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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,951 --> 00:00:23,957 >>> A SUMMER BEGAN. 2 00:00:23,957 --> 00:00:30,463 * * WE START HERE. >> ARIANA WELCOMED FIVE GIRLS 3 00:00:30,463 --> 00:00:35,068 AND FIVE BOYS BACK TO THE LOVE ISLAND VILLA. 4 00:00:35,068 --> 00:00:39,673 >> WELCOME TO FIJI. [ CHEERS AND APPLAUSE ] 5 00:00:39,673 --> 00:00:43,143 >> BUT SAVVY ISLANDERS DOING A TASTE TEST BEFORE MAKING THEIR 6 00:00:43,143 --> 00:00:47,914 CHOICE. >> WHO DO YOU WANT TO COUPLE UP 7 00:00:47,914 --> 00:00:48,648 WITH? >> JEREMIAH. 8 00:00:48,648 --> 00:00:53,720 >> NOW, WE HAVE OUR FIRST FIVE OFFICIAL COUPLES OF 2025. 9 00:00:53,720 --> 00:00:59,192 HERE'S TO A SUMMER YOU'LL NEVER FORGET. 10 00:00:59,192 --> 00:01:09,636 [ CHEERS AND APPLAUSE ] * * 11 00:01:11,671 --> 00:01:14,407 WE START HERE. 12 00:01:14,407 --> 00:01:18,244 >> THE BOMBSHELLS CAME >> IF YOU'VE LIKE TO GET TO 13 00:01:18,244 --> 00:01:25,552 KNOW THAT BOMBSHELL BETTER, RAISE YOUR HAND NOW. 14 00:01:25,552 --> 00:01:34,094 * * IT ALL STARTS HERE * * >> WELCOME TO "LOVE ISLAND 15 00:01:34,094 --> 00:01:39,165 USA," BOMBSHELL IS ROCKING INTO THE VILLA, FLED THE SCENE, 16 00:01:39,165 --> 00:01:41,601 NORMALLY THIS WOULD BE A CRIME. ON LOVE ISLAND, IT'S A 17 00:01:41,601 --> 00:01:49,342 WEDNESDAY. >> I'D LIKE YOU GUYS TO PUT 18 00:01:49,342 --> 00:01:53,113 THOSE BLINDFOLDS BACK ON. HAVE A THINK BACK TO THAT LAST 19 00:01:53,113 --> 00:01:54,381 KISS. IF YOU ENJOYED IT, AND YOU'D 20 00:01:54,381 --> 00:02:05,592 LIKE TO GET TO KNOW THAT BOMBSHELL BETTER, RAISE YOUR 21 00:02:05,592 --> 00:02:15,669 HAND NOW. 22 00:02:23,643 --> 00:02:29,983 * * 23 00:02:29,983 --> 00:02:36,289 >> OKAY, ISLANDERS, YOU CAN NOW TAKE OFF YOUR BLINDFOLDS. 24 00:02:36,289 --> 00:02:42,429 WELL, IT HAS BEEN A VERY REVEALING EVENING, FOR ME AT 25 00:02:42,429 --> 00:02:45,131 LEAST. IF YOU GOT MORE THAN ONE KISS, 26 00:02:45,131 --> 00:02:49,369 DO YOU KNOW WHO IT'S FROM? IF YOU KISSED SOMEONE OUTSIDE 27 00:02:49,369 --> 00:02:55,375 OF YOUR COUPLE, ARE YOU GOING TO TAKE IT ANY FURTHER? 28 00:02:55,375 --> 00:02:58,378 OH. AND, OF COURSE, IS EVERYONE 29 00:02:58,378 --> 00:03:03,049 EXCITED TO MEET THE NEW BOMBSHELL? 30 00:03:03,049 --> 00:03:10,256 [ CHEERS ] >> WELL, WE'LL BE IN TOUCH. 31 00:03:10,256 --> 00:03:12,926 BYE FOR NOW. >> THAT IS CRAZY. 32 00:03:12,926 --> 00:03:17,530 REAL QUESTION IS WHO GONNA COME FORWARD ABOUT WHO KISSED WHO? 33 00:03:17,530 --> 00:03:19,065 >> I PLEAD THE FIFTH. >> WOW! 34 00:03:19,065 --> 00:03:23,103 I HEARD A LOT OF MOVEMENT. >> EVERYBODY GETS A KISS, BUT 35 00:03:23,103 --> 00:03:28,408 NOBODY GONNA -- LET'S MAKE THAT MAKE SENSE. 36 00:03:28,408 --> 00:03:39,152 >> I DIDN'T GET UP. >> YOU DIDN'T GET UP? 37 00:03:39,152 --> 00:03:39,953 >> NO. I WAS IN LINE. 38 00:03:39,953 --> 00:03:45,125 >> BOMBSHELLS CHARLIE AND CIERRA OF WHO WANTS TO JOIN 39 00:03:45,125 --> 00:03:49,796 THEM IN THE HIDEAWAY. WHO WILL IT BE, AND WILL THEY 40 00:03:49,796 --> 00:03:57,137 FIND OUR TOP SECRET LAYER WHICH HAS A BRIGHT NEON SIGN OVER THE 41 00:03:57,137 --> 00:03:57,771 DOOR. GENIUS. 42 00:03:57,771 --> 00:04:04,844 * * THE CALL OF THE WILD * * 43 00:04:04,844 --> 00:04:08,281 >> I'VE GOT A TEXT. [ CHEERS ] 44 00:04:08,281 --> 00:04:18,925 >> NIC, THE FEELING IS MUTUAL, COME AND FIND ME IN THE 45 00:04:18,925 --> 00:04:19,759 HIDEAWAY. >> WHOA! 46 00:04:19,759 --> 00:04:25,398 >> NOT THE HIDEAWAY? >> WAIT, WHAT? 47 00:04:25,398 --> 00:04:28,435 >> I GOT A TEXT. >> BELLE-A, I KNOW YOU DIDN'T 48 00:04:28,435 --> 00:04:33,073 RAISE YOUR HAND, BUT YOU GOT TO ADMIT WE GOT CHEMISTRY. 49 00:04:33,073 --> 00:04:36,843 SO COME AND MEET ME AT THE HIDEAWAY. 50 00:04:36,843 --> 00:04:43,683 THE MAN KNOWS WHAT HE WANTS. * * I HEAR THE CALL OF THE 51 00:04:43,683 --> 00:04:48,188 WILD * * >> IT WAS NICE TO KNOW THAT SHE 52 00:04:48,188 --> 00:04:53,126 DIDN'T RAISE HER HAND. BUT, YEAH, I WAS DEFINITELY A 53 00:04:53,126 --> 00:04:56,096 LITTLE CAUGHT OFF GUARD. >> OH, MAKING CHOICES, DON'T 54 00:04:56,096 --> 00:04:56,996 FORGET ABOUT ME. >> I WON'T. 55 00:04:56,996 --> 00:05:02,569 >> HAVE FUN, BUT NOT TOO MUCH FUN. 56 00:05:02,569 --> 00:05:12,512 I'M ALL WORRIED A LITTLE BIT, SURE. 57 00:05:12,512 --> 00:05:14,881 THIS IS CRAZY. >> HOLY SSHIT, I'M SO HAPPY TO, 58 00:05:14,881 --> 00:05:23,356 LIKE, GET THIS OPPORTUNITY TO MEET THESE BOMBSHELLS AND, 59 00:05:23,356 --> 00:05:31,097 LIKE, GO TO THE HIDEAWAY. * * I HEAR THE CALL OF THE 60 00:05:31,097 --> 00:05:31,931 WILD * * >> OH! 61 00:05:31,931 --> 00:05:34,434 >> IT'S THE BOMBSHELL. >> THIS IS CRAZY. 62 00:05:34,434 --> 00:05:37,270 WOW! YOU GUYS WERE SO GOOD. 63 00:05:37,270 --> 00:05:39,773 >> THANK YOU. >> HI, CHARLIE, PLEASURE TO 64 00:05:39,773 --> 00:05:41,741 MEET YOU. >> NICE TO MEET YOU, CHARLIE. 65 00:05:41,741 --> 00:05:50,550 >> YOU FEEL LIKE WE'VE KISSED BEFORE OR SOMETHING MAYBE? 66 00:05:50,550 --> 00:05:52,786 >> WHAT THE? I'M, LIKE, STOKED RIGHT NOW. 67 00:05:52,786 --> 00:05:58,425 >> THE REMAINING ISLANDERS ARE LEFT TO SOLVE THE MYSTERY OF 68 00:05:58,425 --> 00:06:02,696 WHO BETRAYED WHO. IT'S LIKE THE OTHER PEACOB SHOW 69 00:06:02,696 --> 00:06:06,132 "THE KILLERS." >> I GOT KISSED ONCE, AND IT 70 00:06:06,132 --> 00:06:09,602 WAS AT THE END. >> I KNOW FOR A FACT WHO NUMBER 71 00:06:09,602 --> 00:06:11,805 ONE WAS. I ALREADY KNOW WHO IT WAS. 72 00:06:11,805 --> 00:06:14,040 IT WAS ACE. >> I KNOW ACE -- 73 00:06:14,040 --> 00:06:17,077 >> DID YOU KISS SOMEBODY? WHO DID YOU KISS? 74 00:06:17,077 --> 00:06:19,312 >> OH, OKAY. AND THEN YOU DEPARTMENT KISS 75 00:06:19,312 --> 00:06:20,046 ANYBODY. >> NO. 76 00:06:20,046 --> 00:06:23,616 >> AND I DIDN'T KISS ANYBODY. >> DID YOU GET KISSED? 77 00:06:23,616 --> 00:06:28,521 >> BUT IT WAS BOMBSHELL. >> HE KISSED ME ON THE CHEEK. 78 00:06:28,521 --> 00:06:35,395 >> OH, DAMN, YOU. I WAS, LIKE, SHE LOST HER 79 00:06:35,395 --> 00:06:36,463 VIRGINITY. >> DID YOU KISS SOMEONE? 80 00:06:36,463 --> 00:06:39,232 LIKE, I WANT TO TAKE THINGS SLOW, AND HE KNOWS THAT. 81 00:06:39,232 --> 00:06:43,636 WHEN I SAW HIM TAKE OFF HIS BLINDFOLD, HE WAS, LIKE -- I 82 00:06:43,636 --> 00:06:46,106 THINK HE ASSUMED YOU GOT UP. >> I THINK HE THOUGHT I DID. 83 00:06:46,106 --> 00:06:50,076 >> I DON'T THINK HE LIKES THAT I KISSED SOMEBODY, LIKE, I 84 00:06:50,076 --> 00:06:54,647 DON'T THINK HE LIKES IT. BUT I THINK ME TELLING HIM THAT 85 00:06:54,647 --> 00:06:56,316 I DIDN'T REASSURED HIM ENOUGH HOPEFULLY. 86 00:06:56,316 --> 00:07:00,020 OF COURSE I LIKE HIM. WHAT THE FFUCK? 87 00:07:00,020 --> 00:07:05,258 WE'VE GOT SO MUCH IN COMMON. LIKE, WHAT THE FFUCK. 88 00:07:05,258 --> 00:07:07,827 >> I JUST DON'T KNOW, I KNOW TWO OF THEM FOR SURE. 89 00:07:07,827 --> 00:07:10,663 >> SO WHAT ARE THE TWO YOU RECOGNIZE THEN? 90 00:07:10,663 --> 00:07:18,438 >> I KNOW FOR A FACT IT WAS BELLEA. 91 00:07:18,438 --> 00:07:23,076 >> WHO KISSED WHO? WHO KISSED ME? 92 00:07:23,076 --> 00:07:32,552 >> I'M SAYIN' -- YOU KNOW IT WASN'T BELLE-A, AND SO CHELLEY. 93 00:07:32,552 --> 00:07:37,257 BUT IT'S FOR THE PEOPLE, RIGHT? SO CHELLEY, BOMBSHELL, AND IT'S 94 00:07:37,257 --> 00:07:40,760 ONE OTHER PERSON. ONLY TWO GIRLS LEFT IS MINE AND 95 00:07:40,760 --> 00:07:43,930 YOURS. >> ARE YOU SAYING ONE OF OURS 96 00:07:43,930 --> 00:07:44,764 GOT UP? >> YES. 97 00:07:44,764 --> 00:07:52,439 SHE SAYS SHE DIDN'T, BUT -- [ LAUGHTER ] 98 00:07:52,439 --> 00:07:54,774 >> DON'T KNOW. I DON'T KNOW WHAT TO BELIEVE. 99 00:07:54,774 --> 00:07:57,844 I DON'T WANT TO BE PARANOID OR, YOU KNOW, OVERPROTECTIVE AND 100 00:07:57,844 --> 00:08:01,247 ALL THAT, BUT IT WOULD BE VERY SURPRISING, DISAPPOINTING IF 101 00:08:01,247 --> 00:08:04,017 SHE DID LIE. IF I GOT PLAYED, I GOT PLAYED. 