All language subtitles for whos_the_boss_s06e26_the_all-nighter

There's a time for love and a time for
living. Take a chance and face the wind.

An open road and a road that's hidden. A
brand new life around the bend.

Nothing long but your mind awakened to a
brand new life, brand new life, brand

new life around the bend.

Artist. Mood.

Title. The screen.

Wrong.

It's Angela without her makeup.

Mona, listen to me.

Listen to me, Mona. We've got two days
to cover 500 years of art. Could you

us a break here?

Okay, all right, I'm going.

Ugly picture anyway.

All right, can we start again, please,
folks? Okay, next picture.

All right.

What year was it?

Who is it?

Kathleen. Oh, no, it's Little Miss. I
have a better idea.

That woman drives me nuts. Hey, hey,
hey, now, take it easy, guys.

I mean, she may be a little stubborn and
a little totally obnoxious, but she's

got the spare bulb for the projector.

Hi, hi, come on in, come on in.

We were just talking about you. Oh, all
good, I hope.

Have a seat.

Sit over here, Kathleen.

Boy, you look nice tonight.

Thanks, Dave, but I've been waiting
tables for the last eight hours.

I'm not exactly feeling like Michelle
Pfeiffer. Oh, yeah, you look like hell.

Can we please get back to work, gang?
Come on. Yeah, okay.

Hi.

Hi, John. Hi, all.

Hi, Angela.

How are you, Angela? This is my study
group. Study group, this is my boss,

Angela. Hi.

And this is John Petrie and Peter Gerber
of Encanto Records.

Please, no applause.

Well, well, I had no idea you were going
to have a study group over tonight.

That's funny, because I told you twice.
We'll talk about it later.

I can hardly wait.

Why don't we just go into my study?

Whatever you say.

Just trying to fit in. All right,
please, can we get back to work now?

You're starting with the 19th century
artist.

Yes, I'm starting with the 19th century
artist because that's what the exam is

emphasizing. You know what? I have a
better idea.

Angela,

can we please turn that down? Have we
learned nothing from Pete Townsend?

This isn't working.

You're telling me it's not working. You
know what? When I was in college and the

dorms got crazy, you know what my
friends and I did? We rented a motel

A motel room? I don't want to go to a
motel room. I don't think these guys

to go to a motel room.

Hey, let me know when you get to
something in a fig leaf.

Like I said, let's go to the motel,
okay? Come on, let's go.

Oh, this? Yeah, this would be great.
This would be great. Anything else I can

get from you lovely couple?

Turn down your bed?

I told you, we're not a lovely couple
and we don't need the bed. We're college

students here to study. I hear you,
Chief.

You're college students.

Very old college students.

I hope you're not expecting a tip.

Yeah.

Pizza. We deliver.

Great.

And I got something special for you,
Kathleen.

A dinner salad.

Oh, giant croutons. You dog, you.

All right, hey, what do you think? We'll
start with a little Michelangelo, since

he was one of the great religious
artists.

I wouldn't call him a religious artist.

What are you kidding?

Hey, he worked for four years on a
Sistine Chapel. What do you think he was

doing, measuring for wallpaper?

Michelangelo painted religious works
because he was commissioned to, not

of inspiration.

I disagree.

Yes, he was commissioned, but he was
truly inspired.

But wouldn't he have had that same
inspiration had he been painting, say,

and oranges? No, because his passion
comes from deep within his soul. And I

think it's obvious in his Adam, his
David, and his Pieta.

You're right.

I am?

I mean, you agree with me? Well, I was
just thinking what it would like to see

his works in person.

Oh, you...

You've been to Italy?

I saved up my tips for five years to
take that trip.

No kidding. Wow.

Well, you know, I'm doing the same thing
right now.

Oh, housekeepers get tips? Oh, no, no,
no. But we get to keep all the change we

find under the cushions.

So far, I got $40 and about a thousand
Tic Tacs.

Where were we? Da Vinci, eh?

Michelangelo. Oh, whatever. They're both
Italian.

Hey, listen, Angela, I love your idea
for the logo. You know, you've really

connected with the energy of the music.
Well, it's only rock and roll, but I

like it.

Listen, you're going to let me know if
you'll join me for the music awards. I

always like to have a beautiful woman on
my arm.

John, you know our rule about mixing
business with pleasure? Yeah, we do it.

What do you think?

I say get back, JoJo. All right, yeah.
You guys play me.

It was a great movie. It was great.

Thanks. Monet's Impression Sunrise.

1872. Stop.

Stop, stop, stop. No more numbers.

1610, 1812, 1940.

If I hear another number, I'll scream.

All right, okay, okay. Maybe we should
take five.

Oops, a thousand pardons.

I have a suggestion.

We're all tired. Why don't we pack it in
and finish studying tomorrow night?

Hey, that's not a good idea, guys.

Guys, we've got 36 hours to cover 200
years of art. Don't you want to get A's

your final? Right now, I just want to go
home and crash.

Isn't that just like us? They study for
a couple of minutes, then roll over and

go to sleep.

Come on, I'll take you both home.

Bye -bye, guys. Drive safe.

The younger generation just doesn't have
our ambition to learn. They don't have

our love of knowledge.

Our yearning for self -improvement.

Gosh, we're wonderful people, huh?

You're more fun than I thought.

Well, thank you, thank you. You didn't
think I was fun?

A little driven, a little serious, a
little pushy. But don't be offended.

That's what people usually think about
me.

Oh, really?

I don't believe it.

Sure you do.

You're the one who said it.

That was before I knew you, you know.

That's okay.

I dropped out of school when I was 18,
you know, and now that I have this

to be back, I'm really into it.

Well, same here, you know. I actually
get a kick out of studying. Never

I'd say that.

