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These are the user uploaded subtitles that are being translated: n't done so 1098 00:59:10,680 --> 00:59:13,720 is because it's not just a guitar that's playing. 1099 00:59:13,760 --> 00:59:15,760 (CHORD) 1100 00:59:15,800 --> 00:59:16,840 A piano's being hit. 1101 00:59:16,880 --> 00:59:19,240 If I just play the electric guitar, you hear this. 1102 00:59:20,240 --> 00:59:22,600 (CHORD) It sounds like A Hard Day's Night 1103 00:59:22,640 --> 00:59:24,800 but it's not, it's just a chord. 1104 00:59:24,840 --> 00:59:27,960 If I play all four, two guitars and two pianos, 1105 00:59:28,000 --> 00:59:30,280 you get the depth of that chord. 1106 00:59:30,320 --> 00:59:32,320 (CHORD) 1107 00:59:33,440 --> 00:59:36,240 # It's been a hard day's night 1108 00:59:36,280 --> 00:59:39,840 # And I've been working like a dog 1109 00:59:39,880 --> 00:59:43,000 # It's been a hard day's night 1110 00:59:43,040 --> 00:59:45,040 John Lennon wrote A Hard Day's Night 1111 00:59:45,080 --> 00:59:47,400 with a little help from one of his friends. 1112 00:59:47,440 --> 00:59:48,640 # When I get home to you 1113 00:59:48,680 --> 00:59:50,800 It was one of Ringo's little funny sayings. 1114 00:59:50,840 --> 00:59:53,800 He just said, "It's been a hard day's night." 1115 00:59:53,840 --> 00:59:56,720 # You know I work all day 1116 00:59:56,760 --> 00:59:59,640 John looked at him and said, "That's it. 1117 00:59:59,680 --> 01:00:01,680 That's the title we want." 1118 01:00:01,720 --> 01:00:05,800 Ringo's saying also gave us the title of the Fab Four's first film, 1119 01:00:05,840 --> 01:00:08,120 nominated for two Oscars, 1120 01:00:08,160 --> 01:00:11,120 and setting records in the first week of its release in Britain. 1121 01:00:11,160 --> 01:00:14,000 # You know I feel OK 1122 01:00:14,040 --> 01:00:16,160 I thought they were very funny in the film. 1123 01:00:16,200 --> 01:00:17,760 I thought they were naturals. 1124 01:00:17,800 --> 01:00:22,200 They found an identity in the film which was very real. 1125 01:00:22,240 --> 01:00:26,760 It was sort of, "Yeah, they were the boys I knew. That's fantastic." 1126 01:00:28,640 --> 01:00:31,200 # It's been a hard day's night 1127 01:00:31,240 --> 01:00:34,320 They didn't get them to play roles they weren't comfortable with, 1128 01:00:34,360 --> 01:00:36,320 they were basically playing themselves. 1129 01:00:36,360 --> 01:00:38,360 A very clever thing for them to do. 1130 01:00:38,400 --> 01:00:42,040 # I should be sleeping like a log 1131 01:00:42,080 --> 01:00:45,840 # But when I get home to you, I find the things that you do 1132 01:00:45,880 --> 01:00:49,520 Ringo and his character is really well captured 1133 01:00:49,560 --> 01:00:52,800 in that film. You've got an inferiority complex, you have. 1134 01:00:52,840 --> 01:00:54,440 I know, that's why I play the drums. 1135 01:00:54,480 --> 01:00:57,520 Paul's 'cheeky-chappy, everybody's friend' feel 1136 01:00:57,560 --> 01:00:59,560 is also brilliantly caught. 1137 01:01:00,720 --> 01:01:02,880 And John's rather sardonic feel. 1138 01:01:02,920 --> 01:01:04,920 How did you find America? 1139 01:01:04,960 --> 01:01:06,360 Turn left at Greenland. 1140 01:01:06,400 --> 01:01:10,560 And George is allowed a few rather wicked asides. 1141 01:01:10,600 --> 01:01:13,480 What would you call that hair style you're wearing? 1142 01:01:13,520 --> 01:01:15,520 Arthur. 1143 01:01:15,560 --> 01:01:19,880 For its Liverpool premiere on July 10th, 1964, 1144 01:01:19,920 --> 01:01:23,120 the four international movie stars returned home... 1145 01:01:24,200 --> 01:01:27,200 ..to a reception even wilder than those in the film. 1146 01:01:28,920 --> 01:01:32,200 200,000 people were in Castle Street and Dale Street alone. 1147 01:01:37,640 --> 01:01:40,880 When they opened the doors to go out onto the balcony 1148 01:01:40,920 --> 01:01:42,920 the noise was horrendous. 1149 01:01:42,960 --> 01:01:45,320 (MASS SCREAMING) REPORTER: And there they are. 1150 01:01:45,360 --> 01:01:47,360 Just listen to those screams. 1151 01:01:47,400 --> 01:01:49,720 The police are having a pretty tough time. 1152 01:01:49,760 --> 01:01:53,280 It's certainly one of their hardest day's nights. 1153 01:01:53,320 --> 01:01:56,480 Looking out and seeing the whole street just full. 1154 01:01:56,520 --> 01:01:59,720 That's when I realised they were famous. (LAUGHS) 1155 01:02:01,360 --> 01:02:05,080 At No.8, the last of The Beatles' amazing run of chart-toppers. 1156 01:02:05,120 --> 01:02:09,640 An undoubted classic, but one which splits opinion to this day. 1157 01:02:10,880 --> 01:02:12,640 In April 1970, 1158 01:02:12,680 --> 01:02:15,600 the same journalist who had been following their progress 1159 01:02:15,640 --> 01:02:17,040 since the days of Beatlemania 1160 01:02:17,080 --> 01:02:20,680 broke the news that the greatest band in history 1161 01:02:20,720 --> 01:02:23,360 had decided to go their seperate ways. 1162 01:02:24,680 --> 01:02:27,400 From a journalist's point of view it was a great scoop. 1163 01:02:27,440 --> 01:02:29,560 But it was kind of sad in many, many ways 1164 01:02:29,600 --> 01:02:32,680 cos we'd travelled the road a long time 1165 01:02:32,720 --> 01:02:36,320 and those poor lads, it was the end of the long and winding road. 1166 01:02:36,360 --> 01:02:38,640 We'd reached it and I knew we'd reached it. 1167 01:02:38,680 --> 01:02:42,880 # The long and winding road 1168 01:02:44,640 --> 01:02:50,080 # That leads to your door 1169 01:02:50,120 --> 01:02:53,720 The Long And Winding Road is the most outstanding record. 