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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:44,439 --> 00:00:46,720 What is the matter with that door? 2 00:00:54,830 --> 00:00:57,010 Uncle Martin, what is going on around here? 3 00:00:57,310 --> 00:00:58,350 Can't you hear it? 4 00:00:59,730 --> 00:01:03,410 Well, I'll admit that it's rough on the eardrums, but... Tim, it just isn't the 5 00:01:03,410 --> 00:01:04,510 eardrums. It's... 6 00:01:04,510 --> 00:01:11,370 You 7 00:01:11,370 --> 00:01:14,230 know, for a minute there, I thought... That you could see right through. 8 00:01:18,830 --> 00:01:20,810 Hey, it's Mrs. Brown's violin. 9 00:01:21,330 --> 00:01:25,320 When she plays that one abominable note... My normal three -dimensional 10 00:01:25,320 --> 00:01:27,340 short -circuits with my non -dimensional self. 11 00:01:27,660 --> 00:01:31,220 Result? I alternate between the two so rapidly I appear transparent. 12 00:01:31,680 --> 00:01:35,440 Do you mean that this happens every time a Martian hears a horrible violinist? 13 00:01:35,500 --> 00:01:37,340 It's not the violinist. It's the violin. 14 00:01:37,600 --> 00:01:40,580 And I haven't heard one that deplorable in 300 years. 15 00:01:41,000 --> 00:01:46,140 I'll never forget that violin maker, Antonio Stradivari. He made the worst... 16 00:01:46,140 --> 00:01:48,300 Stradivarius? Stradivari. 17 00:01:48,920 --> 00:01:50,700 Stradivarius is the violin he made. 18 00:01:51,020 --> 00:01:52,580 It was the worst. 19 00:01:53,000 --> 00:01:57,680 Oh, come on now, Uncle Martin Everyone knows that he made the greatest violins 20 00:01:57,680 --> 00:02:03,820 that the world has ever heard Of course he did After I showed him It was self 21 00:02:03,820 --> 00:02:04,820 -preservation 22 00:02:59,660 --> 00:03:00,660 losing fight, Tim. 23 00:03:00,800 --> 00:03:03,840 If we can't discourage Mrs. Brown's interest in the violin, I'm afraid I'm 24 00:03:03,840 --> 00:03:06,940 to have to find another place to live. Oh, come on, Uncle Martin. You can 25 00:03:06,940 --> 00:03:11,160 wear earplugs. It has nothing to do with hearing. It's my entire nervous system. 26 00:03:11,340 --> 00:03:13,940 A violin has a very strong, penetrating sound. 27 00:03:14,300 --> 00:03:15,880 It's been known to shatter glass. 28 00:03:16,180 --> 00:03:16,599 Oh, 29 00:03:16,600 --> 00:03:23,520 dear. 30 00:03:23,800 --> 00:03:24,820 Did I do that? 31 00:03:25,380 --> 00:03:26,680 It's all right, Mrs. Brown. 32 00:03:27,880 --> 00:03:29,520 I got another pair of glasses. 33 00:03:30,800 --> 00:03:36,520 Now this time, you play not so loud, eh? You see that P there? 34 00:03:37,100 --> 00:03:39,240 That means pianissimo. 35 00:03:39,800 --> 00:03:41,400 Soft. It's soft. 36 00:03:42,660 --> 00:03:43,660 Piano. 37 00:03:44,340 --> 00:03:45,340 Piano. 38 00:03:46,420 --> 00:03:47,420 Piano. 39 00:03:50,140 --> 00:03:51,140 Piano. 40 00:03:51,680 --> 00:03:53,480 Dear, did I do that? 41 00:03:53,840 --> 00:03:56,620 No, no, no, no, no. That's my boy Giovanni. 42 00:04:03,700 --> 00:04:04,700 Piano. 43 00:04:05,820 --> 00:04:06,820 Piano. 44 00:04:08,940 --> 00:04:09,940 Piano. 