Original subtitles

Encoded by Hunter Crazy4TV.com

CORMORAN STRIKE: Are you still out? It's late.

Yeah, but I'm heading back now.

Is everything okay? Have you seen something?

No.

No, I'm fine, I'm (CHUCKLES) just a bit jumpy.

STRIKE: Where are you?

-ROBIN ELLACOTT: I'm not quite-- -(KNIFE SLASHES)

STRIKE: Robin?

-(DIAL TONE PLAYING) -(PHONE HANGING UP)

About last night...

It was a one off.

Don't make it weird.

WILL JENSEN: I've been tracking police reports...

GRACIE NOVIN: Maya Behmen. She was on a watch list

for radical communiques with Volkan Horacin.

Horacin, associate of Omair Idrisi...

JENSEN: And Jane Lowry.

JANE LOWRY: Omair would have been so proud of you.

He gave me this.

It was for me and him only.

ADEENA DONOVAN: She's using the girl for an attack.

-(CRIES) -(GUNSHOTS FIRE)

The device wasn't live.

They discovered radiation on the canister.

The signal came from Chernobyl.

We're moving in.

Where's the Novichok?

KAMIL MARKOV: The Russians are taking it.

(GRUNTS)

I made an antidote, there is one vile.

It's gone!

I needed you to make sure he completed his work.

(GRUNTS)

Stop! Stop!

(GLASS SHATTERS)

(GASPING)

(PHONE RINGS)

LOWRY: How did you get this number?

MAN: Omair Idrisi is still alive.

[engine revving]

[bullets clinking]

[foreboding music]

♪ ♪

[cartridge clicks]

[gun clanking]

[gunshots blast]

♪ ♪

♪ ♪

[paper snaps]

♪ ♪

- I shot Idrisi.

Twice.

One in the chest, one in the head.

There's no way he's getting back up from that.

- That's not what the intel's saying, is it?

- "Intel"?

We're talking about the incomplete recording

of a goddamn phone call.

And we don't know if that's true.

The military confirmed it. It's been headline news.

- I hope he is alive.

I could happily hunt him down every day

for the rest of my life.

- Just got a hit on Lowry.

She's moving in on the home of Johannes Krieger.

- Uh, he's the CEO of Octagon.

A private military company.

- I came across him in Iraq.

He's involved in some real shady shit, that guy.

Rendition flights. Black sites.

- So now we're saying Idrisi's in a prison somewhere?

Did everybody lose their collective minds

while I wasn't looking?

- I'd like to know where we're getting this intel

on Lowry from.

- That's on a need-to-know basis and several levels

above your clearance.

Right now you need to focus on the task at hand.

She's already one step ahead of us.

Krieger's compound. Move.

- Yes, ma'am.

- If we get eyes on the target, let me take the shot this time.

♪ ♪

[intense music]

[The Heavy's "Short Change Hero"]

♪ ♪

- ♪ I can't see where you coming from ♪

♪ But I know just what you runnin' from ♪

♪ And what matters ain't the "who's baddest" ♪

♪ But the ones who stop you falling from your ladder ♪

♪ Come on, feelin' like you're feelin' now ♪

♪ And doin' things just to please your crowd ♪

♪ When I love you like the way I love you ♪

♪ And I suffer, but I ain't gonna cut you ♪

♪ 'Cause this ain't no place for no hero ♪

♪ This ain't no place for no better man ♪

♪ This ain't no place for no hero to call home ♪

♪ ♪

♪ This ain't no place for no hero ♪

♪ This ain't no place for no better man ♪

♪ This ain't no place for no hero to call home ♪

♪ ♪

[ominous music]

♪ ♪

♪ ♪

- You are late.

Oh, I know what you're thinking.

It's just three minutes.

But a lot can happen in 180 seconds.

♪ ♪

Empires can rise.

They can fall too.

Lives can change forever.

♪ ♪

[panting] [moaning]

Head up! Yeah. That's it.

[gun clicks]

- Don't stop on my account.

Make better life choices.

- [groans]

- Make sure the perimeter stays secure.

- If it's money you want, I can make arrangements.

- If all I wanted was money, Mr. Krieger,

I'd take your art collection

and retire to a beach somewhere.

I'm not interested in material gain.

I want to know where Omair Idrisi is.

- I don't know what you're talking about.

