Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,492 --> 00:00:11,995
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2
00:00:12,495 --> 00:00:14,497
[ENGINE HUMMING]
3
00:00:15,999 --> 00:00:18,001
[RATTLING]
4
00:00:33,516 --> 00:00:35,518
[WIND RUSHING]
5
00:00:45,028 --> 00:00:47,030
[FLAPPING]
6
00:02:26,129 --> 00:02:28,131
[BAND MUSIC PLAYING]
7
00:02:35,638 --> 00:02:37,640
[CROWD CHEERING]
8
00:03:13,176 --> 00:03:15,678
[CROWD CHEERING,
APPLAUDING]
9
00:03:25,188 --> 00:03:26,689
HOW'S YOUR SHOULDER?
10
00:03:26,689 --> 00:03:27,690
WINDY UP THERE.
11
00:03:27,690 --> 00:03:29,692
YEAH. YOU CAME
TOO DAMN CLOSE
12
00:03:29,692 --> 00:03:30,693
BEFORE YOU OPENED
YOUR CHUTE!
13
00:03:30,693 --> 00:03:32,695
THEY CAME FOR A SHOW.
LISTEN TO 'EM, KID.
14
00:03:32,695 --> 00:03:34,197
THEY'LL SETTLE FOR A LOT
LESS THAN YOU'RE GIVING 'EM.
15
00:03:34,697 --> 00:03:36,199
YOU NEVER CAN TELL
WHAT THEY'LL SETTLE FOR
16
00:03:36,199 --> 00:03:37,200
UNTIL YOU'VE TRIED IT.
17
00:06:25,501 --> 00:06:26,502
HEY!
18
00:06:27,003 --> 00:06:28,504
[CLINKS]
19
00:06:28,504 --> 00:06:30,006
FEW ROOT BEERS.
20
00:06:38,514 --> 00:06:40,516
I REALIZE IT DOESN'T LOOK
LIKE TOO MUCH NOW, MIKE,
21
00:06:40,516 --> 00:06:42,518
BUT, UH, WE'RE GONNA HAVE
A HELL OF A CROWD.
22
00:06:43,019 --> 00:06:44,020
WE WILL.
23
00:06:44,020 --> 00:06:45,021
GET PEOPLE COMING
INTO THIS TOWN
24
00:06:45,521 --> 00:06:48,024
ON A WEEKEND
FROM 25 MILES AROUND.
25
00:06:48,024 --> 00:06:50,026
I CHECKED ALL THAT OUT.
26
00:06:53,029 --> 00:06:54,030
YOU THE FELLAS
THEY'RE, UH,
27
00:06:54,030 --> 00:06:55,531
PUTTIN' UP
THE STANDS FOR?
28
00:06:55,531 --> 00:06:56,532
THAT'S RIGHT.
29
00:06:56,532 --> 00:06:58,534
MM-HMM. HARRY TOLD ME
YOU WAS COMIN'.
30
00:06:58,534 --> 00:06:59,535
WHO'S HARRY?
31
00:07:00,036 --> 00:07:01,537
FELLA PUTTIN' UP
THE STANDS.
32
00:07:01,537 --> 00:07:02,538
NEVER SEEN NOTHIN'
33
00:07:02,538 --> 00:07:04,540
LIKE THAT
AROUND HERE BEFORE.
34
00:07:04,540 --> 00:07:05,541
NO, SIR.
35
00:07:05,541 --> 00:07:07,043
IT'S GONNA BE
SOMETHIN'.
36
00:07:07,043 --> 00:07:08,044
BROWDY?
37
00:07:08,044 --> 00:07:09,545
YEAH?
38
00:07:09,545 --> 00:07:11,047
WHAT ABOUT
THE HIGHWAY?
39
00:07:16,552 --> 00:07:17,553
WHAT ABOUT IT?
40
00:07:18,554 --> 00:07:21,057
IT'S TOO CLOSE
TO THE FIELD.
41
00:07:21,057 --> 00:07:23,059
WHO'S GONNA PAY 2.50
FOR A TICKET
42
00:07:23,059 --> 00:07:24,560
WHEN THEY CAN PARK
ALONG THE HIGHWAY
43
00:07:24,560 --> 00:07:26,062
AND WATCH FOR NOTHING?
44
00:07:26,062 --> 00:07:27,563
ANYBODY PULL
A CHEAP TRICK LIKE THAT,
45
00:07:27,563 --> 00:07:29,065
I DON'T WANT
TO THINK ABOUT.
46
00:07:29,565 --> 00:07:30,566
WHAT I OWE YA?
47
00:07:31,067 --> 00:07:33,069
45 CENTS.
48
00:07:33,069 --> 00:07:35,571
YOU REALLY CHARGING
$2.50, SON?
49
00:07:35,571 --> 00:07:36,572
YOU'RE DAMN RIGHT
WE ARE,
50
00:07:37,073 --> 00:07:38,074
AND IT'S WORTH
EVERY PENNY OF IT.
51
00:07:38,074 --> 00:07:39,575
MM-HMM.
[RINGS]
52
00:07:39,575 --> 00:07:41,077
STILL, NO,
SEEMS TO ME
53
00:07:41,577 --> 00:07:43,079
THE YOUNG FELLOW
HAS A POINT.
54
00:07:43,579 --> 00:07:46,582
KIND OF FOOLISH FOR SOMEONE
TO PAY $2.50 TO SEE IT
55
00:07:46,582 --> 00:07:47,583
IF HE COULD
JUST PARK HIS CAR
56
00:07:48,084 --> 00:07:49,585
RIGHT ALONG HERE
AND WATCH.
57
00:07:50,586 --> 00:07:52,088
OH.
58
00:07:52,088 --> 00:07:53,589
DO ME A FAVOR,
WILL YOU?
59
00:07:53,589 --> 00:07:55,591
DON'T SPREAD
THAT IDEA AROUND.
60
00:07:55,591 --> 00:07:56,592
OH, HELL, NO.
61
00:07:57,093 --> 00:07:58,594
BUSINESS--
I KNOW THAT.
62
00:07:58,594 --> 00:07:59,595
[CLOSES REGISTER]
63
00:07:59,595 --> 00:08:01,597
BESIDES, I HAPPEN
TO OWN THE LAND
64
00:08:01,597 --> 00:08:04,100
FOR 150 YARDS
BOTH WAYS ALONG HERE.
65
00:08:04,600 --> 00:08:06,602
ANYBODY WANTS TO PARK
TOMORROW AND WATCH,
66
00:08:06,602 --> 00:08:08,604
IT'S GONNA COST 'EM
A DOLLAR.
67
00:08:19,115 --> 00:08:21,117
THAT PILOT
SHOULD BE ALONG SOON.
68
00:08:21,117 --> 00:08:22,118
WE OUGHT TO GET MOVING.
69
00:08:22,118 --> 00:08:24,620
YOU EVER DONE THIS
BEFORE?
70
00:08:24,620 --> 00:08:26,622
NOPE. YOU TELL ME WHAT
TO DO, AND I'LL DO IT.
71
00:08:26,622 --> 00:08:27,623
HOW'S THE ALTIMETER?
72
00:08:27,623 --> 00:08:29,125
ALTIMETER?
YEAH.
73
00:08:29,125 --> 00:08:30,126
FINE.
ARE YOU SURE?
74
00:08:30,126 --> 00:08:31,627
SURE I'M SURE.
WHY?
75
00:08:32,128 --> 00:08:33,129
MIGHT HELP TOMORROW
IF WE KNEW
76
00:08:33,129 --> 00:08:34,630
HOW FAR WE WERE
FROM THE GROUND.
77
00:08:34,630 --> 00:08:37,133
I'VE SEEN SOME ALTIMETERS
THAT YOU WOULDN'T BELIEVE.
78
00:08:37,133 --> 00:08:38,134
MINE YOU CAN BELIEVE.
79
00:08:38,134 --> 00:08:41,137
[CHUCKLES] WELL,
YOU HAVE AN HONEST FACE.
80
00:08:43,639 --> 00:08:45,641
[ENGINE STARTING]
81
00:09:01,157 --> 00:09:03,659
I WAS BORN
IN THIS TOWN.
82
00:09:03,659 --> 00:09:05,161
IS THAT A FACT?
83
00:09:09,165 --> 00:09:12,168
YOU DON'T SEEM
VERY EXCITED ABOUT IT.
84
00:09:12,168 --> 00:09:14,670
I HAVEN'T BEEN HERE
IN A LONG TIME.
85
00:09:14,670 --> 00:09:16,172
LEFT WHEN
I WAS A KID.
86
00:09:16,172 --> 00:09:18,174
THAT'S THE BEST TIME
TO LEAVE.
87
00:09:20,176 --> 00:09:22,678
I MIGHT EVEN HAVE
SOME FAMILY HERE.
88
00:09:25,181 --> 00:09:26,682
THOUGHT YOU DIDN'T
HAVE ANY FAMILY.
89
00:09:26,682 --> 00:09:29,685
WELL, NOT REALLY FAMILY--
AN AUNT AND AN UNCLE.
90
00:09:30,186 --> 00:09:31,687
IT'S A LONG STORY,
91
00:09:31,687 --> 00:09:34,190
AND I KNOW YOU DON'T
LIKE LONG STORIES,
92
00:09:34,190 --> 00:09:35,691
SO I WON'T TELL IT.
93
00:09:36,192 --> 00:09:37,193
THANK YOU.
94
00:09:37,193 --> 00:09:39,195
HELL...
I WOULDN'T EVEN KNOW
95
00:09:39,195 --> 00:09:41,197
WHAT TO SAY TO 'EM
IF THEY WERE STILL HERE.
96
00:09:41,697 --> 00:09:43,699
START
BY SAYING HELLO.
97
00:09:43,699 --> 00:09:45,201
SEE HOW IT GOES
FROM THERE.
98
00:09:49,205 --> 00:09:51,207
[ENGINE HUMMING]
99
00:10:30,746 --> 00:10:33,249
[AIR RUSHING]
100
00:10:42,758 --> 00:10:44,760
[PAPERS RUSTLING]
101
00:10:55,771 --> 00:10:57,773
[HONKS]
102
00:10:57,773 --> 00:10:58,774
[HONKS]
103
00:10:58,774 --> 00:11:00,776
[ENGINE SPUTTERING]
104
00:11:11,787 --> 00:11:14,290
WIND'S OUT THE SOUTH.
HOPE IT STAYS THAT WAY.
105
00:11:14,290 --> 00:11:15,291
WHY?
106
00:11:15,291 --> 00:11:16,292
WELL, IF IT TURNS
OUT OF THE NORTH
107
00:11:16,292 --> 00:11:17,293
WE HAVE TO COME IN
OVER THOSE PHONE WIRES
108
00:11:17,793 --> 00:11:19,295
TO GET ANYWHERE CLOSE
TO THAT GRANDSTAND.
109
00:11:19,795 --> 00:11:20,796
YEAH, WE HAD A GUY
WORKING WITH US ONCE,
110
00:11:21,297 --> 00:11:22,298
HE HIT THE WIRES.
111
00:11:22,298 --> 00:11:23,299
HE GET HURT?
112
00:11:23,299 --> 00:11:26,302
KILLED HIM,
AS A MATTER OF FACT.
113
00:11:33,309 --> 00:11:34,810
HOW WOULD YOU FEEL
ABOUT A HOME-COOKED MEAL
114
00:11:34,810 --> 00:11:36,312
FOR A CHANGE?
115
00:11:36,812 --> 00:11:38,314
I CAN HARDLY WAIT.
116
00:11:38,314 --> 00:11:39,815
YOU CYNICAL BASTARD.
117
00:11:40,266 --> 00:11:42,318
[HORN BLOWS]
118
00:11:44,320 --> 00:11:46,822
[HORN BLOWS]
119
00:11:51,827 --> 00:11:53,829
WE DON'T EVEN KNOW
THESE PEOPLE.
120
00:11:54,330 --> 00:11:55,831
THEY'RE NOT GOING
TO ADOPT US, BROWDY.
121
00:11:55,831 --> 00:11:57,833
THEY JUST WANT TO
PUT US UP FOR A NIGHT.
122
00:12:06,342 --> 00:12:08,344
WILL YOU DO IT
HERE, MIKE?
123
00:12:10,346 --> 00:12:11,847
I THINK
THIS MIGHT BE
124
00:12:11,847 --> 00:12:12,848
A GOOD SPOT
FOR IT.
125
00:12:12,848 --> 00:12:14,850
YOU THINK?
126
00:12:14,850 --> 00:12:17,353
WHO DOES IT,
YOU OR RETTIG?
127
00:12:17,353 --> 00:12:19,355
LOOK, KID,
THIS IS A BUSINESS.
128
00:12:19,355 --> 00:12:20,356
THEY DON'T PAY
TO WATCH US
129
00:12:20,356 --> 00:12:21,357
WALK ACROSS
THE STREET.
130
00:12:21,357 --> 00:12:22,358
NOW WHEN YOU
GONNA GET THAT
131
00:12:22,358 --> 00:12:24,860
THROUGH YOUR HEAD?
132
00:12:24,860 --> 00:12:26,362
YOU'RE SO CONCERNED
ABOUT RETTIG
133
00:12:26,362 --> 00:12:27,363
DOING THE CAPE JUMP,
I MEAN, YOU CAN
134
00:12:27,363 --> 00:12:28,864
LEARN IT YOURSELF.
THEN YOU WOULDN'T
135
00:12:28,864 --> 00:12:30,866
HAVE TO WORRY ABOUT
HIM DOING IT.
136
00:12:30,866 --> 00:12:34,370
I HAVE A BETTER IDEA.
WHY DON'T YOU DO IT?
137
00:12:35,871 --> 00:12:38,374
BECAUSE I RECOGNIZE
MY LIMITATIONS.
138
00:12:38,374 --> 00:12:40,376
THE SECRET OF
MY SUCCESS IN LIFE.
139
00:12:40,376 --> 00:12:41,877
HEH HEH HEH.
140
00:12:43,379 --> 00:12:45,881
[SIREN]
141
00:12:53,889 --> 00:12:56,392
LITTERING THE PUBLIC
THOROUGHFARE.
142
00:12:56,392 --> 00:12:58,894
$50 OR 10 DAYS,
TAKE YOU CHOICE.
143
00:13:00,896 --> 00:13:01,897
THAT'S A CHOICE?
144
00:13:01,897 --> 00:13:03,399
WELL,
I SUPPOSE WE COULD
145
00:13:03,899 --> 00:13:05,901
MAKE A CASE FOR
FLYING THAT PLANE
146
00:13:05,901 --> 00:13:07,903
AT A DANGEROUSLY
LOW ALTITUDE,
147
00:13:07,903 --> 00:13:09,405
BUT TO TELL YOU
THE TRUTH,
148
00:13:09,405 --> 00:13:10,906
I HAVEN'T
THE FAINTEST IDEA
149
00:13:10,906 --> 00:13:12,408
WHAT THE STATUTE
IS ON THAT.
150
00:13:12,408 --> 00:13:13,909
IT'S JUST
TOO DAMN HOT.
151
00:13:13,909 --> 00:13:17,446
IF WE LIVED HERE,
WE'D BE HOME NOW.
152
00:14:03,492 --> 00:14:05,494
IT'S MALCOLM.
153
00:14:05,494 --> 00:14:07,997
MALCOLM!
154
00:14:11,500 --> 00:14:15,004
WELL, MALCOLM,
LOOK AT YOU.
155
00:14:19,008 --> 00:14:22,011
OHH! WELL,
LOOK AT YOU.
156
00:14:26,015 --> 00:14:27,016
WHAT ABOUT
YOUR FRIENDS?
157
00:14:27,016 --> 00:14:29,518
AREN'T THEY
COMING IN?
