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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:01:22,691 --> 00:01:25,824 WE'VE GOT TWO WHITE MALES ON THE RUN, DO YOU COPY? 4 00:01:54,636 --> 00:01:57,682 - TRAFFIC? - SOMETHING LIKE THAT. 5 00:01:57,726 --> 00:02:00,120 - ALL RIGHT, LET'S DO THIS. 6 00:02:04,124 --> 00:02:07,344 - ALL RIGHT, LET'S GET THIS OVER WITH. 7 00:02:09,041 --> 00:02:11,000 - HWAAH! 8 00:02:14,482 --> 00:02:16,571 - YOU BETTER GO HOME NOW BEFORE MY DAD GETS HERE. 9 00:02:16,614 --> 00:02:18,007 - GO HOME NOW? BABY GIRL, 10 00:02:18,050 --> 00:02:19,530 I'M THE DADDY OF ALL DADDIES. 11 00:02:19,574 --> 00:02:21,358 - YOU AIN'T GOT NO BUSINESS AROUND HERE. 12 00:02:22,664 --> 00:02:25,449 - COME ON, YOU KNOW YOU WANT IT. 13 00:02:26,929 --> 00:02:29,105 - SAY, BITCH. - YOU GOTTA GO HOME NOW 14 00:02:29,149 --> 00:02:30,889 - BEFORE MY DADDY GET HERE. - I BETTER GO HOME NOW? 15 00:02:30,933 --> 00:02:32,021 BABY GIRL, I AM THE DADDY OF ALL DADDIES. 16 00:02:32,064 --> 00:02:33,631 - YOU AIN'T GOT NO BUSINESS AROUND HERE. 17 00:02:33,675 --> 00:02:34,980 - I GOT BUSINESS AROUND HERE. I'M IN THE BUSINESS OF GETTING 18 00:02:35,024 --> 00:02:36,504 MY MONEY. - WHAT MONEY? 19 00:02:36,547 --> 00:02:38,375 - THE MONEY THAT'S IN THE BAG. - WHAT BAG, THIS BAG? 20 00:02:38,419 --> 00:02:39,985 - YOU BETTER GIVE ME THAT HERE BAG. - Man: CUT. 21 00:02:40,029 --> 00:02:41,770 - GIVE ME THAT BAG, BITCH. - Man: CUT. 22 00:02:41,813 --> 00:02:42,988 - GIVE ME THAT BAG, BITCH. 23 00:02:43,032 --> 00:02:44,860 - Man: CUT! 24 00:02:44,903 --> 00:02:48,820 - VERY NICE, OH, DARLING, YOU'RE LOOKING WONDERFUL. 25 00:02:51,040 --> 00:02:53,260 OH, YEAH, YOU CAN GO, THANKS. 26 00:02:53,303 --> 00:02:57,220 GIRL, YOU GOT THE PARTS. UH, THE PART. 27 00:02:57,264 --> 00:03:01,920 - UH-UH. NAH. - GIVE ME THE BAG! 28 00:03:03,052 --> 00:03:05,010 - HEY, WAIT UP. 29 00:03:06,273 --> 00:03:08,013 LONG TIME NO SEE, HOW YOU BEEN? 30 00:03:08,057 --> 00:03:11,539 - HEY. UH, IT'S GONNA BE MY YEAR, YOU KNOW? 31 00:03:11,582 --> 00:03:14,977 - YEAH. - CONGRATULATIONS ON THE PARTS. 32 00:03:15,020 --> 00:03:17,284 - I KNOW EDDY J, DON'T MIND HIM. 33 00:03:17,327 --> 00:03:19,024 - Man: GIVE ME THE BAG. 34 00:03:19,068 --> 00:03:22,680 - I CAN'T SAY I WASN'T LOOKING TO-- 35 00:03:22,724 --> 00:03:24,073 - HOPEFULLY WE GET TO WORK TOGETHER AGAIN, 36 00:03:24,116 --> 00:03:26,858 I HAD A REALLY, REALLY GOOD TIME. 37 00:03:31,080 --> 00:03:33,038 - Man: CUT. 38 00:03:33,082 --> 00:03:35,040 - HOW WAS THAT ONE FOR CAMERA? WAS IT COOL? 39 00:03:35,084 --> 00:03:39,001 I HAD A GREAT TIME, ONE OF MY-- YOU LOOK GOOD THOUGH, LOVE. 40 00:03:39,044 --> 00:03:43,135 IT'S ALWAYS GOOD SEEING YOU. - THANK YOU, YOU TOO. 41 00:04:00,849 --> 00:04:02,198 - NO NEED FOR THE SUIT, BROTHER, 42 00:04:02,242 --> 00:04:03,982 THE LAWYER'S ALREADY BEEN CAST. 43 00:04:04,026 --> 00:04:05,593 YOU'LL BE READING THESE. 44 00:04:09,336 --> 00:04:11,076 OFF YOU GO. 45 00:04:12,643 --> 00:04:14,341 COME ON, WE DON'T HAVE ALL DAY. 46 00:04:16,734 --> 00:04:17,866 - AHEM. 47 00:04:17,909 --> 00:04:20,999 HWAAH! 48 00:04:21,043 --> 00:04:25,917 I DEALS DRUGS BUT AIN'T NOTHING WRONG WITH WHAT I DO. 49 00:04:25,961 --> 00:04:27,092 I'M THE GHETTO RIDER. 50 00:04:27,136 --> 00:04:28,485 THE HOODS THE WAY IT READ. 51 00:04:28,529 --> 00:04:29,486 STREET PUNKS 52 00:04:29,530 --> 00:04:30,966 AND THE DOCTOR IS SEEN. 53 00:04:31,009 --> 00:04:32,097 SHIT, IF I DON'T SUPPLY, 54 00:04:32,141 --> 00:04:33,621 WHAT MY NIGGAS GON' GET HIGH AT? 55 00:04:33,664 --> 00:04:34,796 THAT'S THE PROBLEM. 56 00:04:34,839 --> 00:04:35,927 THAT AIN'T A PROBLEM, 57 00:04:35,971 --> 00:04:37,929 THAT'S A MOTHERFUCKING PROBLEM. 58 00:04:37,973 --> 00:04:41,716 - NOW YOU KNOW THAT IS SOME BULLSHIT, SON. 59 00:04:46,895 --> 00:04:49,811 - NOT BLACK ENOUGH. 60 00:04:49,854 --> 00:04:52,857 I KNOW BLACK. SHIT, I AM BLACK. 61 00:04:52,901 --> 00:04:54,946 WELL, WHEN YOU SAY BLACK, WHAT EXACTLY DO YOU MEAN? 62 00:04:54,990 --> 00:04:57,122 YOU KNOW, THUGGISH, GANGSTA, 63 00:04:57,166 --> 00:04:58,907 A BROTHER THAT DON'T GIVE A FUCK. 64 00:04:58,950 --> 00:05:01,692 BISHOP FROM JUICE. 65 00:05:01,736 --> 00:05:03,085 A REAL NIGGA. 66 00:05:03,128 --> 00:05:06,349 - MMM, KINDA LIKE MY STORY. 67 00:05:06,393 --> 00:05:08,308 WHAT IS YOUR STORY? 68 00:05:10,135 --> 00:05:13,051 MAN, NIGGA LIKE ME AIN'T NEVER EVEN KNEW MY POPS. 69 00:05:13,095 --> 00:05:15,010 SEE, YOU COULD BE HIM FOR ALL I KNOW, 70 00:05:15,053 --> 00:05:17,055 AND I WOULDN'T HAVE NO IDEA. 71 00:05:17,099 --> 00:05:20,189 MOMMA DUKES OD'D ON CRACK WHEN I WAS SIX YEARS OLD 72 00:05:20,232 --> 00:05:22,496 SO I HAD TO GET RAISED UP BY MY GRANDMOTHER. 73 00:05:22,539 --> 00:05:25,847 TELL ME HOW THE HELL BIG MOMMA'S SUPPOSED TO RAISE A MAN? 74 00:05:25,890 --> 00:05:28,110 COMMITTED MY FIRST ROBBERY AT, LIKE, 11. 75 00:05:28,153 --> 00:05:29,894 SOME OLD-ASS WHITE LADY DIDN'T WANT TO SPARE A DOLLAR, 76 00:05:29,938 --> 00:05:31,766 AND I ASKED THAT BITCH NICELY. 77 00:05:31,809 --> 00:05:37,032 SON, I GOT TWO KIDS. MY NEW BITCH, SHE PREGNANT RIGHT NOW. 78 00:05:37,075 --> 00:05:38,381 AND ON TOP OF ALL OF THAT, 79 00:05:38,425 --> 00:05:40,035 I'M LOOKING AT, LIKE, 3 TO 5 RIGHT NOW 80 00:05:40,078 --> 00:05:43,081 WITH POSSESSION WITH INTENT TO SELL UP IN RIKERS. 81 00:05:44,344 --> 00:05:47,259 ALL THIS ACTING SHIT, MAN, THIS RIGHT HERE IS-- 82 00:05:47,303 --> 00:05:50,306 JUST MY WAY OF TRYING TO GET SOME MONEY, MAN. 83 00:05:53,048 --> 00:05:54,832 - THAT'S WHAT I'M TALKING ABOUT. 84 00:05:54,876 --> 00:05:57,661 - YOU FEEL ME? - I FEEL YOU, BROTHER. 85 00:06:05,539 --> 00:06:07,149 - Man: I WANT TO GET YOU OUTSIDE. 86 00:06:39,007 --> 00:06:41,444 - WHAT ARE YOU DOING UNDER THERE, MAN? 87 00:06:41,488 --> 00:06:44,621 - MAINTENANCE, UH-- 88 00:06:44,665 --> 00:06:47,885 SMOOTHIN' THIS BABY OUT. WHAT'S UP, LOVE? 89 00:06:51,802 --> 00:06:54,283 CAN I ASK YOU A QUESTION? - SOUNDS LIKE YOU JUST DID. 90 00:06:54,326 --> 00:06:56,241 - WHY DIDN'T YOU COME IN WHEN YOU KNOW YOU'RE ON THE SCHEDULE? 91 00:06:56,285 --> 00:06:59,331 - I READ IT WRONG, MAN. - THAT'S BULLSHIT, MAN, 92 00:06:59,375 --> 00:07:01,682 YOU COULDN'T LIE IN HIGH SCHOOL, YOU CAN'T LIE NOW. 93 00:07:01,725 --> 00:07:03,553 CALL YOURSELF AN ACTOR, THAT'S GOOD. 94 00:07:03,597 --> 00:07:05,468 WHAT'S UP, DENZEL? 95 00:07:05,512 --> 00:07:07,949 - HEY LISTEN, MAN, FIRST OF ALL, ACTING IS THE TRUTH. 96 00:07:07,992 --> 00:07:09,429 - OH, YEAH? HUH. - YEAH. 97 00:07:09,472 --> 00:07:13,868 - SECONDLY, SHUT THE FUCK UP. - IS THE REAL COOL AN ACT? 98 00:07:13,911 --> 00:07:15,478 THIS WHOLE THING RIGHT HERE, IS THIS IS AN ACT? 99 00:07:15,522 --> 00:07:17,915 - IT'S MY WORK SPACE, MAN, I'M CHILLING, ALL RIGHT? 100 00:07:17,959 --> 00:07:20,309 - GUY WITH THE FLY SWATTER. YOU GOT YOUR LITTLE UMBRELLA, 101 00:07:20,352 --> 00:07:22,398 YOU GOT YOUR--YOUR-- YOUR RADIO OVER HERE. 102 00:07:22,442 --> 00:07:24,052 YOU'RE ON SPRING BREAK, RIGHT? 103 00:07:24,095 --> 00:07:26,097 - I'M-A DO MY COOL THING, MAN, YOU DO YOUR GREASE MONKEY THING, 104 00:07:26,141 --> 00:07:27,925 - ALL RIGHT? - YOU WORK HER WELL. 105 00:07:27,969 --> 00:07:30,014 - IT LOOKS GOOD. - THE LADIES LIKE ME. 106 00:07:30,058 --> 00:07:32,277 - UH-HUH. - SPEAKING OF-- 107 00:07:34,018 --> 00:07:37,979 THAT'S ME. YOU DO YOU, I DO ME. 108 00:07:38,022 --> 00:07:40,460 - HOPE SHE LIKES, UH, FLY SWATTERS. 109 00:07:42,200 --> 00:07:44,507 - HEY, HEY, RENEE. WHAT'S UP, BABY? GIVE ME A KISS. 110 00:07:44,551 --> 00:07:47,118 - NOW, NOW, NOW, DON'T HEY ME. - WHAT? 111 00:07:47,162 --> 00:07:48,816 - I THOUGHT YOU OWNED THIS PLACE? 112 00:07:48,859 --> 00:07:50,470 - WELL, UM, I DO, I DO. 113 00:07:50,513 --> 00:07:53,168 - I FOUND OUT FROM KEISHA THAT YOU JUST PUMP THE GAS. 114 00:08:01,916 --> 00:08:03,744 WELCOME TO MY STATION. 115 00:08:03,787 --> 00:08:04,919 HOW CAN I HELP YOU TODAY, BEAUTIFUL? 116 00:08:04,962 --> 00:08:07,530 - I NEED DIRECTIONS TO MANHATTAN, 117 00:08:07,574 --> 00:08:09,880 CAN YOU PLEASE GIVE THEM TO ME? I'M IN A RUSH. 118 00:08:09,924 --> 00:08:13,057 - AH, NEW YORK CITY AIN'T GOING NOWHERE. 119 00:08:13,101 --> 00:08:14,581 - AH, THIS IS YOUR STATION? 120 00:08:14,624 --> 00:08:16,365 - MM-HM. - YOU'RE PHIL? 121 00:08:16,408 --> 00:08:19,063 - YEAH, I MEAN, DON'T WORRY ABOUT THE NAME TAG. 122 00:08:19,107 --> 00:08:21,979 - YOU ARE A GAS ATTENDANT. - WELL, THAT IS TRUE. 123 00:08:22,023 --> 00:08:24,329 - AND THE ONLY THING YOU OWN IS THAT SILLY LITTLE BIKE OVER THERE 124 00:08:24,373 --> 00:08:28,856 AND THAT SILLY LITTLE BIKE ISN'T EVEN THE COLLECTOR'S ITEM 125 00:08:28,899 --> 00:08:30,466 - YOU SAY IT IS. - OH, NOW, THAT'S A LIE. 126 00:08:30,510 --> 00:08:32,903 - IT'S A HUFFY! - WELL, YES, IT IS A HUFFY, 127 00:08:32,947 --> 00:08:36,428 BUT IT IS A 1990 HUFFY, DISCONTINUED MODEL. 128 00:08:36,472 --> 00:08:38,996 THEREFORE, BY DEFINITION, A COLLECTOR'S ITEM. 129 00:08:39,040 --> 00:08:40,911 - DON'T LIE. HEY, YOU? 130 00:08:40,955 --> 00:08:41,999 - AAAH! 131 00:08:42,043 --> 00:08:43,566 - CAN YOU COME OVER HERE FOR A SECOND? 132 00:08:43,610 --> 00:08:45,916 - WHY PEOPLE ALWAYS GONNA RUN TO THE WHITE GUY? 133 00:08:45,960 --> 00:08:50,051 - CAN I AKS YOU A QUESTION? - YEAH, YOU JUST DID. 134 00:08:50,094 --> 00:08:53,924 - DOES HE OWN THIS PLACE? - HE OWNS THAT HUFFY. 135 00:08:53,968 --> 00:08:58,886 - IS HIS REAL NAME PHIL? - IT SAYS COOL ON HIS NAME TAG. 136 00:08:58,929 --> 00:09:01,018 - YOU'RE IN THE MIDDLE. - HEY-- 137 00:09:13,204 --> 00:09:15,946 YO, WHAT WAS THAT? - YUP. 138 00:09:15,990 --> 00:09:19,036 - LOOK AROUND YOU, MAN, WE WORK AT A GAS STATION. 139 00:09:19,080 --> 00:09:22,431 - MM-HM. - YOU FIX CARS, I PUMP GAS. 140 00:09:22,474 --> 00:09:23,954 I CAN BARELY KEEP MY FINGERNAILS CLEAN. 141 00:09:23,998 --> 00:09:27,175 - THERE'S SOME SPECIAL SOAP IN THE BACK IF YOU-- 142 00:09:27,218 --> 00:09:28,611 - IS THIS WHAT YOU WANT FOR YOURSELF? 143 00:09:28,655 --> 00:09:30,395 - LOOK, I HAPPEN TO LIKE MY LIFE. 144 00:09:30,439 --> 00:09:31,788 - YEAH, WELL, WHATEVER WORKS FOR YOU. 145 00:09:31,832 --> 00:09:33,094 - YEAH, WHATEVER WORKS FOR YOU, TOO. 146 00:09:33,137 --> 00:09:34,312 - WHEN'S THE LAST TIME YOU BOOKED SOMETHING? 147 00:09:34,356 --> 00:09:36,271 - WHATEVER, MAN, I'VE DONE COMMERCIALS. 148 00:09:37,533 --> 00:09:39,840 TODAY'S ORDINARY BURGER JUST CAN'T SATISFY 149 00:09:39,883 --> 00:09:41,755 THE MODERN-DAY BLACK MAN. 150 00:09:41,798 --> 00:09:45,672 WE LIKES OUR FOOD TO HAVE THAT EXTRA LARGE FLAVOR, BABY. 151 00:09:45,715 --> 00:09:47,456 THAT'S WHY, HERE AT BURGER JESTER, 152 00:09:47,499 --> 00:09:48,892 WE HAVE A COMMITMENT TO BEEF. 153 00:09:48,936 --> 00:09:52,200 WITH THE INTRODUCTION OF THE NEW BIG DADDY BURGER, BABY. 154 00:09:52,243 --> 00:09:55,116 THIS RIGHT HERE AIN'T YOUR DADDY'S BURGER, BABY. 155 00:09:55,159 --> 00:09:57,031 - HEY BIG, DADDY. - HEY, SUGAR, 156 00:09:57,074 --> 00:09:58,119 WHY DON'T YOU PLANT ONE ON ME? 157 00:09:58,162 --> 00:09:59,947 - Woman: THIS IS BIG, DADDY. 158 00:10:03,254 --> 00:10:05,387 - Man: KEEP IT REAL. WHEN YOU EAT YOUR MEAL. 159 00:10:05,430 --> 00:10:06,910 BURGER JESTER, 77 BURGER LANE, SOUTH ORANGE, NEW JERSEY, 160 00:10:06,954 --> 00:10:09,913 WWW.BIGDADDYBURGER.COM. AVAILABLE NOW! 161 00:10:09,957 --> 00:10:13,787 - I'M OUT! COVER ME, HOMEBOY. - HOMEBOY? 162 00:10:13,830 --> 00:10:16,703 - ALL RIGHT, DAWG, BROTHER, PLAYA. 163 00:10:16,746 --> 00:10:18,530 - NOW, YOU KNOW YOU AIN'T SUPPOSED TO BE DOING THAT. 164 00:10:18,574 --> 00:10:20,054 - YOU KNOW, YOU WERE SUPPOSED TO BE HERE AT 10 AM. 165 00:10:20,097 --> 00:10:21,795 YOU KNOW, YOU DON'T OWN THIS PLACE? 166 00:10:21,838 --> 00:10:23,100 YOU KNOW YOU SIT OVER THERE WITH YOUR MUSIC 167 00:10:23,144 --> 00:10:24,536 AND YOUR-- 168 00:10:24,580 --> 00:10:26,930 - ALL RIGHT, ALL RIGHT, YOU SOUND LIKE MY WIFE, MAN. 169 00:10:26,974 --> 00:10:29,193 - HEY, GET A GIRLFRIEND FIRST. 170 00:10:37,549 --> 00:10:39,813 YOU'RE IN THE MIDDLE. 171 00:10:42,554 --> 00:10:44,731 - LEARN HOW TO DRIVE. 172 00:11:13,847 --> 00:11:15,936 WATCH IT, LOSER. I'M WORKING HERE. 173 00:11:28,078 --> 00:11:30,254 BABY, BABY, WE ARE CLOSED. 174 00:11:32,909 --> 00:11:36,260 DAMN, UP TO THE LAST TICK ON THE CLOCK. 175 00:11:51,493 --> 00:11:53,234 CHARLI? 176 00:11:54,801 --> 00:11:56,193 - REGGIE? 177 00:11:56,237 --> 00:11:59,022 - WHAT--WHAT ARE YOU DOING-- - WHAT ARE YOU DOING HERE? 178 00:12:02,460 --> 00:12:04,767 DO YOU WORK HERE? - SAY WHAT? 179 00:12:04,811 --> 00:12:07,944 - DO YOU WORK HERE? - HERE? 180 00:12:07,988 --> 00:12:09,424 - UH-- - YEAH? 181 00:12:09,467 --> 00:12:11,339 - WELL, I MEAN TECHNICALLY, NOT REALLY, 182 00:12:11,382 --> 00:12:14,864 I MEAN, I'M STILL ACTING, JUST-- JUST PAYING OFF SOME BILLS, 183 00:12:14,908 --> 00:12:17,911 THIS, JUST DOING THIS AS YOU KNOW, A FAVOR TO MY MAN. 184 00:12:17,954 --> 00:12:19,782 PART TIME, THAT'S ALL. 185 00:12:19,826 --> 00:12:22,959 - UNIFORM AND ALL? - YEAH, YEAH. YEAH. 186 00:12:24,569 --> 00:12:26,441 HE LIKES EVERYTHING TO BE OFFICIAL. 187 00:12:26,484 --> 00:12:28,704 IMAGE IS EVERYTHING, YOU KNOW. 188 00:12:34,536 --> 00:12:36,625 - FILL ME UP PLEASE, UNLEADED. 189 00:12:36,668 --> 00:12:39,454 ENJOY THIS NOW, LADY, 'CAUSE IT'S NOT EVERY DAY 190 00:12:39,497 --> 00:12:42,762 THAT A WOMAN GETS HER GAS PUMPED BY SUCH TALENTED HANDS. 