- Ah! Ah.

God, it's true. I swear.

- I received a phone call saying that he was alive.

Held on a Black Site.

They didn't know where it was, but they knew who ran it.

Octagon. Your company.

Now, I just need to know the truth.

And then I'm gone.

Is he alive or not?

[tense music]

- Eyes on two tangos by the pool.

Krieger's men are down.

♪ ♪

[indistinct chatter]

- Yeah, looks like Lowry's team beat us to it.

[indistinct chatter]

- It's true. He's alive.

♪ ♪

- Where is he?

- I know who's in the Black Sites but not where they are.

We outsource the set-ups.

Rachel Sheridan, a contractor.

- Where do I find her?

- You won't. She lives not to be found.

- We're in position. Move in.

♪ ♪

- [groans]

♪ ♪

[muffled splashing]

♪ ♪

- Fuck.

[groans]

♪ ♪

- Don't shoot. I'm with you.

I'm the informant. MI6, MI6!

- Bullshit you are.

- Weapon on the ground.

- Searching.

I wouldn't worry, mate.

If this guy shoots you, you'll be up and around

in a couple of days. - Nice, Mac, real classy.

- Clear.

- Where's Lowry?

- She left us little people behind.

- We'll check the house?

- Volkan Haratian. Call it in, MI6.

- Call it in.

See if this bullshit checks out.

♪ ♪

- Dead?

- Dead. - Shit.

All right, so we got nothing.

- Maybe he's got files, intel.

- Yeah, or maybe this is all just one big tin foil hat.

- You believe in aliens, right?

- Well, statistically, Matt, the possibility of life

existing somewhere else in the universe is pretty damn good.

- But you don't believe a man can survive a bomb or a bullet

because it hurts your pride.

- No, because if he's alive, it means that somebody is

fucking lying to us.

Now, it could be my people.

Could be your people. Could be everybody.

And while I accept my government lies to me

on a daily fucking basis, not about shit like this.

Not on this scale.

- We'll take the laptop and the hard-drive.

See if Jensen can dig something up.

- It's upside down.

- How can you tell?

- Come on, man, it's Kandinsky. It's Russian.

The guy basically created abstractionism.

He saw the artist as a visionary

who could usher in the reality of tomorrow.

- But, could he draw a horse?

[foreboding music]

- Mac.

♪ ♪

- Somebody liked to make home movies.

♪ ♪

[beeps]

[panting and moaning]

- Volume.

- Is he alive or not?

- It's true. He's alive.

- Where is he?

- Come on, the guy's got a gun to his head,

he's gonna say anything.

- We outsource the set-ups.

Rachel Sheridan, a contractor.

No. [panting]

- Let's find Rachel Sheridan

and what she knows about Idrisi

before Jane Lowry does.

That's a recruitment campaign to end them all.

The Jihadi leader who comes back from the dead--

an inspiration, a figurehead.

- We need to speak to Colonel Parker.

It was his men who found the body.

- I'd rather not accuse a high-ranking American officer

of lying without solid evidence.

I thought Lowry was finished.

Turns out she's only just begun.

- Rachel Sheridan, ex-CIA infrastructure specialist.

Helped design Guantanamo before going into the private sector.

Stays off the grid as much as she can.

- So she gets paid to design Black Sites for Octagon.

- Technically she just modifies the existing sites.

Fool-proofs them.

- You know what I meant.

- Where do we find her?

- Uh, we don't.

People like Sheridan disappear,

so that people like us can't track 'em down.

Nice work, Johnson.

- I'm onto it, Sarge.

- You withheld the information about Volkan from us.

- MI6 only shared his intel on Jane's movements

on the proviso that I kept it confidential.

- Yet we're the ones risking our lives out there.

- There are things you don't need to know, Captain.

We're all rattled by this.

If Idrisi is alive, then that means

Colonel Parker lied to us.

And maybe even his own people.

This is a potentially explosive situation.

- What you did just there, that was interesting.

Anger then empathy. - I'm sorry?

- Well, that's what you taught me to do when dealing

with a hostile witness, isn't it.

And that's what you're doing now.

You even just switched from "you" to "we,"

to get me on-side.

- Or maybe I'm just having a fucking conversation with you,

Captain.

Save the mind games for Volkan Haratian.

- If you're with MI6, why are you invading mansions?