158
00:14:29,518 --> 00:14:31,520
THEY'RE
A LITTLE SHY.
159
00:14:31,520 --> 00:14:33,522
BROWDY! MIKE!
160
00:14:41,030 --> 00:14:44,033
LOOKS PRETTY NICE.
161
00:14:56,545 --> 00:14:58,047
SURE IS A HOT ONE
TODAY, ISN'T IT?
162
00:14:58,047 --> 00:15:01,550
YES, ISN'T IT.
163
00:15:06,555 --> 00:15:07,556
NICE LITTLE TOWN
YOU HAVE HERE.
164
00:15:07,556 --> 00:15:09,058
YES.
165
00:15:09,058 --> 00:15:10,559
MALCOLM TELLS US
THAT YOU HAVE
166
00:15:10,559 --> 00:15:12,061
A NICE LITTLE
COLLEGE HERE, TOO.
167
00:15:12,061 --> 00:15:16,065
MM-HMM.
WE HAVE A COLLEGE.
168
00:15:16,065 --> 00:15:18,067
WE HAVE A COLLEGE
AND A MISSILE BASE.
169
00:15:18,067 --> 00:15:20,069
TYPICAL LITTLE
AMERICAN TOWN.
170
00:15:20,069 --> 00:15:21,570
MM-HMM.
171
00:15:23,572 --> 00:15:25,074
YOU CONNECTED WITH
THE COLLEGE, ARE YOU?
172
00:15:25,574 --> 00:15:27,076
NO.
173
00:15:29,078 --> 00:15:30,579
I ALMOST WENT
TO COLLEGE ONCE.
174
00:15:30,579 --> 00:15:32,081
REALLY?
175
00:15:32,581 --> 00:15:34,083
YEAH.
176
00:15:38,087 --> 00:15:39,088
WHY DIDN'T YOU?
177
00:15:39,088 --> 00:15:40,589
HMM?
178
00:15:40,589 --> 00:15:43,092
YOU SAID YOU ALMOST
WENT TO COLLEGE.
179
00:15:43,092 --> 00:15:46,095
OH, YEAH.
180
00:15:46,095 --> 00:15:48,597
DIDN'T WORK OUT.
HEH HEH HEH!
181
00:15:52,101 --> 00:15:54,103
OH, NO, PLEASE,
GENTLEMEN, SIT DOWN.
182
00:15:56,605 --> 00:15:59,108
WE REALLY APPRECIATE
THIS, MRS. BRANDON.
183
00:15:59,108 --> 00:16:01,610
OH, WE'RE DELIGHTED
TO HAVE YOU.
184
00:16:02,111 --> 00:16:04,113
WE'VE PLENTY OF ROOM,
MORE THAN WE CAN USE.
185
00:16:04,613 --> 00:16:06,115
AS A MATTER OF FACT,
WE TAKE IN BORDERS
186
00:16:06,115 --> 00:16:08,117
AS IT IS ALL THE TIME.
187
00:16:08,117 --> 00:16:09,618
YOU MAKE IT SOUND
AS THOUGH WE HAD
188
00:16:10,119 --> 00:16:11,620
A "ROOMS TO LET" SIGN
189
00:16:12,121 --> 00:16:15,124
ON THE FRONT LAWN,
ELIZABETH.
190
00:16:15,124 --> 00:16:17,626
WHAT MY WIFE MEANS IS
191
00:16:17,626 --> 00:16:20,129
THAT WE MAKE A ROOM
AVAILABLE EACH YEAR
192
00:16:20,129 --> 00:16:22,131
FOR A STUDENT
FROM THE COLLEGE.
193
00:16:22,131 --> 00:16:25,134
TO BE PRECISE.
194
00:16:25,134 --> 00:16:27,636
WHERE IS ANNIE,
BY THE WAY?
195
00:16:28,137 --> 00:16:30,139
AT THE LIBRARY.
196
00:16:30,639 --> 00:16:33,142
IT'S, UH--IT'S ONLY
LEMONADE, GENTLEMEN,
197
00:16:33,142 --> 00:16:34,643
BUT IF YOU'D CARE FOR
SOMETHING STRONGER--
198
00:16:34,643 --> 00:16:37,146
OH, NO, MRS. BRANDON.
199
00:16:37,146 --> 00:16:39,148
I HAVEN'T HAD
LEMONADE FOR YEARS.
200
00:16:39,148 --> 00:16:41,650
OF COURSE,
THE KID HERE,
201
00:16:41,650 --> 00:16:42,651
HE NEVER TOUCHES
ANYTHING STRONGER.
202
00:16:42,651 --> 00:16:43,652
ISN'T THAT
RIGHT, KID?
203
00:16:44,153 --> 00:16:44,653
HARDLY EVER.
204
00:16:45,154 --> 00:16:47,156
HEH HEH HEH!
OF COURSE, RETTIG,
205
00:16:47,156 --> 00:16:49,658
RETTIG, HE'LL
DRINK ANYTHING.
206
00:16:57,166 --> 00:16:58,667
MY, IT'S STUFFY IN HERE,
DON'T YOU THINK?
207
00:16:58,667 --> 00:17:02,671
WITH THE WINDOWS CLOSED,
THE HOUSE COOLS OFF.
208
00:17:02,671 --> 00:17:05,174
NO USE LETTING ALL THE WARM
AIR IN NOW, IS THERE?
209
00:17:06,675 --> 00:17:07,676
WELL, I'D...
210
00:17:07,676 --> 00:17:10,179
I'D RATHER HAVE THE WARM
AIR THAN NO AIR AT ALL,
211
00:17:10,679 --> 00:17:12,681
BUT...
212
00:17:13,182 --> 00:17:15,684
OHH. MALCOLM.
213
00:17:18,187 --> 00:17:20,189
IT'S HARD
TO BELIEVE.
214
00:17:20,189 --> 00:17:22,691
IT'S BEEN
SUCH A LONG TIME.
215
00:17:25,194 --> 00:17:27,196
I THINK MALCOLM WAS
ABOUT 10 YEARS OLD
216
00:17:27,696 --> 00:17:28,697
WHEN WE LAST
SAW HIM.
217
00:17:28,697 --> 00:17:32,201
YEAH, HE SAID IT'D BEEN
A PRETTY LONG TIME.
218
00:17:32,701 --> 00:17:34,703
THE SUMMER YOU FELL OUT
THE UPSTAIRS WINDOW.
219
00:17:34,703 --> 00:17:36,705
HE DIDN'T HAPPEN TO
FALL ON HIS HEAD, DID HE?
220
00:17:37,206 --> 00:17:39,208
BECAUSE THAT WOULD
EXPLAIN A FEW THINGS.
221
00:17:41,210 --> 00:17:44,213
WE'VE SEEN MALCOLM
SINCE THEN.
222
00:17:44,213 --> 00:17:45,214
AT THE FUNERAL
223
00:17:45,714 --> 00:17:46,715
THE FOLLOWING YEAR,
WASN'T IT?
224
00:17:46,715 --> 00:17:49,718
YES, OF COURSE.
225
00:17:49,718 --> 00:17:52,221
YES, THAT WAS
THE FOLLOWING YEAR.
226
00:17:52,721 --> 00:17:54,223
YOU BEAR
A MARKED RESEMBLANCE
227
00:17:54,223 --> 00:17:57,726
TO YOUR FATHER, MALCOLM.
228
00:17:57,726 --> 00:17:59,228
DOESN'T HE, ELIZABETH?
229
00:17:59,228 --> 00:18:01,730
YES, YOU DO.
230
00:18:04,733 --> 00:18:06,235
HOW LONG, UH,
231
00:18:06,235 --> 00:18:07,736
HOW LONG ARE YOU
THINKING OF STAYING?
232
00:18:07,736 --> 00:18:09,238
OH, JUST THROUGH
TOMORROW NIGHT.
233
00:18:09,238 --> 00:18:11,740
WE'LL HAVE TO LEAVE
FIRST THING MONDAY MORNING.
234
00:18:11,740 --> 00:18:13,742
OH, BUT MONDAY'S
THE FOURTH.
235
00:18:13,742 --> 00:18:15,744
OH, WE HAVE
A WONDERFUL PARADE
236
00:18:15,744 --> 00:18:17,246
AND A FIREWORKS
DISPLAY, OF COURSE,
237
00:18:17,746 --> 00:18:18,747
ON THE MONDAY NIGHT.
238
00:18:18,747 --> 00:18:19,748
YOU SHOULD AT LEAST
STAY FOR THAT.
239
00:18:19,748 --> 00:18:21,250
WELL, THANK YOU,
MRS. BRANDON,
240
00:18:21,250 --> 00:18:22,751
BUT WE REALLY HAVE TO
BE SHOVING OFF.
241
00:18:22,751 --> 00:18:24,753
YOU EXPECT
A GOOD CROWD TOMORROW?
242
00:18:25,254 --> 00:18:27,256
YEAH, WE EXPECT
TO PICK UP
243
00:18:27,256 --> 00:18:28,757
A NICE PIECE
OF CHANGE TOMORROW.
244
00:18:28,757 --> 00:18:31,260
PAYS WELL THEN,
THIS SORT OF THING?
245
00:18:31,260 --> 00:18:33,762
IF WE MAKE IT
INTERESTING ENOUGH.
246
00:18:33,762 --> 00:18:35,264
OH? HOW DO YOU
DO THAT?
247
00:18:35,764 --> 00:18:37,266
MAKE IT INTERESTING?
248
00:18:37,266 --> 00:18:39,268
MMM. YES, I MEAN,
249
00:18:39,268 --> 00:18:40,269
I SHOULDN'T THINK
YOU'D HAVE TO DO
250
00:18:40,769 --> 00:18:41,770
ANYTHING
IN PARTICULAR
251
00:18:41,770 --> 00:18:43,272
TO MAKE IT
MORE INTERESTING
252
00:18:43,272 --> 00:18:44,773
THAN IT IS
TO BEGIN WITH.
253
00:18:44,773 --> 00:18:46,775
WHAT BROWDY MEANS IS
THE CLOSER WE COME
254
00:18:46,775 --> 00:18:48,777
TO THE GROUND, THE MORE
INTERESTING IT IS
255
00:18:48,777 --> 00:18:50,779
FOR THE CUSTOMERS.
256
00:18:50,779 --> 00:18:53,782
AND FOR US,
TOO, OF COURSE.
257
00:18:53,782 --> 00:18:57,286
[CLOCK CHIMES]
258
00:18:57,286 --> 00:18:58,787
HOW TERRIFYING.
259
00:19:00,289 --> 00:19:02,791
ELIZABETH,
IT'S 3:30.
260
00:19:02,791 --> 00:19:04,793
HMM?
261
00:19:04,793 --> 00:19:06,295
YOU'LL BE LATE
FOR YOUR MEETING.
262
00:19:06,795 --> 00:19:08,797
OHH! OH, YES,
SO IT IS.
263
00:19:08,797 --> 00:19:09,798
OH, YOU'LL HAVE TO
EXCUSE ME.
264
00:19:09,798 --> 00:19:12,301
I'M THE CHAIRMAN.
I HAVE TO BE THERE.
265
00:19:12,301 --> 00:19:15,304
WHY DON'T YOU TAKE ONE
OF THEM ALONG WITH YOU?
266
00:19:16,305 --> 00:19:17,806
YOU COULD
TELL THE LADIES ALL ABOUT
267
00:19:17,806 --> 00:19:19,808
YOUR EXCITING SHOW.
I'D EXPECT YOU'D SELL
268
00:19:19,808 --> 00:19:22,311
QUITE A FEW TICKETS
THAT WAY.
269
00:19:22,311 --> 00:19:23,812
I LIKE IT. WHAT DO
YOU THINK, MRS. BRANDON?
270
00:19:23,812 --> 00:19:25,314
DO YOU THINK THE LADIES
MIGHT BE INTERESTED?
271
00:19:25,314 --> 00:19:26,815
WELL, I'M SURE
THEY'D BE FASCINATED--
272
00:19:27,316 --> 00:19:29,318
WHY DON'T I GO ALONG
WITH MRS. BRANDON, THEN?
273
00:19:29,318 --> 00:19:30,819
YOU?
274
00:19:30,819 --> 00:19:33,322
WHILE YOU PUT THE POSTERS
OUT AROUND TOWN.
275
00:19:33,322 --> 00:19:34,323
THE POSTERS ONLY
TAKE A FEW MINUTES--
276
00:19:34,323 --> 00:19:35,824
AM I DRESSED
ALL RIGHT, OR--
277
00:19:35,824 --> 00:19:36,825
NO, NO, YOU'RE FINE.
278
00:19:36,825 --> 00:19:38,827
I'LL GET THE CAR.
279
00:19:42,831 --> 00:19:46,168
[FRONT DOOR OPENS]
280
00:20:21,703 --> 00:20:24,706
IT REALLY DOES SOUND
VERY EXCITING.
281
00:20:24,706 --> 00:20:26,708
YOU SAID IT WAS
TERRIFYING.
282
00:20:26,708 --> 00:20:28,210
YES.
283
00:20:28,210 --> 00:20:30,212
WELL, I SUPPOSE
IN A WAY
284
00:20:30,212 --> 00:20:33,215
THAT'S WHAT MAKES IT
EXCITING, ISN'T IT?
285
00:20:34,216 --> 00:20:36,218
MOST ORDINARY PEOPLE
286
00:20:36,218 --> 00:20:37,219
CAN'T HELP
BUT RESPOND
287
00:20:37,219 --> 00:20:38,720
TO THE IDEA
OF SOME EXCITEMENT
288
00:20:38,720 --> 00:20:41,723
IN THEIR LIVES,
YOU KNOW.
289
00:20:41,723 --> 00:20:43,725
EVEN IF
IT TERRIFIES THEM?
290
00:20:43,725 --> 00:20:46,228
YES, EXACTLY.
291
00:20:58,240 --> 00:21:00,742
DO YOU REMEMBER THEM
VERY WELL?
292
00:21:00,742 --> 00:21:04,246
NO. NO, I DON'T.
293
00:21:04,246 --> 00:21:06,248
YOUR MOTHER WAS
A BEAUTIFUL WOMAN,
294
00:21:06,248 --> 00:21:07,249
A WONDERFUL WOMAN--
295
00:21:07,249 --> 00:21:08,750
MALCOLM?
YO!
296
00:21:08,750 --> 00:21:10,252
KID, IT'S CLOUDING UP
OUT THERE.
297
00:21:10,252 --> 00:21:11,753
I DON'T WANT THOSE CHUTES
LEFT OUT IF IT RAINS.
298
00:21:11,753 --> 00:21:13,755
WELL, WHAT SHOULD
WEDO WITH THEM?
299
00:21:13,755 --> 00:21:14,756
YOU CAN PUT THE TRAILER
IN THE GARAGE,
300
00:21:14,756 --> 00:21:15,757
IF YOU'D LIKE.
301
00:21:15,757 --> 00:21:17,759
OH, THANKS, MR. BRANDON,
THAT'D BE FINE
302
00:21:17,759 --> 00:21:18,760
IF YOU DON'T MIND.
303
00:21:18,760 --> 00:21:20,262
THE RADIO DID SAY RAIN.
304
00:21:20,262 --> 00:21:22,264
WELL, THEY'RE WRONG
9 TIMES OUT OF 10.
305
00:21:22,764 --> 00:21:24,266
I GOT AN ACCURATE REPORT
OUT AT THE FIELD.
306
00:21:24,266 --> 00:21:25,267
BROWDY--
307
00:21:25,267 --> 00:21:26,268
ACTUALLY, THE FORECAST
WAS FOR SHOWERS
308
00:21:26,268 --> 00:21:27,269
IN THE MORNING.
