Original subtitles

MIRACLE IN MILAN

Once upon a time...

No, no!

- HeIIo. - HeIIo.

What a great big pIace the worId is!

- What's seven times seven? - 49.

- And six times six? - 36.

Three times three?

Fifteen.

1 , 2, 3, 4, 5, 6, 7, 8, 9, 10,

1 1 , 12, 13, 14, 15, 16, 17, 18, 19, 20,

21 , 22, 23, 24, 25, 26, 27,

28, 29, 30, 31 , 32, 33,

34, 35, 36, 37, 38, 39, 40,

41 , 42, 43, 44, 45, 46,

47, 48, 49, 50,

51 , 52, 53, 54,

55, 56, 57, 58, 59, 60, 61 ...

WALK HAPPILY FAITA SHOES

ShaII we go now, IittIe boy?

ORPHANAGE

HeIIo.

- HeIIo. - HeIIo.

HeIIo.

- Who are you saying heIIo to? - To you.

- To me? - Yes.

- Do you know me? - No.

So what do you mean by saying heIIo?

I reaIIyjust wanted to say heIIo.

Get Iost! That's aII I need,

a dummy first thing in the morning...

Excuse me, have you got a job for me?

No.

Excuse me, but that's mine.

- It's yours? - Yes.

There's hardIy anything in it.

But I rather Iiked the case.

- Thanks. - You're weIcome.

- Goodnight. - Goodnight.

Do you know where couId I get a bed for the night?

You'II have to go to the town centre. But the Iast tram's just Ieft.

I couId put you up at my house, if you want.

Thanks.

OK, then. Let's go.

- Thanks a Iot. - You're weIcome.

You've been very kind.

I don't know how to thank you enough.

There's reaIIy no need.

The sun! The sun!

Quick, come on!

LoveIy, isn't it?

Kick him out!

Move!

Don't push!

- Stamp your feet. - CIean your nose!

- Come on in! - I'm not coId. I've got a vest.

Look! The sun!

How seIfish can you get! He wants it aII for himseIf.

Jesus wept!

Come on, AngeIina.

Come on! Up you get!

Jump up! Run!

Peek-a-boo! Stamp your feet. Come on! Come over here!

Stamp your feet.

Boo! Boo!

Peek-a-boo!

Stamp your feet! Peek-a-boo!

My IittIe angeI, what's five times five?

- AngeIa, what have you done? - Eh...

And you. What's three times three?

- HeIIo! - HeIIo!

Get the paint. Look. It's over there.

What are you doing?

This way at Ieast the chiIdren wiII Iearn something.

FIVE TIMES FIVE STREET

- Can I heIp? - Yes, of course! Come over here!

Thanks.

One Times One Square...

This is a vacuum cIeaner.

Come on, Iads! To work! Work ennobIes men.

And makes men rich.

- Look at that beautifuI statue! - She's reaIIy IoveIy!

She's mine! I saw her first!

- No, you didn't. I saw her. - She's mine.

No, it isn't. I found it. It's mine.

Where was I then?

Nowhere. I saw it first, so it's mine.

Leave it out! What do you mean you saw it first?

Get your hands off me. I said it's mine!

What do you mean it's yours?

- I said I saw it first. - You didn't see anything.

Excuse me. I saw it first.

CIear off, you!

- The statue's mine! - I'II give you the statue!

One second!

- What is it? - BIow.

- So? - No reason.

Oh, cIear off home.

Oh, who cares.

You keep the statues and the rest of the rubbish, too.

Come on!

- BeautifuI, eh? - LoveIy!

- MarveIIous! - Take it aIong to the square.

CouId you pIease hammer this in for me?

OK. You fix this.

I'd give an arm and a Ieg to be as taII as you.

I'm not that taII. I just Iook Iike I am.

I'd give an arm and a Ieg.

Come on, I'm not that taII.

What's eight times eight?

Sixty-four. See? I'm not that taII.

You onIy say that because you don't know what being four feet is Iike.

There's not a Iot of difference between you and me.

We're both smaII. And Iife is beautifuI for us, too.

Goodbye.

Goodbye!

Ouch! BIessed youth!

I can hardIy move with this rheumatism!

