All language subtitles for the.enemy.within.s01e13.hdtv.x264-lucidtv[eztv]

[ominous music]

[line trills]

- Hello.

- [speaking foreign language]

- Who's calling?
- Shepherd.

[line clicks]

[line rings]

- Hello, Erica.

- I'm running out of time.

You said if I wanted
to work for you,

I had to prove my loyalty.

I've done that.

I told you Keaton
was closing in Chigorin.

I saved him for you.

It's your turn to live up
to your end of the bargain.

♪ ♪

- Is that so?
- You have a friend in me.

I can feed you information

about the investigation
into you.

I can protect you.

- You would do that?

- For the safety
of my daughter

and for my freedom,

I would do anything.

- I believe you would.

But the situation has evolved.

I no longer need your help
with the FBI.

Not to worry, Erica.

I have a much different mission
for you here in Cuba.

..

Yes.

- How will you escape?

- [chuckles softly]

I won't have to.

Keaton will let me go.

- Why would he do that?

- He trusts me.

- Of course he does.

GPS coordinates
of the rendezvous site

and the name of a contact
will be sent to your phone.

I so look forward
to seeing you again.

Good-bye, Erica.

♪ ♪

[elevator bell dings]

[tense music]

♪ ♪

- I'll take it from here.

Everything all right?

- Long night.

- Team's standing by
in the conference room.

Yesterday we obtained
intelligence identifying

Union Station
as Tal's domestic target.

100,000 people pass
through there every day,

which means an attack there
could be catastrophic.

- So what are we doing here?
Let's go.

- We're not going
to Union Station.

- Why not?
- Because I don't believe

that's the real target.

- We got that intelligence
from Backus.

You think he was lying?

- I think he was telling
the truth as he knows it,

but it's the truth
that Tal wants us to believe.

- Tal's a master
of misinformation.

He planted the Union Station
target with Backus

because he knew we'd get it
out of him.

- You're saying
the whole threat

against Union Station
is just a decoy?

- To distract us
from the real target, yes.

- Which is what?
- I don't know.

But Tal's not a terrorist,
so a random attack

on Union Station
doesn't make sense.

- What if you're wrong?

That's too big of a risk
to take.

- Which is we're gonna have
agents at Union Station,

both uniformed and undercover.

- So what are doing
in the meantime,

just sitting here waiting?

- Of course not.
Kate.

- This is a map of Backus'
cell phone movements

over the last two weeks.

His home and his office
are heavily trafficked

here and here.

But he also visited
this location

over half a dozen times.

- What is that?

- It's a sheet metal
fabricating plant.

We think this is Tal's
staging area

for the actual attack today.

- We're gonna execute a raid
on the plant.

We're gonna stop the attack
before it starts.

Now, Bragg, Pettigrew,
you two will each lead

your own team during the raid.

I'll head up a third.

Kate, I'm gonna need you

to run comms for us
while we're there

and monitor that
Union Station situation for us.

Any questions?

We move out in five.

- What are you doing
about Cuba?

- I don't have time to focus
on Sie- You don't have a choice.

Tal is down there
planning an attack as we speak.

- Domestic threats
take priority.

I can't be two places at once.

- Then send me.

- That's not gonna happen.

- This is your chance
to catch Tal.

Please don't ignore it again.

- My plan is to stop
the domestic threat here first.

Then you and I can get
on a plane, fly to Cuba,

and go after Tal together.

Can I trust you?

- Of course.

- I have a plane standing by
at an airfield in Arlington.

Once I stop the attack,

we can be in Havana
in under three hours.

Shepherd.

Last night, when you were
talking to Hannah...

what'd you say?

- I said good-bye.

[dramatic music]

♪ ♪

- Move!
- Let's go!

[vehicle doors slamming]

[engines revving]

[tires squealing]

[tires screeching]

♪ ♪

- Bravo teams
at the rear exit standing by.

[door crashes]

- Go! Go!

[door crashes]

- Clear.

[indistinct radio chatter]

- South side is clear.
Do you see anything?

- All clear so far.

