone to your people

and tell them you're slinging around

unfounded accusations like this?

Jesus, Adeena, you'll be a laughingstock.

- We're both on the same side here.

Our intel is that Jane Lowry is going to the black site.

That isn't going to change.

We need to stop her.

[foreboding music]

♪ ♪

Parker gave me nothing.

I see no other option. Mission is a go.

Get to Idrisi before Jane does,

secure him, and bring him out,

and if you run into her,

don't leave her alive.

♪ ♪

- Copy that.

[car engine revving]

- Pretty regular sweep of guard patrols.

- Now's a good time to go underground.

[dramatic music]

♪ ♪

- It wasn't your fault, mate,

what happened to Lila.

- I know exactly what is and isn't my fault, McAllister.

I'm just staying on mission.

[eerie music]

♪ ♪

- What are you doing here?

- Work.

Where's the team?

- McAllister and Wyatt are infiltrating

the black site.

Reynolds and Novin

have found Rachel Sheridan, dead.

And you are going back to hospital.

- To do what?

- To recover. - No.

No, sorry, ma'am.

Got a job to do here.

I'm up to speed on the black site, all right?

- You have the comms, Lance Corporal.

♪ ♪

- Bravo, send sit-rep.

- Johnson, is that you?

Back at work already?

Respect.

- Just living for the day you get my name right, Sergeant.

- Well, then, you're going to be living a long time.

We're entering the arterial tunnel now.

- Copy that.

Comms will be out the moment

you get beyond the perimeter.

They'll have a pretty sophisticated

jamming system in there.

The black site itself

will be fairly rudimentary,

but Sheridan retrofitted the old Soviet base

with a system of emergency lockdowns

that you really don't want to be the ones to trigger.

- Yeah, we're screwed. Got it.

Good to hear your voice, mate.

- Ready? - Yeah.

- One, two, three.

[disquieting music]

♪ ♪

- Good luck.

♪ ♪

- See you on the other side.

♪ ♪

- Comms are now out.

[grunts]

Have you heard of something called Project Tenebrae, ma'am?

Lowry said something about it being the real enemy,

um, before she, um...

♪ ♪

I don't know.

It just seemed important.

- You should look into it,

but right now, you should focus on the mission.

♪ ♪

- You son of a bitch.

♪ ♪

[metal scraping]

♪ ♪

[loud thud]

- Can you make a bit more noise?

- [whispering] It's rusted.

♪ ♪

[metal ringing]

♪ ♪

[ominous music]

♪ ♪

[indistinct voices]

- Jesus, Jensen!

- [sighs] Captain.

Uh, I'm glad you're here, actually.

Uh, Donovan asked me

to look into something while she was gone,

um, and I found I need second level clearance.

- [scoffs] I don't believe this.

- It concerns Lowry.

- You shouldn't be at work.

♪ ♪

- Captain, time's an issue,

and, uh, Donovan isn't due back for a while.

- All right.

[eerie music]

♪ ♪

- Captain?

Sorry, um,

do you mind if we have the room?

- Yeah, of course.

It's done.

[mournful music]

♪ ♪

Um...

Jensen, it's good to have you back.

♪ ♪

- The fuck are you doing here?

♪ ♪

- Following up a lead. - No.

Here, back at work.

It hasn't even been 24 hours.

- Uh, I don't blame you,

if that's what you're worried about.

- Oh, yeah?

You should.

I left you in the car.

You weren't even meant to be in the fucking field!

- Can this not wait?

♪ ♪

- Have you looked at yourself, Will?

♪ ♪

Have you looked at what they've done to you?

Have you?

♪ ♪

Why are you doing this?

♪ ♪

This fucking life-- it's not for you!

It's not.

♪ ♪

Please.

♪ ♪

- We done here? Um...

'Cause this work isn't.

♪ ♪

[loud squeaking]

- Wait.

[suspenseful music]

♪ ♪

- Move. - Move.

♪ ♪

Black site secure zone dead ahead.

♪ ♪

Shit. Is that a metal detector?

Rachel Sheridan never mentioned that.

♪ ♪

If we go through there all geared up,

we'll have every alarm in the place ringing.

♪ ♪

What are you doing?

- You watch my back from here. I'll check ahead.

♪ ♪

- Unarmed.

- You know another way around?

♪ ♪

And while we're talking, I don't know.

- You don't know what?

- What I'm gonna do when I see Idrisi again.

- Why the hell are you telling me this now?

- Out of respect.

Besides,

you can't shout at me, can you?