Risking men. Losing men.

- She turned up, insisting Idrisi is alive.

A fucking fairy tale, and my men, they start to believe it.

I had no choice.

- So you tip off MI6. Make a little money.

Maybe wipeout Lowry in the meantime.

Win-win, huh?

- We'll pay twice what MI6 was promising.

Go back to your people. Lead us to Lowry.

- What, you think she's just waiting for you to find her?

- No, but she'll find you.

And you give her to us.

- [exhales deeply]

[machine buzzing]

[dramatic music]

♪ ♪

- I like the one with the whales the best.

Ooh, and "The Wrath of Khan," the one where you die.

"Live long and prosper." - [laughs]

- It's beautiful.

- He's making a joke about your name.

Volkan.

"Vulcan," you know, like, Spock.

- Spock. - No?

More of a "Star Wars" man, huh?

- I know who you are.

You're the ones who killed Omair.

And you sit there, and you joke, and you laugh.

- All right, easy.

- I should fucking kill you both.

Shit people. Scum fucks.

- Hey, hey. Calm down, all right?

I get it, you're angry.

Well, you made your choice. You'll get your silver.

The minute you know where Jane Lowry is--

- Yeah, I know my task, Sergeant.

- Ma'am, we're not gonna find Sheridan.

I did find Lila Hall, though.

- Who's that? - That's Sheridan's daughter.

Sheridan kept her maiden name. Hall is the father's surname.

American, deceased.

She moved to Europe a few years ago,

studying at a university in Hamburg.

Works in a bar part-time.

- Lowry's searching for Sheridan too.

That puts the daughter at risk. Let's find her before they do.

- Yes, ma'am. - What bar's she at?

[foreboding music]

♪ ♪

- Volkan, we thought you were dead.

- I appreciate the concern.

♪ ♪

Something you want to tell me, Kadir?

- She said if you came back, we had to take precautions.

- She? You are my people.

[blade swishes]

- We are Idrisi's people.

♪ ♪

[fabric ripping]

[music intensifies]

- No-- No.

♪ ♪

- Oh, shit. We got a problem.

- Son of a bitch.

[tense music]

♪ ♪

- Did they make him?

- Yeah, they made him.

- Copy that.

I need you to rendezvous with Novin.

♪ ♪

- [breathing heavily]

[gasps]

[sighs]

- How did you get out of there?

- I'm more concerned about how British Military

knew we were there in the first place.

- Answer the question. - Stop.

- I'll talk.

But only to you.

They let me go.

Because they want me to betray you.

- Yeah.

Something must've made them think you'd take the deal.

- I was convincing.

- Oh.

Oh, no, you were honest.

You will betray me.

I understand that.

You've lost your faith.

Omair Idrisi is alive.

[ominous music]

♪ ♪

We find Rachel Sheridan, we find my husband.

♪ ♪

And I'll teach you to believe again.

[country western music]

♪ ♪

- Finally, some culture.

- Okay, this is a serious misrepresentation

of American frontier life.

- Any sign of Lila? - Yeah, by the bar.

I got this. - Like you had Idrisi?

- Oh, listen to you, the guy that can't let go.

- Hey.

- Any chance of a beer? - I'm on a break.

- Is that Schopenhauer?

That's, uh-- that's good stuff.

- Seriously? He's an asshole.

- Well, that's a little strong.

I mean, I consider the guy somewhat of a personal hero.

- He said women were mostly suited for babysitting

because they're childish, foolish, and short-sighted.

- Oh, okay, yeah, well, granted he had some issues.

- That nature strips them of their beauty

after they give birth because it's not necessary for them

to breed anymore.

- Yeah, okay, well, that-- that one is--is terrible.

- It's my belief that the majority of metaphysical

philosophy was written by unattractive men

who were terrified of the opposite sex.

- I would like to buy you a very big drink right now.

- I don't drink at work.

- Well, then maybe we could talk about your mother, Lila.

- I think you've made a mistake.

- My name's Wyatt. Sergeant Samuel Wyatt.

Right now there's some very dangerous people

looking for her.

I'm here to help.

- You can walk out or security can throw you out.

- Three amigos walking in.

- Shall we?

- Hola, hola.

[foreboding music]

♪ ♪

- Please, give me a minute. - Fuck your minute.

♪ ♪

- Look, I'm sorry about this. - Hey.