45 00:04:10,240 --> 00:04:11,240 Ah, 46 00:04:15,660 --> 00:04:18,959 Giovanni. Your sight must be sore eyes. 47 00:04:19,240 --> 00:04:20,039 Johnny, Pop. 48 00:04:20,040 --> 00:04:24,080 When are you going to call me Johnny? Ah, what kind of name is that for a 49 00:04:24,080 --> 00:04:25,660 maker? You... 50 00:04:26,620 --> 00:04:29,480 Giovanni Amalfi. Oh, Pop, when are you going to give it up? 51 00:04:29,700 --> 00:04:33,200 You know if they accept me for that job in New York with Consolidated General 52 00:04:33,200 --> 00:04:34,500 Music, I'm going to take it. 53 00:04:34,960 --> 00:04:38,000 Giovanni, who's going to make Amalfi Violins after me? 54 00:04:38,580 --> 00:04:39,940 Pop, face it. 55 00:04:40,400 --> 00:04:42,460 Somewhere along the line, we lost the touch. 56 00:04:43,000 --> 00:04:44,680 Amalfi Violins haven't got it anymore. 57 00:04:45,040 --> 00:04:48,480 You're lucky you can give them as loaners to your students. And what kind 58 00:04:48,480 --> 00:04:51,420 success are we running when you have to give lessons to stay in business? 59 00:04:52,220 --> 00:04:53,740 I can't build a future on that. 60 00:04:54,300 --> 00:04:58,060 But Giovanni, sooner or later, has got to come out a great violin. 61 00:05:01,840 --> 00:05:04,660 I think we're closer to a great secret weapon. 62 00:05:07,480 --> 00:05:08,480 Piano. 63 00:05:19,140 --> 00:05:20,900 Oh, hello, boys. 64 00:05:21,140 --> 00:05:22,380 My, what a nice surprise. 65 00:05:25,520 --> 00:05:26,439 I hope we're not interrupting. 66 00:05:26,440 --> 00:05:27,440 Oh, no. 67 00:05:27,880 --> 00:05:32,840 If you don't mind listening while I practice, I'm trying to learn to play 68 00:05:33,660 --> 00:05:36,400 Piano? Yes, and it's not easy on the violin. 69 00:05:38,660 --> 00:05:41,400 Oh, I think everyone should find a way to express himself. 70 00:05:41,740 --> 00:05:44,360 I found mine. This is the real me. 71 00:05:44,840 --> 00:05:46,300 Yes, so we've heard. 72 00:05:46,940 --> 00:05:50,780 Well, of course, I'm just beginning, and I know it's going to take practice, 73 00:05:50,980 --> 00:05:52,440 practice, and more practice. 74 00:05:53,050 --> 00:05:56,910 Well, then, since we're going to have a virtuoso in our midst, we'll confess. 75 00:05:57,150 --> 00:06:01,510 We actually came down so that we might hear you play. 76 00:06:02,610 --> 00:06:03,610 We did. 77 00:06:03,810 --> 00:06:07,410 Oh, yes, we did. Oh, well, I am just beginning. 78 00:06:07,850 --> 00:06:10,110 Oh, in that case. Oh, but I do know this one piece. 79 00:06:24,360 --> 00:06:26,820 Mrs. Brown, it's just the strings. 80 00:06:27,060 --> 00:06:28,240 Well, can it be fixed? 81 00:06:28,480 --> 00:06:30,480 Well, Tim used to play, didn't you, Tim? 82 00:06:30,840 --> 00:06:35,760 And I believe that we have some violin strings upstairs, don't we, Tim? 83 00:06:36,660 --> 00:06:37,660 Violin strings? 84 00:06:38,820 --> 00:06:40,580 Violin? Oh, yes, yes. 85 00:06:40,840 --> 00:06:42,940 Yes, I have a whole ball of them upstairs in the kitchen drawer. 86 00:06:43,200 --> 00:06:46,380 If you'll permit me, I know a little something about violins. I'll have this 87 00:06:46,380 --> 00:06:47,299 back for you tomorrow. 88 00:06:47,300 --> 00:06:48,239 Good as new. 89 00:06:48,240 --> 00:06:49,240 Maybe better. 90 00:06:49,300 --> 00:06:50,620 Oh, thank you. 91 00:06:51,180 --> 00:06:52,220 Oh, yeah. 92 00:06:52,680 --> 00:06:53,680 Oh. Oh, my. 93 00:06:53,850 --> 00:06:57,970 Your uncle is such a comfort to have around. Yes, he's a solid citizen. 94 00:06:58,770 --> 00:07:01,270 I hope we'll be able to keep it that way. 95 00:07:13,670 --> 00:07:16,010 All that to fix violin strings? 