Me too. AII it takes is the sIightest movement and...ouch!

- HeIIo. - HeIIo.

- Mind your own business! - Poor creatures.

Mind your own! I'II mind mine!

Good grief!

How beautifuI!

LoveIy! Gorgeous! ReaIIy weII-made!

Leave me aIone! I want nothing to do with anybody!

And no-one's to try to be friendIy with me!

Give it a rest!

UgIy tramps! Mind your own business!

EspeciaIIy you! I'II kiII any animaI I want!

Do you want to Ieave it out or what?

Go on! CIear off!

I don't Iike him much either.

ShaII we move it?

Among the chickens again!

He needs a thrashing...

...he'II remember to the end of his days.

What did you move me for? I was fine just where I was.

Now you're facing the rising sun. What more do you want?

Arturo!

Arturo! Get down! Get down, Arturo, get down!

Get down Arturo! Arturo!

- Arturo! Come on down, Arturo! - No, no, no!

Get down, Arturo!

- Why? What did you do that for? - I'm bored.

No. Come here. Life's beautifuI.

La la la la!Try it!

- You try it! - La la la la

There you go. See? Come on, get down! Go.

Cheer up!

- La la la la! - La la la la

- HeIIo. - HeIIo.

- Husband and wife? - Yes.

A shack for two at the end on the right.

Are you on your own?

No. I have a husband, a chiId and a maid.

- Are you on your own? - No, I'm with him.

A shack for two, down there at the end.

Excuse me, but I'd Iike a shack facing the sun.

- Yes. - The sun shines here.

- What do you do? - Giuseppe. I'm Giuseppe.

FamiIies down there in One Times One Square.

Where that haIf-buiIt shack is.

- I'm singIe. - SingIe?

OK, down there in that shack there.

- Are you on your own? - AIone.

- AIone? - AIone. Housewife.

BacheIors over here, spinsters over there.

Edvige, hurry up. What are you doing?

- Where is this shack? - Right there, madam.

Giuseppe, stop.

Here it is.

This shouId do, shouIdn't it?

- Is it enough? - Edvige! Wicked girI!

She hasn't done anything wrong. On the contrary.

She must be carefuI.

We can't go on Iike this.

She didn't do anything wrong. I Iike it...very much.

You're fired, and that's that!

I Iove water, beIieve me.

I Iove it. Look.

But what...? It took me an hour to fiII it! Now I've got to do it again!

If you need anything from me, just caII. Goodbye.

Thanks!

Here we are. This is the Iand.

I'II give you no more than 10 miIIion for it.

My Iast offer - 30 miIIion and it's yours.

- 1 1 . - 29.

- 12. - 28.

- 13. - 27.

- 14. - 25, 26.

- 1 1 . - 29.

- 12. - 28.

- 13. - 27.

- 14. - 26.

- 13. - 27.

- 14. - 26.

- 13. - 28.

- 13. - 29.

- 12. - 28.

- 9. - 27.

- 10. - 28.

- 1 1 . - 25. My Iast offer.

- Who are aII these peopIe? - The poor.

What is he doing here?

You can get rid of him whenever you want to.

That's what you think.

Nothing easier. If I just stamp my feet, they'II run off.

Doesn't Iook that easy to get rid of them to me.

He says it's not easy to get rid of them. Good grief!

Excuse me, gentIemen, wouId you Iike to warm your hands?

Come here!

HeIp yourseIves.

Here we aII are together.

As you can see, I'm coId, just Iike you.

That's because we're aII the same.

My nose might be a IittIe smaIIer or a IittIe Iarger than yours,

but it's stiII a nose.

That's the truth of it, my friends. A nose is a nose.

What does that mean?

What have noses got to do with it?

Why shouId they Ieave their shacks?

You've got a house, haven't you? Perhaps two.

Do we have to know one another or each other's names to be brothers? No.

- Do I know your name? - No.

- And yours? - Rappi.

I know now because you just toId me, but I didn't a minute ago.

Yet I Iike you just the same.

Because I've got five fingers on my hand and so has he.

And him.

You're right! You're right.

Long Iive Mr Mobbi!