102 00:08:04,017 --> 00:08:08,588 I GUESS I'LL BE THE FOOL, BUT I THINK MY GUT SAYS SHE DIDN'T, 103 00:08:08,588 --> 00:08:13,159 BUT MY BRAIN SAYS MAYBE. >> WE DON'T KNOW. 104 00:08:13,159 --> 00:08:16,463 >> YEAH. YOU GET UP, IT'S COOL IF YOU 105 00:08:16,463 --> 00:08:22,802 SAY, NO, YOU PROMISE AND ALL THAT. 106 00:08:22,802 --> 00:08:27,040 I COULD BE GUESSING. I DON'T KNOW. 107 00:08:27,040 --> 00:08:29,142 >> YOU GOT IT. YOU GOT IT. 108 00:08:29,142 --> 00:08:32,045 YOU GOT IT. >> I CAME IN THIS THING LOOKING 109 00:08:32,045 --> 00:08:37,851 FOR LOVE, YOU KNOW WHAT I MEAN, BY ANY MEANS NECESSARY, AND 110 00:08:37,851 --> 00:08:44,224 WHEN I KISSED HUDA, SHE CAUGHT MY ATTENTION DAY ONE, JUST A 111 00:08:44,224 --> 00:08:48,495 COOL KISS. I JUST WANT TO SEE WHAT 112 00:08:48,495 --> 00:08:49,229 HAPPENS. >> HOW -- 113 00:08:49,229 --> 00:08:54,401 >> YOU GUYS DEFINITELY CAME INTO THE ROOM, LIKE, I WAS 114 00:08:54,401 --> 00:09:00,106 CRAZY. >> WHAT DO YOU THINK OF THE 115 00:09:00,106 --> 00:09:03,076 SETUP WE HAVE FOR YOU? STUNNING, RIGHT? 116 00:09:03,076 --> 00:09:05,478 I THINK SO. IS THAT OKAY WITH YOU? 117 00:09:05,478 --> 00:09:07,914 >> SO CHECK OUT THIS PLACE. >> WAIT. 118 00:09:07,914 --> 00:09:09,249 THIS IS SO BEAUTIFUL. >> I'VE NEVER DONE THIS BEFORE. 119 00:09:09,249 --> 00:09:17,524 >> I THINK THIS IS A ONCE-IN-A- LIFETIME EXPERIENCE. 120 00:09:17,524 --> 00:09:19,225 >> YEAH. THE FIRST MEETING WITH SOMEONE 121 00:09:19,225 --> 00:09:26,533 IS USUALLY AWKWARD. THERE'S LIKE AN ICE TO IT, LIKE 122 00:09:26,533 --> 00:09:30,370 BREAKING THE ICE, AND WITH CIERRA IT WAS SCAREILY, LIKE, 123 00:09:30,370 --> 00:09:33,039 EASY TO TALK TO HER. >> GET TO IT. 124 00:09:33,039 --> 00:09:38,678 >> HERE FOR A GOOD TIME. >> OH, MY GOD! 125 00:09:38,678 --> 00:09:44,284 >> OH, MY GOD! >> OH, MY GOD! 126 00:09:44,284 --> 00:09:45,685 >> ANYTHING PIQUE YOUR INTEREST? 127 00:09:45,685 --> 00:09:52,192 >> YOU GUYS. >> I LOVE THAT. 128 00:09:52,192 --> 00:09:52,859 WAIT. HOW FUN? 129 00:09:52,859 --> 00:09:59,065 >> ARE YOU FAMILIAR WITH THIS? >> TAYLOR WANTS TO KNOW WHAT 130 00:09:59,065 --> 00:10:02,736 OLANDRIA GOT TO JOIN THE KISSING GAME, AND LET ME TELL 131 00:10:02,736 --> 00:10:07,640 YOU, SIR, WHAT THAT ELEVATOR REPAIR PERSON DID WAS WRONG ON 132 00:10:07,640 --> 00:10:13,646 SO MANY LEVELS. >> MAN, MAN, MAN, MAN. 133 00:10:13,646 --> 00:10:14,848 >> OH. HOW ARE YOU FEELIN'? 134 00:10:14,848 --> 00:10:18,718 >> HOW -- >> THE GAME WAS PRETTY MESSY, 135 00:10:18,718 --> 00:10:21,454 PRETTY STEAMY. BUT, HONESTLY, IT'S JUST A 136 00:10:21,454 --> 00:10:23,323 GAME. >> I'M NOT GOING TO DO BY 137 00:10:23,323 --> 00:10:26,192 KISSING YOU, I KNOW WHO THE HELL I AM. 138 00:10:26,192 --> 00:10:33,033 THERE'S NO POINT FOR THAT. >> I KISSED ACE. 139 00:10:33,033 --> 00:10:37,570 I KISSED ACE BECAUSE I JUST WANT TO SEE, YOU KNOW, JUST FOR 140 00:10:37,570 --> 00:10:39,806 A LITTLE BIT. BUT IT'S LIKE EVEN THEN, I GOT 141 00:10:39,806 --> 00:10:42,175 WANDERING EYES. I DON'T WANT TO BE LIKE THIS. 142 00:10:42,175 --> 00:10:45,145 OBVIOUSLY YOU ARE BY FAR THE STRONGEST CONNECTION I HAVE. 143 00:10:45,145 --> 00:10:49,749 IT'S GOING TO TAKE A LOT FOR SOMEBODY TO TRULY, TRULY TURN 144 00:10:49,749 --> 00:10:54,187 MY HEAD AND FOR ME TO CHOOSE THEM OVER WHAT WE GOT. 145 00:10:54,187 --> 00:10:59,559 >> SHE HONESTLY OWNED UP TO IT, SO THAT'S WHAT YOU WANT IN A 146 00:10:59,559 --> 00:11:01,728 RELATIONSHIP. YOU WANT TO SEE -- SHE SHOWED 147 00:11:01,728 --> 00:11:03,496 THAT TONIGHT. I'M NOT MAD AT HER, I'M NOT 148 00:11:03,496 --> 00:11:05,598 GOING TO HOLD A GRUDGE AGAINST HER FOR IT. 149 00:11:05,598 --> 00:11:16,276 >> YOU AND I GETTING UP IS VERY COMMENDABLE, AND FEEL SSHITTY. 150 00:11:16,276 --> 00:11:20,280 >> I CAN'T KNOW WHAT YOU KIND OF DO. 151 00:11:20,280 --> 00:11:25,752 >> YOU'RE SO UNDERSTANDING AND OPEN MINDED. 152 00:11:25,752 --> 00:11:34,361 >>IT'S, LIKE, JUST IMAGINE THAT WE DO -- 153 00:11:34,361 --> 00:11:35,161 >> SECURITY. SECURITY. 154 00:11:35,161 --> 00:11:41,201 THAT'S MATURITY. >> DO YOU WANT TO GO TO THE HOT 155 00:11:41,201 --> 00:11:43,336 TUB? >> GET MY TRUNKS ON. 156 00:11:43,336 --> 00:11:44,204 COOL. YOU'RE UNBELIEVABLE. 157 00:11:44,204 --> 00:11:53,780 >> PLENTY OF SURPRISES. THIS IS THE FIRST OF MANY. 158 00:11:53,780 --> 00:12:01,688 >> CHEERS. WELCOME, BOMBSHELLS. 159 00:12:01,688 --> 00:12:04,257 >> HERE'S TO THE HIDEAWAY. >> TELL ME EVERYTHING THAT WAS 160 00:12:04,257 --> 00:12:06,659 GOING THROUGH YOUR HEAD. >> I TRIED TO, LIKE, VISUALIZE 161 00:12:06,659 --> 00:12:10,130 YOU BASED ON WHAT I SAW. >> WHAT DID YOU VISUALIZE? 162 00:12:10,130 --> 00:12:15,468 >> I FELT YOUR BODY, OBVIOUSLY. I WAS GRABBING YOUR BACK. 163 00:12:15,468 --> 00:12:19,205 THE THING THAT CRAZY TURNED ME ON IS WHEN I'M LOOKING DOWN 164 00:12:19,205 --> 00:12:28,448 INTO A BLINDFOLD, AND YOU GO LIKE THIS. 165 00:12:28,448 --> 00:12:35,722 AND I'M, LIKE -- * * >> BELLE- A AND AUSTIN HAVE SO MUCH IN 166 00:12:35,722 --> 00:12:40,126 COMMON. THEY BOTH PLAY PICKLEBALL, LOVE 167 00:12:40,126 --> 00:12:45,999 LONG WALKS, AND THEY'RE PARTNERS OF ABANDON FOR THE 168 00:12:45,999 --> 00:12:48,568 EVENING TO HANK AT A SEX DUNCAN. 169 00:12:48,568 --> 00:12:51,971 >> I'M DOING GOOD. >> LIKE, ALL THINGS ASIDE, 170 00:12:51,971 --> 00:12:55,208 YOU'RE GOOD. >> NO, I'M GOOD. 171 00:12:55,208 --> 00:12:59,012 DID YOU STAY PLACE. >> OH, YEAH. 172 00:12:59,012 --> 00:13:02,749 I KNOW NIC GOT UP. SO IT'S, LIKE, HMM, SOMEONE IS 173 00:13:02,749 --> 00:13:04,684 A LITTLE BIT MORE COMFORTABLE IN THIS, YOU KNOW -- 174 00:13:04,684 --> 00:13:07,087 >> YEAH. >> OF COURSE IT'S A LITTLE, 175 00:13:07,087 --> 00:13:09,456 LIKE, OH, SHOOT, THAT KIND OF SUCKS. 176 00:13:09,456 --> 00:13:13,226 ONLY YOU AND I KNOW THIS. >> I KNOW. 177 00:13:13,226 --> 00:13:16,596 I KNOW. >> I CAN ONLY HOPE THAT NIC 178 00:13:16,596 --> 00:13:19,499 DOESN'T GO TOO CRAZY TONIGHT. BUT I KNOW ONE THING FOR SURE, 179 00:13:19,499 --> 00:13:26,873 I HOPE THAT HE'LL BE UP FRONT AND HONEST WITH ME. 180 00:13:26,873 --> 00:13:30,076 WHAT HAPPENS, HAPPENS. >> WHAT OTHER THINGS ARE YOU IN 181 00:13:30,076 --> 00:13:33,346 TO? >> I USED TO WRITE MUSIC. 182 00:13:33,346 --> 00:13:36,583 >> WRITE MUSIC BEFORE. >> WHAT GENRE WOULD IT BE? 183 00:13:36,583 --> 00:13:40,620 >> INDIE ROCK VIBE. I HAVE A PICTURE, THOUGH. 184 00:13:40,620 --> 00:13:44,290 YOU GOT A VIBE. >> YOU HAVE GOOD, LIKE, HIGH 185 00:13:44,290 --> 00:13:45,325 ENERGY. WHEN WE WELCOMED, YOU WEREN'T 186 00:13:45,325 --> 00:13:49,596 SHY AT ALL, YOU KNOW, YOU JUST LIKE -- 187 00:13:49,596 --> 00:13:53,366 >> I JUST GO WITH IT. I MEAN, I JUST GOTTA GO WITH 188 00:13:53,366 --> 00:13:59,339 THE FLOW HERE. >> I LOVE AN ISLAND. 189 00:13:59,339 --> 00:14:02,042 >> IT LOOKS LIKE AVATAR. >> EXACTLY. 190 00:14:02,042 --> 00:14:03,109 TRUST. >> HAVE YOU WATCHED THAT? 191 00:14:03,109 --> 00:14:05,478 >> YOU LOVE IT? >> I LOVE IT. 192 00:14:05,478 --> 00:14:08,648 >> I LOVE IT. I LOVE IT. 193 00:14:08,648 --> 00:14:12,452 IT'S THE BEST AT, LIKE, ANIMATED SERIES EVER. 194 00:14:12,452 --> 00:14:18,158 >> WE LOVE -- >> I ACTUALLY WANT TO BE KATARA 195 00:14:18,158 --> 00:14:23,129 FOR HALLOWEEN THIS YEAR. >> I'LL BE -- 196 00:14:23,129 --> 00:14:24,831 >> THE AIR. THEY'VE DEFINITELY GOT A THING 197 00:14:24,831 --> 00:14:27,701 GOING. >> WOULD YOU WEAR A BALL CAP? 198 00:14:27,701 --> 00:14:32,205 YOU'D REALLY COMMIT TO THE BIT? >> CIERRA BLEW MY MIND IN THE 199 00:14:32,205 --> 00:14:36,643 FACT THAT WE BUILD OFF EACH OTHER'S, YOU KNOW, JOKES, WE 200 00:14:36,643 --> 00:14:38,645 BUILD OFF EACH OTHER'S PERSONALITIES. 201 00:14:38,645 --> 00:14:41,981 IT'S AMAZING TO, LIKE, BE ABLE TO HAVE THESE GREAT 202 00:14:41,981 --> 00:14:46,252 CONVERSATIONS WITH SOMEONE THAT YOU'VE NEVER MET BEFORE AND 203 00:14:46,252 --> 00:14:48,488 HAVE THAT CONNECTION. IT KIND OF FRIGHTENS ME A 204 00:14:48,488 --> 00:14:52,125 LITTLE BIT BECAUSE THERE'S SO MANY, LIKE, PARTS RIGHT NOW 205 00:14:52,125 --> 00:14:55,261 THAT MY MIND IS MOVING A MILLION MILES PER HOUR. 206 00:14:55,261 --> 00:14:57,097 YOU'RE SO EASY TO TALK TO. >> THANK YOU. 207 00:14:57,097 --> 00:15:04,170 >> I THINK I DEFINITELY MADE THE RIGHT CHOICE. 208 00:15:04,170 --> 00:15:08,441 * * >> IT'S TIME FOR BED, BUT 209 00:15:08,441 --> 00:15:11,444 JEREMIAH ISN'T FEELING SLEEPY. WELL, NO WONDER, MATE. 210 00:15:11,444 --> 00:15:18,918 YOU'RE SUPPOSED TO COUNT SHEEP, NOT HOW MANY TIMES YOU HEARD 211 00:15:18,918 --> 00:15:19,953 OTHER PEOPLE KISSING YOUR GIRLFRIEND. 212 00:15:19,953 --> 00:15:22,956 * * 213 00:15:22,956 --> 00:15:26,760 >> I HEARD SHE COULD KISS LIKE THREE TIMES. 