All language subtitles for East.New.York.S01E21.720p.h264.en

Previously on East New York...
DONALDSON: You were saying

that disregarding enforcement

of qualify-of-life regulations
was your prerogative.

Do you recognize
the need for good order

and discipline, Inspector?

HAYWOOD:
So long

as it serves and protects

the people in my precinct,

Chief Donaldson.
SUAREZ: I have a friend

over at DOJ.

If an investigation
into the practices

over at Special Victims
is warranted, there is no one

who I would trust more
to conduct it.

I'll talk to whoever you think
I should talk to.

This is
Don Jankowicz.

Union trustee

from Brooklyn North.

Inspector, I've heard
only good things.

Mr. Azeroff, um,

I don't think I can, uh,
accompany you to Dubai.

How much
will it take?
I'm not due to get paid.

$10,000 here.
SANDEFORD:
Wishing you hadn't volunteered

to move into the projects?

You live somewhere,
you find things out.

This is my nephew Tyson.

Tyson's gonna be staying
with me for a while.

Thora, you know that
felons convicted

of violent or
drug crimes

are not allowed
to live in public housing.

How's it going,
Orlando?
All good, Officer.

Letting my boy Tyson here know,
now that he's out,

best to focus
on what's important.

Right?
BENTLEY:
What's up with Thora's nephew?

You-you, uh...
you get anywhere with that?

She said that Tyson'll
be gone in three days,

and I'm just gonna
take her word for it.

Your call.

Oh, hey, Lorenzo.

Is this your daughter?
Yeah.

Say hi, Ingrid. Hi.

(gunshots)
QUINLAN: UMOS

at 7-4 precinct
at Ruskin Gardens!
(Ingrid crying)

Multiple shots fired.
Numerous people down.

Oh, my God.

That's Orlando Highgate.

Where's Tyson?

Where's Tyson?!

♪ Nowhere to run ♪

♪ Yeah,
with blood on the street ♪

♪ You gave me the gun ♪

♪ Now it's pointed at me ♪

♪ Whoa, yeah ♪

♪ Whoa, yeah ♪

♪ Yeah ♪

♪ I'm down on my knees ♪

♪ So tell me
that I'm strong enough. ♪

All right, so let me make sure
I have this right.

Two DOAs--
one male, Black.

Uh, name?
Orlando Highgate's
what's on his driver's license.

And it looked like the entry
wound was in the throat.

What about
the second DOA?

Uh, female, Black.

No driver's license.

But "Chantal Lowenger" is
the name on her library card.

We also have two wounded.
Both in stable condition.

MORALES:
We'll coordinate
official IDs

of the bodies
sometime later today.

KILLIAN:
Um, I want to show you
where the little girl was shot

over here, okay?

What do we got? Thanks.

I saw Orlando Highgate
have an altercation

with this kid,
Tyson Fox, the other day.

From what I could tell,
it involved some debt

that Fox owed.
Who's Tyson Fox?

He's the nephew of a
woman who lives here.

Um, a woman who I've
gotten friendly with.

The nephew lives here?

Not exactly...
SUAREZ: Officer,

what do you mean
by "not exactly"?

He's been staying with his aunt.

He just got paroled.

He spent three and a
half years in Otisville

for dealing narcotics.
When I found out,

I told her that it was against
Housing Authority regulations.

I'm assuming he moved out
once you told her that.

She asked if he could stay
until he got another place,

and I gave her
three days.

You understand you had
no authority to do that.

Yeah, I understand.

When I made arrangements
with the Housing Authority

for members of the service
to live here, I assured them

we'd abide by the rules.

She promised me he was moving...

Yeah, okay, Officer.

Why don't you go back to doing
whatever it is

you're supposed to be doing?

Sorry, boss.

Oh, man.

This is bad.
I encouraged her

and Bentley to cultivate ties
with the residents.

It's possible that she lacked
the experience

to know what to do
with that encouragement.
If that's the case,

I may have provided
insufficient supervision.

Yeah. You may have.

You all right?
Yeah.

You tell 'em
about Thora's nephew?

SANDEFORD: You can
sometimes get away

with leaving out a few details.

SUAREZ:
Donaldson wants
to be commissioner so bad

he can taste it.

He's gonna use all this.

We don't know for sure
that the guy

who's on parole's
the shooter.

He's gonna make
your officer wrong

for going against regulations.
He's gonna make

you wrong for putting cops
in housing projects.

He's gonna make me wrong
for letting you.

BENTLEY:
Cops make judgment calls

all day long.
QUINLAN:
Yeah.

But when they lead
to a double homicide,

that judgment generally gets
called into question.

SANDEFORD:
Bentley.

SUAREZ: I mean,
you know as well as I do--

appearances count.

For everything.