1170 01:02:53,760 --> 01:02:57,240 # Will never disappear 1171 01:02:57,280 --> 01:03:01,160 The melody, the voice. Haunting vocal. Magic. 1172 01:03:01,200 --> 01:03:05,360 # I've seen that road before 1173 01:03:08,800 --> 01:03:12,280 But by the time it gave The Beatles their 20th US number one 1174 01:03:12,320 --> 01:03:15,520 in June, 1970, the band were no longer together. 1175 01:03:17,080 --> 01:03:19,840 And even this song was cause for dispute. 1176 01:03:21,680 --> 01:03:24,120 The Long And Winding Road is a very strange story. 1177 01:03:24,160 --> 01:03:26,640 First of all, the artist had no idea 1178 01:03:26,680 --> 01:03:30,000 that it was going to sound like what it sounded like 1179 01:03:30,040 --> 01:03:32,440 because Phil Spector got it. 1180 01:03:32,480 --> 01:03:34,440 Its writer, Paul McCartney, 1181 01:03:34,480 --> 01:03:37,960 had no idea that maverick producer Spector had been brought in. 1182 01:03:38,000 --> 01:03:40,880 # Has left us full of tears 1183 01:03:40,920 --> 01:03:43,280 His task, to tidy up the unfinished tracks 1184 01:03:43,320 --> 01:03:45,440 that George Martin had originally recorded 1185 01:03:45,480 --> 01:03:47,480 for what would become the Let It Be album. 1186 01:03:47,520 --> 01:03:51,200 And this was how it sounded when Phil Spector first got hold of the song. 1187 01:03:51,240 --> 01:03:57,760 # Why leave me standing here? (GENTLE, LOW-KEY MUSIC) 1188 01:03:57,800 --> 01:04:00,800 # Let me know the way 1189 01:04:00,840 --> 01:04:04,720 Long And Winding Road sounds better with a piano and very little else. 1190 01:04:04,760 --> 01:04:07,320 # Many times I've been alone 1191 01:04:07,360 --> 01:04:10,080 # And many times I've cried 1192 01:04:10,120 --> 01:04:11,840 Because it's a real personal song. 1193 01:04:11,880 --> 01:04:14,720 # Anyway, you've always known 1194 01:04:14,760 --> 01:04:17,720 # The many ways I've tried 1195 01:04:17,760 --> 01:04:19,720 # But still they lead me back 1196 01:04:19,760 --> 01:04:22,440 So to put all that Spector rubbish on it was wrong. 1197 01:04:22,480 --> 01:04:24,600 (LOUD ORCHESTRATION PLAYS OVER SONG) 1198 01:04:29,840 --> 01:04:31,280 Paul rang me up one day and said, 1199 01:04:31,320 --> 01:04:33,960 "They've taken it to America and given it to Phil Spector. 1200 01:04:34,000 --> 01:04:38,720 They've put heavenly choirs and all sorts of syrupy strings on it. 1201 01:04:38,760 --> 01:04:40,800 On my songs!" He was furious. 1202 01:04:41,880 --> 01:04:44,560 # A long, long time ago 1203 01:04:44,600 --> 01:04:47,120 I got a call, "Could you come and do an arrangement 1204 01:04:47,160 --> 01:04:49,040 for this song The Long And Winding Road?" 1205 01:04:49,080 --> 01:04:52,320 # Don't leave me waiting here 1206 01:04:52,360 --> 01:04:54,240 I started off quite modestly, you know. 1207 01:04:54,280 --> 01:04:56,280 Six violins, three violas, three cellos. 1208 01:04:56,320 --> 01:04:59,040 # Lead me to your door 1209 01:04:59,080 --> 01:05:01,600 But then I kept getting calls from Phil saying, 1210 01:05:01,640 --> 01:05:03,960 "I'd like a few more violins, a few more strings. 1211 01:05:04,000 --> 01:05:07,600 Some brass and some horns and some harps and even a choir." 1212 01:05:07,640 --> 01:05:09,720 I thought, "Oh..." So I did it. 1213 01:05:15,880 --> 01:05:18,520 And then the final snub was that EMI said, 1214 01:05:18,560 --> 01:05:21,040 "We wouldn't have your name - My name - on the album." 1215 01:05:21,080 --> 01:05:23,440 Because Phil Spector had now produced it. 1216 01:05:24,960 --> 01:05:26,760 And I said, "Let's have a compromise. 1217 01:05:26,800 --> 01:05:30,480 Why don't you say, "Produced by George Martin. Overproduced by Phil Spector"?" 1218 01:05:30,520 --> 01:05:32,480 But they didn't get that one. 1219 01:05:32,520 --> 01:05:35,480 # You left me waiting here 1220 01:05:39,440 --> 01:05:42,840 # A long, long time ago 1221 01:05:45,800 --> 01:05:50,120 # Don't leave me standing here 1222 01:05:52,880 --> 01:05:59,600 # Lead me to your door... # 1223 01:06:01,400 --> 01:06:04,480 The story of the next Beatles number one 1224 01:06:04,520 --> 01:06:07,520 in our exclusive countdown begins here, in London, 1225 01:06:07,560 --> 01:06:10,360 at the family home of Paul McCartney's then-girlfriend, 1226 01:06:10,400 --> 01:06:12,400 actress Jane Asher. 1227 01:06:12,440 --> 01:06:15,160 Paul was living at the time in our guestroom. 1228 01:06:15,200 --> 01:06:17,600 One particular day, John came over and joined him. 1229 01:06:17,640 --> 01:06:19,400 They were down there a couple of hours 1230 01:06:19,440 --> 01:06:22,800 and then Paul stuck his head up the stairs and asked if I wanted to come down 1231 01:06:22,840 --> 01:06:25,480 and hear what they were working on, what they'd finished. 1232 01:06:25,520 --> 01:06:27,960 They were sitting side-by-side on the piano bench 1233 01:06:28,000 --> 01:06:30,840 hammering away at the piano and played I Want To Hold Your Hand 1234 01:06:30,880 --> 01:06:32,880 for the first time to anybody anywhere. 1235 01:06:35,200 --> 01:06:36,960 You kind of go, "Am I going mad 1236 01:06:37,000 --> 01:06:39,960 or is this just about the best pop song I've ever heard in my life?" 1237 01:06:40,000 --> 01:06:42,800 # Yeah, I'll tell you something 1238 01:06:44,240 --> 01:06:46,760 # I think you'll understand 1239 01:06:46,800 --> 01:06:50,320 # When I'll say that something 1240 01:06:51,400 --> 01:06:54,800 # I want to hold your hand 1241 01:06:54,840 --> 01:06:59,120 Landing UK number ones was becoming business as usual for the Fab Four. 1242 01:06:59,160 --> 01:07:01,960 This was their third in 1963 alone. 