214 00:15:26,760 --> 00:15:28,895 I'M, LIKE, OH, MY GOD, THEY'RE ALL COMING FOR HER. 215 00:15:28,895 --> 00:15:30,797 IT'S LIKE WE'RE ALL HERE FOR OURSELVES. 216 00:15:30,797 --> 00:15:33,433 THAT'S WHERE YOU GOT TO PUT FEELINGS ASIDE. 217 00:15:33,433 --> 00:15:41,341 >> I'LL BE THE FIRST TO LOOK AT TERRION, I GOT TO RELAX. 218 00:15:41,341 --> 00:15:42,909 I DON'T LIKE THAT. * * 219 00:15:42,909 --> 00:15:49,149 >> WE'RE GOING TO BE SHARING A BED. 220 00:15:49,149 --> 00:15:59,092 EXACTLY. * 221 00:15:59,092 --> 00:16:03,229 * >> WHAT A GREAT THING TO BE 222 00:16:03,229 --> 00:16:04,898 SINGLE ON LOVE ISLAND. >> WAIT. 223 00:16:04,898 --> 00:16:13,139 YOU SINGLE NOW? >> I MEAN, HE'S IN THE 224 00:16:13,139 --> 00:16:14,307 HIDEAWAY. THEY'RE SLEEPING THERE. 225 00:16:14,307 --> 00:16:23,483 >> YOU GOT TO PUT THIS BACK ON. >> IT'S JUST LIKE RECREATE THE 226 00:16:23,483 --> 00:16:28,254 MOMENT. * 227 00:16:28,254 --> 00:16:38,264 * 228 00:16:40,467 --> 00:16:48,108 >> SO SHE KISSED YOU? 229 00:16:48,108 --> 00:16:49,442 >> YEAH. >> STAY. 230 00:16:49,442 --> 00:16:50,510 >> REALLY? >> YOU DIDN'T? 231 00:16:50,510 --> 00:16:57,684 >> NO, I DID. WE'LL FIND OUT TOMORROW. 232 00:16:57,684 --> 00:17:04,057 * * >> YEAH, IT ACTUALLY IS. 233 00:17:04,057 --> 00:17:06,926 * * EVERYTHING'S GOOD * * >> THIS IS THE MOST EXCITING 234 00:17:06,926 --> 00:17:11,131 MOMENT FOR ME, LIKE, COMING HERE, AND, LIKE, I FEEL LIKE 235 00:17:11,131 --> 00:17:13,533 NOW THAT I'M, LIKE, TOTALLY MYSELF. 236 00:17:13,533 --> 00:17:15,035 >> AWW. THAT MAKES ME FEEL HAPPY. 237 00:17:15,035 --> 00:17:29,816 >> AND AS THE NIGHT DRAWS TO A CLOSE, BELLE-A AND AUSTIN, 238 00:17:29,816 --> 00:17:36,690 SHARING BEDS ARE YULISSA, HUDA AND JEREMIAH, OLANDRIA AND 239 00:17:36,690 --> 00:17:43,296 TAYLOR. AND IN THE HIDEAWAY, CHELLEY 240 00:17:43,296 --> 00:17:49,269 AND CHARLIE AND CIERRA AND NIC. 241 00:17:51,638 --> 00:17:52,439 * * BECAUSE EVERYTHING GOOD 242 00:17:52,439 --> 00:18:04,551 HAPPENS AFTER * * >> WELCOME BACK TO "LOVE ISLAND 243 00:18:04,551 --> 00:18:09,022 USA." YULISSA HAS LEFT THE VILLA. 244 00:18:09,022 --> 00:18:11,925 THE ISLANDERS ARE WAKING UP MINUS NIC WHO WENT INTO THE 245 00:18:11,925 --> 00:18:16,663 HIDEAWAY WITH THE BOMBSHELLS. >> IT'S A NEW DAY. 246 00:18:16,663 --> 00:18:17,864 HOW DID YOU SLEEP? >> FINE. 247 00:18:17,864 --> 00:18:33,580 * * WHAT REALLY HAPPENED HERE I WISH I KNEW * * * * 248 00:18:33,580 --> 00:18:39,085 >> I CAN'T BELIEVE I GOT DITCHED ALL NIGHT LONG. 249 00:18:39,085 --> 00:18:47,060 >> CHELLEY GOT TALKING. >> PANCAKES, EGGS OVER EASY. 250 00:18:47,060 --> 00:18:51,364 >> JEREMIAH THOUGHT THAT I GOT UP FOR THE THING. 251 00:18:51,364 --> 00:18:55,068 THIS IS REACTION A LITTLE BIT BECAUSE LITERALLY WE JUST MADE 252 00:18:55,068 --> 00:18:58,338 24 HOURS. >> I FEEL LIKE IT'S OKAY FOR 253 00:18:58,338 --> 00:19:06,479 THEM TO BE THIS OBSESSIVE. >> THAT'S SCARY. 254 00:19:06,479 --> 00:19:11,851 >> AWW. THANK YOU. 255 00:19:11,851 --> 00:19:19,826 IT LOOKS SO GOOD. * * THIS WILL BE THE FIRST * 256 00:19:19,826 --> 00:19:22,028 * >> JEREMIAH STILL FRETTING 257 00:19:22,028 --> 00:19:24,831 ABOUT WHO DOES KISSING DURING LAST NIGHT'S GIG, OR DO YOU 258 00:19:24,831 --> 00:19:34,741 KNOW WHAT I THINK IS REPLAYING IN HIS MIND IS HUDA GAVE A VERY 259 00:19:34,741 --> 00:19:36,176 SPECIFIC DETAIL. >> OBVIOUSLY I'M TELLING YOU 260 00:19:36,176 --> 00:19:39,612 EVERYTHING, SO, OBVIOUSLY LAST NIGHT WAS A BIT CHALLENGING, 261 00:19:39,612 --> 00:19:40,313 RIGHT? >> YEAH. 262 00:19:40,313 --> 00:19:41,247 >> YOU KNOW, KISSING. >> YEAH. 263 00:19:41,247 --> 00:19:46,353 I CAN'T DO NOTHING ABOUT IT. >> I'M GOING TO ASK YOU HOW YOU 264 00:19:46,353 --> 00:19:48,722 FELT ABOUT THAT. >> HONESTLY, I HEARD -- 265 00:19:48,722 --> 00:19:49,522 >> YOU DID? >> YEAH. 266 00:19:49,522 --> 00:19:54,160 I KNEW THAT WHEN I HEARD IT. I WAS, LIKE, SITTING IN MY 267 00:19:54,160 --> 00:19:57,697 CHAIR, DAMN, IF SHE GET UP AND GO KISS SOMEBODY, WE DON'T EVEN 268 00:19:57,697 --> 00:20:01,601 KISS, YOU KNOW WHAT I'M SAYIN'? I WOULD HAVE THREW MYSELF OFF 269 00:20:01,601 --> 00:20:03,903 THE BALCONY. >> EVEN IF SOMEONE CAME IN 270 00:20:03,903 --> 00:20:07,107 HERE, AND THEY WERE MY PHYSICAL TYPE OR WHATEVER, THEY COME 271 00:20:07,107 --> 00:20:10,844 TALK TO ME, BLAH, BLAH, BLAH, I TELL YOU WHAT'S GOING ON. 272 00:20:10,844 --> 00:20:11,678 >> I APPRECIATE YOU. NO. 273 00:20:11,678 --> 00:20:15,715 IT'S A HARD BALANCE BECAUSE YOU DON'T WANT TO BE, LIKE, 274 00:20:15,715 --> 00:20:18,618 OVERPROTECTIVE, BUT YOU ALSO WANT TO SHOW YOU CARE. 275 00:20:18,618 --> 00:20:21,855 IT'S A HARD BALANCE. JUST LET ME KNOW IF I'M DOING 276 00:20:21,855 --> 00:20:23,223 TOO MUCH. >> YOU'RE NOT. 277 00:20:23,223 --> 00:20:25,258 I LIKE IT. >> TODAY, LIKE, I'M CLEAR 278 00:20:25,258 --> 00:20:29,796 HEADED AND WE HAD A GREAT CONVERSATION AROUND THE SAME 279 00:20:29,796 --> 00:20:30,830 PAGE. SHE'S, LIKE, SO TRUSTWORTHY AND 280 00:20:30,830 --> 00:20:34,668 OPEN AND TELLING ME THINGS THAT WILL BE GOING ON AND THINGS 281 00:20:34,668 --> 00:20:37,570 LIKE THAT, SO I'M VERY HAPPY WITH WHERE I'M AT. 282 00:20:37,570 --> 00:20:42,308 I FEEL LIKE WE'RE THE ONE COUPLE THAT LIKES EACH OTHER 283 00:20:42,308 --> 00:20:43,677 ALREADY. THAT'S LIKE A MAGNIFYING GLASS. 284 00:20:43,677 --> 00:20:51,518 GUYS, GO DO OTHER STUFF. WE'RE JUST CHILLIN', YOU KNOW. 285 00:20:51,518 --> 00:21:00,694 >> SO KIND OF LIKE DO IT RIGHT, YOU KNOW? 286 00:21:00,694 --> 00:21:01,428 >> FOR SURE. OKAY. 287 00:21:01,428 --> 00:21:04,564 AS YOU CAN SEE JUST AS LONG AS WE'RE ON THE SAME PAGE. 288 00:21:04,564 --> 00:21:11,705 >> CHELLEY AND CHARLIE'S NIGHT IN THE HIDEAWAY WAS AMAZING. 289 00:21:11,705 --> 00:21:16,409 THAT BED WAS OVERFLOWING WITH PASSION, ROMANCE, BUT MAINLY 290 00:21:16,409 --> 00:21:19,079 TOO MANY PILLOWS. WHY ARE THERE SO MANY PILLOWS? 291 00:21:19,079 --> 00:21:22,582 >> SO HOW ARE YOU FEELING? >> I'M FEELING GOOD. 292 00:21:22,582 --> 00:21:24,284 HOW ARE YOU FEELING? >> I FEEL SO GREAT. 293 00:21:24,284 --> 00:21:27,087 FROM THE NIGHT TO THE MORNING, I FEEL GREAT. 294 00:21:27,087 --> 00:21:30,190 I'M EXCITED. >> THE KISS WAS SEXY, I'M NOT 295 00:21:30,190 --> 00:21:31,358 GONNA LIE. THE ATTRACTIONS THERE, 296 00:21:31,358 --> 00:21:32,625 OBVIOUSLY YOU'RE GORGEOUS. THERE'S A LOT TO YOU. 297 00:21:32,625 --> 00:21:35,495 >> I HAD FUN LAST NIGHT, LIKE, WE HAD GREAT CONVERSATIONS. 298 00:21:35,495 --> 00:21:44,204 >> WE DID HAVE A GOOD CONVERSATION. 299 00:21:44,204 --> 00:21:45,105 >> I'M EXCITED. >> YEAH? 300 00:21:45,105 --> 00:21:47,007 AWESOME. SO TODAY IS GOING TO BE AN 301 00:21:47,007 --> 00:21:47,774 EVENT THEN. >> IT IS. 302 00:21:47,774 --> 00:21:50,477 IT REALLY IS. >> SO WHAT ARE YOU EXPECTING? 303 00:21:50,477 --> 00:21:52,779 >> GOOD VIBES AND A WARM WELCOME. 304 00:21:52,779 --> 00:21:57,784 I THINK LAST NIGHT, EVEN NOW I'M STILL HAVING A LOT OF FUN 305 00:21:57,784 --> 00:22:02,856 WITH YOU, SO -- >> I THINK, LIKE, -- IF I DO 306 00:22:02,856 --> 00:22:03,723 SAY SO MYSELF. >> I AGREE. 307 00:22:03,723 --> 00:22:06,459 >> SO WHAT ARE YOU EXPECTING GOING BACK IN THERE? 308 00:22:06,459 --> 00:22:08,695 >> I REALLY, LIKE, DON'T KNOW WHAT TO EXPECT. 309 00:22:08,695 --> 00:22:12,966 I THINK, LIKE, GOING IN THERE I'M GOING TO HAVE TO HAVE, 310 00:22:12,966 --> 00:22:18,271 LIKE, MULTIPLE CONVERSATIONS. >> I THINK YOU OWE IT TO 311 00:22:18,271 --> 00:22:19,673 YOURSELF TO HAVE THESE CONVERSATIONS. 312 00:22:19,673 --> 00:22:21,775 >> AND I'M STOKED THAT YOU'RE UNDERSTANDING ABOUT IT. 313 00:22:21,775 --> 00:22:23,376 >> YEAH. I WOULD RATHER YOU, LIKE, JUST 314 00:22:23,376 --> 00:22:26,079 BE SURE IN YOUR DECISION, NOT LIKE -- 315 00:22:26,079 --> 00:22:26,780 >> YEAH. >> YEAH. 316 00:22:26,780 --> 00:22:31,384 THERE'S NO NEED TO RUSH AND NO NEED TO WONDER. 