- Get the door! She's going!

[suspenseful music]

♪ ♪

- Who sent you? Who sent you?

- Take your goddamn hands off me.

[groaning]

♪ ♪

[gunshots blast]

- Let's get you out of here.

♪ ♪

[people screaming]

♪ ♪

- Man!

They better not be busting up the good shit.

- Yeah? - Now!

♪ ♪

- All right, come in, come on.

Grab your stuff. Get what you need.

Make it quick.

- What's this about?

Why is my mother suddenly so important?

- Your mother knows where Omair Idrisi is.

- Yeah, you might wanna check the news, soldier.

Idrisi is dead.

- Yeah, I know. I was there.

In fact, I was the guy that shot him--twice.

And then a mountain came down on top of him, but still--

Here we are. - Okay.

- That's highly confidential information, by the way.

But you understand why your mother's in danger?

- Fuck her. This is why I keep my distance.

Her life ruins mine. - Yeah, I get that.

Bet it gets tough. - It's tough?

My father worked for an American NGO in Syria.

When I was 13, she turned him into a CIA mole

to collect information from some colleagues--

political activists.

First Dad resisted.

But Mom always gets her own way.

One afternoon those colleagues drive him

to the middle of nowhere and put a bullet in his head.

[bag zips]

- Hey.

Sorry about your father.

If it's any consolation, my mother signed me up

for a post-apocalyptic death cult before my tenth birthday.

- [snorts]

That actually sounds kinda cool.

- I was kinda made to believe that the world was ending

on a bi-monthly basis.

After the fourth or fifth time that shit gets a little stale.

- But those first few times, right?

They must've been pretty exciting.

- Yeah.

You never feel more alive than when you're facing death.

- Yeah. You're a soldier, all right.

[calm ominous music]

♪ ♪

- My fucking heart's beating a hundred miles an hour.

- Yeah, me too.

It's kinda scary, right?

- One way of looking at it.

[tense music]

♪ ♪

- We got time.

- Lila, I don't think--

Okay, we got time.

♪ ♪

[ominous music]

♪ ♪

♪ ♪

Okay.

♪ ♪

- Yeah, definitely a Schopenhauer fan.

Did you seriously think I was just gonna fuck you?

Twenty minutes after first meeting you?

- It does happen.

Lila, look, please, you're in danger.

- Yeah, guys with guns. I gathered that.

- Wait, no, Lila, I'm just trying to protect you.

- Why do they want me, Wyatt?

- They're using you to get to your mother.

- And why do you want me?

- It's not-- It's not the same.

- You all carry guns, and you all think you're right.

- Lila.

Lila, ple--Lila!

- G'day, love.

Aw, there he is.

[chuckling]

Atta' boy.

You're coming with me, little bunny.

- Now then.

- Hey.

- [chuckles]

- Do you know where your mother is, Lila?

- Have you ever met my mother, Colonel?

She tells me two things-- jack and shit.

- Lila, you do know what's at stake here, don't you?

- Yeah, sure. "Safety of the free world."

Omair Idrisi, Jane Lowry, the bogeyman.

None of it is my concern.

This is what you people don't understand.

Your part of this world. I'm not.

And I never wanted to be.

So fuck her, fuck you, and let me go home.

- Lila.

- Shouldn't you be tied to a bed somewhere?

- Oh, come on, I let you do that.

I was trying to gain your trust.

Okay, all right, you got me.

But Lila, listen.

The people that came for you, they're not done.

They will come back. - I know.

So I've got to pack, gotta move.

Even without being here,

my mother has successfully screwed up my life again.

- Listen, if you get into trouble, please, trust me.

You're gonna wanna keep this.

Hey, you were right.

Schopenhauer.

Guy's an asshole.

[paper crinkling]

[foreboding music]

♪ ♪

- Yeah, ma'am. It's Volkan.

- You have something for me?

- I stole files from her laptop.

It'll lead you to Lowry.

Or near enough.

- We'll send someone. - And what?

And wake up in some prison somewhere, bag on my head?

Fuck that.

Dead drop.

35 Kopenicker Street, electrics box.

By the railway.

- I need two bodies for a pickup.

- Copy. - I could go.

Uh, uh--copy as well.

Well, the rest of the team are on mission.

It's just a dead drop. Simple enough.