♪ ♪

- [whispering] Asshole.

♪ ♪

- Sir.

- One, two.

[locks beep and engage]

- We're on high alert.

Who gave you permission to open the cell?

- Uh, Dr. Pryce needed to see the patient.

- Pryce.

What the hell are you playing at?

Shit.

[alarm blaring]

[ominous music]

♪ ♪

- Mac!

Mac!

♪ ♪

Shit.

[suspenseful music]

♪ ♪

- [growls]

Twat!

[disquieting music]

♪ ♪

- [grunts]

- Adrenaline. It'll help.

♪ ♪

I've taken care of immediate security,

but there'll be more in the area, coming this way.

♪ ♪

- Captain.

Parker's running a rogue op for his own glory.

- At least that means going in and grabbing Idrisi

won't cause an international incident.

- Did you give Jensen a security override earlier?

I received an alert.

- He was looking into intel on Lowry.

- I had denied him the request.

He's barely able to function as it is.

- Lowry had access to my records.

Wyatt's as well.

Something else is going on here.

- You don't think I'm aware of that?

Right now, I am trying to protect Jensen.

- No, right now,

you are hiding something from me.

- We are not equals, Captain.

I have no duty to you.

[cell phone beeps]

[ominous music]

That's a geo-tag from Parker.

Why would he send me that?

Get over there and find out what the hell's going on.

♪ ♪

- So, um,

in the middle of the night, I got an email from you.

- I didn't send you an email.

- Yeah, I know. You were asleep.

I could see that.

- You were in my hospital room?

- Point is,

it was a link

to all of Will Jensen's files.

- Mm-hm.

Uh, it's an automated program.

If I don't check in every 24 hours, um...

It's just important to keep everything backed up.

- Dude, I'm not a hard drive.

- No.

You're, uh-- you're the person I trust.

[tender music]

♪ ♪

- Gracie, saddle up.

We're going to check on Parker.

Something might be up.

- Copy. - All right.

- Catch you later.

- Grace?

- [laughs]

♪ ♪

- [clears throat]

[alarms blaring]

[dramatic music]

- Okara's in cell number five.

- We release all of the prisoners, doctor.

- Omair, these men-- they've seen me as the enemy.

The things I've done...

- That is why you are helping me, hm?

Why you risked everything to--

to place a call to my wife.

To redeem yourself.

We are all prisoners of some kind, doctor.

We need Okara

to open the doors.

- We need to take it slowly.

Torture's taken its toll.

- Okara, now.

[quiet music]

- [sighs]

You promise they won't harm me?

- I give you my word.

♪ ♪

[dramatic music]

♪ ♪

[disquieting music]

- Whoa.

[suspenseful music]

♪ ♪

- Who the hell are you?

- Sergeant Wyatt. How you doing?

Looks like I got here just in time.

- You broke in here?

That's impossible.

- Call Colonel Parker. He'll vouch for me--mostly.

- Parker's not picking up.

[disquieting music]

- You just lost your eyes as well.

♪ ♪

Look, I got a body on the wrong side

of your lockdown, Sergeant McAllister.

I know Parker will have warned you about Jane Lowry.

That's why we're here,

to make sure she doesn't get what she wants.

- Or maybe you were here to help her.

- Come on.

♪ ♪

- Okara.

How long to open the doors?

- I don't work for you, Idrisi.

I work for myself.

- They told me there wasn't a prison built

that could hold you.

- They were right.

Ten minutes,

if we're lucky.

- Rachel Sheridan built a back door into this site.

It's via an arterial tunnel

connected to an old drainage system.

It's about half a klick from here.

It's how me and my buddy got in,

and right now, there's a chance that Jane Lowry

knows about it, too, so just--

just get some bodies down there.

Guard it, at least.

Come on, I wouldn't be telling you this shit

if I was working with her, would I?

- Get me a patrol on the old drainage system entrance.

East of the site.

- [exhales heavily]

[quiet music]

♪ ♪

[object clangs]

[suspenseful music]

- Someone else is here.

You two, go. Find them.

Find them.

♪ ♪

[desolate music]

♪ ♪

[dramatic music]

[disquieting music]

♪ ♪

- Who else is in here? Who else is in here

we gotta worry about?

- Ibrahim Okara.

Ex-Boko Haram.

- Yeah, he's a nasty son of a bitch.

Listen, I just--

Hey, hey, hey, easy! Just get me in there.

Just get me in there. I'll bring it under control.

I'll find my buddy. I will bring it under control.