191 00:13:30,026 --> 00:13:32,159 - HERE. - NO, NO, NO, LET ME GET THAT. LET ME GET THAT. 192 00:13:32,202 --> 00:13:34,552 - DON'T GO BREAKING YOUR PIGGY BANK FOR ME, PLEASE. 193 00:13:34,596 --> 00:13:36,641 TAKE IT 194 00:13:36,685 --> 00:13:39,296 AND KEEP THE CHANGE. 195 00:13:39,340 --> 00:13:43,605 - LOOK, WHY DON'T-- WHY DON'T WE START AGAIN? 196 00:13:43,648 --> 00:13:47,870 YOU WERE EMPTY, I WAS HERE. 197 00:13:47,914 --> 00:13:48,958 COME ON, WHAT ARE THE CHANCES OF THAT? 198 00:13:49,002 --> 00:13:50,960 - 100%. 199 00:13:53,180 --> 00:13:55,008 THE CHANCES OF PULLING INTO A GAS STATION 200 00:13:55,051 --> 00:13:58,228 WHEN YOU NEED GAS ARE 100%. 201 00:13:58,272 --> 00:14:02,537 - OUT OF ALL THE GAS STATIONS IN ALL THE WORLD, 202 00:14:02,580 --> 00:14:05,801 YOU HAPPEN TO PULL INTO THIS PARTICULAR ONE, 203 00:14:05,845 --> 00:14:08,978 WHERE I HELP OUT EVERY NOW AND AGAIN. 204 00:14:09,022 --> 00:14:11,589 YOU'RE JUST GONNA ACT LIKE YOU DON'T KNOW ME, HUH? 205 00:14:11,633 --> 00:14:14,549 - I'M ACTING LIKE THIS BECAUSE I DO KNOW YOU. 206 00:14:16,986 --> 00:14:19,380 THANK YOU. 207 00:14:34,047 --> 00:14:36,919 - JUST--OK, JUST--JUST--BREATHE. 208 00:14:36,963 --> 00:14:39,139 - HE JUST, HE HIT ME AND HE JUST-- 209 00:14:39,182 --> 00:14:41,663 AND HE JUST-- - YEAH, YEAH, YEAH. JUST-- 210 00:14:42,707 --> 00:14:43,970 LOOK AT THIS. 211 00:14:44,013 --> 00:14:46,929 OH, MY GOD. 212 00:14:46,973 --> 00:14:48,975 - YOU PROBABLY WANNA LEAVE IT HERE. 213 00:14:58,985 --> 00:15:01,030 - LITTLE EVEL KNIEVEL ACTION GOING ON. 214 00:15:08,342 --> 00:15:11,954 WHY ARE YOU BACK, CHARLI? - WHAT? 215 00:15:11,998 --> 00:15:13,913 - WHAT BRINGS YOU BACK INTO TOWN? 216 00:15:16,045 --> 00:15:18,352 - I'M GETTING MARRIED ON SATURDAY. 217 00:15:18,395 --> 00:15:23,183 MY FIANCE AND I, WE MOVED BACK LAST WEEKEND. 218 00:15:26,186 --> 00:15:30,277 - SATURDAY? TODAY'S--TODAY'S-- TODAY'S THURSDAY. 219 00:15:30,320 --> 00:15:34,629 - YEAH. - WOW, I MEAN-- 220 00:15:35,935 --> 00:15:39,199 - I HAVE TO GET HOME. - HEY, WAIT. 221 00:15:40,374 --> 00:15:42,593 - WHAT ARE YOU DOING? - YOU'LL SEE. 222 00:15:42,637 --> 00:15:46,162 - NO, NO, NO, NO, REGGIE. REGGIE, THAT'S NOT-- 223 00:15:46,206 --> 00:15:48,034 THAT'S NOT NECESSARY. IT'S FINE. 224 00:15:48,077 --> 00:15:50,166 I CAN JUST WALK BY MYSELF. IT'S FINE. 225 00:15:50,210 --> 00:15:52,690 - YOU COULD WALK BUT YOU WILL NOT WALK. 226 00:15:52,734 --> 00:15:55,998 I'M A GENTLEMAN, I CAN'T--I CAN'T LET YOU DO IT. 227 00:15:56,042 --> 00:15:57,957 YOUR CHARIOT AWAITS. 228 00:15:59,001 --> 00:16:01,656 - YOU DON'T WANNA DO THIS. 229 00:16:01,699 --> 00:16:05,573 - I DO. - I DON'T. 230 00:16:24,374 --> 00:16:26,028 OH! 231 00:16:26,072 --> 00:16:28,161 - WHAT, WHAT, WHAT, WHAT'S GOING ON? 232 00:16:28,204 --> 00:16:31,207 - KEYS ARE IN THE CAR. - OH, WELL, YOU KNOW, 233 00:16:31,251 --> 00:16:34,036 WE CAN GO BACK AND GET THEM OR I CAN JUST WAIT HERE WITH YOU, 234 00:16:34,080 --> 00:16:36,908 WHATEVER YOU WANNA DO. - YOU GO GET 'EM. 235 00:16:36,952 --> 00:16:39,041 - ME GO GET 'EM? 236 00:16:39,085 --> 00:16:41,565 COME ON, AND LEAVE YOU HERE ALL ALONE? 237 00:16:41,609 --> 00:16:46,005 I WOULD NEVER DO THAT. I'M TOO MUCH OF A GENTLEMAN. 238 00:16:46,048 --> 00:16:48,050 IT WOULDN'T BE THE FIRST TIME. 239 00:17:03,109 --> 00:17:06,068 IT'S A NICE LITTLE SETUP YOU GOT HERE. 240 00:17:06,112 --> 00:17:12,074 TREES, BUSHES ALL MANICURED. IT'S A GOOD LOOK FOR YOU. 241 00:17:19,168 --> 00:17:22,867 CHARLI, I'M ONLY WORKING THERE 242 00:17:22,911 --> 00:17:27,089 JUST TO PAY OFF MY TUITION BILLS WHILE I ACT, OK? 243 00:17:27,133 --> 00:17:29,961 THAT'S ALL, JUST MAKING SOME MOVES. 244 00:17:30,005 --> 00:17:33,878 GIVE A BROTHER SOME CREDIT. - IT DOESN'T MATTER. 245 00:17:47,240 --> 00:17:49,198 - HEY, BABY, WILL YOU COME HELP ME 246 00:17:49,242 --> 00:17:51,418 WITH SOME OF THIS STUFF? 247 00:17:54,073 --> 00:17:56,510 UH-- - Charli: Hi. 248 00:17:58,686 --> 00:18:00,688 - Charli: HI. - Man: HEY. 249 00:18:02,559 --> 00:18:04,779 MM-MM-MM! 250 00:18:08,957 --> 00:18:11,307 WHAT'S UP, MAN? WHO'S THIS? 251 00:18:11,351 --> 00:18:15,268 - OH. BABE, I HAD A LITTLE ACCIDENT AT THE GAS STATION. 252 00:18:15,311 --> 00:18:16,617 - ACCIDENT? ARE YOU ALL RIGHT? 253 00:18:16,660 --> 00:18:18,923 - YEAH, I'M--I'M ALL RIGHT. HE WALKED ME HOME. 254 00:18:18,967 --> 00:18:22,579 - ALL RIGHT, ED MARSHALL. 255 00:18:22,623 --> 00:18:25,147 CHARLI'S FIANCE. 256 00:18:26,192 --> 00:18:29,151 HUSBAND, COME SATURDAY. 257 00:18:29,195 --> 00:18:35,026 LISTEN, I'LL HANDLE ANY LEGAL RECOURSE. I SPECIALIZE IN-- 258 00:18:35,070 --> 00:18:36,593 - IT WAS A HIT AND RUN, BABY. - A HIT AND RUN? 259 00:18:36,637 --> 00:18:38,987 - YEAH, THEY TOOK OFF BEFORE I COULD EVEN GET OUT OF THE CAR. 260 00:18:39,030 --> 00:18:41,642 - ARE YOU ALL RIGHT? - YOU SPECIALIZE IN DIVORCE? 261 00:18:41,685 --> 00:18:43,252 - YEAH, THAT AND OTHER ASPECTS OF THE LAW. 262 00:18:43,296 --> 00:18:44,775 I PASSED THE BAR IN SEVEN STATES. 263 00:18:44,819 --> 00:18:45,994 - AH. - YEAH. 264 00:18:46,037 --> 00:18:47,952 - UH, LOOK , MAN, I DON'T WANT YOUR CARD. 265 00:18:47,996 --> 00:18:49,215 - OH, YOU'RE ABOVE THE LAW? 266 00:18:49,258 --> 00:18:51,478 - I'M JUST NOT A CRIMINAL, MAN. - HA, HA. 267 00:18:51,521 --> 00:18:55,046 I DIDN'T SAY YOU WERE A CRIMINAL. GOT YOU. 268 00:18:55,090 --> 00:18:58,311 LISTEN, LISTEN, SOONER OR LATER, EVERYONE GETS CAUGHT 269 00:18:58,354 --> 00:19:00,008 DOING SOMETHING, ALL RIGHT? 270 00:19:00,051 --> 00:19:02,532 - THAT'S WHEN I COME IN. - OH? WOW. 271 00:19:02,576 --> 00:19:05,144 THAT'S--THAT'S SCARY. 272 00:19:05,927 --> 00:19:07,972 - YEAH, IT WAS A PLEASURE MEETING YOU 273 00:19:08,016 --> 00:19:11,933 AND I WANNA THANK YOU, FOR LOOKING AFTER 274 00:19:11,976 --> 00:19:14,414 THE LOVE OF MY LIFE. 275 00:19:14,457 --> 00:19:16,764 NOW, YOU KEEP DOING YOUR GOOD WORKS. 276 00:19:18,113 --> 00:19:20,246 GOOD SAMARITAN, HUH! 277 00:19:20,289 --> 00:19:22,465 SAMARITAN NEGRO. COME ON. 278 00:19:25,947 --> 00:19:27,601 - ARE YOU OK, BABY? - I'M REALLY OK. 279 00:19:27,644 --> 00:19:28,602 - REALLY? - YEAH. 280 00:19:28,645 --> 00:19:30,169 - COME ON. - NO. 281 00:19:30,212 --> 00:19:34,999 - WE NEED TO GO TO THE HOSPITAL? - NO. NO, NO. 282 00:20:03,898 --> 00:20:06,857 - HEY, HEY. - MM. 283 00:20:08,119 --> 00:20:10,121 - WHAT'S UP, MOMMA? 284 00:20:10,165 --> 00:20:13,168 - AHEM. - OH, YEAH, THE HAT. 285 00:20:13,212 --> 00:20:16,867 - HELLO, MOTHER. - WHAT'S WRONG, BABY? 286 00:20:16,911 --> 00:20:21,045 - NOTHING. - AUDITIONS? 287 00:20:22,046 --> 00:20:24,092 HEY, HEY, BROTHER. 288 00:20:24,135 --> 00:20:27,269 - DID MY AGENT CALL? - NO. 289 00:20:27,313 --> 00:20:28,923 CHECK YOUR FAX MACHINE, THOUGH. 290 00:20:32,970 --> 00:20:36,539 - YOU LOCK EVERYTHING UP TIGHT? - YEP. 291 00:20:40,761 --> 00:20:42,458 - AAAH! 292 00:20:44,243 --> 00:20:46,549 OH, YEAH! - THANK YOU. 293 00:20:46,593 --> 00:20:49,204 - MOVE OVER, JUNIOR. 294 00:20:49,248 --> 00:20:50,945 - MA, WHAT'S--WHAT'S ALL THE FOOD FOR? 295 00:20:50,988 --> 00:20:54,165 - SATURDAY'S EVENT. - WHAT'S THE EVENT? 296 00:20:54,209 --> 00:20:57,647 - A WEDDING. - A WEDDING? 297 00:20:57,691 --> 00:20:59,258 YOU KNOW, A BRIDE, A GROOM, A CAKE, 298 00:20:59,301 --> 00:21:02,913 BUT MOST IMPORTANTLY, MY FOOD. 299 00:21:02,957 --> 00:21:06,439 - PLEASE DO NOT TELL ME THAT YOU ARE CATERING CHARLI'S WEDDING. 300 00:21:06,482 --> 00:21:08,484 - NOW I THINK YOU WILL WANNA DIP THAT IN THE SAUCE. 301 00:21:08,528 --> 00:21:09,790 - WHY ARE YOU AVOIDING THE QUESTION? 302 00:21:09,833 --> 00:21:12,271 - WHAT QUESTION? - IS IT CHARLI'S WEDDING? 303 00:21:12,314 --> 00:21:15,056 - HUH? - CHARLI, TALL PRETTY GIRL, 304 00:21:15,099 --> 00:21:17,537 LOVE OF MY LIFE? 305 00:21:17,580 --> 00:21:19,321 - IT'S HER WEDDING. 306 00:21:19,365 --> 00:21:20,931 - WHY DIDN'T YOU TELL ME? - WHY SHOULD I TELL YOU 307 00:21:20,975 --> 00:21:22,237 WHAT YOUR EX-FIANCEE DOES? 308 00:21:22,281 --> 00:21:24,413 YOU MESSED THAT ONE UP FOR YOURSELF, BUBBA. 309 00:21:24,457 --> 00:21:26,241 - MAYBE I SHOULD GET A LITTLE BIT MORE ICE. - AHEM! 310 00:21:26,285 --> 00:21:27,634 - WELL, YOU DON'T KNOW THE WHOLE STORY. 311 00:21:27,677 --> 00:21:28,939 - WELL, I DON'T NEED TO KNOW IT. 312 00:21:28,983 --> 00:21:30,376 YOU CANNOT TREAT REAL PEOPLE 313 00:21:30,419 --> 00:21:31,942 LIKE THEY'RE CHARACTERS IN A SCRIPT 314 00:21:31,986 --> 00:21:33,901 AND THEN EXPECT A FAIRY-TALE ENDING. 315 00:21:36,120 --> 00:21:38,427 - THERE'S ONE MORE THING. - OH YEAH, WHAT'S THAT? 316 00:21:38,471 --> 00:21:42,301 - I'M EXPANDING MY BUSINESS. GOING REGIONAL NEXT MONTH. 317 00:21:42,344 --> 00:21:43,824 - WELL, HEY, THAT'S GOOD NEWS. 318 00:21:43,867 --> 00:21:45,304 - YEAH, I'LL HAVE A LARGER KITCHEN, 319 00:21:45,347 --> 00:21:47,044 I'M GONNA BE WORKING FROM HOME. 320 00:21:47,088 --> 00:21:50,178 - WELL, YOU ALREADY WORK FROM HOME. 321 00:21:51,266 --> 00:21:55,531 - WH--WHAT? - WE'RE MOVING. 322 00:21:55,575 --> 00:21:59,361 - TWO HOURS AWAY. - I DON'T KNOW IF YOU REMEMBER, 323 00:21:59,405 --> 00:22:01,581 BUT I GO BACK AND FORTH FROM THE HOUSE TO THE CITY 324 00:22:01,624 --> 00:22:03,757 TO GO TO AUDITIONS, HAVE YOU EVEN CONSIDERED THAT? 325 00:22:03,800 --> 00:22:06,368 - DID YOU EVEN CONSIDER THAT I HAVE BEEN COOKING MEALS 326 00:22:06,412 --> 00:22:08,936 FOR 200 PEOPLE ON A 4-EYE STOVE 327 00:22:08,979 --> 00:22:11,112 EVER SINCE YOUR FATHER AND I DIVORCED? 328 00:22:11,155 --> 00:22:13,332 - WHAT AM I SUPPOSED TO DO? 329 00:22:15,421 --> 00:22:19,250 - LOOK, HONEY, BABY, THIS IS OUR PLACE. 330 00:22:19,294 --> 00:22:21,644 PHIL AND I WANT A PLACE FOR OURSELVES. 331 00:22:21,688 --> 00:22:24,560 SO WE CAN START BUILDING SOME NEW MEMORIES. 332 00:22:31,437 --> 00:22:34,004 - YEAH. 333 00:22:34,048 --> 00:22:37,268 YEAH, O-HO! YOU ALMOST GOT ME, MAN, YOU'RE A FUNNY DUDE. 334 00:22:37,312 --> 00:22:38,922 THIS IS-- THIS IS A JOKE, RIGHT? 335 00:22:38,966 --> 00:22:42,012 THIS IS A JOKE, YOU--YOU--YOU-- I WAS LATE TO WORK TODAY, MOM, 336 00:22:42,056 --> 00:22:43,710 THAT'S WHY, 'CAUSE I WAS LATE TO WORK, 337 00:22:43,753 --> 00:22:45,102 YOU'RE TRYING TO TEACH ME A LESSON, 338 00:22:45,146 --> 00:22:46,800 WELL THE LESSON'S LEARNT, MAN, I'M A CHANGED MAN. 339 00:22:46,843 --> 00:22:49,585 I WILL BE ON TIME, JACK, RIGHT ON THE DOT. 340 00:22:49,629 --> 00:22:52,371 EVERY DAY. I'M A CHANGED MAN, YOU KNOW, YOU CAN-- 341 00:22:52,414 --> 00:22:53,807 GUARANTEE THAT, YOU'VE GOT MY WORD, 342 00:22:53,850 --> 00:22:57,811 SCOUT'S HONOR, PINKY SWEAR, BET ON BLACK. 343 00:22:57,854 --> 00:23:01,118 YOU KNOW WHAT THEY SAY, THAT HOME BLACK, I SAW THAT ON-- 344 00:23:01,162 --> 00:23:03,382 ON SOUL TRAIN. 345 00:23:06,994 --> 00:23:10,780 YOU GUYS-- YOU GUYS ARE SERIOUS. 346 00:23:10,824 --> 00:23:15,219 - YOU EVER THINK ABOUT, UH-- GETTING YOUR OWN PLACE? 347 00:23:15,263 --> 00:23:20,268 - MA? - YOU NEED TO BE NEAR THE CITY AND WE DON'T. 348 00:23:20,311 --> 00:23:23,837 MAYBE YOU OUGHT TO THINK ABOUT GETTING A PLACE CLOSER. 349 00:23:23,880 --> 00:23:26,100 - YEAH. 350 00:23:27,841 --> 00:23:29,451 - THIS IS NOT THE NIGHT TO HEAR THIS. 351 00:23:29,495 --> 00:23:31,888 - BABY, THERE'S JUST NO PERFECT TIME FOR SOME THINGS. 352 00:23:31,932 --> 00:23:34,761 SOMETIMES YOU HAVE JUST GOT TO DO WHAT YOU'VE GOT TO DO. 353 00:23:34,804 --> 00:23:37,981 SOMETIMES-- - SOMETIMES SEEMS LIKE EVERY TIME FOR ME. 354 00:23:40,636 --> 00:23:41,637 - EXCUSE ME. - WHERE ARE YOU GOING? 355 00:23:41,681 --> 00:23:44,118 - APARTMENT HUNTING. 356 00:23:49,036 --> 00:23:52,431 - HE'S JUST HARD-HEADED, YOU KNOW, LIKE I USED TO BE. 357 00:23:52,474 --> 00:23:54,911 - MM-HM, I KNOW YOU'RE HARD HEADED, 358 00:23:54,955 --> 00:23:57,218 BUT I THOUGHT BONES WERE SUPPOSED TO GET SOFTER 359 00:23:57,261 --> 00:23:58,437 AS YOU GOT OLDER. 360 00:23:58,480 --> 00:24:02,484 NOW THAT'S FUNNY. 361 00:24:02,528 --> 00:24:05,226 YOU KNOW, BABY, MY BONES ARE GOOD. 362 00:24:05,269 --> 00:24:08,534 - AAAH! - COME HERE. 363 00:24:15,062 --> 00:24:17,456 - HI. 364 00:24:17,499 --> 00:24:19,675 - OH. - MM. 365 00:24:21,024 --> 00:24:23,853 MM. 366 00:24:23,897 --> 00:24:26,900 WHAT DID YOU THINK OF THE REHEARSAL? 367 00:24:26,943 --> 00:24:28,945 - IF THE WEDDING GOES AS SMOOTH AS THE REHEARSAL 368 00:24:28,989 --> 00:24:31,208 I'LL BE MORE THAN HAPPY. 369 00:24:31,252 --> 00:24:33,646 I'M A LITTLE NERVOUS ABOUT THE FLORAL ARRANGEMENTS, THOUGH. 370 00:24:33,689 --> 00:24:35,125 I MIGHT CHECK THAT OUT TOMORROW. 371 00:24:35,169 --> 00:24:36,866 - WHAT'S UP WITH THAT? - I DON'T KNOW, 372 00:24:36,910 --> 00:24:38,825 I'M JUST UNSURE AND I DIDN'T WANNA SETTLE. 373 00:24:38,868 --> 00:24:40,348 - SETTLE? 374 00:24:40,391 --> 00:24:43,873 MY WIFE WILL NEVER HAVE TO SETTLE ABOUT ANYTHING. 375 00:24:43,917 --> 00:24:45,832 - FUTURE WIFE. - YES, YES, YES, YES. 376 00:24:45,875 --> 00:24:47,964 FUTURE WIFE. NOW DIDN'T THE BROCHURE GUARANTEE 377 00:24:48,008 --> 00:24:50,010 100% CUSTOMER SATISFACTION? - YES. 378 00:24:50,053 --> 00:24:53,448 - YES, IT DID, SO NOW, IF THEY DIDN'T PROVIDE THAT, THEN-- 379 00:24:53,492 --> 00:24:56,669 - OH, GOD, JOHNNIE COCHRAN, WAIT A SECOND. 380 00:24:56,712 --> 00:24:59,976 - WHAT? - SLOW DOWN. 381 00:25:00,020 --> 00:25:01,456 WHAT DID I SAY? 382 00:25:01,500 --> 00:25:03,719 - YOU SAID YOU'D HANDLE IT TOMORROW. 383 00:25:03,763 --> 00:25:05,982 - AND WHAT AM I GONNA DO? 384 00:25:06,026 --> 00:25:07,593 - YOU'RE GONNA HANDLE IT TOMORROW. 