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There are two narratives about
the location of Usama bin Laden .
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The one that you're most familiar with
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is that UBL is hiding in
a cave in the Tribal Areas.
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The second narrative,
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living in a city with multiple points
of egress and entry.
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We've located an individual we believe
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is bin Laden 's courier.
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He's living in a house
in Abbottabad, Pakistan.
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And we assess
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that one of the other occupants of the house
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is UBL.
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We came back to Jordan , we had
a great experience here on Hurt Locker,
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and we were able to build this building,
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which is a pretty close facsimile of
the real compound in Abbottabad, Pakistan.
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Abbottabad would be like
Thousand Oaks, California.
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It was like one of the richest neighborhoods.
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It's in a valley,
surrounded by beautiful mountains.
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Lots of nice houses with pools,
and there happens to be a military base,
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there happens to be
a compound in the middle of it.
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There was a lot of Internet research
on the compound .
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You basically took the dimensions
and then guesstimate,
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based on photographs,
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and then we could model it up in 3D.
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And once we scaled it up,
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we just did architectural drawings
based on that
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and we built the thing
in three and half months.
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It's a bit surreal to be inside this house
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and imagine this man who's perhaps
the most wanted man in the entire world
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spent the last six years of his life.
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I wanted the building to be a practical.
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There were no wild walls,
there were no free-standing sets,
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because I wanted to be able to do
contiguous shots
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going from the outside to inside
to the outside.
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So that necessitated a very
rigorous shoot in many ways.
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And the spaces were very small,
the hallways were very narrow,
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it was kind of a hot, airless structure,
that when you put about 150 people inside
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became even hotter
and even more claustrophobic.
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I think it'll look fine.
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We had to replicate a moonless night,
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so we had very, very,
very limited light sources.
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Greig Fraser, our cinematographer,
designed this soft light box
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that was very, very minimal.
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Then when we were using
the night vision lenses,
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there was almost no light whatsoever.
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Okay, that's a cut.
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When Kathryn and I first met,
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we both agreed that the film was
to look absolutely authentic.
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It is art directed. There's 110 sets.
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You just feel like you're in the moment.
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The compound was 380 feet long,
some of the walls were 18 feet.
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It's just a monster.
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We know it so well , as a shape.
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It's almost becoming an iconic image,
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because you've seen
the aerial photographs of it so often
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and you immediately know what it is.
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Bin Laden is there.
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And you're gonna kill him for me.
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Kathryn was very clear from the beginning .
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She wanted it 100% accurate
so she could recreate the raid beat for beat.
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It really turned out well .
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The toughest thing is that
we wanted to shoot it all live
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with real BLACK HA WKs flying right down
50 feet over the top of the compound.
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So we built it for real with
9-foot caissons underground.
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It's a solid structure. It's impenetrable.
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We have been very fortunate
with the crew we've got.
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They're basically architectural builders.
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Basically, we built it straight out from
cinderblock, plaster, chalking.
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And then we had to make it look like
it had been around for years.
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We brought two painters from London
who really killed it.
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It was a huge asset because we were
able to build an exterior/interior structure
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that served all our needs.
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There's basically three structures.
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There's the prayer room.
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There's a guest house,
where the courier lived.
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And then there's the main house,
which is where all of his family lived.
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This is Usama bin Laden's compound
as we have recreated it.
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This is the main corridor in the compound,
what the Navy SEALs,
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when they executed the mission on May 1 ,
called the Diego Corridor.
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This was the front gate of his compound
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which kept all the outsiders
in the neighborhood away from him
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and enabled his courier
to enter the compound
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without anybody being able to see inside.
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So he had barbed wire, as you can see,
up on the walls.
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When the Navy SEALs made a hard landing
in the courtyard ,
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the first door they flow through
is this brown door here.
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And three or four guys went through
these gates into a house they called C1,
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which was the nickname they gave
for Abu Ahmed's house.