- Bragg, head to the west side
and check the storage room.

- All right.
Copy that.

♪ ♪

[indistinct radio chatter]

- The situation has evolved.

I no longer need your help
with the FBI.

[indistinct radio chatter]

[gas hissing]

- I need to talk to Keaton.
- He's not here.

- Then I need you to call him.
I need a phone.

- We're not authorized
to give you a phone.

- You don't understand.
There's no time.

- Get in your cell.
We'll call him for you.

- [grunting]

- Shepherd's trying to escape.
[grunts]

- Call Keaton!
- Stop!

- It's a trap!

Tal knows they're raiding
the plant!

Call Keaton!
- Please, wait.

Stop.
Stop.

[breathing heavily]

[door rattling]

[gas hissing]

- Use the ram.

[banging]

- Will.
- Kate, what's up?

- Will, you need to get
everyone out of the plant now.

- What's going on?
- Shepherd thinks it's a trap.

Will, just get out of there.

- Everybody, fall back!
Fall back!

[door bangs]
[device beeps]

- Get down!
[explosion booms]

♪ ♪

[tense music]

.

[high-pitched ringing]

[all groaning]

- Bragg!
Bragg!

- You okay?

- Bragg.
Bragg!

Wake up.

Bragg.

- [groans softly]

- Is he okay?

- Yeah.
Yep.

- Looks like
he's gonna be okay.

Stay with him.

- [groans]
Hey, Jacquie.

[grunts softly]
- Can you walk?

- I hope so.

- Will?
Will, are you there?

- Yeah, Kate.

- Are you okay?
- I'm good.

Bragg's a little injured,
but I think he's gonna be fine.

- What happened?

- Tal knew we were coming.

- Thank you.

- How's Bragg?

- Superficial wound.
He'll be okay.

Kate said you warned her
about the plant.

- I need you alive.

- How'd you know
it was a setup?

- I told you our first day
of working together

that Tal knows how
your investigations work

and he knows how to beat them.

That hasn't changed.

- That plant bombing hurt Bragg
and four other HRT members.

Now we have no idea
how Tal's gonna attack.

- I know you don't wanna
hear this,

but stopping that attack today
is not your priority.

Stopping Tal is.

- Why do you say that?

- Do you think
stopping this attack

will make any difference
whatsoever?

Because it won't.

Tal's gonna continue
to murder civilians

again and again
until he is eliminated.

- You don't think I know that?

You don't think I lie in bed
every single night

trying to figure out how
to put a bullet in his head?

- Then do it.

- Not until I stop the attack.

- I know the plan
was for us to go together,

but events have changed,
and you need to change too.

There is a plane
standing at the ready.

Let me go.

- Tal will kill you
the moment he sees you.

- No, he won't.

[dramatic music]

♪ ♪

- How do you know that?

- A few weeks back,

you were going after Tal
in D.C.

Instead of capturing him,
you chose to save the life

of a 19-year-old,
Braden Decker.

You gave up Tal
for one innocent life.

I couldn't live with that,
so I used my own tactics.

I stole a burner phone
out of evidence.

- You did what?

- I sent out signals
with old contacts

saying that I wanted
to be in touch with Tal,

told him I wanna work for him.

I told him what I told you,

that I don't wanna die
in a cage.

I told him that in exchange
for my freedom

and for Hannah's protection
that I would feed him

information about you
and the FBI investigation.

I worked him like I worked
any other target.

Keaton, I was lying.

You have to believe me.
I can get him.

After all these years,
I can stop him

for the both of us.

But you have to let me.

♪ ♪

- ♪ Nobody's getting
out of here alive ♪

♪ Not tonight ♪

♪ Not tonight ♪

♪ ♪

- She's not running;
she's gone

because you let her go.

I know you think
you can trust her,

but she's a traitor, Will.

[hatch bangs shut]

♪ ♪

But I trusted that woman.

You can't believe a word
Erica Shepherd says.