309
00:21:27,769 --> 00:21:29,271
YOU SEE? SHOWERS
IN THE MORNING.
310
00:21:29,271 --> 00:21:30,272
COULDN'T HURT US.
311
00:21:30,272 --> 00:21:31,273
THE CUSTOMERS'LL
COME.
312
00:21:31,773 --> 00:21:33,275
BROWDY...
313
00:21:34,776 --> 00:21:36,778
FORGET ABOUT THE CUSTOMERS.
IF THE CHUTES GET DAMP--
314
00:21:36,778 --> 00:21:38,280
LOOK, THE CHUTES'LL BE
IN THE GARAGE, RIGHT?
315
00:21:38,280 --> 00:21:39,781
SO THEY WON'T
GET DAMP, RIGHT?
316
00:21:39,781 --> 00:21:42,284
SO STOP WORRYING
ABOUT IT, RIGHT?
317
00:21:42,284 --> 00:21:43,785
BROWDY...
318
00:21:44,286 --> 00:21:46,288
THE GARAGE,
THE GARAGE.
319
00:21:49,791 --> 00:21:51,793
BESIDES,
LIKE RETTIG SAYS,
320
00:21:51,793 --> 00:21:52,794
WE HAVE TO MAKE IT
INTERESTING
321
00:21:52,794 --> 00:21:54,796
FOR OURSELVES.
322
00:21:56,298 --> 00:21:58,800
NOW THERE ARE SEVERAL PLACES
YOU CAN WEAR A CHUTE.
323
00:21:59,301 --> 00:22:02,304
ON YOUR BACK.
324
00:22:06,308 --> 00:22:08,310
ON YOUR CHEST.
325
00:22:09,311 --> 00:22:10,812
OR ON YOUR...
326
00:22:10,812 --> 00:22:13,315
[WOMEN CHUCKLE]
327
00:22:13,315 --> 00:22:15,317
OR YOU CAN SIT ON IT.
328
00:22:15,817 --> 00:22:17,319
NOW, LADIES, THIS
PARTICULAR PARACHUTE,
329
00:22:17,819 --> 00:22:19,321
THE ONE I'M WEARING,
330
00:22:19,321 --> 00:22:21,323
IS CALLED
A PARA-COMMANDER.
331
00:22:23,825 --> 00:22:25,327
IT'S A VERY
SOPHISTICATED CHUTE
332
00:22:25,827 --> 00:22:27,829
AND QUITE HEAVY,
AS YOU CAN SEE.
333
00:22:28,830 --> 00:22:30,332
IT TAKES QUITE A BIT
OF PRACTICE
334
00:22:30,332 --> 00:22:31,833
TO GET USED TO IT.
335
00:22:31,833 --> 00:22:34,836
IN FACT, IT TAKES BETWEEN
25 AND SOMETIMES 50 JUMPS
336
00:22:34,836 --> 00:22:36,338
WITH A TRAINING CHUTE
337
00:22:36,338 --> 00:22:38,340
BEFORE YOU CAN
HANDLE THIS BABY.
338
00:22:38,840 --> 00:22:40,842
I MENTION IT JUST IN CASE
SOME OF YOU LADIES
339
00:22:40,842 --> 00:22:42,344
THOUGHT YOU MIGHT
LIKE TO TRY IT ONCE.
340
00:22:42,344 --> 00:22:43,845
[WOMEN GIGGLE]
341
00:22:43,845 --> 00:22:47,349
NOW THIS DEVICE HERE IS
YOUR RIPCORD HANDLE.
342
00:22:48,850 --> 00:22:51,353
THIS, WHEN PULLED SHARPLY,
OPENS YOUR PACK.
343
00:22:51,353 --> 00:22:52,854
NOW WATCH THIS.
344
00:22:53,355 --> 00:22:54,856
OOH!
OHH!
345
00:22:54,856 --> 00:22:57,359
SORRY.
346
00:22:59,361 --> 00:23:01,363
THIS IS YOUR PILOT CHUTE.
347
00:23:01,363 --> 00:23:02,864
THIS IS WHAT
PULLS YOUR CANOPY
348
00:23:02,864 --> 00:23:04,866
COMPLETELY
OUT OF THE PACK.
349
00:23:07,369 --> 00:23:09,371
LIKE THIS.
350
00:23:20,882 --> 00:23:23,385
THESE ARE YOUR
SUSPENSION LINES.
351
00:23:23,385 --> 00:23:24,386
AS YOU CAN SEE,
THEY EXTEND
352
00:23:24,886 --> 00:23:26,388
SOME 25 FEET
FROM THE HARNESS THERE
353
00:23:26,388 --> 00:23:27,389
TO THE CANOPY.
354
00:23:27,889 --> 00:23:29,891
WHEN THE CANOPY POPS OPEN,
YOU'RE TRAVELING
355
00:23:29,891 --> 00:23:31,393
DOWN TOWARD THE EARTH
AT A SPEED
356
00:23:31,393 --> 00:23:34,396
OF 125 TO 200 MILES
AN HOUR,
357
00:23:34,396 --> 00:23:35,897
DEPENDING ON
THE ANGLE OF THE BODY.
358
00:23:35,897 --> 00:23:36,898
YES, MA'AM?
359
00:23:36,898 --> 00:23:38,400
WHAT IS A CANOPY?
360
00:23:38,400 --> 00:23:42,404
THIS, MA'AM.
THIS IS A CANOPY.
361
00:23:42,404 --> 00:23:44,906
NOT TO BE CONFUSED
WITH SOME OF THE CANAPES
362
00:23:44,906 --> 00:23:46,908
YOU LADIES MIGHT HAVE WITH
A MARTINI BEFORE DINNER.
363
00:23:46,908 --> 00:23:48,910
[WOMEN GIGGLING]
364
00:23:48,910 --> 00:23:52,047
[MARCHING BAND PLAYING]
365
00:24:04,059 --> 00:24:06,561
NO, NO, NO.
366
00:24:06,561 --> 00:24:07,562
ALL RIGHT, PEOPLE,
367
00:24:07,562 --> 00:24:10,565
LET'S TRY IT
AGAIN FROM "B."
368
00:24:10,565 --> 00:24:13,568
AND, CLARINETS...
369
00:24:13,568 --> 00:24:16,071
COULD WE HEAR YOU?
370
00:24:16,071 --> 00:24:18,573
SOME VERVE.
371
00:24:18,573 --> 00:24:20,075
CON BRIO.
372
00:24:20,075 --> 00:24:22,577
PEP!
373
00:24:22,577 --> 00:24:23,578
ALL RIGHT, ARE WE READY?
374
00:24:23,578 --> 00:24:25,580
FROM "B."
375
00:24:29,584 --> 00:24:32,587
[PIANO PLAYING]
376
00:24:58,613 --> 00:25:00,615
[DOOR OPENS]
377
00:25:00,615 --> 00:25:02,617
[KIDS PLAYING OUTSIDE]
378
00:25:07,622 --> 00:25:10,125
[WRONG NOTES PLAYED]
379
00:25:26,641 --> 00:25:29,144
OHH!
380
00:25:29,144 --> 00:25:32,647
YOU'RE MALCOLM.
I'M ANNIE BURKE.
381
00:25:32,647 --> 00:25:34,149
THEY TOLD ME
YOU WERE COMING.
382
00:25:34,149 --> 00:25:36,151
I DIDN'T MEAN
TO INTERRUPT, I--
383
00:25:36,151 --> 00:25:38,153
THAT'S ALL RIGHT.
384
00:25:38,153 --> 00:25:39,654
YOU PLAY VERY WELL.
385
00:25:39,654 --> 00:25:41,656
THANK YOU.
386
00:25:41,656 --> 00:25:43,158
BUT YOU'RE
EITHER VERY KIND
387
00:25:43,158 --> 00:25:44,159
OR YOU KNOW
NOTHING AT ALL
388
00:25:44,159 --> 00:25:45,660
ABOUT PLAYING
THE PIANO.
389
00:25:45,660 --> 00:25:48,163
NO, I DON'T KNOW
390
00:25:48,163 --> 00:25:50,165
VERY MUCH ABOUT IT,
391
00:25:50,665 --> 00:25:52,667
BUT I DO KNOW
WHEN IT SOUNDS GOOD.
392
00:25:54,169 --> 00:25:55,670
YOU LIVE HERE, HUH?
393
00:25:55,670 --> 00:25:56,671
I RENT A ROOM.
394
00:25:57,172 --> 00:25:58,173
YOU GO TO THE COLLEGE?
395
00:26:00,175 --> 00:26:01,676
IN THE SUMMER?
396
00:26:02,177 --> 00:26:03,678
I FAILED A COURSE
LAST SEMESTER.
397
00:26:04,179 --> 00:26:05,680
I'M MAKING IT UP.
398
00:26:05,680 --> 00:26:08,183
THEY TOLD ME
WHAT YOU DO.
399
00:26:09,684 --> 00:26:11,686
IT SOUNDS
RIDICULOUS.
400
00:26:12,687 --> 00:26:14,689
I SUPPOSE IT DOES.
401
00:26:39,714 --> 00:26:41,716
WHY DID YOU DO THIS?
402
00:26:43,718 --> 00:26:45,220
DO WHAT?
403
00:26:46,221 --> 00:26:47,722
COME HERE.
404
00:26:51,226 --> 00:26:52,727
SELL SOME TICKETS.
405
00:27:00,235 --> 00:27:03,238
I DIDN'T WANT TO TURN DOWN
YOUR HUSBAND'S INVITATION.
406
00:27:04,739 --> 00:27:06,741
YOUR FRIEND COULD'VE
COME--MR. BROWDY.
407
00:27:06,741 --> 00:27:09,744
YOUR HUSBAND DIDN'T
INVITE MR. BROWDY.
408
00:27:29,764 --> 00:27:31,766
YOU HAVE CONTEMPT
FOR US, DON'T YOU?
409
00:27:33,768 --> 00:27:35,270
WHO?
410
00:27:36,771 --> 00:27:38,273
WELL...
411
00:27:38,773 --> 00:27:40,775
CERTAINLY EVERYBODY
HERE THIS AFTERNOON.
412
00:27:41,776 --> 00:27:45,280
MAYBE EVERYONE ELSE,
TOO. I DON'T KNOW.
413
00:27:45,280 --> 00:27:46,781
BUT CERTAINLY US.
414
00:27:54,289 --> 00:27:56,791
WHY ARE WE
CONTEMPTIBLE TO YOU?
415
00:27:57,792 --> 00:28:00,295
DO YOU CARE?
416
00:28:05,300 --> 00:28:06,301
Malcolm: NO, AS
A MATTER OF FACT,
417
00:28:06,301 --> 00:28:08,303
I HAVEN'T BEEN BACK
SINCE I LEFT.
418
00:28:08,303 --> 00:28:09,804
ABOUT 12 YEARS AGO
NOW.
419
00:28:09,804 --> 00:28:11,306
I WAS A KID.
420
00:28:11,806 --> 00:28:13,308
WHERE DOES
YOUR FAMILY LIVE NOW?
421
00:28:13,308 --> 00:28:15,810
THEY'RE DEAD.
422
00:28:15,810 --> 00:28:16,811
OH.
423
00:28:17,312 --> 00:28:18,813
UH, THAT'S
WHY I LEFT.
424
00:28:18,813 --> 00:28:21,316
THEY WERE KILLED
IN A CAR ACCIDENT.
425
00:28:21,316 --> 00:28:23,818
I GUESS MY FATHER
WAS DRUNK.
426
00:28:23,818 --> 00:28:24,819
I DIDN'T KNOW THAT
AT THE TIME,
427
00:28:24,819 --> 00:28:27,322
OF COURSE,
BUT LATER I FIGURED
428
00:28:27,322 --> 00:28:29,324
THAT'S WHAT
IT MUST'VE BEEN.
429
00:28:29,324 --> 00:28:30,325
HE WAS A PRETTY
RECKLESS CHARACTER
430
00:28:30,825 --> 00:28:32,827
ALL AROUND, I GUESS.
431
00:28:32,827 --> 00:28:35,330
ANYWAY, THEY PUT ME
IN THIS HOME.
432
00:28:35,330 --> 00:28:37,332
I WAS ADOPTED OUT
A COUPLE OF TIMES, AND--
433
00:28:37,332 --> 00:28:38,833
WELL, WHY DIDN'T
THEY EVER TAKE YOU?
434
00:28:38,833 --> 00:28:41,836
THE BRANDONS?
435
00:28:41,836 --> 00:28:44,873
I NEVER ASKED.
436
00:29:02,390 --> 00:29:03,892
BEATS MOTELS,
HUH, KID?
437
00:29:03,892 --> 00:29:06,895
YEAH. LISTEN,
438
00:29:06,895 --> 00:29:09,397
WHAT WAS THAT
THIS AFTERNOON?
439
00:29:13,401 --> 00:29:15,403
I MEAN, UH, WHAT WAS
THAT ALL ABOUT?
440
00:29:15,904 --> 00:29:17,405
WHAT WAS
WHAT ALL ABOUT?
441
00:29:17,405 --> 00:29:19,908
I CAN'T QUITE SEE YOU
MAKING SPEECHES
442
00:29:19,908 --> 00:29:21,409
TO LADIES CLUBS,
RETTIG.
443
00:29:21,409 --> 00:29:22,911
I MEAN, I TRY,
444
00:29:22,911 --> 00:29:25,413
BUT I CAN'T QUITE
PICTURE IT.
445
00:29:25,413 --> 00:29:26,414
YOU SHOULD'VE
BEEN THERE.
446
00:29:26,414 --> 00:29:27,415
I WAS A BIG HIT.
447
00:29:27,916 --> 00:29:29,918
I DON'T DOUBT THAT.
448
00:29:35,924 --> 00:29:39,427
WHAT'S ON
YOUR MIND, KID?
449
00:29:39,427 --> 00:29:41,429
APPLETON.
450
00:29:43,932 --> 00:29:44,933
FORGET IT.
451
00:29:45,433 --> 00:29:46,935
DO YOU?
452
00:29:46,935 --> 00:29:49,938
I DON'T THINK ABOUT IT
ONE WAY OR THE OTHER.
453
00:29:49,938 --> 00:29:51,940
YOU ALMOST WENT
INTO THE GROUND.
454
00:29:51,940 --> 00:29:53,942
SAME THING
AT LAWRENCEVILLE.
455
00:29:53,942 --> 00:29:56,444
NOW, HOW CAN YOU NOT
THINK ABOUT THAT?
456
00:29:57,946 --> 00:29:59,948
I SAID FORGET IT.
457
00:30:03,451 --> 00:30:04,953
REMEMBER WHAT
YOU ALWAYS SAID
458
00:30:04,953 --> 00:30:07,455
WHEN I FIRST
STARTED WITH YOU?
459
00:30:07,455 --> 00:30:08,456
"BE CAREFUL."
460
00:30:08,456 --> 00:30:10,959
THAT'S WHAT
YOU ALWAYS SAID.
461
00:30:10,959 --> 00:30:13,461
"THAT'S WHAT'S IMPORTANT
IN THIS BUSINESS, KID.
462
00:30:13,461 --> 00:30:14,963
BE CAREFUL."
463
00:30:14,963 --> 00:30:16,965
IS THAT WHAT
I ALWAYS SAID?
464
00:30:19,467 --> 00:30:21,970
WHY ARE YOU TAKING
SO MANY CHANCES NOW?
465
00:30:21,970 --> 00:30:24,973
WHAT ARE YOU TRYING
TO PROVE?
466
00:30:25,473 --> 00:30:26,474
WE'LL BE JUMPING
467
00:30:26,474 --> 00:30:28,977
FROM
A HOWARD DGA-15.