317 00:22:31,384 --> 00:22:38,458 >> EVEN THOUGH, LIKE, IT'S GREAT, IT'S GOOD TO TAKE OUR 318 00:22:38,458 --> 00:22:40,794 TIME. >> AUSTIN LOOKS UPSET EITHER 319 00:22:40,794 --> 00:22:44,998 BECAUSE SOMEONE PAID OR CHELLEY IS CURRENTLY IN BED WITH A 320 00:22:44,998 --> 00:22:46,099 HUNKY BRETT. AND THERE IS NO WAY -- 321 00:22:46,099 --> 00:22:52,138 >> I DON'T KNOW WHAT TO BE THINKING RIGHT NOW. 322 00:22:52,138 --> 00:22:56,643 BUT I'M CURIOUS TO, LIKE, WHERE CHELLEY'S HEAD IS AT WHEN SHE 323 00:22:56,643 --> 00:22:58,211 COMES OUT OF THERE TODAY. YEAH. 324 00:22:58,211 --> 00:23:00,780 IT'S DEFINITELY SOMETHING THAT'S ON MY MIND, AND, LIKE, 325 00:23:00,780 --> 00:23:03,416 I'M TRYING TO DOWNPLAY IT MORE IN MY HEAD. 326 00:23:03,416 --> 00:23:06,152 I'M A LITTLE NERVOUS ABOUT WHAT'S TO COME FROM THAT. 327 00:23:06,152 --> 00:23:11,057 >> WHAT IF SHE COMES OUT AND IT'S, COMPLETELY, I REALLY 328 00:23:11,057 --> 00:23:13,493 FFUCKED -- >> IS SHE REALLY VIBING WITH 329 00:23:13,493 --> 00:23:15,195 HIM? DON'T EVEN TRY TO, YOU KNOW, 330 00:23:15,195 --> 00:23:17,430 DOUBLE BACK TO IT. GO AND FIND SOMETHING ELSE. 331 00:23:17,430 --> 00:23:19,966 YOU DOUBLE BACK TO IT, YOU WASTE ENERGY ON THAT. 332 00:23:19,966 --> 00:23:22,569 I MEAN, SHE TRYING TO FOCUS ON SOMEBODY ELSE, AND YOU NOT 333 00:23:22,569 --> 00:23:24,971 PUTTING ALL YOUR ENERGY IN FRONT OF SOMEBODY ELSE -- 334 00:23:24,971 --> 00:23:26,740 >> RIGHT. >> -- BECAUSE YOU STILL STUCK 335 00:23:26,740 --> 00:23:28,308 ON THAT. EVERYBODY IS HERE TO FIND LOVE, 336 00:23:28,308 --> 00:23:31,444 SO YOU CAN'T BE MAD AT SOMEBODY ELSE FOR TRYING TO FIND THEIR 337 00:23:31,444 --> 00:23:34,681 LOVE WHEN YOU'RE TRYING TO FIND YOURS. 338 00:23:34,681 --> 00:23:36,549 >> YEAH. CHELLEY AND I BEING AROUND HIM, 339 00:23:36,549 --> 00:23:38,318 LIKE, I DID MISS WAKING UP NEXT TO HER. 340 00:23:38,318 --> 00:23:41,588 BUT I THINK IT WAS A GOOD EYE OPENER. 341 00:23:41,588 --> 00:23:45,625 YOU KNOW, IT DID REMIND ME, LIKE, HEY, I'M HERE TO GET TO 342 00:23:45,625 --> 00:23:51,564 KNOW EVERYONE, BUT I THINK I'M REALLY JUST HOLDING OFF UNTIL 343 00:23:51,564 --> 00:23:53,700 HER AND I HAVE THAT CONVERSATION. 344 00:23:53,700 --> 00:23:57,137 >> NEXT UP IN THE HIDEAWAY. SHE NEEDS TO GET OFF THAT GUY'S 345 00:23:57,137 --> 00:24:03,043 BACK, AND MORE IMPORTANTLY SHE NEEDS TO GET HER SHOES OFF OF 346 00:24:03,043 --> 00:24:04,244 THAT SOFA. >> WHOA, IT'S SQUISHY. 347 00:24:04,244 --> 00:24:06,513 >> IT'S NICE IN HERE. >> HOW ARE YOU FEELING? 348 00:24:06,513 --> 00:24:09,382 >> I FEEL SO GOOD. I FEEL A LOT BETTER. 349 00:24:09,382 --> 00:24:14,754 OF COURSE, LIKE, I WAS INITIALLY TRIPPING BECAUSE, 350 00:24:14,754 --> 00:24:17,090 SHOOT, I'M IN A COUPLE W IT COULD BE THE BOMBSHELL. 351 00:24:17,090 --> 00:24:21,761 >> WHAT DO YOU THINK YOU'RE GOING TO TELL NIC WHEN HE 352 00:24:21,761 --> 00:24:23,463 COMES? >> I'M GOING TO LET HIM PULL 353 00:24:23,463 --> 00:24:25,331 ME. I'M GOING TO LET HIM DO THE 354 00:24:25,331 --> 00:24:28,768 TALKING, AND I TRUST THAT HE'S GOING TO LET ME KNOW WHAT 355 00:24:28,768 --> 00:24:32,172 HAPPENED, HOW HE'S FEELING, AND AS LONG AS HE'S CLEAR. 356 00:24:32,172 --> 00:24:37,310 >> I WAS GOING TO SEE AND BE LIKE -- 357 00:24:37,310 --> 00:24:41,715 >> HE BETTER, HE BETTER. >> THE WORST SCENARIO, NIC'S 358 00:24:41,715 --> 00:24:44,851 HEAD IS COMPLETELY TURNED, DOESN'T WANT TO GET TO KNEE ME 359 00:24:44,851 --> 00:24:46,920 AND CONTINUE TO, LIKE, GET TO EXPLORE WHAT WE HAVE. 360 00:24:46,920 --> 00:24:50,156 BUT THE GUY THAT COMES IN TO, I'M REALLY EXCITED TO SEE WHAT 361 00:24:50,156 --> 00:24:53,927 HE BRINGS TO THE TABLE. >> YOU NEED TO MINGLE. 362 00:24:53,927 --> 00:24:56,730 >> I TRIED TO. LAST NIGHT WAS LIKE A LITTLE 363 00:24:56,730 --> 00:24:57,697 REALITY CHECK. >> YOU KNOW WHAT? 364 00:24:57,697 --> 00:25:01,434 LAST NIGHT I THINK I WAS TRIPPIN' A LITTLE BIT BECAUSE, 365 00:25:01,434 --> 00:25:04,437 I MEAN, WHO WOULDN'T. I DON'T KNOW WHAT WENT DOWN 366 00:25:04,437 --> 00:25:10,777 LAST NIGHT. I DON'T KNOW HOW DEEP THEY GOT 367 00:25:10,777 --> 00:25:14,948 CONNECTION WISE, AND I WOULD DEFINITELY IF HE CAME BACK AND 368 00:25:14,948 --> 00:25:16,916 IT WAS COMPLETELY HEAD TURNED TOWARDS HER. 369 00:25:16,916 --> 00:25:19,052 >> I THINK YOU WERE DOWN ON YOURSELF FOR A SECOND. 370 00:25:19,052 --> 00:25:26,493 >> FOR A SECOND I WAS, LIKE, BBITCH. 371 00:25:26,493 --> 00:25:31,798 WHAT'S YOUR PARTY TRICK? >> I CAN MAKE A WEIRD SHAPE 372 00:25:31,798 --> 00:25:32,732 WITH MY TONGUE. >> LIKE CLOVER. 373 00:25:32,732 --> 00:25:41,508 >> IT'S KIND OF LIKE A CLOVER. >> YOUR LIPS ARE INSANE. 374 00:25:41,508 --> 00:25:47,380 * * >> HELLO. 375 00:25:47,380 --> 00:25:52,986 >> HEY. >> OH, MAN. 376 00:25:52,986 --> 00:25:58,658 >> CRAZY. >> THE BABIES ARE BACK. 377 00:25:58,658 --> 00:26:02,762 >> CHARLIE. >> CHARLIE, YOU GOT A LITTLE 378 00:26:02,762 --> 00:26:03,697 ACCENT. I LIKE HIS ACCENT. 379 00:26:03,697 --> 00:26:05,899 >> NICE TO MEET YOU. >> YOU ARE GORGEOUS, BY THE 380 00:26:05,899 --> 00:26:06,633 WAY. >> THANK YOU. 381 00:26:06,633 --> 00:26:10,203 >> IT'S LIKE EVERYTHING WAS IN SLOW MOTION. 382 00:26:10,203 --> 00:26:19,579 I WAS, LIKE, OH, SSHIT. THIS IS WHO I KISSED LAST 383 00:26:19,579 --> 00:26:26,486 NIGHT? * * 384 00:26:26,486 --> 00:26:28,722 >> WELCOME, BABY, WELCOME. >> WAIT. 385 00:26:28,722 --> 00:26:33,526 I GOT TO KISS THE BOYS. NOW STAND UP, I'LL KISS YOU 386 00:26:33,526 --> 00:26:34,194 GUYS. LET'S GO. 387 00:26:34,194 --> 00:26:40,433 SAY YOUR NAME ONE MORE TIME. >> CIERRA. 388 00:26:40,433 --> 00:26:44,704 >> WE LOVE THAT. >> IT WAS A LOT OF FUN. 389 00:26:44,704 --> 00:26:47,073 >> YEAH. >> IT'S SO ROMANTIC IN THERE, 390 00:26:47,073 --> 00:26:47,907 RIGHT? IT'S SO BEAUTIFUL. 391 00:26:47,907 --> 00:26:55,482 >> WHAT DOES IT LOOK LIKE? >> THEY HAVE THE CLOSET WITH 392 00:26:55,482 --> 00:26:56,649 THE HANDCUFFS. >> OH, MY GOSH. 393 00:26:56,649 --> 00:26:58,518 >> WHOA, WHOA, WHOA. WHAT WENT DOWN? 394 00:26:58,518 --> 00:27:01,588 >> IT WAS A TIME. AND FOR ME, LIKE, MY FIRST 395 00:27:01,588 --> 00:27:03,656 NIGHT, I WAS SPOILED A LITTLE BIT. 396 00:27:03,656 --> 00:27:05,825 >> YOU GOT TO KISS EVERY SINGLE GIRL. 397 00:27:05,825 --> 00:27:08,028 I DIDN'T KNOW THAT. >> MY JOB HERE IS DONE, BOYS. 398 00:27:08,028 --> 00:27:10,030 [ LAUGHTER ] >> IT'S DONE. 399 00:27:10,030 --> 00:27:12,766 WHAT MADE YOU WANT TO PICK CHELLEY? 400 00:27:12,766 --> 00:27:15,435 >> THE KISS, THE KISS, MAN, THE KISS WORKED. 401 00:27:15,435 --> 00:27:18,338 I'M NOT GONNA LIE. I'LL BE HONEST, LIKE, NOTHING 402 00:27:18,338 --> 00:27:20,373 REALLY WENT DOWN. WE TALKED, GOT TO KNOW HER. 403 00:27:20,373 --> 00:27:25,612 SHE'S A NICE GIRL, VERY NICE GIRL, OBVIOUSLY VERY GOOD 404 00:27:25,612 --> 00:27:28,782 LOOKING. BUT WE SPOKE, AND WE 405 00:27:28,782 --> 00:27:30,550 COMMUNICATED, AND I THINK THAT'S KEY. 406 00:27:30,550 --> 00:27:33,787 >> THE VIBE AS FAR AS US HAVING, LIKE, CONVERSATIONS, 407 00:27:33,787 --> 00:27:37,157 FEELING OUT AND GETTING TO KNOW EACH OTHER, HE'S VERY INTRIGUED 408 00:27:37,157 --> 00:27:42,362 AND WANTING TO KNOW ABOUT ME, ASKING ALL THE RIGHT QUESTIONS, 409 00:27:42,362 --> 00:27:44,631 EVEN MAKING ME THINK. HOW DO YOU FEEL ABOUT NIC? 410 00:27:44,631 --> 00:27:48,902 >> I THINK HE'S GREAT. I THINK HE'S A LOT OF FUN. 411 00:27:48,902 --> 00:27:51,771 HE'S, LIKE, HILARIOUS. >> DID YOU GUYS KISS IN THE 412 00:27:51,771 --> 00:27:55,275 HIDEAWAY? >> WE HAD A LITTLE SMOOCH. 413 00:27:55,275 --> 00:27:57,644 >> OKAY. >> SOUNDS LIKE A GOOD NIGHT FOR 414 00:27:57,644 --> 00:27:58,678 YOU. >> GOOD NIGHT. 415 00:27:58,678 --> 00:28:00,880 >> IT'S OBVIOUSLY A WARM WELCOME, YEAH. 416 00:28:00,880 --> 00:28:03,917 >> THAT'S JUST SOMETHING I'M GOING TO KEEP IN MY BACK POCKET 417 00:28:03,917 --> 00:28:06,019 AND SEE WHAT NIC ENDS UP TELLING ME. 418 00:28:06,019 --> 00:28:10,290 I WOULD HOPE AND TRUST THAT HE IS OPEN AND HONEST, AND IF HE 419 00:28:10,290 --> 00:28:18,031 MAKES ME LOOK LIKE A FOOL RIGHT FROM THE BEGINNING [ BLEEP ] 420 00:28:18,031 --> 00:28:22,268 >> I'M WALKING IN THE HIDEAWAY. SHE'S, LIKE, SITTING THERE. 421 00:28:22,268 --> 00:28:26,206 I'M, LIKE, LET'S GO. THE HOT TUB, THERE'S, LIKE, 422 00:28:26,206 --> 00:28:31,544 CHAMPAGNE ON MY ICE. SHE BRINGS HER OWN BLINDFOLD. 423 00:28:31,544 --> 00:28:32,779 >> SHE BRINGS HER OWN BLINDFOLD? 