♪ ♪

- ♪ Ooh-hoo ♪

♪ This is a battle ♪

♪ Royale ♪

♪ We're fighting fire
with fire, with fire ♪

♪ Until it all burns down ♪

♪ Battle royale ♪

- The pilot has instructions
to land at a remote airstrip

outside of Havana.

I'll be tracking that
GPS transponder in your chest.

After you leave that plane,
you're on your own.

- If anything happens to me,
Hannah's gonna need your help.

- I have a secure location
for her and your ex-husband.

She'll be fine.

- Thank you.

- Sure you wanna do this?

- Good-bye, Agent Keaton.

- ♪ Battle royale ♪

♪ Ooh-hoo ♪

[dramatic music]
[woman speaking Spanish]

- [laughs]

[indistinct chatter]

♪ ♪

[soft rock music playing
over speakers]

♪ ♪

- Daniel.

How you been?
- Been better.

You?
- Same.

I need your help.

- Molinero has me
under investigation.

- I don't care about Molinero.

Listen, Tal's planning
an attack on a domestic site

here in D.C., and I have
no idea which one it is.

- Tal's here in the U.S.?
- No.

Chigorin's gonna head up
the attack here.

I need to stop him.

But, Daniel, I can't do this
without you.

[siren wailing]

[Latin music
playing over radio]

♪ ♪

[dog barking]

[tense music]

[electricity crackling]

♪ ♪

- We're gonna implant
a GPS transponder

into your body.

It'll be locked around
your subclavian artery.

- [exhales deeply]

♪ ♪

[electricity zaps]
[grunting]

- All right, let's run
through this again.

- We've identified dozens
of potential targets.

We had field agents
canvass each one

for suspicious activity.

- Airports?
Transportation hubs?

- It's all covered.

- Daniel,
what are you thinking?

- You know,
you're right about Tal.

His actions are never random,

but that's only part
of what's going on here.

- What do you mean?

- Tal planted the decoy
at Union Station.

Then he set a trap for us all
at the sheet metal plant.

He's never done that before.

What that tells me
is that Tal's done

everything in his power

to stop us from finding out
about this attack.

There's only one target that
could be that important to him.

- The CIA.

- Tal's brothers were killed
by a CIA-led air strike.

His world ended that day,
and he's never forgotten

who was responsible.

Everything he's done
since then,

every attack he's carried out
is at the same target:

the CIA and its personnel.

That's who he's going after.

- Well, you think he's going
after the CIA headquarters?

- Langley's one of the most
secure places in the world.

It'd be a suicide mission.

- There has to be another way
to target the CIA.

I just don't know
what it is yet.

- I don't either,
but I think I know who might.

[line trills]

- This is Cabrera.

- Cabrera, this is Keaton.

- What's going on?

- Tal's operatives are planning
to carry out an attack

on U.S. soil today.

Now, we have strong reason
to believe

that that attack will be
against the CIA.

- How?
Where?

- That's exactly
what I'm calling about.

Now, we don't think
that he's gonna risk

going after Langley.

Is there another site,
another group of personnel

that he might target?

- The agency's hosting
a ceremony this morning

for its Clandestine
Trainee Program.

- When?
- In about an hour.

But this can't be the target.
We're on a military base.

- Deputy Cabrera, they're about
to begin rehearsals inside.

- Sorry, Will, I need to go.

Let me know
if you hear anything.

- That's our target.

That's the target.
Let's get ready to move.

[woman yelling in Spanish]

[indistinct chatter]

- [speaking Spanish]

- [speaking Spanish]

- Gracias.

- You are Shepherd, no?

- Where's Tal?

- We'll take you to him,

but first we need to check you.

[suspenseful music]

♪ ♪

If you have a GPS device
implanted in you

and it's transmitting,
we'll know you're still working

for the FBI.

And I put a bullet in you.

If not, I'll take you Tal.

[detector buzzing]

♪ ♪

- [speaking Spanish]

♪ ♪

[man yelling in Spanish]

[dog barking]

[engine turning over]

♪ ♪

[indistinct radio chatter]

♪ ♪

[indistinct chatter]

- Hello, Erica.

- Tal.

♪ ♪

[dramatic music]

- I would ever come.