468
00:30:28,977 --> 00:30:31,479
DGA. THAT STANDS FOR
DAMN GOOD AIRPLANE,
469
00:30:31,479 --> 00:30:33,481
WHICH, OF COURSE,
IT IS.
470
00:30:33,481 --> 00:30:34,983
VERY TRICKY
TO LAND, THOUGH.
471
00:30:34,983 --> 00:30:35,984
YOU'RE
MUCH BETTER OFF
472
00:30:35,984 --> 00:30:36,985
JUMPING OUT OF IT
THEN YOU ARE
473
00:30:37,485 --> 00:30:39,487
TAKING YOUR CHANCES
ON LANDING IT.
474
00:30:39,487 --> 00:30:40,488
THIS ONE'S
IN GOOD SHAPE.
475
00:30:40,989 --> 00:30:42,490
WITH BROWDY, ANY PLANE'S
IN GOOD SHAPE
476
00:30:42,490 --> 00:30:44,492
IF IT HAS WINGS
AND A PROP.
477
00:30:44,492 --> 00:30:45,994
WE'VE HAD
A LOT WORSE.
478
00:30:46,494 --> 00:30:47,495
YOU REMEMBER
THAT TIME IN ADLER?
479
00:30:47,996 --> 00:30:48,997
WE HAD AN AIRPLANE
IN ADLER
480
00:30:48,997 --> 00:30:50,999
THAT NEVER EVEN GOT
OFF THE GROUND.
481
00:30:50,999 --> 00:30:52,000
HIT THE END
OF THE RUNWAY,
482
00:30:52,000 --> 00:30:53,001
WENT INTO
A CORNFIELD,
483
00:30:53,001 --> 00:30:54,002
HARVESTED ABOUT
AN ACRE OF CORN
484
00:30:54,002 --> 00:30:55,003
BEFORE THE PILOT
485
00:30:55,503 --> 00:30:57,005
COULD GET IT
STOPPED.
486
00:30:57,005 --> 00:31:00,008
ARE YOU GOING TO WATCH US
JUMP TOMORROW?
487
00:31:00,008 --> 00:31:01,009
OH, YES.
488
00:31:01,509 --> 00:31:03,511
YES, WE'LL BE THERE,
WON'T BE, ELIZABETH?
489
00:31:03,511 --> 00:31:05,513
YES, I'M LOOKING
FORWARD TO IT.
490
00:31:10,018 --> 00:31:13,021
WHAT IS THE MOST DANGEROUS
STUNT THAT YOU DO?
491
00:31:13,521 --> 00:31:14,522
THE CAPE STUNT.
492
00:31:14,522 --> 00:31:15,523
THAT'S A STUNT
WE DO WITH A CAPE.
493
00:31:15,523 --> 00:31:17,525
AHH. DO YOU DO
THAT ONE?
494
00:31:18,026 --> 00:31:21,029
OH, NO. RETTIG
DOES THAT ONE.
495
00:31:21,529 --> 00:31:24,532
WHAT I DON'T
UNDERSTAND IS
496
00:31:25,033 --> 00:31:26,034
WHY YOU DO
THIS THING AT ALL?
497
00:31:26,034 --> 00:31:28,536
FOR ME,
IT'S A BUSINESS.
498
00:31:28,536 --> 00:31:30,538
AND YOU, MR. RETTIG.
499
00:31:31,039 --> 00:31:32,540
WHAT'S IT TO YOU,
500
00:31:32,540 --> 00:31:36,044
IF YOU DON'T MIND
MY ASKING?
501
00:31:40,548 --> 00:31:43,051
I HAD A FRIEND
IN THE ARMY, A SERGEANT--
502
00:31:43,051 --> 00:31:46,554
PARACHUTED FOR ABOUT
20 YEARS.
503
00:31:46,554 --> 00:31:48,056
HE USED TO SAY THAT
JUMPING WAS NOT ONLY
504
00:31:48,056 --> 00:31:51,559
A WAY TO LIVE...
BUT ALSO A WAY TO DIE.
505
00:31:53,061 --> 00:31:55,063
VERY FEW THINGS ARE.
506
00:31:56,564 --> 00:31:58,566
THAT'S VERY INTERESTING.
507
00:31:59,067 --> 00:32:00,068
"HE IS AT LIBERTY TO DIE
508
00:32:00,068 --> 00:32:01,569
WHO DOES NOT
WISH TO LIVE."
509
00:32:02,070 --> 00:32:03,071
YOU BELIEVE THAT?
510
00:32:03,071 --> 00:32:05,073
THAT'S DEAD WRONG.
511
00:32:05,573 --> 00:32:08,076
ARE YOU A RELIGIOUS MAN,
MR. BROWDY?
512
00:32:08,076 --> 00:32:10,078
WHAT'S RELIGION
HAVE TO DO WITH IT?
513
00:32:10,078 --> 00:32:11,079
Malcolm: BROWDY
GOES TO CHURCH
514
00:32:11,079 --> 00:32:12,080
EVERY SUNDAY.
515
00:32:12,080 --> 00:32:13,081
OK, OK, KID.
516
00:32:13,081 --> 00:32:14,082
DOES THAT EMBARRASS
YOU, MR. BROWDY?
517
00:32:14,082 --> 00:32:15,083
NO, IT DOESN'T
EMBARRASS ME.
518
00:32:15,583 --> 00:32:18,586
I MEAN, WHY SHOULD
IT EMBARRASS ME?
519
00:32:18,586 --> 00:32:19,587
LISTEN, IF WE GONNA GO
DOWNTOWN FOR THAT BEER,
520
00:32:20,088 --> 00:32:21,089
WE'D BETTER
GET STARTED.
521
00:32:21,089 --> 00:32:22,590
IF YOU'LL EXCUSE US,
MRS. BRANDON.
522
00:32:22,590 --> 00:32:23,591
YEAH, I THINK
THAT'S A GOOD IDEA.
523
00:32:24,092 --> 00:32:25,093
ANYBODY KNOW OF
A GOOD PLACE IN TOWN?
524
00:32:25,093 --> 00:32:26,594
WE'RE OPEN
TO SUGGESTIONS.
525
00:32:26,594 --> 00:32:28,096
THE HORSE'S HEAD
IS NICE.
526
00:32:28,096 --> 00:32:29,597
OH, I THINK
THE HORSE'S HEAD
527
00:32:29,597 --> 00:32:31,599
IS A BIT ON THE QUAINT
SIDE, DON'T YOU, ANNIE?
528
00:32:31,599 --> 00:32:34,102
THE PARADISE MIGHT BE
MORE THE SORT OF PLACE
529
00:32:34,102 --> 00:32:35,103
THAT WOULD
APPEAL TO YOU.
530
00:32:35,603 --> 00:32:38,606
WHAT SORT OF PLACE
WOULD APPEAL TO US?
531
00:32:38,606 --> 00:32:41,109
WELL, I JUST MEANT
THAT IT WAS LIVELY.
532
00:32:41,109 --> 00:32:44,112
I INTENDED NO OFFENSE.
533
00:32:44,112 --> 00:32:46,614
UH, ANNIE, WOULD YOU
CARE TO COME ALONG?
534
00:32:46,614 --> 00:32:48,616
UH, DO YOU HAVE
OTHER PLANS?
535
00:32:48,616 --> 00:32:50,118
THANK YOU, I HAVE.
I HAVE A DATE.
536
00:32:50,118 --> 00:32:53,121
MM-HMM, ALL RIGHT.
THAT'S THE BREAKS, KID.
537
00:32:55,123 --> 00:32:57,625
RETTIG, ARE
YOU COMING?
538
00:32:57,625 --> 00:33:00,128
MRS. BRANDON,
UH, A VERY NICE SUPPER.
539
00:33:00,128 --> 00:33:02,130
OHH, YOU'RE WELCOME.
540
00:33:19,063 --> 00:33:21,115
[WILD DANCE MUSIC PLAYING]
541
00:33:54,649 --> 00:33:56,150
IS THAT YOURS?
542
00:33:56,150 --> 00:33:59,153
YOU WISH.
543
00:33:59,153 --> 00:34:00,655
WHAT'S IT FOR?
544
00:34:00,655 --> 00:34:03,658
MONEY FOR THE JUKEBOX.
545
00:34:03,658 --> 00:34:05,660
HEH HEH HEH.
546
00:34:20,675 --> 00:34:21,676
THAT DOESN'T LOOK
547
00:34:21,676 --> 00:34:24,178
LIKE SMALL-TOWN
STUFF TO ME.
548
00:34:24,178 --> 00:34:26,681
NOTHING LOOKS LIKE
SMALL-TOWN STUFF TO YOU.
549
00:34:27,181 --> 00:34:29,183
AND WHAT'S WRONG
WITH THAT?
550
00:34:33,187 --> 00:34:36,190
[MUSIC ENDS]
551
00:34:36,190 --> 00:34:39,193
ALL RIGHT!
552
00:34:39,193 --> 00:34:41,696
[NEW SONG STARTS]
553
00:34:45,199 --> 00:34:47,702
OK, WHAT CAN I DO
FOR YOU BOYS?
554
00:34:47,702 --> 00:34:49,203
WELL, UM...
555
00:34:49,704 --> 00:34:52,206
YEAH, RIGHT.
BESIDES THAT.
556
00:34:52,206 --> 00:34:53,708
WHY DON'T WE START
WITH 3 BEERS,
557
00:34:53,708 --> 00:34:54,709
AND WE'LL GO ON
FROM THERE
558
00:34:55,209 --> 00:34:56,210
AND SEE
WHAT DEVELOPS.
559
00:34:56,210 --> 00:34:57,712
RIGHT.
560
00:35:01,215 --> 00:35:02,216
WHAT DO YOU
THINK, MIKE?
561
00:35:02,216 --> 00:35:03,718
I THINK
DEFINITELY.
562
00:35:04,218 --> 00:35:06,220
ONE OF THESE DAYS,
YOU'RE GONNA BE WRONG.
563
00:35:06,220 --> 00:35:08,723
I HOPE I'M THERE
TO SEE IT.
564
00:35:08,723 --> 00:35:11,225
I WAS WRONG ONCE.
565
00:35:11,225 --> 00:35:13,728
ABOUT, UH, 1953,
I THINK, WASN'T IT?
566
00:35:13,728 --> 00:35:15,730
HA HA!
567
00:35:17,732 --> 00:35:19,734
WHAT DO YOU MAKE OF
THESE PEOPLE, MIKE?
568
00:35:20,234 --> 00:35:21,235
WHAT PEOPLE?
569
00:35:21,736 --> 00:35:23,738
THE BRANDONS.
570
00:35:23,738 --> 00:35:24,739
I DON'T KNOW.
571
00:35:24,739 --> 00:35:27,241
WHAT SHOULD I
MAKE OF THEM?
572
00:35:27,742 --> 00:35:29,243
KIND OF PECULIAR,
DON'T YOU THINK?
573
00:35:29,744 --> 00:35:30,745
NO OFFENSE, KID.
574
00:35:30,745 --> 00:35:32,246
IT'S NOTHING
TO ME, BROWDY.
575
00:35:32,246 --> 00:35:33,247
THEY'RE AS MUCH
STRANGERS TO ME
576
00:35:33,247 --> 00:35:34,749
AS THEY ARE TO YOU.
577
00:35:34,749 --> 00:35:36,250
I MUST SAY, THE THREE
OF YOU DON'T ACT
578
00:35:36,250 --> 00:35:38,252
MUCH LIKE A FAMILY.
579
00:35:41,255 --> 00:35:44,759
TELL YOU
ONE THING, THOUGH.
580
00:35:44,759 --> 00:35:47,762
SHE'S ONE
GOOD-LOOKING WOMAN.
581
00:35:47,762 --> 00:35:49,764
CLASS.
582
00:35:59,273 --> 00:36:00,274
IT SO WAS QUIET,
583
00:36:00,775 --> 00:36:02,777
I WONDERED
WHERE YOU WERE.
584
00:36:04,779 --> 00:36:06,781
I'M HERE.
585
00:36:24,298 --> 00:36:26,300
[WHISTLES]
586
00:36:50,324 --> 00:36:52,827
SIT DOWN.
TAKE A LOAD OFF.
587
00:37:00,835 --> 00:37:02,837
HEY!
588
00:37:09,844 --> 00:37:12,346
YOU GONNA COME OUT
TOMORROW AND WATCH US JUMP?
589
00:37:12,847 --> 00:37:13,848
JUMP WHAT?
590
00:37:13,848 --> 00:37:16,350
HA HA HA!
591
00:37:16,350 --> 00:37:18,853
HERE.
592
00:37:18,853 --> 00:37:21,355
BE OUR GUEST.
593
00:37:23,357 --> 00:37:25,359
OHH! YOU'RE THEM!
594
00:37:25,359 --> 00:37:27,361
YEAH, WE'RE THEM!
595
00:37:27,862 --> 00:37:29,363
WHERE'S YOUR AIRPLANE?
596
00:37:29,363 --> 00:37:32,366
HEH HEH HEH!
IT'S PARKED OUTSIDE.
597
00:37:32,366 --> 00:37:34,869
HERE. BRING A FRIEND
IF YOU WANT.
598
00:37:36,370 --> 00:37:38,372
MY BOYFRIEND, MAYBE?
599
00:37:38,873 --> 00:37:41,375
THINK HE'D
GET ALONG WITH MIKE?
600
00:37:41,375 --> 00:37:42,877
WELL, IF HE DIDN'T,
I COULD.
601
00:37:43,377 --> 00:37:44,378
AHH, NO, NO.
602
00:37:44,879 --> 00:37:46,380
HE'S MARRIED
AND GOT 7 KIDS.
603
00:37:46,380 --> 00:37:48,382
YEAH, SURE,
I'LL BET.
604
00:37:48,382 --> 00:37:49,383
WHAT'S YOUR NAME?
605
00:37:49,884 --> 00:37:51,886
MARY.
606
00:37:51,886 --> 00:37:53,387
HEH HEH HEH!
607
00:37:53,387 --> 00:37:54,889
YOU'RE KIDDING.
608
00:37:54,889 --> 00:37:56,891
NO, AND IF YOU SAY
ANYTHING
609
00:37:56,891 --> 00:37:59,894
ABOUT MY BEING CONTRARY
OR HOW MY GARDEN GROWS,
610
00:37:59,894 --> 00:38:01,896
I SCREAM.
611
00:38:01,896 --> 00:38:03,397
I LOVE HER.
I REALLY DO.
612
00:38:03,397 --> 00:38:04,398
WILL YOU MARRY ME?
613
00:38:04,398 --> 00:38:05,900
YEAH, ALL RIGHT,
TUESDAY.
614
00:38:05,900 --> 00:38:06,901
I'M TIED UP
TILL THEN.
615
00:38:06,901 --> 00:38:08,402
OK.
616
00:38:15,409 --> 00:38:18,412
[NEW SONG BEGINS]
617
00:38:46,941 --> 00:38:47,942
SEE YOU LATER.
618
00:38:47,942 --> 00:38:48,943
WHERE ARE YOU GOIN'?
619
00:38:48,943 --> 00:38:49,944
FOR A WALK.
620
00:38:49,944 --> 00:38:51,445
OH, HO HO HO!
621
00:38:52,446 --> 00:38:53,948
I THINK
I'M TAKING OFF, TOO.
622
00:38:53,948 --> 00:38:54,949
THE MUSIC'S GIVING
ME A HEADACHE.
623
00:38:55,449 --> 00:38:57,451
WHAT, ARE YOU GONNA LEAVE
OLD BROWDY TO HIS OWN DEVICES?
624
00:38:57,451 --> 00:38:59,954
HEH! DON'T FORGET
TOMORROW'S SUNDAY.
625
00:38:59,954 --> 00:39:01,455
THINK YOU'LL BE ABLE
TO FIND A CHURCH?