I guess we're both a couple of thrill
-seeking bookworms, huh?

A couple of evil Knievels of the mind.

I guess we should look at some slides,
huh? Right.

Okay, here we are, then.

That's, uh, that's Psyche and Cupid by
Antonio Canova.

Talk about your alabaster skin.

Half.

And that is, uh, uh,

That's a knock at the door.

Who is it? Room service.

Coffee for five?

Yeah, it's for five for the study group.
They were here. They just left just

before you got here.

It's the 90s, Ace. Relax.

Nobody cares.

Well, where were we?

Sorry,

nice. There's such a fevered intensity
to it.

It's like a dream, you know.

The colors are so alive.

The lines are so organic, sensual.

Yeah, organic.

Impassionate. Impassionate.

I mean, it's burning up.

Like fire.

Yeah, like fire.

Thank you.

Eight, later.

About 12.

Oh, I went to bed at 12.

30, 12 .30.

Isn't that the same outfit you were
wearing yesterday?

No, no, you had the blue shirt on
yesterday.

Oh, Angela, you are so observant.

Kelly, I just, um, I hope that you, um,
weren't upset with me about asking you

to go to the motel because, uh, I
just...

I hate to think that you went to bed
angry last night.

Believe me, I didn't.

Good morning.

Look what just came.

Oh, thanks.

Dad, it's for Angela.

Of course.

Where did they come from?

We're only rock and rollers, but we like
you. Great to have you on our team,

John Jojo Petrick.

Oh, isn't that sweet?

I'll put them in a vase.

Hey, isn't that the same outfit you wore
yesterday?

What's the point, Sam?

Talk about fashion sensitive.

Good morning.

Morning, Mona.

Morning.

You got lucky last night.

How'd you know that?

How did the sailor know when a squall's
a -brewin'? I also know it wasn't with

Angela.

Another feeling?

No, I didn't hear her singing, climb
every mountain.

Mona, I mean, you're gonna find out
about this anyway, so...

It was with Kathleen, you know, from my
study group.

Oh. You know, I feel kind of weird, like
I betrayed Angela.

Oh, I see.

You know, Tony, nobody in this world
wants you and Angela to get together

than I do.

But the fact is, you haven't exactly
made a binding commitment yet. Oh, so?

So, you and Angela... Angela may be on
the road to something permanent.

But let's face it. You're taking the
scenic route.

In a slow car.

With a flat tire.

Driven by a nun.

Who is blind. The

point is,

you're human.

Be honest with yourself.

Except the fact that you wanted last
night to happen.

Yeah.

But I also have to be honest with
Angela.

No, you don't.

Oh, man.

What good will it do either of you for
Angela to know what happened last night?

Are you kidding me, Mona? I gotta tell
her. I owe it to her. Mona, I'm telling

her. Oh, no.

Please.

I can't find her. I've got to go.

Anybody home?

Hi, Tony.

Hi, Angela.

Hi, Tony.

Hi. I mean... Hi.

Bet you're surprised to see Kathleen.

Oh, yeah.

Well, what are you doing here?

Angela invited me over.

Oh, Angela.

Antonio, the rest of your study group
will be here any minute.

Oh, so you invited everybody. That is
right. It is my way of apologizing to

for kicking you out last night, and I
know it's been bothering you, but you

too nice a guy to say anything.

I'm really not that nice. Yes, you are.

Yes, you are.

Some guy from the motel called and said
you left some slides of fat naked women

in your room.

Those are not fat naked women. Those are
Rubenesque nudes.

I don't care. I'll go pick them up.

Could I speak to you in the kitchen for
a second?

Sure, sure.

Excuse us a second.

Angela, there's something I have to tell
you. Tony, there's something I have to

ask you, and I know you're probably
going to think that I'm being silly,

I just don't want you to find out any
other way.

I'm not being silly.

Am I?

So, that's why you were acting so
strange today.

Angela, I really...

I really don't know what to say. I don't
know what to say either.

So I guess, you know, things have been
pretty intense and, you know, you're

under a lot of pressure and you did
something impulsive and now it's over.

just forget about it.

Is it over?

We'll be your study group.

You better get it.

Yeah.

Come in.

Hi.

We have to talk.

All right.

Done studying so early.

I really couldn't keep my mind on my
work.

Tony, I've been thinking.

And the last thing I want is for you to
feel badly about seeing someone

because of me.

Well, I don't want you to feel badly
about anything.

Look, I wasn't looking for this, Angela.
I believe you. I believe you.

Look, Tony.

Our relationship has always been our
relationship.

Yeah, sort of like a blind nun driving
with a flat.

Never quite thought about it like that.

I think what I'm trying to say is that
maybe for now

it's time that we explore our options,
broaden our horizons.

Define broadened.

Well, in the past, I've had feelings for
other people, but because of what we

had, I always put up a wall.

You've had feelings?

Yeah.

For people?

Men people?

When? I don't know.

Well, last month when I went to
Wisconsin and I met this addict, we hit

nothing happened, but I was tempted.

Tempted. In a dairy state.

My point is that I don't know what's
happening

with us.

But I think it's important that we let
it run its course.

Tony.

I have...

come closer to you than to almost
anyone.

And I don't want to lose that.

Neither do I.

So, you know, maybe this is part of our
journey.

Maybe we have to go through this to see
if we can go any further.

That'll be John and Peter.

Hi. Hi. Come on in. Thank you. Where's
John?

He had to go to L .A.

You are stuck with me tonight.

Oh.

Okay.

Why don't we go to the studios to hear
the tape?

Sure. Are you all right?

Rough day.

Listen, you're in no mood to work.

What do you say we just go out for a cup
of coffee?

Buy a treat?

Okay. Good.

I like that.

Angela.