- No, no, that's not happening.

The men in there are desperate.

Dangerous.

♪ ♪

If your friend is trapped in there with them...

♪ ♪

Then he's as good as dead.

♪ ♪

- You, find a chair.

Pick him up.

- [grunting]

[suspenseful music]

♪ ♪

Tell me what you are doing here.

- Had to see for myself

if it was true.

How the fuck did you survive that?

♪ ♪

- Turns out it was not my day to die.

♪ ♪

- [chuckles]

- [chuckles]

♪ ♪

- That whole plan you had--

Markov, the Novichok...

we well and truly fucked that up for you.

- [laughs]

Good.

You still have spirit.

♪ ♪

Something to break.

♪ ♪

Did you come alone?

- Wanted to make it extra special for you.

- Ah, come on, don't lie to me.

Where is your boyfriend

from the USA?

Hm?

[electrical fizzing]

- [speaking native language]

- So much for your reputation.

- I can get us out,

but we're talking hours, not minutes.

They have too many safeguards.

- Fortunately, I did not place all my faith in you, Okara.

You forget, our captors are blind.

[intercom beeps]

I have a hostage.

Open the doors before I execute.

[dramatic music]

♪ ♪

[defibrillator humming]

♪ ♪

- [screams]

♪ ♪

- Come on, you gotta let me in there.

Let me in there!

- I can't do that!

- [groaning]

- Open the doors!

♪ ♪

[defibrillator humming]

- [groaning]

♪ ♪

- Your father...

He was a good man, Omair.

He would not want you

to give into your anger,

to seek revenge.

[uneasy music]

♪ ♪

[dramatic music]

♪ ♪

- [grunting] You fucking me?

[energetic music]

♪ ♪

- Alpha team!

♪ ♪

- You're thinking that "this guy

won't actually hurt me."

♪ ♪

This guy fucking will.

Now open the fucking doors

and let me in!

All right, last chance.

- [groans]

[quiet music]

- Oh, no, no, no, no, no.

No, no, no, no, come on.

Come on, wake up.

Wake up. Come on.

C--

♪ ♪

Oh, you son of a bitch.

♪ ♪

[growls]

[dramatic music]

Oh, come on!

♪ ♪

[tense music]

♪ ♪

[suspenseful music]

[dramatic music]

♪ ♪

- Moving.

♪ ♪

- Parker's family.

♪ ♪

- Volkan has them.

[quiet synth music]

♪ ♪

[syncopated percussive synth music]

♪ ♪

[heavy thud]

- Lower your weapons, soldier.

♪ ♪

- Volkan.

- Lower your weapon, soldier.

- Let them go.

- [cocks gun] Lower it.

♪ ♪

- You can't win this.

- Idrisi is alive.

♪ ♪

Do you have any idea what that means?

- And what about when he discovers

what you've done,

turning your back on your own people?

- What happens to me is not important.

He is all that matters.

[gunshot]

- [gasps]

- [gurgles]

♪ ♪

- Volkan is dead.

I repeat, Volkan is dead.

- Solid copy on that.

- Parker and his family were held hostage.

They've taken him.

- They must be using him to gain access to the site.

You need to get over there, fast as you can.

I'll try and contact Parker again.

- [groans]

[dramatic music]

♪ ♪

- Open the doors!

♪ ♪

Open the doors!

[electrical flickering, popping]

- They are not opening the door.

They are not listening to you.

- Fuck you.

[suspenseful music]

- And neither are we.

♪ ♪

But you're right.

Maybe a hostage is the way out.

A bullet in the leg,

one in the arm.

We'll see how quickly they open the door

when their most valuable prisoner is under threat.

At least your name still means something, Idrisi.

[defibrillator hums]

Gah!

[dramatic music]

♪ ♪

- Stay back!

Back.

Stay back!

♪ ♪

[eerie music]

♪ ♪

- Okay, fellas.

We need to get to the control room.

- We're in lockdown, sir.

- Come on, guys, look at me.

I'm Colonel Parker. I'm your commanding officer,

and we need to get to the goddamn control room!

- Sir, I'm sorry... [cell phone beeps]

but we can't open the doors.

Sir?

- Hey! Whoa, whoa, whoa.

Easy, easy.

I hope you've come to sort this shit-storm out.

- I'm sorry, buddy. You're gonna have to speak up.

You know, since Grozny,

I am as deaf as a post.

[tense music]

♪ ♪

- Down!

[dramatic music]

♪ ♪

- On them!

♪ ♪

This way.