- I don't trust Volkan.

Simple might not be what's waiting.

- Yep, understood, ma'am.

[tense music]

♪ ♪

♪ ♪

[metal clinking, thudding]

♪ ♪

- I told you never to come here.

- Really, not even a "hello"?

- Okay, a "hello."

[calm music]

♪ ♪

- Is everything okay?

It's just, you've been a bit quiet with me, that's all.

- Don't make it weird, Will.

- You say that about everything.

- What do you think happens here?

We fuck, we fall in love?

There'll be a white wedding with doves and shit?

- I just think that you can talk straight to me, for once.

That's all.

- You know how this life works.

There's only two things that count:

staying alive and getting the job done.

There's no room for anything else.

- I don't think that's true.

- So that's why you came?

To hang out and ask questions.

Ugh. This was a mistake.

- So, just forget it, mate.

- Stay in the car. I've got this.

Time for you to stop playing soldier.

- Bravo One headed to the drop.

- Copy.

- How are we doing on the locale of Sheridan?

- It's a farmhouse. Sending GPS.

Sit tight. Await instructions.

- Yeah, all right, understood.

[foreboding music]

♪ ♪

[device beeps]

♪ ♪

[device beeps] - No sign of explosives.

Opening.

- Be careful.

♪ ♪

- Nothing.

No intel, no data, no drop.

- Copy that.

- All of your life, I can't phone, I can't write,

I can't visit.

- It's because of shit like this, Lila.

These people, they don't stop.

- I told them I didn't know where you were.

- [sighs]

Doesn't matter what you told them; they could tail you.

- No, I made sure.

One of the soldiers, he gave me a note.

- A note?

- Telling me not to come find you.

- And why the hell would he do that?

- We had a connection. - Oh, God.

Do we have to have a talk about the birds and the bees

with their big army dicks and the stupid wide-eyed girls

who fall for them?

- I think he was trying to warn me.

- Then why the fuck didn't you listen?

- Because your work always screws the rest of us

and you never seem to get that.

And I sat in my car and realized, enough is enough.

- Your car? The same car you drove here in?

[suspenseful music]

♪ ♪

Take it.

- I'm not using this.

- For once in your life, just do what you're told.

[device beeps]

I tell you not to come here...

I mean don't come here.

I don't mean do whatever the hell you like.

[device beeps]

Good, there's no tracker.

- Wait, you hear that, Mom?

- What? - Shh, listen.

[birds chirping]

I think--

I think that's the sound of an apology.

- That's funny. - That is funny, thank you.

- Now get your ass back inside.

[suspenseful music]

- Jensen's comms are out.

- Shit. Jensen's gone.

Drop was a set-up.

- Lowry may have made or turned Volkan.

- They've taken Jensen, do you copy?

They've taken him.

Fuck!

- Do you want the story?

About the woman who made her way up through the ranks,

thought she'd do anything for her career,

destroyed her marriage, her family--everything.

So she keeps moving from place to place

because she's terrified of sounds in the night.

Of retribution for all that she's done.

And even worse, she can never tell her daughter

just how sorry she is.

[gasps] - Easy, easy.

Easy now.

[barn door creaks]

- [gasps]

- Just want to talk.

Just talk.

[music intensifying]

[ominous music]

♪ ♪

- Ah.

[panting]

[groans]

Fuck.

♪ ♪

[door shuts]

♪ ♪

- Nothing worse than knowing something's coming

and not being able to see it.

All you can do is anticipate.

So I take it they have Lila Hall.

Do they have her mother yet?

- I don't know what you think you're gonna get out of--

- Will.

There's a good way that this happens,

and there's a very bad one.

I'm trying to be your friend here.

- You'll always be the enemy.

- Project Tenebrae.

That's the real enemy.

Never heard of it, huh?

Funny what they tell you, what they don't.

♪ ♪

Where is Rachel Sheridan?

- I don't know. I'm not--

- Okay, there's this thing that they teach you.

Body language, right?

The tells people have.

You could be lying to me.

But you could be terrified,

telling me things from the heart.

I gotta make a judgment call.

- Look, look.

The only thing I know is that Lila, her daughter,

said she doesn't know where her mother is.

That's it. That's all.

Please.

♪ ♪

- Volkan here, he lost his way, but he's coming back to us.

We all believe in something. Even you, Will.