- So did I.

- You're not the same woman
I met three years ago.

There's something different
about you.

- Three years
of solitary confinement

has a way of changing someone.

- I remember the men
in Lefortovo prison in Moscow,

the emptiness in their eyes.

They were like ghosts.

But you survived.
How?

- A person needs distractions.
I created some, I guess.

- Fantasies?
- You could call them that.

- Fantasies of being free,
of seeing your family?

- Yes.

- Of killing me?

- Yes.

[foreboding music]

♪ ♪

You brought me here
for a reason. What is it?

- In time, I assure you.

But first, I'm curious.

How did you convince
Agent Keaton to release you?

- It wasn't difficult.

- No?
- No.

He's wounded.

His grief and his empathy
make him weak.

They feed into his obsession.

- Of what?
- You.

♪ ♪

You have two attacks,
both on the same day.

Why?

- Domestic attack
is about the past.

Our work here
is about the future.

♪ ♪

- General Miller.
- Good morning.

- Nice to see you.
- It's good to have you here.

Keaton, what are you
doing here?

- Tal's targeting this site
for an attack.

- This is a military base.

- It's Mikhail Tal.
You shouldn't be surprised.

- How's he planning
to carry it out?

- I don't know.
- Okay.

And what intel do you have
to know that he's targeting us?

- None, but his operatives
are on their way.

- Hold on.

We're having a ceremony
for the covert ops trainees.

I have the entire
CIA senior leadership,

not to mention two generals,
here.

If it's going down,
we have to ensure their safety.

- You said you used me to gain
your freedom from Agent Keaton,

but you didn't say how.

- We grew close
during the investigation.

- You helped him...

to capture many
of my operatives, in fact.

- I needed him to trust me.

- And he does, doesn't he?

He thinks you'll return to him.

- Yes.

What are you planning
at Sierra Maestra?

- Well, if you cannot tell me,
perhaps you're not

the asset I hoped you'd be.

- You left Russian intelligence
years ago

because you felt restricted
by diplomacy.

And now you think of yourself
as the great disruptor.

You wanna destabilize
the whole world

but not because you wanna
destroy it...

'cause you wanna reshape it
in your image.

That takes numbers.

I think you're going to get
your army.

Sierra Maestra holds a lot
of your operatives.

I think you're going to attack
the detention site

and break them out;
that's what I think.

[gun cocking]

[tense music]

♪ ♪

- I was right to recruit you,
Erica.

♪ ♪

It's time.

♪ ♪

- Director Paul,
Generals Kent and Sandover...

esteemed guests, faculty,
and trainees...

welcome to the 2019

CIA Clandestine Service
graduation ceremony.

It is truly an honor for me
to be here today.

It's been almost 20 years
since I was standing

right where you are now.

And I can honestly say
that there has not been

a single operation
I've been a part of

where I haven't used the skills
and the training

I acquired in this program.

And now I'd like to invite up

Director Paul
to say a few words.

[applause]

- Thank you.

[ominous music]

♪ ♪

Thank you very much.

- Any update?
- No, not yet.

- Will, 11 o'clock.
- Everybody down!

[gunfire]
[glass shatters]

We need to get
some heavy ammo.

- Hopkins, your office!

- Take cover.
[gunfire, glass shattering]

- Get everybody back.

- Get back!
- Move, move!

Everybody down!
Stay down!

- Back, back, back!

[gunfire]

Stay down!
Stay down!

[gunfire]

[gunshot]

- Daniel.
Daniel.

[gunfire]

[gunshot]

[gunfire]

We got to get out of here!
- What?

- We stay in here,
we're gonna get massacred.

We got to take the fight
to them!

- I can't leave these people.

- Will, we got it!
Go! Go!

- You, follow me.

[gunfire]

Bragg, with me.

[gunfire]

[man speaking foreign language]

[suspenseful music]

♪ ♪

[gunfire]

- I'm out!

[gunfire]

♪ ♪

[gunshot]
- [grunts]

[gunshots]

♪ ♪

[gunshot]

♪ ♪

[gunshots]

- Let's go.