Uh, if it just appears
that-that a cop

who has moved
into public housing

is responsible
in any way

for some kind
of escalation in violence,

it doesn't matter
whether or not it's true.

If it is true, I imagine that's
the end of all of our careers.

Yeah, well,
there's a good chance of that.

Even if it isn't.

♪ ♪

♪ ♪

Listen up. I want you

to focus your attention
on the shooting last night

at Ruskin Gardens.

Because Ruskin
Gardens serves

as a proving ground
for some of the changes

I'm trying to implement
here at the 7-4,

we can expect to be judged
by what happens there

and how we
respond to it.

And that's by whomever's
running for mayor,

whomever's bucking
for police commissioner,

the New York Post,

the public at large, all right?

Anything from the squad
as far as a suspect?

Yeah, we have
a few possible leads.

One person of interest
is this guy.

Name's Tyson Fox.

He's been seen
around Ruskin Gardens

since his release
from prison.

Should have been a photograph
sent to your phones.

I want you to check and
make sure that you got it now.

If you have contacts
in the community,

find out what
they know,

what they're
willing to say.

And remind them that
there's a tip hotline

for people to receive money anonymously.

Because that's gonna be
very important

in a situation like this.

I want you all
to be safe out there.

Fall out.

♪ ♪

KILLIAN:
Where were you standing

when the shooting started,
Duane?

I was at the benches
near the basketball courts.

You didn't see anyone get out
of a car, ride up on a moped?

Listen, listen, I'm walking
through the courtyard,

minding my business.

I hear some gunshots,
so I duck down.

And I get hit anyway.

And my boy...

My boy Orlando was killed.

You think you can
identify who killed him?

Yeah, most definitely.

I'm gonna show you some
photographs, Duane.

If you recognize
the shooter,

point him out.

Uh-uh.

Ruskin was getting to be
a decent place to live.

Now, I know
it happened fast.

I know it was dark.

Are you sure, Ingrid?

Sorry.

I don't recognize any of them.

Okay.

That's him
right there.

Tyson Fox.

Yeah, that's him.

You sure?

Sure enough that if you don't
get him, I'm-a get him myself.

Good to know.

(quietly):
Yeah.

When's the last time you saw
Tyson Fox, Ms. Whitfield?

THORA:
Yesterday morning.

Are you aware of any disputes
he's had

since he got out of prison?

No, I think he's been trying
to stay away

from anyone
he's had any disputes with.

You believe her?

Till we have the shooter

in handcuffs,
I don't believe anybody.

He put that life behind him.

You knew the Housing Authority
didn't allow parolees

to be staying
in the projects,

but you let him
stay there anyway.

I got to wonder whether you

yourself were involved
in anything illegal.

I'm not involved in nothin'.

This is Detective Killian.
He's got some questions

he's gonna ask you.
What is there

that you haven't
already asked me?

Well, you never know.

You, uh, keep me apprised?

Yeah.
KILLIAN: Tell me,
when was the last time you saw

Tyson Fox, Ms. Whitfield?
(door opens)

Detective.

Hey, look, I know
you're busy, but, uh,

you remember I mentioned
my guy from DOJ?

He's been
calling me.
Oh, yeah?

His name is Armand DeSanto.

He's up from Washington
for the day.

Now, I had told him

that you'd put in some time
over at Special Victims

and you could shed some
light as to how they run

their operations.

Whatever you want me to do, Chief.

I'm gonna have
him call you.

♪ I got stamina,
I been making moves ♪

♪ Run my city with my crew,
got nothing to prove ♪

♪ Do it for myself,
do it for you, too ♪

♪ Do it for my people,
riding waves, making moves ♪

♪ I got stamina,
I been making moves ♪

Chief Donaldson.

Do you know
the inspector?

He's with the Chief
of Department's Office.

Milt Rojas.

I'm guessing you're
here for an update

on the shooting
in Ruskin Gardens.

I'm pretty much up-to-date
on that

from talking with Chief Suarez.

What I want
to say to you,

I want to say to you directly.

We have two dead,

a child wounded,

all because one
of your officers failed to act.

It remains to be seen
whether that was the case.

Let me make this simple.

That officer is gone
from that housing project.

Can we not wait until all the
facts on the shooting are in?

The facts of the shooting
make no difference to me,

Deputy Inspector.

This whole misadventure
of yours--

from having cops living
in public housing

to standing down from enforcing
quality-of-life crimes...

Violations, Chief.

And I'm not gonna
assign a high priority

to penny-ante violations.
I don't fail

to enforce the
law as to crimes.

They're all crimes,

and you don't get
to make that call.

The limits of your
authority were laid out

pretty clearly when you
made deputy inspector.

Is that all, Chief? I'd...

like to have my office back.

Mm.

The thing you seem
not to understand

is that this office
is not your office

any more than my office
is my office.

