All language subtitles for East.New.York.S01E11.720p.h264.en

Previously on East New York...
You were supposed

to be giving me $30,000
as a down payment,

and instead you're giving
me a baseball bat?

Roy Campanella's bat.

The joint's yours.

[laughing]

Play the long game, Regina.

To get done
what we both want

to get done.

You need your job,
and I need mine.

QUINLAN:
I don't want to keep this

a secret any longer
than we need to.

What's up, man?

Bentley!

I put that punk-ass partner
of yours in a box myself.

[cocks hammer]
HAYWOOD:
Is he dead?

Very much alive.

I recorded his confession.

There's gonna be
consequences behind this.

Am I gonna get fired?

[blow lands]
[woman groans]

[loud thud]

[woman exhales]

["Shine" by Mz.007 playing]
♪ I'm tired of arguing
with you ♪

♪ All this makeup and breakup

♪ Look

♪ There's really nothing else
to say ♪

♪ I'm through

♪ Psych, you're mine

♪ I know I'm through this time

♪ I think
you're losing your mind ♪

♪ Don't trip

♪ I'll be just fine...
You got it?

What do you think?

I-- it's straight finally.
You sure?

'Cause I'm cockeyed.
I can't tell.

[chuckles]
No, I can.

Detective Killian.

Goody!

Grand opening tonight. For real.

This here's a summons and
complaint commencing a lawsuit

against the two of you
for fraud in the inducement.

Goody, what are you--
what are you talking about?

In lieu of cash, you gave me a
baseball bat to buy this place.

Yeah. Roy Campanella's bat.

Said to have been used
by Roy Campanella

in the 1955 World Series.

Exactly.

KILLIAN:
And-and it's worth

more than $30,000

that we'd agreed on
for a down payment.

I had that bat appraised
for insurance purposes.

Its approximate value--

17 dollars

and 79 cents.
[chuckles]

Wait, wait, wait...

It was not used
by Roy Campanella.

It was not used in
the World Series.

It was a souvenir sold in
a gift shop in Cooperstown,

rendering your purchase
of my establishment

null and void.

All right, all
right, let's just

take this a step at a time.
I have taken it

a step at a time. I've
retained an attorney

who's taken the case
on contingency,

so certain he is
that I will prevail.

He advised me that there is
no better time to serve you

with legal process than just
prior to your grand opening,

an event you may
want to put off

until such time
as your reputation

and financial situation
has been rectified.

Unfortunately, I think your
reputation is beyond repair.

[phone buzzing]
Good day.

Wait, Goody...

Just...

Hey.

All right.
Yeah, all right.

[train whistle blows]

What do you think's
gonna happen to Sandeford?

I can't think
about Sandeford right now.

Tommy, it was a
good faith error.

You thought the bat
was the real thing.

You mean when I acquired it,

thinking it was the real thing.
[scoffs]
The fact that you

acquired it the way
you did is irrelevant

to the fraud in the
inducement part,

which is what you're
being sued for.

Thank you, Counselor.
I feel so much better now.

All right. What do we got, Aziz?

Jane Doe.

M.E.'s first impression--

head trauma received in a fall.

Watch your step.
You're good.

[sighs]

KILLIAN:
I don't see a purse anywhere.

MORALES:
She got a missing button.

AZIZ:
We do have
a cell phone.

Have Crime Scene bag up

whatever's on the ground nearby.
MAN: You guys have

any idea how long it's
gonna take to restore service?

There's a dead woman, guy.

It'll take
as long as it takes.

MAN:
Look, I got a boss

asking me when, man.

We all got bosses
asking us when.

Bill T. Jones dance performance
at City Center.

Was she scalping tickets?

Why is that the first
thing that occurs to you?

KILLIAN:
She could've gone
through the turnstile

using a card or a phone.

She could have also jumped
the turnstile.

Does that seem likely?
Does it seem likely
she was scalping tickets?

That's all right.

That's who would've bought
these tickets?

Can you give us the name
on that credit card?

Thank you. Much appreciated.

They were
student tickets,

bought with a credit card in the
name of KR Dance Experience.

What kind of students?

♪

TANYA:And five, six,
seven, eight.

One, two, three, four,

five, six, seven. Nice.

Two, three. And lift.

Uh-huh.

Seven, eight.

Two, two,
three, four,

five, six, seven, eight.

Mmm.

Nice elbows.

♪

Nice, ladies.

Head melt. Uh-huh!

[music stops]
All right, take five, then
we'll work on the second phrase.

Can I help you?