♪ ♪

So listen to me.

I'm asking you one more time.

Please, just tell me.

- I don't know.

I don't know where Rachel Sheridan is.

I promise. I don't.

- Okay.

- Please, please.

[gasping]

I'm--I'm just the computer guy. I don't know.

♪ ♪

- Huh!

Stop, stop, please. [screaming]

♪ ♪

- Ms. Sheridan. - Don't "Ms." me.

- I don't think you understand how serious this might be.

If Omair Idrisi--

- I get how serious you think it might be, soldier.

Was he the one?

Yeah. He's the one.

- If Idrisi's alive, we need to find out

which Black Site he's in.

- When he was dead, who claimed the body?

- Colonel Parker. JSOC.

- Oh, now, that is interesting. You see, I know Parker.

Do you mind if my daughter leaves?

It's just there's a keypad in that box in the wall.

If I don't punch in a code every four hours,

this place detonates. Takes down everyone inside it.

And we're already on 3:58. Tic-toc.

- I think Lila can leave. - Nobody's going anywhere.

- There's a site I redesigned.

It's run by Private Military. Octagon.

- Johannes Krieger.

- But it's paid for and controlled by--

Anybody wanna guess here? - Parker.

- Exactly.

- Parker finds Idrisi alive,

decides he wants to pump him for intel,

so he hides him in a Black Site.

- Somewhere where the bleeding hearts in Congress

can't stop him.

Somewhere he can kill a man and bring him back

over and over again, with impunity.

- That lying son of a bitch.

- We're through the looking glass here, soldier.

One minute--so can she leave?

- Yes. - No.

Not until you tell us where this Black Site is.

- Why? Maybe Parker's doing good.

Maybe he's getting his hands dirty, but saving the world.

- We don't care about Parker, we care about Lowry.

- Lowry? - And she's coming for him.

- Well, that could be a problem, yeah.

Forty-five seconds.

- Can you all stop pointing fucking guns at each other?

- Nobody's actually gonna shoot anybody.

- What? - This is all just a bluff.

It's just a way to sound each other out.

We're not gonna shoot your mother.

Your mother, hopefully,

is not gonna shoot us.

And I guarantee there is no timer hidden in a box

with a countdown on--

[tense music]

♪ ♪

Thirty-one seconds.

♪ ♪

[buttons beep]

- You know, you might just be the world's worst mother.

- You're still alive, aren't you?

So, Lowry and Idrisi, yeah.

- Hey.

So you probably guessed, we tailed you out here.

- You used me.

- To be fair, I did tell you not to come here.

Look, this is--it's the job.

- This is my family.

- You know, the best thing you can do right now

is jump in your car and get out of here.

- He's right. Go home, Lila.

- You all dragged me into this shit.

I'll go when I choose.

- Klomino, Poland.

It's an abandoned military complex.

That's Parker's Black Site.

That's where you'll find Idrisi.

- Is there a way in for us?

- My job is high-risk.

One day I might find out something I shouldn't,

and they'll try and silence me. Car bomb, sniper.

Or what would be the greatest irony?

- Lock you away in one of your own Black Sites.

- Exactly, which is why I built a backdoor into every place.

Now here is a decayed arterial tunnel.

You'll find an entrance on the perimeter,

hidden in the old drainage system.

It's about half a klick from the main site.

[sighs]

You're all either very brave or very stupid.

Because you might manage to find a way in,

but there's no way you'll ever get out.

[tense music]

♪ ♪

[suspenseful music]

- Arriving at last known location.

- No hits yet on traffic cams.

Keep checking every locale that we know, keep going.

Just stay focused.

- At the wrecking yard, on approach.

♪ ♪

♪ ♪

- Will.

♪ ♪

- Will?

Dear God.

- [mumbling]

- I need a medevac now!

- She--she asked me.

She asked me. - Shh.

- I told her about the farmhouse.

- Boss, do you copy? Operation compromised.

- I'm so sorry.

- Bravo, move out fast. You've been compromised.

- I have movement.

[machine guns blasting]

Everybody get down! Get down.

[suspenseful music]

- Down, down, down.

Whatever happens, you stay down.

♪ ♪

- Sustained fire.

They're trying to drive us out the back.

- We're too exposed. No cover!

We need to stand our ground!

♪ ♪

- It's me they want, isn't it?