This room
and everything in it

belongs to the New York City
Police Department.

It's being designated
for your use while you occupy

the position
of precinct commander.

When you cease
to occupy that position

or the rank
of deputy inspector,

this room
will no longer be yours.

♪ ♪

Nice to meet you.

(door closes loudly)

FBI AGENT:
Step in.

(buzzing)

(clunking)

What is
this place?

It's an office.

What kind
of office?

It's a government office.

Thanks. That's helpful.

I'm Agent DeSanto, Detective.

Appreciate you
making time. Coffee?

Uh, sure.
How do you take it?

Black's good.

Chief Suarez said
you're interested

in what
I have to say.

Can I have
the room, please?

I definitely am interested.

(clears throat)

Well...
(clears throat)

when rape victims felt like
they weren't being listened to

or taken care of,

the standard excuse was
the size of our caseload.

Detective...
Same as when I would complain
about the lack of follow-up.

It was called the
Special Victims Division.

Supposedly,
the whole point was

to treat special victims special.

Detective, I'm not here to
talk about Special Victims.

You're not?
I'm here to talk about
Tommy Killian.

What do you want to
talk about him for?

We believe he's begun
working for a Robert Azeroff.

I don't know anything
about that.

Azeroff has been on our radar
for some time now.

We believe that he may be
violating sanctions

imposed on certain
Russian individuals.

I doubt Detective Killian
knows anything about that.

Azeroff has been to Venezuela
three times in the past year.

Do you know if Detective Killian
has ever accompanied him?

Why don't you just check
his passport records?

You know, it's entirely possible
that Azeroff has thus far

not asked anything of Killian

that is inappropriate
or illegal.

You just don't think
that's likely.

No.

What I know about Killian

is that he is
a hardworking detective

and I have never known him
to do anything

inappropriate or illegal.

If that's the case, let's
hope it remains the case.

But if he crosses
the line,

we want to be
in a position to intervene.

I'm guessing...

you don't want me to make him
aware of this conversation.

I think your superiors
in the police department

would consider that
a significant breach of duty.

The coffee's on us.
(clears throat)

I'd rather not owe you.

♪ ♪

(knock at door)
SUAREZ:
I got a message

you wanted to talk to me
and I was in the area,

so I thought I'd stop by.

Chief Donaldson let me know

that, uh, he paid you a visit.

Took over my office,
is what he did.

Him and Rojas who never
acknowledges knowing me

even though we've met
a dozen times.

Well, this is about Donaldson
trying to box me out of

contention for P.C.--
I told you that.

He's interfering with
the way I run my precinct.

How is he doing that?
Directing me to
pull a cop

out of Ruskin Gardens,

step up enforcement of
quality-of-life violations--

You know, somebody ought to
set him straight

as to what the appropriate
lines of authority are.

Nobody will.
Why not?

Because he's
a three-star chief

with enough authority

to make cops' lives
heaven or hell.

What do you want me
to do, Chief?

Pull the cop out of
Ruskin Gardens.

Step up enforcement on
quality-of-life violations.

You might think about
reaching out to the unions,

and if word were to come down

to abandon the program of
placing cops

in housing projects altogether,

for right now,
keep your mouth shut.

Would you be advocating all this
if you weren't trying to get

the commissioner job?
Oh, Regina, why would you
ask me that question?

Because I'm caught in
a collision of ambitious men

and I'm sick of it.

You're talking about
Chief Donaldson,

Deputy Mayor Sharpe, me?

All of you!

Determining
the merit of an idea

based on how many
gold stars are

on the shoulder of
who proposed it.

Comes in really handy not to be
an ambitious man, doesn't it?

If you don't mind
having other people

take the credit
for the wins,

and lay blame for
the losses--
Every cop on the job

has a boss who swoops in...
If you don't mind having

people talk behind your back...
...and takes credit.

...who view you as
a liability...

Nobody who talks to me
about you...

...or an embarrassment,
or both...
...goes away without knowing...

If you don't actually believe

...exactly where I stand.
...that you have an obligation

to change the way
this job is done,

then damn right,
it comes in pretty handy

not being an ambitious man.
I feel that obligation
every bit as much as you do!

I just don't drape myself in
high moral purpose.

The only thing I drape
myself in is my uniform.

Well, that makes two of us.

♪ ♪

(door opens)

(door slams)

(knock at door)

Who is it?
ANN-MARIE:
It's your mother.

And Duke. Hey.

Hey.

ANN-MARIE:
Packing?
Yeah.

Does that mean
you're moving?
QUINLAN: Uh-huh.

Thank God, you finally
came to your senses.

They're making me move, Ma.
Maybe they came to
their senses.

Well, you really shouldn't
be living here.

No, I'm-I'm living here
for a reason, okay?

It is a different
approach to policing.

It is a different way of
being a cop.