626
00:39:01,455 --> 00:39:03,457
NAH. GET LOST,
WILL YA?
627
00:39:29,817 --> 00:39:31,318
SMELL IT?
628
00:39:34,822 --> 00:39:35,823
LOOK...
629
00:39:36,323 --> 00:39:38,826
IF IT RAINS,
WE DON'T JUMP.
630
00:39:38,826 --> 00:39:40,327
THAT'S SIMPLE ENOUGH,
ISN'T IT?
631
00:39:40,828 --> 00:39:41,829
SIMPLE ENOUGH.
632
00:39:47,334 --> 00:39:49,336
DO YOU WANT
SOME COMPANY?
633
00:39:49,336 --> 00:39:50,838
NO.
634
00:39:51,338 --> 00:39:53,340
YOU DON'T MIND,
DO YOU, KID?
635
00:39:54,341 --> 00:39:55,843
RETTIG.
636
00:39:57,344 --> 00:40:00,347
MAYBE YOU'LL FORGET
THE CAPE STUNT TOMORROW, HUH?
637
00:40:00,347 --> 00:40:02,349
MIGHT NOT BE
A BAD DAY FOR IT.
638
00:40:02,349 --> 00:40:04,351
THE AIR IS DAMP,
HEAVIER.
639
00:40:04,351 --> 00:40:05,853
SLOWER DESCENT.
640
00:40:05,853 --> 00:40:07,855
BY HOW MUCH?
641
00:40:07,855 --> 00:40:09,857
A COUPLE OF SECONDS?
WHAT DOES THAT MATTER?
642
00:40:09,857 --> 00:40:11,358
YOU CAN ONLY
STAY UP SO LONG.
643
00:40:11,859 --> 00:40:13,360
THEN YOU HAVE TO
COME DOWN, RIGHT?
644
00:40:14,361 --> 00:40:16,363
THAT'S RIGHT.
645
00:40:16,363 --> 00:40:19,366
[LAUGHS] SOMETIMES,
I THINK YOU HATE TO COME
646
00:40:19,366 --> 00:40:20,868
BACK TO THE GROUND AT ALL.
647
00:41:48,956 --> 00:41:50,958
BEAUTIFUL NIGHT.
648
00:41:51,959 --> 00:41:53,961
LITTLE COOLER.
649
00:42:01,468 --> 00:42:03,470
YOU'RE ALL
BACK EARLY.
650
00:42:04,471 --> 00:42:05,973
NO. I'M ALONE.
651
00:42:08,976 --> 00:42:11,979
WE'RE A LITTLE OUT OF PLACE
HERE, AREN'T WE?
652
00:42:11,979 --> 00:42:13,981
BROWDY AND I, ANYWAY.
653
00:42:14,481 --> 00:42:15,983
WHY, OF COURSE NOT.
654
00:42:15,983 --> 00:42:17,484
WE'RE DELIGHTED
TO HAVE YOU.
655
00:42:17,484 --> 00:42:19,486
YOU DON'T
HAVE TO DO THAT.
656
00:42:19,486 --> 00:42:20,988
DO WHAT?
657
00:42:20,988 --> 00:42:23,991
BE POLITE, GRACIOUS.
IT'S NOT NECESSARY.
658
00:42:25,492 --> 00:42:27,494
YOU'RE VERY DIRECT,
AREN'T YOU?
659
00:42:28,996 --> 00:42:30,497
NOT VERY SUBTLE,
YOU MEAN.
660
00:42:30,998 --> 00:42:33,000
NO. I DIDN'T
SAY THAT.
661
00:42:33,000 --> 00:42:35,502
I THINK YOU ALL
ARE VERY SUBTLE,
662
00:42:35,502 --> 00:42:38,005
BUT IN A DIRECT
SORT OF WAY.
663
00:43:07,813 --> 00:43:09,815
WANT A DRINK
OR SOMETHING?
664
00:44:27,943 --> 00:44:31,446
[CAR HORN HONKS]
665
00:44:41,957 --> 00:44:44,459
[BICYCLE BELL RINGS]
666
00:45:04,479 --> 00:45:06,481
ARE YOU MARRIED?
667
00:45:09,484 --> 00:45:10,986
NO.
668
00:45:11,987 --> 00:45:14,489
WERE YOU, EVER?
669
00:45:14,990 --> 00:45:16,491
YES.
670
00:45:40,015 --> 00:45:43,018
WHAT ABOUT MALCOLM?
671
00:45:43,018 --> 00:45:45,020
WHAT DO YOU MEAN?
672
00:45:47,022 --> 00:45:49,524
HE MEANS A LOT TO YOU,
DOESN'T HE?
673
00:45:53,528 --> 00:45:56,031
HE MIGHT HAVE BEEN OURS.
674
00:45:58,033 --> 00:46:01,536
I MEAN, WE MIGHT
HAVE RAISED HIM...
675
00:46:01,536 --> 00:46:04,039
AFTER HIS MOTHER
AND FATHER WERE KILLED.
676
00:46:04,039 --> 00:46:05,540
BUT YOU DIDN'T.
677
00:46:09,044 --> 00:46:11,046
JOHN DIDN'T WANT HIM.
678
00:46:11,046 --> 00:46:12,547
DID YOU?
679
00:46:16,551 --> 00:46:19,054
YES, I WANTED HIM.
680
00:46:22,057 --> 00:46:25,060
MALCOLM'S MOTHER
WAS MY SISTER.
681
00:46:26,561 --> 00:46:31,066
I WAS IN LOVE WITH WALT,
MALCOLM'S FATHER.
682
00:46:31,066 --> 00:46:34,569
IT WAS SORT OF
TAKEN FOR GRANTED
683
00:46:34,569 --> 00:46:36,071
THAT WE
WOULD BE MARRIED.
684
00:46:36,071 --> 00:46:38,073
ONLY, I...
685
00:46:38,073 --> 00:46:40,575
I DON'T KNOW. I...
686
00:46:40,575 --> 00:46:44,079
I GUESS I JUST WASN'T
VERY OBSERVANT.
687
00:46:46,081 --> 00:46:52,087
ONE DAY, WALT
AND ELEANOR DISAPPEARED,
688
00:46:52,087 --> 00:46:54,089
AND WHEN THEY CAME BACK
A FEW DAYS LATER,
689
00:46:54,089 --> 00:46:55,590
THEY WERE MARRIED.
690
00:46:58,093 --> 00:46:59,594
[SIGHS]
691
00:46:59,594 --> 00:47:02,097
AND AFTER A WHILE...
692
00:47:02,597 --> 00:47:05,100
AFTER WHAT
MIGHT BE CALLED
693
00:47:05,600 --> 00:47:07,602
A SUITABLE PERIOD
OF MOURNING...
694
00:47:08,603 --> 00:47:11,106
I MARRIED JOHN.
695
00:47:12,607 --> 00:47:16,611
AND IT WAS ALL RIGHT,
TOO, FOR A LONG TIME.
696
00:47:18,113 --> 00:47:20,615
I MEAN,
WE LIKED EACH OTHER.
697
00:47:20,615 --> 00:47:22,117
WE REALLY DID.
698
00:47:25,620 --> 00:47:29,124
AND THEN THERE WAS
THE ACCIDENT, AND...
699
00:47:29,124 --> 00:47:32,127
MALCOLM WAS
LEFT WITH NO ONE, AND...
700
00:47:32,627 --> 00:47:34,629
JOHN DIDN'T WANT HIM.
701
00:47:40,135 --> 00:47:42,637
I COULDN'T BLAME HIM
FOR THAT, REALLY.
702
00:47:44,139 --> 00:47:48,143
HE KNEW I WANTED MALCOLM
BECAUSE HE WAS WALT'S CHILD.
703
00:47:48,143 --> 00:47:51,646
IT WAS HIS RIGHT NOT TO
WANT HIM FOR THE SAME REASON.
704
00:47:52,647 --> 00:47:54,649
WHY DO YOU STAY
MARRIED TO HIM?
705
00:47:54,649 --> 00:47:56,651
WHY NOT?
706
00:48:01,656 --> 00:48:03,658
I IMAGINE
YOU'RE THE SORT OF MAN
707
00:48:03,658 --> 00:48:05,160
WHO ALWAYS MANAGES TO FIND
708
00:48:05,160 --> 00:48:09,164
THE BEST AND RIGHTEST REASONS
FOR EVERYTHING YOU DO.
709
00:48:09,164 --> 00:48:12,167
DO YOU THINK THAT'S
POSSIBLE FOR EVERYONE?
710
00:48:12,667 --> 00:48:15,170
I'M ALWAYS HOPEFUL.
711
00:48:30,885 --> 00:48:31,886
[KNOCKS]
712
00:48:31,886 --> 00:48:33,888
COME IN.
713
00:48:38,393 --> 00:48:40,395
WHAT ARE YOU DOING?
714
00:48:40,395 --> 00:48:42,897
I HAVE A RIP IN THIS.
IT'S, UH...
715
00:48:42,897 --> 00:48:44,899
PART OF MY COSTUME.
716
00:48:44,899 --> 00:48:47,402
BROWDY LIKES FOR US
TO LOOK NEAT.
717
00:48:47,402 --> 00:48:50,405
WOULD YOU LIKE ME
TO DO IT FOR YOU?
718
00:48:50,405 --> 00:48:53,408
NO, THANKS.
I SEW PRETTY GOOD.
719
00:48:56,911 --> 00:48:59,914
NO LUCK TONIGHT?
720
00:48:59,914 --> 00:49:01,416
WITH WHAT?
721
00:49:01,416 --> 00:49:02,917
WELL, USUALLY THERE ARE
722
00:49:02,917 --> 00:49:05,420
A LOT OF UNATTACHED
GIRLS AT THE PARADISE.
723
00:49:07,922 --> 00:49:10,925
I GUESS I HIT
AN OFF NIGHT.
724
00:49:11,926 --> 00:49:13,928
HOW WAS YOUR DATE?
725
00:49:14,929 --> 00:49:16,431
OK.
726
00:49:19,934 --> 00:49:21,936
SIT DOWN.
727
00:49:38,453 --> 00:49:39,954
HEY.
728
00:49:39,954 --> 00:49:41,956
[WHISTLES]
729
00:49:41,956 --> 00:49:43,958
TAXI!
COME HERE!
730
00:49:53,968 --> 00:49:56,971
WHOOPSY-DAISY!
HA HA HA HA!
731
00:49:57,472 --> 00:49:58,973
IS EVERYTHING ALL RIGHT,
YOUNG FELLA?
732
00:49:58,973 --> 00:50:02,477
I'M NEW AROUND TOWN
HERE, OFFICER. UH...
733
00:50:03,478 --> 00:50:04,979
I SAY,
I JUST REMEMBERED
734
00:50:04,979 --> 00:50:06,981
MY CAR IS RIGHT DOWN
THE STREET.
735
00:50:13,988 --> 00:50:15,490
HA HA HA HA!
AAH!
736
00:50:15,490 --> 00:50:17,492
WHOOPSY-DAISY!
737
00:50:17,492 --> 00:50:19,494
I ONCE JUMPED OUT
OF THIS WINDOW.
738
00:50:19,994 --> 00:50:20,495
WITH WHAT?
739
00:50:20,995 --> 00:50:23,498
IT WAS WHEN
I WAS A KID.
740
00:50:23,498 --> 00:50:24,999
I WONDERED WHAT
IT WOULD BE LIKE
741
00:50:24,999 --> 00:50:27,001
TO JUMP
FROM THIS HIGH UP.
742
00:50:27,001 --> 00:50:29,003
I THINK I HAD IT IN
THE BACK OF MY MIND
743
00:50:29,003 --> 00:50:31,005
THAT I COULD FLY.
744
00:50:38,012 --> 00:50:40,014
LOOK ALL RIGHT?
745
00:50:44,018 --> 00:50:45,520
YEAH.
746
00:50:45,520 --> 00:50:47,522
THAT'S PRETTY GOOD.
747
00:50:58,533 --> 00:51:00,535
GOOD NIGHT.
748
00:51:00,535 --> 00:51:02,537
GOOD NIGHT.
749
00:51:02,537 --> 00:51:04,539
THANKS.
750
00:52:59,153 --> 00:53:01,656
TELL YOU WHAT I'M GONNA DO
ONE OF THESE DAYS.
751
00:53:03,658 --> 00:53:05,660
ONE OF THESE DAYS,
I'M GONNA CUT OUT,
752
00:53:06,160 --> 00:53:08,162
AND I'M GONNA
GO OUT TO HOLLYWOOD.
753
00:53:09,664 --> 00:53:13,167
I'M GONNA GET ME A JOB
AS ONE OF THEM STUNT MEN.
754
00:53:15,169 --> 00:53:17,171
THEY MAKE GOOD DOUGH.
755
00:53:19,173 --> 00:53:21,676
I KNOW THAT FOR A FACT.
756
00:53:22,677 --> 00:53:24,679
AH...
757
00:53:27,682 --> 00:53:29,684
YOU ASLEEP?
758
00:53:32,186 --> 00:53:33,688
HEY...
759
00:53:33,688 --> 00:53:35,690
YOU ASLEEP?
760
00:53:43,698 --> 00:53:46,200
I'M NOT GONNA BE
DOING THIS FOREVER.
761
00:53:49,203 --> 00:53:51,706
I HAVE PLANS.
762
00:54:31,245 --> 00:54:33,581
[THUNDERING]
763
00:56:32,700 --> 00:56:34,702
[RECITING PRAYER
INDISTINCTLY]
764
00:56:39,707 --> 00:56:41,709
LORD I AM NOT WORTHY
765
00:56:41,709 --> 00:56:44,211
THAT YOU SHOULD COME
UNDER MY ROOF.
766
00:56:44,211 --> 00:56:46,714
SPEAK BUT THE WORD,
AND MY SOUL SHALL BE HEALED.
767
00:56:47,214 --> 00:56:49,216
LORD, I AM NOT WORTHY
768
00:56:49,216 --> 00:56:51,218
THAT YOU SHOULD COME
UNDER MY ROOF.
769
00:56:51,218 --> 00:56:54,221
SPEAK BUT THE WORD,
AND MY SOUL SHALL BE HEALED.
770
00:57:20,748 --> 00:57:22,249
HE KNOWS, DOESN'T HE?
771
00:57:35,262 --> 00:57:36,764
DOES IT HAPPEN OFTEN?
772
00:57:37,264 --> 00:57:38,766
NOT THAT OFTEN...
773
00:57:39,767 --> 00:57:41,769
BUT IT HAPPENS.
774
00:57:43,270 --> 00:57:44,772
ARE YOU SURPRISED?
775
00:57:51,278 --> 00:57:53,781
TOMORROW,
WHEN WE LEAVE HERE,
776
00:57:53,781 --> 00:57:55,783
I WANT YOU
TO COME WITH ME.
777
00:57:58,285 --> 00:57:59,787
COME WITH YOU?
778
00:57:59,787 --> 00:58:01,789
YES.
779
00:58:03,290 --> 00:58:04,792
[WHIMPERS]
780
00:58:08,295 --> 00:58:11,799
YOU--DO YOU ALWAYS
OFFER SO MUCH MORE
781
00:58:12,299 --> 00:58:13,801
THAN YOU'RE ASKED FOR?
782
00:58:15,302 --> 00:58:16,804
ONLY TO THOSE WHO ASK
783
00:58:16,804 --> 00:58:18,806
SO MUCH LESS
THAN THEY WANT.
784
00:58:19,807 --> 00:58:21,809
IF IT WAS WHAT I WANT,
785
00:58:21,809 --> 00:58:24,311
DO YOU THINK
I COULD ACCEPT IT?
786
00:58:24,311 --> 00:58:26,313
THERE'S ALWAYS
ANOTHER CHOICE.