424 00:28:32,779 --> 00:28:34,914 >> SHE'S, LIKE, LET'S RUN THIS BACK. 425 00:28:34,914 --> 00:28:39,552 SHE PUT IT DOWN, AND WE STARTED MAKING OUT. 426 00:28:39,552 --> 00:28:43,890 >> I'M SO TWISTED RIGHT NOW. MY MIND IS RACING, LIKE, BELLE- 427 00:28:43,890 --> 00:28:46,626 A WAS DEFINITELY THE FIRST PERSON THAT COME ACROSS MY 428 00:28:46,626 --> 00:28:50,597 MIND, AND PHYSICALLY I'M SO ATTRACTED TO HER, BUT WHEN I 429 00:28:50,597 --> 00:28:54,434 MET CIERRA, THE CONVERSATION WAS INSANE, LIKE, WE JUST 430 00:28:54,434 --> 00:28:56,770 CLICKED SO WELL. IT SUCKS FOR BELLE-A. IT'S 431 00:28:56,770 --> 00:29:00,540 GOING TO BE A HARD CONVERSATION TO HAVE. 432 00:29:00,540 --> 00:29:06,880 * * DO YOU WANT TO SEE A FUTURE, DO YOU WANT TO HOLD IT 433 00:29:06,880 --> 00:29:09,149 IN YOUR HANDS? * * 434 00:29:09,149 --> 00:29:10,283 >> ARE YOU 50/50? >> I'M 51/49. 435 00:29:10,283 --> 00:29:15,221 I'M NOT GOING TO SAY WHO. >> WE KNOW. 436 00:29:15,221 --> 00:29:21,194 WE KNOW. WE KNOW, WE KNOW. 437 00:29:21,194 --> 00:29:21,728 * * SEE THE FUTURE * * 438 00:29:27,167 --> 00:29:33,139 >>> WELCOME BACK TO LOVE ISLAND 439 00:29:33,139 --> 00:29:38,244 USA" CHELLEY FOR A CHAT, BUT ONGOING INVESTIGATION INTO WHO 440 00:29:38,244 --> 00:29:41,314 PEEED IN THE SHALLOW END. YOU'LL NEVER CATCH ME, POOL 441 00:29:41,314 --> 00:29:42,949 BOY. >> I WAS MISSING YOU ALL NIGHT 442 00:29:42,949 --> 00:29:45,418 LONG. AND I WAS STRESSING A LITTLE 443 00:29:45,418 --> 00:29:47,253 BIT. I DIDN'T KNOW -- I DIDN'T KNOW 444 00:29:47,253 --> 00:29:50,056 - - LIKE, YEAH, WHAT WAS GOING ON. 445 00:29:50,056 --> 00:29:53,293 I'M, LIKE, MAN, WHAT IF SHE'S VIBING HARD WITH HIM, LIKE, 446 00:29:53,293 --> 00:29:56,062 WHAT'S GOING ON IN THERE? SO HOW DID THE NIGHT GO? 447 00:29:56,062 --> 00:29:58,665 >> IT WAS GREAT CONVERSATION, IT REALLY WAS. 448 00:29:58,665 --> 00:30:01,301 HE'S, LIKE, A COOL GUY. WE ENDED UP FALLING ASLEEP. 449 00:30:01,301 --> 00:30:05,171 I DIDN'T CUDDLE, NONE OF THAT. SO I WANTED TO CATCH YOU UP TO 450 00:30:05,171 --> 00:30:06,039 SPEED ON THAT -- >> OKAY. 451 00:30:06,039 --> 00:30:10,944 >> -- AND JUST LET YOU KNOW WHAT'S HAPPENING, WHAT'S GOING 452 00:30:10,944 --> 00:30:11,978 ON. I FEEL LIKE OUR CONNECTION. 453 00:30:11,978 --> 00:30:14,681 I'M STILL OPEN TO GETTING TO KNOW OTHER PEOPLE TOO. 454 00:30:14,681 --> 00:30:20,587 I DON'T HAVE NO HARD, LIKE, THIS IS WHAT I WANT TO BE. 455 00:30:20,587 --> 00:30:21,688 >> 100%. >> I'M ENJOYING THIS. 456 00:30:21,688 --> 00:30:24,791 IT'S OVERWHELMING A LITTLE BIT, BUT I'M REALLY GETTING TO KNOW 457 00:30:24,791 --> 00:30:27,093 YOU. LIKE, WE JUST NEED TO KEEP 458 00:30:27,093 --> 00:30:27,827 DIGGING. >> RIGHT. 459 00:30:27,827 --> 00:30:30,597 I WAS EXCITED TO HAVE THAT CONVERSATION WITH CHELLEY, AND 460 00:30:30,597 --> 00:30:36,836 I'M REALLY JUST TRYING NOT TO HAVE ANY, LIKE, CRAZY THOUGHT. 461 00:30:36,836 --> 00:30:40,006 I WILL LET MY MIND GO IN A MILLION DIFFERENT DIRECTIONS. 462 00:30:40,006 --> 00:30:42,475 I FELT LIKE THAT ONE COULD, THOUGH. 463 00:30:42,475 --> 00:30:44,778 IT WAS REALLY REFRESHING WHEN YOU GOT THE TEXT, AND IT WAS, 464 00:30:44,778 --> 00:30:47,313 LIKE, I KNOW YOU DIDN'T RAISE YOUR HAND. 465 00:30:47,313 --> 00:30:50,884 >> I KNOW. >> THAT'S WHY I WAS, LIKE, OKAY 466 00:30:50,884 --> 00:30:54,621 - - I WAS, LIKE, OKAY, THANK GOD, I FEEL GOOD. 467 00:30:54,621 --> 00:30:59,292 I FEEL GOOD ABOUT IT. >> BOMBSHELL CIERRA, THE 468 00:30:59,292 --> 00:31:03,063 COMPLIMENT HE GAVE HER EARLIER, I'D NEVER DO SOMETHING LIKE 469 00:31:03,063 --> 00:31:08,768 THAT BECAUSE I'M VERY HUMBLE, AT LEAST THAT'S WHAT ARIANA 470 00:31:08,768 --> 00:31:10,603 MADIX TOLD ME OVER BREAKFAST. >> YOU THREW ME A COMMENT, SAID 471 00:31:10,603 --> 00:31:14,374 I WAS GORGEOUS OR BEAUTIFUL OR SOMETHING OF THE SORT. 472 00:31:14,374 --> 00:31:15,175 THANK YOU. THANK YOU. 473 00:31:15,175 --> 00:31:17,811 YOU LOOK GREAT AS WELL. I LOVE ALL THE TATOOS. 474 00:31:17,811 --> 00:31:23,383 >> THANK YOU. >> EIGHT IS MY FAVORITE NUMBER. 475 00:31:23,383 --> 00:31:24,984 EIGHT IS MY BIRTHDAY. OKAY, OKAY. 476 00:31:24,984 --> 00:31:26,653 >> I LIKE TRAVELING. I LIKE DOING THOSE THINGS. 477 00:31:26,653 --> 00:31:30,590 >> I LIKE TO TRAVEL AS WELL. >> FAVORITE PLACE YOU'VE EVER 478 00:31:30,590 --> 00:31:34,994 TRIED FOOD? >> I'M GOING TO SAY EGYPT. 479 00:31:34,994 --> 00:31:38,331 >> EGYPT. >> KNOW, YEAH. 480 00:31:38,331 --> 00:31:41,901 MY FAVORITE BOOK, IT'S CALLED THE QK ALCHEMIST." 481 00:31:41,901 --> 00:31:45,605 >> I LOVE THAT BOOK. I FEEL LIKE IT CHANGED MY LIFE 482 00:31:45,605 --> 00:31:47,674 IN A LOT OF WAYS. WOW! 483 00:31:47,674 --> 00:31:50,276 I LOVE THE PYRAMID. >> I'M STILL SINGLE, STILL 484 00:31:50,276 --> 00:31:51,978 LOOKING FOR LOVE. SHE'S AMAZING. 485 00:31:51,978 --> 00:31:57,751 SHE LOOKED GORGEOUS. HER SMILE COULD LIGHT UP A 486 00:31:57,751 --> 00:32:00,086 ROOM. I'M DEFINITELY FEELING HER. 487 00:32:00,086 --> 00:32:02,155 >> CHARLIE, BELLE-A WITH A CHAT. 488 00:32:02,155 --> 00:32:08,561 HE ASKED WHERE YOU'RE FROM. SHE SAID HAWAII. 489 00:32:08,561 --> 00:32:10,830 >> APPRECIATE IT. >> LOOKING GOOD. 490 00:32:10,830 --> 00:32:11,931 >> YEAH. YOU TOO. 491 00:32:11,931 --> 00:32:14,234 HOW YOU BEEN? >> I'M GOOD. 492 00:32:14,234 --> 00:32:15,935 I'M GOOD. >> I LOOK LIKE A CREEP? 493 00:32:15,935 --> 00:32:19,205 I'M JUST TRYING TO MAKE A GRILLED CHEESE. 494 00:32:19,205 --> 00:32:20,674 >> I'M NOT LISTENING. >> I'M NOT. 495 00:32:20,674 --> 00:32:26,980 >> I GOT A FRONT ROW VIEW. >> I WAS GOING TO SAY, YOU DID 496 00:32:26,980 --> 00:32:29,683 STAND OUT LAST NIGHT. YOU'RE DEFINITELY ATTRACTIVE. 497 00:32:29,683 --> 00:32:32,986 >> THANK YOU SO MUCH. I LOVE YOUR ACCENT. 498 00:32:32,986 --> 00:32:35,989 EVERYBODY IS GOING TO TELL YOU THAT TOO. 499 00:32:35,989 --> 00:32:38,091 >> NO. I LOVE THE AMERICAN ACCENT. 500 00:32:38,091 --> 00:32:39,559 >> REALLY. THAT'S INTERESTING. 501 00:32:39,559 --> 00:32:43,363 I HEARD IT'S VERY ANNOYING. BUT THAT'S COOL. 502 00:32:43,363 --> 00:32:47,200 >> IT COMES DOWN TO THE PERSONALITY. 503 00:32:47,200 --> 00:32:55,975 IF WE CAN'T, LIKE, LAUGH, WE CAN'T ENJOY OURSELVES, THEN 504 00:32:55,975 --> 00:32:58,778 WHAT THE FFUCK WE DOING? >> RIGHT. 505 00:32:58,778 --> 00:33:03,583 >> EXACTLY. >> I THINK HE'S COOL, AND I 506 00:33:03,583 --> 00:33:04,384 LIKE HIS -- >> ACCENT? 507 00:33:04,384 --> 00:33:07,921 >> YEAH, BRO. >> I HAVEN'T SPOKEN TO BELLE-A 508 00:33:07,921 --> 00:33:11,624 YET, AND I WILL LET HER KNOW THAT I AM STILL INTO HER, SEE 509 00:33:11,624 --> 00:33:16,730 WHERE BOTH OF US ARE AT. >> MY FAMILY AND I OPENED UP A 510 00:33:16,730 --> 00:33:17,697 COFFEE SHOP. >> FAMILY BUSINESS. 511 00:33:17,697 --> 00:33:21,401 >> I GREW UP IN THE FAMILY BUSINESS, FISH AND CHIPS. 512 00:33:21,401 --> 00:33:22,402 >> OH, FISH AND CHIPS. OH. 513 00:33:22,402 --> 00:33:26,573 >> WHO DO YOU GOT YOUR EYES ON? >> WELL, I AM CURRENTLY COUPLED 514 00:33:26,573 --> 00:33:28,408 UP WITH NIC. >> I LOVE NIC. 515 00:33:28,408 --> 00:33:30,610 >> YEAH, NIC IS REALLY, REALLY GREAT. 516 00:33:30,610 --> 00:33:39,352 I THINK THINGS ARE GOING PRETTY WELL SO FAR, BUT IT'S JUST SO 517 00:33:39,352 --> 00:33:40,153 EARLY. >> IT IS EARLY. 518 00:33:40,153 --> 00:33:44,524 >> CIERRA FOR A CHAT AND IS CONDUCTING A Q&A. 519 00:33:44,524 --> 00:33:48,094 WELL, MAINLY Q. >> SO YOU'RE INTO FASHION? 520 00:33:48,094 --> 00:33:49,529 >> YEAH. >> NICE. 521 00:33:49,529 --> 00:33:51,097 I CLOCKED YOUR OUTFIT RIGHT AWAY. 522 00:33:51,097 --> 00:33:56,136 I'M, LIKE, THAT'S A GOOD ONE. >> I PUT IT ON SOMETIMES. 523 00:33:56,136 --> 00:33:58,805 HONESTLY, I LOVE, LIKE, MASCULINE FASHION AND WEARING 524 00:33:58,805 --> 00:33:59,806 IT. I THINK THERE'S SOMETHING LIKE 525 00:33:59,806 --> 00:34:06,212 SO SEXY ABOUT BEING A HOT GIRL WHO CAN PULL OFF MEN'S 526 00:34:06,212 --> 00:34:10,417 CLOTHING. >> CIERRA IS DEFINITELY ON MY 527 00:34:10,417 --> 00:34:16,222 RADAR BECAUSE EVERYBODY'S ATTENTION IS PHYSICAL 528 00:34:16,222 --> 00:34:22,462 APPEARANCE. >> ARE YOUR PARENTS TOGETHER? 529 00:34:22,462 --> 00:34:23,296 >> THEY ARE. >> LOVELY. 530 00:34:23,296 --> 00:34:27,067 I FEEL LIKE THAT'S REALLY RARE. >> THEY'VE BEEN MARRIED 28 531 00:34:27,067 --> 00:34:28,301 YEARS. >> OH, THAT'S AMAZING. 