1243 01:07:02,000 --> 01:07:05,920 But this song also started to climb the American charts 1244 01:07:05,960 --> 01:07:08,320 and so, by early 1964... 1245 01:07:08,360 --> 01:07:11,000 # Please say to me 1246 01:07:11,040 --> 01:07:13,040 ..it had conquered the Billboard Hot 100. 1247 01:07:13,080 --> 01:07:14,600 # Let me hold your hand 1248 01:07:14,640 --> 01:07:17,200 Just seven weeks earlier, they were performing the song 1249 01:07:17,240 --> 01:07:19,200 on Granada's local magazine show. 1250 01:07:19,240 --> 01:07:23,040 Now The Beatles were playing it to what seemed like the whole of America. 1251 01:07:23,080 --> 01:07:26,600 In the first week of February they appeared on the Ed Sullivan Show 1252 01:07:26,640 --> 01:07:31,280 to the largest television audience to date, which was 73m people. 1253 01:07:31,320 --> 01:07:37,480 # It's such a feeling that my love that I can't hide 1254 01:07:37,520 --> 01:07:41,840 I did see The Beatles play the Ed Sullivan Show. 1255 01:07:41,880 --> 01:07:44,000 And it was amazing. 1256 01:07:44,040 --> 01:07:46,040 I fell in love with them. 1257 01:07:47,160 --> 01:07:49,160 We were all saying who liked who. 1258 01:07:50,560 --> 01:07:52,960 "I like Paul." "I like John." "I like George." 1259 01:07:53,000 --> 01:07:54,440 # You've got that something 1260 01:07:54,480 --> 01:07:59,080 "I like Ringo." # I want to hold your hand 1261 01:07:59,120 --> 01:08:02,520 # I want to hold your hand 1262 01:08:02,560 --> 01:08:04,360 The feel of I Want To Hold Your Hand 1263 01:08:04,400 --> 01:08:06,840 was like something that came from the moon. 1264 01:08:06,880 --> 01:08:12,680 # And when I touch you, I feel happy inside 1265 01:08:12,720 --> 01:08:14,600 It was very, very, very different. 1266 01:08:14,640 --> 01:08:20,000 # It's such a feeling that my love, I can't hide 1267 01:08:20,040 --> 01:08:24,960 It was more than just the song that was making them so popular. 1268 01:08:25,000 --> 01:08:27,240 They had a look, the personality, 1269 01:08:27,280 --> 01:08:30,600 there was something about them that kids just gravitated and loved. 1270 01:08:30,640 --> 01:08:33,400 # I think you'll understand 1271 01:08:33,440 --> 01:08:37,040 # When I'll say that something 1272 01:08:38,280 --> 01:08:41,600 # I want to hold your hand 1273 01:08:41,640 --> 01:08:44,840 It was so quick, it was so deep, it was so impactful. 1274 01:08:44,880 --> 01:08:49,520 And during the year 1964, they had 25 hit singles in America. 1275 01:08:49,560 --> 01:08:54,560 # I want to hold your hand # 1276 01:08:54,600 --> 01:08:59,400 (SCREAMING) We're moving on three years now, to 1967 1277 01:08:59,440 --> 01:09:01,800 and the great Beatles album that got away. 1278 01:09:01,840 --> 01:09:03,840 # Strawberry Fields Forever 1279 01:09:09,360 --> 01:09:12,520 The Beatles decided to make a concept album. 1280 01:09:14,680 --> 01:09:17,840 About their life and early days in Liverpool. 1281 01:09:17,880 --> 01:09:21,680 The first song for it, which Paul wrote, was Penny Lane. 1282 01:09:21,720 --> 01:09:24,560 And then John wrote Strawberry Fields Forever. 1283 01:09:24,600 --> 01:09:28,600 But sadly, the Liverpool-themed album was not to be. 1284 01:09:30,880 --> 01:09:33,080 Instead, the two songs were brought together 1285 01:09:33,120 --> 01:09:36,040 for what many consider the greatest double-A side ever. 1286 01:09:37,520 --> 01:09:40,240 It's amazing to think that this classic combination 1287 01:09:40,280 --> 01:09:42,440 was the first Beatles single for four years 1288 01:09:42,480 --> 01:09:44,480 not to reach number one in the UK. 1289 01:09:46,560 --> 01:09:48,800 But Penny Lane's slice of Liverpool life 1290 01:09:48,840 --> 01:09:50,360 did strike a chord in the States 1291 01:09:50,400 --> 01:09:52,480 where it reached the top of the charts. 1292 01:09:54,640 --> 01:09:57,640 And tonight, it's No.6 in our countdown. 1293 01:09:58,240 --> 01:10:02,000 # In Penny Lane, there is a barber showing photographs 1294 01:10:02,040 --> 01:10:05,800 # Of every head he's had the pleasure to know 1295 01:10:06,920 --> 01:10:10,240 # And all the people that come and go 1296 01:10:10,280 --> 01:10:12,000 # Stop and say hello 1297 01:10:12,040 --> 01:10:14,880 Penny Lane is such a beautifully crafted song. 1298 01:10:14,920 --> 01:10:18,880 # On the corner, there's a banker with a motorcar 1299 01:10:18,920 --> 01:10:20,960 # The little children laugh at him 1300 01:10:21,000 --> 01:10:23,880 Every little bit of it is so catchy. 1301 01:10:23,920 --> 01:10:29,800 # And the banker never wears a mack in the pouring rain 1302 01:10:29,840 --> 01:10:32,640 Really fantastic production as well. 1303 01:10:32,680 --> 01:10:36,640 # Penny Lane is in my ears and in my eyes 1304 01:10:36,680 --> 01:10:38,680 It was a bus terminus, Penny Lane, 1305 01:10:38,720 --> 01:10:41,600 in South Liverpool where we all lived. 1306 01:10:41,640 --> 01:10:46,240 # There beneath the blue suburban skies 1307 01:10:46,280 --> 01:10:49,600 And we'd all sort of meet at Penny Lane and go to places. 1308 01:10:49,640 --> 01:10:52,960 # In Penny Lane, there is a fireman with an hour glass 1309 01:10:53,000 --> 01:10:56,880 # And in his pocket is a portrait of the Queen 1310 01:10:56,920 --> 01:11:00,960 # He likes to keep his fire engine clean 1311 01:11:02,160 --> 01:11:03,880 # It's a clean machine 1312 01:11:03,920 --> 01:11:06,440 All those beautiful images of the people in Penny Lane 1313 01:11:06,480 --> 01:11:08,440 captivated Americans' imaginations 1314 01:11:08,480 --> 01:11:10,760 and to think of - And I honestly mean this - 1315 01:11:10,800 --> 01:11:16,520 Liverpool as some exotic place with all of these wonderful images 1316 01:11:16,560 --> 01:11:19,560 because The Beatles made these images come to life. 1317 01:11:23,040 --> 01:11:27,280 # Penny Lane is in my ears and in my eyes 1318 01:11:27,320 --> 01:11:31,600 50 years on, tourists still flock to see the places mentioned in the song. 1319 01:11:31,640 --> 01:11:35,320 Where we are now is at the very top end of Penny Lane. 1320 01:11:35,360 --> 01:11:37,160 And just over on the other side 1321 01:11:37,200 --> 01:11:40,160 you'll see the famous things that The Beatles sang about. 