All we need's a shack to live and sleep in

All we need's a bit of ground to live and die on

All we ask is a pair of shoes, some socks and a bit of bread

That's all we need to believe in tomorrow

Tra la la ra la, tra la la ra la!

All we need's a shack to live and sleep in

All we need's a bit of ground to live and die on

All we ask is a pair of shoes, some socks and a bit of bread

That's all we need to believe in tomorrow

Your attention, pIease! It's time to award the first prize.

Hooray! Hooray!

Bravo! Bravo!

Quiet, pIease. Check your numbers.

May I, madam?

Attention, pIease. Time to seIect the winning ticket in the Iottery.

First prize - a reaI chicken!

Bravo!

Ninety.

Ninety!

Who's got ninety?

Ninety!

Anybody got ninety?

- Eighty-nine. - I said ninety.

- I missed it by one! - Idiot! Eighty-nine isn't ninety.

I've got tweIve.

This is ninety.

Get away! It can't be mine! I shouId be so Iucky!

Out with number ninety!

- Ninety! - Ninety!

- BIack. - Mmm.

Ninety wins the chicken.

Another number!

Yeah! Yeah! Another number!

If no-one's got ninety, we'II choose another number.

Right! That's the way!

- That's ninety. - He's right. It is!

- Is it? - Yes, it's ninety. Go on!

Ninety! Ninety!

Sit down here, you Iucky man!

Eat up!

Give me a bit.

- Give me a bit. - No!

He Iooks Iike he's enjoying that!

Bravo!

One Iira for the sunset. Sit down, pIease.

One Iira for the sunset. Take a seat, pIease.

One Iira for the sunset, pIease.

Sunset, one Iira. PIease, take a seat.

PIease sit down.

One Iira for the sunset.

Edvige?

You've had enough fun. Afterwards I want you back to work.

- One Iira. What do you mean, no? - The seat's mine, so I'm not paying.

And whose bit of ground is it?

AII the others have paid so you can pay too.

You're even sitting in the front row.

- Don't make me angry! - SiIence!

Are you paying or not? Either you pay or you get out.

What a profiIe, what a gaze, what a forehead!

Who can teII what you wiII become with that smiIe, that forehead!

You won't end your days here. Who knows how far you'II go!

You'II become a great person. There's so much more to come.

Who knows who your father was! A hundred Iire.

A hundred Iire?

Next, pIease.

What a forehead, what a smiIe, what a gaze!

You have an interior Iight.

What a fine profiIe, what a forehead, what a spirituaI gaze!

You are someone speciaI. Who knows what you might become!

You won't end your days here. Who knows who your father was!

A hundred Iire.

There it goes! There it goes!

It's going.

What a beautifuI sunset!

It's going. It's going.

- It's gone. - How beautifuI.

- Bravo! - The show's over. Let's go!

Push! Push!

Water! Water!

Long Iive water!

LONG LIVE WATER

But this is oiI.

Get back! Get back!

It's oiI!

No one Iight up!

Long Iive oiI!

END OF FIRST HALF

SECOND HALF

- HeIIo. - HeIIo.

HeIIo.

Stop him. Stop him!

Eat up.

Come on! Eat up. Eat up.

Fano chocoIate is the best.

No. What do you say when you go begging?

God bIess you. Fano chocoIate is the best.

Thank you. Fano chocoIate is the best.

That's the way!

God bIess you. Fano chocoIate is the best.

God b-b-bIess you...

Fano chocoIate is the best.

Fano ch-ch... God b-b-b...

Fa-fa-fano chocoIate!

Tramps!

BRAMBI PROPERTY

Do the other signs as soon as you've finished here.

You'II aII have to Ieave! Now!

CIear everything out!

Before evening?

Why have we got to move?

There must be a mistake.

What mistake?

This is Mr Mobbi's property. You have to get off it.

Get out! Get out! Get out!

Get out!

Stop. We can't just go and Ieave our homes behind.

- This is private property. - But is this what Mr Mobbi wants?

Yes. This is private property.

Excuse me. One, two, three, four, five.

No, Mr Mobbi wouId never do this to us.

Yes he wouId. This is private property.

CIear off! CIear off!

That's enough! That's enough!

That's enough taIk. Get out!

What's happening?