96 00:07:16,370 --> 00:07:20,790 That was a ruse, Tim. I'm rebuilding the entire instrument so that it can no 97 00:07:20,790 --> 00:07:22,630 longer produce that transparency harmonic. 98 00:07:23,070 --> 00:07:26,330 I knew instantly that we couldn't get her to change her mind about playing. 99 00:07:26,590 --> 00:07:29,250 Oh? Well, what made you so sure? 100 00:07:29,570 --> 00:07:33,050 Her mind told me there's an opening for a lady violinist in the Lonely Heart's 101 00:07:33,050 --> 00:07:33,929 Little Symphony. 102 00:07:33,930 --> 00:07:35,630 Mrs. Brown wants to play in an orchestra? 103 00:07:36,270 --> 00:07:37,270 Very badly. 104 00:07:37,310 --> 00:07:38,310 Yeah, she'll do that all right. 105 00:07:39,770 --> 00:07:40,770 There we are. 106 00:07:41,310 --> 00:07:42,550 Now, it's ready to be returned. 107 00:07:42,890 --> 00:07:44,410 Well, doesn't the glue take time to dry? 108 00:07:44,650 --> 00:07:46,270 Earth glue takes time to dry. 109 00:08:01,200 --> 00:08:02,200 Not bad. 110 00:08:02,340 --> 00:08:06,500 Basically, the Amalfi is a fine instrument, merely suffering from the 111 00:08:06,500 --> 00:08:09,260 positioning of the bass bar and the sound post. 112 00:08:30,860 --> 00:08:32,120 Not a touch of transparency. 113 00:08:32,600 --> 00:08:33,780 Solid 3D me. 114 00:08:35,720 --> 00:08:37,740 Motobain! Thank you. 115 00:08:38,080 --> 00:08:40,340 You know, you sounded as good as Heifetz. 116 00:08:40,860 --> 00:08:42,059 Actually, I sounded better. 117 00:08:42,360 --> 00:08:44,960 But only because Heifetz has an inferior violin. 118 00:08:45,620 --> 00:08:47,260 His is only a Stradivarius. 119 00:08:47,540 --> 00:08:48,540 That's better? 120 00:08:48,560 --> 00:08:50,800 While I was at it, I made a few minor adjustments. 121 00:08:51,160 --> 00:08:52,660 Yeah, well, I believe you. 122 00:08:52,980 --> 00:08:57,080 But look, do you think it's wise to actually make it sound that good? 123 00:08:57,480 --> 00:08:59,640 With Mrs. Brown playing, who'll know the difference? 124 00:09:09,840 --> 00:09:13,100 You listen to your papi. It's the future in Amalfi, Nathan. 125 00:09:13,680 --> 00:09:14,820 Amalfi is a good violin. 126 00:09:15,100 --> 00:09:20,400 All we need is to find the secret. And we're going to. I'm feel it. Pop, look. 127 00:09:20,800 --> 00:09:24,040 This is a real job. It's the future. But Giovanni. 128 00:09:24,300 --> 00:09:25,300 I'm sorry, Papa. 129 00:09:25,800 --> 00:09:27,280 I gotta pick up my plane ticket. 130 00:09:27,480 --> 00:09:28,780 I'll come back for you later, okay? 131 00:09:30,060 --> 00:09:31,780 Never mind you come back for me. 132 00:09:44,300 --> 00:09:45,540 No, Mr. Amalfi. 133 00:09:46,360 --> 00:09:47,460 Spontaneo, Mrs. Brown. 134 00:09:52,880 --> 00:09:55,660 Well, I'm all tuned up and ready for you. 135 00:09:57,840 --> 00:09:59,240 I'm ready for you, too. 136 00:10:13,530 --> 00:10:16,210 two and bambino meal. 137 00:10:16,950 --> 00:10:20,510 One and two and maybe he's right. 138 00:10:20,970 --> 00:10:25,870 Are you talking to me, Mr. Amalfi? Maybe Amalfi never make a good violin again. 139 00:10:25,950 --> 00:10:29,170 Mr. Amalfi! Oh, Mrs. 140 00:10:29,430 --> 00:10:32,870 Brown, that's fine, that's fine, but you forget to look at the music. 141 00:11:01,740 --> 00:11:02,740 Something wrong? 142 00:11:05,080 --> 00:11:06,800 It's my ears. 143 00:11:07,460 --> 00:11:08,920 I'm hearing things. 