1322 01:11:40,200 --> 01:11:43,440 # Behind the shelter in the middle of a roundabout 1323 01:11:43,480 --> 01:11:45,680 The shelter in the middle of a roundabout 1324 01:11:45,720 --> 01:11:48,080 where pretty nurses sold poppies from a tray. 1325 01:11:48,120 --> 01:11:50,280 Just over to the right you'll see the bank 1326 01:11:50,320 --> 01:11:53,120 where the banker never wore a mack in the pouring rain. 1327 01:11:53,160 --> 01:11:56,920 And just a little bit further up is the famous barber's shop. 1328 01:11:56,960 --> 01:12:00,200 # In Penny Lane, the barber shaves another customer 1329 01:12:00,240 --> 01:12:03,480 # We see the banker sitting waiting for a trim 1330 01:12:03,520 --> 01:12:05,880 I used to live just behind Penny Lane hill. 1331 01:12:05,920 --> 01:12:08,520 # Then the fireman rushes in 1332 01:12:08,560 --> 01:12:11,920 I spent many, many months, years of my life 1333 01:12:11,960 --> 01:12:13,960 walking up and down Penny Lane. 1334 01:12:14,000 --> 01:12:18,160 # Penny Lane is in my ears and in my eyes 1335 01:12:18,200 --> 01:12:20,160 It brings a tear to one's eye, almost. 1336 01:12:20,200 --> 01:12:23,120 I thought it just captured the atmosphere there. 1337 01:12:23,160 --> 01:12:27,680 # There beneath the blue suburban skies 1338 01:12:27,720 --> 01:12:30,680 # I sit and meanwhile back 1339 01:12:32,240 --> 01:12:36,040 All You Need Is Love was their great Imperial moment 1340 01:12:36,080 --> 01:12:39,600 because it was written specially for this television show, Our World. 1341 01:12:39,640 --> 01:12:44,520 Broadcast in June 1967, this was the first TV programme 1342 01:12:44,560 --> 01:12:46,880 to be beamed around the world by satellite. 1343 01:12:46,920 --> 01:12:51,560 Good evening. This should be a moment in television history 1344 01:12:51,600 --> 01:12:54,240 because this programme will bring together 1345 01:12:54,280 --> 01:12:57,400 more places throughout the world than has ever been possible before. 1346 01:12:58,960 --> 01:13:01,440 19 countries provided performances 1347 01:13:01,480 --> 01:13:04,680 and representing the UK were The Beatles 1348 01:13:04,720 --> 01:13:07,120 with their latest single live from Abbey Road. 1349 01:13:07,160 --> 01:13:10,360 I remember watching this as a kid and what was so exciting 1350 01:13:10,400 --> 01:13:14,080 was we were told this was gonna be a global broadcast. 1351 01:13:14,120 --> 01:13:16,120 The entire world was gonna be watching. 1352 01:13:16,160 --> 01:13:18,560 In the next two hours, everything will be live. 1353 01:13:18,600 --> 01:13:20,000 No film or recordings. 1354 01:13:20,040 --> 01:13:22,760 This commission, really, "Can you write a song 1355 01:13:22,800 --> 01:13:24,280 the whole world is gonna sing?" 1356 01:13:24,320 --> 01:13:26,400 And only The Beatles would have accepted that. 1357 01:13:26,440 --> 01:13:29,720 Terrifying challenge. Probably only The Beatles would have succeeded. 1358 01:13:29,760 --> 01:13:31,760 OK, Geoff? Right, here we go. 1359 01:13:31,800 --> 01:13:33,480 Here comes the tape. 1360 01:13:33,520 --> 01:13:35,520 # French National Anthem 1361 01:13:39,880 --> 01:13:43,000 I felt really nervous on The Beatles' behalf. 1362 01:13:43,040 --> 01:13:46,440 I remember watching it live and thinking, "The whole world's watching!" 1363 01:13:46,480 --> 01:13:49,240 # Love, love, love 1364 01:13:50,000 --> 01:13:52,800 And eventually the camera alights on John Lennon 1365 01:13:52,840 --> 01:13:56,560 who, if I remember rightly, had his hands on his headphones 1366 01:13:56,600 --> 01:14:00,240 and his eyes shut, and was completely self-possessed. 1367 01:14:00,280 --> 01:14:02,560 # There's nothing you can do that can't be done 1368 01:14:04,520 --> 01:14:07,040 # Nothing you can sing that can't be sung 1369 01:14:07,080 --> 01:14:08,720 And was chewing gum. 1370 01:14:08,760 --> 01:14:11,880 # Nothing you can say, but you can learn how to play the game 1371 01:14:11,920 --> 01:14:14,120 # It's easy 1372 01:14:14,160 --> 01:14:16,520 And I can remember thinking, "This is brilliant. 1373 01:14:16,560 --> 01:14:17,760 How cool are The Beatles?" 1374 01:14:17,800 --> 01:14:20,160 # Nothing you can make that can't be made 1375 01:14:21,720 --> 01:14:25,120 # No-one you can save that can't be saved 1376 01:14:26,480 --> 01:14:29,960 The broadcast came just as the Summer of Love was in full swing. 1377 01:14:31,400 --> 01:14:34,280 With a song that summed up an era of optimism. 1378 01:14:34,320 --> 01:14:37,200 # All you need is love 1379 01:14:37,240 --> 01:14:40,280 Love used to be talked about a lot in the 1960s. 1380 01:14:40,320 --> 01:14:42,040 There should be a better way of living 1381 01:14:42,080 --> 01:14:44,360 and everybody just cooperating with each other. 1382 01:14:44,400 --> 01:14:46,400 # All you need is love, love 1383 01:14:46,440 --> 01:14:48,960 And The Beatles were very influenced by that. 1384 01:14:49,000 --> 01:14:50,800 # Love is all you need 1385 01:14:50,840 --> 01:14:52,800 In the build-up to this moment of history, 1386 01:14:52,840 --> 01:14:55,160 fellow Cavern graduates The Merseybeats 1387 01:14:55,200 --> 01:14:58,440 were allowed a rare glimpse of The Beatles at work in the studio 1388 01:14:58,480 --> 01:15:00,480 as the song came together. 