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Here's a time for love and a time for
living. Take a chance and face the wind.
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An open road and a road that's hidden. A
brand new life around the bend.
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Not so long, but you might awake to a
brand new life. A brand new life. A
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new life around the bend.
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I was just... Oh, no, no, you were
great.
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Gee, there may be a career in this.
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If only you can keep your voice from
changing.
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Works for Wayne Newton.
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Hey, hey, wait a minute. I want you to
hear the rest of this song here.
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Chad McCann wrote this for Samantha.
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That's Chad on the tape. Later, okay?
I've got to work on the Sturdy Boy
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presentation. What's that? What's that?
That power tool thing? Right.
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Let me run an idea by you.
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Uh -oh.
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Now, I just want you to imagine a man
repairing a thatched roof in Ireland,
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as he saws, he sings, Oh, sturdy boy,
repairs, repairs are
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calling.
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Now you know why her singing teacher
shot himself.
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The wind.
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But you were sure you were chilling on
Every now and then Oh, I yell over
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Ray
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Charles!
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You are Ray Charles!
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That's what it says on my American
Express.
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Ray, come in, come in and have a seat.
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I hope I'm not interrupting. I was just
up in my agent's office, Dad. I heard
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that song. It's a real nice song.
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I can't tell you what a thrill this is
for me, Mr. Charles. Hey, just call me
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Ray.
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How about Brother Ray?
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You must be a real fan.
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What's your name?
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They call me Sister Mona.
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Oh, I have always dreamed of being a
Raylette.
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I have a great voice.
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Oh, yeah? Well, what do you look like?
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I'm young, black, and beautiful.
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Oh, really?
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Okay, you got me. So I'm not black.
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Mother, please get the file for me on
what... Look who's here. Oh, well, good.
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hope you know more about typewriters
than the last guy.
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Are you on a break or are you going to
fix my typewriter?
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I'll give it a shot. I'm pretty good at
these things. I certainly hope so. I'm
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paying good money. All right. Where is
it? It's to the left over there. You
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me to show you? Oh, no, no.
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That's okay.
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Father.
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He's blind.
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They sent us a blind repairman.
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I used to date a blind man, and I can
tell you he was very good with his
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Anyway, he is not a repairman.
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He's not?
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All right, here we go. What's the
problem?
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Well, the keys won't go down. Then
what's he doing here?
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He is Ray Charles. I don't care what his
name is. Ray Charles!
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Oh, I am so embarrassed.
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Well, what about me? I'm your mother.
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Mr. Charles, I just, I feel just, I
don't know what to say. What a faux pas.
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That's okay, babe. Come over and try
this.
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All right.
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Oh, my, it works.
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Well, thank you. You are really
talented.
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Well, you know, it's always good to have
something to fall back on in case the
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music keeps going.
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Okay, would you like to hear the rest of
Chad's song?
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Ray likes it, too. Yeah, it's a great
song. As a matter of fact, what do you
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guys do here? Are you in the music
business? Oh, no.
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Oh, no, we're in advertising.
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Oh, so that song is for a commercial.
Oh, no, no, not at all. That song was
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written by a 14 -year -old kid. It's not
at all the kind of thing that we would
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use. Oh, that's too bad.
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It's kind of catchy.
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Unless, of course, we could get the
right person to sing it.
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Um... Mr. Charles?
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Oh, baby, it's not in my bag.
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Oh, well, isn't there anything I could
do to put it in your bag?
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Well, it would have to be the kind of
thing I could... really get behind. Oh,
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oh, well, then I think we are really in
business here because we're talking
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about a product that brings friends and
families together, helps them build a
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better tomorrow.
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Sturdy Boy Power Tools.
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This is usually where she sings the
battle hymn of the republic.
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Well, that's one of my favorites. Truth
is, Sister Mona, I dig Sturdy Boy Power
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Tools.
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Really? You use power tools?
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Oh, sure, I've built a lot of things.
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00:06:04,410 --> 00:06:06,290
Tables, chairs, bookcases.
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Of course, God only knows what they look
like.
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Just think, Ray Charles is in his song
in a commercial.
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Who's Ray Charles?
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This whole thing is so incredible.
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What can I say, Chad? I'm like a great
songwriting team, like...
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Holland Oates.
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Ashford and Simpson.
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Irving and Berlin.
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I thought you wrote the song.
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Just the words and the music, but I was
the inspiration.