787
00:58:26,814 --> 00:58:28,315
DON'T YOU SEE THAT?
788
00:58:29,817 --> 00:58:31,318
NOT FOR EVERYONE.
789
00:58:31,318 --> 00:58:32,820
FOR EVERYONE.
790
00:58:35,823 --> 00:58:36,824
HOW DO YOU
COME TO HAVE
791
00:58:37,324 --> 00:58:39,326
THIS WONDERFUL
FREEDOM OF CHOICE?
792
00:58:39,827 --> 00:58:40,828
YOU TAKE IT.
793
00:58:40,828 --> 00:58:41,829
FROM WHOM?
794
00:58:41,829 --> 00:58:44,331
FROM ANYONE WHO SAYS
IT ISN'T YOURS TO TAKE.
795
00:58:44,331 --> 00:58:45,833
OH, I ENVY YOU.
796
00:58:45,833 --> 00:58:48,335
DON'T ENVY ME.
JOIN ME.
797
00:58:48,836 --> 00:58:49,336
LEAVE ME ALONE!
798
00:58:49,837 --> 00:58:50,838
DO IT!
799
00:58:50,838 --> 00:58:52,840
A MERCIFUL STRANGER
COME TO SAVE ME
800
00:58:53,340 --> 00:58:54,842
FROM THE
TERRIBLE BOREDOM
801
00:58:54,842 --> 00:58:55,843
AND LOVELESSNESS
OF MY LIFE!
802
00:58:55,843 --> 00:58:57,344
IS THAT WHAT
YOU THINK YOU ARE?
803
00:58:57,845 --> 00:58:59,847
I'M ONLY OFFERING YOU
A WAY OUT.
804
00:59:00,347 --> 00:59:02,349
I DON'T WANT A WAY OUT!
805
00:59:02,850 --> 00:59:04,852
[SOBBING]
806
00:59:08,355 --> 00:59:10,858
OH, WELL.
807
00:59:10,858 --> 00:59:13,360
THAT'S THE DIFFERENCE.
808
00:59:13,360 --> 00:59:15,863
YOU HAVE TO WANT IT.
809
00:59:43,524 --> 00:59:46,026
IT'S EARLY.
COULD STOP ANYTIME.
810
00:59:46,026 --> 00:59:48,028
GOOD, STIFF WIND
OUT THERE.
811
00:59:48,529 --> 00:59:50,531
BLOW IT AWAY
IN A COUPLE HOURS.
812
00:59:53,033 --> 00:59:55,536
GOT 650 TICKETS ON ME.
813
00:59:55,536 --> 00:59:57,538
650 TICKETS.
814
00:59:57,538 --> 00:59:59,039
TERRIFIC!
815
01:00:00,541 --> 01:00:01,542
LOOK, KID, UH...
816
01:00:01,542 --> 01:00:02,543
THE BUSINESS IS
MY END OF IT.
817
01:00:03,043 --> 01:00:04,545
YOU LET ME
TAKE CARE OF ME.
818
01:00:04,545 --> 01:00:05,546
IT'S ALL YOURS, BROWDY.
819
01:00:05,546 --> 01:00:07,548
ALL RIGHT. WELL,
STOP NEEDLING ME
820
01:00:07,548 --> 01:00:09,049
FOR WORRYING
ABOUT THAT, OK?
821
01:00:09,049 --> 01:00:11,051
I MEAN, I DON'T NOTICE
YOU PASSING UP YOUR CUT
822
01:00:11,051 --> 01:00:13,053
WHEN IT COMES TIME
TO SPLIT THE TAKE.
823
01:00:13,053 --> 01:00:14,555
YOU KNOW,
SOMETIMES I THINK
824
01:00:14,555 --> 01:00:16,056
YOU HAVE A CASH REGISTER
FOR A HEAD.
825
01:00:16,557 --> 01:00:19,059
YEAH, YEAH.
ALL RIGHT, KID, FINE.
826
01:00:19,059 --> 01:00:20,060
YOU DON'T HAVE TO JUMP
827
01:00:20,060 --> 01:00:21,562
IF YOU THINK
IT'S TOO DANGEROUS.
828
01:00:21,562 --> 01:00:23,063
I MEAN, RETTIG AND ME
CAN MAKE OUT OURSELVES.
829
01:00:23,063 --> 01:00:24,064
WHAT THE HELL
DO YOU MEAN...
830
01:00:24,064 --> 01:00:25,065
STOP TALKING TO ME,
WILL YOU?
831
01:00:25,065 --> 01:00:26,066
IF I "THINK
IT'S TOO DANGEROUS"?
832
01:00:26,567 --> 01:00:27,568
JUST WHAT I SAID. YOUR
CHICKEN STREAK IS SHOWING!
833
01:00:27,568 --> 01:00:28,569
MYCHICKEN STREAK!
834
01:00:28,569 --> 01:00:29,570
THAT'S WHAT I SAID,
YOUR CHICKEN STREAK!
835
01:00:29,570 --> 01:00:30,571
LISTEN, PAL.
I'VE SEEN YOUR HANDS
836
01:00:30,571 --> 01:00:32,072
SHAKING AND SWEATY
UP THERE.
837
01:00:32,072 --> 01:00:33,574
I'VE SEEN YOU TRYING
TO TALK TO YOURSELF
838
01:00:33,574 --> 01:00:34,575
INTO JUST ONE MORE JUMP,
839
01:00:35,075 --> 01:00:36,577
AND THE NEXT,
AND THE--
840
01:00:44,084 --> 01:00:47,087
JUST A SLIGHT MISUNDERSTANDING,
MRS. BRANDON. I'M SORRY.
841
01:00:48,088 --> 01:00:51,592
I'M SORRY, KID.
I'M A LITTLE BIT ON EDGE.
842
01:00:59,099 --> 01:01:01,101
WE'RE A LITTLE ON EDGE.
843
01:01:06,106 --> 01:01:08,108
YOUR NOSE
IS BLEEDIN', KID.
844
01:01:21,121 --> 01:01:22,623
BROWDY.
845
01:01:26,126 --> 01:01:28,128
YOU EVER
SEE HIM SWEAT, KID?
846
01:01:31,131 --> 01:01:33,133
YOU EVER SEE HIS HANDS
SHAKE UP THERE?
847
01:01:42,643 --> 01:01:44,645
NO. I NEVER HAVE, BROWDY.
848
01:01:56,156 --> 01:01:58,158
[MUSIC PLAYING]
849
01:03:05,559 --> 01:03:07,561
WHERE'S YOUR CROWD?
850
01:03:08,062 --> 01:03:09,563
THEY'LL COME.
851
01:03:16,070 --> 01:03:17,071
WE'RE GONNA BE ALL RIGHT.
852
01:03:17,571 --> 01:03:18,572
DEFINITELY.
853
01:03:23,077 --> 01:03:24,078
HEY!
854
01:03:24,078 --> 01:03:25,079
HEY!
855
01:03:25,079 --> 01:03:26,580
HI! GOOD MORNING!
OK!
856
01:03:26,580 --> 01:03:27,581
HOW'S OUR AIRPLANE?
857
01:03:27,581 --> 01:03:29,083
WELL, I'M FINISHED.
SHE'S GASSED UP,
858
01:03:29,583 --> 01:03:30,584
AND THE SEATS
TURNED AROUND,
859
01:03:30,584 --> 01:03:31,585
AND THE DOOR'S OFF.
860
01:03:31,585 --> 01:03:32,586
WHAT ABOUT
THE DOORWAY?
861
01:03:32,586 --> 01:03:33,587
IT'S PRETTY NARROW.
I DON'T SEE HOW
862
01:03:33,587 --> 01:03:34,588
3 OF YOU ARE GONNA
GET OUT OF THERE
863
01:03:34,588 --> 01:03:35,589
AT ONE TIME.
864
01:03:35,589 --> 01:03:37,091
IT'S ALL RIGHT.
WE'RE USED TO IT. LISTEN,
865
01:03:37,091 --> 01:03:38,092
RETTIG'S GONNA TELL YOU
WHAT HE WANTS YOU TO DO,
866
01:03:38,092 --> 01:03:39,593
BUT THE MAIN THING
FOR YOU TO DO
867
01:03:39,593 --> 01:03:41,095
IS JUST GET BACK DOWN ON
THE GROUND AS SOON AS POSSIBLE
868
01:03:41,595 --> 01:03:43,097
AFTER EVERY JUMP.
NOW, A LONG WAIT
869
01:03:43,097 --> 01:03:44,598
IS VERY BAD FOR A CROWD.
THEY GET RESTLESS.
870
01:03:44,598 --> 01:03:45,599
YOU SEE?
GOT IT.
871
01:03:45,599 --> 01:03:47,601
OK. JUST DON'T GET DOWN
BEFORE WE DO.
872
01:03:47,601 --> 01:03:48,602
WELL, IF I DO THAT,
I'M GONNA
873
01:03:48,602 --> 01:03:49,603
SHORTEN THE PROGRAM
CONSIDERABLY.
874
01:03:49,603 --> 01:03:50,604
HA HA!
THAT'S VERY GOOD.
875
01:03:50,604 --> 01:03:53,607
UH, THERE'S A GUY UP THERE
SETTIN' UP A P.A. SYSTEM.
876
01:03:53,607 --> 01:03:54,608
WILL YOU GIVE HIM THAT
877
01:03:54,608 --> 01:03:55,609
AND ASK HIM
TO GIVE US AN OUTLET?
878
01:03:55,609 --> 01:03:57,111
RIGHT.
HERE.
879
01:03:57,111 --> 01:03:59,613
SAY, THIS IS REALLY
EXCITING, YOU KNOW?
880
01:03:59,613 --> 01:04:00,614
I MEAN, I NEVER DID
881
01:04:00,614 --> 01:04:01,615
ANYTHING LIKE THIS
BEFORE.
882
01:04:01,615 --> 01:04:03,117
TERRIFIC. THERE'S
A COUPLE KIDS AROUND,
883
01:04:03,117 --> 01:04:04,618
IF YOU STIR 'EM UP
AND SEND 'EM IN
884
01:04:04,618 --> 01:04:05,619
TO MAKE A COUPLE BUCKS
FOR THE AFTERNOON.
885
01:04:06,120 --> 01:04:06,620
THAT'S NOT GONNA
BE HARD.
886
01:04:07,121 --> 01:04:08,122
YEAH. RIGHT.
887
01:04:11,125 --> 01:04:12,626
READY?
888
01:04:15,129 --> 01:04:17,631
YOU CERTAIN THAT
YOU WON'T COME ALONG?
889
01:04:17,631 --> 01:04:20,134
YOU'RE NOT COMING,
MRS. BRANDON?
890
01:04:27,641 --> 01:04:28,642
OK, NOW, LOOK.
891
01:04:28,642 --> 01:04:30,644
WHEN WE COME DOWN
IN THE PARACHUTE,
892
01:04:30,644 --> 01:04:31,645
WE'RE GONNA NEED SOME HELP.
893
01:04:31,645 --> 01:04:33,147
I WANT TWO OF YOU
TO COME OUT
894
01:04:33,147 --> 01:04:34,148
FOR EACH PARACHUTE,
AND YOU GRAB IT,
895
01:04:34,148 --> 01:04:36,150
AND THEN YOU HELP US
COLLAPSE IT, OK?
896
01:04:36,650 --> 01:04:37,651
YOU UNDERSTAND THAT?
YES.
897
01:04:37,651 --> 01:04:39,153
OK, BUT THE MAIN
THING IS FOR YOU
898
01:04:39,153 --> 01:04:40,154
TO GET US AS MANY
PARACHUTES OUT THERE
899
01:04:40,154 --> 01:04:42,656
ON THAT TABLE IN FRONT
OF THE STANDS AS POSSIBLE.
900
01:04:42,656 --> 01:04:43,657
WE WANT PLENTY
OF PARACHUTES, RIGHT?
901
01:04:44,158 --> 01:04:46,660
OK, IT'S TIME NOW.
RIGHT.
902
01:04:48,162 --> 01:04:49,163
NOW, LISTEN, EVERYONE.
903
01:04:49,163 --> 01:04:50,664
DON'T LIFT ANY MORE
THAN YOU CAN CARRY, OK?
904
01:04:51,165 --> 01:04:52,166
OK.
905
01:04:55,669 --> 01:04:56,670
Ambulance driver:
MR. BROWDY?
906
01:04:56,670 --> 01:04:59,673
Browdy: YEAH.
907
01:04:59,673 --> 01:05:02,176
I'M THE AMBULANCE SERVICE.
908
01:05:02,176 --> 01:05:03,177
WELL, WHERE IS IT?
909
01:05:03,177 --> 01:05:04,678
PARKED OUT
BEHIND THE HANGAR.
910
01:05:04,678 --> 01:05:06,180
WELL, COME ON.
LET'S GET IT OUT HERE
911
01:05:06,180 --> 01:05:07,181
SO THEY CAN SEE IT.
912
01:05:07,181 --> 01:05:09,183
WELL, I DON'T--
I DON'T KNOW WHAT YOU MEAN.
913
01:05:09,683 --> 01:05:11,685
WELL, IT'S JUST PART OF
THE ACT, YOU UNDERSTAND.
914
01:05:11,685 --> 01:05:14,188
I MEAN, WE'RE NOT GONNA
NEED IT. KNOCK WOOD.
915
01:05:14,188 --> 01:05:16,190
WE HAVE TO LET THEM
SEE THAT.
916
01:05:16,190 --> 01:05:17,191
YOU GOT IT?
917
01:05:17,191 --> 01:05:18,692
OH, I UNDERSTAND.
I SEE WHAT YOU MEAN.
918
01:05:18,692 --> 01:05:21,195
YOU DRIVE THAT AMBULANCE
RIGHT IN FRONT OF THE STANDS
919
01:05:21,695 --> 01:05:22,696
NICE AND SLOW,
ALL RIGHT?
920
01:05:22,696 --> 01:05:24,198
AND YOU GET
THE LIGHT GOING,
921
01:05:24,198 --> 01:05:25,699
AND LET'S MAKE
SOME NOISE, HUH?
922
01:05:25,699 --> 01:05:27,701
UNDERSTAND?
923
01:05:27,701 --> 01:05:28,702
PARK IT RIGHT OVER THERE
924
01:05:28,702 --> 01:05:30,204
ON THE OTHER SIDE
OF THE STANDS.
925
01:05:30,204 --> 01:05:31,205
YOU GOT IT?
926
01:05:31,205 --> 01:05:32,706
RIGHT.
ALL RIGHT. GO.
927
01:05:43,717 --> 01:05:44,718
YOU DIG THAT CROWD?
928
01:05:44,718 --> 01:05:46,220
YEAH.
929
01:05:46,220 --> 01:05:47,221
WHAT'S WITH RETTIG?
930
01:05:47,721 --> 01:05:49,723
I DON'T KNOW.
931
01:05:49,723 --> 01:05:52,226
HELL OF A CROWD,
BROWDY.
932
01:05:55,229 --> 01:05:59,066
Man: TESTING, 1, 2, 3, 4.
TESTING, 1, 2, 3, 4.
933
01:05:59,066 --> 01:06:03,070
TESTING, 1, 2, 3, 4.
IT'S OK HERE, EDDIE.
934
01:06:03,070 --> 01:06:05,072
LET'S PUT ON THE RECORD.
935
01:06:05,072 --> 01:06:07,074
[MUSIC PLAYING ON P.A.]
936
01:06:22,089 --> 01:06:23,090
ANY QUESTIONS?
937
01:06:23,090 --> 01:06:26,593
UH, NO. NO, I, UH,
I THINK I GOT IT.
938
01:06:26,593 --> 01:06:30,097
WHAT'S THE MATTER?