1389 01:15:00,520 --> 01:15:03,880 They'd done the backing track - # Love, love, love 1390 01:15:03,920 --> 01:15:07,760 # Love, love, love # Love, love, love 1391 01:15:09,720 --> 01:15:12,400 That's all they had. And they said to us, "What do you think?" 1392 01:15:12,440 --> 01:15:14,400 What did you say? "I like the words..." 1393 01:15:14,440 --> 01:15:16,440 # All you need is love 1394 01:15:16,480 --> 01:15:19,680 But then Paul kept popping his head outside and said, 1395 01:15:19,720 --> 01:15:22,240 "John, have you written any lyrics to this song yet?" 1396 01:15:22,280 --> 01:15:26,400 And John said, "We've got two days. It doesn't go out live till Friday." 1397 01:15:26,440 --> 01:15:28,920 # Nothing you can know that isn't known 1398 01:15:30,160 --> 01:15:33,440 # Nothing you can see that isn't shown 1399 01:15:34,600 --> 01:15:37,440 # There's nowhere you can be that isn't where you're meant to be 1400 01:15:37,480 --> 01:15:39,480 It's this ultimate singalong song. 1401 01:15:39,520 --> 01:15:43,400 It was uplifting and it meant something and it really worked. 1402 01:15:43,440 --> 01:15:45,440 # All you need is love 1403 01:15:45,480 --> 01:15:49,680 I just felt so incredibly proud that this wonderful band 1404 01:15:49,720 --> 01:15:54,480 were performing a breathtaking song and representing our country. 1405 01:15:55,680 --> 01:15:58,240 I thought, "I bet all the other countries in the world 1406 01:15:58,280 --> 01:16:00,480 are probably a little bit jealous, actually." 1407 01:16:00,520 --> 01:16:04,160 # All you need is love # All together now 1408 01:16:04,200 --> 01:16:06,880 # All you need is love 1409 01:16:06,920 --> 01:16:08,920 # Everybody 1410 01:16:11,040 --> 01:16:14,280 At No.4, the McCartney classic from the Revolver album 1411 01:16:14,320 --> 01:16:17,080 that topped the singles chart in 1966 1412 01:16:17,120 --> 01:16:19,520 as a double-A side with Yellow Submarine. 1413 01:16:19,560 --> 01:16:24,240 # Ah, look at all the lonely people 1414 01:16:26,720 --> 01:16:31,280 What I loved about Eleanor Rigby is the fact you follow her journey 1415 01:16:31,320 --> 01:16:33,600 and they made her feel very real. 1416 01:16:33,640 --> 01:16:37,560 # Eleanor Rigby picks up the rice in a church 1417 01:16:37,600 --> 01:16:39,600 # Where a wedding has been 1418 01:16:39,640 --> 01:16:40,720 It's so heartbreaking. 1419 01:16:40,760 --> 01:16:42,280 # Lives in a dream 1420 01:16:42,320 --> 01:16:44,720 It's verging on poetry. 1421 01:16:44,760 --> 01:16:48,080 # Wearing a face that she keeps in a jar by the door 1422 01:16:48,120 --> 01:16:51,560 It's a poetic lyric, but then it's got a massive punchline. 1423 01:16:51,600 --> 01:16:53,280 # All the lonely people 1424 01:16:53,320 --> 01:16:55,720 "All the lonely people, where do they all come from?" 1425 01:16:55,760 --> 01:16:58,120 Oh, it's the lyric of a lifetime, that. 1426 01:16:58,160 --> 01:17:00,400 # All the lonely people 1427 01:17:00,440 --> 01:17:02,120 Eleanor Rigby's very unusual. 1428 01:17:02,160 --> 01:17:05,680 It's the first time The Beatles didn't play any instruments on their records. 1429 01:17:05,720 --> 01:17:11,360 # Father McKenzie, writing the words of a sermon that no-one will hear 1430 01:17:11,400 --> 01:17:13,800 What they did is they recorded a double string quartet 1431 01:17:13,840 --> 01:17:16,320 and my dad talked to Paul about it 1432 01:17:16,360 --> 01:17:18,200 and they listened to Bernard Hermann. 1433 01:17:18,240 --> 01:17:20,720 Bernard Hermann was a famous film composer 1434 01:17:20,760 --> 01:17:22,920 who is famous for Psycho. 1435 01:17:23,920 --> 01:17:26,280 As the woman is attacked in the shower, there's - 1436 01:17:26,320 --> 01:17:28,240 (MIMICS HIGH-PITCHED VIOLIN STRINGS) 1437 01:17:28,280 --> 01:17:30,360 # All the lonely people 1438 01:17:30,400 --> 01:17:33,400 It's an incredibly aggressive sound. 1439 01:17:33,440 --> 01:17:36,680 It's almost like a 24-year-old Liverpudlian saying, 1440 01:17:36,720 --> 01:17:38,760 "I want a string quartet to sound like this" 1441 01:17:38,800 --> 01:17:41,480 and using my dad as a translator for that. 1442 01:17:41,520 --> 01:17:44,520 Paul has said the name Eleanor Rigby 1443 01:17:44,560 --> 01:17:47,520 came from combining the names of actress Eleanor Bron 1444 01:17:47,560 --> 01:17:49,440 with a Bristol wine shop. 1445 01:17:49,480 --> 01:17:52,480 But intriguingly, a stone's throw from where John and Paul 1446 01:17:52,520 --> 01:17:55,880 first met in 1957, this gravestone can be found. 1447 01:17:55,920 --> 01:17:58,840 # Eleanor Rigby died in the church 1448 01:17:58,880 --> 01:18:00,440 # And was buried alone with her name 1449 01:18:00,480 --> 01:18:03,760 The majority of fans love the idea that there is a true Eleanor Rigby 1450 01:18:03,800 --> 01:18:06,200 so they're not that particularly bothered 1451 01:18:06,240 --> 01:18:08,760 that Paul says it's to do with the actress Eleanor Bron. 1452 01:18:08,800 --> 01:18:11,800 They still want to come and see this grave in St Peter's church. 1453 01:18:11,840 --> 01:18:13,360 # No-one was saved 1454 01:18:13,400 --> 01:18:14,960 # All the lonely people 1455 01:18:15,000 --> 01:18:19,560 It's strange to have a number one that is only a string quartet and vocal. 