385 00:25:07,636 --> 00:25:08,855 - OK, GOOD. - THE DEFENSE RESTS. 386 00:25:08,898 --> 00:25:12,728 - VERY GOOD. - WHAT? 387 00:25:12,772 --> 00:25:14,338 - YOU SMELL LIKE GARLIC, IT'S AWFUL. 388 00:25:14,382 --> 00:25:16,384 - GARLIC? - YEAH. 389 00:25:16,427 --> 00:25:18,386 - GARLIC IS THE FLAVOR OF LOVE, YOU AIN'T KNOW? 390 00:25:18,429 --> 00:25:20,606 - SAYS WHO? 391 00:25:22,564 --> 00:25:25,001 - SAYS THE MAN WHO LOVES YOU DEARLY. 392 00:25:25,045 --> 00:25:27,787 - OH, GOD, NO, YOU SMELL LIKE GARLIC. 393 00:25:27,830 --> 00:25:30,529 THAT'S AWFUL. - COME HERE, COME HERE, COME HERE. 394 00:25:30,572 --> 00:25:33,401 - OH! NO, DON'T TICKLE, DON'T TICKLE. 395 00:25:33,444 --> 00:25:35,708 - I'M TICKLING! 396 00:25:43,977 --> 00:25:47,110 - Charli: AAAH, THE FOOD! - OH! OW! 397 00:25:47,154 --> 00:25:49,983 - MY MASTERPIECE. I GOT IT, I GOT IT. 398 00:25:50,026 --> 00:25:51,854 IT'S OK. - GOD! 399 00:25:51,898 --> 00:25:54,378 - IT'S OK. OK. 400 00:25:54,422 --> 00:25:57,033 IT'S STILL OK, BABY. - GOOD. 401 00:25:57,077 --> 00:25:59,775 - WHOO! OK. 402 00:26:00,776 --> 00:26:02,343 - ARE YOU ALL RIGHT? 403 00:26:02,386 --> 00:26:05,520 - YOU'RE NOT THE FIRST GUY THAT'S TICKLED ME, YOU KNOW? 404 00:26:05,564 --> 00:26:08,436 - YOU'RE TALKING ABOUT AFTER THE ACCIDENT? 405 00:26:08,479 --> 00:26:11,526 - OH? YEAH, IT WAS NOTHING, 406 00:26:11,570 --> 00:26:13,310 IT WAS NOTHING, HONESTLY. 407 00:26:13,354 --> 00:26:14,834 - NOTHING? BABY, YOU WERE INVOLVED 408 00:26:14,877 --> 00:26:18,446 IN A HIT AND RUN. 409 00:26:18,489 --> 00:26:22,537 - I KNOW, HE'LL TRACK THEM DOWN. 410 00:26:40,207 --> 00:26:41,861 WHAT ARE YOU DOING HERE? 411 00:26:41,904 --> 00:26:43,123 - HOW YOU GONNA MARRY THIS DUDE OVER ME? 412 00:26:43,166 --> 00:26:46,474 - SH. WE HAVEN'T SPOKEN IN OVER THREE YEARS. 413 00:26:46,517 --> 00:26:48,128 YOU DON'T GET TO ASK WHY. - WHY NOT? 414 00:26:48,171 --> 00:26:49,303 - BECAUSE YOU DON'T. - WHY IS THAT? 415 00:26:49,346 --> 00:26:51,044 - YOU JUST DON'T, OK? 416 00:26:51,087 --> 00:26:53,394 - IN CASE YOU FORGOT, CHARLI, YOU'RE THE ONE THAT BROKE UP WITH ME. 417 00:26:53,437 --> 00:26:55,570 THAT'S WHY WE HAVEN'T SPOKEN IN, LIKE, OVER THREE YEARS. 418 00:26:55,614 --> 00:26:57,093 - IF YOU WOULD HAVE BEEN THERE FOR ME 419 00:26:57,137 --> 00:26:59,400 WE'D BE HAVING A DIFFERENT CONVERSATION RIGHT NOW, 420 00:26:59,443 --> 00:27:01,924 BUT YOU WEREN'T. 421 00:27:03,317 --> 00:27:07,321 I JUST WANNA TALK, IT'S TOO LATE TO EVEN DO THAT? 422 00:27:07,364 --> 00:27:09,366 - TOO LATE. 423 00:27:09,410 --> 00:27:11,760 I QUESTION YOUR SANITY SOMETIMES, YOU KNOW THAT? 424 00:27:11,804 --> 00:27:14,371 - YEAH, WELL, MY STRAITJACKET'S ON THE BACK OF THE BIKE. 425 00:27:14,415 --> 00:27:16,852 - HUH! REALLY FUNNY. 426 00:27:16,896 --> 00:27:19,899 - ED? HEY, BIG GUY, WHAT'S GOING ON, MAN? 427 00:27:19,942 --> 00:27:21,161 - WHAT'S UP? - UM-- 428 00:27:21,204 --> 00:27:23,293 WOULD YOU BELIEVE, I MANAGED TO GET THE PLATES 429 00:27:23,337 --> 00:27:24,991 ON THOSE KIDS AFTER ALL? 430 00:27:25,034 --> 00:27:26,079 I SAW THEM ON MY WAY HOME FROM WORK, 431 00:27:26,122 --> 00:27:27,950 FOLLOWED THEM FOR, LIKE, 2 MILES. 432 00:27:27,994 --> 00:27:31,606 - WOW, ON THAT BIKE? 433 00:27:31,650 --> 00:27:34,348 - YEAH. IT'S GOT TEN SPEEDS. - OH. 434 00:27:34,391 --> 00:27:38,657 - WELL, YOUR CARD CAME IN HANDY AFTER ALL. 435 00:27:38,700 --> 00:27:40,615 - UM, THANKS, BUT YOU KNOW, 436 00:27:40,659 --> 00:27:42,225 THIS COULD HAVE WAITED TILL THE MORNING, MAN, IT'S 11 O'CLOCK, YOU KNOW? 437 00:27:42,269 --> 00:27:45,489 - YEAH. - YEAH, WELL, THIS IS, UH, IT'S KINDA URGENT. 438 00:27:45,533 --> 00:27:46,969 - AND WELL, WE WERE JUST ABOUT TO HAVE DINNER 439 00:27:47,013 --> 00:27:50,364 SO IF YOU DON'T MIND-- - NO, I--I DON'T MIND, 440 00:27:50,407 --> 00:27:52,148 ACTUALLY I'M-- I AM A LITTLE BIT THIRSTY 441 00:27:52,192 --> 00:27:55,108 AFTER THE WHOLE BIKE ORDEAL. 442 00:27:55,151 --> 00:27:57,850 WOULDN'T MIND A LITTLE SIP OF SOMETHING. 443 00:27:57,893 --> 00:28:00,374 I COULD HOLD YOU FOR NEGLIGENCE, IF YOU DON'T, YOU KNOW THAT. 444 00:28:00,417 --> 00:28:02,419 - HEY. - ALL RIGHT? 445 00:28:02,463 --> 00:28:04,552 - ALL RIGHT, COME ON, MAN. COME ON. I'LL GET YOU SOMETHING. 446 00:28:04,595 --> 00:28:06,032 - THANK YOU. - COME ON. ALL RIGHT? 447 00:28:06,075 --> 00:28:08,295 - OH, YEAH. EXCUSE ME. 448 00:28:09,775 --> 00:28:13,517 - SO LET ME, UH-- PUT SOME PANTS ON, RIGHT? 449 00:28:13,561 --> 00:28:15,084 WHAT? 450 00:28:16,085 --> 00:28:18,131 Ed: BAM! 451 00:28:18,174 --> 00:28:20,481 - IS THAT UM, THAT'S TAKEOUT? 452 00:28:20,524 --> 00:28:23,745 - OH, COME ON, ALL HOME-MADE, STRICTLY FRESH, 453 00:28:23,789 --> 00:28:25,399 AIN'T THAT RIGHT, CHARLI? - YES. 454 00:28:25,442 --> 00:28:27,270 - THAT'S RIGHT. - I CAN TELL THIS IS PROBABLY PRETTY GOOD, 455 00:28:27,314 --> 00:28:29,838 YOU KNOW, I KNOW A LITTLE THING OR TWO ABOUT FINE CUISINE. 456 00:28:29,882 --> 00:28:33,102 FIRST OF ALL, BECAUSE I LOVE TO EAT 457 00:28:33,146 --> 00:28:35,583 AND SECONDLY, BECAUSE MY MOTHER IS A CATERER. 458 00:28:35,626 --> 00:28:39,718 - FINE CUISINE. LIKE IT. 459 00:28:39,761 --> 00:28:42,503 - YOU KNOW WHAT, YOU SHOULD HAVE HER CATER YOUR WEDDING. 460 00:28:42,546 --> 00:28:44,070 - NO, WELL, THAT'S HER DEPARTMENT, YOU KNOW, 461 00:28:44,113 --> 00:28:45,288 WE ALREADY GOT SOMEBODY, RIGHT, BABY? 462 00:28:45,332 --> 00:28:50,946 - YEAH, YEAH, WE DO. - HMM, THAT'S TOO BAD. 463 00:28:52,034 --> 00:28:54,080 AH, LET'S EAT. 464 00:28:57,866 --> 00:29:02,349 - YOUR NAILS ARE HORRENDOUS. - THANK YOU. 465 00:29:03,785 --> 00:29:06,570 YOU MUST BE ONE HELL OF AN ATTORNEY, ED. 466 00:29:06,614 --> 00:29:10,618 TO GET HER HAND IN MARRIAGE. WHAT'D YOU DO, SUE HER FOR IT? 467 00:29:12,489 --> 00:29:14,013 YEAH. THAT'S A TOUGH HAND TO KEEP, BROTHER, 468 00:29:14,056 --> 00:29:15,884 THAT'S A TOUGH HAND TO KEEP. 469 00:29:15,928 --> 00:29:18,365 - DO YOU TWO KNOW EACH OTHER? 470 00:29:21,498 --> 00:29:24,023 - OH, YEAH, NO DOUBT. NO DOUBT, MAN. 471 00:29:24,066 --> 00:29:25,851 - WHY DIDN'T YOU TELL ME? 472 00:29:25,894 --> 00:29:28,854 - SHE--SHE DIDN'T TELL YOU? - I WAS GONNA TELL YOU 473 00:29:28,897 --> 00:29:31,813 BUT THE DOOR RANG AND-- - WHAT WERE YOU GONNA SAY? 474 00:29:31,857 --> 00:29:33,946 - THE TRUTH. - I DOUBT THAT. 475 00:29:33,989 --> 00:29:35,469 - WHAT IS THE TRUTH? - Charli: NOTHING. 476 00:29:35,512 --> 00:29:37,123 - AAH. WELL, NOW, THE TRUTH-- 477 00:29:37,166 --> 00:29:39,255 - NOTHING SPECIAL, TRUST ME. - LET ME TELL THE BROTHER 478 00:29:39,299 --> 00:29:40,953 THE TRUTH, HE WANTS TO KNOW THE TRUTH. 479 00:29:40,996 --> 00:29:43,912 THE TRUTH IS, THAT, YOU KNOW, AT ONE POINT IN TIME 480 00:29:43,956 --> 00:29:46,393 CHARLI WAS THE MOST IMPORTANT THING IN MY LIFE, MAN. 481 00:29:46,436 --> 00:29:49,396 WHEN WE WERE KIDS GROWING UP. THEN YOU KNOW, 482 00:29:49,439 --> 00:29:51,267 AS FRIENDS DO, WE DRIFTED APART 483 00:29:51,311 --> 00:29:56,795 THINGS HAPPEN, LIFE CHANGES, BLASE, BLAH. 484 00:29:56,838 --> 00:30:02,017 - I HAD THIS FRIEND, DARLENE, BEAUTIFUL GIRL, SHE WAS GREAT, 485 00:30:02,061 --> 00:30:04,019 SHE MOVED AWAY, I WAS YOUNG. - Cool: SHE WAS HOT? 486 00:30:04,063 --> 00:30:06,065 - SHE WAS FINE. 487 00:30:06,108 --> 00:30:08,415 NOW BABY, I JUST HAD A MOMENT, 488 00:30:08,458 --> 00:30:10,721 CAN'T A BROTHER HAVE A MOMENT? YOU KNOW WHAT I'M SAYING. 489 00:30:10,765 --> 00:30:14,073 - Cool: I UNDERSTAND WHAT YOU MEAN THOUGH, MAN, 'CAUSE CHARLI-- 490 00:30:14,116 --> 00:30:16,597 WHOO-HOO! - COME ON, CHARLI IS THE BEST. 491 00:30:16,640 --> 00:30:19,556 - Cool: CHARLI, CHARLI, CHARLI. 492 00:30:19,600 --> 00:30:22,037 CHARLI'S SOMETHING ELSE, MAN. 493 00:30:22,081 --> 00:30:24,997 - WHAT? 494 00:30:25,040 --> 00:30:27,608 WHAT? WHAT? WHAT? 495 00:30:27,651 --> 00:30:30,263 - WELL, LISTEN, IF I HAD ONE NEGATIVE THING 496 00:30:30,306 --> 00:30:32,961 TO SAY ABOUT CHARLI, THIS HAS JUST POPPED INTO MY HEAD NOW. 497 00:30:33,005 --> 00:30:35,834 IS THAT, YOU KNOW, AS MUCH AS SHE LIKES 498 00:30:35,877 --> 00:30:37,661 TO FACE PROBLEMS HEAD-ON, 499 00:30:37,705 --> 00:30:40,360 SHE TENDS TO SKIRT THE ISSUE WHEN IT COMES TO THE BIG PROBLEMS. 500 00:30:40,403 --> 00:30:42,971 - AND YOU'RE THE-- YOU'RE THE MOST QUALIFIED PERSON 501 00:30:43,015 --> 00:30:45,931 TO TALK ABOUT THAT? 502 00:30:45,974 --> 00:30:48,107 - BABY, OK, I WILL SAY ONE THING. 503 00:30:48,150 --> 00:30:52,111 THAT, SOMETIMES--RIGHT? 504 00:30:52,154 --> 00:30:54,200 WELL, WE KNOW YOU'RE A GREAT PSYCHOLOGIST, RIGHT, 505 00:30:54,243 --> 00:30:55,636 THAT'S IN NO DISPUTE. 506 00:30:55,679 --> 00:30:59,945 BUT SOMETIMES YOU DON'T ALWAYS APPLY YOUR OWN ANALYSIS 507 00:30:59,988 --> 00:31:02,077 TO YOURSELF. 508 00:31:02,121 --> 00:31:04,166 - AND YOU'RE THE MOST QUALIFIED PERSON TO TALK ABOUT THAT? 509 00:31:04,210 --> 00:31:07,866 - IT'S TRUE, IT'S TRUE. - HEY, YOU KNOW WHAT I MEAN? 510 00:31:07,909 --> 00:31:10,825 - HEY! - COME ON, MAN, NOW. 511 00:31:10,869 --> 00:31:15,047 - HEY, HOW ABOUT--HOW ABOUT THAT ONE GUY YOU WERE ENGAGED TO? 512 00:31:15,090 --> 00:31:17,919 WHAT WAS HIS NAME, UH, REGINALD, I BELIEVE? 513 00:31:17,963 --> 00:31:18,920 - Charli: WHAT ABOUT HIM? 514 00:31:18,964 --> 00:31:20,574 - THE BULLSHIT ACTOR DUDE. 515 00:31:20,617 --> 00:31:24,317 - HE'S A LOSER. - A--A LOSER? 516 00:31:24,360 --> 00:31:27,276 WAS HE THAT BAD? 517 00:31:27,320 --> 00:31:29,191 - WELL, FROM WHAT I HEAR. - YOU KNOW WHAT, 518 00:31:29,235 --> 00:31:31,367 I DON'T EVEN REMEMBER ANYMORE. 519 00:31:31,411 --> 00:31:33,195 - MMM, I DON'T KNOW, CHARLI, 520 00:31:33,239 --> 00:31:36,546 YOU CALLED IT OFF WITH HIM ABOUT A MONTH BEFORE THE WEDDING, RIGHT? 521 00:31:36,590 --> 00:31:38,940 HE WAS TAKING YOU HOME FROM SCHOOL AND BY THE TIME 522 00:31:38,984 --> 00:31:40,986 HE GOT TO THE END OF THE DRIVEWAY, EVERYTHING WAS OVER. 523 00:31:41,029 --> 00:31:44,293 THE MARRIAGE, THE WEDDING, THE RELATIONSHIP, EVERYTHING. 524 00:31:44,337 --> 00:31:50,082 WHAT WAS SUPPOSED TO BE THE BEGINNING BECAME THE END. 525 00:31:50,125 --> 00:31:54,956 CAUSE THAT'S WHAT THEY HAD TOLD ME AT THE GAS STATION. 526 00:31:55,000 --> 00:31:58,960 - WELL, YOU KNOW, IT WAS THE END OF THE ROAD. 527 00:31:59,004 --> 00:32:02,094 - THAT'S RIGHT. AND THE START OF ANOTHER. 528 00:32:02,137 --> 00:32:04,923 - YES. - COME HERE, YOU. 529 00:32:06,098 --> 00:32:09,014 - MMM. MM! 530 00:32:09,057 --> 00:32:10,972 - THAT'S SOME BULLSHIT, CHARLI. 531 00:32:11,016 --> 00:32:12,887 I MEAN, I'M SORRY, BUT IT IS. 532 00:32:12,931 --> 00:32:15,107 IT'S SOME BULLSHIT. YOU DON'T DO THAT TO PEOPLE. 533 00:32:15,150 --> 00:32:17,065 SORRY, MAN, BUT I'M JUST NOT IN THE BUSINESS 534 00:32:17,109 --> 00:32:18,806 OF SUGAR-COATING THE TRUTH. 535 00:32:18,849 --> 00:32:21,374 - NO, NO, YOU'RE IN THE BUSINESS OF--OF WHAT? 536 00:32:21,417 --> 00:32:22,853 IGNORING THE TRUTH. 537 00:32:22,897 --> 00:32:24,681 - WELL I'M IN THE BUSINESS OF TRYING TO START THE DINNER. 538 00:32:24,725 --> 00:32:26,945 YOU KNOW CAN WE, CAN WE, ASK A BLESSING OR SOMETHING? 539 00:32:26,988 --> 00:32:29,904 - YES. - YOU KNOW, JUST WHATEVER WE NEED TO DO, LET'S GET TO EAT. 540 00:32:29,948 --> 00:32:34,169 - HOW ABOUT BLESSING THE FACT THAT IS TWO BLACK PEOPLE IN LOVE. 541 00:32:34,213 --> 00:32:36,389 BLACK LOVE, I LOVE IT, IT JUST WARMS MY HEART. 542 00:32:36,432 --> 00:32:39,609 - ALL RIGHT, WELL, TO LOVE. 543 00:32:39,653 --> 00:32:41,524 - TO CHARLI. 544 00:32:41,568 --> 00:32:45,137 - AND TO YOU. - AND TO YOU. 545 00:32:45,180 --> 00:32:46,616 - HEY, WHY NOT? 546 00:32:46,660 --> 00:32:48,009 - MY BROTHER THAT SMELLS LIKE GASOLINE 547 00:32:48,053 --> 00:32:50,446 CAN STILL DRAWING BOARD ME. 548 00:32:50,490 --> 00:32:52,971 - HEY, CHECK IT OUT, I'M GONNA SKEDADDLE, MAN, YOU KNOW. 549 00:32:53,014 --> 00:32:54,102 - WHAT ARE YOU TALKING ABOUT? UH-UH. 550 00:32:54,146 --> 00:32:55,930 - YOU HAVEN'T EVEN EATEN. - NAH, 551 00:32:55,974 --> 00:32:57,105 - I GOTTA PEDDLE MY WAY HOME. - Ed: NO. 552 00:32:57,149 --> 00:32:59,020 - BABY, IF HE HAS TO GO, HE HAS THINGS TO DO, 553 00:32:59,064 --> 00:33:01,805 WE HAVE TO GO TO BED, WE HAVE SO MANY THINGS TO DO TOMORROW. 554 00:33:01,849 --> 00:33:04,025 - IT'S DAYS BEFORE THE WEDDING. - IT'S FINE, YEAH, SURE, 555 00:33:04,069 --> 00:33:06,027 IF YOU'VE GOTTA GO, BRO, I UNDERSTAND. - ALL RIGHT, THANKS, MAN. 556 00:33:06,071 --> 00:33:08,377 HEY, DO ME A FAVOR, MAN. - WHAT'S THAT? 557 00:33:08,421 --> 00:33:09,900 - TAKE CARE OF THIS PRECIOUS WOMAN. 558 00:33:09,944 --> 00:33:15,036 - OH, I CERTAINLY WILL. SHE IS MY BEST FRIEND. 559 00:33:18,431 --> 00:33:21,173 - ALWAYS A PLEASURE. 560 00:33:21,216 --> 00:33:23,523 - I'LL SHOW YOU OUT. - ALL RIGHT, MAN. 561 00:34:24,149 --> 00:34:26,368 I HATE YOU SOMETIMES, MAN. 562 00:34:31,547 --> 00:34:39,033 ♪ CAN'T NOBODY LOVE YOU LIKE I'M LOVING YOU, BABY ♪ 563 00:34:39,077 --> 00:34:45,474 ♪ 'CAUSE THEY DON'T KNOW HOW TO LOVE YOU LIKE I DO ♪ 564 00:34:45,518 --> 00:34:48,347 ♪ AND-- 565 00:34:48,390 --> 00:34:53,047 - BUBBA, WAKE UP, COME ON NOW. 566 00:34:53,091 --> 00:34:57,225 - YOU'VE BEEN WAKING UP TO THIS SONG FOR THREE YEARS NOW. 567 00:34:57,269 --> 00:34:59,706 WHERE'D YOU GO LAST NIGHT? 568 00:35:02,274 --> 00:35:07,757 I'D TELL YOU NOT TO DO IT BUT I KNOW WHO I'M TALKING TO. 569 00:35:07,801 --> 00:35:09,890 - HEY? - MMM? 570 00:35:09,933 --> 00:35:11,979 - TREAT MY CLIENT WITH SOME RESPECT? 