Okay, okay, well,
that's all well and good,

but you still want to come home
to a safe neighborhood, no?

Maybe a backyard.
Okay, look,

all I'm gonna do
is I'm gonna call a car,

go to my friend
Simone's house

and I'm gonna sleep
on her couch.
Well, you know,

there's a spare bedroom
where I'm staying.

It's okay,
right? Right?

DUKE:
Oh, absolutely.

And my car is just
downstairs, hopefully.

Aw, look at this.

This is from that summer
when we took that place

down at the Jersey Shore.

Remember?

Yeah, I remember.

Mm. Come on, Brandy.

Come on, come
stay with me.

(kisses)
I don't, I don't know, Ma.

I just don't--
I don't know what I'm doing.

All right, come on.

This box ready to go?

Yeah.

You grab that box,
I got the, uh, luggage.

Okay.
Oh, my God, do you
have rocks in here?

Come on.

Sir, I appreciate
your diligence.

And that you didn't steal
the catalytic converter.

(car alarm chirps)

There we go.

Brandy, let me holler at you
for a minute.

Uh, yeah.
Yeah. Um...

Ma, I'm just gonna go talk
to these folks real quick.

I'll just see you
at the apartment.
Uh, should we wait for you?

No.

See you for dinner?

Mrs. Alberta says she may
have seen somebody run into

the building right after
the shooting last night.

She ain't sure about
what she's seen.

Are you worried, Latasha?

I'd be a fool
not to be worried.

You were worried
about your friend Ray-Ray

finding out that
you cooperated with us.

Then we put him behind bars
and you don't have to worry

about him anymore.

We want to do the same
to whoever shot up

this courtyard last night.

ALBERTA:
I don't know
who did the shooting,

but I do know where
the gun might be.

Okay.
Alberta, I don't think
you should be saying it.

I saw a boy run past
the laundry room

when I was down there with
Latasha folding clothes.

There's a janitor's closet
right next to the laundry room.

ALBERTA:
That's where some of
these boys hide their gun

when they don't want to
get caught with it.

They put their own lock
on the door,

and so the janitor knows
not to mess with them.

Who has access to it?
Whoever puts money in.

That's what they call
a community gun.

Thank you, Mrs. Alberta.
You're welcome.

Have a nice day, Latasha.

♪ ♪

You know, I'm pretty impressed
that you actually have tools.

Yeah, whose tools
do you think they are?

Marvin keeps them in the trunk. Yeah.

Every now and then I like to
make myself useful.

QUINLAN:
Oh.

Community gun.
It's a nine millimeter.

Just like the casings
they found.

♪ ♪

(siren wailing)

Thank you for coming in.
Thank you.

GUSTAVSON:
Tyson Fox was making
a good-faith effort,

but there were still infractions.
Like what?

Well, he didn't have
a full-time job

that I'd signed off on,
or a place to live.

How's that for starters?

HAYWOOD: And as conditions
for his parole

he had to have both,
is that right?
That's right.

But when I fill out the report
stating that he has

no full-time job and no address,

I give it to my supervisor,
he sits on it.

I'm assuming somewhere there's
a list of previous addresses.

Yeah.

What?
Did I say anything?

Thora Whitfield.
I believe that's his aunt.

Yeah, we know about her.

Earl Flowers...

No-- scratch that.

I wrote down that
he's deceased.

That's why my handwritten notes
are so invaluable.

Is it possible you have any of
your handwritten notes

that might tell us
where we can find him?

Well, I don't know
if this is of use,

but he put down a woman he says
he works for sometimes.

Here's her address.

Hit this address--
hit it right away.

You want to join them?
GUSTAVSON: Yeah.

Go ahead.

LORRAINE:
Who is it?

GUSTAVSON:
New York State Parole. Open up.

ESU SERGEANT:
Out of the way.

Police! Contact!
Hands, hands!
Why are you doing this?

You Lorraine Watson?

Yeah, I'm Lorraine Watson.

What are you doing
breaking down my door?

We're looking for Tyson Fox.
You know where he is?

She knows where he is.

Yo, yo, let her be, let her be.

Tyson Fox?

Yeah.

All right, get on the wall.
Over there.

MORALES:
You have any weapons on you?
TYSON: No.

Let's go.

Let's go.

KILLIAN:
Thanks, Phil.

♪ ♪

What do we do about her?

What you could do is give her

an administrative job
in the borough.

She'd put in her papers.
What's wrong with that?

She hasn't done
anything to warrant it--

that's what's
wrong with that.

She put cops in public housing
who buddied up to

residents, resulting in
a double homicide.

JANKOWICZ:
The fact is, you could
bust her down to captain,

and there'd be nothing
she could do about it.
SUAREZ: She doesn't deserve

to be busted down to captain.

All right, then promote her.

All right, yes, bingo.
SUAREZ: Wait...