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And Abu Ahmed lived in a house
right next to the bin Ladens'.
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And actually, ironically, the house
is much nicer than bin Laden 's,
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in that it's an open, spacious living quarters.
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This is essentially the northern side
of the compound, the northern courtyard,
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which is an area that the Navy SEALs
came through this door,
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they came through
a couple of different points,
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but at a certain time during the raid
they came through this door
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and breached this north side door over here.
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As you can see, we've already filmed here
so this door has been explosively breached
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by the SEAL demolition crew.
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But when they came at night,
it was locked and bolted
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and it required an explosive charge
in order to get through .
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Go, go, go.
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So they blew through this door and entered
what was, at that time, the kitchen.
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The lead team of Navy SEALs
came through that blue door there
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and came through here,
passed by this gazebo-like structure,
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which was used by the bin Ladens
as a prayer room.
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There was nobody in the prayer room
and then the SEALs looked in there,
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noticed that there was nobody there,
and came up to this south door.
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The south door, for reasons that nobody still
knows to this day, was open on that night.
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And so they were able to
enter the bin Ladens' house
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without actually having to
blow open the front door.
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Quite a lot of attention to detail here.
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The woodwork and the glass paneling
and again all the painting
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is taken from the open source material
that we were able to find .
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So here we are in the first floor of the
Usama bin Laden house, as we understand .
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This room right here is the room
that Navy SEALs encountered
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one of bin Laden 's couriers.
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This gate, that's now been blown off,
was actually here.
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So the SEALs encountered
a big metal gate here
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which they weren't able to, or they decided
not to breach at the time.
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And went back out
and came back around the other side.
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But any event, at a certain point,
they flowed through here.
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There was this giant gate here
which they had to explosively breach .
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Go, go.
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This staircase was what separated bin Laden
from the other families within the compound .
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This is the second floor.
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The tiles here that you see are something
that the art department reproduced
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based on images that
were taken by ABC News.
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This was bin Laden 's media room.
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And there were computers all over the place,
there were files,
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there were D VDs, videos,
thumb drives and so forth.
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Really, the entire record of his jihad .
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Do not leave a hard drive.
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We come to the area, the third floor,
which is where bin Laden lived ,
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and spent most of his time.
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He was actually shot
midway down that staircase
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when bin Laden was standing in
the frame of this doorway right here.
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After shooting bin Laden,
they searched the room fairly thoroughly for
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valuable objects and this is what
it looked like after that occurred .
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This was bin Laden's access to the outdoors.
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It was a balcony that was
built off the third floor.
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And , significantly, he created these
privacy walls around the balcony
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that were seven feet high.
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High enough so that you could never see
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anybody walking on the balcony
from the street.
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He was quite conscientious
in his design of his living quarters.
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Even though they were Spartan and small ,
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they were effective at
keeping prying eyes out.
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And cut there, please.
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I remember walking through the compound
with Kathryn.
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I think it was when she
finally first saw it done.
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The two of us were just. . . It was...
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You really. . . It was haunting .
You felt like there was a ghost.
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When you spend time in the site,
in the compound as I have,
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you do have this sense that
you're in a makeshift prison.
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I mean, it's a cave of his own design.
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Our first experience seeing the compound
was in a raid format.
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We were gonna travel all the way there
in our Navy SEAL gear,
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so we can pull up to this compound,
join up in our teams,
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and do the raid without ever having seen it.
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That's the way Kathryn and Mark wanted us
to see the compound for the first time.
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It was kind of eerie.
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And it was eerie to be in there shooting
the night of the first anniversary of his death .
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It was so eerie because this thing,
inch by inch, down to the patina,
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it looks like it was there,
it looks like it was lived in,
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it looks like it's the place where
Usama bin Laden was killed .
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Everybody gave 1, 000% of themselves.
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I certainly appreciate the talent of
these extraordinary people.
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Action !
15808
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