571 00:35:19,291 --> 00:35:21,423 BUBBA! - HEY, HEY, I'M UP. 572 00:35:21,467 --> 00:35:25,297 I'M UP. I'M GOING TO WORK. 573 00:35:25,340 --> 00:35:28,952 - I LOVE YOU, SON. - I LOVE YOU TOO. 574 00:35:33,043 --> 00:35:37,047 YEAH. YOU LOVE ME SO MUCH, YOU KICK ME UP OUT THE HOUSE. 575 00:35:37,091 --> 00:35:39,137 I DON'T NEED THAT LOVE. 576 00:36:19,655 --> 00:36:23,181 YOU'RE THE MOST BEAUTIFUL WOMAN IN THE WORLD, YOU KNOW THAT? 577 00:36:26,140 --> 00:36:30,057 I LOVE YOUR LIPS, YOUR EYES, YOUR EARS. 578 00:36:33,800 --> 00:36:35,932 - GOOD MORNING. - GOOD MORNING. 579 00:36:55,561 --> 00:36:57,476 - IS THE CAR READY YET? - UH, YEAH. 580 00:36:57,519 --> 00:36:58,781 MY BOY OVER AT STAN'S 581 00:36:58,825 --> 00:37:01,001 HOOKED THE DOOR UP FOR ME FROM A JUNK YARD. 582 00:37:01,044 --> 00:37:04,744 - $500 JOB. - $500? 583 00:37:04,787 --> 00:37:07,486 - IT'S COMPLICATED STUFF. - WHEN'S IT GETTING PICKED UP? 584 00:37:07,529 --> 00:37:09,836 - UH, THIS ATTORNEY CALLED ME ABOUT IT THIS MORNING. 585 00:37:09,879 --> 00:37:12,404 MADE A POINT OF TELLING ME HE PRACTICED LAW. 586 00:37:12,447 --> 00:37:15,885 - BETTER MAKE IT 600. - YEAH. 587 00:37:15,929 --> 00:37:17,278 I'M GONNA GET BREAKFAST, YOU GOOD? 588 00:37:17,322 --> 00:37:20,586 - NO, I'M STRAIGHT, MAN, THANKS. - ALL RIGHT. 589 00:37:20,629 --> 00:37:22,022 - I'LL CATCH YOU LATER. - MM-HM. 590 00:37:22,065 --> 00:37:25,155 - DON'T TOUCH THE CAR, RIGHT? - THAT'S YOUR JOB. 591 00:37:25,199 --> 00:37:27,375 - YEAH, YOU KNOW. 592 00:37:50,006 --> 00:37:54,837 - COOL, WHAT YOU DOING? WH--WHAT YOU DOING? 593 00:37:54,881 --> 00:37:57,057 GET OUT THE CAR. YOU KNOW, YOU WORK, 594 00:37:57,100 --> 00:38:00,016 YOU CAN HAVE A CAR LIKE THAT YOU CAN SIT IN ALL DAY LONG. 595 00:38:00,060 --> 00:38:01,670 - YOU'RE TIRED? - NO, I WAS JUST-- 596 00:38:01,714 --> 00:38:03,498 - GET OUT THE CAR. 597 00:38:05,587 --> 00:38:07,067 - Cool: FILL HER UP? 598 00:38:07,110 --> 00:38:10,070 - Customer: NO, NO. $5, REGULAR. 599 00:38:31,570 --> 00:38:33,615 - WHAT'S UP? HOW YOU DOING? - I'M ALL RIGHT, HOW YOU DOING? 600 00:38:33,659 --> 00:38:35,095 - I'M CHILLING. 601 00:38:35,138 --> 00:38:36,488 - UH, YOU DID SOME GREAT WORK ON THE CAR, DUDE. 602 00:38:36,531 --> 00:38:38,011 - YEAH? - YEAH. 603 00:38:38,054 --> 00:38:40,187 I GOT NO MONEY FOR GAS THOUGH, YOUR WORK WAS EXPENSIVE. 604 00:38:40,230 --> 00:38:42,972 - I HOOKED YOU UP, NEW SHOCKS, I GAVE YOU-- 605 00:38:43,016 --> 00:38:47,063 YOUR BRAKES WERE KIND OF STICKING. I GAVE YOU SOME-- 606 00:38:51,416 --> 00:38:54,244 - YEAH, GOOD, HOW YOU DOING? - YEAH, I'M PRETTY GOOD. 607 00:38:54,288 --> 00:38:55,507 - YOUR GIRL GOOD? - YEAH. 608 00:38:55,550 --> 00:38:57,030 - TELL HER I SAID HEY. - I WILL. 609 00:38:57,073 --> 00:38:58,379 - SHE'S CUTE, MAN. - YEAH. 610 00:38:58,423 --> 00:39:00,642 - YOU GUYS LOOK GOOD TOGETHER. 611 00:39:04,167 --> 00:39:06,779 - ALL RIGHT. - Customer: IT'S ALL THERE. 612 00:39:09,042 --> 00:39:10,435 - Cool: 16.59? 613 00:39:10,478 --> 00:39:12,741 - IT'S $5. - YOU SAID FILL HER UP. IT'S 16.59. 614 00:39:12,785 --> 00:39:13,786 - I DIDN'T SAY FILL HER UP. 615 00:39:13,829 --> 00:39:14,787 - YEAH, THAT'S WHAT YOU SAID, MAN. 616 00:39:14,830 --> 00:39:17,093 - I DIDN'T SAY FILL IT UP. 617 00:39:17,137 --> 00:39:18,399 - I WOULDN'T HAVE FILLED YOUR TANK IF YOU DIDN'T SAY FILL HER UP. 618 00:39:18,443 --> 00:39:19,705 - YEAH, YOU TAKE IT BACK OUT, THEN. I SAID $5. 619 00:39:19,748 --> 00:39:21,010 - WHY WOULD I FILL IT UP IF YOU DIDN'T SAY THAT? 620 00:39:21,054 --> 00:39:22,098 - YEAH, WHY YOU FILL IT UP IF I DIDN'T SAY THAT? 621 00:39:22,142 --> 00:39:24,057 - 'CAUSE YOU SAID-- - I AIN'T SAY THAT. 622 00:39:24,100 --> 00:39:25,928 - YOU SAID THAT, MAN. - YO, YO, YO. 623 00:39:25,972 --> 00:39:27,452 - THIS GUY CRAZY, THIS GUY CRAZY. 624 00:39:27,495 --> 00:39:28,670 DON'T WORRY ABOUT IT, I GOT YOU. 625 00:39:28,714 --> 00:39:30,280 YOU JUST TELL YOUR FRIENDS WHERE TO COME 626 00:39:30,324 --> 00:39:32,108 TO GET THEIR CAR SMOOTHED OUT, ALL RIGHT? - I'LL TELL 'EM. 627 00:39:32,152 --> 00:39:33,849 TAKE IT EASY, MAN, GOOD TO SEE YOU. 628 00:39:33,893 --> 00:39:35,416 - ALL RIGHT, MAN. 629 00:39:35,460 --> 00:39:37,636 - HEY, MAN, I NEED YOU TO COVER FOR ME AGAIN. 630 00:39:37,679 --> 00:39:41,422 - ALL I DO IS COVER FOR YOU, NO. - COME ON, MAN, I COVER FOR YOU TOO. 631 00:39:41,466 --> 00:39:43,903 LOOK, WHAT DO YOU THINK PHIL WILL BE MORE UPSET ABOUT, 632 00:39:43,946 --> 00:39:45,905 ME COMING IN LATE, OR YOU OVERCHARGING CUSTOMERS 633 00:39:45,948 --> 00:39:47,385 FOR THE CARS YOU JOYRIDE IN? 634 00:39:47,428 --> 00:39:49,822 ONE'S ILLEGAL, ONE'S NOT. - I GOT MY REASONS. 635 00:39:49,865 --> 00:39:51,954 - YOU HAVE REASONS FOR OVERCHARGING YOUR CUSTOMERS? 636 00:39:51,998 --> 00:39:53,869 - YEAH. 637 00:39:53,913 --> 00:39:55,480 - WHAT ARE THESE REASONS, MAN? WHAT DO YOU NEED MONEY FOR? 638 00:39:55,523 --> 00:39:57,220 - WHAT? WHAT THE HELL'S THAT SUPPOSED TO MEAN? 639 00:39:57,264 --> 00:39:58,918 - I'M WORKING ON SOMETHING. - WHAT? 640 00:39:58,961 --> 00:40:01,181 WHAT ARE YOU WORKING ON? 641 00:40:02,617 --> 00:40:04,358 - WHEN WILL YOU BE BACK? 642 00:40:04,402 --> 00:40:07,100 - I'LL BE IN AND OUT ALL DAY. - NO, MAN, YOU WORK UNTIL WE CLOSE. 643 00:40:07,143 --> 00:40:09,537 LISTEN, I WILL COVER YOU FOR AN HOUR. 644 00:40:09,581 --> 00:40:11,365 - NO, NO, NO, NO, NO. I NEED MORE TIME THAN THAT. 645 00:40:11,409 --> 00:40:13,323 - WELL, NO. - PLEASE, LISTEN. 646 00:40:13,367 --> 00:40:15,717 YOU SAID YOU WANTED TO KNOW WHO THE REAL COOL IS, RIGHT? 647 00:40:15,761 --> 00:40:17,545 - THAT WAS YESTERDAY, TODAY, I'M ALL RIGHT. 648 00:40:17,589 --> 00:40:19,286 - YOU KNOW WHOSE CAR THAT IS IN THE GARAGE? 649 00:40:19,329 --> 00:40:22,768 - WHICH ONE? - THE ONLY CAR IN THE GARAGE, STUPID, THE ACCORD. 650 00:40:22,811 --> 00:40:25,031 - I'LL KNOW WHEN THEY BRING IT BACK IN FOR MORE WORK. 651 00:40:25,074 --> 00:40:28,164 - IT'S CHARLI'S. - CHARLI REYNOLDS? 652 00:40:31,037 --> 00:40:35,389 - CHARLI FROM HIGH SCHOOL? - YEAH, COLLEGE TOO. 653 00:40:35,433 --> 00:40:38,827 - CHARLI, YOUR EX-FIANCEE. - YES, YES. 654 00:40:38,871 --> 00:40:40,568 THAT ATTORNEY THAT YOU SPOKE TO EARLIER TODAY, 655 00:40:40,612 --> 00:40:42,657 COME THE END OF THE DAY ON SATURDAY, 656 00:40:42,701 --> 00:40:43,832 HER NEW HUSBAND. 657 00:40:43,876 --> 00:40:48,097 - DAMN, THAT'S TOMORROW. - I KNOW THIS. 658 00:40:49,534 --> 00:40:51,361 - BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH. WAIT. 659 00:40:51,405 --> 00:40:54,016 SO YOU WANT ME TO WORK FOR YOU SO YOU CAN GO OUT 660 00:40:54,060 --> 00:40:56,845 AND LIVE SOME LOVE FANTASY YOU'VE GOT PLANNED IN YOUR HEAD? 661 00:40:56,889 --> 00:40:59,195 LOOK AROUND YOU, BRO, THIS AIN'T-- THERE AIN'T NO BRIDGES HERE. 662 00:40:59,239 --> 00:41:02,895 THIS AIN'T MADISON COUNTY. THIS IS ESSEX COUNTY, BRO. 663 00:41:02,938 --> 00:41:04,984 - STOP CALLING ME BRO, HOMEBOY AND ALL THAT OTHER STUFF. 664 00:41:05,027 --> 00:41:06,507 MAN, I'M GETTING TIRED OF IT. 665 00:41:06,551 --> 00:41:08,770 - YOU STILL LOVE HER? 666 00:41:11,599 --> 00:41:14,036 LISTEN, MAN, REGARDLESS, I AIN'T WORKING FOR YOU ALL DAY. 667 00:41:14,080 --> 00:41:16,125 I'M SORRY, DAWG, THAT'S OUTLANDISH, 668 00:41:16,169 --> 00:41:19,738 - THAT'S PREPOSTEROUS. - WHAT? 669 00:41:19,781 --> 00:41:21,653 COME ON, MAN, I GOT SOME AUDITIONS I GOTTA GO TO TOO. 670 00:41:21,696 --> 00:41:23,393 - THERE COMES A TIME IN EVERY MAN'S LIFE 671 00:41:23,437 --> 00:41:25,395 WHEN HE HAS TO PUT HIS FOOT DOWN. 672 00:41:25,439 --> 00:41:30,009 THIS IS THAT TIME, I AM THAT MAN. 673 00:41:31,358 --> 00:41:34,013 SORRY. 674 00:41:34,056 --> 00:41:37,059 - I'LL TELL PHIL RIGHT NOW THAT YOU GREASE THE CUSTOMERS. 675 00:41:37,103 --> 00:41:38,408 - RIGHT NOW. - I TOLD YOU, MAN, 676 00:41:38,452 --> 00:41:41,107 - I GOT MY REASONS. - WHAT ARE THESE REASONS? 677 00:41:43,936 --> 00:41:45,807 - JUST-- GIVE ME THE DAMN BANK. 678 00:41:45,851 --> 00:41:49,463 - MY MAN, YES, A LITTLE ADVANCE ON MY PAYCHECK. 679 00:41:49,507 --> 00:41:52,074 PHIL SAID IT WAS COOL AND IT CAN ALL GO TO YOU-- 680 00:41:52,118 --> 00:41:53,554 - ALL RIGHT, ALL RIGHT, ALL RIGHT. 681 00:41:53,598 --> 00:41:55,121 - IF YOU JUST HOLD ME DOWN. - ALL RIGHT, ALL RIGHT. 682 00:41:55,164 --> 00:41:57,384 - THANKS A LOT, MAN. GOD BLESS. 683 00:42:19,841 --> 00:42:22,061 COME ON, LET ME SEE MY BALANCE. 684 00:42:23,062 --> 00:42:24,367 80 BUCKS. 685 00:42:24,411 --> 00:42:26,631 WHAT? MAN! 686 00:42:26,674 --> 00:42:28,894 I KNOW I PUT A CHECK-- DAMN! 687 00:42:32,158 --> 00:42:35,422 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA! HOLD UP. DAMN! 688 00:42:35,465 --> 00:42:37,380 AAH! 689 00:43:05,017 --> 00:43:06,975 - REGINALD COOLIDGE. 690 00:43:07,976 --> 00:43:09,412 REGINALD COOLIDGE? 691 00:43:16,115 --> 00:43:19,031 OK, WE NOW HAVE REGINALD COOLIDGE. 692 00:43:19,074 --> 00:43:20,902 - HEY, HOW YOU DOING? - HI. 693 00:43:20,946 --> 00:43:24,906 - ALL RIGHT, THANK YOU. LEAVE THAT THERE, PLEASE. 694 00:43:24,950 --> 00:43:27,866 - OK, SIT DOWN. 695 00:43:31,130 --> 00:43:36,352 - UM, WE DECIDED TO CALL YOU IN AFTER LOOKING AT YOUR REEL. 696 00:43:36,396 --> 00:43:40,139 HE WANTS AN UNKNOWN AND YOU ARE THAT. 697 00:43:40,182 --> 00:43:44,926 I MEAN, I DON'T REMEMBER SEEING YOU IN ANYTHING. 698 00:43:44,970 --> 00:43:46,580 - UH, THANK YOU. 699 00:43:46,624 --> 00:43:48,495 - THANK ME? FOR WHAT? 700 00:43:48,538 --> 00:43:52,281 - YOU KNOW, FOR HAVING ME IN DESPITE MY UNKNOWNNESS. 701 00:43:52,325 --> 00:43:54,980 - YOU'RE WELCOME. GO AHEAD. 702 00:43:55,023 --> 00:43:57,069 - MR. BIG DADDY BURGER. 703 00:43:57,112 --> 00:43:59,854 - HEY, IT AIN'T YOUR DADDY'S BURGER. 704 00:43:59,898 --> 00:44:01,856 YOU KNOW, BECAUSE THAT'S WHAT THEY SAY. 705 00:44:01,900 --> 00:44:04,337 I'M THE SPOKESPERSON FOR THEIR CAMPAIGN. 706 00:44:04,380 --> 00:44:07,209 - THAT'S WHAT IT IS, I KNEW I KNOW YOU FROM SOMEWHERE. 707 00:44:07,253 --> 00:44:09,516 - YOU KNOW, "HEY, BIG DADDY." - YEAH. 708 00:44:09,559 --> 00:44:10,952 - DO YOU REMEMBER THAT? - YEAH. 709 00:44:10,996 --> 00:44:14,869 I WAS ACTUALLY, UM, THE FEMALE LEAD IN THE COMMERCIAL 710 00:44:14,913 --> 00:44:16,871 WITH HIM, BUT, UH--HE S GOOD. 711 00:44:16,915 --> 00:44:18,612 - YOU ACT? - WELL, I DID, 712 00:44:18,656 --> 00:44:22,268 IT WAS A WHILE AGO. - EXCUSE ME. 713 00:44:22,311 --> 00:44:24,792 - ANYWAY, I DON'T KNOW HOW MUCH YOU KNOW ABOUT WHAT WE'RE DOING, 714 00:44:24,836 --> 00:44:27,621 BUT WE'RE NOT GONNA BURN ONE FRAME OF FILM 715 00:44:27,665 --> 00:44:30,972 ON ANY OF THAT TYPICAL BLACK BULLSHIT THAT THEY'RE DOING. 716 00:44:31,016 --> 00:44:35,107 - SO UH, WHAT IS IT ABOUT? - IT'S A COMEDY, A BLACK COMEDY. 717 00:44:35,150 --> 00:44:37,152 ABOUT WHAT WOULD HAPPEN IF BLACK PEOPLE 718 00:44:37,196 --> 00:44:39,720 GOT REPARATIONS FOR SLAVERY. 719 00:44:39,764 --> 00:44:41,591 - DOESN'T SOUND FUNNY TO ME AT ALL. 720 00:44:41,635 --> 00:44:43,202 - AND THAT'S THE POINT. 721 00:44:43,245 --> 00:44:44,377 OUR GOAL HERE IS TO KEEP DRUG DEALER 722 00:44:44,420 --> 00:44:46,074 OFF THE TOP OF A LOT OF RESUMES. 723 00:44:46,118 --> 00:44:47,380 HAVE YOU EVER PLAYED A DRUG DEALER? 724 00:44:47,423 --> 00:44:49,556 - UH, YE--A STREET PHARMACIST. 725 00:44:49,599 --> 00:44:51,732 - LOOK, LET ME PAINT THE PICTURE. 726 00:44:53,386 --> 00:44:57,085 A FICTITIOUS TOWN IN VIRGINIA, NEW HOPE. 727 00:44:57,129 --> 00:45:00,045 A BLACK TOWN, AND NOBODY HAS ANY REAL PROBLEMS. 728 00:45:00,088 --> 00:45:02,917 THERE AREN'T ANY CLASS ISSUES AND EVERYTHING YOU NEED 729 00:45:02,961 --> 00:45:04,527 IS AT THE GENERAL STORE. 730 00:45:04,571 --> 00:45:06,704 NEW HOPE WAS FOUNDED DURING A RECONSTRUCTION. 731 00:45:06,747 --> 00:45:10,925 ON LAND PURCHASED BY SEVERAL FAMILIES OF FREE MEN. 732 00:45:10,969 --> 00:45:13,232 THESE FAMILIES HAPPEN TO BE DIRECT LINEAGE 733 00:45:13,275 --> 00:45:16,888 TO THE ORIGINAL 23 SLAVES BROUGHT TO JAMESTOWN, VIRGINIA 734 00:45:16,931 --> 00:45:19,978 IN THE YEAR 1619. 735 00:45:20,021 --> 00:45:23,416 TODAY, THESE FAMILIES GET REPARATIONS CHECKS 736 00:45:23,459 --> 00:45:26,071 OF A VERY SIGNIFICANT AMOUNT. 737 00:45:26,114 --> 00:45:28,290 PROBLEM IS, THEY CAN'T TELL ANYBODY THAT THEY GOT 'EM 738 00:45:28,334 --> 00:45:30,292 OR IT ALL FALLS APART. 739 00:45:36,081 --> 00:45:38,561 - SO WHAT HAPPENS? - WHAT ABOUT US. 740 00:45:38,605 --> 00:45:41,216 IT'S THE TITLE. 741 00:45:41,260 --> 00:45:43,001 SO WHAT ABOUT YOU? 742 00:45:43,044 --> 00:45:44,524 - SO YOU DON'T WANT ME TO READ THE LINES? 743 00:45:44,567 --> 00:45:46,787 - JUST WANNA HEAR A LITTLE BIT ABOUT YOU. 744 00:45:46,831 --> 00:45:49,834 - UH, MY STORY. HERE WE GO. 745 00:45:49,877 --> 00:45:52,140 HWAAH! 746 00:45:54,490 --> 00:45:56,536 HERE WE GO. 747 00:45:56,579 --> 00:46:02,455 WELL, I AM 28 YEARS OLD, SIX FOOT ONE INCHES TALL. 748 00:46:02,498 --> 00:46:05,675 AND I'M BLACK. 749 00:46:05,719 --> 00:46:11,986 WHATEVER THE HELL THAT MEANS. UM, I LIVE AT HOME WITH MY MOM 750 00:46:12,030 --> 00:46:16,034 AND HER BOYFRIEND WHO I WISH SHE NEVER HAD. 751 00:46:16,077 --> 00:46:17,775 I GO ON AUDITIONS EVERY DAY OF THE WEEK. 752 00:46:17,818 --> 00:46:19,689 IF I'M LUCKY. 753 00:46:19,733 --> 00:46:22,649 IF I'M NOT AUDITIONING FOR A KILLER OR A RAPIST 754 00:46:22,692 --> 00:46:25,260 OR SOMETHING LIKE THAT, I'M EVEN LUCKIER. 