Come on, guys.

She's a deputy inspector now,
you make her an inspector--

you put her in a place where
there's not as high visibility.

And when she recognizes it
for what it is,

what do, what do I give her
as a reason?

That her tone was
insufficiently diplomatic?

How about she actively
interfered in a homicide

investigation
involving her father?
That's one I wasn't aware of.

Or how about she was in
a sexual relationship

with an undercover DEA agent?

That's two I wasn't aware of.
You've been surveilling her?

That's what we do when somebody
squares off against us.

Look.

You do it for the
reasons Don said,

you do it for the reason
of this double homicide,

you do it for no reason.

Just get rid of her.

♪ ♪

Mm.

You're acknowledging that
you've been read your rights

and have agreed to be questioned
without an attorney present,

is that right?
Yes.

Where were you
last night, Ty?

I was looking for
a place to live.

KILLIAN:
How were you doing that?

TYSON:
Checking Craigslist,

filling out an application

for Section 8.

My aunt said I couldn't stay
with her anymore

and my parole officer said

I needed a permanent
address, so...

What kind of beef did you have
with Orlando Highgate?

I owed him $3,500 for
the cocaine he fronted me

before I went to prison.

We know he
threatened you.
Mm-hmm.

I've had people threaten
me many times.
KILLIAN:
Well,

a lot of people heard him do it.

MORALES:
You had to respond to that, no?

One element of
my spiritual practice

taught to me while
I was in prison

is to avoid being consumed by
what other people think of me.

It's not just what
other people think.

We have a witness
who says he saw you

shoot Orlando Highgate and
Orlando Highgate's girlfriend.

"Allah loves not the deceiver."

Whether I'm sent back to prison
or not is up to Him.

You believe him?
I do.
But a jury won't.

They'll hear an eyewitness
say Tyson Fox did it.

They'll look at him,

they'll see a convicted felon
with a motive

represented, more than likely,
by an overworked attorney.

And all anyone wants
from us is an arrest.
(door opens)

Squad says that they
have a ballistic match

on the gun used in
last night's shooting

and the one that we recovered
from the janitor's closet.

Prints?
BENTLEY: None usable,
but they dumped

the security camera nearest
the janitor's closet,

and close to the time
of the shooting,

this guy ran toward
the janitor's closet.

All right, take that to

Ruskin Gardens, see if
anybody recognizes this guy. Okay.

And, Quinlan... Yeah.

I don't know if
you're gonna survive this.

There are people
in the department

who are gunning for you

just like they're
gunning for me.

Do not make it
easy for them.

♪ ♪

He the one who did the shooting?

Do you know him?
Is he the...?!

Is he the one
who did the shooting?

Lorenzo, if you know the man,

we want to talk to him.

I'll talk to him myself.

Now, see, that's a bad idea.

You go talking to the man,
you're liable to get into it

with him, and then we're
gonna have to lock you up.

He shot my little girl, man.

Just 'cause she happened
to be staying with me

that night,
she got shot.

We have to go now, Daddy.

How are you feeling,
Ingrid?
Okay.

Believe it or not,

I got shot a while back.
It hurts.

Yeah.
We got to go, baby.
Let me take this here.

Thanks.

(elevator bell dings)

(elevator door opens)

His name is Latrell Bascomb.

Hangs out with them
other dope fiends

at the Golden Oval Motel.

Thanks.

♪ ♪

Team One, move forward!
NYPD. Contact. Hands, hands!

Cover him.
Hands on the wall.
Hands on the wall.

Move, move.
Step down, cover him.

Hands behind your back.

MORALES:
Latrell Bascomb?
LATRELL: Yeah?

We got some questions
for you, Latrell.
Hey, what's up with you?

Nothing.

Yeah, you seem moody.

This a conversation we need
to be having right now?

OFFICER: All yours.
Hey, did I do something?

(exasperated sigh)

Hey, Winston.

Lettuce doesn't like when
the weather gets warm.

Thora called me
at midnight last night

to tell me that
very same thing.

Yeah, how come
she's not down here?

Went to stay with
a friend in Philly.

The stress got to her.
I bet.

I heard you were
moving out.
Yeah, I was directed to.

Ooh. Why's that?

'Cause I let Tyson Fox stay here
when he wasn't allowed to.

They suspect that
he did the shooting.
(chuckles)

That shooting ain't have
nothing to do with Tyson.

Who'd it have
something to do with?

MORALES:
What were you doing
in the basement

at Ruskin Gardens, Latrell?

Man, I wasn't
in the basement.

You were on camera, Latrell.

You were in the basement
last night at 8:29 p.m.

Which is where we found the gun
that did all those shootings.

Which means, as of now,

you've moved into
the pole position

as a suspect
in a double homicide.

MORALES:
Mm.