Uh, we're detectives
from the 7-4 Squad.

Can you tell us
who might have picked up

or purchased tickets
to see Bill T. Jones?

Yeah. That would've been Kia.

And what's Kia's last name?

Kia Russell.

When's the last time
you saw Kia Russell?

Yesterday afternoon.

Is she a student here
or an instructor?

TANYA:
She started
this place.

It's her school.

Has something happened?

Unfortunately,
something has happened.

Kia Russell's body

was found this morning
on the subway tracks.

What do you mean?

We're trying to
piece together

how it happened.

If you
can provide

any family members
we should be in touch with...

Oh, my God. Oh, my God.

What happened, Tanya?

Something terrible, honey.

Our Kia's gone.

[crying]

♪

♪

You got some real psychopaths
working here, you know that?

I'm sorry you feel
that way, ma'am.

WOMAN:
You're sorry I feel that way.

But are you sorry one of
your officers is a bully?

Well, you're
gonna be sorry

when Sotomayor
hears about it.

And she will hear about it.

I'll see to that.
Have a good day, ma'am.

What are you looking at?

What was that all about?

Uh, she was collared
on the late tour for shoplifting

at a convenience store.

According to the...
arresting officer,

she put up a struggle
when they got out to the car.

Had some kind of head injury
that the desk sergeant decided

required attention.

Called an ambulance.

EMTs said
it didn't require stitches.

So they cleaned her up
and put a bandage on it.

Petit larceny, disorderly
conduct, resisting arrest.

Who's the arresting officer?

Gabe Finley.

I don't get it.

She gets detained
for shoplifting,

doesn't put up a struggle,

gets outside
and goes crazy.

Maybe she freaked out when
he tried to put her in the car.

What do we know about
the arresting officer?

I don't know that much about him

because, uh, he's
on the midnight tour.

Although now
that I think of it,

he has a high number
of CCRB complaints against him.

How high?

Precinct top ten, for sure.

Yeah.

Yeah, get me his personnel file.

♪

[soft chatter]

[taps key]

[taps key]

[taps key]

She was pushed.
She was definitely pushed.

And the M.E. confirms blunt
force trauma to the skull.

There's that missing button.

And what does that tell you?

With a loose thread,
tells me there was a struggle.

Yeah, what, she couldn't
have left her house

with a button missing?

Look at that scarf.

A woman who ties
a scarf like that

doesn't go out with
a button missing.

[phone chimes]

[computer beeps]

Hey.

Someone's trying to use
Kia Russell's credit card.

[phone ringing]

Yeah.
WOMAN:
Officer Sandeford here for you.

Oh, sure. Send him in.

Got a minute to talk, Chief?

Sure.

How are you doing,
Marvin?

Good. I think
maybe I...

left you with the
wrong impression

in the immediate aftermath

of collaring my
partner's shooter.

You definitely left me
with an impression.

I don't know that it was wrong.

It was emotion.

My head was all twisted.

Kept reliving the gunshots
and seeing that kid go down.

You're lucky you didn't
kill anybody, Marvin.

Given your state
of mind,

that could've easily been
the case.
All due respect,

Chief, it wasn't luck.

I took pains in making
sure that didn't happen.

I thought you said your head
was all twisted. Uh...

which is it?
I know it's up to the first dep,

but I also know you carry
a lot of weight with him.

Can you give me

a clue to what's likely
to happen?

As of right now,
you're on modified duty.

How long for,

to be determined.

Hmm.

Whether anything happens
beyond that...

...to be determined.

I-I hope they're gonna let me
keep on being a cop, Chief.

I don't know
how to do nothing else.

KILLIAN:
So... [clears throat]

you came into possession
of this credit card how?

I found it
on the subway platform, a'ight?

I intended on
returning it

to its rightful owner.
MORALES:
Did you also intend

on returning the pocketbook
you picked up?

I bought a pair of
freakin' sneakers, okay?

You want, I'll return 'em.

Did you speak to the woman
whose bag it is?

I didn't know whose bag it was.

KILLIAN:
Here's what I think happened--

you tried to snatch the
bag out of her hand...

Whoa.

...she put up a fight,

so you pushed her off
the platform onto the tracks.

Her body was found
on the tracks,

and it's our job to find out

how it got there.
And the fact that you're

in possession of her credit card
kinda makes you a...

prime suspect, wouldn't you say?

I would never try to snatch
a bag out of somebody's hands.

Did I pick it up off the ground
and try to use her credit card?

Yes.

But I didn't touch anybody.