755 00:46:25,304 --> 00:46:26,958 AH, DA-DA-DA-DA, DA-DA-DA-DA-- 756 00:46:27,001 --> 00:46:30,004 OH, UNTIL THIS MORNING, I RODE THE SAME BIKE 757 00:46:30,048 --> 00:46:32,441 THAT I HAD ON MY PAPER ROUTE 17 YEARS AGO, 758 00:46:32,485 --> 00:46:34,052 I RODE IT EVERY DAY. 759 00:46:34,095 --> 00:46:35,836 THEN IT GOT STOLEN. THAT'S KIND WACK. 760 00:46:35,880 --> 00:46:37,969 I DON'T EVEN KNOW WHY I'M TELLING YOU THAT. UH-- 761 00:46:38,012 --> 00:46:40,014 LET'S SEE WHAT ELSE, I MEAN, 762 00:46:40,058 --> 00:46:42,495 EVEN THOUGH THERE'S THE BIG STEREOTYPE AND EVERYTHING, 763 00:46:42,538 --> 00:46:44,758 I'VE GOTTA ADMIT, I LOVE ME SOME CHICKEN, 764 00:46:44,802 --> 00:46:46,151 FRIED CHICKEN, THAT'S MY FAVORITE. 765 00:46:46,194 --> 00:46:50,764 IT TASTES SO GOOD. DON'T YOU AGREE? 766 00:46:50,808 --> 00:46:54,855 UH, SOMETHING ELSE, 767 00:46:54,899 --> 00:47:00,078 THAT, UH-- THAT PRETTY MUCH, UH-- SCENE. 768 00:47:00,121 --> 00:47:03,298 - THAT'S IT? 769 00:47:03,342 --> 00:47:06,084 - YEAH. YEAH, THAT'S IT, YEAH. 770 00:47:06,127 --> 00:47:09,000 - YOU TOLD US HOW TALL YOU ARE, HOW OLD YOU ARE, 771 00:47:09,043 --> 00:47:10,305 WHERE YOU LIVE, 772 00:47:10,349 --> 00:47:13,961 YOU'RE BLACK, YOU'RE 28, YOU LIKE FRIED CHICKEN. 773 00:47:14,005 --> 00:47:15,702 WHO ARE YOU? 774 00:47:19,706 --> 00:47:21,882 UH-- 775 00:47:31,936 --> 00:47:34,112 CALL IN OUR NEXT ACTOR. 776 00:47:34,155 --> 00:47:35,765 - YOU KNOW, THERE'S NO ONE ELSE OUT THERE. IT'S LUNCH TIME. 777 00:47:35,809 --> 00:47:38,899 SO IF THERE'S SOMETHING YOU WANTED TO ADD MAYBE WE CAN-- 778 00:47:38,943 --> 00:47:42,250 - HE'S DONE, HE'S DONE. THE AUDITION IS OVER. 779 00:47:42,294 --> 00:47:44,470 - WELL, I'M SORRY, WHAT DID I DO? 780 00:47:44,513 --> 00:47:47,212 - YOU DIDN'T DO ANYTHING AT ALL. - Woman: YOU KNOW WHAT I'D LIKE? 781 00:47:47,255 --> 00:47:49,779 ONE OF THOSE CUBAN SANDWICHES FROM DOWNSTAIRS. 782 00:47:49,823 --> 00:47:51,216 - Man: I THOUGHT YOU GAVE UP THE PORK? 783 00:47:51,259 --> 00:47:52,870 - Woman: OH, NO, NO, NO, NOT AT ALL. 784 00:47:52,913 --> 00:47:54,654 - Man: WHERE'S LUNCH? - Young woman: I'LL CALL IT IN. 785 00:47:54,697 --> 00:47:57,091 THE REGULAR, BIG DADDY BURGER? - Man: UH, YEAH, THANK YOU. 786 00:47:57,135 --> 00:47:58,092 BIG DADDY BURGER PLEASE. 787 00:47:58,136 --> 00:47:59,137 WHEN ACTORS LIKE THIS, 788 00:47:59,180 --> 00:48:02,053 THEY COME IN HERE, NO PREPARATION-- 789 00:48:02,096 --> 00:48:03,532 - Young woman: YES, I'D LIKE TO MAKE AN ORDER. 790 00:48:03,576 --> 00:48:06,013 - DON'T KNOW WHAT THEY'RE DOING, DON'T KNOW WHO THEY ARE. 791 00:48:06,057 --> 00:48:07,101 - Young woman: ONE BIG DADDY BURGER. 792 00:48:07,145 --> 00:48:08,494 - Woman: YEAH, I THINK WE SHOULD-- 793 00:48:08,537 --> 00:48:12,280 - Man: THE AUDITION'S OVER. - Woman: YEAH. 794 00:48:14,935 --> 00:48:17,111 THANK YOU. 795 00:48:27,992 --> 00:48:30,951 OK, FIRST OFF, 796 00:48:30,995 --> 00:48:35,782 YOU CAN'T PULL A GUN ON A PERSON, ALL RIGHT? 797 00:48:35,825 --> 00:48:36,957 FAKE OR NOT. 798 00:48:37,001 --> 00:48:39,742 - THEY SAID THEY WANTED BLACK. 799 00:48:39,786 --> 00:48:41,005 YOU KNOW WHAT, FORGET ABOUT THAT. 800 00:48:41,048 --> 00:48:42,354 WHY DON'T YOU GET A CHAIR IN THIS OFFICE? 801 00:48:42,397 --> 00:48:44,269 - I HAVE A CHAIR IN THIS PLACE. 802 00:48:44,312 --> 00:48:45,966 MY CLIENTS ARE SUPPOSED TO BE OUT BOOKING JOBS 803 00:48:46,010 --> 00:48:48,795 AND MAKING MONEY, YOU'RE THE ONLY ONE WHO COMES IN HERE 804 00:48:48,838 --> 00:48:51,885 AND COMPLAINS ABOUT STANDING. - YEAH. I WONDER WHY? 805 00:48:51,929 --> 00:48:54,757 - YOU KNOW WHAT, MISTER, YOU CAN CHECK THAT ATTITUDE. 806 00:48:54,801 --> 00:48:57,804 I AM BUSTING MY NECK FOR YOU. 807 00:48:57,847 --> 00:48:59,327 - YOU HAVE TO READ SOME OF THESE THINGS 808 00:48:59,371 --> 00:49:01,025 THAT THESE PEOPLE HAVE ME DOING. 809 00:49:01,068 --> 00:49:03,941 - THAT'S NOT MY PROBLEM, WHAT THEY HAVE YOU DOING. 810 00:49:03,984 --> 00:49:07,031 IF YOU HAVE A PROBLEM WITH WHAT THEY HAVE YOU DOING, 811 00:49:07,074 --> 00:49:09,033 THEN GET SOME BROTHERS TO WRITE A SCRIPT 812 00:49:09,076 --> 00:49:10,382 OR YOU WRITE A SCRIPT. 813 00:49:10,425 --> 00:49:13,907 THAT'S NOT MY JOB. 814 00:49:13,951 --> 00:49:16,344 - HEY, SOMETHING HAS TO GIVE. - AND YOU KNOW WHAT IT IS? 815 00:49:16,388 --> 00:49:19,260 YOU. YOU WANNA MAKE IT ALL THE WAY TO THE TOP, 816 00:49:19,304 --> 00:49:20,870 I'LL TELL YOU WHAT, 817 00:49:20,914 --> 00:49:23,438 YOU GOTTA TAKE A FEW SHORTS ALONG THE WAY. 818 00:49:23,482 --> 00:49:26,224 YOU GOTTA LOSE A COUPLE BATTLES TO WIN THE WAR, ALL RIGHT? 819 00:49:26,267 --> 00:49:29,053 SO YOU PLAY A FEW RAPISTS. SO YOU-- 820 00:49:29,096 --> 00:49:33,579 YOU PLAY A FEW DRUG DEALERS, YOU PLAY SOME BASKETBALL, 821 00:49:33,622 --> 00:49:35,973 YOU PLAY SOME FOOTBALL. 822 00:49:36,016 --> 00:49:42,196 COME ON, YOU BE THE BEST DAMN STEREOTYPE YOU KNOW HOW TO BE. 823 00:49:42,240 --> 00:49:46,766 - THERE ARE CERTAIN THINGS I JUST CAN'T DO. 824 00:49:46,809 --> 00:49:48,898 - WON'T DO. THAT'S ALL RIGHT. 825 00:49:48,942 --> 00:49:50,378 THAT'S ALL RIGHT. YOU KNOW WHY? 826 00:49:50,422 --> 00:49:53,729 'CAUSE THEY'RE HIRING ACCOUNTANTS AT H&R BLOCK. 827 00:49:53,773 --> 00:49:57,429 TAX SEASON IS COMING UP, HERE, WANT AN APPLICATION? 828 00:49:59,431 --> 00:50:01,041 - WHY DO YOU EVEN HAVE THIS, MAN? 829 00:50:01,085 --> 00:50:03,087 - BECAUSE AS LONG AS YOU'RE STANDING THERE, 830 00:50:03,130 --> 00:50:05,350 I NEED TO SUPPLEMENT MY INCOME. 831 00:50:10,094 --> 00:50:13,184 - HOW'D THE AUDITION GO TODAY? 832 00:50:13,227 --> 00:50:16,796 - FUCK PETE CHATMON. - UHHH. 833 00:50:16,839 --> 00:50:19,625 THAT GOOD, HUH? YOU WANNA TALK ABOUT IT? 834 00:50:19,668 --> 00:50:21,279 - NO. 835 00:50:25,370 --> 00:50:28,895 THANK YOU. - FOR WHAT? 836 00:50:28,938 --> 00:50:32,420 - FOR STANDING BY ME. 837 00:50:32,464 --> 00:50:35,380 - GO FIGURE. YOU KNOW, 838 00:50:35,423 --> 00:50:41,168 DESPITE THE MANY ASSHOLE-ISH PROPERTIES IN YOUR PERSONALITY, 839 00:50:41,212 --> 00:50:44,084 THERE'S SOMETHING ABOUT YOU I FIND LIKEABLE. 840 00:50:44,128 --> 00:50:46,347 HERE, 841 00:50:47,957 --> 00:50:50,090 SOME NEW AUDITIONS. 842 00:50:50,134 --> 00:50:52,353 IF YOU CAN DO THEM. 843 00:50:52,397 --> 00:50:55,052 - HEY, JUST TWO-WAY ME IF ANYTHING HAPPENS WITH ANYTHING. 844 00:50:55,095 --> 00:50:57,706 - MM-HM. CIAO, BABY. 845 00:50:57,750 --> 00:50:59,795 - YEAH, BYE. 846 00:51:04,061 --> 00:51:06,585 - PETE CHATMON, PLEASE. 847 00:51:07,629 --> 00:51:12,069 PETEY, HI, HEY, COLE CARTER HERE. 848 00:51:12,112 --> 00:51:15,028 YEAH, HOW'S IT GOING? 849 00:51:15,072 --> 00:51:18,031 NO, JUST GOT BACK FROM SUNDANCE. 850 00:51:18,075 --> 00:51:20,077 WORKING ON MY TAN. UH-HUH. 851 00:51:25,386 --> 00:51:28,955 - Man: PUT ON YOUR HELMET. LET'S PLAY. 852 00:51:32,045 --> 00:51:33,307 - YOU'RE RUNNING DOWN THE FIELD, THEY'RE COMING AFTER YOU, 853 00:51:33,351 --> 00:51:35,222 THEY'RE TACKLING LEFT, THEY'RE TACKLING RIGHT 854 00:51:35,266 --> 00:51:37,485 BUT YOU'RE TOO FANCY FOR THEM. 855 00:51:39,531 --> 00:51:41,272 SWEET FEET, THAT'S IT, THAT'S IT, 856 00:51:41,315 --> 00:51:43,274 GETTING JIGGY, GETTING JIGGY. 857 00:51:43,317 --> 00:51:48,061 NOW, BASKETBALL. WHAT HAVE YOU GOT? 858 00:51:48,105 --> 00:51:53,153 YOU CALL YOURSELF A BLACK MAN? DRIBBLE THAT DAMN BALL. 859 00:51:53,197 --> 00:51:54,502 ROUND AND ROUND, 860 00:51:54,546 --> 00:51:59,638 DO IT LIKE CURLY. LEBRON JAMES, MAGNIFICENT. 861 00:52:10,127 --> 00:52:12,085 HAAAH! 862 00:52:15,306 --> 00:52:18,135 - Man: GO AHEAD NOW, RAPE HER. 863 00:52:21,094 --> 00:52:24,663 - Cool: DO WHAT? HEY, NO, I WILL NOT CALM DOWN. 864 00:52:24,706 --> 00:52:28,232 HEY, HOOLIGAN, GET YOUR HANDS OFF ME. 865 00:52:28,275 --> 00:52:30,495 THIS IS RIDICULOUS. 866 00:52:34,063 --> 00:52:36,022 - I'M THE MURDERER, RIGHT? 867 00:52:52,299 --> 00:52:54,736 - Pete: WHO ARE YOU? - Cole: YOU BE THE BEST 868 00:52:54,780 --> 00:52:58,000 DAMN STEREOTYPE YOU KNOW HOW TO BE. 869 00:53:00,089 --> 00:53:03,832 - Cool's mom: WE'RE MOVING. - Phil: DO YOU EVER THINK ABOUT GETTING YOUR OWN PLACE? 870 00:53:03,876 --> 00:53:05,965 - Pete: THE AUDITION'S OVER. 871 00:53:08,837 --> 00:53:11,884 - TRY TO FOCUS. 872 00:53:11,927 --> 00:53:14,974 LOOK, JUST, DO THIS, DO THIS. HWAAH! 873 00:53:15,017 --> 00:53:17,106 - OK, OK. - HWAAH! 874 00:53:17,150 --> 00:53:19,544 - Charli: ARE YOU HERE FOR ME? 875 00:53:19,587 --> 00:53:22,329 I'M HERE FOR YOU. 876 00:53:22,373 --> 00:53:24,723 YOU'RE GONNA MAKE IT. 877 00:53:27,552 --> 00:53:29,902 "WE'VE BEEN TOGETHER FOR QUITE SOME TIME NOW. 878 00:53:29,945 --> 00:53:34,080 "LONG ENOUGH TO START THINKING ABOUT THINGS-- 879 00:53:34,123 --> 00:53:36,517 "THE BIG THINGS." IS THIS FOR A SOAP OPERA? 880 00:53:36,561 --> 00:53:38,563 - COME ON. I DON'T DO SOAPS. IT'S A PILOT. 881 00:53:38,606 --> 00:53:39,868 - OH? - CONTINUE. 882 00:53:39,912 --> 00:53:42,088 OK. 883 00:53:42,131 --> 00:53:45,004 "YOU'VE BEEN THERE FOR ME SINCE THE BEGINNING. 884 00:53:45,047 --> 00:53:47,876 "I WANNA BE HERE FOR YOU UNTIL THE END." 885 00:53:47,920 --> 00:53:50,139 - "I LOVE YOU SO MUCH." 886 00:53:58,887 --> 00:54:01,368 - YOU'RE GONNA DO GREAT THINGS. 887 00:54:03,936 --> 00:54:05,285 - Cool: BULLSHIT ACTOR DUDE. 888 00:54:05,329 --> 00:54:09,028 - YOU'RE GONNA MAKE IT, COOL. 889 00:54:09,071 --> 00:54:11,857 I JUST DON'T KNOW IF IT'S WITH ME. 890 00:54:11,900 --> 00:54:14,076 OR WITH YOURSELF. 891 00:54:15,513 --> 00:54:19,081 "I LOVE HOW YOUR EYEBROWS SERVE AS A PERFECT UMBRELLA 892 00:54:19,125 --> 00:54:20,692 "TO YOUR BROWN EYES. 893 00:54:20,735 --> 00:54:24,304 "I LOVE ALL FIVE FEET SEVEN INCHES OF YOU 894 00:54:24,348 --> 00:54:28,047 "AND HOW YOUR BROWN AND TURQUOISE SWEAT PANTS 895 00:54:28,090 --> 00:54:31,616 "PAINT THE PERFECT SILHOUETTE AROUND A WORK OF ART. 896 00:54:31,659 --> 00:54:33,792 "ON DOWN TO THE BROWN SHOES, 897 00:54:33,835 --> 00:54:37,099 "AND DON'T LET ME FORGET THE--THE GREEN TANK TOP." 898 00:54:40,929 --> 00:54:43,845 DID YOU WRITE THIS? - WHAT? 899 00:54:43,889 --> 00:54:48,763 LET ME SEE THAT. - I JUST--OH, DAMN! 900 00:54:48,807 --> 00:54:51,766 LOOK, I GAVE YOU MY COPY AND THEN YOU-- - BABY, WHAT-- 901 00:54:51,810 --> 00:54:53,246 - WHY ARE YOU DOING THAT, NO, WE'LL READ. 902 00:54:53,290 --> 00:54:57,946 I PROMISE I'LL BE-- I'LL DO IT BETTER. 903 00:54:57,990 --> 00:54:59,208 WHAT ARE YOU-- WHAT ARE YOU DOING? 904 00:54:59,252 --> 00:55:03,387 - WILL YOU MARRY ME? - ARE YOU SERIOUS? 905 00:55:03,430 --> 00:55:05,389 - I'M SERIOUS, WILL YOU MARRY ME? 906 00:55:05,432 --> 00:55:07,739 BE MY WIFE? 907 00:55:07,782 --> 00:55:12,134 OH, MY GOD. 908 00:55:12,178 --> 00:55:13,397 - ARE YOU SMILING BECAUSE YOU'RE GONNA SAY YES 909 00:55:13,440 --> 00:55:15,007 OR YOU SMILING BECAUSE YOU DON'T WANT TO-- 910 00:55:15,050 --> 00:55:16,443 - YES! YES! - THANK YOU, 911 00:55:16,487 --> 00:55:18,358 THAT'S WHAT I WANNA HEAR, LET ME GET YOUR FINGER. 912 00:55:18,402 --> 00:55:20,055 - OH, MY GOD. 913 00:55:20,099 --> 00:55:21,753 - Cool: IT'S ONLY THE BEGINNING, I PROMISE YOU, 914 00:55:21,796 --> 00:55:24,103 I'LL GET YOU A BETTER RING. 915 00:55:26,018 --> 00:55:28,020 - OH, MY GOD. 916 00:55:46,081 --> 00:55:47,996 HEY? 917 00:55:48,040 --> 00:55:50,651 - AGAIN? - I CAN'T STAY AWAY FROM MY FAVORITE LADY. 918 00:55:50,695 --> 00:55:53,045 - DON'T COME BY MY HOUSE ANYMORE, OK? 919 00:55:53,088 --> 00:55:57,397 - MY LIFE IS NOT YOUR MOVIE SET. - YOU'RE RIGHT, YOU'RE SO RIGHT. 920 00:55:57,441 --> 00:56:00,748 I APOLOGIZE. MOST LIKELY, IT WON'T HAPPEN AGAIN. 921 00:56:00,792 --> 00:56:02,924 - OH! 922 00:56:04,012 --> 00:56:05,797 - I SEE YOU HAD THE CHEF PICK UP THE CAR? 923 00:56:05,840 --> 00:56:07,712 - NO, HE HAD SOME CASES TO TAKE CARE OF 924 00:56:07,755 --> 00:56:10,323 SO I WENT AND PICKED IT UP FROM DERRICK. 925 00:56:10,367 --> 00:56:12,891 FOR SOME REASON, ED LIKED YOU, SO-- 926 00:56:12,934 --> 00:56:15,502 - OH, YEAH? THAT WOULD PROBABLY BE THE CHARM. 927 00:56:15,546 --> 00:56:19,463 'CAUSE I'M A REAL CHARMING GUY, A LOT OF PEOPLE SAY THAT. 928 00:56:19,506 --> 00:56:22,379 OF COURSE I'D PREFER IF THE CHARM WORKED ON YOU. 929 00:56:23,728 --> 00:56:26,034 - DID YOU REALLY GET THE LICENSE PLATES? 930 00:56:26,078 --> 00:56:31,388 - OH, HM-- THE--THE PLATES? - THE PLATES, COOL? 931 00:56:33,390 --> 00:56:35,914 - OH. OH! 932 00:56:35,957 --> 00:56:38,046 - SOME THINGS NEVER CHANGE. - YEAH. 933 00:56:41,963 --> 00:56:43,574 - WHOA, WHOA, WHOA, WHAT ARE-- WHAT ARE YOU DOING? 934 00:56:43,617 --> 00:56:44,879 - YEAH, I NEED A RIDE TO WORK. 935 00:56:44,923 --> 00:56:47,012 - HOW DID YOU GET HERE? - I WALKED. 936 00:56:47,055 --> 00:56:48,535 - WELL, THEN WALK BACK. 937 00:56:48,579 --> 00:56:51,059 - COME ON, CHARLI, THESE-- THESE AIN'T MY WALKING SHOES. 938 00:56:51,103 --> 00:56:53,975 THEY'RE MY DANCING SHOES. 939 00:56:54,019 --> 00:56:56,064 - GET IN. 940 00:56:58,458 --> 00:56:59,720 - GIRL, LET ME ASK YOU A QUESTION. 941 00:56:59,764 --> 00:57:02,941 - WHAT? - NO, NEVER MIND, FORGET IT. 942 00:57:02,984 --> 00:57:05,987 - THAT'S SO TYPICAL OF YOU. I KNOW YOUR GAME. 943 00:57:06,031 --> 00:57:08,076 PLAY THE CARD, PUT IT ON THE TABLE. 944 00:57:08,120 --> 00:57:11,471 - NO, NO, NO, NO, TALKING ABOUT WHAT ED HAS OVER ME 945 00:57:11,515 --> 00:57:14,909 IS NOT MY IDEA OF WITTY BANTER OR--OR STIMULATING CONVERSATION. 946 00:57:14,953 --> 00:57:17,172 I'LL TAKE THE CARD BACK, FORGET IT. 947 00:57:17,216 --> 00:57:19,436 - REALLY? 