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n't done so
is because it's not just a guitar that's playing.
(CHORD)
A piano's being hit.
If I just play the electric guitar, you hear this.
(CHORD) It sounds like A Hard Day's Night
but it's not, it's just a chord.
If I play all four, two guitars and two pianos,
you get the depth of that chord.
(CHORD)
# It's been a hard day's night
# And I've been working like a dog
# It's been a hard day's night
John Lennon wrote A Hard Day's Night
with a little help from one of his friends.
# When I get home to you
It was one of Ringo's little funny sayings.
He just said, "It's been a hard day's night."
# You know I work all day
John looked at him and said, "That's it.
That's the title we want."
Ringo's saying also gave us the title of the Fab Four's first film,
nominated for two Oscars,
and setting records in the first week of its release in Britain.
# You know I feel OK
I thought they were very funny in the film.
I thought they were naturals.
They found an identity in the film which was very real.
It was sort of, "Yeah, they were the boys I knew. That's fantastic."
# It's been a hard day's night
They didn't get them to play roles they weren't comfortable with,
they were basically playing themselves.
A very clever thing for them to do.
# I should be sleeping like a log
# But when I get home to you, I find the things that you do
Ringo and his character is really well captured
in that film. You've got an inferiority complex, you have.
I know, that's why I play the drums.
Paul's 'cheeky-chappy, everybody's friend' feel
is also brilliantly caught.
And John's rather sardonic feel.
How did you find America?
Turn left at Greenland.
And George is allowed a few rather wicked asides.
What would you call that hair style you're wearing?
Arthur.
For its Liverpool premiere on July 10th, 1964,
the four international movie stars returned home...
..to a reception even wilder than those in the film.
200,000 people were in Castle Street and Dale Street alone.
When they opened the doors to go out onto the balcony
the noise was horrendous.
(MASS SCREAMING) REPORTER: And there they are.
Just listen to those screams.
The police are having a pretty tough time.
It's certainly one of their hardest day's nights.
Looking out and seeing the whole street just full.
That's when I realised they were famous. (LAUGHS)
At No.8, the last of The Beatles' amazing run of chart-toppers.
An undoubted classic, but one which splits opinion to this day.
In April 1970,
the same journalist who had been following their progress
since the days of Beatlemania
broke the news that the greatest band in history
had decided to go their seperate ways.
From a journalist's point of view it was a great scoop.
But it was kind of sad in many, many ways
cos we'd travelled the road a long time
and those poor lads, it was the end of the long and winding road.
We'd reached it and I knew we'd reached it.
# The long and winding road
# That leads to your door
The Long And Winding Road is the most outstanding record.
# Will never disappear
The melody, the voice. Haunting vocal. Magic.
# I've seen that road before
But by the time it gave The Beatles their 20th US number one
in June, 1970, the band were no longer together.
And even this song was cause for dispute.
The Long And Winding Road is a very strange story.
First of all, the artist had no idea
that it was going to sound like what it sounded like
because Phil Spector got it.
Its writer, Paul McCartney,
had no idea that maverick producer Spector had been brought in.
# Has left us full of tears
His task, to tidy up the unfinished tracks
that George Martin had originally recorded
for what would become the Let It Be album.
And this was how it sounded when Phil Spector first got hold of the song.
# Why leave me standing here? (GENTLE, LOW-KEY MUSIC)
# Let me know the way
Long And Winding Road sounds better with a piano and very little else.
# Many times I've been alone
# And many times I've cried
Because it's a real personal song.
# Anyway, you've always known
# The many ways I've tried
# But still they lead me back
So to put all that Spector rubbish on it was wrong.
(LOUD ORCHESTRATION PLAYS OVER SONG)
Paul rang me up one day and said,
"They've taken it to America and given it to Phil Spector.
They've put heavenly choirs and all sorts of syrupy strings on it.
On my songs!" He was furious.
# A long, long time ago
I got a call, "Could you come and do an arrangement
for this song The Long And Winding Road?"
# Don't leave me waiting here
I started off quite modestly, you know.
Six violins, three violas, three cellos.
# Lead me to your door
But then I kept getting calls from Phil saying,
"I'd like a few more violins, a few more strings.
Some brass and some horns and some harps and even a choir."
I thought, "Oh..." So I did it.
And then the final snub was that EMI said,
"We wouldn't have your name - My name - on the album."
Because Phil Spector had now produced it.
And I said, "Let's have a compromise.