Well, you might be
telling the truth,

but we won't know that
until we check

the timecodes on the security
cameras in the subway station.

In the meantime,

you're under arrest for criminal
possession of stolen property.

I'm going over to the
hospital to see Bentley.

Is there anything
you want me to bring?

Did you get him
those cinnamon rolls he likes?

Yep. Got 'em right here.

And don't forget--
you got to get

the rugs up in his apartment.

I did that before
I left for work.

'Cause if he trips on o...

I-I know.

[both chuckle]

I also got him this.

What is it?

It's called a sock valet. Mm.

Allows him to
lie down in bed

and put his socks on
without bending over.

Is that something
he's gonna want?

I mean, he's always complaining
about his feet being cold,

so I think...

Yes. I-I think

he's gonna want it.
Oh, he's gonna love it.

He is gonna love it.

[chuckles]:
I'll talk to you soon.

YENKO:
Inspector.

This is
Don Jankowicz.

Union trustee

from Brooklyn North.

Inspector, I've heard
only good things.

You and I both know
that isn't true.

Oh, you got a lot more
people rooting for you
than you might think.

You're here
regarding Officer Finley?

JANKOWICZ:
Yes.
They maintain

that the use of force

was proportionate
and necessary.

JANKOWICZ:Because?

FINLEY:Perpetrator failed to
comply with instructions.

Resisted reasonable efforts
to contain and control

and represented a...
immediate physical threat

to myself
and others.

Did you memorize that, Officer?

JANKOWICZ [chuckles]:
He's just trying to be
precise, Inspector.

I tell him he doesn't
have to worry about

the legal mumbo jumbo--
just be real.

Well, sometimes that is
the hardest part, isn't it?

Not for me, Inspector.
The woman refused
to get in the car.

Did she give you a
reason for her refusal?
I don't know,

I guess it had something to do
with not wanting to go to jail

or...

Officer Finley?

She did not give a reason.

But you did eventually get her
into the car, did you not?

Yes, I did, Captain.

I effectuated a
posterior restraint.

Was able to maneuver the
suspect into the back seat.

Did "effectuating
a posterior restraint"

cause her to require
medical attention?

JANKOWICZ:
Oh. That's
really a question

for someone
with medical expertise.

I think we can still hear
from the officer on the subject.

Can we not?

Notwithstanding
that she had a small frame,

she put up a fight.

As I'm sure you know, Inspector,

police officers are not allowed
to lose fights.

Uh, you seem to charge
a high proportion

of the people you
collar with, uh,

resisting arrest. Uh...

I think that may tell us
something about you.

Gabe, would you give us
a minute here?

[quietly]:
Yeah.

What's going on here,
Inspector?
[door closes]

All due respect.
I'm looking into this
officer's compliance

with the departmental
use of force policy.

All well and good, and maybe
given the ever-changing

definition of "excessive,"
he's gonna have

to take a rip for that.

But why are we bringing up

this grab bag
of unrelated statistics?

Because they're not unrelated.

This is a good guy, Inspector.

Has a wife, a three-year-old.

Been working midnights

for over two years
without complaining.

Can we not put this to rest
without jeopardizing

his career by getting
Internal Affairs involved?

Investigation
will determine that.

An investigation?

Or a power play
against the union?

All right, that's uncalled for.

JANKOWICZ:
All I can say is that the union

will be paying attention.

And they will have
something to say about it.

[door opens]

Inspector?

Yes?
The mother of the DOA

from the subway's here
to see somebody.

She can see me. You can
bring her in now, Sergeant.

Thank you.

My daughter's been dancing
since she was five.

She didn't slip.

She didn't trip.

She knew exactly
where her body was

and exactly what it was doing.

Ms. Russell, we don't think
she slipped either.

Somebody pushed her?

We believe so.

Who would do that?

That's what we're
trying to find out.

[knock at door]

These are Detectives
Killian and Morales.

They're going to be
the lead investigators

in your daughter's case.

Detectives,
this is Bettina Russell.

And we're very sorry about
your daughter, Ms. Russell.

Do you mind if they ask
you some questions?

No.

MORALES:
Do you know
if your daughter was out

with anyone last night?

I don't know.

To the best of your knowledge
was she seeing anyone?

The only people she saw were

the people who came
to her dance studio.

And this was a dance studio
that was owned by her?

She didn't own
the building.

She found a vacant space and...

managed to come up
with the rent.

Kia had a purpose.

Ever since she was
a little girl,

she always had a purpose.