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The poor guy's crazy about me.
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Chad.
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Sam.
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Uh, it's not what it looks like. She
means nothing to me.
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Take it easy, Sam. You don't want to
make a scene.
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Buddy, please.
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Is my voice that bad?
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Your voice is fine.
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It is, isn't it?
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My late voice teacher told me that it
was not unlike Petula Clark.
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Just don't ever want to hear that song
again.
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Well, why not?
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Because Chad McCann is a toad.
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Oh, honey.
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What happened?
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I caught him kissing.
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Susie Sherman.
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Why, that pubescent little philanderer.
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How dare he treat you like that.
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So you really understand?
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Of course I do.
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I'm a woman too.
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And you'll stand by me?
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Hey, we're sisters.
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Oh, boy. I was afraid you'd still want
to use Chad's song.
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time i hear it sam sweetheart i feel
terrible about what happened but you
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it's not healthy to dwell on these
things as hard as it is you've just got
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pull yourself together and get over it i
will by seven o 'clock
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that's when ray charles is going to be
here see he's done a new arrangement of
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the song and he just he can't wait to
run it by me
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Ray Charles is going to ask you about
music?
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Well, it is my commercial, and we just
have to make sure that we're simpatico.
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Angela, I don't want him singing that
song.
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Samantha, there's a lot at stake. Please
try to understand.
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I do.
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You care more about your business than
you care about me. That is not true.
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Always.
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Samantha, I know you're upset, but
that's no reason to take it out on him.
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Yeah! I said shut up, squirt!
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Don't talk to him like that. I can talk
to him any way I want to.
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Samantha, go to your room. You are not
my mother! You can't tell me what to do!
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Samantha, go to your room!
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Hey, hello!
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Oh, hey, hey.
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We were sisters.
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We're not sisters.
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We're not even friends.
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00:10:03,050 --> 00:10:04,230
Oh, Angela.
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Here. Now, look, I'm sure she didn't
mean that. She loves you. I know she
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She's just had a very rough day, which
is still no excuse to talk to you that
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way. She doesn't want me to use Chad's
song.
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Well, can you blame her? I mean...
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Can't you just get another one?
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00:10:21,200 --> 00:10:24,980
No, that's the song that 30 Boy wants.
And what am I supposed to tell them,
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their multi -million dollar campaign is
off because Chad McCann kissed Susie
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Sherman?
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They wouldn't understand, huh? Tony.
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I'll talk to her. What are you going to
tell her?
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00:10:36,020 --> 00:10:38,460
Oh, Angela, you don't tell teenagers
anything.
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You know, you start lecturing a
teenager, they get this glazed look in
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eye, you know what I mean? You're
talking about the meaning of the
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they're thinking, gee, I need a yellow
blouse.
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Oh, Sam.
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I'm not out of my room. I just came down
to get my books.
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Now that my social life is ruined, I
might as well be a brain.
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Um, why don't I just leave you two
alone?
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Now, Sam.
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00:11:02,790 --> 00:11:05,050
Uh -oh. I feel a lecture coming on.
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00:11:05,350 --> 00:11:08,190
Oh, wait. What do you mean, a lecture? I
don't lecture you, do I?
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00:11:08,670 --> 00:11:11,770
Yes. Oh, well, this isn't a lecture.
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00:11:12,350 --> 00:11:13,350
Look, Sam.
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I'm not going to lay a bunch of stuff on
you about how sometimes you've got to
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look at the bigger issues. And sometimes
in life, you have to make sacrifices
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for the people you love.
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You need a yellow blouse?
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Sorry, I must have drifted off.
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00:11:27,810 --> 00:11:29,890
Look, Sam, I know you're mad at Angela.
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But she loves you. She loves you like
you're her own daughter.
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And I don't think you want to throw away
a friendship like that.
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I can't believe you're taking her side.
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Sweetheart, it is not a question of
sides. It's a question of doing a grown
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thing.
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I know this is not a lecture, but is it
over?
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I guess.
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Thank you.
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It should be plenty.
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00:12:04,470 --> 00:12:06,810
Hi, Mona. Where are you off to? Bible
class?
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00:12:10,410 --> 00:12:15,210
I am not going anywhere. I wouldn't miss
this dinner tonight for all the world.
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00:12:15,510 --> 00:12:19,010
Yeah? Well, then I should make leftover
meatloaf more often. That's good.