[gunshots]

♪ ♪

- You good?
- Yeah, good!

Go! Stay down!

[both panting]

[gunshots]

[gunshot]

[gunshots]

- [grunts]

[explosion booms]

♪ ♪

[both grunting]

- [groaning]

[both grunting]

- [groaning]

[both grunting]

♪ ♪

[gunshot]
[both grunting]

[gunshots]

[grunts]

[door clicks open]

[gunshots]

- Go! Go!

[gunshots]

- Chigorin!
Cover me.

[gunshots]

♪ ♪

[gun clicking]

♪ ♪

- [grunts]
[gunshot]

- [panting]

♪ ♪

[footsteps crunching]

[both grunting]

♪ ♪

[both grunting]

- [breathing heavily]

[groans]

- Beg for your life.

Beg me just like she did.

[music intensifies]

[gunshot]

[grunting]

[groaning softly]

[dramatic music]

♪ ♪

- How much further?
- Two kilometers.

- When we arrive,
make sure the men

keep away from the clearing.

- What's after Sierra Maestra?

- Why do you ask?

- You didn't bring me here
to carry your gear.

- After today, the leadership
of the CIA will be crippled,

and the detention site
at Sierra Maestra

will be ripped open
for the world to see.

But the hundreds
of covert operatives

that make up the tip
of the agency's spear

will still be alive.

That is why I want you, Erica.

You know these operatives
better than anyone.

You know how they work,
how they think.

You know how they hide
from detection.

You are going to help me
hunt them down,

every last one of them,
until they cease to exist.

I don't just want
to attack the CIA.

I want to erase it.

[sinister music]

♪ ♪

[dramatic music]
♪ ♪

- Agent Keaton.

I'm Clara Baez.

Deputy Cabrera told us
you were coming.

- Yes.

I need to get to Sierra Maestra
as soon as possible.

- This way.

- Cabrera tell you
about the threat

to the detention site?

- Yes, we have our lockdown
protocol in place,

and more agency enforcements

are on the way
from the States now.

- How long
before they get here?

- [sighs]
Well, ETA is within the hour.

But the facility
is more than secure.

- Yeah, I've heard that before.

[engine turning over]

♪ ♪

- That's it.

- Send teams to locations
two and three.

We'll take this one.

Just over that ridge
lies the entrance

to a decommissioned
Soviet missile silo.

Under the heavy concrete,
under our very feet,

is Sierra Maestra.

♪ ♪

- Check complete.

57 prisoners,
42 guards all accounted for.

♪ ♪

- Where's the entrance
to the facility?

- Just at the end of the path.
- Is that the only one?

- That's it.
One way in, one way out.

- And you're sure it's secured?

- Behind a steel
blast-proof door.

Nothing's getting through
that thing.

- Tal has to have
something else planned.

What's out there?

- Jungle, then cliffs,
then the ocean.

- No emergency exits,
utility ducts?

What? What is it?

- There are ventilation shafts,
three of them.

- Show me.

- [grunting]

- You're blasting in
from above.

You're not going
from the entrance site.

- The structural design
of the facility hinges

on three support columns
located directly beneath

this ventilation shaft
and two more just like it.

Take them out, and the roof
crumbles like sand.

[yells indistinctly]

♪ ♪

[keys tapping]

- We're ready.

- Team One, go.

[explosion booms]

[rumbling]
[all yelling]

- Go! Go!

Go!
Sound the alarm!

- Team Two, go.

[gunfire]

Team Two, what's your status?

Team Two, do you copy?

Team Two!

[uneasy music]

Team Two, do you copy?

This is you, isn't it?

- No.

- Keaton.

♪ ♪

[gunshot]

- [grunts]

[gunfire]

[gunshot]

- Keaton.

Drop your weapon.

Drop your weapon, or she dies.

♪ ♪

Do you feel peace,
Agent Keaton?

With your own hands,
you killed the man

who took your fiancée's life.

Do you feel peace?

Perhaps now you can begin
to understand me,

why I targeted the CIA,

why I destroyed anyone
who stood in my way.