1456 01:18:19,600 --> 01:18:22,520 And it's just the thought of being able to come into a studio, 1457 01:18:22,560 --> 01:18:24,440 tear up the rule book, break the mould, 1458 01:18:24,480 --> 01:18:27,520 and then move onto something else. It was just very Beatles. 1459 01:18:31,760 --> 01:18:33,760 # Here Comes The Sun 1460 01:18:35,440 --> 01:18:38,720 Welcome back as we're nearing the end of our incredible journey 1461 01:18:38,760 --> 01:18:41,600 to reveal the nation's favourite Beatles No.1. 1462 01:18:43,400 --> 01:18:45,400 And we're now into our top three 1463 01:18:45,440 --> 01:18:49,640 and the epic title track from the Fab Four's final album and film... 1464 01:18:51,520 --> 01:18:54,840 ..based on a dream Paul McCartney had about his late mother, Mary. 1465 01:18:58,360 --> 01:19:01,840 # When I find myself in times of trouble 1466 01:19:01,880 --> 01:19:04,680 # Mother Mary comes to me 1467 01:19:04,720 --> 01:19:09,200 # Speaking words of wisdom, "Let it be" 1468 01:19:11,280 --> 01:19:13,800 # And in my hour of darkness 1469 01:19:13,840 --> 01:19:17,240 # She is standing right in front of me 1470 01:19:17,280 --> 01:19:22,200 # Speaking words of wisdom, "Let it be" 1471 01:19:22,240 --> 01:19:24,920 Paul has said the dream came to him 1472 01:19:24,960 --> 01:19:27,160 during a difficult time in the band's history 1473 01:19:27,200 --> 01:19:28,840 when Mary appeared to him saying, 1474 01:19:28,880 --> 01:19:31,160 "It will be all right. Just let it be." 1475 01:19:31,200 --> 01:19:35,200 # Whisper words of wisdom, "Let it be" 1476 01:19:36,400 --> 01:19:38,520 The dream that he had about his mother, 1477 01:19:38,560 --> 01:19:41,680 I can imagine him having an experience like that. 1478 01:19:41,720 --> 01:19:43,960 It's quite mystical, isn't it? 1479 01:19:44,000 --> 01:19:48,600 # There will be an answer, let it be 1480 01:19:48,640 --> 01:19:52,120 When she died, it was a big, big thing to him. 1481 01:19:52,160 --> 01:19:54,800 He was very, very close with his mum. 1482 01:19:54,840 --> 01:19:57,800 The fact that he wanted to put that into music, 1483 01:19:57,840 --> 01:20:01,200 trying to sort it out in some kind of creative way through a song, 1484 01:20:01,240 --> 01:20:03,240 that's very him. 1485 01:20:03,280 --> 01:20:09,840 # Let it be, let it be, let it be, let it be 1486 01:20:10,920 --> 01:20:15,040 # There will be an answer, let it be 1487 01:20:16,840 --> 01:20:18,040 # Let it be 1488 01:20:18,080 --> 01:20:20,360 They allowed men to be able to go, "You know what? 1489 01:20:20,400 --> 01:20:22,680 This is OK to be emotional, to talk like this." 1490 01:20:22,720 --> 01:20:24,240 We've a lot to thank them for. 1491 01:20:24,280 --> 01:20:27,680 # Whisper words of wisdom, "Let it be" 1492 01:20:27,720 --> 01:20:31,840 They wrote those songs, the kind of early anthemic songs, 1493 01:20:31,880 --> 01:20:34,800 that we all wanted to get behind and put our hands up in the air 1494 01:20:34,840 --> 01:20:36,840 and say, "Yep, that's part of me." 1495 01:20:37,800 --> 01:20:42,040 It just sounded very spiritual. Like a gospel song. 1496 01:20:53,040 --> 01:20:57,280 It's a very kind of stripped back, simple way 1497 01:20:57,320 --> 01:20:59,320 of delivering that message. 1498 01:20:59,360 --> 01:21:02,720 It says it all needs to say and there's no need for elaboration. 1499 01:21:06,240 --> 01:21:09,640 It pretty much sums up how to deal with any situation 1500 01:21:09,680 --> 01:21:11,600 when you're really struggling. 1501 01:21:11,640 --> 01:21:17,920 # Let it be, let it be let it be, yeah, let it be 1502 01:21:17,960 --> 01:21:21,240 This would be the final single released before McCartney left the band 1503 01:21:21,280 --> 01:21:23,560 and The Beatles were no more. 1504 01:21:23,600 --> 01:21:26,320 Let It Be has a finality to it. 1505 01:21:26,360 --> 01:21:30,440 It almost sounds like a song for the critics. 1506 01:21:32,000 --> 01:21:35,600 The end of the film. # Whisper words of wisdom, 1507 01:21:35,640 --> 01:21:39,320 # "Let it be" 1508 01:21:46,600 --> 01:21:50,600 We're now just one Beatles classic away from the end of our countdown. 1509 01:21:52,320 --> 01:21:55,760 And at No.2, the most recorded song in pop history. 1510 01:21:55,800 --> 01:21:59,920 3,000 cover versions so far and counting. 1511 01:21:59,960 --> 01:22:01,960 # Yesterday 1512 01:22:03,400 --> 01:22:07,920 # All my troubles seemed so far away 1513 01:22:07,960 --> 01:22:12,040 # Now it looks as though they're here to stay 1514 01:22:12,080 --> 01:22:14,760 # Oh, I believe in yesterday 1515 01:22:14,800 --> 01:22:18,280 Yesterday is one of those songs where you could have taken it a number of ways. 1516 01:22:18,320 --> 01:22:21,720 Ultimately it had to be stripped back. 1517 01:22:21,760 --> 01:22:26,120 It had to just sing to you, like, you know, like a lullaby. 1518 01:22:26,160 --> 01:22:29,320 # There's a shadow hanging over me 1519 01:22:29,360 --> 01:22:34,880 # Yesterday came suddenly 1520 01:22:34,920 --> 01:22:41,440 # Why she had to go, I don't know 1521 01:22:41,480 --> 01:22:44,200 # She wouldn't say 1522 01:22:45,800 --> 01:22:50,360 # I said something wrong 1523 01:22:50,400 --> 01:22:53,360 # Now I long for yesterday 1524 01:22:53,400 --> 01:22:55,920 It's got a very identifiable sentiment. 1525 01:22:55,960 --> 01:22:57,960 # Yesterday 1526 01:22:59,440 --> 01:23:03,200 # Love was such an easy game to play 1527 01:23:04,680 --> 01:23:06,960 # Now I need a place to hide away 1528 01:23:07,000 --> 01:23:09,040 Slightly yearning for what's gone by. 1529 01:23:09,080 --> 01:23:11,160 # Oh, I believe in yesterday 1530 01:23:11,200 --> 01:23:14,080 It's a beautiful song that connects with people. 