144 00:11:10,280 --> 00:11:11,280 Violins! 145 00:11:35,050 --> 00:11:37,490 Notes like that don't ever come from a violin I'm a make. 146 00:11:38,090 --> 00:11:39,490 Something is happening to him. 147 00:11:39,810 --> 00:11:43,510 You don't think that I... You do something. 148 00:11:43,750 --> 00:11:44,750 Oh, no. 149 00:11:44,850 --> 00:11:46,450 Really, Mr. Amalfi. 150 00:11:47,270 --> 00:11:48,350 Mrs. Brown, please. 151 00:11:48,890 --> 00:11:52,750 Something you do to this violin, I got to know what it is. Please, you just got 152 00:11:52,750 --> 00:11:53,589 to remember. 153 00:11:53,590 --> 00:11:56,030 Oh, all right, I'll tell you. I'll tell you. What, what? 154 00:11:56,910 --> 00:11:58,450 I broke the string. 155 00:11:59,770 --> 00:12:02,050 You broke the string? 156 00:12:02,270 --> 00:12:03,770 Well, I didn't mean to, honestly. 157 00:12:04,670 --> 00:12:05,790 I didn't think that you'd notice. 158 00:12:06,290 --> 00:12:09,770 I thought Mr. O 'Hara fixed it very nicely and it sounded as good as new. 159 00:12:11,050 --> 00:12:13,910 Who's fixed it? Mr. O 'Hara. Who's this Mr. 160 00:12:14,150 --> 00:12:15,150 O 'Hara? Mr. 161 00:12:15,250 --> 00:12:16,250 O 'Hara, he lives upstairs. 162 00:12:16,390 --> 00:12:17,390 Oh, he can fix anything. 163 00:12:17,750 --> 00:12:18,750 Oh, genius. 164 00:12:18,830 --> 00:12:19,830 Another Leonardo. 165 00:12:20,450 --> 00:12:22,170 And you say he lives right upstairs? 166 00:12:22,550 --> 00:12:23,550 Yes, over the garage. 167 00:12:23,950 --> 00:12:25,610 Over the garage? 168 00:12:26,390 --> 00:12:28,090 Look where he's got to live. 169 00:12:39,720 --> 00:12:40,720 You have anything, Uncle Merton? 170 00:12:41,860 --> 00:12:45,000 Tim, I cannot afford to be associated with that violin. 171 00:12:45,600 --> 00:12:48,620 Obviously, there are certain questions it might be incriminating for me to 172 00:12:48,620 --> 00:12:49,620 answer. Oh, yeah. 173 00:12:49,760 --> 00:12:54,440 Like, uh, who taught Stradivari? Or, uh, where were you on the night of October 174 00:12:54,440 --> 00:12:55,680 17th, 1684? 175 00:12:56,500 --> 00:12:58,820 Exactly. So I shall now leave the premises. 176 00:13:01,200 --> 00:13:04,720 And I would appreciate it if you would get Mr. Amalfi to do the same as quickly 177 00:13:04,720 --> 00:13:05,559 as possible. 178 00:13:05,560 --> 00:13:06,560 Who? 179 00:13:15,150 --> 00:13:16,089 Mr. O 'Hara? 180 00:13:16,090 --> 00:13:17,090 Yeah. 181 00:13:18,510 --> 00:13:20,730 Mr. O 'Hara, what you've done. 182 00:13:21,130 --> 00:13:22,750 And such a young man, too. 183 00:13:23,150 --> 00:13:24,390 And you're not even Italian. 184 00:13:25,290 --> 00:13:30,450 Oh, well, just a minute, Mr... Amalfi, of Amalfi and Son, since 1680. 185 00:13:30,710 --> 00:13:34,470 Oh, Mr. O 'Hara, please, you've got to help me. Help you do what? 186 00:13:34,750 --> 00:13:37,330 Fix the violins, like you do Mr. Brown's. 187 00:13:37,690 --> 00:13:38,649 Oh, that! 188 00:13:38,650 --> 00:13:39,990 Oh, well, that was my uncle. 189 00:13:40,290 --> 00:13:41,189 Your uncle? 190 00:13:41,190 --> 00:13:43,690 Oh, well, then your uncle, he's got to help me. 191 00:13:44,080 --> 00:13:46,900 Oh, you see, he's not here right now. I don't even know when he's going to be 192 00:13:46,900 --> 00:13:48,100 back. Oh, Mr. Hale, please. 