939
01:06:30,097 --> 01:06:32,099
LITTLE NERVOUS.
940
01:06:32,599 --> 01:06:34,601
YOU'RE GONNA GET OVER IT
REAL SOON, AREN'T YOU?
941
01:06:37,604 --> 01:06:40,607
OH, YEAH. JUST
DON'T WORRY ABOUT ME.
942
01:06:40,607 --> 01:06:41,608
DON'T WORRY ABOUT ME.
943
01:06:41,608 --> 01:06:44,111
[SIREN BLARING]
944
01:07:40,167 --> 01:07:41,668
Dick:
ARE WE ALL SET?
945
01:07:41,668 --> 01:07:43,670
Browdy: HEY, FELLAS,
SAY HELLO TO DICK DONFORD.
946
01:07:43,670 --> 01:07:44,671
HE'S FROM
THE LOCAL RADIO STATION.
947
01:07:45,172 --> 01:07:46,673
HI.
948
01:07:51,178 --> 01:07:52,679
Browdy: I'LL BE DOING
THE COMMENTARY
949
01:07:52,679 --> 01:07:53,680
ON A LOT OF THE JUMPS.
950
01:07:53,680 --> 01:07:55,182
THE STUNTS THAT I GO UP ON,
951
01:07:55,182 --> 01:07:58,185
JUST DESCRIBE WHAT YOU SEE
AND ADD A LITTLE COLOR.
952
01:07:58,185 --> 01:07:59,186
USE YOUR IMAGINATION.
953
01:07:59,686 --> 01:08:01,188
RIGHT, RIGHT. I'VE DONE
A LOT OF SPORTS EVENTS.
954
01:08:01,188 --> 01:08:02,189
YOU KNOW, BASKETBALL GAMES,
THAT KIND OF STUFF.
955
01:08:02,689 --> 01:08:04,191
THAT'S RIGHT. JUST CALL IT
LIKE A BASKETBALL GAME.
956
01:08:06,693 --> 01:08:08,695
Browdy on P.A.: ATTENTION.
ATTENTION, PLEASE.
957
01:08:08,695 --> 01:08:10,697
GOOD AFTERNOON...
958
01:08:10,697 --> 01:08:11,698
I DON'T SEE ANNIE.
959
01:08:12,199 --> 01:08:14,701
...FOR COMING OUT HERE
TO WATCH US THIS AFTERNOON.
960
01:08:15,202 --> 01:08:16,203
I DON'T THINK
YOU'RE GONNA BE DISAPPOINTED.
961
01:08:16,203 --> 01:08:17,704
I THINK
I CAN PROMISE YOU THAT.
962
01:08:18,205 --> 01:08:20,707
WE HAVE SOME VERY FINE STUNTS
LINED UP FOR YOU.
963
01:08:21,208 --> 01:08:22,709
WHICH ONE IS HE?
964
01:08:23,210 --> 01:08:24,711
THE ONE IN WHITE.
965
01:08:24,711 --> 01:08:26,713
I LIKE THE ONE
IN THE RED BETTER.
966
01:08:26,713 --> 01:08:29,716
YEAH. SO DID I.
967
01:08:30,217 --> 01:08:31,718
OH, WHAT THE HELL?
968
01:08:31,718 --> 01:08:35,222
THE WAY THINGS WORKED OUT,
I GOT NO COMPLAINTS.
969
01:08:35,222 --> 01:08:38,225
DID I INTRODUCE OURSELVES?
NO, I DIDN'T.
970
01:08:38,225 --> 01:08:40,727
IN THE YELLOW JUMPSUIT,
A LOCAL BOY MAKING GOOD,
971
01:08:41,228 --> 01:08:44,731
MR. MALCOLM WEBSON.
LET'S HEAR IT FOR MALCOLM.
972
01:08:44,731 --> 01:08:46,733
IN THE RED JUMPSUIT,
973
01:08:46,733 --> 01:08:48,735
A GENTLEMAN WHO'S GONNA
DO SOMETHING VERY SPECIAL
974
01:08:48,735 --> 01:08:49,736
FOR YOU LATER ON
THIS AFTERNOON,
975
01:08:49,736 --> 01:08:52,239
MR. MIKE RETTIG.
LET'S HEAR IT FOR MIKE!
976
01:08:52,239 --> 01:08:54,241
AND ME! MY NAME IS BROWDY!
977
01:10:07,013 --> 01:10:08,515
CUT.
978
01:12:38,164 --> 01:12:40,166
[BAND PLAYING]
979
01:17:46,773 --> 01:17:48,775
HERE HE COMES!
980
01:18:11,297 --> 01:18:12,298
THERE'S HIS CHUTE!
981
01:18:12,298 --> 01:18:14,300
OH! WHAT'S THIS?!
WHAT'S THIS?!
982
01:18:14,801 --> 01:18:15,802
WHAT'S HAPPENING?!
983
01:18:15,802 --> 01:18:17,804
LOOKS LIKE
HE LOST SOMETHING.
984
01:18:33,820 --> 01:18:36,823
P.A.:
I GUESS IT'S A JOKE!
985
01:18:52,338 --> 01:18:55,842
UH, WE HAVE
A LITTLE PROBLEM HERE.
986
01:18:56,342 --> 01:18:57,343
THAT JUMPSUIT THAT I LOST
987
01:18:57,343 --> 01:18:59,345
HAPPENED TO BE
THE ONLY ONE THAT I HAVE.
988
01:18:59,345 --> 01:19:01,848
WE HAVE PEOPLE OUT ALL OVER
THE COUNTRYSIDE LOOKING FOR IT.
989
01:19:01,848 --> 01:19:04,350
SO, UM, I'LL BE RIGHT BACK
WITH YOU AS SOON AS WE FIND IT.
990
01:19:04,851 --> 01:19:05,852
HOW DO YOU FEEL?
991
01:19:05,852 --> 01:19:07,353
IN THE MEANTIME,
I THOUGHT MAYBE
992
01:19:07,854 --> 01:19:09,355
I MIGHT MAKE MYSELF
USEFUL AROUND HERE,
993
01:19:09,355 --> 01:19:12,859
BY GOING UP WITH THE FELLAS
AND DESCRIBING A JUMP
994
01:19:12,859 --> 01:19:13,860
RIGHT FROM OUR POINT OF VIEW.
995
01:19:14,360 --> 01:19:15,862
YOU KNOW,
KIND OF A CHANGE OF PACE.
996
01:19:15,862 --> 01:19:17,363
HOW'S THAT SOUND TO YOU, HUH?
997
01:19:17,363 --> 01:19:20,867
YOU READY, FOLKS? OK!
998
01:19:24,370 --> 01:19:26,873
OH, UH, INCIDENTALLY,
999
01:19:26,873 --> 01:19:28,875
THERE'S A REWARD
FOR THAT JUMPSUIT.
1000
01:19:28,875 --> 01:19:32,879
ANYBODY FINDING THAT JUMPSUIT
GETS A FREE PARACHUTE JUMP.
1001
01:19:34,881 --> 01:19:39,385
?? OFF WE GO INTO
THE WILD BLUE YONDER ??
1002
01:19:39,385 --> 01:19:42,388
?? CLIMBING HIGH
INTO THE SUN ??
1003
01:19:42,388 --> 01:19:44,891
HEY, DOWN THERE,
CAN YOU HEAR ME?!
1004
01:19:44,891 --> 01:19:47,393
IF YOU CAN HEAR ME,
LET'S HEAR IT!
1005
01:19:47,393 --> 01:19:49,395
COME ON! LET'S HEAR IT!
1006
01:19:49,395 --> 01:19:51,898
[CHEERING]
1007
01:19:51,898 --> 01:19:53,399
NO, THAT'S
NOT LOUD ENOUGH.
1008
01:19:53,399 --> 01:19:55,401
COME ON! LET'S HEAR IT!
1009
01:19:55,401 --> 01:19:56,903
[CHEERING LOUDER]
1010
01:19:56,903 --> 01:19:59,906
HEY!
THAT'S A LOT BETTER.
1011
01:19:59,906 --> 01:20:01,407
IT'S A BEAUTIFUL SIGHT
UP HERE.
1012
01:20:01,407 --> 01:20:03,409
I WISH YOU WERE ALL
UP HERE WITH ME.
1013
01:20:03,409 --> 01:20:05,912
MIKE AND MALCOLM ARE
GETTING THEMSELVES SET NOW.
1014
01:20:05,912 --> 01:20:07,413
I THINK YOU'RE GONNA
LIKE THIS STUNT.
1015
01:20:07,413 --> 01:20:08,414
IT'S THE ONE
THEY'VE BEEN WORKING ON
1016
01:20:08,414 --> 01:20:09,916
FOR QUITE A WHILE NOW.
1017
01:20:09,916 --> 01:20:11,918
I'M GETTING THE GO-AHEAD
FROM MIKE NOW.
1018
01:20:11,918 --> 01:20:12,919
OK.
1019
01:20:13,419 --> 01:20:16,422
THERE THEY GO.
1020
01:20:16,422 --> 01:20:18,424
OK, THEY'RE OFF.
1021
01:20:18,424 --> 01:20:19,926
SHOULD BE ABLE
TO SEE THEM ABOUT NOW.
1022
01:20:19,926 --> 01:20:22,428
IT LOOKS GOOD.
IT LOOKS REAL GOOD.
1023
01:20:22,428 --> 01:20:24,430
YEAH, IT'S REAL GOOD.
1024
01:20:24,430 --> 01:20:26,933
OH! I'M FALLING OUT!
1025
01:20:26,933 --> 01:20:27,934
I FELL OUT!
1026
01:20:28,434 --> 01:20:30,937
OH, NO!
1027
01:20:30,937 --> 01:20:32,939
IS THERE A DOCTOR
IN THE HOUSE?!
1028
01:20:32,939 --> 01:20:34,440
I THINK I'M GONNA FAINT!
1029
01:20:34,941 --> 01:20:36,442
OH, I WANT Y'ALL TO KNOW
HOW MUCH I'VE ENJOYED
1030
01:20:36,442 --> 01:20:37,443
BEING A PART OF THIS SHOW.
1031
01:20:37,944 --> 01:20:39,946
I KNOW THAT MIKE RETTIG
AND MALCOLM ARE GONNA
1032
01:20:40,446 --> 01:20:41,447
CARRY ON WITHOUT ME.
1033
01:20:41,447 --> 01:20:43,950
I'D LIKE YOU TO TELL THEM
FOR ME, WILL YOU?
1034
01:20:43,950 --> 01:20:45,952
NOW, I DON'T WANT ANYBODY
TO BE UPSET.
1035
01:20:45,952 --> 01:20:47,453
NOW, THESE ARE
THE CHANCES WE TAKE.
1036
01:20:47,453 --> 01:20:49,455
WE ALL KNOW
IT COULD HAPPEN ANYTIME.
1037
01:20:49,956 --> 01:20:51,457
ESPECIALLY
IF YOU'RE STUPID ENOUGH
1038
01:20:51,457 --> 01:20:52,458
TO FALL OUT OF A PLANE
WITHOUT A CHUTE.
1039
01:20:52,959 --> 01:20:53,960
A-HA HA HA.
1040
01:20:53,960 --> 01:20:56,462
TO TELL YOU THE TRUTH,
I'M NOT THAT STUPID.
1041
01:20:56,963 --> 01:20:59,465
NO, I GUESS I BETTER
OPEN UP THIS PARACHUTE NOW,
1042
01:20:59,465 --> 01:21:01,968
BEFORE THIS JOKE
GOES A LITTLE TOO FAR.
1043
01:21:11,010 --> 01:21:14,013
NOW COMES THE MOST DANGEROUS
AND EXCITING STUNT
1044
01:21:14,013 --> 01:21:15,014
OF THE AFTERNOON.
1045
01:21:15,014 --> 01:21:17,016
I'D LIKE TO BE ABLE TO SAY
THAT WE ALL DREW LOTS
1046
01:21:17,016 --> 01:21:18,518
TO SEE WHO WAS GONNA PERFORM
THIS PARTICULAR STUNT,
1047
01:21:18,518 --> 01:21:20,019
BUT THAT'D BE A LIE
1048
01:21:20,019 --> 01:21:23,523
BECAUSE MALCOLM AND I
ARE CHICKEN THAN MIKE RETTIG.
1049
01:21:23,523 --> 01:21:26,526
SERIOUSLY, THOUGH,
AS FAR AS WE KNOW,
1050
01:21:26,526 --> 01:21:28,027
MIKE IS THE ONLY PERSON
IN THIS COUNTRY
1051
01:21:28,027 --> 01:21:30,029
PERFORMING THIS PARTICULAR STUNT
AT THE PRESENT TIME.
1052
01:21:30,029 --> 01:21:32,031
WEARING
A SPECIALLY-DESIGNED CAPE,
1053
01:21:32,031 --> 01:21:35,535
MIKE IS GONNA JUMP AND DO
SOME VERY NICE THINGS FOR YOU
1054
01:21:35,535 --> 01:21:36,536
ON THE WAY DOWN.
1055
01:21:36,536 --> 01:21:41,040
HE'LL BE TRAVELING IN EXCESS
OF 200 MILES AN HOUR.
1056
01:21:41,040 --> 01:21:43,042
UP TO NOW, THE FASTEST
WE'VE GONE IS ABOUT 100,
1057
01:21:43,543 --> 01:21:45,044
SO YOU CAN SEE THE DIFFERENCE.
1058
01:21:45,044 --> 01:21:47,547
ANOTHER THING, UNLESS HE HOLDS
HIS ARMS ABSOLUTELY CORRECTLY,
1059
01:21:48,047 --> 01:21:49,549
THE WIND CAN BREAK THEM
RIGHT OFF.
1060
01:21:50,049 --> 01:21:52,552
ALSO, ATTACHED TO EACH FOOT
WILL BE THIS SMOKE FLARE
1061
01:21:52,552 --> 01:21:54,053
SO HE'LL LEAVE A TRAIL
THROUGH THE SKY
1062
01:21:54,053 --> 01:21:55,555
THAT YOU'LL BE ABLE
TO FOLLOW.
1063
01:21:55,555 --> 01:21:57,056
THAT IS, UNLESS
THE FLARE MALFUNCTIONS
1064
01:21:57,557 --> 01:22:00,059
AND BURNS HIS LEG, WHICH THEY
HAVE A NASTY HABIT OF DOING.
1065
01:22:00,059 --> 01:22:01,060
HEY, MIKE RETTIG!
NOW, LET'S HEAR IT FOR MIKE!
1066
01:22:01,561 --> 01:22:02,562
COME ON! LET'S HEAR IT!
1067
01:22:15,074 --> 01:22:16,075
SEE YA, KID.
1068
01:22:16,075 --> 01:22:17,577
RETTIG...
1069
01:22:20,580 --> 01:22:22,081
DON'T BE LATE FOR SUPPER.
1070
01:23:40,159 --> 01:23:42,662
THERE'S THE AIRCRAFT.
1071
01:23:51,671 --> 01:23:52,672
CUT.
1072
01:24:14,694 --> 01:24:16,195
THE FLARES ARE LIT!
1073
01:25:35,274 --> 01:25:36,275
PULL IT.
1074
01:25:44,784 --> 01:25:46,285
PULL IT!
1075
01:25:53,292 --> 01:25:54,794
RETTIG!
1076
01:26:06,305 --> 01:26:08,808
[SIREN BLARING]
1077
01:26:43,342 --> 01:26:45,845
GET OUT OF HERE.
GET OUT OF HERE!
1078
01:26:45,845 --> 01:26:47,346
GET OUT OF HERE!
1079
01:26:47,346 --> 01:26:49,849
WHAT'S THE MATTER,
YOU MORBID CREEPS, YOU?!