There is no peace,
not for men like you and me.

Your vest, take it off.

♪ ♪

All this time, she was sitting
right in front of your nose.

But you already knew that,
didn't you?

She told you she was
communicating with me,

working me as an asset.

And you trusted her.

But I assure you, Agent Keaton,
she was lying.

♪ ♪

You don't believe me?
Tell him.

Tell him what you did for me.

- You were closing in
on Chigorin.

I called Tal and warned him.

I helped him escape.

♪ ♪

- You're never gonna win.

There are gonna be more agents
after me,

and they're not gonna stop
until you're dead.

I can promise you that.

- Perhaps, but not today.

[gun cocking]

There is one round in this gun.

Kill him.

You claim you want
to work with me.

Kill him.

Prove it.
- I have.

- Sparing a life and taking one
are two very different things.

Kill him, and I will know
once and for all

where your loyalties truly lie.

[suspenseful music]

♪ ♪

Five, four...

[gunshot]

- [grunts]

- [chuckles]

[harrowing music]

♪ ♪

You don't cease to surprise me.

Now we're free
to work together.

- He's still alive.

- [grunting]

[gunfire]

[gunshots]

- [grunts]

- Ah!
Keaton, I'm trying to help you.

Put pressure on your chest.

Put your hand on your chest.

Push, push, push.

Come in.
Come in.

- Copy.

- An agent's been shot
outside your facility.

They need medical attention
immediately.

I shot you in your clavicle,

nowhere near your heart
or your lungs.

You're gonna be okay.
- Shepherd?

- Yes.
- End this.

- Hold your chest.

[menacing music]

- [coughing]

♪ ♪

[grunting]

♪ ♪

- Hello, Erica.

Can you smell the salt
in the air?

I wasn't alone.

- What?

- I didn't do this alone.

I couldn't have.

There was someone else,

high up in the U.S.
intelligence community...

Someone who shares my beliefs.

- Backus?

- Someone with real power,

who operates from the shadows.

[coughing]

- You're lying.

- No.

Not about this.

Search your mind, Erica,

and you will see
I speak the truth.

Spare my life,

and I will help you
bring them down.

I will help you capture
this enemy.

- I don't need your help.

[eerie music]

♪ ♪

[gunshot]
- [grunts]

[groaning]

[gasping]

[somber music]

♪ ♪

[whistle blows]
- Here we go.

- Got it!

- That's yours, Jenna!

- Got it.

- Got it!

[cheers and applause]

- Go, Hannah!

- Yes!

♪ ♪

- Let's go, Hannah!

[whistle blows]

♪ ♪

There you go, girls!

[cheers and applause]

♪ ♪

- [laughs]

- Yeah, here we go.

- You can do it, ladies.
Come on! Come on!

♪ ♪

- I thought there'd be sirens.

- Not this time.

- How are you feeling?

- You shot me.
How do you think I'm feeling?

- I did it to save your life.
- Mm.

You have any idea
what that sounds like?

- Yes.

[cheers and applause]

I'm sorry.

- How'd you get back
into the States?

- Making it sound
like it was hard.

[indistinct chatter]

- When you were
reaching out to Tal

and feeding him intelligence...

were you using him
as an asset?

Or was there
a small part of you

that was actually
considering his offer?

- I couldn't risk
not seeing Hannah again.

- Even if it meant
working for Tal?

- What's next?

- I'm sending you back
to your holding cell.

- That's not what I mean.

- I've requested
that you stay in D.C.

and continue to assist my team

in counterintelligence
investigations.

- But you can't guarantee
they won't send me back.

- The truth?
- I think I've earned it.

- No, I can't.

- Right there!

- Yeah!
- Yes, Hannah!

- But there is one condition.

You helped Chigorin escape,
and you kept that from me.

That can never happen again.

And if there's anything else

that you're withholding
from me,

now would be a good time
to let me know.

Is there?

- I didn't do this alone.

There was someone else,

high up in the U.S.
intelligence community.

[cheers and applause]

- No.

[indistinct chatter]

♪ ♪