If one of you so much as touches a hair on my head,

Mr Mobbi wiII raze this camp to the ground.

Let's go! Let's go!

I'm first! They're joking.

Thank God for that!

You rotten crook!

Can I taIk to Mr Mobbi?

No, no, no!

Yes, yes, yes!

Stop!

Let's go and see Mr Mobbi!

One, two, three, four, five. Let's go.

Who is it? The commission.

The government commission? I'II see them today.

Yes, I confirm that. Buy.

Come in!

PIease. Take a seat.

Forward!

Giovanni?

No, no, stay as you are!

Tea?

PIatoon, faII in!

Giovanni, tea.

You are the most important members of the camp?

Yes, yes.

I'm deIighted to have you here. Buy!

MiIk or Iemon?

Positions!

Now then...

A nose is a nose, Mr Mobbi.

Of course.

We've aIso got a IoveIy song.

All we need's a shack to live and sleep in

All we need's a bit of ground...

- Ssh... - No, pIease carry on. I Iike it.

All we need's a shack to live and sleep in

- The humidity. - Right away.

- NortherIy. - NortherIy.

You can go.

- Mr Mobbi? - Yes?

- Goodbye. - Thank you.

Goodbye. Goodbye.

- Mr Mobbi... - Five fingers!

Thank you.

- Goodbye. Goodbye. - Goodbye. Goodbye.

Goodbye, goodbye.

Goodbye, goodbye!

Forward march!

Retreat. Forward march!

Where do you think you're going?

They're kicking us out.

Come on.

No!

There must be some kind of mistake.

What kind of mistake?

- Let's go! - Get out! Get out!

- Where are you going? - What are you doing?

Get back!

Get back to your positions.

Here are the reinforcements!

Forward march! Left, right, Ieft, right...

PIatoon, haIt!

Forward march!

Retreat!

How embarrassing!

- What's happening? - They're rebeIIing.

Attention!

Run!

Gaetano! Giuseppe!

AIfredo!

Gaetano!

Testing. Testing. Testing.

Surrender!

AIfredo, Gaetano, Giuseppe!

- Gaetano, Giuseppe, AIfredo! - Surrender!

It's just smoke.

Surrender!

Run!

Surrender!

Gaetano, AIfredo, Arturo!

Surrender! Surrender!

Mr Mobbi, they're giving up.

FaII in!

Totò, Totò!

My darIing, Totò. It's me.

I couIdn't get in touch earIier because it's not easy to get away.

Here you are, dear. This dove is yours.

You can do anything you want. Do you want to stay with your friends?

Do you want the moon? Do you remember when you wanted the moon?

- Mother! - Don't cry.

I have to go straight away. Can you hear? They're coming. They're coming.

Goodbye, my dear. Hide it.

Two fried eggs.

Three fried eggs.

Arturo, AIfredo, Gaetano!

Arturo, Gaetano! Giovanni, Gaetano, AIfredo!

Come here! Come here!

BIow! BIow!

Damn this wind. The pumps! The pumps!

- The pumps! - The pumps!

And you, don't cry. These peopIe deserve no mercy.

The pumps, the pumps!

Get rid of those peopIe, or I'II fire you. Move!

- FaII in! - Quick, quick.

I've repaired Iots of these, but I've never seen this make before.

- And I've repaired Iots. And yours? - The same.

My God. He is an angeI.

Something more, something more.

I've aIways said he was a great saint.

Something more, something more.

Fire!

They're shooting!

You have ten seconds to surrender!

One, two, three...

...four, five, six...

...seven, eight...

...nine, ten.

- Of course. Forward. ImbeciIe. - ImbeciIe.

Forward!

- Bravo! - Bravo!

You've been demoted!

Forward, the second-in-command.

Forward!

Bravo!

Let's march, let's march, let's march, let's march, let's march!

Let's march, Iet's march!

Drunkards! RabbIe! Bring forward the second pIatoon.

The road's iced over! What's happening?

WeII done! WeII done!

- Sneak. - Sneak.

Sneak!

We've got one too!

Totò! Totò!

Totò, I want a fur coat!

Totò, give me a fur coat.

Totò, give me a fur coat. A fur coat!

Totò!

A sewing machine!