948 00:57:21,002 --> 00:57:24,136 YES, THAT'S JUST SO TYPICAL, THAT'S SO YOU, YOU KNOW? 949 00:57:24,179 --> 00:57:26,181 YOU MAKE THE RULES AND ONLY YOU CAN BREAK THEM. 950 00:57:26,225 --> 00:57:30,969 HYPOCRISY AT ITS FINEST. GO AHEAD, JUST SAY IT. 951 00:57:31,012 --> 00:57:32,927 - NO, LET'S MOVE ON TO SOMETHING ELSE, MAN. 952 00:57:32,971 --> 00:57:36,975 YOU KNOW, YOU LOOK BEAUTIFUL TODAY, LET'S TALK ABOUT THAT. - FUCK OFF. 953 00:57:48,334 --> 00:57:54,601 - REGGIE, THIS MAY BE YOUR LAST CHANCE TO SAY ANYTHING TO ME. 954 00:57:55,907 --> 00:57:57,822 JUST SAY IT, REGGIE. 955 00:58:02,043 --> 00:58:04,655 - THE ONLY REASON WHY I KNEW IT WAS YOU THE OTHER DAY 956 00:58:04,698 --> 00:58:09,094 WAS 'CAUSE OF YOUR EYES, NOT 'CAUSE OF YOUR SMILE. 957 00:58:12,750 --> 00:58:14,012 - YOU'RE DEFINITELY GETTING BETTER. 958 00:58:14,055 --> 00:58:17,232 - WHAT? I'M SERIOUS, THIS IS NOT AN ACT. 959 00:58:21,759 --> 00:58:25,719 - I'M STRESSED, OK? I MEAN, I'M PLANNING A WEDDING. 960 00:58:27,591 --> 00:58:31,986 I'LL BE THE HAPPIEST WOMAN WHEN TOMORROW, I WALK DOWN THAT AISLE, 961 00:58:32,030 --> 00:58:36,556 I MEET ED DOWN THERE AND I SAY, "I DO," OK? 962 00:58:36,600 --> 00:58:40,212 - PLANNING? YOU SURE? SHOW--SHOW ME SOME PLANNING? 963 00:58:40,255 --> 00:58:42,214 LET ME SEE YOUR TO DO LIST, CHARLI. 964 00:58:42,257 --> 00:58:43,868 WHERE'S THE MICROSOFT OUTLOOK? 965 00:58:43,911 --> 00:58:45,173 DON'T YOU GOT A BLACKBERRY OR SOMETHING LIKE THAT? 966 00:58:45,217 --> 00:58:47,915 HOW ABOUT A POST-IT NOTE, FOR GOD'S SAKE? 967 00:58:47,959 --> 00:58:49,830 WE ARE CHILLING ON THE SIDE OF THE ROAD 968 00:58:49,874 --> 00:58:51,876 IN A CAR THAT HAS JUST STOPPED. 969 00:58:51,919 --> 00:58:54,226 WHAT EXACTLY ARE YOU PLANNING HERE? 970 00:58:57,011 --> 00:59:00,275 - MY MOTHER'S DOING ALL THE PLANNING SO-- 971 00:59:00,319 --> 00:59:04,062 - OH, BOY, EVERYBODY LOVES BIG MOMMA. 972 00:59:04,105 --> 00:59:05,672 - WHAT IS THAT ABOUT? 973 00:59:05,716 --> 00:59:08,936 - COME ON, YOU KNOW SHE NEVER LIKED ME. 974 00:59:08,980 --> 00:59:12,592 - YOU'RE RIGHT. SHE'S GOOD WITH THAT KIND OF STUFF. 975 00:59:12,636 --> 00:59:14,115 - HA HA HA. 976 00:59:18,642 --> 00:59:20,295 - THERE'S NOT MUCH LEFT TO DO ANYWAY. 977 00:59:20,339 --> 00:59:25,300 JUST DOUBLE CHECK ON THE FLOWERS AND SHOW UP, THAT'S IT. 978 00:59:25,344 --> 00:59:28,869 - SHOW UP TO MARRY THE WRONG GUY, IF YOU ASK ME. 979 00:59:28,913 --> 00:59:32,003 IF YOU DON'T SEE THAT, I DON'T KNOW WHAT THE FUCK IS WRONG WITH YOU, CHARLI. DAMN. 980 00:59:32,046 --> 00:59:33,308 - YOU KNOW WHAT, REGGIE, YOU KNOW, 981 00:59:33,352 --> 00:59:35,180 THERE'S NO NEED FOR YOU TO BE DISRESPECTING ME. 982 00:59:35,223 --> 00:59:36,442 JUST GET OUT OF THE CAR. GET OUT OF THE CAR. - COME-- 983 00:59:36,485 --> 00:59:37,791 - IT WAS A BAD IDEA, GET OUT. 984 00:59:37,835 --> 00:59:39,619 - COME ON, CHARLI. - REGGIE, GET OUT. 985 00:59:39,663 --> 00:59:41,621 - YOU KNOW, FINE, FINE, FINE, I'M GOING, I'M GOING. 986 00:59:41,665 --> 00:59:43,841 YOU KNOW, YOU WANNA GO HOME TO YOUR LITTLE FAKE-ASS THURGOOD MARSHALL, 987 00:59:43,884 --> 00:59:45,843 YOU KNOW, DO THAT, HE DOESN'T KNOW YOU LIKE I DO ANYWAY. 988 00:59:45,886 --> 00:59:47,496 MAN, YOU'RE BEING STUPID. - FINE! 989 00:59:47,540 --> 00:59:49,368 - OW! - THEN THAT'S WHAT I AM. GET OUT OF MY CAR. 990 00:59:49,411 --> 00:59:51,675 - WELL, I AM GOING. - I CAN'T FUCKING TAKE YOUR SHIT ANYMORE. 991 00:59:51,718 --> 00:59:53,024 - I AIN'T STUPID. - STUPID! 992 00:59:53,067 --> 00:59:55,766 - SO HOW DO YOU GET OUT OF THIS MOTHERFUCKER? 993 00:59:57,202 --> 00:59:59,421 GET SOME POWER LOCKS. 994 01:00:08,909 --> 01:00:12,434 - Charli: OH, COME ON, COME ON. 995 01:00:34,935 --> 01:00:36,589 WHAT THE F-- 996 01:00:43,727 --> 01:00:46,251 I TOLD YOU TO LEAVE. - NO, NO I'M NOT GOING ANYWHERE. 997 01:00:46,294 --> 01:00:47,556 JUST WATCH OUT. 998 01:00:47,600 --> 01:00:49,384 - WHY DO YOU HAVE TO BE PUSHING ME ALL THE TIME? 999 01:00:49,428 --> 01:00:52,561 - JUST--WOMAN. 1000 01:00:52,605 --> 01:00:55,260 SEE CAUSE THE RE-- 'CAUSE THIS THING, WHEN YOU-- 1001 01:00:55,303 --> 01:01:01,919 NO, BUT THEN SOMETIMES ON THE CAR, LIKE THIS, YOU NEED TO GET UNDER-- 1002 01:01:01,962 --> 01:01:04,182 I DON'T KNOW WHAT-- I DON'T KNOW WHAT I'M DOING. 1003 01:01:04,225 --> 01:01:06,401 - OF COURSE. 1004 01:01:10,101 --> 01:01:11,929 - COME ON, CHARLI, LET ME JUST SPEND 1005 01:01:11,972 --> 01:01:13,670 THIS LAST AFTERNOON WITH YOU, HUH? 1006 01:01:13,713 --> 01:01:15,149 - NO. 1007 01:01:15,193 --> 01:01:16,716 - COME ON, LOOK, I KNOW I CAN'T HAVE ANYTHING MORE. 1008 01:01:16,760 --> 01:01:17,891 I CAN'T POSSIBLY HAVE ANYTHING LESS 1009 01:01:17,935 --> 01:01:19,240 THAN HOW IT STANDS NOW. 1010 01:01:19,284 --> 01:01:21,068 COME ON, LET ME JUST GO INTO THE CITY WITH YOU 1011 01:01:21,112 --> 01:01:23,723 AND HELP YOU OUT WITH ALL THE WEDDING THINGS IF YOU NEED IT. 1012 01:01:23,767 --> 01:01:24,985 - YOU'RE GONNA HELP ME WITH MY WEDDING PLANS? 1013 01:01:25,029 --> 01:01:27,118 - YEAH. I'M MAN ENOUGH TO DO THAT. 1014 01:01:27,161 --> 01:01:28,902 YOU CAN EVEN CALL BIG MOMMA AND TELL HER 1015 01:01:28,946 --> 01:01:31,339 WHO HELPED YOU WITH EVERYTHING. 1016 01:01:31,383 --> 01:01:33,515 LOOK, I'M SORRY ABOUT THE COMMENT IN THE CAR. 1017 01:01:33,559 --> 01:01:34,995 IT WAS RUDE. 1018 01:01:38,172 --> 01:01:42,394 - YEAH, I DON'T KNOW, REGGIE. - YOU KNOW ME, DON'T YOU? 1019 01:01:42,437 --> 01:01:46,528 - THAT'S WHY I SAY THAT I DON'T-- I DON'T KNOW, I-- 1020 01:01:46,572 --> 01:01:49,749 - LOOK, I WOULD DO A LOT OF THINGS 1021 01:01:49,793 --> 01:01:53,840 BUT WHAT I WON'T DO IS DISRESPECT YOUR RELATIONSHIP. 1022 01:01:53,884 --> 01:01:56,538 UNLESS, OF COURSE, YOU ASK ME TO. 1023 01:02:00,717 --> 01:02:03,067 WHAT DO YOU SAY? JERSEY TRANSIT? 1024 01:02:23,348 --> 01:02:25,829 - I CAN'T MAKE UP MY MIND ABOUT THESE FLOWERS. 1025 01:02:25,872 --> 01:02:29,658 - MMM. SOME MAY CALL THAT A SIGN. 1026 01:02:32,487 --> 01:02:36,622 - THIS IS IT, OK? WHAT DO YOU THINK? 1027 01:02:36,665 --> 01:02:38,842 - YOU REALLY WANNA KNOW? 1028 01:02:40,278 --> 01:02:42,933 I THINK IT'S REALLY TOO LATE TO CHANGE ANYTHING, CHARLI. 1029 01:02:42,976 --> 01:02:45,979 YOU GOTTA MARRY THE DUDE. - I'M NOT ASKING YOU THAT. 1030 01:02:46,023 --> 01:02:49,722 - NO, I WAS JUST JOKING. NO, SERIOUSLY THOUGH, 1031 01:02:49,766 --> 01:02:52,856 I THINK SIMPLE IS BETTER. LOVE IS SIMPLE, RIGHT? 1032 01:02:52,899 --> 01:02:54,161 - YEAH. 1033 01:02:54,205 --> 01:02:56,903 - GET YOUR FAVORITE COLOR AND NOTHING ELSE. 1034 01:02:56,947 --> 01:02:59,558 - GET RED. - I LOVE RED. 1035 01:03:02,169 --> 01:03:04,258 ALL RIGHT. HI? 1036 01:03:04,302 --> 01:03:06,304 - HI? - I'M DRIVING YOU CRAZY HERE. 1037 01:03:06,347 --> 01:03:08,262 SO, OK. - YEAH. 1038 01:03:08,306 --> 01:03:10,830 - I HAVE 75 OF THESE SETTING ORDERED FOR TOMORROW, RIGHT? 1039 01:03:10,874 --> 01:03:14,834 - AND HOW IS THAT LOOKING? - IT LOOKS GOOD, BUT YOU DON'T. 1040 01:03:14,878 --> 01:03:15,922 - OH. - RELAX. 1041 01:03:15,966 --> 01:03:18,272 GIRL, COME ON, YOU GETTING MARRIED. 1042 01:03:18,316 --> 01:03:19,926 JUMP ON THE BROOM. 1043 01:03:19,970 --> 01:03:22,581 YOU TWO LOOK LIKE SUCH A GOOD COUPLE. 1044 01:03:22,624 --> 01:03:24,409 YE-- AWW. 1045 01:03:24,452 --> 01:03:28,543 HEY, CAN I GET A BOUQUET OF THOSE FOR THE MISSUS? 1046 01:03:29,980 --> 01:03:32,896 - ALL RIGHT. - WOW. 1047 01:03:32,939 --> 01:03:34,985 CONGRATULATIONS ON THE WEDDING. 1048 01:03:52,089 --> 01:03:55,919 A WHOLE LOT OF SHOPPING FOR THREE VERY, VERY, SMALL BAGS. 1049 01:03:55,962 --> 01:03:58,312 OH, I DON'T--I DON'T-- - NO, 1050 01:03:58,356 --> 01:03:59,792 - YOU SAID YOU WERE MAN ENOUGH TO HANDLE THIS. 1051 01:03:59,836 --> 01:04:04,275 - YEAH, I KNOW-- WOMAN, I KNOW WHAT I SAID. 1052 01:04:04,318 --> 01:04:08,932 THE ROSES SMELL GOOD. - YOU WANNA GO SOMEWHERE TO EAT? 1053 01:04:08,975 --> 01:04:11,412 - NO--PROBLEM. 1054 01:04:11,456 --> 01:04:13,458 - CAN YOU HOLD MY BAGS? - UH-- 1055 01:04:13,501 --> 01:04:16,548 - DO YOU HAVE A CHOICE? - NOT REALLY. 1056 01:04:16,591 --> 01:04:17,941 I'M LOOKING REAL MASCULINE RIGHT NOW 1057 01:04:17,984 --> 01:04:20,508 WITH THESE PURPLE BAGS, THANK YOU. 1058 01:04:20,552 --> 01:04:23,207 - AND WITH THE FLOWERS TOO. ANYWAY, COME ON. 1059 01:04:27,341 --> 01:04:29,953 I HOPE YOU DIDN'T MIND THE STREET MEAT. 1060 01:04:29,996 --> 01:04:31,215 - STREET MEAT? 1061 01:04:31,258 --> 01:04:34,348 - YEAH. YOU KNOW, HOT DOGS, KEBABS, GYROS, 1062 01:04:34,392 --> 01:04:35,654 ANYTHING YOU GET ON THE STREET. 1063 01:04:35,697 --> 01:04:38,526 MEAT FROM THE STREET, STREET MEAT. 1064 01:04:38,570 --> 01:04:42,443 A TERM OF ENDEARMENT, COMES BEFORE A LITTLE WORRY ONCE YOU GET-- 1065 01:04:42,487 --> 01:04:46,708 CATCH A BAD BATCH. - IT'S NOT HALF AS BAD. 1066 01:04:46,752 --> 01:04:51,017 - MMM, WHAT? STREET MEAT OR ME? 1067 01:04:51,061 --> 01:04:54,803 - THE STREET MEAT. - HA HA HA. THANKS. 1068 01:04:55,804 --> 01:04:57,023 WHAT IS THAT-- 1069 01:04:57,067 --> 01:04:58,938 - HEY, COOL? HOW YOU DOING? 1070 01:04:58,982 --> 01:05:02,115 - HEY? HEY! 1071 01:05:02,159 --> 01:05:04,335 - FARRAH, HOW YOU DOING? - GOOD. 1072 01:05:04,378 --> 01:05:06,859 - YEAH, FARRAH, THIS IS, UH, THIS IS CHARLI, 1073 01:05:06,903 --> 01:05:09,253 CHARLI, THIS IS FARRAH. - HEY. 1074 01:05:09,296 --> 01:05:10,907 YOU'RE HERE FOR THE CALLBACK, RIGHT? 1075 01:05:10,950 --> 01:05:14,258 - AH, YES, YES, I'M HERE FOR THE CALLBACK. 1076 01:05:14,301 --> 01:05:16,956 - YOU TOO? - JUST BOOKED WHAT ABOUT US. 1077 01:05:17,000 --> 01:05:19,872 - WOW, HEY, CONGRATULATIONS. THAT'S, THAT'S GOOD. 1078 01:05:19,916 --> 01:05:22,353 - YEAH. THANKS FOR THE WELL WISHES. - NO, REALLY, IT'S GOOD NEWS. 1079 01:05:22,396 --> 01:05:25,834 IT'S JUST BEEN KIND OF A CRAZY DAY, THAT'S ALL. 1080 01:05:25,878 --> 01:05:27,314 CHECK IT OUT, YOU THINK THEY STILL UP THERE? 1081 01:05:27,358 --> 01:05:30,927 - THEY WERE PACKING UP WHEN I WAS LEAVING, SO, WELL-- 1082 01:05:35,235 --> 01:05:37,934 I THINK I'M GONNA GO. 1083 01:05:37,977 --> 01:05:40,719 - HEY, JUST--CONGRATULATIONS, FOR REAL THIS TIME. 1084 01:05:40,762 --> 01:05:42,982 I'M PROUD OF YOU. 1085 01:05:56,343 --> 01:06:00,304 OK, UH, LOOK. I HAVE THIS REALLY BIG AUDITION, 1086 01:06:00,347 --> 01:06:03,655 IT JUST SO HAPPENS TO BE BOOM! RIGHT HERE IN THIS BUILDING 1087 01:06:03,698 --> 01:06:05,265 WHERE WE'RE SITTING IN FRONT OF. 1088 01:06:05,309 --> 01:06:07,615 I MEAN, I WAS SUPPOSED TO BE HERE A COUPLE OF HOURS AGO. 1089 01:06:07,659 --> 01:06:10,009 - OH, WOW. 1090 01:06:10,053 --> 01:06:12,707 BECAUSE OF ME, YOU DIDN'T GET HERE ON TIME? 1091 01:06:12,751 --> 01:06:15,972 WHAT? YOU WASTED TWO HOURS ON LITTLE OLD ME? 1092 01:06:17,669 --> 01:06:20,019 - COME ON, BABE. - DON'T BABE ME. 1093 01:06:20,063 --> 01:06:21,890 - NOW, LISTEN, WE, WE WERE WALKING DOWN THE STREET, 1094 01:06:21,934 --> 01:06:23,631 ENJOYING THE STREET MEAT, IT WAS GOOD, DELICIOUS, 1095 01:06:23,675 --> 01:06:24,937 IT WAS DELECTABLE, RIGHT? 1096 01:06:24,981 --> 01:06:28,114 AND THEN, POW! LET'S JUST WALK INTO THE LOBBY, 1097 01:06:28,158 --> 01:06:29,986 WE CAN DISCUSS IT IN THERE. 1098 01:06:30,029 --> 01:06:32,118 IF ANYTHING, THE AUDITION MIGHT BE OVER. 1099 01:06:35,904 --> 01:06:37,906 - OK. - YEAH? 1100 01:06:37,950 --> 01:06:39,604 - YEAH. - YEAH, I KNEW YOU'D UNDERSTAND, 1101 01:06:39,647 --> 01:06:41,823 THAT'S WHY YOU'RE WHO YOU ARE. 1102 01:06:42,824 --> 01:06:44,478 I HOPE THEY'RE STILL THERE. 1103 01:07:01,452 --> 01:07:03,671 I REALLY NEED THIS JOB, CHARLI. 1104 01:07:08,676 --> 01:07:09,938 - YOU BLEW IT. - HEY, HEY, HEY, HEY. 1105 01:07:09,982 --> 01:07:11,853 - MAN, COME ON. - YOU'RE KIDDING, RIGHT? 1106 01:07:11,897 --> 01:07:15,161 I KNOW I'M RUNNING LATE, MAN, I JUST, I RAN INTO A COUPLE OF THINGS. 1107 01:07:15,205 --> 01:07:17,946 - YEAH, I SEE. - NO, HE WAS-- 1108 01:07:17,990 --> 01:07:19,774 MY CAR BROKE DOWN, ALL RIGHT? 1109 01:07:19,818 --> 01:07:22,473 AND, AND--HE--HE WAS JUST TRYING TO HELP ME FIX IT. 1110 01:07:22,516 --> 01:07:23,996 THAT'S WHY HE WAS LATE. 1111 01:07:24,040 --> 01:07:26,042 - OK. WELL, YOU'VE GOT THE BAGS, 1112 01:07:26,085 --> 01:07:28,696 YOU'VE GOT THE ROSES, GOOD LUCK WITH YOUR CAREER. 1113 01:07:34,180 --> 01:07:36,617 - THIS, THIS IS MY LIFE, CHARLI, THIS HERE IS MY STORY. 1114 01:07:36,661 --> 01:07:38,619 WHY ARE YOU WALKING AWAY? DON'T WALK AWAY FROM ME. 1115 01:07:38,663 --> 01:07:39,968 - WHY NOT, HUH? 1116 01:07:40,012 --> 01:07:41,144 - JUST LET ME TALK TO YOU FOR A SECOND. 1117 01:07:41,187 --> 01:07:42,623 - YOU DON'T WANNA HEAR WHAT I HAVE TO SAY. 1118 01:07:42,667 --> 01:07:45,104 - WHAT, ARE YOU GONNA TELL ME TOMORROW? 1119 01:07:45,148 --> 01:07:48,542 - AS MUCH AS I CARE ABOUT WHAT YOU'RE GOING THROUGH, 1120 01:07:48,586 --> 01:07:51,023 I'M NOT GONNA OFFER YOU A SHOULDER TO LEAN ON. 1121 01:07:51,067 --> 01:07:52,677 OK? 1122 01:07:52,720 --> 01:07:55,854 BECAUSE FOR ONCE, I'M GONNA BE THE SELFISH ONE. 1123 01:07:55,897 --> 01:07:58,987 GO FIND SOMEBODY ELSE BECAUSE I'M GONNA THINK ABOUT MYSELF. 1124 01:07:59,031 --> 01:08:02,991 FOR ONCE, REGGIE, THAT'S ALL YOU HAD TO DO. 1125 01:08:03,035 --> 01:08:05,385 ALL YOU HAD TO DO WAS THINK ABOUT ME. 1126 01:08:09,607 --> 01:08:11,870 YOU CAN'T DO THIS ANYMORE, YOU HAVE TO STOP, 1127 01:08:11,913 --> 01:08:16,396 YOU HAVE TO LEAVE ME ALONE. - I CAN'T, I CAN'T, CHARLI. 