193 00:13:48,480 --> 00:13:50,420 The Murphy and Son is a great name. 194 00:13:51,020 --> 00:13:52,180 Until it's my name. 195 00:13:52,840 --> 00:13:56,440 Now, it's just another number in the telephone books. 196 00:13:57,120 --> 00:14:01,340 Please don't think that I don't understand. It's how you understand. 197 00:14:01,900 --> 00:14:02,900 Please. 198 00:14:03,560 --> 00:14:07,880 If your uncle is telling me he's a great secret, you tell him. 199 00:14:08,660 --> 00:14:12,620 I know God very much, but I will give him everything I own. 200 00:14:13,320 --> 00:14:15,220 Well, all he did was replace the strings. 201 00:14:16,660 --> 00:14:19,100 But who made the violin in the first place? 202 00:14:19,420 --> 00:14:20,480 I'm a maker in my shop. 203 00:14:21,700 --> 00:14:22,700 Uh -huh. 204 00:14:25,660 --> 00:14:30,360 You trying to tell me that I'm a maker instrument and he's a maker of this 205 00:14:30,360 --> 00:14:31,780 sound? Me? 206 00:14:31,980 --> 00:14:32,980 It's not impossible. 207 00:14:34,380 --> 00:14:35,380 Who say? 208 00:14:36,420 --> 00:14:39,640 After all these years, I'm a trip over the secret. 209 00:14:42,760 --> 00:14:44,080 It's what I've been working for. 210 00:14:44,420 --> 00:14:45,420 Well, then that's it. 211 00:14:46,400 --> 00:14:47,940 Well, how you like that? 212 00:14:48,300 --> 00:14:49,300 I'm going to do it. 213 00:14:50,500 --> 00:14:52,580 But I don't know what I'm going to do. 214 00:14:53,000 --> 00:14:55,940 But hey, if I do it once, I can do it again. 215 00:14:56,200 --> 00:14:57,660 Right. Think positively. 216 00:15:18,640 --> 00:15:20,840 It certainly is, and I'm thoroughly ashamed of myself, Tim. 217 00:15:21,420 --> 00:15:24,760 Oh, well, Uncle Martin, look, if he thinks he's great, maybe it'll give him 218 00:15:24,760 --> 00:15:26,460 confidence. Maybe he'll become great. 219 00:15:28,100 --> 00:15:31,080 He'll take that violin back to his shop and try to figure out what he did right. 220 00:15:31,560 --> 00:15:32,780 He didn't do anything right. 221 00:15:33,580 --> 00:15:35,120 It'll break his spirit completely. 222 00:15:35,600 --> 00:15:36,880 Don't blame yourself, Uncle Martin. 223 00:15:37,420 --> 00:15:38,420 We meant well. 224 00:15:39,080 --> 00:15:41,460 Exactly what Frank James tried to tell me about Jesse. 225 00:15:42,980 --> 00:15:44,740 No, he's my responsibility now, Tim. 226 00:15:45,580 --> 00:15:46,980 I've got to do something for that man. 227 00:15:48,140 --> 00:15:50,540 He now believes that he created that violin. 228 00:15:50,920 --> 00:15:55,780 But we know he didn't and couldn't. You mean you can't turn a sow's ear into a 229 00:15:55,780 --> 00:15:56,479 silk purse? 230 00:15:56,480 --> 00:15:59,320 Of course you can, by merely rearranging the molecular structure. 231 00:15:59,720 --> 00:16:01,340 But that has nothing to do with the problem. 232 00:16:02,360 --> 00:16:03,360 Or has it? 233 00:16:04,560 --> 00:16:08,620 Uncle Martin, you don't mean you're thinking of rearranging him. 234 00:16:09,120 --> 00:16:12,640 I'm thinking of working with what he already has, which should be enough. 235 00:16:13,320 --> 00:16:15,880 He's a good craftsman. But Uncle Martin, he's no genius. 236 00:16:16,180 --> 00:16:17,180 That's right, Tim. 237 00:16:17,480 --> 00:16:18,560 But we know who is. 238 00:16:28,700 --> 00:16:31,260 Now all you mouth is you listen. 239 00:16:31,640 --> 00:16:34,420 All this time I no can face you. 240 00:16:34,660 --> 00:16:38,980 But now I'm gonna look right into your eyes and you gonna... 