Original subtitles

There's a time for love and a time for living. Take a chance and face the wind.

An open road and a road that's hidden. A brand new life around the bend.

Nothing long but your mind awakened to a brand new life, brand new life, brand

new life around the bend.

Artist. Mood.

Title. The screen.

Wrong.

It's Angela without her makeup.

Mona, listen to me.

Listen to me, Mona. We've got two days to cover 500 years of art. Could you

us a break here?

Okay, all right, I'm going.

Ugly picture anyway.

All right, can we start again, please, folks? Okay, next picture.

All right.

What year was it?

Who is it?

Kathleen. Oh, no, it's Little Miss. I have a better idea.

That woman drives me nuts. Hey, hey, hey, now, take it easy, guys.

I mean, she may be a little stubborn and a little totally obnoxious, but she's

got the spare bulb for the projector.

Hi, hi, come on in, come on in.

We were just talking about you. Oh, all good, I hope.

Have a seat.

Sit over here, Kathleen.

Boy, you look nice tonight.

Thanks, Dave, but I've been waiting tables for the last eight hours.

I'm not exactly feeling like Michelle Pfeiffer. Oh, yeah, you look like hell.

Can we please get back to work, gang? Come on. Yeah, okay.

Hi.

Hi, John. Hi, all.

Hi, Angela.

How are you, Angela? This is my study group. Study group, this is my boss,

Angela. Hi.

And this is John Petrie and Peter Gerber of Encanto Records.

Please, no applause.

Well, well, I had no idea you were going to have a study group over tonight.

That's funny, because I told you twice. We'll talk about it later.

I can hardly wait.

Why don't we just go into my study?

Whatever you say.

Just trying to fit in. All right, please, can we get back to work now?

You're starting with the 19th century artist.

Yes, I'm starting with the 19th century artist because that's what the exam is

emphasizing. You know what? I have a better idea.

Angela,

can we please turn that down? Have we learned nothing from Pete Townsend?

This isn't working.

You're telling me it's not working. You know what? When I was in college and the

dorms got crazy, you know what my friends and I did? We rented a motel

A motel room? I don't want to go to a motel room. I don't think these guys

to go to a motel room.

Hey, let me know when you get to something in a fig leaf.

Like I said, let's go to the motel, okay? Come on, let's go.

Oh, this? Yeah, this would be great. This would be great. Anything else I can

get from you lovely couple?

Turn down your bed?

I told you, we're not a lovely couple and we don't need the bed. We're college

students here to study. I hear you, Chief.

You're college students.

Very old college students.

I hope you're not expecting a tip.

Yeah.

Pizza. We deliver.

Great.

And I got something special for you, Kathleen.

A dinner salad.

Oh, giant croutons. You dog, you.

All right, hey, what do you think? We'll start with a little Michelangelo, since

he was one of the great religious artists.

I wouldn't call him a religious artist.

What are you kidding?

Hey, he worked for four years on a Sistine Chapel. What do you think he was

doing, measuring for wallpaper?

Michelangelo painted religious works because he was commissioned to, not

of inspiration.

I disagree.

Yes, he was commissioned, but he was truly inspired.

But wouldn't he have had that same inspiration had he been painting, say,

and oranges? No, because his passion comes from deep within his soul. And I

think it's obvious in his Adam, his David, and his Pieta.

You're right.

I am?

I mean, you agree with me? Well, I was just thinking what it would like to see

his works in person.

Oh, you...

You've been to Italy?

I saved up my tips for five years to take that trip.

No kidding. Wow.

Well, you know, I'm doing the same thing right now.

Oh, housekeepers get tips? Oh, no, no, no. But we get to keep all the change we

find under the cushions.

So far, I got $40 and about a thousand Tic Tacs.

Where were we? Da Vinci, eh?

Michelangelo. Oh, whatever. They're both Italian.

Hey, listen, Angela, I love your idea for the logo. You know, you've really

connected with the energy of the music. Well, it's only rock and roll, but I

like it.

Listen, you're going to let me know if you'll join me for the music awards. I

always like to have a beautiful woman on my arm.

John, you know our rule about mixing business with pleasure? Yeah, we do it.

What do you think?

I say get back, JoJo. All right, yeah. You guys play me.

It was a great movie. It was great.

Thanks. Monet's Impression Sunrise.

1872. Stop.

Stop, stop, stop. No more numbers.

1610, 1812, 1940.

If I hear another number, I'll scream.

All right, okay, okay. Maybe we should take five.

Oops, a thousand pardons.

I have a suggestion.

We're all tired. Why don't we pack it in and finish studying tomorrow night?

Hey, that's not a good idea, guys.

Guys, we've got 36 hours to cover 200 years of art. Don't you want to get A's

your final? Right now, I just want to go home and crash.

Isn't that just like us? They study for a couple of minutes, then roll over and

go to sleep.

Come on, I'll take you both home.

Bye -bye, guys. Drive safe.

The younger generation just doesn't have our ambition to learn. They don't have

our love of knowledge.

Our yearning for self -improvement.

Gosh, we're wonderful people, huh?

You're more fun than I thought.

Well, thank you, thank you. You didn't think I was fun?

A little driven, a little serious, a little pushy. But don't be offended.

That's what people usually think about me.

Oh, really?

I don't believe it.