The most important thing
to her was to provide

a space for kids
from East New York to dance.

That was her-- her whole life.

HAYWOOD:
We're going to find whoever

it was that did this.

I'm... numb

right now.

But I guess I won't
always be numb, and...

whoever took my daughter
out of this world,

I-I want to know why

and I want to see them punished.

Me, too.

I got to let

some people know. Yes.

[phone chimes]

Uh, transit just sent this.
What is it?

Two more subway attacks
at the Van Siclen J platform.

Okay, go.

[door opens]

QUINLAN:
Where's my sexy patient?

Hi.

Brandy.

Hey.
ADOLPHUS:
Brandy?

This is my dad.

How do you do? Hi.

Hi.

It's really happening.

I get to go home.

I was afraid there was gonna be

a last-minute complication
or something.

No, no complication.

Now he's got a good six weeks of
physical therapy ahead of him.

But he can do that at home.
Absolutely, and I can

always drive him, there will
always be someone to drive him.

I can drive him, dear.

Of course.

You work at the same precinct
as Andre?
I do, yeah.

I was telling you about her,
Dad. She's who moved into

the housing project first.
Ah, yes.

The housing project.

Proof positive
that you're both nuts.

[laughter]

SIMONE: We better get going if
we're gonna beat the traffic.

Yeah.
Oh!

Highway's sending an escort.

And one of our neighbors prepared

a welcome home
basket for you.

I'm not gonna be going back

to Ruskin Gardens
right now, Brandy.

You're not?

SIMONE:
We got a bedroom all set up.

Bathroom that's easy
to move in and out of.

And we're there.

You'll come to visit.

Sure.

- Hey, Marvin.
- Hey.

How you doing?
Oh, good,
you looking for Tommy?

Yeah, if he's around.

Thanks.
I got you.

CORINNE:
You could go to jail.

I'm not gonna go
to jail.

But you could.

It's a civil matter, Corinne.

All right?
Worst comes to worst,

we get banged for money we don't
have and that's that.

When you tell me
something like that,

you know what you're
really telling me?

That you think
I am stupid enough

to believe it.
I am not that stupid.

I don't think
you're stupid, Corinne.

Tell Goody we want
to talk to him.

Just us, no lawyers.

Tell him we have
a proposition to make.

All right,
what's the proposition?

I don't know yet.

You don't know?

[train whistle blows]

[Killian chuckles]

Teenagers.

That's who plays
the knockout game.

What is that exactly?

KILLIAN:
All right, you walk up
to a stranger

and you hit 'em
in the face.

MORALES:
I guess you won't be taking

Gang Initiation Rituals

for your category next time

you're on Jeopardy!

All right,
set up a decoy.

Maybe we'll catch 'em
in the act.

HAYWOOD:
I just wanted
to give you a heads-up.

I have a situation
that I may need

Internal Affairs to investigate.

What kind of situation?

One of my cops arrested
a female for shoplifting.

And it seems like he may
have used an excessive

amount of force.

Going to IAB can have

major implications for his
career, but you know that.

Well, if he's beating up
on collars for no reason,

he doesn't deserve
to have a career.

You're right.
You know how many

excessive force complaints
my predecessor sent up to IAB?

Two.

In six years.

So that says to me
that things were being

swept under the rug, which sends

the message that that kind
of behavior is acceptable.

Do what you got to do.

I have some more digging to do

before I decide how to proceed.
I was just...

keeping you
in the loop.

And I appreciate it.

[officer speaks indistinctly]

Okay.

Quinlan?

Where's your head?
Nothing, I'm fine.

You're not thinking
about your boyfriend

in the middle
of an operation?

I think it's weird that he moved
back in with his parents.

A big house in Westchester over
Ruskin Gardens is not weird.

Yeah, but don't you think
that says something about us?

That maybe I'm just
his "projects girlfriend"?

Honey, you can't ask me that.

You got to ask him.

Right now you got to put
all of that out of your mind.

Can you do that?

Yes, I can.

What's your distress phrase?

About time.

You got a ghost on the bench.

Transit's ready
to stop the train.

And TARU for the cameras.

All good?

All good.

♪

OFFICER [over radio]:
All units be on the lookout

for two teen males
in white masks.

Goody, it's Tom Killian again.

Can you give me a call back, please?

[groans]
Still not picking up?

No.

You should just walk away
from it, Tommy.

I can't walk away from it.
He's suing us.

MORALES:
Right. He's suing you.

And what if he wins?

You rent
your apartment.

Your car's ten years old.
What's he gonna get?