Thanks, Totò.

Me, too! Me, too!

One at a time!

A nice radio, Totò.

Thanks, Totò!

Totò, I'd Iike...

CIothes, Totò. A whoIe outfit.

TaiIs!

I asked you for a suit!

Totò, Totò! HeIp me!

A pair of nice trousers.

Totò, a case.

Totò, a house.

I wouId Iike...

CouId you say that again, pIease?

- Totò, Totò! - Quiet!

Queue up and keep caIm. I'II make you aII happy, I swear.

Queue up.

- What wouId you Iike? - To be taIIer.

- And you? - An accordion.

- To be taIIer. - A wardrobe.

- A wardrobe. - A bIanket.

- A fur coat, Totò. - A pair of shoes, Totò.

I asked for a wardrobe, Totò.

Before you give it aII away, give me a fur coat.

- A fur coat. - A suit.

- A wardrobe. - A bIouse.

And you?

Can't you see it won't go through? We need to chop the door down.

If we're not quick, he'II fly away back to Heaven.

- Quiet! What wouId you Iike? - To be a bit taIIer.

A bit shorter.

A bit taIIer.

IncredibIe!

I want a miIIion, Totò!

Two miIIion!

- Yes. Write it down. - You?

A miIIion.

- Two miIIion. - Three miIIion.

- Four miIIion. - Five miIIion.

A miIIion miIIion.

A miIIion miIIion miIIion miIIion miIIion miIIion.

A miIIion miIIion miIIion miIIion miIIion

miIIion miIIion miIIion miIIion miIIion. Take that!

PIus one. Take that!

Bravo! Bravo!

Edvige!

Totò!

Edvige! Edvige!

I want to become white.

Yes.

Excuse me, sir.

Totò! Totò!

- Go and see what's happening. - OK.

Go and see what's happening.

- Me? - Yes.

There's someone at the door.

Edvige, there's someone at the door. Open the door!

And you be carefuI, don't dirty your shirt.

There's someone there!

Edvige, the baby's flying. Open the door!

MiIIions! MiIIions!

Totò, open up.

I'm no one, I'm just Totò.

It's my mother doing aII this.

What's this thing? Oh, the baby!

Goodness me!

Good evening.

Mink is the IoveIiest fur there is.

Mink! OceIot is more eIegant, you wear it in the evening.

Open up, open up!

Excuse me.

Oh! God bIess you.

God bIess you!

Fano chocoIate is the best. God bIess you!

- Giuseppe, hoId the baby. - BeautifuI!

LoveIy.

Oh! What a handsome Iady!

What a gorgeous dress!

ReaIIy eIegant! BeautifuI!

What a beautifuI dress, my Iady!

Open up! Totò! Totò!

What wouId you Iike?

Make me into a generaI.

I want to go to town.

ImbeciIe! Cretin! What on earth is he doing?

Down! Get down.

You too, you idiot! Get down, you fooI!

Down! Down!

On your feet!

CIamp him in irons.

To prison with him!

Go away!

ShaII we attack, Mr Mobbi?

No. Let's wait untiI dawn. Let's wait for the Iight.

WouId you Iike the moon? Even the moon.

Come on.

- I don't know. - Come on.

Shoes.

- Totò, do me a favour. - I can't.

- I'm fuII of rheumatism. - I can't.

Do me a favour.

I want to go to town.

We'II take you!

Goodnight.

- Goodnight, Totò. - Goodnight.

Edvige, the dove. My mother brought it back to me.

Edvige!

WouId you Iike the sun?

Yes.

The dove!

Totò, where are you?

Totò, Totò!

Totò!

Let's go. Forward. Move aIong!

Totò!

Forward. Hurry up!

Forward! Come on! Come on!

Go! Go!

Left, right, Ieft, right...

- Goodbye, Totò. - Goodbye. The dove!

Totò, Totò!

Everyone grab a broom!

- Everyone grab a broom! - Giuseppe, the baby!

Hey presto!

All we need's a shack to live and sleep in

All we need's a bit of ground to live and die on

All we ask is a pair of shoes, some socks and a little bread

That's all we need to believe in tomorrow

Towards a kingdom where good morning reaIIy means good morning!