[tense music]

- [breathing heavily]

♪ ♪

[laughs]

You have to keep me alive, huh?

- I'm just doing my job, all right?

- Yeah, but

if you didn't, no one would know.

If it was the other way around,

I wouldn't hesitate.

- That's why I'm the good guy

and you're the bad guy.

- Your enemy is just someone

whose point of view you haven't understood yet.

My father was a farmer.

- I know all about your father.

A Western missile strike

at an incorrectly-identified village.

- Eh.

So you understand.

- Yeah, I understand.

That gave you an excuse to act

like a sociopath.

Bombing hotels, bringing down airliners...

- What do you--Oh!

[desolate music]

♪ ♪

More men than bullets.

♪ ♪

- Let's go.

♪ ♪

[foreboding music]

♪ ♪

- They had my whole family, Wyatt.

There was nothing I could do.

- The name Lila Hall mean anything to you?

Her mother was Rachel Sheridan, and they're both dead,

because you lied. You lied to everybody

and you hid Idrisi away in here.

- What I do with men like Idrisi

is about keeping people safe!

- Bullshit. It's about stripes and medals.

Now, I know you got a way in there.

- Yeah, I got another way in.

I got a way out as well for both of us.

Total deniability.

We can walk away.

You can get your life back.

You can go home again.

[dramatic music]

- Haven't you heard?

I'm with 20 now.

Now you get me the hell in there.

♪ ♪

- This way.

♪ ♪

- [grunts]

- You're the site director.

I'd like to see my husband.

- We're--we're in lockdown.

- Well, take us out of it.

- I can't. System's locked me out.

- I know who designed this place.

I watched her die.

I also know that in lockdown,

you and Parker have the override keys.

♪ ♪

Move him!

♪ ♪

- Listen, they don't care about you.

They want me.

So use me as bait, hm?

[laughs]

You don't have enough bullets,

and I will not survive

in the hands of a man like Okara.

[dramatic music]

- Wait.

Stop.

Don't move.

♪ ♪

- Shh.

♪ ♪

The British soldier

is behind you.

- [laughs]

[uneasy music]

♪ ♪

Do you think I'm stupid,

Idrisi?

[dramatic music]

♪ ♪

[gun clicks]

♪ ♪

[gunshot]

[suspenseful music]

♪ ♪

- Drop it.

Drop the weapon.

♪ ♪

- Not today, Habibie.

♪ ♪

- Get on the ground, now!

Hands.

Hands.

♪ ♪

Ah, it's nice to see you stayed on mission.

- Well, one of us has got to do a proper job, eh?

- Your boyfriend is rough. [laughs]

- Move.

♪ ♪

- How you doing, Omair?

- Fuck you.

♪ ♪

[console beeping]

- Faster.

- It's not opening.

Whatever they've been doing has jammed the locks.

[console beeping]

[haunting music]

♪ ♪

- Move, move, move!

♪ ♪

[gun clicking]

♪ ♪

- Got it.

- Open the fucking door!

- I was the one who kept him alive.

You need to understand that.

♪ ♪

[alarm sounds]

[dramatic music]

♪ ♪

- Contact!

[gunshots]

♪ ♪

- Get down!

♪ ♪

- Changing!

♪ ♪

Shit. Moving!

♪ ♪

That's an ammo stack back there.

Lucky I wasn't blown to pieces.

♪ ♪

- Shoot to the right!

I'm running low.

♪ ♪

- Out!

- I'm out!

- Empty!

- They're out of ammo!

[grunts]

- Shut the fuck up!

- Go!

[rock music]

- Yeah!

♪ ♪

- Aren't you guys sick of us saving your asses?

- Ha. Highlight of my day. Move it!

♪ ♪

- Ammo dump, 11 o'clock.

- Got it.

♪ ♪

- Go!

[music fades]

♪ ♪

[desolate music]

♪ ♪

- Sit-rep.

- Uh, I've lost touch with Novin and Reynolds.

♪ ♪

And no word from Mac and Wyatt.

♪ ♪

[dramatic music]

♪ ♪

- So your wife and family

are at the NATO base in Zagan.

- Thank you, Captain.

- I've sealed the entrance.

It'll hold them back for a while,

but, uh, we need to get a move on.

- Now we need to talk about Idrisi--

what we're going to do with him.

- Yeah, sure, let's talk.

We're gonna take him with us, Colonel.

[bass guitar music]

- Which means you--

you got a long walk home.

MOP strike, asshole. Remember that?