Your ties?

Look, I don't want Corinne
to go through that, okay?

I don't want her to
have to go back to...

managing somebody
else's restaurant.

How many jobs are
you working right now?

What's the difference?
How many?

I bounce at the other joint
three nights a week,

do bodyguard work
for the guy in Connecticut,

and this.

And you don't want Corinne
to have to go back

to managing
somebody else's restaurant?

She's my girl.

What can I say?

You ever been
to the White Mountains?

No, I can't say that I have.

Went up there with Francine
a couple of years ago,

stopped in Portsmouth
on the way up.

Began chatting
with this Portsmouth cop.

Where's this going, Stan?

I knew
from his personnel file

that Gabe Finley had been
a cop in Portsmouth.

And because I have this habit

of collecting business cards,
I had

the business card
of this Portsmouth cop

that I struck up
- a conversation with.
- Uh-huh.

I called this cop, whose name--

Beryl Garabedian--

I don't know
why I remember the name.

He's very forthcoming with
information about Gabe Finley.

Telling me he has a string
of complaints filed

against him for use
of excessive force.

Some of which have resulted
in some significant injuries.

How is it that the job didn't

know about that
before he was hired here?

Because his father is
a lieutenant in

the fire department up there
and he was allowed to resign.

Keeping it out
of his personnel file.

Notify Internal Affairs.

He's done.

Oh, here you go.

Half day today?

[laughs]
And he's a comedian.

How's it going, Don?
I'm good.

I just wanted to catch you
before you left.

You going out to your car?
I'll walk with you.

Can it wait?

I don't want to be
a pain in the ass,

but I don't think
it really can.

Listen, what's the story
with this, uh, Regina Haywood?

What do you mean,
what's the story?

Well, I'm sure she's performed
admirably in the past,

elsewise she wouldn't
be precinct commander,

but she's really going
after this kid

Gabe Finley like she's
got it in for him.

I know it's your job to make
a case for your member,

but it's possible
this guy's a problem.

He's an active cop.

You know what
that's like.

Active? I do.

So many guys on the job today--
all they want to do is hide.

But Finley's not like that.

You take a look at how
many collars he's got?

Nobody's saying he's not
doing his job, Donnie.

But we can't have loose cannons
out there, not anymore.

Haywood keeps talking about
community support, am I wrong?

Mm-hmm.
But if she keeps going
the way she's going,

she's gonna lose the
community that matters most.

Us.

She's the C.O. of the 7-4.

I'm not gonna interfere with
her going to Internal Affairs

if that's what she wants to do.

But if she goes, maybe
you can, uh, I don't know,

weigh in on what you think is
a reasonable resolution to this.

Let's see what happens.

Let's see what their
investigation concludes.

Hey, all I'm asking.
[laughs]

Can I go home now?

The unions are down
the line for you, Chief.

And I appreciate it.

And when they start talking
about possible candidates

for three stars and beyond,

you're on the short list,
my friend.

You wouldn't be
presenting this

as if it was a quid pro quo,

now would you, Donnie?
Not at all.

You show yourself out.

[indistinct chatter]

Tommy.

Look alive.
Two teen males, white masks,

just entered the platform.

[grunting]

Stay down! Don't move!

[grunting]

What'd I do?!

I was just talking to her!

Now you get to talk to me.

Give me your hands.

You good?
Yeah, we're good.

Where were you two nights
ago, Rocket?
King's Plaza.

Yeah, what were
you doing there?

Trying to get a job
at Foot Locker.

Where were you two nights ago,
Troylen?

My Aunt Shanika's.

MORALES:
Who else was there?

TROYLEN:
My cousins, everybody.

How can we get in contact
with your cousins?

One of them's
in the police academy.

Just ask for him.

KILLIAN: What time did
you leave King's Plaza?

When they closed.
Where'd you go then?

My mom's.

MORALES:
Total stranger?

You just punch them in the face?

What do you get out of that?
I don't get nothing.

I ain't never done it.

How many times you play
this knockout game, Rocket?

TROYLEN:
If you're asking
why other people do it,

I'd say they do it
because it's fun.

KILLIAN:
We have these guys for assault
three, but sorry to say,

their alibi
for pushing Kia Russell

off the platform holds up.

Twisted
little bastards.

Stay open to the possibility
that it's

another crew
who are equally as twisted.

Got it.

YENKO:
Just got word
from Internal Affairs.

They're bouncing back the Finley
case to Borough Investigations.

Our friend Jankowicz from the
union must have gotten to them.