532 00:34:28,301 --> 00:34:30,236 >> YEAH. IT WAS JUST, LIKE, SEEING THEM, 533 00:34:30,236 --> 00:34:33,506 LIKE, THEY CAN DO IT, IT'S, LIKE, I CAN DO IT TOO. 534 00:34:33,506 --> 00:34:38,411 >> FOR SURE. LIKE TO KNOW THAT THAT LOVE 535 00:34:38,411 --> 00:34:41,715 EXISTS AND, LIKE, ROMANCE IS REAL, I THINK THAT'S THE VERY 536 00:34:41,715 --> 00:34:45,618 REASON I AM STILL SINGLE BECAUSE I DON'T WANT TO SETTLE 537 00:34:45,618 --> 00:34:48,355 FOR ANYTHING LESS THAN YOU KNOW, LIKE, UP TO PAR. 538 00:34:48,355 --> 00:34:52,225 >> THAT'S WHY YOU'RE HERE. YOU'RE GOING TO FIND THAT. 539 00:34:52,225 --> 00:34:59,566 >> NIC IS STRUGGLING TO CHOOSE BETWEEN BELLE-A AND CIERRA OR 540 00:34:59,566 --> 00:35:00,667 AS HE CALLS THEM, BELL-AHAND BELL B. 541 00:35:00,667 --> 00:35:07,273 >> IT'S A LOT, GOING FROM THE HIDEAWAY WITH CIERRA TO BELLE-A 542 00:35:07,273 --> 00:35:09,476 THE DAY BEFORE. >> HONESTLY, BRO, MY ADVICE TO 543 00:35:09,476 --> 00:35:12,779 YOU IS TO BE COMPLETELY HONEST. WE'RE HERE TO GET TO KNOW 544 00:35:12,779 --> 00:35:15,315 PEOPLE, AND I FEEL LIKE THAT'S THE SOLE PURPOSE OF THIS 545 00:35:15,315 --> 00:35:17,050 PROCESS. I REALLY DO WANT TO EXPLORE YOU 546 00:35:17,050 --> 00:35:20,053 BECAUSE I'M NOT TURNED OFF TO THE POSSIBILITY OF WHAT WE 547 00:35:20,053 --> 00:35:21,721 COULD POSSIBLY BE. >> NOT AT ALL. 548 00:35:21,721 --> 00:35:26,192 NOT AT ALL. I'M FEELING LOST, I'M FEELING 549 00:35:26,192 --> 00:35:29,763 PUZZLED. * * I SEE IT IN THE WAY YOU 550 00:35:29,763 --> 00:35:33,566 LOOK * I HEAR IT IN THE WAY YOU TALK * *. 551 00:35:33,566 --> 00:35:37,137 >> I DO HAVE A FEELING THAT CIERRA IS, LIKE, INTO ME, BUT 552 00:35:37,137 --> 00:35:40,674 AT THE SAME TIME, FOR SOME REASON, LIKE, BELLE-A MAY NOT 553 00:35:40,674 --> 00:35:43,610 BE THAT INTO ME. I THINK FOR SOME FFUCKED 554 00:35:43,610 --> 00:35:47,280 REASON, I LOVE THE CHASE OF A WOMAN NOT LIKING ME AS MUCH. 555 00:35:47,280 --> 00:35:52,519 SO I'M JUST, LIKE, A MESS RIGHT NOW IN ALL HONESTY. 556 00:35:52,519 --> 00:35:55,355 >> YOU WRITE A STORY AND FLIP YOUR OWN PAGE * * 557 00:35:55,355 --> 00:35:59,325 >> I THINK RIGHT NOW IN MY HEAD, I'M SO TORN BECAUSE I 558 00:35:59,325 --> 00:36:03,029 HAVEN'T GIVEN BELLE-A THAT TIME TO GET TO KNOW HER TRULY, LIKE 559 00:36:03,029 --> 00:36:11,037 TRULY GET TO KNOW WHO SHE IS AS 560 00:36:13,373 --> 00:36:14,174 * * IT'S ALWAYS ANOTHER DAY 561 00:36:14,174 --> 00:36:20,380 * * >> WELCOME BACK TO "LOVE ISLAND 562 00:36:20,380 --> 00:36:25,418 USA" CHELLEY IS COUPLED UP WITH AUSTIN AND SPENT THE NIGHT WITH 563 00:36:25,418 --> 00:36:28,154 CHARLIE IN THE HIDEAWAY. BUT IT LOOKS LIKE ACE AS SOON 564 00:36:28,154 --> 00:36:30,857 AS AFRAID TO STEP ON PEOPLE'S TOES 565 00:36:30,857 --> 00:36:38,264 >> CHELLEY, WHERE ARE YOU GOING? 566 00:36:38,264 --> 00:36:42,502 >> CHAT WITH MY GIRLS. LIKE, BY ALL MEANS. 567 00:36:42,502 --> 00:36:43,403 >> YOU'RE RIGHT. COME HERE. 568 00:36:43,403 --> 00:36:48,908 COME HERE. >> WHERE DO YOU WANT TO GO? 569 00:36:48,908 --> 00:36:53,079 WHERE YOU BEEN, GIRL, ALL MY LIFE? 570 00:36:53,079 --> 00:36:57,217 >> WHY ARE YOU SO -- >> I GET TO TALK TO YOU. 571 00:36:57,217 --> 00:37:01,287 I MISS YOU. YOU'RE BEING TAKEN AWAY FROM ME 572 00:37:01,287 --> 00:37:02,122 AND SSHIT. >> FROM YOU? 573 00:37:02,122 --> 00:37:04,557 >> HOW WAS I TAKEN AWAY WITH YOU? 574 00:37:04,557 --> 00:37:08,161 LAST TIME I CHECKED, I WAS COUPLES WITH AUSTIN. 575 00:37:08,161 --> 00:37:12,032 >> OH, YEAH. MY BAD. 576 00:37:12,032 --> 00:37:16,469 >> MY BAD. YOU'RE CONFUSED. 577 00:37:16,469 --> 00:37:17,203 >> YEAH. BUT NOT. 578 00:37:17,203 --> 00:37:17,837 >> ME? WHAT? 579 00:37:17,837 --> 00:37:21,875 >> I DEFINITELY -- NO. I KNOW I WANT TO HAVE MORE 580 00:37:21,875 --> 00:37:23,243 CONVERSATIONS WITH YOU. >> OKAY. 581 00:37:23,243 --> 00:37:26,880 >> BUT HOW I LOOK AT IT IS I DEFINITELY DO WANT TO PURSUE 582 00:37:26,880 --> 00:37:31,584 YOU, I MEAN, AND I'M HERE TO STEP ON EVERYBODY'S TOES. 583 00:37:31,584 --> 00:37:32,619 I DON'T CARE. REAL SOON. 584 00:37:32,619 --> 00:37:34,554 - SO NOW THAT YOU UNDERSTAND THAT - - 585 00:37:34,554 --> 00:37:38,725 >> UH-HUH. >> -- BE READY FOR IT. 586 00:37:38,725 --> 00:37:39,693 I DEFINITELY ENJOYED OUR KISSES. 587 00:37:39,693 --> 00:37:42,595 IT'S SO FUNNY, YOU KNOW WHAT I MEAN? 588 00:37:42,595 --> 00:37:44,931 I KNOW WHEN YOU KISSED ME. >> YOU DID? 589 00:37:44,931 --> 00:37:50,136 >> YEAH. >> HOW DID YOU KNOW? 590 00:37:50,136 --> 00:37:56,676 >> I JUST KNOW. >> DID YOU REALLY NOT KNOW OR 591 00:37:56,676 --> 00:37:58,912 ARE YOU BULLSSHITTING? DID YOU HAVE AN INKLING? 592 00:37:58,912 --> 00:38:03,016 >> I DID HAVE AN INKLING. >> I WANTED TO KEEP IT REAL 593 00:38:03,016 --> 00:38:04,784 CALM AND COOL. >> I DEFINITELY FELT YOUR 594 00:38:04,784 --> 00:38:07,654 LIPSTICK AROUND MY -- YOU KNOW WHAT I MEAN? 595 00:38:07,654 --> 00:38:10,623 >> YOU DID. >> AND I THINK YOU DID IT ON 596 00:38:10,623 --> 00:38:11,658 PURPOSE. >> NO, I DIDN'T, ACTUALLY. 597 00:38:11,658 --> 00:38:18,098 I WAS JUST TRYING TO COME HERE AND GIVE A NICE LITTLE PECK, 598 00:38:18,098 --> 00:38:23,036 REAL CUTE AND SIMPLE. >> NOTHING OVER HERE CUTE AND 599 00:38:23,036 --> 00:38:24,037 SIMPLE. YOU EXPLORING, I'M EXPLORING. 600 00:38:24,037 --> 00:38:27,040 >> UH-HUH. >> AND IF IT'S MEANT TO BE, 601 00:38:27,040 --> 00:38:31,044 IT'S MEANT TO BE. >> AS THE ISLANDERS GET READY 602 00:38:31,044 --> 00:38:34,581 FOR THE EVENING, AUSTIN IS CASUALLY CONTINUING HIS 603 00:38:34,581 --> 00:38:38,051 INVESTIGATION INTO PEST GATE. YOU CAN'T STOP ME, POOL BOY. 604 00:38:38,051 --> 00:38:46,893 I'M DOING IT AGAIN RIGHT NOW. >> HOW ARE YOU FEELIN', BRO? 605 00:38:46,893 --> 00:38:49,562 >> I DON'T KNOW. >> MY HEAD IS ALL OVER THE 606 00:38:49,562 --> 00:38:51,364 PLACE. I'D RATHER NOT LOOK AT ONE ALL 607 00:38:51,364 --> 00:38:59,339 THE WAY. WE GOT THE SMALL TALK OUT OF 608 00:38:59,339 --> 00:39:00,240 THE WAY. NOW UNDER THE HOOD. 609 00:39:00,240 --> 00:39:04,711 * * >> IT'S BEEN A LOT, MAN, AND 610 00:39:04,711 --> 00:39:14,354 I'M MORE SO THINKING WHAT THE FFUCK IS GOING TO GO DOWN, BUT 611 00:39:14,354 --> 00:39:15,021 - - >> HI. 612 00:39:15,021 --> 00:39:24,931 I'M WEARING TAN. >> OKAY, BABE. 613 00:39:24,931 --> 00:39:34,507 >> I WANT TO EAT HIS FACE. >> HE'S SO WHIPPED FOR YOU. 614 00:39:34,507 --> 00:39:44,584 * * >> PEOPLE ARE LIKE THIS. 615 00:39:44,584 --> 00:39:48,888 >> YOU GOT MANY OPTIONS. >> MY CHIPPIN'. 616 00:39:48,888 --> 00:40:00,867 >> WE'LL MAKE IT WORK. >> HEY, WHICH ONE IS BETTER, 617 00:40:02,235 --> 00:40:07,640 CIERRA OR BELLE-A? 618 00:40:07,640 --> 00:40:12,812 >> YOU GUYS LOOK GREAT. >> BEAUTIFUL. 619 00:40:12,812 --> 00:40:18,385 >> THANK YOU. >> WHAT UP, QUEEN? 620 00:40:18,385 --> 00:40:28,028 * * 621 00:40:28,028 --> 00:40:32,599 >> NEXT HOW TO TELL BELLE-A ABOUT HIS KISS WITH CIERRA 622 00:40:32,599 --> 00:40:36,936 WHICH IS NOT SURPRISING BECAUSE WHEN A NURSE DELIVERS BAD NEWS, 623 00:40:36,936 --> 00:40:41,341 THEY HAND OUT A LOLLIPOP AND A "YOU'RE SO BRAVE" STICKER. 624 00:40:41,341 --> 00:40:45,311 >> OBVIOUSLY A LOT OF STUFF HAPPENED LAST NIGHT, A LOT. 625 00:40:45,311 --> 00:40:49,149 >> OH? >> BUT LET'S JUST START AT, 626 00:40:49,149 --> 00:40:50,650 LIKE, THE CHALLENGE WHEN CIERRA HAD KISSED ME. 627 00:40:50,650 --> 00:40:53,420 YOU KNOW, IT WAS A GOOD KISS. I'M NOT GONNA LIE. 628 00:40:53,420 --> 00:40:58,725 >> OH, I HEARD IT WAS. >> THAT'S WHAT I CAME HERE FOR 629 00:40:58,725 --> 00:41:01,628 IS TO, LIKE, SCORE EVERYTHING. WHEN I CAME INTO THE VILLA, YOU 630 00:41:01,628 --> 00:41:04,864 ARE, LIKE, THE FIRST PERSON I SAW, AND I THINK YOU'RE 631 00:41:04,864 --> 00:41:05,865 EXTREMELY BEAUTIFUL. >> THANK YOU. 632 00:41:05,865 --> 00:41:09,936 >> AND YOU ARE MY TYPE. I JUST, LIKE, WE HAVEN'T HAD 633 00:41:09,936 --> 00:41:12,472 THAT MUCH TIME TO TALK, BUT IT ALL HAPPENED SO FAST. 634 00:41:12,472 --> 00:41:15,508 >> YOU HAD NO CONTROL OVER THAT EITHER. 635 00:41:15,508 --> 00:41:17,677 >> YEAH. I WENT INTO THE HIDEAWAY, AND 636 00:41:17,677 --> 00:41:25,251 IT'S, LIKE, ALL SET UP FOR LIKE THAT INTIMATE EXPERIENCE, BUT 637 00:41:25,251 --> 00:41:27,821 WE DID KISS. BUT THAT WAS IT. 638 00:41:27,821 --> 00:41:31,458 >> THAT'S CRAZY. >> I FEEL LIKE THAT'S NOT -- 639 00:41:31,458 --> 00:41:34,994 THAT'S JUST LIKE EXPLORING. >> HOW DO YOU FEEL ABOUT IT? 640 00:41:34,994 --> 00:41:37,130 >> IT WAS GOOD. >> LIKE, WHERE DO YOU STAND? 