- Stay there, we'll get you out.

- Lila, Lila!

I'm sorry.

Hey, there's a chest over there.

You'll find something useful in it.

I'm gonna try and lead them away.

- No, wait. Hey!

- Rachel, wait.

- Shit.

♪ ♪

♪ ♪

[muffled gunshots blasting]

♪ ♪

[muffled gunshots]

[solemn music]

♪ ♪

♪ ♪

[gun clicks]

[gun cocks]

- Move.

- Wyatt.

Sergeant Wyatt!

Take the shot!

[tense music]

♪ ♪

- Belt change coming!

[dramatic music]

♪ ♪

- Open it!

♪ ♪

[tense music]

♪ ♪

- Wyatt. Wyatt!

♪ ♪

- You!

[groans]

♪ ♪

Where's Lowry?

Where is she?

Hey, now you listen to me!

Where's Lowry?

- Argh! - [groans]

[solemn music]

♪ ♪

- Sheridan's in the wind, ma'am.

♪ ♪

♪ ♪

♪ ♪

♪ ♪

[knocks echoing]

- What?

- I'm not saying that I'm a good person, okay?

I--I've done--I've done things, and, um--

- And?

- And when this is all over, maybe...

Maybe there's a world where you and I can have that drink.

- No.

- Okay, I just-- I thought I'd check.

♪ ♪

- Sergeant Wyatt.

I'm fucking with you.

Yeah, there's a world.

- [chuckles] All right.

♪ ♪

- Wyatt, we need to go.

♪ ♪

[music intensifies]

♪ ♪

♪ ♪

[The Heavy's "Short Change Hero"]

♪ ♪

- ♪ Now I can't see where you comin' from ♪

♪ But I know just what you runnin' from ♪

♪ And what matters ain't the "who's baddest" ♪

♪ But the ones who stop you fallin' from your ladder ♪

♪ This ain't no place for no hero ♪

♪ This ain't no place for no better man ♪

♪ This ain't no place for no hero ♪

♪ To call home ♪

♪ ♪

[engine revving]

-Mission is a go. -♪ (PERCUSSION PLAYING) ♪

COL. ADEENA DONOVAN: Get to Idrisi before Jane does.

Secure him and bring him out.

And if you run into her, don't leave her alive.

DONOVAN: We need to stop her.

-♪ (PERCUSSION CONTINUES) ♪

(GUNFIRE)

-(GUNSHOTS) -(EXPLOSION)

♪ (ROCK MUSIC PLAYING) ♪

No one wanted Jensen to get his eye gone.

Novin was trying to protect him, you know, 'cause

she was going after something quite dangerous, as well.

She's exposed and in turn, that resulted in him...

(JENSEN SCREAMS)

He got screwed. He got screwed doubly.

-GRACIE NOVIN: Will. -(MOANS)

I need a medevac, now!

♪ (MUSIC CONTINUES) ♪

I shot Idrisi.

There's no way he's getting back up from that.

WARREN BROWN: Mission One was Omair Idrisi.

So, him being alive is a huge shock

but it also offers a chance, actually,

for Mac to carry on and get what he set out to do.

It's game on again.

If we get eyes on the target, let me take the shot this time.

DANIEL MACPHERSON: Wyatt is, uh, a very strong

tactically-thinking soldier,

but he does get duped.

He thinks things are going really well

and then he gets handcuffed to a bed and he deserved it.

Maybe "Little Wyatt" was calling the shots

instead of Big Wyatt.

LYLA: Did you seriously think I was just going to fuck you

20 minutes after first meeting you?

It does happen.

And the problem with Wyatt is he's such a sensitive cat

that he falls in love with this girl.

And, at the end of episode seven he puts her in-- in-- in danger

and Lyla gets killed.

And you see a side of Wyatt that you probably haven't seen

yet in Strike Back.

You just see blind rage.

(GUNFIRE)

ROXANNE MCKEE: Wyatt is dealing with

a very big emotional trauma.

It slightly marred his vision, maybe,

because there's some vengeance issues

and that could stop him from making

the right tactical decisions.

(GRUNTS)

Just beating these guys to a pulp

and making the vow that "I will kill Jane Lowry,"

which then drives Wyatt through the rest of the series.

(GRUNTS) Where's Lowry?

(GRUNTS)