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What? You are going to serve leftover
meatloaf to Ray Charles?
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00:12:24,350 --> 00:12:25,830
Ray Charles is coming here for dinner?
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00:12:26,070 --> 00:12:27,830
Yeah, in about 20 minutes.
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00:12:28,110 --> 00:12:33,090
I don't believe this. Why didn't Angela
tell me? Oh, Angela didn't call you from
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the office? Oh, she didn't call?
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00:12:33,990 --> 00:12:35,710
That's right, she told me to.
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00:12:36,270 --> 00:12:42,680
Well, isn't this better? A phone call?
is so impersonal. Mona, I could kill
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Mona. Tony, I had a million things to
do. Look, I had to get my nails done.
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00:12:46,940 --> 00:12:52,400
I had to rent a piano today. And do you
know how hard it is to find a gardenia
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this time of year?
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No jury in the land would convict me.
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like Tony has everything under control
in the kitchen.
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00:13:22,660 --> 00:13:24,960
Can I get in? Of course you can,
sweetheart.
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Uh, Sam?
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00:13:27,380 --> 00:13:28,420
Are you okay?
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00:13:32,380 --> 00:13:36,800
Hello. Hello, Mr. Charles. Oh, hi there.
And, uh, who are you?
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I'm my mother's son.
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00:13:38,840 --> 00:13:39,840
Oh, yeah.
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00:13:40,040 --> 00:13:42,020
Well, what a coincidence. So am I.
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00:13:43,240 --> 00:13:47,940
Uh, this is Dave Hunt, my, uh, driver
and all -around good guy.
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00:13:48,880 --> 00:13:51,020
and this is Angela Bauer. Hello. It's a
pleasure.
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00:13:51,700 --> 00:13:54,960
Well, I'll see you later. Oh, well,
you're welcome to join us.
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00:13:55,200 --> 00:13:56,200
You have cable TV?
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00:13:56,640 --> 00:13:58,100
No. Compact disc?
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00:13:58,500 --> 00:13:59,800
No. Hot tub?
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00:14:00,080 --> 00:14:01,720
No. I'll wait in a limo.
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00:14:04,340 --> 00:14:07,520
Hey, hey, hey, what it is? Drunk or
right?
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00:14:07,760 --> 00:14:12,100
Oh, she is. Yeah, you remember Sister
Mona. Yeah, who could forget?
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00:14:13,740 --> 00:14:17,200
Why do you come with me? Come on. Come
over here. Sit down. Okay.
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00:14:17,520 --> 00:14:18,520
Oh, Ray.
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00:14:18,560 --> 00:14:23,480
There is... Come right here. There is
someone else I'd like you to meet. All
218
00:14:23,480 --> 00:14:27,860
right. This is my housekeeper and all
-around good guy, Tony Maselli.
219
00:14:28,520 --> 00:14:29,840
Hello, Ray.
220
00:14:30,140 --> 00:14:36,220
Oh, boy. I am a big fan of yours. A big,
I mean. You know, we spent a lot of
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romantic evenings together.
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You mean just the two of us?
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Well, only when I struck out.
224
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Well, I never had that problem.
225
00:14:48,220 --> 00:14:52,320
Ray, there's someone else I'd like for
you to meet. This is Samantha, Tony's
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00:14:52,320 --> 00:14:56,940
daughter. Hi. Oh, hi there. It's nice to
meet the lady behind the song. I bet
227
00:14:56,940 --> 00:14:58,260
you it makes you feel pretty good, huh?
228
00:14:58,800 --> 00:14:59,800
Yeah.
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00:15:00,400 --> 00:15:03,580
What do you say? How about a drink? Make
it a double.
230
00:15:05,620 --> 00:15:07,120
I was talking to Ray.
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00:15:07,460 --> 00:15:10,840
Oh, no, thank you. I promise, Dave, I'll
drive back tonight.
232
00:15:20,140 --> 00:15:22,240
Mr. Charles, would you sign my album?
233
00:15:22,700 --> 00:15:23,700
Oh, sure.
234
00:15:24,080 --> 00:15:28,780
Which album is it? Well, actually, it's
not one of yours. It's Simon the Singing
235
00:15:28,780 --> 00:15:31,260
Whale. But he's got George on my mind.
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00:15:32,040 --> 00:15:36,540
It's a great rendition. You know, Simon
is one of the great blues whales of all
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time.