1128 01:08:16,440 --> 01:08:19,965 LOOK, I'VE FALLEN IN LOVE WITH YOU FOR THE SECOND TIME. 1129 01:08:20,008 --> 01:08:21,532 YOU KNOW WHAT? I NEVER FELL OUT OF LOVE WITH YOU 1130 01:08:21,575 --> 01:08:23,447 THE FIRST TIME WHEN I WALKED YOU HOME FROM SCHOOL 1131 01:08:23,490 --> 01:08:25,144 AND YOU SLIPPED ON THAT ICE PATCH. 1132 01:08:25,188 --> 01:08:28,104 THIS IS LIFE, THIS RIGHT HERE IS THE ILLEST MOVIE THAT THERE IS, 1133 01:08:28,147 --> 01:08:30,715 EXCEPT THERE'S NO CREDITS TO WALK OUT ON. 1134 01:08:30,758 --> 01:08:34,936 NO--NO SCRIPT, NO--NO REHEARSAL, JUST RAW EMOTION. 1135 01:08:34,980 --> 01:08:38,549 WHICH YOU NEVER GOT FROM ME WHEN WE WERE TOGETHER BECAUSE-- 1136 01:08:38,592 --> 01:08:41,508 I WAS TOO AFRAID TO TAKE THE ARMOR OFF. 1137 01:08:41,552 --> 01:08:43,771 I LOVE YOU, CHARLI, 1138 01:08:45,251 --> 01:08:47,166 YOU CAN'T TELL ME THAT YOU DON'T LOVE ME. 1139 01:08:47,210 --> 01:08:48,863 YOU CAN'T TELL ME THAT. 1140 01:08:48,907 --> 01:08:52,998 - NO, I CAN'T TELL YOU THAT. 1141 01:08:54,042 --> 01:08:57,437 AND YOU CAN'T EXPECT US TO BE GOOD 1142 01:08:57,481 --> 01:08:59,918 ONLY BECAUSE, ALL OF A SUDDEN, YOU'VE FOUND THE SOFTNESS 1143 01:08:59,961 --> 01:09:02,834 THAT IT TAKES TO BE A FUCKING MAN, REGGIE. 1144 01:09:04,227 --> 01:09:06,229 YOU JUST CAN'T DO THAT. 1145 01:09:07,752 --> 01:09:10,146 - Cool: WE'RE NOT THROUGH, CHARLI. - EXCUSE ME. 1146 01:09:26,901 --> 01:09:29,077 Charli: I'LL DRIVE YOU TO THE STATION. 1147 01:09:45,703 --> 01:09:48,009 - THANK YOU. 1148 01:09:48,053 --> 01:09:52,013 - WHERE'S DERRICK? - HE HAD AN EMERGENCY. 1149 01:09:52,057 --> 01:09:55,408 HE LEFT FIVE HOURS AGO. 1150 01:09:55,452 --> 01:09:57,715 WHAT YOU ACTING ALL UPSET ABOUT? 1151 01:09:57,758 --> 01:10:00,021 I HAVEN'T EVEN TOLD YOU THE GOOD NEWS YET. 1152 01:10:00,065 --> 01:10:03,895 - WHAT'S THAT? - YOU'RE FIRED. 1153 01:10:03,938 --> 01:10:05,418 WELL, YOU ACT LIKE YOUR NAME'S NOT ON THE SCHEDULE. 1154 01:10:05,462 --> 01:10:09,117 I'M JUST TRYING TO MAKE IT A REALITY FOR YOU. 1155 01:10:09,161 --> 01:10:10,467 - DON'T YOU WANT ME TO PAY YOU BACK? 1156 01:10:10,510 --> 01:10:13,774 - OH, YOU WILL. EVERY LAST CENT. 1157 01:10:13,818 --> 01:10:16,647 BUT WHERE YOU GET THE MONEY FROM, THAT'S ON YOU. 1158 01:10:18,779 --> 01:10:22,653 - SO IT'S JUST LIKE THAT? - IT IS THAT. 1159 01:10:25,308 --> 01:10:29,050 MM-HM. YOU'RE FREE TO GO. 1160 01:10:29,094 --> 01:10:31,052 SEE YOU AROUND. 1161 01:10:55,338 --> 01:10:57,514 DO YOU WANNA COME IN? 1162 01:11:12,268 --> 01:11:15,923 FROM THE FACE-OFF, BACK TO THE CORNER, 1163 01:11:15,967 --> 01:11:18,186 MAKES A SHOT-- 1164 01:11:24,149 --> 01:11:28,632 - YOU KNOW, I DON'T-- I DON'T DO TOO MUCH OF THIS. 1165 01:11:28,675 --> 01:11:32,462 - I KNOW YOU DON'T, IT'S JUST IN CASE. 1166 01:11:32,505 --> 01:11:36,030 - YOU CAN'T STAY LONG ANYWAY. - Man on TV: HOPE YOU COME BACK TOMORROW. 1167 01:11:36,074 --> 01:11:37,989 - WHERE IS HE? 1168 01:11:38,032 --> 01:11:40,513 - BACHELOR PARTY. 1169 01:11:40,557 --> 01:11:41,949 AH! WHAT IS THIS? 1170 01:11:41,993 --> 01:11:44,038 ..ORDINARY BURGERS JUST CAN'T SATISFY 1171 01:11:44,082 --> 01:11:46,084 THE MODERN-DAY BLACK MAN. 1172 01:11:46,127 --> 01:11:50,088 WE LIKES OUR FOOD TO HAVE THAT EXTRA LARGE FLAVOR, BABY. 1173 01:11:50,131 --> 01:11:51,742 THAT'S WHY, HERE AT BURGER JESTER, 1174 01:11:51,785 --> 01:11:53,134 WE HAVE A COMMITMENT TO BEEF. 1175 01:11:53,178 --> 01:11:55,441 I DON'T WANNA WATCH THIS. 1176 01:11:59,097 --> 01:12:01,229 WHAT YOU GOT TO LISTEN TO? 1177 01:12:05,495 --> 01:12:07,714 WORD. YOU STILL HAVE THIS? 1178 01:12:20,814 --> 01:12:23,948 DOES ED KNOW HOW YOU FEEL WHEN YOU LISTEN TO THIS SONG? 1179 01:12:27,125 --> 01:12:34,132 ♪ CAN'T NOBODY LOVE YOU LIKE I'M LOVING YOU, BABY ♪ 1180 01:12:34,175 --> 01:12:35,829 ♪ 'CAUSE THEY DON'T KNOW HOW 1181 01:12:35,873 --> 01:12:37,396 ONE LAST DANCE? 1182 01:12:37,440 --> 01:12:41,052 ♪ TO LOVE YOU LIKE I DO 1183 01:12:41,095 --> 01:12:42,967 ♪ OH, MMMM 1184 01:12:43,010 --> 01:12:47,058 - ONLY CAUSE YOU LOOK LIKE A SAD PUPPY IN THE RAIN. 1185 01:12:47,101 --> 01:12:50,844 ♪ LIKE I'M LOVING YOU, BABY 1186 01:12:50,888 --> 01:12:57,895 ♪ 'CAUSE THEY DON'T KNOW HOW TO LOVE YOU LIKE I DO ♪ 1187 01:12:57,938 --> 01:13:02,943 ♪ I'M GONNA LOVE YOU IN THE MORNING ♪ 1188 01:13:02,987 --> 01:13:06,469 ♪ LOVE YOU LATE AT NIGHT 1189 01:13:06,512 --> 01:13:09,733 ♪ GIRL, I AIN'T GONNA STOP LOVING YOU ♪ 1190 01:13:09,776 --> 01:13:12,910 ♪ TILL YOU TELL ME EVERYTHING'S ALL RIGHT ♪ 1191 01:13:12,953 --> 01:13:15,086 ♪ EVERYTHING'S ALL RIGHT 1192 01:13:15,129 --> 01:13:22,093 ♪ OOH ♪ CAN'T NOBODY LOVE YOU LIKE I'M LOVING YOU RIGHT NOW ♪ 1193 01:13:22,136 --> 01:13:28,055 ♪ 'CAUSE THEY DON'T KNOW HOW TO LOVE YOU LIKE I DO ♪ 1194 01:13:28,099 --> 01:13:34,453 ♪ AND, OH, OH, OH, CAN'T NOBODY KISS YOU ♪ ♪ CAN'T NOBODY KISS YOU 1195 01:13:34,497 --> 01:13:37,456 ♪ LIKE I'M KISSING YOU, LITTLE GIRL ♪ 1196 01:13:37,500 --> 01:13:44,028 ♪ 'CAUSE THEY DON'T KNOW HOW TO KISS YOU LIKE I DO ♪ 1197 01:13:44,071 --> 01:13:52,776 ♪ NO, THEY DON'T KNOW HOW TO LOVE YOU ♪ 1198 01:13:52,819 --> 01:13:59,217 ♪ LIKE I DO 1199 01:14:18,584 --> 01:14:20,760 - CHARLI, 1200 01:14:27,201 --> 01:14:31,641 WHY ISN'T THIS OUR WEDDING? 1201 01:14:31,684 --> 01:14:34,861 - WE SHOULDN'T HAVE DONE THAT. 1202 01:14:34,905 --> 01:14:36,689 - IF YOU TELL ME RIGHT NOW 1203 01:14:36,733 --> 01:14:38,604 THAT YOU LOVE HIM MORE THAN YOU LOVE ME, 1204 01:14:38,648 --> 01:14:42,086 I'LL GO, NO QUESTIONS. 1205 01:14:42,129 --> 01:14:44,131 - REGGIE, IT'S NOT THAT SIMPLE. - IT IS THAT SIMPLE. 1206 01:14:44,175 --> 01:14:46,220 - IT IS THAT SIMPLE. - YOU THINK--YOU THINK 1207 01:14:46,264 --> 01:14:49,441 ONLY--ONLY WITH LOVE, TWO PEOPLE CAN--CAN MAKE IT? 1208 01:14:49,485 --> 01:14:53,140 - WHAT IS IT ABOUT THIS GUY? WHAT DOES HE HAVE THAT I DON'T HAVE? 1209 01:14:55,360 --> 01:15:00,626 - HE'S JUST-- HE'S CONSISTENT. HE GIVES ME A HAPPINESS. 1210 01:15:00,670 --> 01:15:04,891 HE NOTICES IF I'VE-- IF I'VE CUT MY HAIR. 1211 01:15:04,935 --> 01:15:08,068 HE WANTS TO HAVE A FAMILY, THEREFORE HE WORKS HARD FOR IT 1212 01:15:08,112 --> 01:15:11,507 AND WE'RE MOVING TO A HOME AND WE'RE DOING IT RIGHT. 1213 01:15:11,550 --> 01:15:14,771 - YOU'RE DOING IT TYPICAL, A HOUSE, A CAR, 1214 01:15:14,814 --> 01:15:16,512 ALL--THESE THINGS COME WITH TIME. 1215 01:15:16,555 --> 01:15:20,080 WHY DOES HE GET THIS AND I DON'T? 1216 01:15:20,124 --> 01:15:22,256 - HE CAN BE A GOOD FATHER. 1217 01:15:22,300 --> 01:15:24,171 - YOU DON'T KNOW WHAT KIND OF FATHER I COULD HAVE BEEN. 1218 01:15:24,215 --> 01:15:26,434 YOU LEFT. 1219 01:15:30,177 --> 01:15:32,353 - BABY? HEY! 1220 01:15:34,704 --> 01:15:36,836 - ED. 1221 01:15:39,230 --> 01:15:41,580 - LOOK, I WAS JUST ABOUT TO LEAVE, MAN. 1222 01:15:41,624 --> 01:15:42,886 - IS THERE SOMETHING YOU WANNA TELL ME? 1223 01:15:42,929 --> 01:15:44,714 I CAN JUMP TO CONCLUSIONS REAL QUICK 1224 01:15:44,757 --> 01:15:46,629 BUT I'M TRYING TO BE AN ADULT ABOUT THIS RIGHT NOW. 1225 01:15:46,672 --> 01:15:48,892 I'M TRYING REAL HARD. 1226 01:15:48,935 --> 01:15:52,852 - JUST RELAX, SHE LOVES YOU, YOU'LL BE A GREAT FATHER. 1227 01:15:52,896 --> 01:15:55,072 - REGGIE? - REGGIE? 1228 01:15:55,115 --> 01:15:57,074 THIS IS REGGIE? 1229 01:15:59,859 --> 01:16:04,429 YOU TWO SAT UP IN MY HOUSE, AT MY TABLE, 1230 01:16:04,472 --> 01:16:06,170 AND LIED TO MY FACE? 1231 01:16:06,213 --> 01:16:08,346 - ED, ED, IT'S NOT-- IT'S NOT WHAT YOU THINK. 1232 01:16:08,389 --> 01:16:11,262 BABY, NO, IT'S-- IT'S-- IT WAS MY MISTAKE. 1233 01:16:11,305 --> 01:16:13,569 - OH, NO, NO, I'M JUST LOOKING AT THE EVIDENCE, ALL RIGHT? 1234 01:16:13,612 --> 01:16:15,571 - OH, NO, NO, YOU HAVE TO TRUST ME ON THIS. 1235 01:16:15,614 --> 01:16:19,009 I'M VERY SORRY, OK? - CHARLI, CHARLI, COME ON, CHARLI. COME ON. 1236 01:16:19,052 --> 01:16:20,227 IT'S MY FAULT, MAN. 1237 01:16:20,271 --> 01:16:21,968 - OH, NO, NO, THIS IS BETWEEN ME AND HER. 1238 01:16:22,012 --> 01:16:23,840 NOT YOU OR WHOEVER YOU'RE PRETENDING TO BE TODAY. 1239 01:16:23,883 --> 01:16:25,232 ALL RIGHT? SO JUST GET THE HELL OUT OF MY HOUSE. 1240 01:16:25,276 --> 01:16:26,538 - DON'T TOUCH ME, MAN. - HEY, MAN. 1241 01:16:26,582 --> 01:16:29,410 I'M NOT GONNA ASK YOU AGAIN, LET'S GO. 1242 01:16:29,454 --> 01:16:30,673 GET OUT OF MY HOUSE, MAN! - NO! NO! 1243 01:16:30,716 --> 01:16:33,980 - THIS IS MY HOUSE. - ED, STOP IT! 1244 01:16:34,024 --> 01:16:37,027 WHAT ARE YOU DOING? ED, STOP IT! 1245 01:16:37,070 --> 01:16:39,290 YOU HAVE TO GO. 1246 01:16:46,993 --> 01:16:49,909 YOU HAVE TO GO. 1247 01:16:49,953 --> 01:16:53,913 - THIS IS HOW THE STORY ENDS? - YES. 1248 01:17:24,161 --> 01:17:26,380 - THE STORY? 1249 01:18:27,528 --> 01:18:32,708 I HAVEN'T HIT ANYBODY SINCE GOLDEN GLOVES. 1250 01:18:32,751 --> 01:18:36,015 - THERE AREN'T ENOUGH WORDS FOR ME TO APOLOGIZE. 1251 01:18:36,059 --> 01:18:38,583 - HEY, YOU'RE RIGHT ABOUT THAT. YOU ARE RIGHT ABOUT THAT. 1252 01:18:38,626 --> 01:18:41,760 - I'M VERY SORRY, I CAN'T TELL YOU ENOUGH. 1253 01:18:41,804 --> 01:18:43,109 - YEAH, AND WHAT AM I SUPPOSED TO DO? 1254 01:18:43,153 --> 01:18:45,590 WHAT? BELIEVE YOU WITH THE SAME, UH-- 1255 01:18:45,633 --> 01:18:47,287 SAME TRUST NOW, WITH THE SAME EASE NOW, 1256 01:18:47,331 --> 01:18:49,637 - WITH THE SAME ANYTHING? - YES, OF COURSE. 1257 01:18:49,681 --> 01:18:53,424 - OH, OF COURSE, OF COURSE. YEAH. 1258 01:19:02,868 --> 01:19:07,830 - ED, WHAT ARE YOU DOING? - UH, EXACTLY, WHAT AM I DOING? 1259 01:19:07,873 --> 01:19:13,096 YOU, ON THE COUCH, NOT ME, GO. 1260 01:19:14,358 --> 01:19:16,186 - NO. 1261 01:19:16,229 --> 01:19:18,623 - THE COUCH. 1262 01:19:23,236 --> 01:19:25,891 - DO YOU STILL WANNA DO THIS? - I'M GONNA SLEEP ON IT. 1263 01:19:25,935 --> 01:19:27,501 - YOU'RE GONNA SLEEP ON IT? - YES. 1264 01:19:27,545 --> 01:19:29,025 - WE'RE GETTING MARRIED IN LESS THAN TEN HOURS, ED. 1265 01:19:29,068 --> 01:19:30,635 - THEN YOU SHOULD HAVE THOUGHT ABOUT THAT 1266 01:19:30,678 --> 01:19:32,419 FOR THE LAST TEN HOURS YOU SPENT WITH THAT DUDE. 1267 01:19:32,463 --> 01:19:35,640 HUH? WHAT ABOUT THOSE TEN HOURS? 1268 01:19:35,683 --> 01:19:40,036 - IF YOU DON'T WANT THIS, WHAT ARE WE GONNA TELL EVERYBODY? 1269 01:19:40,079 --> 01:19:42,952 - I'M NOT TELLING ANYBODY SHIT. 1270 01:19:42,995 --> 01:19:46,694 IF WE DON'T DO THIS, YOU'RE GONNA TELL THEM THE TRUTH. 1271 01:19:46,738 --> 01:19:49,088 YOU'RE GONNA TELL THEM WHAT YOU DID. 1272 01:19:57,880 --> 01:20:02,841 - I LOVE YOU. - I LOVE YOU TOO, CHARLI. 1273 01:20:02,885 --> 01:20:04,538 THAT HASN'T CHANGED. 1274 01:20:07,193 --> 01:20:09,500 BUT I'M GONNA GO TO BED. 1275 01:21:32,148 --> 01:21:36,239 - Cool's mother: COME AND GET IT, BUBBA. 1276 01:21:52,864 --> 01:21:54,213 - GOOD MORNING. - GOOD MORNING. 1277 01:21:54,257 --> 01:21:56,433 - HAVE A SEAT. 1278 01:22:01,873 --> 01:22:03,919 - HOW WAS THE WEDDING? 1279 01:22:03,962 --> 01:22:05,703 - I DON'T KNOW, I COOKED THE FOOD 1280 01:22:05,746 --> 01:22:08,532 BUT I COULDN'T STAY THERE FOR THAT. 1281 01:22:08,575 --> 01:22:10,795 HM. 1282 01:22:21,023 --> 01:22:23,939 - UH--AMEN. - AMEN. 1283 01:22:26,289 --> 01:22:30,989 - UM, YOU CAN WORK AT THE STATION FOR AS LONG 1284 01:22:31,033 --> 01:22:34,210 AS YOU NEED TO OR WANT TO. 1285 01:22:34,253 --> 01:22:36,995 - ALL RIGHT, THANKS. 1286 01:22:39,302 --> 01:22:41,521 - UH-- 1287 01:22:43,001 --> 01:22:45,873 UH-- 1288 01:22:45,917 --> 01:22:51,967 SOMETIMES, LOVE TAKES A LONG TIME TO WORK ITSELF OUT. 1289 01:22:53,272 --> 01:22:54,708 - WHAT ARE YOU SAYING TO ME, MAN? 1290 01:22:54,752 --> 01:22:57,320 - NO, NO, NO, I'M NOT TALKING ABOUT ME AND YOU, 1291 01:22:57,363 --> 01:23:01,237 I'M TALKING ABOUT US. 1292 01:23:01,280 --> 01:23:04,022 I'VE KNOWN YOUR MOTHER FOR 30 YEARS. 1293 01:23:04,066 --> 01:23:06,894 - MA, YOU CHEATED ON DAD? - NO. 1294 01:23:06,938 --> 01:23:08,374 - WHAT ARE YOU SAYING? - NO, NO, NO, NO. 1295 01:23:08,418 --> 01:23:11,899 - WHOA, THIS IS NOT GOING AS SMOOTHLY AS I PLANNED. 1296 01:23:11,943 --> 01:23:13,989 LET'S JUST HOP RIGHT TO IT. 1297 01:23:14,032 --> 01:23:16,339 WHAT I'M SAYING THIS MORNING IS, 1298 01:23:18,210 --> 01:23:20,430 PEOPLE MARRY THE WRONG PEOPLE 1299 01:23:20,473 --> 01:23:24,042 ALL THE TIME. 1300 01:23:24,086 --> 01:23:25,609 - AND IT'S NO DIFFERENT WITH CHARLI 1301 01:23:25,652 --> 01:23:28,046 THAT IT WAS WITH ME AND YOUR FATHER. 1302 01:23:28,090 --> 01:23:31,963 BABY, IF IT'S TRUE AND IF IT'S RIGHT, 1303 01:23:32,007 --> 01:23:35,010 LOVE WILL FIND ITS WAY HOME. - YEAH. 1304 01:23:38,013 --> 01:23:41,538 - NOW, I KNOW THE LAST FEW DAYS HAVE BEEN HARD ON YOU. 1305 01:23:41,581 --> 01:23:43,061 BUT I HAVE SOMETHING TO TELL YOU. 1306 01:23:43,105 --> 01:23:46,238 - OH, NO, COME ON, Y'ALL, I'M IN A REAL-- 1307 01:23:46,282 --> 01:23:48,588 FRAGILE PLACE RIGHT NOW I DON'T NEED TO HEAR 1308 01:23:48,632 --> 01:23:51,243 ANY MORE BAD NEWS. 1309 01:23:51,287 --> 01:23:53,637 - I'VE ASKED YOUR MOTHER TO MARRY ME. 1310 01:23:53,680 --> 01:23:58,250 - AND I'VE ACCEPTED. - CONGRATULATIONS. 1311 01:23:58,294 --> 01:24:01,775 YEAH, YEAH, CONGRATULATIONS. 1312 01:24:08,217 --> 01:24:11,655 - YEAH, YOU KNOW, THAT THING YOU DO WITH THE FEATHERS. 1313 01:24:12,830 --> 01:24:16,094 YEAH. LISTEN, UH, SWEETIE, I GOTTA GO. 1314 01:24:16,138 --> 01:24:18,096 GOTTA GO. RIGHT. 