Why don't you say, "Produced by George Martin. Overproduced by Phil Spector"?"
But they didn't get that one.
# You left me waiting here
# A long, long time ago
# Don't leave me standing here
# Lead me to your door... #
The story of the next Beatles number one
in our exclusive countdown begins here, in London,
at the family home of Paul McCartney's then-girlfriend,
actress Jane Asher.
Paul was living at the time in our guestroom.
One particular day, John came over and joined him.
They were down there a couple of hours
and then Paul stuck his head up the stairs and asked if I wanted to come down
and hear what they were working on, what they'd finished.
They were sitting side-by-side on the piano bench
hammering away at the piano and played I Want To Hold Your Hand
for the first time to anybody anywhere.
You kind of go, "Am I going mad
or is this just about the best pop song I've ever heard in my life?"
# Yeah, I'll tell you something
# I think you'll understand
# When I'll say that something
# I want to hold your hand
Landing UK number ones was becoming business as usual for the Fab Four.
This was their third in 1963 alone.
But this song also started to climb the American charts
and so, by early 1964...
# Please say to me
..it had conquered the Billboard Hot 100.
# Let me hold your hand
Just seven weeks earlier, they were performing the song
on Granada's local magazine show.
Now The Beatles were playing it to what seemed like the whole of America.
In the first week of February they appeared on the Ed Sullivan Show
to the largest television audience to date, which was 73m people.
# It's such a feeling that my love that I can't hide
I did see The Beatles play the Ed Sullivan Show.
And it was amazing.
I fell in love with them.
We were all saying who liked who.
"I like Paul." "I like John." "I like George."
# You've got that something
"I like Ringo." # I want to hold your hand
# I want to hold your hand
The feel of I Want To Hold Your Hand
was like something that came from the moon.
# And when I touch you, I feel happy inside
It was very, very, very different.
# It's such a feeling that my love, I can't hide
It was more than just the song that was making them so popular.
They had a look, the personality,
there was something about them that kids just gravitated and loved.
# I think you'll understand
# When I'll say that something
# I want to hold your hand
It was so quick, it was so deep, it was so impactful.
And during the year 1964, they had 25 hit singles in America.
# I want to hold your hand #
(SCREAMING) We're moving on three years now, to 1967
and the great Beatles album that got away.
# Strawberry Fields Forever
The Beatles decided to make a concept album.
About their life and early days in Liverpool.
The first song for it, which Paul wrote, was Penny Lane.
And then John wrote Strawberry Fields Forever.
But sadly, the Liverpool-themed album was not to be.
Instead, the two songs were brought together
for what many consider the greatest double-A side ever.
It's amazing to think that this classic combination
was the first Beatles single for four years
not to reach number one in the UK.
But Penny Lane's slice of Liverpool life
did strike a chord in the States
where it reached the top of the charts.
And tonight, it's No.6 in our countdown.
# In Penny Lane, there is a barber showing photographs
# Of every head he's had the pleasure to know
# And all the people that come and go
# Stop and say hello
Penny Lane is such a beautifully crafted song.
# On the corner, there's a banker with a motorcar
# The little children laugh at him
Every little bit of it is so catchy.
# And the banker never wears a mack in the pouring rain
Really fantastic production as well.
# Penny Lane is in my ears and in my eyes
It was a bus terminus, Penny Lane,
in South Liverpool where we all lived.
# There beneath the blue suburban skies
And we'd all sort of meet at Penny Lane and go to places.
# In Penny Lane, there is a fireman with an hour glass
# And in his pocket is a portrait of the Queen
# He likes to keep his fire engine clean
# It's a clean machine
All those beautiful images of the people in Penny Lane
captivated Americans' imaginations
and to think of - And I honestly mean this -
Liverpool as some exotic place with all of these wonderful images
because The Beatles made these images come to life.
# Penny Lane is in my ears and in my eyes
50 years on, tourists still flock to see the places mentioned in the song.
Where we are now is at the very top end of Penny Lane.
And just over on the other side
you'll see the famous things that The Beatles sang about.
# Behind the shelter in the middle of a roundabout
The shelter in the middle of a roundabout
where pretty nurses sold poppies from a tray.
Just over to the right you'll see the bank
where the banker never wore a mack in the pouring rain.
And just a little bit further up is the famous barber's shop.
# In Penny Lane, the barber shaves another customer
# We see the banker sitting waiting for a trim
I used to live just behind Penny Lane hill.