241 00:16:38,980 --> 00:16:45,220 What's he saying? He's talking to himself. 242 00:16:45,600 --> 00:16:46,600 No, no, no. 243 00:16:46,760 --> 00:16:47,439 Not to himself. 244 00:16:47,440 --> 00:16:48,440 To his ancestors. 245 00:17:25,640 --> 00:17:26,640 But you're hard to starve. 246 00:17:26,839 --> 00:17:29,800 You always look down your nose at me, eh? 247 00:17:30,680 --> 00:17:34,420 But you ever make a violin sound like that, eh? 248 00:17:35,860 --> 00:17:42,860 And you, great Grandpapa Giuseppe, you're proud of me now, eh? And you're 249 00:17:42,860 --> 00:17:44,760 be proud of my boy Giovanni, too. 250 00:17:45,200 --> 00:17:47,720 Amalfi and son is gonna be right on top again. 251 00:17:48,060 --> 00:17:50,160 Like Amati and Guarnari. 252 00:17:51,040 --> 00:17:54,400 Yes, and even Statovari. 253 00:17:57,580 --> 00:18:00,820 I can figure out how I'm going to make him come out like this. 254 00:18:02,620 --> 00:18:04,300 But I've got to do it. 255 00:18:04,860 --> 00:18:06,620 I've got to think positive. 256 00:18:07,320 --> 00:18:08,940 Just you watch me. 257 00:18:14,840 --> 00:18:18,240 All right, now. You stay here and keep anyone, especially his son, from 258 00:18:18,240 --> 00:18:20,940 intruding. That man needs a helping hand, and desperately. 259 00:18:21,280 --> 00:18:25,040 Oh, the fine Italian hand of Martin O 'Hara? 260 00:18:25,900 --> 00:18:26,900 See? 261 00:18:40,680 --> 00:18:41,960 to move the right way. 262 00:19:09,100 --> 00:19:13,380 the Los Angeles Sun, you see, and I'd like to do a feature story on you. On 263 00:19:13,700 --> 00:19:18,740 Well, thanks, but what for? Well, it's not on you exactly, but, well, it's on 264 00:19:18,740 --> 00:19:25,020 the Amalfi family, but from your angle. Well, you know, the last of Amalfi and 265 00:19:25,020 --> 00:19:26,960 Sun, the world's great violin maker. 266 00:19:28,480 --> 00:19:29,840 What is this, a rip? 267 00:19:30,140 --> 00:19:31,240 Well, don't you want the publicity? 268 00:19:31,700 --> 00:19:34,360 Publicity? You ever hear two cats fighting? 269 00:19:34,580 --> 00:19:37,380 They've got more tone than one of our fiddles. 270 00:19:44,140 --> 00:19:46,280 The Amalfi, the great Amalfi violin? 271 00:19:46,600 --> 00:19:47,600 Great, huh? Yeah. 272 00:19:50,380 --> 00:19:52,660 I hope you've got strong eardrums. 273 00:20:46,480 --> 00:20:50,220 And the ghost of the greatest violin maker of them all. 274 00:20:52,000 --> 00:20:53,000 Stradivari. 275 00:20:53,680 --> 00:20:59,940 The ghost of Signor Stradivari? I have been walking the earth and searching 276 00:20:59,940 --> 00:21:01,020 these 300 years. 277 00:21:01,740 --> 00:21:03,560 At last I found you. 278 00:21:03,980 --> 00:21:04,980 Me? 279 00:21:06,520 --> 00:21:07,720 Why pick on me? 280 00:21:07,980 --> 00:21:13,220 Because finally I have found a master who can create a violin as fine as mine. 281 00:21:16,750 --> 00:21:22,350 Mr. Ghost, Signore Stradivari, I've got to tell you something just between you 282 00:21:22,350 --> 00:21:24,150 and me and my family up there. 283 00:21:25,030 --> 00:21:28,190 I don't know what I'm going to do different than when I'm going to make 284 00:21:28,190 --> 00:21:29,810 thing that's screaming out there. 