Well, somebody did.

[knocking]

Hey. Um, since Officer Bentley

is out of the hospital,
I was wondering

if I might be assigned
to drive him to physical therapy

and whatever treatment
he may need.

Got to assign someone.

I'm happy to have it be you,
Officer Quinlan.

[mouths]
[chuckles]

What happened?

You get detention?

Yeah. Something
like that there.

Where's your badge?

It's called a shield.

No gun?

No. No gun.

What the hell? You might as well
be a school crossing guard.

KILLIAN:
Hey, Goody.

Thanks for coming.

Yeah.

Drop by anytime.

[door opens]
Damn.

CORINNE:
Hey.

You tell him yet?

No. Um...

We have
a proposition

to make.

I'm listening.

[exhales]

Take 50% of the bar back and...

come run it
with Corinne. Together.

I used to own 100%,
and I ran it by myself.

Look, we both know
you weren't making any money.

You were worn out.

You wanted
to walk away.

I think you might've changed
your mind about walking away.

I think
it can make money.

And I think you liked
having that old saloon

to come to every day.

Oh. So then this would
be you helping me out.

No. We're trying
to help ourselves, Goody.

Okay? But...

but if we team up, maybe
it'll be good for all of us.

["It's a Sweet Love" by Donnie,
Fonnie La Vorn playing]

♪ Our love is strong

♪ When no one does
the other wrong ♪

♪ Our love is lasting

♪ When there are no questions

♪ Just understanding

♪ When love is as sweet
as ours ♪

♪ There's no need
for questions ♪

[soft chatter]

♪ When love is...

Hey!

Hi.

Everybody, this is--
this is Brandy Quinlan.

She's been assigned
to check up on me.

Yeah. Um, how are you feeling?

Good.

I'm feeling good. Good.

ADOLPHUS:
His mother confers
with his doctor

at least five
or six times a day.

[chuckles]

You can assure your boss
Andre's on the mend.

I'll tell them.

Well, there's a--
there's a whole

spread laid out
in the dining room.

Get yourself
something to eat.

Um...
SIMONE:
Carmelina will fix her

a plate. Actually,
that's-that's okay.

I'm actually not hungry.

Well, I'll put
on some shoes.

We can take a walk.

Please, Andre, don't push it.

Mom, I'm fine.

I'm fine.
We'll just...

We'll do it another time.

Okay. RJ, hey, can you--
can you go get her a...

get her a chair,
please?
I've actually got

to run.
You just got here.
Go... get the chair.

Well, I mean, they just wanted
me to check in on you,

see if you need anything,

and then
get back. So...

do you need anything?

No. I'm all set.

Okay.

Well, um, I'll check in

tomorrow and...

It was very nice
to meet all of you.

[departing footsteps]

[car door shuts]

♪

Still don't have a suspect
on that subway pushing?

No. We, uh,
thought we did.

As of now, nada.

YENKO:Well, Sergeant Kee brought
something to my attention

which may prove relevant.

Well, I happened
to see some of what

was collected
on the tracks.

One of the things I noticed
was this book.

To The Finland Station?

KILLIAN:And what is it,
a travel book?

YENKO:
Classic book

on the history
of the Russian Revolution.

It's not a first edition
but it's an early edition.

And it happens to have
been signed by the author.

What are you, a communist?

I happen to know something
about rare books.

So what's significant
about this?
Well, the value

of a signed edition of this book
in excellent to fine condition

is about $500.

[whistles] Wow.
So how'd it wind up in a puddle

on the tracks?
Well, I don't know
the answer to that,

but you might start by looking
at the East New York branch

of the public library.

That's where
it was taken out from.

Thanks.

Library.

Hey, I want Finley inside.

Well, I don't know what
administrative jobs are open

on the midnight tour.

No, forget the midnight tour.

I want him on the day tour.

That way, we can keep
an eye on him.
Whoa, whoa, whoa, whoa, whoa.

You sure you
want to do this?

Do I have the authority
to do it?

Of course.
Then do it.

Okay.

[Killian sighs]

Well, might be something,
might be nothing.

Either way,
it's all we got.

KILLIAN:
We're detectives
from the 7-4 Squad.

Here about a book.

Well, you're in the right place.

We need to know who took out
a particular book.

Uh...

To The Finland Station
by Edmund Wilson.

[typing]

No one took it out.
It should be on the shelf.

KILLIAN:
I'm wondering

if we can verify that.

Albert? Can you take these
detectives to the stacks

and see
if To The Finland Station is

on the shelf?