# Then the fireman rushes in
I spent many, many months, years of my life
walking up and down Penny Lane.
# Penny Lane is in my ears and in my eyes
It brings a tear to one's eye, almost.
I thought it just captured the atmosphere there.
# There beneath the blue suburban skies
# I sit and meanwhile back
All You Need Is Love was their great Imperial moment
because it was written specially for this television show, Our World.
Broadcast in June 1967, this was the first TV programme
to be beamed around the world by satellite.
Good evening. This should be a moment in television history
because this programme will bring together
more places throughout the world than has ever been possible before.
19 countries provided performances
and representing the UK were The Beatles
with their latest single live from Abbey Road.
I remember watching this as a kid and what was so exciting
was we were told this was gonna be a global broadcast.
The entire world was gonna be watching.
In the next two hours, everything will be live.
No film or recordings.
This commission, really, "Can you write a song
the whole world is gonna sing?"
And only The Beatles would have accepted that.
Terrifying challenge. Probably only The Beatles would have succeeded.
OK, Geoff? Right, here we go.
Here comes the tape.
# French National Anthem
I felt really nervous on The Beatles' behalf.
I remember watching it live and thinking, "The whole world's watching!"
# Love, love, love
And eventually the camera alights on John Lennon
who, if I remember rightly, had his hands on his headphones
and his eyes shut, and was completely self-possessed.
# There's nothing you can do that can't be done
# Nothing you can sing that can't be sung
And was chewing gum.
# Nothing you can say, but you can learn how to play the game
# It's easy
And I can remember thinking, "This is brilliant.
How cool are The Beatles?"
# Nothing you can make that can't be made
# No-one you can save that can't be saved
The broadcast came just as the Summer of Love was in full swing.
With a song that summed up an era of optimism.
# All you need is love
Love used to be talked about a lot in the 1960s.
There should be a better way of living
and everybody just cooperating with each other.
# All you need is love, love
And The Beatles were very influenced by that.
# Love is all you need
In the build-up to this moment of history,
fellow Cavern graduates The Merseybeats
were allowed a rare glimpse of The Beatles at work in the studio
as the song came together.
They'd done the backing track - # Love, love, love
# Love, love, love # Love, love, love
That's all they had. And they said to us, "What do you think?"
What did you say? "I like the words..."
# All you need is love
But then Paul kept popping his head outside and said,
"John, have you written any lyrics to this song yet?"
And John said, "We've got two days. It doesn't go out live till Friday."
# Nothing you can know that isn't known
# Nothing you can see that isn't shown
# There's nowhere you can be that isn't where you're meant to be
It's this ultimate singalong song.
It was uplifting and it meant something and it really worked.
# All you need is love
I just felt so incredibly proud that this wonderful band
were performing a breathtaking song and representing our country.
I thought, "I bet all the other countries in the world
are probably a little bit jealous, actually."
# All you need is love # All together now
# All you need is love
# Everybody
At No.4, the McCartney classic from the Revolver album
that topped the singles chart in 1966
as a double-A side with Yellow Submarine.
# Ah, look at all the lonely people
What I loved about Eleanor Rigby is the fact you follow her journey
and they made her feel very real.
# Eleanor Rigby picks up the rice in a church
# Where a wedding has been
It's so heartbreaking.
# Lives in a dream
It's verging on poetry.
# Wearing a face that she keeps in a jar by the door
It's a poetic lyric, but then it's got a massive punchline.
# All the lonely people
"All the lonely people, where do they all come from?"
Oh, it's the lyric of a lifetime, that.
# All the lonely people
Eleanor Rigby's very unusual.
It's the first time The Beatles didn't play any instruments on their records.
# Father McKenzie, writing the words of a sermon that no-one will hear
What they did is they recorded a double string quartet
and my dad talked to Paul about it
and they listened to Bernard Hermann.
Bernard Hermann was a famous film composer
who is famous for Psycho.
As the woman is attacked in the shower, there's -
(MIMICS HIGH-PITCHED VIOLIN STRINGS)
# All the lonely people
It's an incredibly aggressive sound.
It's almost like a 24-year-old Liverpudlian saying,
"I want a string quartet to sound like this"
and using my dad as a translator for that.
Paul has said the name Eleanor Rigby
came from combining the names of actress Eleanor Bron
with a Bristol wine shop.
But intriguingly, a stone's throw from where John and Paul
first met in 1957, this gravestone can be found.