641 00:41:37,130 --> 00:41:40,266 >> MY BRAIN IS SO SPLIT IN HALF. 642 00:41:40,266 --> 00:41:42,902 I'M STILL, LIKE, INTERESTED IN YOU FOR SURE. 643 00:41:42,902 --> 00:41:48,008 AND I REALLY DO STAND BY THAT, LIKE, I WANT TO BE COMPLETELY 644 00:41:48,008 --> 00:41:50,543 FORWARD WITH YOU. >> YOU CUDDLE UP? 645 00:41:50,543 --> 00:41:58,284 >> NOT AS LONG AS WE DID. >> YOUR CHOICE OR HER? 646 00:41:58,284 --> 00:41:59,119 >> MINE. >> OH. 647 00:41:59,119 --> 00:42:02,756 DISAPPOINTED BUT NOT SURPRISED. AT LEAST HE COMMUNICATED HOW HE 648 00:42:02,756 --> 00:42:08,161 WAS FEELING, BUT I WAS HOPING THAT HE WOULD KIND OF SEE IT 649 00:42:08,161 --> 00:42:11,698 THROUGH A LITTLE BIT MORE. BEING AROUND HIM IS REALLY 650 00:42:11,698 --> 00:42:14,834 NICE, BUT THERE'S NO SENSE OF SECURITY IN HIM. 651 00:42:14,834 --> 00:42:20,640 >> I APPRECIATE YOU, AND I'M EXCITED TO, LIKE, CUDDLE UP 652 00:42:20,640 --> 00:42:21,474 WITH YOU AGAIN. >> MAYBE. 653 00:42:21,474 --> 00:42:25,545 MAYBE. >> IF YOU ALLOW IT. 654 00:42:25,545 --> 00:42:28,214 >> I MIGHT. MIGHT NOT. 655 00:42:28,214 --> 00:42:30,316 >> CHARLIE'S INTO CHELLEY, ACCENT BUT WHEN HE ASKED HER 656 00:42:30,316 --> 00:42:40,160 WHAT'S YOUR NAME, AND HE SAID CHELLEY, BUT WHAT'S YOUR NAME? 657 00:42:40,160 --> 00:42:44,631 >> IS IT WEIRD, THOUGH, >> YOU DID? 658 00:42:44,631 --> 00:42:52,439 >> AND, LIKE, FOR ME, I'M 100% WHY I'M LOOKING FOR IS JUST 659 00:42:52,439 --> 00:42:54,474 SOMEONE THAT'S KIND, EMOTIONALLY THERE, GOT A GOOD 660 00:42:54,474 --> 00:42:55,342 VIBE LIKE -- >> OF COURSE. 661 00:42:55,342 --> 00:43:00,413 >> -- OF ALL THE THINGS WE SPOKE ABOUT WE RELATE, AND WE 662 00:43:00,413 --> 00:43:04,050 DEFINITELY GOT A LOT IN COMMON, AND I WAS THINKING ABOUT THAT. 663 00:43:04,050 --> 00:43:06,953 AND, YEAH, LIKE, I'M NOT GONNA LIE, I WANT TO GET A POINT 664 00:43:06,953 --> 00:43:10,357 WHERE I GET A KISS AGAIN WITHOUT THE BLINDFOLD, YOU KNOW 665 00:43:10,357 --> 00:43:11,157 WHAT I MEAN? >> YEAH. 666 00:43:11,157 --> 00:43:12,792 YOU KNOW WHAT? I LOVE TO HEAR THAT BECAUSE I 667 00:43:12,792 --> 00:43:16,229 FEEL LIKE WE COULD SEE WHERE THE NIGHT TAKES US. 668 00:43:16,229 --> 00:43:25,305 AND I DEFINITELY THINK WE COULD MAKE THAT KISS HAPPEN. 669 00:43:25,305 --> 00:43:26,072 >> YEAH? TONIGHT. 670 00:43:26,072 --> 00:43:28,308 >> THE STARS ARE TELLING ME THAT -- 671 00:43:28,308 --> 00:43:31,611 >> WAIT. THE STARS JUST SAID ABSOLUTELY 672 00:43:31,611 --> 00:43:32,846 FFUCKING DO IT. THE STARS SAID -- 673 00:43:32,846 --> 00:43:37,684 >> IS THAT WHAT IT SAYS? BUT WHEN, THOUGH? 674 00:43:37,684 --> 00:43:38,551 >> WHEN? MAYBE RIGHT NOW. 675 00:43:38,551 --> 00:43:45,358 OH, YOU CAN READ THE STAR? >> THE STARS IS WHAT I'M 676 00:43:45,358 --> 00:43:51,698 SAYING. * * 677 00:43:51,698 --> 00:44:01,741 >> THAT WAS A KISS. I WISH YOU COULD SEE MY -- NO. 678 00:44:01,741 --> 00:44:08,148 IT'S LIKE A PERFECT LIP. MY BRAIN WAS LITERALLY IN A 679 00:44:08,148 --> 00:44:10,050 TRIANGLE. ONE SECOND I'M THINKING ABOUT 680 00:44:10,050 --> 00:44:12,352 CHARLIE, ACE, THEN CHARLIE, THEN ACE, THEN AUSTIN. 681 00:44:12,352 --> 00:44:14,554 THERE'S A LOT GOING ON IN MY HEAD. 682 00:44:14,554 --> 00:44:23,163 LIKE, HOW AM I GOING TO CHOOSE ONE? 683 00:44:23,163 --> 00:44:24,064 THIS ALL HAPPENS EVERYDAY. >> 684 00:44:24,064 --> 00:44:33,239 >> WE SHOULD SEE HOW EVERYBODY IS DOING, IF THEY'RE HAVING 685 00:44:33,239 --> 00:44:39,546 FUN. >> JUST TO SAY THAT AGAIN. 686 00:44:39,546 --> 00:44:41,481 >> ALL RIGHT. 687 00:44:45,618 --> 00:44:46,252 PUCKER YOUR LIPS, THOUGH. 688 00:44:46,252 --> 00:44:52,258 * * >> WELCOME BACK TO "LOVE 689 00:44:52,258 --> 00:44:53,460 ISLAND" USA. CIERRA WANTS TO PULL JEREMIAH 690 00:44:53,460 --> 00:44:57,330 FOR A CHAT, AND, OF COURSE, HE'LL GIVE HER A GENEROUS 691 00:44:57,330 --> 00:44:58,965 GUIDE. HE'LL GIVE HER THE SHIRT OFF 692 00:44:58,965 --> 00:45:02,202 HIS BACK AND SAID BE FAIR, IT'S HALF OFF ALREADY. 693 00:45:02,202 --> 00:45:03,036 >> JEREMIAH. >> YES. 694 00:45:03,036 --> 00:45:05,538 >> WOULD YOU LIKE TO GO FOR A CHAT? 695 00:45:05,538 --> 00:45:12,212 >> WE CAN DO THAT. >> THAT WOULD BE PERFECT. 696 00:45:12,212 --> 00:45:16,716 >> OKAY. SO YOU WERE SAYING -- 697 00:45:16,716 --> 00:45:20,487 >> IT'S COOL. I NEVER -- MY SISTERS TAUGHT 698 00:45:20,487 --> 00:45:23,690 ME. >> HOW MANY SISTERS DO YOU 699 00:45:23,690 --> 00:45:24,657 HAVE? >> I GOT THREE. 700 00:45:24,657 --> 00:45:25,759 >> THREE? >> YEAH. 701 00:45:25,759 --> 00:45:30,530 ARE YOU LIKE THE OLDEST OR -- >> NOT YET. 702 00:45:30,530 --> 00:45:32,065 MY FAMILY IS LIKE MY EVERYTHING. 703 00:45:32,065 --> 00:45:33,733 PROBABLY THE BEST PART ABOUT ME IS MY FAMILY. 704 00:45:33,733 --> 00:45:37,303 >> I FEEL THE SAME. I THINK MY BIGGEST FLEX IN LIFE 705 00:45:37,303 --> 00:45:42,842 IS THE PEOPLE I HAVE AROUND ME. >> I WANT TO MAKE SURE HE CAN 706 00:45:42,842 --> 00:45:44,744 SEE ME. >> AND YOU'RE FROM THE SOUTH? 707 00:45:44,744 --> 00:45:48,081 >> NO. MY DAD IS FROM THE SOUTH 708 00:45:48,081 --> 00:45:52,085 >> WHERE DO YOU LIVE? >> I'M FROM SEATTLE, BUT I LIVE 709 00:45:52,085 --> 00:45:53,153 IN L.A. >> IN L.A.? 710 00:45:53,153 --> 00:45:56,089 GIVE ME YOUR SIGN. >> I'M A TAURUS. 711 00:45:56,089 --> 00:45:59,659 >> NICE. DO YOU KNOW ANYTHING ABOUT 712 00:45:59,659 --> 00:46:01,761 ZODIAC, LIKE WHAT ARE YOUR FEELINGS WITH B IT? 713 00:46:01,761 --> 00:46:04,864 >> LAST THING I READ IS LIKE TAURUSES ARE THE BEST. 714 00:46:04,864 --> 00:46:08,868 I DON'T GET INTO THE ZODIAC TOO, TOO MUCH. 715 00:46:08,868 --> 00:46:11,638 >> ARE YOU OKAY? >> I'M FINE. 716 00:46:11,638 --> 00:46:14,374 JUST SO HE CAN SEE. >> COME SIT. 717 00:46:14,374 --> 00:46:16,242 >> DO YOU LIKE NATURE? >> YEAH. 718 00:46:16,242 --> 00:46:29,055 I LOVE NATURE, BUT I GOT TO GET, LIKE, MORE INTO IT. 719 00:46:29,055 --> 00:46:30,857 >> YEAH. THE SIDE EYE. 720 00:46:30,857 --> 00:46:34,961 >> I MEAN, HE'S DOING GREAT. HE'S NOT TURNING TOWARDS HER. 721 00:46:34,961 --> 00:46:41,134 HE'S JUST SITTING STRAIGHT UP. >> SO TELL ME ABOUT HOW YOU'RE 722 00:46:41,134 --> 00:46:43,703 FEELING HERE, AND, LIKE, YOUR . >> I GOT PRETTY LUCKY. 723 00:46:43,703 --> 00:46:46,940 WHEN I SAW HER, I WAS, LIKE, OH, YEAH. 724 00:46:46,940 --> 00:46:49,275 >> WOULD YOU SAY YOU GUYS ARE LIKE CLOSED OFF? 725 00:46:49,275 --> 00:46:52,712 >> NOT CLOSED OFF YET, BUT -- >> LOCKED IN? 726 00:46:52,712 --> 00:46:55,081 >> LIKE WAY BEYOND ANY OTHER COUPLE. 727 00:46:55,081 --> 00:47:00,186 >> YEAH. I THINK WE CAN SEE THAT. 728 00:47:00,186 --> 00:47:07,727 >> YEAH, YEAH. >> HEY, BABY. 729 00:47:07,727 --> 00:47:13,133 CAN WE HAVE A CHAT? >> HOW ARE YOU FEELING? 730 00:47:13,133 --> 00:47:16,236 >> STRAIGHT. >> ARE YOU SCARED TO STEP ON 731 00:47:16,236 --> 00:47:17,037 ANYBODY'S TOE? >> NO. 732 00:47:17,037 --> 00:47:19,939 >> NO? I KNOW YOU TOLD ME YOU WERE 733 00:47:19,939 --> 00:47:23,043 INTERESTED IN HUDA. WHY DIDN'T YOU TALK TO HUDA? 734 00:47:23,043 --> 00:47:24,944 >> BECAUSE SHE TOLD ME THERE'S NO POINT. 735 00:47:24,944 --> 00:47:28,448 SHE DIDN'T SAY SHE WAS CLOSED OFF. 736 00:47:28,448 --> 00:47:33,386 >> SHE'S CLOSED OFF. YOU KNOW SHE CLOSED OFF. 737 00:47:33,386 --> 00:47:34,254 >> HOW WAS THAT? >> COOL. 738 00:47:34,254 --> 00:47:36,056 >> I KNEW IT WAS GOING TO HAPPEN. 739 00:47:36,056 --> 00:47:39,325 >> SHE DIDN'T TRY TO PUSH ME OR NOTHING. 740 00:47:39,325 --> 00:47:41,661 >> BUT I ALREADY KNOW. >> IT WAS, LIKE -- BECAUSE I 741 00:47:41,661 --> 00:47:46,366 WANTED TO GET TO KNOW HER WITH SOME FRIENDLY SSHIT. 742 00:47:46,366 --> 00:47:48,201 >> I DON'T MIND. WE'RE NOT CLOSED OFF. 743 00:47:48,201 --> 00:47:50,070 YOU'RE FINE. >> I HAVE A QUESTION. 744 00:47:50,070 --> 00:47:54,374 WHY DIDN'T YOU JUST SIT THERE? >> I WANTED TO MAKE SURE YOU 745 00:47:54,374 --> 00:47:55,275 COULD SEE. >> YOU'RE INSANE. 746 00:47:55,275 --> 00:47:57,544 YOU'RE INSANE. >> AS FOR RIGHT NOW, THERE'S NO 747 00:47:57,544 --> 00:47:58,945 OTHER POSITION I'D RATHER BE IN. 748 00:47:58,945 --> 00:48:03,516 THE THING IS I KNOW HOW SSHIT CAN JUST GO LEFT AT ANY MOMENT. 749 00:48:03,516 --> 00:48:08,922 SO I'M, LIKE, TAKING IT DAY BY DAY, JUST, LIKE, EMBRACING THE 750 00:48:08,922 --> 00:48:12,092 GOOD DAYS AS THEY COME. >> WHY CAN'T WE JUST SLEEP 751 00:48:12,092 --> 00:48:14,861 HERE? >> THAT WOULD BE GREAT. 