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00:15:38,120 --> 00:15:41,740
I'm sure I can't compete with him, but I
can try. Would you like to hear my
239
00:15:41,740 --> 00:15:43,380
arrangement of Always a Friend?
240
00:15:43,640 --> 00:15:46,660
Yeah. All right, show me that baby
grand.
241
00:15:46,980 --> 00:15:47,980
Oh.
242
00:15:49,740 --> 00:15:50,740
could sing along.
243
00:15:50,780 --> 00:15:52,460
No, you couldn't.
244
00:15:54,800 --> 00:15:55,900
You
245
00:15:55,900 --> 00:16:02,540
are
246
00:16:02,540 --> 00:16:09,260
always a friend Someone I can talk to
247
00:16:09,260 --> 00:16:15,900
Always a friend Someone I can always
248
00:16:15,900 --> 00:16:22,550
turn to Time Which seems as if my whole
249
00:16:22,550 --> 00:16:25,450
world has caved in.
250
00:16:28,250 --> 00:16:32,810
You are always a friend.
251
00:16:33,830 --> 00:16:36,630
Someone I can believe in.
252
00:16:37,430 --> 00:16:39,530
Always a friend.
253
00:16:40,690 --> 00:16:43,730
Someone I've been needing so.
254
00:16:49,740 --> 00:16:52,580
You know, every time then.
255
00:17:31,180 --> 00:17:36,640
Someone who'll always love you, always a
friend.
256
00:17:37,540 --> 00:17:43,280
Someone who'll be worthy of you right
from the start.
257
00:17:44,280 --> 00:17:50,880
You and me together, the two of us
forever,
258
00:17:51,380 --> 00:17:54,040
seeing you the love.
259
00:18:30,540 --> 00:18:34,680
It was just beautiful, but I'm afraid we
won't be able to use the song.
260
00:18:35,060 --> 00:18:36,880
Oh, honey, I can do it better. No.
261
00:18:38,520 --> 00:18:39,520
No,
262
00:18:40,080 --> 00:18:44,240
it's not you. It's just that it's a
little too painful for Samantha.
263
00:18:44,840 --> 00:18:45,840
How is that?
264
00:18:46,960 --> 00:18:51,100
It reminds me of someone I care about
very much. Yeah, it's the boy who wrote
265
00:18:51,100 --> 00:18:52,100
the song. No, Angela.
266
00:18:53,520 --> 00:18:54,520
Not him.
267
00:18:55,960 --> 00:18:56,960
You.
268
00:19:16,330 --> 00:19:17,049
I know.
269
00:19:17,050 --> 00:19:18,050
I know.
270
00:19:19,030 --> 00:19:21,250
I want you to use the song.
271
00:19:21,690 --> 00:19:26,350
No, it's okay. I really can do without
it. No, it's important to you, and I
272
00:19:26,350 --> 00:19:30,210
you to use it. Billy, I can find another
one. Angela, use the song.
273
00:19:33,210 --> 00:19:34,210
Are you sure?
274
00:19:34,390 --> 00:19:35,390
She's sure.
275
00:19:35,690 --> 00:19:37,770
Hey, Ray, what do you say? How about an
encore?
276
00:19:37,990 --> 00:19:40,010
Hey, what about if I play something I
wrote myself?
277
00:19:40,270 --> 00:19:41,270
Sounds good to me.
278
00:19:52,400 --> 00:19:53,299
how you do it, Ray?
279
00:19:53,300 --> 00:19:55,160
Yeah, but I just want to see how high
you can count.
280
00:20:45,919 --> 00:20:49,320
Ray, I never get tired of listening to
your stuff.
281
00:20:49,640 --> 00:20:51,500
Neither do I, Ray.
282
00:20:54,040 --> 00:20:55,680
Let me think here.
283
00:20:56,040 --> 00:20:59,240
What's the first time I heard this call?
Was it Annie?
284
00:21:00,940 --> 00:21:01,940
No, no, wait, wait.
285
00:21:02,140 --> 00:21:03,780
No, I think it was Cindy, yeah.
286
00:21:05,100 --> 00:21:07,860
No, it was Tracy.
287
00:21:09,320 --> 00:21:10,640
Thank you.
288
00:21:11,440 --> 00:21:13,240
Hey, you got it, brother. Anytime.
289
00:21:32,940 --> 00:21:33,940
You tell me that is.
22819
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