# Eleanor Rigby died in the church
# And was buried alone with her name
The majority of fans love the idea that there is a true Eleanor Rigby
so they're not that particularly bothered
that Paul says it's to do with the actress Eleanor Bron.
They still want to come and see this grave in St Peter's church.
# No-one was saved
# All the lonely people
It's strange to have a number one that is only a string quartet and vocal.
And it's just the thought of being able to come into a studio,
tear up the rule book, break the mould,
and then move onto something else. It was just very Beatles.
# Here Comes The Sun
Welcome back as we're nearing the end of our incredible journey
to reveal the nation's favourite Beatles No.1.
And we're now into our top three
and the epic title track from the Fab Four's final album and film...
..based on a dream Paul McCartney had about his late mother, Mary.
# When I find myself in times of trouble
# Mother Mary comes to me
# Speaking words of wisdom, "Let it be"
# And in my hour of darkness
# She is standing right in front of me
# Speaking words of wisdom, "Let it be"
Paul has said the dream came to him
during a difficult time in the band's history
when Mary appeared to him saying,
"It will be all right. Just let it be."
# Whisper words of wisdom, "Let it be"
The dream that he had about his mother,
I can imagine him having an experience like that.
It's quite mystical, isn't it?
# There will be an answer, let it be
When she died, it was a big, big thing to him.
He was very, very close with his mum.
The fact that he wanted to put that into music,
trying to sort it out in some kind of creative way through a song,
that's very him.
# Let it be, let it be, let it be, let it be
# There will be an answer, let it be
# Let it be
They allowed men to be able to go, "You know what?
This is OK to be emotional, to talk like this."
We've a lot to thank them for.
# Whisper words of wisdom, "Let it be"
They wrote those songs, the kind of early anthemic songs,
that we all wanted to get behind and put our hands up in the air
and say, "Yep, that's part of me."
It just sounded very spiritual. Like a gospel song.
It's a very kind of stripped back, simple way
of delivering that message.
It says it all needs to say and there's no need for elaboration.
It pretty much sums up how to deal with any situation
when you're really struggling.
# Let it be, let it be let it be, yeah, let it be
This would be the final single released before McCartney left the band
and The Beatles were no more.
Let It Be has a finality to it.
It almost sounds like a song for the critics.
The end of the film. # Whisper words of wisdom,
# "Let it be"
We're now just one Beatles classic away from the end of our countdown.
And at No.2, the most recorded song in pop history.
3,000 cover versions so far and counting.
# Yesterday
# All my troubles seemed so far away
# Now it looks as though they're here to stay
# Oh, I believe in yesterday
Yesterday is one of those songs where you could have taken it a number of ways.
Ultimately it had to be stripped back.
It had to just sing to you, like, you know, like a lullaby.
# There's a shadow hanging over me
# Yesterday came suddenly
# Why she had to go, I don't know
# She wouldn't say
# I said something wrong
# Now I long for yesterday
It's got a very identifiable sentiment.
# Yesterday
# Love was such an easy game to play
# Now I need a place to hide away
Slightly yearning for what's gone by.
# Oh, I believe in yesterday
It's a beautiful song that connects with people.
# Why she had to go, I don't know
# She wouldn't say
Just like Let It Be,
this was another song that came to Paul in a dream.
# Now I long for yesterday
And another song born at the family home
of Paul's girlfriend, Jane Asher.
He woke up with the song in his head, finished, the melody.
He assumed it was a pre-existing song.
# Now I need a place to hide away
My mum remembered him wandering down to breakfast as it were saying,
"What is this song I've got stuck in my head?"
She said, "It's very nice, but I've never heard it before."
And it eventually dawned on him that he'd written it in his sleep.
Yesterday is a really special song.
I just can't imagine a world where the song doesn't exist.
Thank you, Ringo. That was wonderful.
Thank you, John. But the time for joking is over
as we reach the end of our journey through the extraordinary career
of the Fab Four.
It's finally time to reveal the song ITV viewers have voted
as the greatest Beatles number one ever.
Tonight we've enjoyed songs that summed up the '60s.
Songs of pure genius.
Songs that changed the world.
And at No.1, it's an anthem that's moved millions of us
since 1968.
A seven-minute epic written by Paul for John's son Julian.
Prepare to sing along with the nation's favourite Beatles number one.
# Hey, Jude
# Don't make it bad
# Take a sad song
# And make it better
# Remember to let her into your heart
# Then you can start to make it better
# Hey, Jude
# Don't be afraid
# You were made to go out and get her
John Lennon loved that song because it was written for Julian.