I'm leaving early today.

Can someone else do it?

First of all, you
never cleared it with me

to leave
early today.

Second of all, you can still
do what I'm asking you to do.

MORALES:
Uh, why don't you go
with Albert?

I'll meet you there.

Albert's been a little
high-strung lately,

even for him.

There someplace people
who work here might stash books

they're looking to steal?

Well, Albert, I guess you will
be going home early today.

ALBERT:
Whatever books I took,

the library was getting rid of.

Why would they be
getting rid of

a signed edition worth
hundreds of dollars?

Because they don't know anything.

And because they don't take
the time to learn anything.

KILLIAN:
This is easy

to sort out.

I mean, we'll get
a search warrant,

go through your apartment,
see what you got in there.

What, this?

This is a
high-priority item

right now
in East New York? Really?

I would think that you'd have
more pressing matters

to attend to.

Did you take the J train
from the Van Siclen platform

two nights
ago, Albert?

I don't know.

MORALES:We're gonna
run your card

and find that out.
Might as well tell us.

Anything happen while you were
waiting for the train, Albert?

[chuckling]

What, i-is this some sort
of trick question?

It's a simple question.

MORALES:Did you speak
to a young woman

while you
were there?

I don't recall
speaking to anyone.

This young woman.

It's possible I had
some random encounter

with her or someone
that looked like her.

KILLIAN:What kind of
random encounter?

Look, I keep to myself.
All right?

I don't bother anyone,

and I don't want anyone
to bother me.

What kind of random
encounter, Albert?

[inhales sharply]

She asked to use my phone.

She said hers had died
and she had to call someone

to tell them
that she couldn't meet them--

all details I wasn't
the least bit interested in.

But because I thought it would
be easier to just hand it to her

rather than to continue
the conversation,

I reached in my bag
to pull it out and...

somehow the contents
spilled out.

She got in the way
of my dealing with that,

so...

I pushed her out of the way.

I suppose
she thought

she was helping.

How hard did you
push, Albert?

I don't know.

Hard enough for her to
wind up on the tracks?

[quietly]:
Oh, dear God.

[soft piano music playing]

[footsteps approaching]

HAYWOOD:
Sorry to interrupt.

I wanted to tell
you in person.

We made an arrest.

Was it someone
my daughter knew?

No. Apparently, it was
someone she had never met.

According to
what this...

individual told us,

they had some kind
of interaction

on the subway platform,

he became agitated and...

he pushed her onto the tracks.

A total stranger?

So it would seem.

Who had no idea
who my daughter was.

Didn't know she trudged
around for six months

before she found a space
for her dance studio

that she could afford.

Didn't know she loaned
what little money she had

to her students who couldn't
afford to pay for anything.

When a young woman like your
daughter is taken from us,

we look for
a reason.

Sometimes there is
no reason, it's...

There are some who
say it's the city,

but I don't think so.

The city's also
my daughter.

And looks like
you're picking up

where your
daughter's left off.

[chuckles]

Her girls came
for class.

Thought it would be a good idea
for all of us to have one.

I won't keep you.

♪

♪ Rocket in my stocking
like a rat-tat-tat-toy ♪

♪ If you come close,
I'm-a rat-tat-tat-tat ♪

♪ I got backup in the ends
and they want to meet ya ♪

♪ You'd just be saved...

Hopefully between word of mouth
and halfway decent reviews,

there'll be a few more
people showing up.

Hey.

And it's a weeknight.

[sighs] I know. It's just
we've been promoting it

as the grand opening.

I thought there'd be at least a
few people from the neighborhood

showing up to
check it out.

It's known
as a cop bar, Corinne.

People from the neighborhood
aren't necessarily interested

in checking it out.

[sighs]
Here, look, sit down.

Those heels are huge.

♪ Queen of the city,
queen of the city. ♪

Ooh.

This is Killian's girlfriend
who bought this place?

Yeah. Corinne Moynahan, right.

And... nothing's
in Killian's name?

Correct.

I've already spoken to him.

He knows it's against
department regulations

to have any interest in
an establishment selling liquor.

He's doing it by the book, boss.

Uh, restaurants are tough.

I don't know that they'll
make a go of it here.

It's fine. It's early.

No, but...

No, it's early.

What?

50% of liquor,
food and the door.

What door?

When we have entertainment,

we're gonna charge at the door.

This-this place

has never had entertainment.
Yeah, well,

looking into the future,
it's possible there will be.

So you back in, Goody?

Give it a shot.