752 00:48:14,861 --> 00:48:18,365 >> I KNOW. WE COULD DO, LIKE -- WE COULD 753 00:48:18,365 --> 00:48:19,132 EAT. CAN I TALK? 754 00:48:19,132 --> 00:48:24,237 >> I'M NOT KISSING YOUR LIPS, AM I? 755 00:48:24,237 --> 00:48:27,307 >> CHELLEY, CIERRA, SORRY, I WAS JUST EATING MY BANANA, AND 756 00:48:27,307 --> 00:48:29,743 I GOT TO DROP THE SKIN ON THE FLOOR. 757 00:48:29,743 --> 00:48:34,514 BEFORE YOU GO FOR YOUR CHAT, WOULD YOU MIND HAVING A QUICK 758 00:48:34,514 --> 00:48:37,717 LOOK FOR IT FOR ME? >> I KNOW. 759 00:48:37,717 --> 00:48:40,653 HOW ARE YOU FEELING? >> FIRST OF ALL, ME AND 760 00:48:40,653 --> 00:48:45,959 CHARLIE, HE PULLED ME FOR A CHAT, IT WAS A GREAT CHAT. 761 00:48:45,959 --> 00:48:47,827 AND WE KISSED. >> OKAY. 762 00:48:47,827 --> 00:48:50,196 >> YES, WE KISSED. >> IT'S SO CRAZY. 763 00:48:50,196 --> 00:48:53,667 IT'S, LIKE, EVERY TIME I TAKE A GOOD LOOK AT SOMEONE, THEN 764 00:48:53,667 --> 00:48:57,570 IMMEDIATELY AFTER, IT'S LIKE I'M STUCK WITH SOMEONE ELSE. 765 00:48:57,570 --> 00:48:58,938 - AND IT'S LIKE FFUCKING TRYING - - 766 00:48:58,938 --> 00:49:02,008 >> I MEAN, SHE'S A HOT COMMODITY. 767 00:49:02,008 --> 00:49:04,177 LOOK AT HER. >> HE IS VERY RECEPTIVE TO 768 00:49:04,177 --> 00:49:06,112 EVERYTHING THAT'S HAPPENING. DO YOUR THING, TAKE YOUR TIME. 769 00:49:06,112 --> 00:49:09,249 I WAS JUST LETTING HIM KNOW WHERE I STAND. 770 00:49:09,249 --> 00:49:12,919 YOU KNOW WHAT? >> IT'S LIKE WHEN I GIVE YOU 771 00:49:12,919 --> 00:49:16,256 FACE, IT'S, LIKE, HOLD UP. I WANTED SOMEONE TO, YOU KNOW, 772 00:49:16,256 --> 00:49:21,027 LIKE, COME AND GET ME. I WANT TO BE -- 773 00:49:21,027 --> 00:49:22,262 >> YOUR OFFERINGS. >> EXACTLY. 774 00:49:22,262 --> 00:49:24,297 >> AND UNDER THAT. THAT'S WHAT I'M SAYING. 775 00:49:24,297 --> 00:49:27,567 SO NOW THAT THAT HAPPENED, DO YOU THINK IT PUT A LITTLE FIRE 776 00:49:27,567 --> 00:49:29,336 UNDER ACE? >> NO ONE KNOWS ANYTHING. 777 00:49:29,336 --> 00:49:32,272 LIKE, ACE DOESN'T KNOW ME AND HIM HAD ANOTHER CHAT. 778 00:49:32,272 --> 00:49:35,608 THERE ARE OTHER PEOPLE IN HERE. >> OH, YEAH. 779 00:49:35,608 --> 00:49:37,777 HE KNOWS. >> WE ALL BRING DIFFERENT 780 00:49:37,777 --> 00:49:43,049 THINGS TO THE TABLE. IF THEY COULD ALL MORPH INTO 781 00:49:43,049 --> 00:49:45,352 ONE, WE'D BE -- >> PERFECT. 782 00:49:45,352 --> 00:49:55,562 >> AND THEN, LIKE, ACE IN THERE, AND GET AUSTIN'S HEIGHT 783 00:49:55,562 --> 00:49:56,162 IN THERE. 784 00:49:56,162 --> 00:50:03,970 I WOULD BUILD THE PERFECT -- EXACTLY [ CHEERS ] 785 00:50:03,970 --> 00:50:07,040 >> WHAT DOES IT SAY? >> ISLANDERS, PLEASE GATHER AT 786 00:50:07,040 --> 00:50:14,914 THE FIRE PIT IMMEDIATELY >> SOME SSHIT'S ABOUT TO GET 787 00:50:14,914 --> 00:50:15,615 SPICY. >> SSHIT. 788 00:50:15,615 --> 00:50:27,193 * * SAY WHAT YOU GOTTA SAY HOLD ME CLOSE OR LET ME WALK 789 00:50:27,193 --> 00:50:43,143 AWAY * IS IT EASY OR JUST FORGET IT ALL? 790 00:50:43,143 --> 00:50:43,777 * >> OH! 791 00:50:43,777 --> 00:50:45,945 >> WHAT IS IT? >> CIERRA AND CHARLIE, IT'S 792 00:50:45,945 --> 00:50:53,953 TIME FOR YOU TO COUPLE UP. PLEASE STAND UP. 793 00:50:53,953 --> 00:50:56,222 >> OH. >> OKAY. 794 00:50:56,222 --> 00:51:06,666 THAT IS GOING TO GET INNOCENT. 795 00:51:09,869 --> 00:51:15,442 * * TAKE MY HAND 796 00:51:15,442 --> 00:51:25,885 * I DON'T KNOW IF YOU'VE HEARD 797 00:51:28,655 --> 00:51:29,089 * * 798 00:51:29,089 --> 00:51:33,827 >> ISLANDERS, YOU MUST NOW EACH DECIDE IF YOU ARE HAPPY IN YOUR 799 00:51:33,827 --> 00:51:46,740 CURRENT COUPLE OR WHETHER YOU WANT TO CHANCE TO COUPLE UP 800 00:51:46,740 --> 00:51:52,679 WITH EITHER CIERRA OR CHARLIE. >> OH, SSHIT. 801 00:51:52,679 --> 00:51:56,549 >> BELLE-A AND NIC, IF EITHER OF YOU WOULD LIKE THE CHANCE TO 802 00:51:56,549 --> 00:52:03,123 COUPLE UP WITH CIERRA OR CHARLIE, STAND IN FRONT OF THE 803 00:52:03,123 --> 00:52:05,158 FIRE PIT NOW. >> OH. 804 00:52:05,158 --> 00:52:14,300 >> OH, MY GOD. >> OH, GOD. 805 00:52:14,300 --> 00:52:19,973 >> IF HE CHOOSES. * 806 00:52:19,973 --> 00:52:30,083 * 807 00:52:39,259 --> 00:52:39,926 >> THIS IS WILD. 808 00:52:39,926 --> 00:52:46,132 * * 809 00:52:54,974 --> 00:52:55,508 >> DAMN. 810 00:52:55,508 --> 00:53:06,119 >> OH, MY GOSH. CHELLEY AND AUSTIN, PLEASE MAKE 811 00:53:06,119 --> 00:53:16,363 YOUR DECISION NOW. 812 00:53:18,765 --> 00:53:24,404 >> HOW COME GIRL DOES IT LIKE 813 00:53:24,404 --> 00:53:38,218 THAT? >> JEREMIAH, IT'S YOUR TURN TO 814 00:53:38,218 --> 00:53:48,261 DECIDE. 815 00:54:01,741 --> 00:54:08,515 * * 816 00:54:08,515 --> 00:54:11,184 >> LET'S SEE. ACE, AS YOU ARE NOW SINGLE, 817 00:54:11,184 --> 00:54:22,128 PLEASE JOIN THE OTHERS IN FRONT OF THE FIRE PIT. 818 00:54:22,128 --> 00:54:27,267 >> YEAH, YEAH. * * 819 00:54:27,267 --> 00:54:36,609 >> HOW YA'LL DOIN'? [ LAUGHTER ] 820 00:54:36,609 --> 00:54:44,084 ] >> OLANDRIA AND TAYLOR, PLEASE 821 00:54:44,084 --> 00:54:54,361 MAKE YOUR DECISION NOW. 822 00:54:56,629 --> 00:55:07,040 >> NONE OF US BATTLE QUEENS. 823 00:55:09,776 --> 00:55:10,176 * * 824 00:55:10,176 --> 00:55:15,348 >> I DON'T LIKE THIS. I DON'T LIKE THIS. 825 00:55:15,348 --> 00:55:20,186 >> YOU DON'T HAVE TO PLAY THAT. >> WHAT DO YOU MEAN? 826 00:55:20,186 --> 00:55:28,762 >> I'M SAYING WE'RE NOT UPSET. IT'S OKAY. 827 00:55:28,762 --> 00:55:36,636 >> I HAVE MY LITTLE CHAT. >> OKAY. 828 00:55:36,636 --> 00:55:44,944 * * 829 00:55:51,718 --> 00:55:57,090 >> WELCOME BACK TO "LOVE ISLAND 830 00:55:57,090 --> 00:55:59,559 USA," AND THE RECUMMING CIERRA HAS HAD ACE OFF THE NECK AND 831 00:55:59,559 --> 00:56:13,540 TAYLOR ALL STAND UP TO GET THE CHANCE OF RECUMMING WITH HER, 832 00:56:15,909 --> 00:56:18,645 AND CHARLIE, WELL, HE'S -- 833 00:56:18,645 --> 00:56:26,586 >> CHARLIE, AS NO GIRL STOOD UP, YOU REMAIN SINGLE, AND YOU 834 00:56:26,586 --> 00:56:32,292 CAN SIT DOWN. >> THAT'S YOUR SEAT, KING. 835 00:56:32,292 --> 00:56:42,335 * * 836 00:56:54,514 --> 00:56:55,782 >> CIERRA, FROM THE BOYS 837 00:56:55,782 --> 00:57:04,624 STANDING UP, YOU MUST NOW CHOOSE WHO YOU WANT TO COUPLE 838 00:57:04,624 --> 00:57:13,833 UP WITH. * * CREATOR OF THIS TALE, 839 00:57:13,833 --> 00:57:18,371 YOU'LL GO DOWN IN A BLAZE OF GLORY I LIKED WHAT YOU FEEL * 840 00:57:18,371 --> 00:57:21,541 * >> I WANT TO COUPLE UP WITH 841 00:57:21,541 --> 00:57:35,522 THIS BOY BECAUSE I THINK HE'S DONE AN INCREDIBLE JOB AT 842 00:57:36,089 --> 00:57:36,756 MAKING ME FEEL COMFORTABLE. 843 00:57:36,756 --> 00:57:38,158 OUR CONVERSATION FLOWS EFFORTLESSLY. 844 00:57:38,158 --> 00:57:45,465 * * RIGHT BEHIND YOU * * >> I'VE HAD A LOT OF AMAZING 845 00:57:45,465 --> 00:57:54,140 CHATS TODAY. BUT I FIND MY MIND KIND OF 846 00:57:54,140 --> 00:57:55,208 WANDERING IN HIS DIRECTION. * * 847 00:57:55,208 --> 00:58:05,618 >> SO THE BOY THAT I WANT TO 848 00:58:06,119 --> 00:58:16,563 COUPLE UP WITH IS * * AIL HE 849 00:58:18,064 --> 00:58:23,603 BE BESIDE YOU WE FIND YOU * * 850 00:58:23,603 --> 00:58:33,713 >> NIC. * * 851 00:58:33,713 --> 00:58:39,152 >> OH, SSHIT. >> * * THERE'S NO ESCAPING 852 00:58:39,152 --> 00:58:49,429 YOU CAN'T HIDE AWAY * * >> THAT REALLY WAS BEAUTIFUL. 853 00:58:49,429 --> 00:58:55,368 ENJOY YOUR MAN, GIRL. * * 854 00:58:55,368 --> 00:59:05,578 >> THIS IS CRAZY. 855 00:59:13,186 --> 00:59:18,591 >> ACE, AUSTIN AND TAYLOR, YOU 856 00:59:18,591 --> 00:59:25,265 MAY NOW SIT DOWN. * * THERE'S NO ESCAPING THIS 857 00:59:25,265 --> 00:59:40,413 NOW, THIS GAME THAT WE'RE PLAYIN' THE WAY THAT WE DO IT 858 00:59:40,413 --> 00:59:48,722 SHAMELESS, SHAMELESS WE RUN IT ALL INTO THE GROUND * * 859 00:59:48,722 --> 00:59:55,061 >> UH-OH. >> BELLE-A, ACE AND CHARLIE, 860 00:59:55,061 --> 01:00:05,305 YOU ARE NOW SINGLE AND 861 01:00:09,476 --> 01:00:09,876 VULNERABLE. 862 01:00:09,876 --> 01:00:10,710 >> OH, SSHIT. * * 863 01:00:10,710 --> 01:00:20,954 >> IT'S CRAZY. * * WHEN THIS GAME THAT WE'RE 864 01:00:20,954 --> 01:00:24,858 PLAYIN' IS DANGEROUS * * >> TOMORROW NIGHT -- 865 01:00:24,858 --> 01:00:28,161 >> DEFINITELY BEEN DOING NOTHING WRONG. 866 01:00:28,161 --> 01:00:39,906 >> THE SEAL SHAKES THE VILLA. >> ANYBODY IS ON THE TABLE. 867 01:00:44,144 --> 01:00:49,749 >> AND THEN -- FACTS. 868 01:00:49,749 --> 01:00:59,793 * * 71186

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