It was Paul's way of saying, "I know your parents are divorced
but things are gonna be OK."
What a present to give to someone.
And it was a beautiful gift in our lifetime, for us.
# And any time you feel the pain
# Hey, Jude, refrain
# Don't carry the world
# Upon your shoulders
The song has open arms in the way that it's saying, "Don't worry."
You want to sing it with each other and to each other, whoever you're with.
# By making his world a little colder
It's one of the true pop anthems.
It's one of the oldest and...and greatest.
But recording this great pop anthem wasn't all plain sailing.
# Hey, Jude
# Don't let me down
The first two days spent on it at Abbey Road were caught on camera.
Great for us now, but not at the time.
There was a film crew in. Typical of a film crew,
they said, "Don't worry, you won't know we're there."
Well, we did. They were in everyone's faces.
Everyone was quite irate.
We finished up not getting anything.
# So let it out and let it in
It eventually took six days to record Hey Jude,
the longest time needed for any Beatles single.
It would also be the longest Beatles number one.
A running time of over seven minutes
meant the band were breaking yet more rules.
# Don't you know that it's just you?
# Hey, Jude
Back then, radio was two-and-a-half, three minute songs.
I don't think that anyone thought that Hey Jude
would get the amount of play that it did get, but it was The Beatles.
Who's not going to play The Beatles?
When The Beatles premiered the song on The David Frost Show on ITV
in September 1968, this was a real TV occasion.
# Don't make it bad
And for the big singalong chorus at the end,
director Michael Lindsay-Hogg decided to pull out all the stops.
We realised that just being on The Beatles
for the four-minute closing chorus wouldn't sustain.
And so Paul and I thought wouldn't it be interesting
to get people in as an audience, to represent the world?
# Nah, nah, nah-nah-nah
Housewives, students.
Certainly multi-cultural.
They just sang the song and when they got to the "Nah, nah, nah" part
we all had to run on.
I was about two people away from Ringo
and singing my heart out.
It was a once-in-a-lifetime. It's a really lovely memory.
# Nah, nah, nah, nah-nah-nah-nah
Nothing beats the end.
When it's the big singalong, 'hands in the air'.
At that point as well, if you've got a room full of people
it doesn't matter if they can sing or not.
If they want to shout along, that works.
If you don't join in on Hey Jude there's something wrong with you.
I love it. Neverending, "Nah, nah, nah, nah-nah-nah..."
# Nah, nah, nah, nah-nah-nah
The legacy is their music.
Those songs that we all join hands and sing along to at the end of the night.
God bless The Beatles.
It's now over 50 years since The Beatles
first came, saw and conquered the world.
Today, sadly, it's a world without John.
A world without George.
But the legacy of the greatest band in history
remains as strong as ever.
# Nah-nah-nah-nah
# Nah-nah-nah-nah, hey, Jude
To go from Love Me Do to Hey Jude in seven-and-a-bit years is staggering.
You know, it's staggering.
I've had holidays longer than that, do you know what I mean?
# Hey, Jude
The Beatles are the Shakespeare of popular music.
# Nah, nah-nah-nah
There's a quality and a longevity to what they did
that will outlast all of them and all of us.
Their songs will go on and on and on.
Like the music of Mozart, it'll stand the test of time cos it's so unique.
# Nah-nah-nah-nah, hey, Jude
You listen to a Beatles record and generally
it will make your day a little bit better.
They've given the world a huge amount of enjoyment
and it's as simple as that.
# Nah, nah-nah-nah, hey, Jude
On behalf of the band,
I'd like to thank everyone in the UK
for their continuing love and appreciation for our music.
Our early success was all down to your wonderful support
and we have never forgotten that.
Thank you.
Paul, you're up next.
Hello, there. This has been a great programme
and I'm very happy to be part of it.
I can't believe that after all these years,
people are still listening to The Beatles, still playing the music
and I send my best.
# Nah, nah-nah-nah
Have a great one.
Peace and love.
# Nah, nah-nah-nah
# Nah, nah-nah-nah hey, Jude
# Nah, nah, nah, nah-nah-nah-nah,
# Nah, nah-nah-nah hey, Jude
# Nah, nah, nah, nah-nah-nah-nah,
# Nah, nah-nah-nah hey, Jude
# Nah, nah, nah, nah-nah-nah-nah,
# Nah, nah-nah-nah hey, Jude
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