285 00:21:30,130 --> 00:21:31,130 I know. 286 00:21:31,450 --> 00:21:32,990 And that's why I have come. 287 00:21:33,590 --> 00:21:36,750 To tell you the great secret you have won the right to know. 288 00:21:37,850 --> 00:21:38,930 You're going to tell me? 289 00:21:39,810 --> 00:21:41,010 Oh, Mr. 290 00:21:41,310 --> 00:21:43,190 Signore Stradivari, you're a good man. 291 00:21:44,170 --> 00:21:48,260 I mean, you're a good... Ghost, you save Amalfi and son. 292 00:21:48,500 --> 00:21:51,660 No, I'm going to save the world from violins like that. 293 00:21:52,400 --> 00:21:56,440 You've got to promise to rebuild every violin in the shop so it sounds like 294 00:21:56,440 --> 00:21:59,020 this. Oh, that and not a promise. 295 00:21:59,400 --> 00:22:00,440 That a pleasure. 296 00:22:00,680 --> 00:22:02,220 You think I like to listen to that? 297 00:22:02,780 --> 00:22:05,540 Good. Then here's all you have to do. 298 00:22:06,600 --> 00:22:09,920 You don't seem to fully appreciate what might be... Mr. O 'Hara, I appreciate 299 00:22:09,920 --> 00:22:13,620 what you're trying to do, but the answer is still no. And you must tell no one 300 00:22:13,620 --> 00:22:15,240 where you got this secret. Is that clear? 301 00:22:15,480 --> 00:22:16,480 Oh, you betcha. 302 00:22:16,680 --> 00:22:18,440 Who's going to believe I'm a talker to a ghost? 303 00:22:19,420 --> 00:22:20,500 I no believe in myself. 304 00:22:21,340 --> 00:22:25,560 Then I will say farewell, Signora Amalfi, and good luck. 305 00:22:34,080 --> 00:22:35,280 Amalfi and son is dead. 306 00:22:35,640 --> 00:22:38,380 Let it be buried. Oh, yeah, but... But... But... 307 00:22:38,380 --> 00:22:43,640 He's gone. 308 00:22:47,780 --> 00:22:49,340 Who were you talking to, Pop? 309 00:22:49,540 --> 00:22:50,540 Oh, just to myself. 310 00:22:51,000 --> 00:22:52,660 That's how happy your Papa is. 311 00:22:53,060 --> 00:22:54,760 Oh, Giovanni, I've got to tell you. 312 00:22:55,320 --> 00:22:57,540 Amalfi is a great violin maker again. 313 00:22:57,900 --> 00:23:00,520 We've got the secret. I told you it'd come back. 314 00:23:00,760 --> 00:23:04,860 Pop, don't try and talk me or yourself into anything, huh? You do what you 315 00:23:05,230 --> 00:23:08,810 And I'm no talking nobody into nothing. You just listen. 316 00:23:09,730 --> 00:23:12,310 I'm going to show you something for your own ears. 317 00:23:12,530 --> 00:23:14,590 Pop, will you listen to me for a second? You listen. 318 00:23:50,350 --> 00:23:51,550 Chopped fully like this one. 319 00:23:51,830 --> 00:23:55,970 And violins, they're going to be proud to play a violin made by Amalfi. 320 00:23:56,870 --> 00:24:00,070 No, Pop, not Amalfi. What do you mean, no Amalfi? 321 00:24:00,910 --> 00:24:01,910 Amalfi and son. 322 00:24:05,630 --> 00:24:06,630 Giovanni. 323 00:24:09,310 --> 00:24:10,310 Say, 324 00:24:13,130 --> 00:24:14,130 Uncle Martin. 325 00:24:15,450 --> 00:24:16,450 Guess what? 326 00:24:20,650 --> 00:24:24,330 You just met Mrs. Brown, and because the Amalfi violins have gone up in value 327 00:24:24,330 --> 00:24:26,610 and price, she has given up the violin completely. 328 00:24:27,290 --> 00:24:31,210 Spoilsport. Well, anyway, you ought to feel good. With no more violins around, 329 00:24:31,290 --> 00:24:34,110 you don't have to worry about people suddenly seeing through you. 330 00:24:35,030 --> 00:24:38,730 And I'm also grateful that Mrs. Brown didn't dig up another horrible violin to 331 00:24:38,730 --> 00:24:39,750 torture my nervous system. 332 00:24:51,210 --> 00:24:52,210 Oh yes! 24247