When you and that
other cop moved in,

Orlando didn't do
business here no more.

He had the Gowanus Houses
and the Pink Houses,

but he was also
taking a piece of

Farragut and Kingsborough
on the side.

His number two
Duane Troupe found out.

Hated that.

I mean, really hated it.

♪ ♪

MORALES:
What were you doing there?

Going to get a mop, Latrell?

Duane told me
to get rid of the gun.

(scoffs) Yeah.
Why would he do that?

'Cause he's who shot up
the courtyard.

Why would he do that?

He felt like Orlando's
cut was too big.

And when he brought it up,
he felt like Orlando

disrespected him.

Okay, so how did it happen

that Duane was shot
with the same gun?

He handed me the gun and he
told me to shoot him in the arm.

He said he wanted to
make it look like

he was a vic when
the cops got there.

(groans)
I had him at the hospital.

Where's Duane now, Latrell?

Apartment's 4-Boy.

Window's facing
to the other side.

And there's an elderly woman
that's next door in 4-Charlie.

ESU's cleared the floors.
Elevator's shut down?

Affirmative.
Roof?

We got two snipers up.
Aviation standing by.

Sandeford, Bentley,
cover the rear staircase.

We're good.
Let's go.

(guns cocking)

OFFICER:
Gun, gun, gun!
(groans)

(officer shouts)

HAYWOOD:
10-13. Officer down.

Ruskin Gardens South Tower.

Perp fled
to the fourth floor stairwell.

(indistinct radio chatter)
Covering.

OFFICER:
I got you, Donny.

I got you.
(groans)

Police! Don't move!
(door handle rattles)

Central.

Perp shot, south side,
fourth floor.

HAYWOOD:
7-4 CO. Be right there.

♪ ♪

Come in, Deputy Inspector.

What do you have for us,
Deputy Inspector?

A Duane Troupe--

believed responsible for
the double homicide last night--

engaged with my officers,

is deceased.

A Latrell Bascomb, believed
to have been in concert

with Mr. Troupe,
has been arrested.

Neither individual was afforded
any particular leniency

by the officers living
at Ruskin Gardens.

Duly noted.

Good work on the part of
the 7-4 Squad detectives,

good work on the part
of 18-Truck ESU.

New York's Finest
coming through as always.

So, if I manage
to get myself

elected mayor,
Deputy Inspector,

where do you think
you'll do the most good?

Right where I am, sir.

Ah.
You know, I've always said

I thought your greatest strength
was administrative.

I'm thinking you could
take on any number of

top-down performance reviews,

maybe some partial reorganization

once you get
a lay of the land.
ROJAS: Potentially having

a lot more impact than anything
you're doing at one precinct.

I've just gotten started
at that one precinct.

Putting me in an
administrative position

doesn't really build
on what I've accomplished.

Unfortunately, one of the things
that you've accomplished is

to sow discord among
the rank and file.

You're a divisive figure,
Deputy Inspector.

Now, I realize
that you wear that

as a badge of honor,

but in the executive ranks
of the department

it doesn't translate
into effective leadership.

SHARPE:
And regardless
of where you wind up,

it will come up with
a sweetening of rank.

Be nice to drop the "Deputy"
in front of "Inspector,"

wouldn't it?
That is a fitting
resolution to this

according to you,
isn't it, Inspector?

A serious attempt
at changing

the public perception
of who we are

and what we do scrapped,

we all go back to
business as usual,

and because I get to put eagles

instead of oak leaves
on my epaulettes,

I can quietly take my place
among the disenchanted...

and the indifferent.

Believe it or not,
Deputy Inspector,

the department doesn't base
its policies

on providing you with a sense
of personal gratification.

Chief Donaldson,
you seem to take delight

in going after me personally.

Is it my imagination, or am I
in the way of some personal

gratification on your part?

You're out of line,
Deputy Inspector.

If you can't be
trusted to observe

the most basic
protocols of rank,

the most appropriate action
for the department to take

might be to strip you
of your command

while we figure out
what to do with you.

SHARPE:
Uh, excuse me.

I would like
Chief Suarez

to weigh in
on that point.

Chief, you've had the
greatest amount of

day-to-day contact with
the deputy inspector.

What do you think the most
appropriate action should be?

She should continue doing
what she's doing.

Let her stay where she is.
(Donaldson chuckles)

Is there something going on

between the two of you
that I should know about?

Chief Padaro.
SUAREZ: Chief.

ROJAS: Chief.
SHARPE:
Wasn't expecting

the chief of
the department

to favor us with
his presence.

I just stopped off
at the hospital.

Looks like we got lucky
this time.

Our ESU officer is
going to be okay.

It was suggested
that I take a look

at the situation
in the 7-4.