[grunts]

Oh!
I'm sorry. I'm sorry.

Um...
[laughs]

Um...

well, hopefully,
uh, you know,

business will pick up
at some point.

Yeah.

I might be able to do
something about that.

Might be able
to do something ab...

Come on.

♪ Hey, ooh, this feel
like summertime ♪

♪ I been up in the clouds,
number nine ♪

♪ Came fresh to impress... Hey.

Welcome. Welcome to Goody's.
[chuckles]

There's, uh, food in the back.
Just help yourself.

[chuckles]
Let's get you a drink.

Come on.
[chuckles]

[relieved sigh]

♪ Move like a nine-to-five
and get busy, come on ♪

♪ It's comin' tonight,
up in the spot ♪

♪ And we comin' in hot, uh

♪ Runnin' the clock
and I'm takin' the shot ♪

♪ We up high and now
we ready to drop ♪

♪ I'm feelin', feelin' good

♪ I'm feelin',
feelin' good ♪

♪ I'm feelin', feelin' good
♪ Yeah, unstoppable...

How's it going, Marvin?

Hey, Chief. I'm holding up.

BARTENDER:
What can I get for you?

Club soda.
You got it.

You sick
of answering phones yet?

Why? You got something else
for me to do?

I want you back in
a sector car. Thanks.

You're not messing with me,
are you, Chief?

I convinced
the first dep

to chalk up what you did
to special circumstances.

He took my word,

based on how long
we've known each other,

that nothing like it
will ever happen again.

♪ Even when it's at night,
I'm cool ♪

♪ Like midnight blue,
got a mood ring... ♪

I can't tell you
how grateful I am.

♪ Finally made that move,
brighten up the sky... ♪

JANKOWICZ:
Well, what do you know?

I don't
usually see you

in these venues, Chief.
[chuckles softly]
Yeah, well,

I like to get out
every once in a while.

Seems like, uh, whatever
you said to Internal Affairs

about Finley here...

...had
the desired effect.

I didn't desire any

particular effect.

What I said to them
is that I expected

a fair and impartial evaluation.

Which is exactly what we got.

The problem is
Deputy Inspector Haywood,

who's neither fair
nor impartial.

She took Finley
off the late tour

and put him
on a desk

without so much
as a whiff of due process.

SUAREZ: Donnie, it's well
within her authority

to manage personnel.

And it's well within
your authority to manage her.

I'm with you
till the last dog dies.

But that's me.

The police unions are watching
how you're handling this.

Don't take their support
for granted.

♪

[indistinct chatter]

[laughs]

[phone chiming]

Hold on.

Oh, excuse me.
I'll be right back.

[Haywood and Morales laughing]

Hey, Chief.

- Regina.
- Chief.

[chuckles]

Gracias.

Finley's got to stay
on the late tour.
Sorry, what?

You can have the late tour
platoon commander monitor him,

but, uh, you
can't move him.

HAYWOOD:
This come out of
your conversation with Jankowicz

just now?

It comes out of
my determination

of what's right.

And that union trustee
has nothing to do with it.

I'll let you draw
your own conclusions.

[indistinct chatter]

[tapping on microphone]

GOODY:
Hello. Uh, this on?

[chatter continues]

This on?
[Killian clears throat]

[whistles loudly]

[chatter stops]
[chuckling]

All right then.
[laughs]

I want everybody
to raise a glass

to the official reopening
of this establishment

and the official
partnership between myself

and Ms. Corinne Moynahan.
[whooping, applause]

Come on up here,
young lady.

[cheering]

CORINNE:
So, uh, according to

State Liquor Authority records,

there's been a bar
in this location since 1951.

[murmuring]
Now,
I wasn't here then

and Goody wasn't here then...
Sure about that?

[laughter]
I'm kidding!

But we are here now,

so, cheers, everyone.

Thank you all
for coming.
[cheering]

Ah, look who
else is here!

[gasping]

[cheering]

[whooping]

MORALES:
Bentley, yeah!

GOODY:
Welcome back,

young man!

MORALES:
Bentley!

["Ain't No Big Thing"
by Adrian Quesada playing]

[gasping]

Oh!

Oh, okay!

♪ Ain't no big thing...

This gonna be a problem,
them working the same tour?

I don't know, Stan.

Right now
I've got bigger problems.

♪ Oh, I

♪ Got a feeling

♪ That I am losing you

♪ But what's the use?

♪ Why worry?

Captioning sponsored by CBS

and TOYOTA.

Captioned by
Media Access Group at WGBH access.wgbh.org