1080
01:26:49,849 --> 01:26:52,852
COME ON!
GET OUT OF HERE!
1081
01:26:52,852 --> 01:26:56,355
COME ON!
GET OUT OF HERE!
1082
01:26:56,355 --> 01:26:57,857
MOVE 'EM BACK, DAMN IT!
1083
01:26:57,857 --> 01:26:59,358
WHAT THE HELL'S
WRONG WITH YOU?!
1084
01:26:59,358 --> 01:27:00,359
GET OUT OF HERE!
1085
01:28:33,586 --> 01:28:35,588
MALCOLM?
1086
01:28:44,096 --> 01:28:46,098
YOU ALL RIGHT?
1087
01:29:08,621 --> 01:29:11,123
IT'S ALL SET
FOR TUESDAY...
1088
01:29:11,123 --> 01:29:12,124
HERE
IN BRIDGEVILLE.
1089
01:29:12,124 --> 01:29:13,626
LISTEN...
1090
01:29:45,658 --> 01:29:47,660
LISTEN, KID,
1091
01:29:47,660 --> 01:29:50,663
I DON'T LIKE TO TALK ABOUT THIS
ANY MORE THAN YOU DO, BUT...
1092
01:29:50,663 --> 01:29:52,665
WE GOTTA GET SOME DOUGH...
1093
01:29:52,665 --> 01:29:56,168
I MEAN, FOR THE BURIAL
AND EVERYTHING.
1094
01:29:56,168 --> 01:29:58,170
TOMORROW'S THE FOURTH,
AND I THOUGHT MAYBE
1095
01:29:58,671 --> 01:30:00,673
WE COULD PUT ON
A SHORT PROGRAM,
1096
01:30:00,673 --> 01:30:05,177
CALL IT A MEMORIAL JUMP,
SOMETHING LIKE THAT,
1097
01:30:05,678 --> 01:30:07,179
MAYBE ONLY DO ONE JUMP.
1098
01:30:07,179 --> 01:30:10,683
I'D GET ON TELEVISION
AND RADIO TONIGHT
1099
01:30:10,683 --> 01:30:14,687
AND NEWSPAPERS
TOMORROW MORNING FOR SURE.
1100
01:30:14,687 --> 01:30:17,189
THEN TOMORROW
WE'LL JUST PASS THE HAT.
1101
01:30:20,693 --> 01:30:21,694
WHAT DO YOU THINK?
1102
01:30:21,694 --> 01:30:24,697
WHO'D COME TO SEE
ONE JUMP?
1103
01:30:24,697 --> 01:30:26,699
WELL, I--
1104
01:30:26,699 --> 01:30:28,200
UNLESS...
1105
01:30:28,200 --> 01:30:31,704
WE JUMP THE CAPE.
1106
01:30:33,706 --> 01:30:35,708
THAT'S NOT NECESSARY.
1107
01:30:35,708 --> 01:30:38,210
WE CAN LEND YOU
THE MONEY FOR THE BURIAL.
1108
01:30:38,210 --> 01:30:41,213
MRS. BRANDON, UH...
1109
01:30:44,216 --> 01:30:46,218
THAT WOULDN'T BE GOOD AT ALL.
1110
01:30:48,220 --> 01:30:51,724
I MEAN, UH...
1111
01:30:52,224 --> 01:30:54,727
YOU CAN UNDERSTAND THAT,
CAN'T YOU?
1112
01:30:56,729 --> 01:30:58,230
OK.
1113
01:30:58,230 --> 01:30:59,732
I'LL DO IT.
1114
01:31:06,739 --> 01:31:11,243
Mr. Brandon: HAS HE DONE
THIS...THIS JUMP BEFORE?
1115
01:31:14,747 --> 01:31:16,448
Browdy: NO.
1116
01:31:51,483 --> 01:31:52,985
YOU WANT ME TO DO IT?
1117
01:31:52,985 --> 01:31:55,487
DO WHAT?
1118
01:31:55,988 --> 01:31:58,490
THE JUMP TOMORROW.
1119
01:31:58,490 --> 01:32:00,993
I MEAN, WE DIDN'T
REALLY, REALLY TALK ABOUT IT.
1120
01:32:01,493 --> 01:32:02,995
YOU JUST SAID YOU'D DO IT.
1121
01:32:02,995 --> 01:32:05,497
I'LL DO IT.
1122
01:32:05,497 --> 01:32:08,500
IT DOESN'T MATTER
WHICH ONE OF US DOES IT,
1123
01:32:09,001 --> 01:32:12,004
SO I'LL DO IT.
1124
01:32:12,504 --> 01:32:15,507
I JUMPED THE CAPE ONCE,
YOU KNOW.
1125
01:32:20,512 --> 01:32:22,514
I DIDN'T KNOW THAT.
1126
01:32:24,016 --> 01:32:25,517
ONCE...
1127
01:32:29,021 --> 01:32:30,522
A LONG TIME AGO.
1128
01:32:36,028 --> 01:32:39,031
SOMETHING WEIRD
ABOUT THAT STUNT.
1129
01:32:41,533 --> 01:32:44,036
RETTIG ISN'T THE FIRST ONE TO GO
IN THE GROUND DOING THAT ONE.
1130
01:32:47,039 --> 01:32:50,042
I ALMOST DID MYSELF...
1131
01:32:50,042 --> 01:32:53,545
THE ONE TIME
I JUMPED THE CAPE.
1132
01:32:58,050 --> 01:33:02,054
ALL I KNEW WAS THERE WERE
A COUPLE SECONDS THERE WHEN...
1133
01:33:02,554 --> 01:33:06,558
I THINK I FELT LIKE THE CAPE
WOULD ACTUALLY KEEP ME UP.
1134
01:33:10,062 --> 01:33:12,064
I HAD WINGS OR SOMETHING.
1135
01:33:15,567 --> 01:33:17,069
IT WAS CRAZY.
1136
01:33:22,074 --> 01:33:24,576
ALMOST DIDN'T PULL
THE RIP CORD.
1137
01:33:27,579 --> 01:33:30,582
CLOSE--I CAME REALLY CLOSE.
1138
01:33:36,088 --> 01:33:37,089
YOU KNOW, A LOT OF GUYS
RIDE THE CAPE
1139
01:33:37,089 --> 01:33:39,091
RIGHT INTO THE GROUND.
1140
01:33:43,595 --> 01:33:45,597
I GUESS YOU REALLY DON'T KNOW
IF YOU'RE THE KIND
1141
01:33:45,597 --> 01:33:48,600
THAT MIGHT DO THAT UNTIL
YOU'VE RIDDEN THE CAPE ONCE.
1142
01:33:51,603 --> 01:33:53,605
AT LEAST ONCE.
1143
01:33:55,607 --> 01:33:58,610
[BLOWS WHISTLE]
1144
01:33:58,610 --> 01:34:00,612
[BAND PLAYING]
1145
01:34:13,125 --> 01:34:14,626
[BLOWS WHISTLE]
1146
01:34:14,626 --> 01:34:17,129
Director:
ALL RIGHT, NOW.
1147
01:34:17,129 --> 01:34:19,131
ONCE AGAIN
FROM THE BEGINNING.
1148
01:34:19,131 --> 01:34:22,634
AND REMEMBER, PEOPLE,
TIME IS SHORT.
1149
01:34:22,634 --> 01:34:24,636
TIME IS VERY SHORT.
1150
01:34:24,636 --> 01:34:26,138
Radio: AND THAT CONCLUDES
THE NATIONAL NEWS.
1151
01:34:26,138 --> 01:34:27,639
[KNOCK ON DOOR]
1152
01:34:28,140 --> 01:34:29,641
COME IN.
1153
01:34:29,641 --> 01:34:31,143
Radio: WE'VE BEEN
ASKED TO ANNOUNCE
1154
01:34:31,143 --> 01:34:32,644
THAT TOMORROW'S
4th OF JULY PARADE
1155
01:34:32,644 --> 01:34:34,646
WILL START AT CITY HALL
1156
01:34:34,646 --> 01:34:36,148
AND THEN PROCEED NORTH
ON MAIN STREET.
1157
01:34:36,148 --> 01:34:38,150
HUGE CROWDS ARE EXPECTED,
1158
01:34:38,150 --> 01:34:39,151
SO IF YOU'RE THINKING
OF TRAVELING
1159
01:34:39,151 --> 01:34:40,652
THROUGH THE DOWNTOWN AREA,
1160
01:34:40,652 --> 01:34:43,655
YOU'RE ADVISED TO USE
OUTLYING ALTERNATE ROUTES.
1161
01:34:43,655 --> 01:34:45,157
WE'LL KEEP YOU ADVISED,
1162
01:34:45,657 --> 01:34:47,159
SO FOR UP-TO-THE-MINUTE
TRAFFIC BULLETINS,
1163
01:34:47,159 --> 01:34:49,161
STAY TUNED TO THIS STATION.
1164
01:34:49,161 --> 01:34:51,163
AND HERE'S
THE WEATHER REPORT.
1165
01:34:51,163 --> 01:34:53,165
THE WEATHERMAN
HAS PROMISED TEMPERATURES
1166
01:34:53,665 --> 01:34:55,167
IN THE HIGH NINETIES,
1167
01:34:55,167 --> 01:34:57,169
SO DRESS ACCORDINGLY.
1168
01:34:57,169 --> 01:34:59,171
NOW FOR THE LOCAL
BASEBALL SCORES.
1169
01:34:59,171 --> 01:35:00,172
[RADIO CLICKS OFF]
1170
01:35:15,687 --> 01:35:18,190
I KEEP REMEMBERING MYSELF
STARING
1171
01:35:18,190 --> 01:35:20,192
AT THE AIRPLANE
THIS AFTERNOON...
1172
01:35:22,194 --> 01:35:25,197
STANDING THERE
LOOKING AT HIM...
1173
01:35:25,197 --> 01:35:27,199
WANTING TO SAY SOMETHING.
1174
01:35:29,201 --> 01:35:32,204
LIKE THERE WERE
SOME MAGIC WORDS TO SAY.
1175
01:35:34,706 --> 01:35:37,209
I COULDN'T SAY THAT WORD...
1176
01:35:37,209 --> 01:35:40,212
'CAUSE I DON'T KNOW
WHAT IT IS.
1177
01:35:53,725 --> 01:35:56,228
[BLOWS WHISTLE]
1178
01:35:56,728 --> 01:35:58,730
[BAND PLAYING]
1179
01:36:34,766 --> 01:36:36,768
[SILENCE]
1180
01:38:30,382 --> 01:38:32,384
PAY ATTENTION, DAMN IT!
1181
01:38:56,408 --> 01:38:57,409
CUT.
1182
01:39:53,965 --> 01:39:56,268
[ALL GASPING]
1183
01:40:58,830 --> 01:41:00,332
OK, PULL IT!
1184
01:41:03,335 --> 01:41:05,337
[WOMAN SCREAMS]
1185
01:41:11,343 --> 01:41:12,844
COME ON! PULL IT!
1186
01:41:19,351 --> 01:41:21,353
RETTIG!
1187
01:41:24,856 --> 01:41:25,857
[SIGHS]
1188
01:41:25,857 --> 01:41:27,859
[CHEERING]
1189
01:41:55,887 --> 01:41:59,891
TERRIFIC! TERRIFIC!
1190
01:42:01,893 --> 01:42:03,895
YOU SCARED
THE HELL OUTTA ME!
1191
01:42:03,895 --> 01:42:06,898
WHAT'D YOU WAIT
SO LONG TO PULL FOR?!
1192
01:42:06,898 --> 01:42:08,900
BEAUTIFUL! BEAUTIFUL!
1193
01:42:21,413 --> 01:42:23,915
WHEN YOU PULLED IT, YOU REALLY
PULLED IT, DIDN'T YOU?
1194
01:42:23,915 --> 01:42:25,417
RIGHT OUT OF THE PACK.
1195
01:42:39,297 --> 01:42:41,299
HEY, KID, YOU READY?
1196
01:42:41,299 --> 01:42:43,301
JUST ABOUT.
1197
01:42:43,301 --> 01:42:44,302
IS EVERYTHING--
1198
01:42:44,302 --> 01:42:46,805
YEAH, EVERYTHING'S
ALL TAKEN CARE OF.
1199
01:42:48,807 --> 01:42:50,308
ARE YOU LEAVING, TOO,
MR. BROWDY?
1200
01:42:50,308 --> 01:42:52,811
NO. I'LL BE STAYING
THROUGH TOMORROW
1201
01:42:52,811 --> 01:42:55,814
FOR THE FUNERAL,
BUT I SEE NO POINT
1202
01:42:55,814 --> 01:42:58,316
IN MY STAYING HERE
TONIGHT.
1203
01:42:58,316 --> 01:42:59,818
I MEAN, YOU KNOW,
1204
01:42:59,818 --> 01:43:02,821
WOULDN'T FEEL RIGHT
IF THE KID WAS GONE.
1205
01:43:04,823 --> 01:43:07,826
WELL, LISTEN, I--I'LL WAIT
FOR YOU DOWNSTAIRS.
1206
01:43:07,826 --> 01:43:10,328
HAVE ABOUT A HALF AN HOUR
BEFORE THE TRAIN.
1207
01:43:48,867 --> 01:43:49,868
MALCOLM...
1208
01:43:52,370 --> 01:43:54,873
YOU WON'T STAY
FOR A WHILE, THOUGH?
1209
01:43:59,377 --> 01:44:01,880
WHERE ARE YOU GOING?
1210
01:44:02,380 --> 01:44:05,383
I DON'T KNOW.
1211
01:44:11,890 --> 01:44:14,893
WILL YOU LET US KNOW HOW
YOU ARE FROM TIME TO TIME?
1212
01:44:17,896 --> 01:44:19,898
I'D LIKE TO KNOW
HOW YOU ARE.
1213
01:44:20,398 --> 01:44:22,901
I WILL.
1214
01:45:00,438 --> 01:45:02,440
WHAT ARE YOU
GOING TO DO, BROWDY?
1215
01:45:02,440 --> 01:45:04,943
WELL, I THOUGHT
I MIGHT HEAD WEST.
1216
01:45:06,945 --> 01:45:08,947
I'VE BEEN THINKING
ABOUT THAT A LOT LATELY.
1217
01:45:12,951 --> 01:45:14,953
I THINK
I MIGHT JUST HEAD WEST.
1218
01:45:17,455 --> 01:45:20,458
BUT YOU NEVER CAN TELL
WHAT MIGHT TURN UP.
1219
01:45:20,458 --> 01:45:21,960
RIGHT?
1220
01:45:21,960 --> 01:45:24,462
YOU DON'T MIND
MY NOT STAYING, DO YOU--
1221
01:45:24,462 --> 01:45:25,964
FOR TOMORROW? I--
1222
01:45:25,964 --> 01:45:27,966
GET LOST, WILL YOU?
1223
01:45:31,469 --> 01:45:33,471
HEY, KID?
1224
01:45:33,471 --> 01:45:34,973
NEXT TIME
YOU GET IN AN AIRPLANE,
1225
01:45:34,973 --> 01:45:36,474
MAKE SURE IT'S GOT
A DOOR ON IT.
1226
01:45:54,993 --> 01:45:57,996
HE WANTED ME
TO GO WITH HIM.
1227
01:45:57,996 --> 01:45:59,998
DID HE?
1228
01:46:11,509 --> 01:46:14,012
THE THOUGHT
TERRIFIED ME.
1229
01:46:17,515 --> 01:46:19,517
AND ME.
1230
01:46:26,524 --> 01:46:28,660
[TRAIN WHISTLE BLOWING]
1231
01:46:47,178 --> 01:46:50,181
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
1232
01:46:50,181 --> 01:46:53,184
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
76823
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