That's the second time you've left me for dead.

- Let's go, Wyatt!

- I'm glad the family's okay.

- Oh, fuck you, Sergeant.

[engine revs]

- Fuck you too, Colonel.

♪ ♪

[desolate music]

♪ ♪

- Maybe you should call it a day, Will.

- Think I've done it.

- Done what?

- I think I've cracked it.

I think--I think I've cracked the thing that

Lowry was talking about, Tenebrae.

There weren't any, uh, references

or logs or databases or anything like that, but...

But when you digitally remove something,

you can leave traces.

I've been chasing the ghosts in the machine.

- I told you to leave it for now.

♪ ♪

- Never could resist a challenge.

♪ ♪

Wait, what? Hold on.

[dramatic music]

♪ ♪

[groaning, gasping]

♪ ♪

- I'm sorry. I'm sorry.

I'm sorry, Will. I'm sorry.

I've got no choice. I'm sorry. I'm sorry.

- [choked gasping]

♪ ♪

[ominous music]

♪ ♪

- We've got the package.

Over.

♪ ♪

[The Heavy's "Short Change Hero"]

♪ ♪

- ♪ I can't see where you coming from ♪

♪ But I know just what you runnin' from ♪

♪ And what matters ain't the "who's baddest" ♪

♪ But the ones who stop you falling from your ladder ♪

♪ 'Cause this ain't no place for no hero ♪

♪ This ain't no place for no better man ♪

♪ This ain't no place for no hero to call home ♪

♪ ♪

[synth tone]

[ringing tone]

[engine revving]

-♪ (TENSE DRUM BEAT PLAYS) ♪ -(FOOTSTEPS)

Shit, tangos incoming. Should we, uh,

-sort this out in a bit? -Is it bad?

THOMAS MCALLISTER: Yeah, it's pretty bad.

-Any last words? -Fuck you.

♪ (TENSE DRUM BEAT CONTINUES) ♪

-(GUNFIRE) -(GROANS)

(GLASS BREAKING)

♪ (TENSE MUSIC INTENSIFIES) ♪

♪ (ROCK MUSIC PLAYING) ♪

-(DEFIBRILLATOR BUZZING) -(SCREAMING)

I was sat on a chair, trying to do electrocuted acting

which was pretty tough. I was super sore the next day.

Just cause of-- (GRUNTING)

It was better than that, I think, on the day.

(GRUNTS)

We-- you know-- we stretch things a little bit.

And I'm sure there's gonna be loads of guys--

"Uh, I'm very sorry, but when you use the defibrillator

over the trousers, that wouldn't actually work."

You can't really test it out, can you?

(DEFIBRILLATOR BEEPING)

(GRUNTING)

MJ BASSETT: Omair Idrisi is still alive.

And he's being tortured for information.

They take him to death, they resurrect him.

They take him to death, they resurrect him.

I thought that was a fascinating idea.

Human body can only take so much.

The notion that he could be freed,

and the world would know that western forces have lied...

Also the fact that he would bring

the Jihadi organizations together,

makes him very, very dangerous.

We start again in an hour.

DANIEL MACPHERSON: To work our way to Idrisi

we have to go through a sewer and a series of tunnels

and find our way through a grate

into this black site in Poland.

I actually get quite claustrophobic.

And we were shooting in some of these underground tunnels,

it was like a maze down there.

-It's just dark-- -Dilapidated and--

-Damp-- -Eerie and--

-Cold-- -Spooky as hell.

-And nine straight days. -It looks spectacular.

Do I ever want to go back? No.

(LAUGHS)

Get down!

We've got wounds all the time, and there's blood all over us,

and there's dirt all over us and-- and it's fantastic.

(GUNFIRE)

Aren't you guys sick of us saving your asses?

It's a running theme, isn't it?

Highlight of my day.

It wouldn't be a Strike Back episode

without the girls coming to rescue us.

Lots of kick-ass sequences, big explosions...

Go!

ALIN SUMARWATA: It does not stop.

What comes to the foreground in our story

is Project Tenebrae.

Right now I am trying to protect Jensen.

No. Right now you are hiding something from me.

Donovan knows that she has to close this down.

I think I've cracked it.

The Section has got too close to finding the secrets

which is why poor Will Jensen

ends up with a plastic bag over his head.

-(GRUNTING) -Don't move.

Not cool, dude.

No one wanted that. No one wanted Jensen to die.

It's about her covering her own tracks.

Her trying to fix her own mistakes.

And, uh... that will all unravel as the series progresses.