1531 01:23:14,120 --> 01:23:20,080 # Why she had to go, I don't know 1532 01:23:20,120 --> 01:23:22,680 # She wouldn't say 1533 01:23:24,560 --> 01:23:26,240 Just like Let It Be, 1534 01:23:26,280 --> 01:23:29,000 this was another song that came to Paul in a dream. 1535 01:23:29,040 --> 01:23:31,160 # Now I long for yesterday 1536 01:23:31,200 --> 01:23:33,200 And another song born at the family home 1537 01:23:33,240 --> 01:23:35,240 of Paul's girlfriend, Jane Asher. 1538 01:23:35,280 --> 01:23:40,160 He woke up with the song in his head, finished, the melody. 1539 01:23:40,200 --> 01:23:42,760 He assumed it was a pre-existing song. 1540 01:23:42,800 --> 01:23:46,960 # Now I need a place to hide away 1541 01:23:47,000 --> 01:23:51,200 My mum remembered him wandering down to breakfast as it were saying, 1542 01:23:51,240 --> 01:23:53,400 "What is this song I've got stuck in my head?" 1543 01:23:53,440 --> 01:23:56,120 She said, "It's very nice, but I've never heard it before." 1544 01:23:58,640 --> 01:24:01,960 And it eventually dawned on him that he'd written it in his sleep. 1545 01:24:03,960 --> 01:24:05,960 Yesterday is a really special song. 1546 01:24:06,000 --> 01:24:09,480 I just can't imagine a world where the song doesn't exist. 1547 01:24:10,480 --> 01:24:12,480 Thank you, Ringo. That was wonderful. 1548 01:24:12,520 --> 01:24:15,440 Thank you, John. But the time for joking is over 1549 01:24:15,480 --> 01:24:18,520 as we reach the end of our journey through the extraordinary career 1550 01:24:18,560 --> 01:24:20,560 of the Fab Four. 1551 01:24:22,080 --> 01:24:26,120 It's finally time to reveal the song ITV viewers have voted 1552 01:24:26,160 --> 01:24:28,520 as the greatest Beatles number one ever. 1553 01:24:30,960 --> 01:24:33,800 Tonight we've enjoyed songs that summed up the '60s. 1554 01:24:34,840 --> 01:24:36,840 Songs of pure genius. 1555 01:24:36,880 --> 01:24:39,040 Songs that changed the world. 1556 01:24:39,080 --> 01:24:43,200 And at No.1, it's an anthem that's moved millions of us 1557 01:24:43,240 --> 01:24:45,240 since 1968. 1558 01:24:45,280 --> 01:24:49,560 A seven-minute epic written by Paul for John's son Julian. 1559 01:24:52,000 --> 01:24:55,640 Prepare to sing along with the nation's favourite Beatles number one. 1560 01:24:57,440 --> 01:24:59,960 # Hey, Jude 1561 01:25:00,000 --> 01:25:03,480 # Don't make it bad 1562 01:25:03,520 --> 01:25:07,600 # Take a sad song 1563 01:25:07,640 --> 01:25:09,920 # And make it better 1564 01:25:11,240 --> 01:25:15,680 # Remember to let her into your heart 1565 01:25:15,720 --> 01:25:22,400 # Then you can start to make it better 1566 01:25:22,440 --> 01:25:25,640 # Hey, Jude 1567 01:25:25,680 --> 01:25:29,120 # Don't be afraid 1568 01:25:29,160 --> 01:25:35,440 # You were made to go out and get her 1569 01:25:36,440 --> 01:25:40,120 John Lennon loved that song because it was written for Julian. 1570 01:25:40,160 --> 01:25:44,400 It was Paul's way of saying, "I know your parents are divorced 1571 01:25:44,440 --> 01:25:46,440 but things are gonna be OK." 1572 01:25:46,480 --> 01:25:48,480 What a present to give to someone. 1573 01:25:48,520 --> 01:25:50,920 And it was a beautiful gift in our lifetime, for us. 1574 01:25:50,960 --> 01:25:53,800 # And any time you feel the pain 1575 01:25:53,840 --> 01:25:57,120 # Hey, Jude, refrain 1576 01:25:57,160 --> 01:26:00,320 # Don't carry the world 1577 01:26:00,360 --> 01:26:05,280 # Upon your shoulders 1578 01:26:05,320 --> 01:26:08,960 The song has open arms in the way that it's saying, "Don't worry." 1579 01:26:10,520 --> 01:26:13,840 You want to sing it with each other and to each other, whoever you're with. 1580 01:26:13,880 --> 01:26:20,200 # By making his world a little colder 1581 01:26:20,240 --> 01:26:22,640 It's one of the true pop anthems. 1582 01:26:22,680 --> 01:26:25,440 It's one of the oldest and...and greatest. 1583 01:26:26,760 --> 01:26:29,840 But recording this great pop anthem wasn't all plain sailing. 1584 01:26:29,880 --> 01:26:31,880 # Hey, Jude 1585 01:26:31,920 --> 01:26:34,360 # Don't let me down 1586 01:26:34,400 --> 01:26:37,320 The first two days spent on it at Abbey Road were caught on camera. 1587 01:26:37,360 --> 01:26:40,120 Great for us now, but not at the time. 1588 01:26:43,200 --> 01:26:46,400 There was a film crew in. Typical of a film crew, 1589 01:26:46,440 --> 01:26:49,000 they said, "Don't worry, you won't know we're there." 1590 01:26:49,040 --> 01:26:51,120 Well, we did. They were in everyone's faces. 1591 01:26:51,160 --> 01:26:53,160 Everyone was quite irate. 1592 01:26:53,200 --> 01:26:55,480 We finished up not getting anything. 1593 01:26:55,520 --> 01:26:59,040 # So let it out and let it in 1594 01:27:00,280 --> 01:27:02,680 It eventually took six days to record Hey Jude, 1595 01:27:02,720 --> 01:27:05,400 the longest time needed for any Beatles single. 1596 01:27:06,560 --> 01:27:08,800 It would also be the longest Beatles number one. 1597 01:27:08,840 --> 01:27:10,680 A running time of over seven minutes 1598 01:27:10,720 --> 01:27:13,280 meant the band were breaking yet more rules. 1599 01:27:13,320 --> 01:27:15,560 # Don't you know that it's just you? 1600 01:27:15,600 --> 01:27:17,240 # Hey, Jude 1601 01:27:17,280 --> 01:27:20,560 Back then, radio was two-and-a-half, three minute songs. 1602 01:27:20,600 --> 01:27:22,720 I don't think that anyone thought that Hey Jude 1603 01:27:22,760 --> 01:27:26,400 would get the amount of play that it did get, but it was The Beatles. 1604 01:27:26,440 --> 01:27:28,440 Who's not going to play The Beatles? 