1315 01:24:18,140 --> 01:24:20,316 BYE. 1316 01:24:24,102 --> 01:24:26,974 HOW ARE YOU? 1317 01:24:27,018 --> 01:24:29,107 - I'M STILL STANDING. - AH. 1318 01:24:29,151 --> 01:24:32,023 - DO YOU HAVE ANYTHING FOR ME? 1319 01:24:32,067 --> 01:24:37,072 - I HAVE SOME ADVICE FOR YOU. COME HERE, HAVE A SEAT. 1320 01:24:37,115 --> 01:24:39,074 COME ON. 1321 01:24:45,254 --> 01:24:50,737 I MAY NOT LOOK LIKE YOU OR TALK LIKE YOU, 1322 01:24:50,781 --> 01:24:53,218 FORTUNATELY I DON'T HAVE YOUR ATTITUDE, 1323 01:24:53,262 --> 01:24:58,049 BUT I HAVE BEEN IN YOUR SHOES BEFORE. 1324 01:24:58,093 --> 01:25:02,009 IT'S ALL GONNA WORK OUT. 1325 01:25:02,053 --> 01:25:07,624 IT'S ALL GONNA WORK OUT IF YOU STAY OUT OF YOUR OWN WAY. 1326 01:25:07,667 --> 01:25:11,193 - THAT'S IT? - THAT'S IT. 1327 01:25:11,236 --> 01:25:14,152 THAT ONE'S FREE, I GOT SOMETHING ELSE FOR YOU. 1328 01:25:14,196 --> 01:25:17,503 - PLEASE DON'T LET IT BE A BULLSHIT AUDITION. 1329 01:25:17,547 --> 01:25:21,942 I WILL QUIT THE BUSINESS BEFORE I DO ANOTHER BULLSHIT AUDITION. 1330 01:25:21,986 --> 01:25:24,075 MATTER OF FACT, I WAS THINKING ABOUT WRITING A SCREENPLAY 1331 01:25:24,119 --> 01:25:25,294 ABOUT MY OWN LIFE. 1332 01:25:25,337 --> 01:25:28,079 - SLOW DOWN, WALDO SALT, GET OUT OF MY CHAIR. 1333 01:25:28,123 --> 01:25:30,734 OUT, OUT, COME ON, COME ON, COME ON. 1334 01:25:35,173 --> 01:25:39,046 FOR YOUR INFORMATION, I HAVE TO LET YOU KNOW 1335 01:25:39,090 --> 01:25:42,789 THAT CHATMON HAS A PART IN WHAT ABOUT US. 1336 01:25:42,833 --> 01:25:44,574 THAT HE WANTS TO OFFER TO YOU. 1337 01:25:44,617 --> 01:25:46,010 - THE LEAD? - A PART. 1338 01:25:46,053 --> 01:25:49,056 HE WROTE A VERY SMALL ROLE INTO THE SCRIPT. 1339 01:25:49,100 --> 01:25:51,668 IT'S TAKE IT OR LEAVE IT, THEY NEED TO KNOW TODAY, 1340 01:25:51,711 --> 01:25:53,191 - WHAT DO YOU SAY? - YES. 1341 01:25:53,235 --> 01:25:55,454 - YES? - YES. 1342 01:25:55,498 --> 01:25:59,023 - YOU'RE SURE, 'CAUSE REMEMBER, A MINUTE AGO, 1343 01:25:59,066 --> 01:26:01,634 YOU WERE--YOU WERE EMBARKING ON THAT WRITING CAREER? 1344 01:26:01,678 --> 01:26:04,898 - YES. I WANT THE PART, YES. 1345 01:26:39,368 --> 01:26:42,675 - HEY, NOW, NOW. - ALL RIGHT! 1346 01:26:42,719 --> 01:26:44,851 - YEAH! 1347 01:26:44,895 --> 01:26:48,551 MAN, WHAT YOU GOT FOR ME? MAKE MY DAY. 1348 01:26:48,594 --> 01:26:54,252 - WE'VE GOT YOUR PHONE BILL, THE VISA, 1349 01:26:54,296 --> 01:26:56,036 PLAYBOY MAGAZINE. 1350 01:26:56,080 --> 01:26:58,909 - MEN'S ENTERTAINMENT. - AS THEY SAY. 1351 01:26:58,952 --> 01:27:00,127 - YES! 1352 01:27:00,171 --> 01:27:03,827 - AND, HOLD ON, WHAT'S THIS? 1353 01:27:13,663 --> 01:27:15,882 YOU HAVE A GOOD DAY NOW. - YEAH. 1354 01:27:23,934 --> 01:27:25,283 Man: AND CUT. 1355 01:27:29,766 --> 01:27:32,986 OK, I THINK WE'VE GOT EVERYTHING WE NEED. 1356 01:27:38,209 --> 01:27:39,993 - GOOD WORK, BABY. - OH, THANK YOU. 1357 01:27:40,037 --> 01:27:41,299 - YOU LOOK GOOD. 1358 01:27:41,343 --> 01:27:42,996 - I'M TRYING TO GIVE IT A LITTLE CHARACTER, 1359 01:27:43,040 --> 01:27:45,260 SO I CAN BE REMEMBERED. 1360 01:28:11,024 --> 01:28:13,897 - WHAT'S UP? WHO ARE YOU? 1361 01:28:13,940 --> 01:28:15,986 - I'M DARREL. - DARREL? 1362 01:28:17,204 --> 01:28:18,336 - YEAH. 1363 01:28:18,380 --> 01:28:20,599 - OH, WELL, DARREL, DON'T EVER THINK 1364 01:28:20,643 --> 01:28:22,340 THAT THIS ISN'T A GREAT JOB. 1365 01:28:22,384 --> 01:28:24,211 AND NO MATTER WHAT, ALWAYS SHOW UP ON TIME, YOU GOT ME? 1366 01:28:24,255 --> 01:28:25,343 YEAH. 1367 01:28:25,387 --> 01:28:26,910 - HOW LONG YOU BEEN WORKING HERE, MAN? 1368 01:28:26,953 --> 01:28:29,216 - A YEAR. I CAME HERE RIGHT AFTER YOU LEFT. 1369 01:28:29,260 --> 01:28:32,089 THAT'S WHAT BIG PHIL TOLD ME. - YOU KNOW WHO I AM? 1370 01:28:32,132 --> 01:28:35,179 - OF COURSE I KNOW WHO YOU ARE, EVERYONE AROUND HERE KNOWS WHO YOU ARE. 1371 01:28:35,222 --> 01:28:36,615 YOU'RE COOL, MAN. 1372 01:28:36,659 --> 01:28:40,010 I'M DARREL, DERRICK'S MY COUSIN. 1373 01:28:48,410 --> 01:28:53,502 - HEY, COOL. - WHAT'S UP, PHIL? 1374 01:28:53,545 --> 01:28:54,981 HOW YOU DOING, MAN? 1375 01:28:55,025 --> 01:28:57,462 - OH, MAN, AS YOU CAN SEE, SAME OLD STATION. 1376 01:28:57,506 --> 01:29:00,944 GAS, CARS, CARS, GAS. 1377 01:29:00,987 --> 01:29:03,773 - WE'VE BEEN THROUGH QUITE A FEW MECHANICS THOUGH. 1378 01:29:03,816 --> 01:29:06,036 HARD TO KEEP A QUALITY GUY. 1379 01:29:06,079 --> 01:29:08,995 BUT THE KID ON THE PUMP, HE IS GOOD. 1380 01:29:09,039 --> 01:29:13,260 NEVER BREAKS THE RULES, ALWAYS ON TIME. 1381 01:29:13,304 --> 01:29:16,829 - YOU HIRED DERRICK'S COUSIN? - DERRICK'S A GOOD KID. 1382 01:29:16,873 --> 01:29:20,398 I JUST COULDN'T HAVE ALL THAT MESS BREWING AROUND THE STATION. 1383 01:29:20,442 --> 01:29:22,792 - OH, YEAH, LIKE FRAUD. YEAH, I SEE THAT. 1384 01:29:22,835 --> 01:29:24,271 - YEAH, FRAUD. 1385 01:29:24,315 --> 01:29:27,362 - YOU SHOULD WATCH OUT, IT MIGHT RUN IN THE FAMILY. 1386 01:29:27,405 --> 01:29:31,148 - YEAH, WELL, I WOULD HAVE HELPED THE KID IF HE'D ONLY ASKED. 1387 01:29:35,065 --> 01:29:39,852 - HELLO, MA'AM? - MA'AM? WOW. YOU DO THAT. 1388 01:29:39,896 --> 01:29:42,551 I MEAN, YOU'RE TRYING TO BE POLITE, BUT NO. 1389 01:29:42,594 --> 01:29:45,771 JUST FILL IT UP, OK? PREMIUM. - OK. 1390 01:29:45,815 --> 01:29:49,993 - HERE IS THE FINAL TUITION REPAYMENT. 1391 01:29:50,036 --> 01:29:52,430 JUST GET A BIG-SCREEN TV IN YOUR NEW HOUSE. 1392 01:29:52,474 --> 01:29:54,606 ON ME. 1393 01:29:57,043 --> 01:29:58,654 - WOW. 1394 01:29:58,697 --> 01:30:02,701 - WELL, YOU'VE BEEN TAKING GOOD CARE OF MY MOM TOO. I MEAN THAT. 1395 01:30:06,139 --> 01:30:10,187 - LOOK, YOU, UH--DO YOU HAVE FURNITURE FOR YOUR PLACE? 1396 01:30:10,230 --> 01:30:13,625 - YEAH. YEAH, YOU KNOW, A LITTLE SOMETHING SOMETHING. 1397 01:30:13,669 --> 01:30:16,585 I'M JUST HAPPY TO BE IN A NEW PLACE WITH NO MICE. 1398 01:30:16,628 --> 01:30:18,238 - OH! - FOR A CHANGE, YOU KNOW? 1399 01:30:18,282 --> 01:30:20,589 IT'S JUST THAT I WORK SO MUCH IT'S LIKE I'M RARELY EVER THERE. 1400 01:30:20,632 --> 01:30:21,938 - YEAH. - THAT'S OK, THOUGH. 1401 01:30:21,981 --> 01:30:25,637 - YEAH, IT'S, UH-- YEAH. - YEAH. 1402 01:30:25,681 --> 01:30:27,944 WHICH REMINDS ME, YEAH, I GOT A-- 1403 01:30:27,987 --> 01:30:29,989 I GOT AN APPOINTMENT IN AN HOUR. I GOTTA GET OUT OF HERE. 1404 01:30:30,033 --> 01:30:31,513 - OH, THAT'S COOL. 1405 01:30:31,556 --> 01:30:34,429 YOU TAKE CARE, SON. 1406 01:31:07,070 --> 01:31:09,376 - FILL HER UP? 1407 01:31:13,206 --> 01:31:15,513 YEAH. 1408 01:31:15,557 --> 01:31:17,950 - HEY. - HEY. 1409 01:31:20,953 --> 01:31:22,520 - I SAW YOUR FILM. - YEAH? 1410 01:31:22,564 --> 01:31:24,827 - YES. 1411 01:31:24,870 --> 01:31:27,046 - YEAH, WELL I MEAN, I WOULDN'T REALLY CALL IT MY FILM, 1412 01:31:27,090 --> 01:31:28,787 BEING AS I WAS ONLY ON SCREEN FOR, LIKE, 48 SECONDS. 1413 01:31:28,831 --> 01:31:32,095 - COME ON, IT WAS GOOD, IT WAS GOOD. 1414 01:31:32,138 --> 01:31:34,097 - THANK YOU. 1415 01:31:50,069 --> 01:31:54,639 NO, NO, NO, COME ON. 1416 01:31:55,640 --> 01:31:57,599 OK. 1417 01:31:58,600 --> 01:32:01,080 - WE LEARNT A LOT THAT DAY. 1418 01:32:03,996 --> 01:32:06,695 IS MATRIMONY AS HOLY AS THEY SAY IT IS? 1419 01:32:08,914 --> 01:32:11,003 - WE DIDN'T GET MARRIED. 1420 01:32:14,790 --> 01:32:17,619 I'VE THOUGHT ABOUT YOU. 1421 01:32:17,662 --> 01:32:20,056 I FEEL LIKE I SHOULD BE ABLE TO SAY THAT I DIDN'T, BUT-- 1422 01:32:20,099 --> 01:32:23,929 - I'VE THOUGHT ABOUT YOU TOO, I'M NOT AFRAID TO ADMIT IT. 1423 01:32:28,281 --> 01:32:29,631 WHAT ARE YOU-- WHAT ARE YOU UP TO RIGHT NOW? 1424 01:32:29,674 --> 01:32:33,635 - COME ON, COOL. - NO, IT'S JUST, YOU KNOW, 1425 01:32:33,678 --> 01:32:36,333 I MISS YOU SOMETIMES, THAT'S ALL. 1426 01:32:36,376 --> 01:32:37,595 WELL-- 1427 01:32:37,639 --> 01:32:39,249 YOU LOOK GOOD UP ON THAT SCREEN. 1428 01:32:39,292 --> 01:32:41,207 - YEAH? THANK YOU. 1429 01:32:43,906 --> 01:32:46,909 - LOOK, UM-- 1430 01:32:46,952 --> 01:32:49,520 I DON'T KNOW, YOU KNOW, 1431 01:32:49,564 --> 01:32:54,133 JUST IN CASE, YOU KNOW? 1432 01:32:54,177 --> 01:32:56,483 YOU NEVER KNOW. 1433 01:32:56,527 --> 01:32:59,095 MAYBE WE'LL RUN INTO EACH OTHER SOMETIME. 1434 01:33:00,966 --> 01:33:04,143 AND MY MOTHER ALWAYS SAID YOU WERE THE ONE. 1435 01:33:09,061 --> 01:33:11,281 - BYE. 1436 01:34:55,211 --> 01:34:57,213 - IS EVERYTHING OK? 1437 01:34:57,256 --> 01:34:59,563 - LIGHT'S GREEN, BABY. 1438 01:35:19,061 --> 01:35:21,106 ♪ OH, WHAT'S YOUR STORY? 1439 01:35:23,108 --> 01:35:25,458 ♪ OH, WHAT'S YOUR STORY? 1440 01:35:27,765 --> 01:35:30,028 ♪ OH, WHAT'S YOUR STORY? 1441 01:35:32,814 --> 01:35:35,294 ♪ YEAH, YEAH, YEAH, LIFE IS A STAGE, SO PLAY YOUR PART ♪ 1442 01:35:35,338 --> 01:35:37,949 ♪ STEP ON STAGE RIGHT FROM THE START ♪ 1443 01:35:37,993 --> 01:35:40,082 ♪ EVERYBODY OUT THERE GOT A ROLE TO PLAY ♪ 1444 01:35:40,125 --> 01:35:41,997 ♪ TAKE MY ADVICE, HEAR WHAT I SAY ♪ 1445 01:35:42,040 --> 01:35:43,955 ♪ SOME MIGHT HAVE IT, SOME MIGHT NOT ♪ 1446 01:35:43,999 --> 01:35:46,523 ♪ YOU GOTTA BE CLEVER ABOUT WHAT YOU GOT ♪ 1447 01:35:46,566 --> 01:35:48,612 ♪ YOU GOT A LITTLE, YOU GOT A LOT ♪ 1448 01:35:48,655 --> 01:35:50,614 ♪ SOME GET STABBED AND SOME GET SHOT ♪ 1449 01:35:50,657 --> 01:35:53,008 ♪ AS TIME GOES ON, SOME THINGS WILL CHANGE ♪ 1450 01:35:53,051 --> 01:35:55,010 ♪ YOUR AGE, YOUR WEIGHT, YOUR FACE, YOUR NAME ♪ 1451 01:35:55,053 --> 01:35:57,012 ♪ AS LIFE GOES ON, YOU'LL CHANGE YOUR MIND ♪ 1452 01:35:57,055 --> 01:35:59,318 ♪ YOU'LL SEEK SOME LIGHT WHERE YOU WERE BLIND ♪ 1453 01:35:59,362 --> 01:36:01,668 ♪ IT'S ALL JUST A PART OF THE GAME WE PLAY ♪ 1454 01:36:01,712 --> 01:36:03,758 ♪ SO DON'T PLAY A HIT LIKE THE PLAYERS SAY ♪ 1455 01:36:03,801 --> 01:36:06,064 ♪ SOME WIN, SOME LOSE, HEY, THAT'S OK ♪ 1456 01:36:06,108 --> 01:36:08,806 ♪ THE GAME IS THE SAME WHEN THE PLAYERS PLAY ♪ 1457 01:36:08,850 --> 01:36:11,983 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1458 01:36:12,027 --> 01:36:13,376 ♪ OH, WHAT'S YOUR STORY? 1459 01:36:13,419 --> 01:36:16,118 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1460 01:36:16,161 --> 01:36:17,815 ♪ OH, WHAT'S YOUR STORY? 1461 01:36:17,859 --> 01:36:20,687 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1462 01:36:20,731 --> 01:36:22,167 ♪ OH, WHAT'S YOUR STORY? 1463 01:36:22,211 --> 01:36:25,823 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1464 01:36:25,867 --> 01:36:28,391 ♪ LOOK ABOUT IT, YOUR BET LAST NIGHT WAS RIGHT ♪ 1465 01:36:28,434 --> 01:36:30,175 ♪ YOU ONLY CAUGHT US OUT 'CAUSE YOUR PANTS WERE TIGHT ♪ 1466 01:36:30,219 --> 01:36:32,917 ♪ HOW MANY TIMES HAVE YOU PLAYED THE GAME? ♪ 1467 01:36:32,961 --> 01:36:34,658 ♪ SAME OLD LINE, "BABY, WHAT'S YOUR NAME?" ♪ 1468 01:36:34,701 --> 01:36:36,486 ♪ HEINOUS PLAY ON THE COURT BEFORE ♪ 1469 01:36:36,529 --> 01:36:38,662 ♪ AND HE'LL DO A FORTUNE IN A COURT OF LAW ♪ 1470 01:36:38,705 --> 01:36:41,012 ♪ THE VERY SAME GUY THAT'S WITH YOUR FRIEND ♪ 1471 01:36:41,056 --> 01:36:42,840 ♪ BUT YOU JUST WANNA RIDE IN HIS BENZ ♪ 1472 01:36:42,884 --> 01:36:45,190 ♪ THINK YOU'RE PLAYING HIM BUT YOU'RE NOT ♪ 1473 01:36:45,234 --> 01:36:47,497 ♪ 'CAUSE HE'S TRYING TO GET WHAT YOU GOT ♪ 1474 01:36:47,540 --> 01:36:49,673 ♪ YOU GET SOME JEWELLERY AND SOME CASH ♪ 1475 01:36:49,716 --> 01:36:51,893 ♪ AND YOU FOOLISHLY GIVING UP THE ACT ♪ 1476 01:36:51,936 --> 01:36:54,025 ♪ TAKE WHAT HE GOT, HE GOT THE BUG ♪ 1477 01:36:54,069 --> 01:36:55,897 ♪ THINK WHAT YOU DID, YOU GET THE NUTS ♪ 1478 01:36:55,940 --> 01:36:58,116 ♪ IT'S ALL JUST A PART OF THE GAME WE PLAY ♪ 1479 01:36:58,160 --> 01:37:00,815 ♪ WHEN YOU SEE THOSE PLAYERS JUST WALK AWAY ♪ 1480 01:37:00,858 --> 01:37:03,992 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1481 01:37:04,035 --> 01:37:05,341 ♪ OH, WHAT'S YOUR STORY? 1482 01:37:05,384 --> 01:37:08,039 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1483 01:37:08,083 --> 01:37:09,432 ♪ OH, WHAT'S YOUR STORY? 1484 01:37:09,475 --> 01:37:11,869 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ 1485 01:37:11,913 --> 01:37:13,871 ♪ OH, WHAT'S YOUR STORY? 1486 01:37:13,915 --> 01:37:18,006 ♪ OOH, DO YOU KNOW WHAT YOU ARE? ♪ ♪ THIS IS WHAT I'M SAYING 1487 01:37:18,049 --> 01:37:20,835 ♪ EVERYBODY PLAYS THE POOL SOMETIME ♪ 1488 01:37:20,878 --> 01:37:22,532 ♪ BUT SOMETIMES THAT'S NOT COOL ♪ 1489 01:37:22,575 --> 01:37:24,534 ♪ EVERYBODY WANNA BE COOL 1490 01:37:24,577 --> 01:37:27,058 ♪ EVERYBODY CAN'T BE COOL 1491 01:37:27,102 --> 01:37:28,886 ♪ PLAY THE GAME, DON'T BREAK THE RULES ♪ 1492 01:37:28,930 --> 01:37:31,323 ♪ LEARN A LITTLE SOMETHING LIKE YOU LEARNED AT SCHOOL ♪ 1493 01:37:31,367 --> 01:37:33,064 ♪ LISTEN TO WHAT I'M SAYING TO YOU ♪ 1494 01:37:33,108 --> 01:37:35,893 ♪ 'CAUSE I DO THE THINGS REAL COOL PEOPLE DO ♪ 1495 01:37:35,937 --> 01:37:39,157 ♪ HEY, MY TOOLS, THEY SAY BE PART OF THE CROWD ♪ 1496 01:37:39,201 --> 01:37:41,159 ♪ I TRY TO RUN THIS FOR REAL ♪ 1497 01:37:41,203 --> 01:37:43,640 ♪ THEY SAY I'M BEING TOO PROUD 1498 01:37:43,683 --> 01:37:45,642 ♪ AND WHEN I ROLL WITH THE PUNCHES ♪ 1499 01:37:45,685 --> 01:37:47,905 ♪ I GET KNOCKED ON THE GROUND 1500 01:37:47,949 --> 01:37:50,952 ♪ BY ALL THIS BULLSHIT GOING DOWN ♪ 1501 01:37:50,995 --> 01:37:55,521 ♪ DO YOU KNOW? DO YOU KNOW? 1502 01:37:55,565 --> 01:37:57,567 ♪ DO YOU KNOW WHAT YOU ARE? ♪ OH, WHAT'S YOUR STORY? 1503 01:37:57,610 --> 01:38:01,963 ♪ WHO YOU ARE? ♪ OH, WHAT'S YOUR STORY? 1504 01:38:02,006 --> 01:38:03,921 ♪ WHO ARE YOU? ♪ DO YOU KNOW? 1505 01:38:03,965 --> 01:38:05,792 ♪ WHO ARE YOU? ♪ OH, WHAT'S YOUR STORY? 1506 01:38:05,836 --> 01:38:08,708 ♪ DO YOU KNOW WHO YOU ARE? WHO YOU ARE? ♪ 1507 01:38:08,752 --> 01:38:11,102 ♪ DO YOU KNOW? ♪ OH, WHAT'S YOUR STORY? 109491