From what I've been able
to piece together,

the shooting at
Ruskin Gardens

had nothing to do with Deputy
Inspector Haywood's initiative

to have cops living there.
If you don't mind
my saying so, Chief,

it's still creating
a heightened risk

for our officers
while doing nothing

to bring down violent crime.

Actually, year-to-date stats
for Brooklyn North

came in and show the
decline in violent crime

in the 7-4 precinct make
the whole borough look good.

What that tells me
is that whatever

Deputy Inspector Haywood's
doing is working.

That square with your
evaluation, Chief Suarez?

Yes, it does.

We keep going with
the programs she's initiated?

With your blessing,
I'd like to have the other

nine precincts
under my command

to adopt her programs.

You available to work
with the other precincts,

Deputy Inspector?

I'll make myself available.

I'll want to see something
on paper laying out

an implementation plan by
week's end-- that doable?

Yes, sir.
Thank you,
Deputy Inspector.

Thank you, Chief.

♪ ♪

(siren wailing)

DUKE:
Something tells me
if it was you moving,

there'd be
a lot more clothes.

Probably a lot less
polar fleece.

Hey, so, um...

change of plans.

They actually want
me to stay here.

Who does?

My commanding officer.

(stammers)
What changed?

Well, it turns out
that the shooter wasn't

who they thought it was,
and I had absolutely

nothing to do with
him being here.

And I'm the one that
found the murder weapon.

So, as a reward,
you got to stay?

Yeah, Ma, as crazy
as that seems.

Is this a career move?
I don't know.

Well, if it's a career move,
I completely understand.

I'm afraid for her.
Does anybody understand that?

DUKE:
Ann-Marie, come on.
It's to be expected.

You're her mother.

I'm sure
she has a radio.

You got a police radio, right?

I-I do.
But I'm sure the precinct

is gonna keep an eye
out for her.

I don't know how
you sleep at night here.

Honestly, Ma, sometimes
I have a hard time.

(crying): But why
put yourself through it?

Because...

Ma, there was... there was a guy
that committed two murders,

shot a young girl,

and put all kinds of people
at risk, and I...

I had something to do
with putting him away

and getting him
off the streets.

Please, I would
just like you

to just please be...

a little proud
of me for that.

Okay, baby.

(quietly):
Thank you.

Be careful.

I'm always careful.

♪ ♪

What do we think
of this one?

(sprays)
Okay.

(French accent):
Vetiver Extraordinaire.

Azeroff give it to you?

Nah, one of
his girlfriends did.

She said as long as
I'm wearing cologne,

she prefers this
to Old Spice.

Huh? Not bad.
I feel... feel fancy.

(sighs)

Come here.

Yeah.

(spraying)

You got to stop.
What?

Changing my cologne?
(quietly):
They're watching you.

(quietly):
Who's watching me?
The Feds.

They have been watching
Azeroff related to

whatever deal he's got
going with some Russians,

and now they're
watching you.

(stammers) I don't know
anything about any Russians.

I mean, what-what
are you talking about?

All I know is that DOJ
has been trying to

build a case against him.

(clears throat)

Is that really all you know?

You think I'm holding
something back?

When'd you find out
they were watching me?

This morning.

I don't think
I would've waited all day.

(scoffs)

You're right.

I should've told you
first thing.

They said I'd be
fired if I did,

so I guess I hesitated.

♪ ♪

Regina?

Hey.

Uh, how's that
implementation plan coming?

Oh, I'm giving myself to
tomorrow to start in on it.

I wish I could've spared you

what you had to
take off Donaldson.
That's all right.

If Sharpe gets you
police commissioner, maybe...

you can assign him
somewhere in Staten Island

or something.

Glad to find you both
in the same place.

Saves me a trip.

Something you got
to say to us, Raymond?

I'm guessing
you know what it is.

I got a pretty rough idea.
You took yourself out of

the running for police
commissioner, John.
SUAREZ: I know I did.

You did it to yourself.
HAYWOOD:
I guess at the end of the day

unswerving loyalty is
the only thing that matters.

(exhales) Look,
it's not the only thing,

but it's the thing that makes
all the other things possible.

And as for you,
Deputy Inspector Haywood,

you've got a four-star chief
and a borough commander

closing ranks behind you.

I get elected and clean house,
that won't be the case.

Warren Donaldson's gonna be
your police commissioner?

First day I'm in office.

I'm sorry.

Oh, I've made
my peace with it.

You and me, we're gonna keep on
doing what we've been doing.

Hey, as long as they let us.

(chuckles)
Where you headed?
Home.

(chuckles)
Yeah.
Stop and have a drink.

I'm wiped out, you know.

(speaks Spanish)

One drink.

Uno.
Okay, okay.

(laughs)

♪ ♪

What's up, Tommy?

Mr. Azeroff.

(chuckling):
Hey.

Hey, you met
my friend Ginger, right?
Hi.