1605 01:27:31,440 --> 01:27:34,880 When The Beatles premiered the song on The David Frost Show on ITV 1606 01:27:34,920 --> 01:27:38,640 in September 1968, this was a real TV occasion. 1607 01:27:38,680 --> 01:27:40,680 # Don't make it bad 1608 01:27:42,200 --> 01:27:44,440 And for the big singalong chorus at the end, 1609 01:27:44,480 --> 01:27:47,880 director Michael Lindsay-Hogg decided to pull out all the stops. 1610 01:27:49,920 --> 01:27:52,840 We realised that just being on The Beatles 1611 01:27:52,880 --> 01:27:56,240 for the four-minute closing chorus wouldn't sustain. 1612 01:27:56,280 --> 01:27:59,400 And so Paul and I thought wouldn't it be interesting 1613 01:27:59,440 --> 01:28:06,160 to get people in as an audience, to represent the world? 1614 01:28:06,200 --> 01:28:09,160 # Nah, nah, nah-nah-nah 1615 01:28:09,200 --> 01:28:11,320 Housewives, students. 1616 01:28:11,360 --> 01:28:13,520 Certainly multi-cultural. 1617 01:28:13,560 --> 01:28:17,400 They just sang the song and when they got to the "Nah, nah, nah" part 1618 01:28:17,440 --> 01:28:19,440 we all had to run on. 1619 01:28:19,480 --> 01:28:22,000 I was about two people away from Ringo 1620 01:28:22,040 --> 01:28:24,040 and singing my heart out. 1621 01:28:25,720 --> 01:28:29,480 It was a once-in-a-lifetime. It's a really lovely memory. 1622 01:28:32,360 --> 01:28:37,680 # Nah, nah, nah, nah-nah-nah-nah 1623 01:28:37,720 --> 01:28:39,320 Nothing beats the end. 1624 01:28:39,360 --> 01:28:41,600 When it's the big singalong, 'hands in the air'. 1625 01:28:41,640 --> 01:28:44,160 At that point as well, if you've got a room full of people 1626 01:28:44,200 --> 01:28:46,080 it doesn't matter if they can sing or not. 1627 01:28:46,120 --> 01:28:48,160 If they want to shout along, that works. 1628 01:28:50,760 --> 01:28:54,360 If you don't join in on Hey Jude there's something wrong with you. 1629 01:28:55,720 --> 01:28:59,920 I love it. Neverending, "Nah, nah, nah, nah-nah-nah..." 1630 01:28:59,960 --> 01:29:02,400 # Nah, nah, nah, nah-nah-nah 1631 01:29:02,440 --> 01:29:03,840 The legacy is their music. 1632 01:29:03,880 --> 01:29:07,800 Those songs that we all join hands and sing along to at the end of the night. 1633 01:29:07,840 --> 01:29:09,840 God bless The Beatles. 1634 01:29:12,440 --> 01:29:14,960 It's now over 50 years since The Beatles 1635 01:29:15,000 --> 01:29:17,600 first came, saw and conquered the world. 1636 01:29:17,640 --> 01:29:20,960 Today, sadly, it's a world without John. 1637 01:29:21,000 --> 01:29:23,360 A world without George. 1638 01:29:24,840 --> 01:29:27,160 But the legacy of the greatest band in history 1639 01:29:27,200 --> 01:29:29,200 remains as strong as ever. 1640 01:29:29,240 --> 01:29:31,240 # Nah-nah-nah-nah 1641 01:29:31,280 --> 01:29:35,760 # Nah-nah-nah-nah, hey, Jude 1642 01:29:36,840 --> 01:29:41,720 To go from Love Me Do to Hey Jude in seven-and-a-bit years is staggering. 1643 01:29:41,760 --> 01:29:43,760 You know, it's staggering. 1644 01:29:45,480 --> 01:29:48,280 I've had holidays longer than that, do you know what I mean? 1645 01:29:48,320 --> 01:29:50,320 # Hey, Jude 1646 01:29:52,000 --> 01:29:54,400 The Beatles are the Shakespeare of popular music. 1647 01:29:54,440 --> 01:29:56,440 # Nah, nah-nah-nah 1648 01:29:56,480 --> 01:29:59,040 There's a quality and a longevity to what they did 1649 01:29:59,080 --> 01:30:01,920 that will outlast all of them and all of us. 1650 01:30:04,200 --> 01:30:06,760 Their songs will go on and on and on. 1651 01:30:06,800 --> 01:30:10,480 Like the music of Mozart, it'll stand the test of time cos it's so unique. 1652 01:30:10,520 --> 01:30:14,280 # Nah-nah-nah-nah, hey, Jude 1653 01:30:15,400 --> 01:30:17,560 You listen to a Beatles record and generally 1654 01:30:17,600 --> 01:30:19,720 it will make your day a little bit better. 1655 01:30:19,760 --> 01:30:22,120 They've given the world a huge amount of enjoyment 1656 01:30:22,160 --> 01:30:24,120 and it's as simple as that. 1657 01:30:24,160 --> 01:30:27,760 # Nah, nah-nah-nah, hey, Jude 1658 01:30:27,800 --> 01:30:30,080 On behalf of the band, 1659 01:30:30,120 --> 01:30:32,400 I'd like to thank everyone in the UK 1660 01:30:32,440 --> 01:30:36,160 for their continuing love and appreciation for our music. 1661 01:30:36,200 --> 01:30:40,080 Our early success was all down to your wonderful support 1662 01:30:40,120 --> 01:30:42,440 and we have never forgotten that. 1663 01:30:42,480 --> 01:30:44,560 Thank you. 1664 01:30:44,600 --> 01:30:46,720 Paul, you're up next. 1665 01:30:46,760 --> 01:30:49,200 Hello, there. This has been a great programme 1666 01:30:49,240 --> 01:30:51,120 and I'm very happy to be part of it. 1667 01:30:51,160 --> 01:30:53,440 I can't believe that after all these years, 1668 01:30:53,480 --> 01:30:57,040 people are still listening to The Beatles, still playing the music 1669 01:30:57,080 --> 01:30:59,400 and I send my best. 1670 01:30:59,440 --> 01:31:02,040 # Nah, nah-nah-nah 1671 01:31:02,080 --> 01:31:04,560 Have a great one. 1672 01:31:04,600 --> 01:31:07,080 Peace and love. 1673 01:31:09,800 --> 01:31:14,720 # Nah, nah-nah-nah 1674 01:31:14,760 --> 01:31:19,760 # Nah, nah-nah-nah hey, Jude 1675 01:31:22,080 --> 01:31:27,360 # Nah, nah, nah, nah-nah-nah-nah, 1676 01:31:29,120 --> 01:31:32,760 # Nah, nah-nah-nah hey, Jude 1677 01:31:34,960 --> 01:31:41,440 # Nah, nah, nah, nah-nah-nah-nah, 1678 01:31:41,480 --> 01:31:45,520 # Nah, nah-nah-nah hey, Jude 1679 01:31:45,560 --> 01:31:53,160 # Nah, nah, nah, nah-nah-nah-nah, 1680 01:31:53,200 --> 01:31:57,600 # Nah, nah-nah-nah hey, Jude 1681 01:31:57,640 --> 01:31:59,640 subtitles by Deluxe 190726

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