Hey, you all clear for takeoff?

Um, where to?

Palm Beach.

(clicks tongue)

Welcome.

Hey, guys, come on in.

Sergei, Evgeny,
I want you to meet my friend

Thomas Killian.

Hey.
Hey, how you doing?

(speaking Russian)

I'm with Bobby.

Well, I can dream, can't I?

(Sergei and Azeroff laughing)

This guy.

This guy, huh?

Who's thirsty?
Drinks? Let's go.

Yeah, yeah, yeah,
all right. After you.

(chuckles)
Yeah. Yeah.

♪ ♪

(horn honking)

(soul music playing)

Hey, Goody.

What are we drinking?
HAYWOOD: Mm,

cabernet of some kind?

Two cabernets.

Marvin.

Chief.
(laughs)

White wine, please.

What's up?

How's little man?
Good.

He still talks about you

pulling up to his school
in your cruiser.

God bless him. Mm.

Hey, where's
your sidekick?

I don't know where he is.

Inspector.

Oh, hey, Stan.

You meet with Armand,
my Justice guy?

I did.
You know

he was signed with
the Yankees at one point?

Oh, that right?

Yeah, he tore his rotator cuff
in Triple-A.

Se acabó.
That was that. Wow.

Too bad.

You know, uh, you don't
have to report back

what you talked to him about.

No, I know.

I'm glad you
met with him.

Thanks.

(phone ringing)
SUAREZ:
Ah.

It's the borough. Oh.

Hey. Suarez.

You don't invite me
to your wedding?

Hey, man, I didn't invite
anybody to the wedding.

It was totally unpremeditated.

You happy?
I'm happier than
I ever been.

That's all that matters, baby.
That's all that matters.

All right.
(laughing)

Gonna buy me a drink?
A wedding drink?

(exhales)

One.
Give me one...

(both continue indistinctly)

Just all those ESU guys,
and it was a rookie

who ended it.
How about that?

(chuckling):
Yeah.

You feel all right
about it, though?

Him or me.

Well, I'm glad it was him.

What are you doing later?

I don't know.
Ask me later.

You want me
to ask you later?

♪ ♪

Hey.

How come you didn't
pick up your phone?

I don't know, Tommy.

I must've been busy
with my own life.

(sighs)
You know...

Richie Rich wanted me to go
to Palm Beach with him.

What stopped you?
I don't like getting on a plane
when you're mad at me.

♪ ♪

Hey.

Put some tables together.
Get everybody drinking.

Let's do it, let's do it.
Come on.

Come on, we got to
sit next to each other.

SANDEFORD:
You, too.

Put 'em on, like,
something fancy.

Hey, Killian,

Morales, bring
your drinks.

Come on, let's go be friendly.

Inspector, come join us.
Oh, that's all right.

Come on,
we got lots of room.

Come on, lots of room.
Come on.

Okay.
YENKO:
I got our drinks.

SANDEFORD:
You got me, too, right?
YENKO: I got you.

There we go.

(laughter)

(indistinct chatter)

Thank you.
GOODY:
Don't forget,

y'all put these tables back
before you leave.

Yes, sir.
Are you all right, Goody?

Better than you.

(all laughing)

(clinking)

Oh.

MORALES:
Okay.

I, uh, want to make a toast
to you guys and the work

that you did today--
each and every one of you.

You, um, you didn't quit.

You didn't phone it in.

You did what you had to do.

You got it done.

♪ And dance
till you feel better... ♪

Hear, hear.

Hear, hear.
Hear, hear.

♪ And dance till you...
help me out ♪

♪ Get up offa that thing... ♪

Wait.
I, too, have a toast.

Oh, I have to go
to the bathroom.
No, no, no.

(overlapping chatter)
Listen, listen.

When I was a young cop...

You're going back now.
YENKO:
Yeah, okay, I know that

that sounds scary...
A little bit scary, yeah.

YENKO:
A little scary coming from me.

However...

♪ Get up offa that thing... ♪

When I was a young cop...

I loved this job.

And I don't know whether it was
the job or me that changed,

but... I stopped loving it.

And then I asked to work
for this woman.

And she said okay.

And...

(voice breaking):
I came to love it
all over again.

Regina...

to you.

♪ Am I shooting too high... ♪

To you.
To you.
To you.

To you.
To you.

Hear, hear.
Hear, hear.

♪ Too many tries,
I don't know why ♪

♪ Sometimes I feel so used... ♪

(crying)

Look what you did!

Look what you did!
Look what you did! Ugh!

And I didn't cry.

QUINLAN:
Yeah, you did!
Yes, you did.

I wanted to...

That does not
make you a big man.

YENKO:
Okay.

I love you, man.

(laughter)

Captioning sponsored by CBS

Captioned by
Media Access Group at WGBH access.wgbh.org