Sure you do.

You're the one who said it.

That was before I knew you, you know.

That's okay.

I dropped out of school when I was 18, you know, and now that I have this

to be back, I'm really into it.

Well, same here, you know. I actually get a kick out of studying. Never

I'd say that.

I guess we're both a couple of thrill -seeking bookworms, huh?

A couple of evil Knievels of the mind.

I guess we should look at some slides, huh? Right.

Okay, here we are, then.

That's, uh, that's Psyche and Cupid by Antonio Canova.

Talk about your alabaster skin.

Half.

And that is, uh, uh,

That's a knock at the door.

Who is it? Room service.

Coffee for five?

Yeah, it's for five for the study group. They were here. They just left just

before you got here.

It's the 90s, Ace. Relax.

Nobody cares.

Well, where were we?

Sorry,

nice. There's such a fevered intensity to it.

It's like a dream, you know.

The colors are so alive.

The lines are so organic, sensual.

Yeah, organic.

Impassionate. Impassionate.

I mean, it's burning up.

Like fire.

Yeah, like fire.

Thank you.

Eight, later.

About 12.

Oh, I went to bed at 12.

30, 12 .30.

Isn't that the same outfit you were wearing yesterday?

No, no, you had the blue shirt on yesterday.

Oh, Angela, you are so observant.

Kelly, I just, um, I hope that you, um, weren't upset with me about asking you

to go to the motel because, uh, I just...

I hate to think that you went to bed angry last night.

Believe me, I didn't.

Good morning.

Look what just came.

Oh, thanks.

Dad, it's for Angela.

Of course.

Where did they come from?

We're only rock and rollers, but we like you. Great to have you on our team,

John Jojo Petrick.

Oh, isn't that sweet?

I'll put them in a vase.

Hey, isn't that the same outfit you wore yesterday?

What's the point, Sam?

Talk about fashion sensitive.

Good morning.

Morning, Mona.

Morning.

You got lucky last night.

How'd you know that?

How did the sailor know when a squall's a -brewin'? I also know it wasn't with

Angela.

Another feeling?

No, I didn't hear her singing, climb every mountain.

Mona, I mean, you're gonna find out about this anyway, so...

It was with Kathleen, you know, from my study group.

Oh. You know, I feel kind of weird, like I betrayed Angela.

Oh, I see.

You know, Tony, nobody in this world wants you and Angela to get together

than I do.

But the fact is, you haven't exactly made a binding commitment yet. Oh, so?

So, you and Angela... Angela may be on the road to something permanent.

But let's face it. You're taking the scenic route.

In a slow car.

With a flat tire.

Driven by a nun.

Who is blind. The

point is,

you're human.

Be honest with yourself.

Except the fact that you wanted last night to happen.

Yeah.

But I also have to be honest with Angela.

No, you don't.

Oh, man.

What good will it do either of you for Angela to know what happened last night?

Are you kidding me, Mona? I gotta tell her. I owe it to her. Mona, I'm telling

her. Oh, no.

Please.

I can't find her. I've got to go.

Anybody home?

Hi, Tony.

Hi, Angela.

Hi, Tony.

Hi. I mean... Hi.

Bet you're surprised to see Kathleen.

Oh, yeah.

Well, what are you doing here?

Angela invited me over.

Oh, Angela.

Antonio, the rest of your study group will be here any minute.

Oh, so you invited everybody. That is right. It is my way of apologizing to

for kicking you out last night, and I know it's been bothering you, but you

too nice a guy to say anything.

I'm really not that nice. Yes, you are.

Yes, you are.

Some guy from the motel called and said you left some slides of fat naked women

in your room.

Those are not fat naked women. Those are Rubenesque nudes.

I don't care. I'll go pick them up.

Could I speak to you in the kitchen for a second?

Sure, sure.

Excuse us a second.

Angela, there's something I have to tell you. Tony, there's something I have to

ask you, and I know you're probably going to think that I'm being silly,

I just don't want you to find out any other way.

I'm not being silly.

Am I?

So, that's why you were acting so strange today.

Angela, I really...

I really don't know what to say. I don't know what to say either.

So I guess, you know, things have been pretty intense and, you know, you're

under a lot of pressure and you did something impulsive and now it's over.

just forget about it.

Is it over?

We'll be your study group.

You better get it.

Yeah.

Come in.

Hi.

We have to talk.

All right.

Done studying so early.

I really couldn't keep my mind on my work.

Tony, I've been thinking.

And the last thing I want is for you to feel badly about seeing someone

because of me.

Well, I don't want you to feel badly about anything.

Look, I wasn't looking for this, Angela. I believe you. I believe you.

Look, Tony.

Our relationship has always been our relationship.

Yeah, sort of like a blind nun driving with a flat.

Never quite thought about it like that.

I think what I'm trying to say is that maybe for now

it's time that we explore our options, broaden our horizons.

Define broadened.

Well, in the past, I've had feelings for other people, but because of what we

had, I always put up a wall.

You've had feelings?

Yeah.

For people?

Men people?

When? I don't know.

Well, last month when I went to Wisconsin and I met this addict, we hit

nothing happened, but I was tempted.

Tempted. In a dairy state.

My point is that I don't know what's happening

with us.

But I think it's important that we let it run its course.

Tony.

I have...

come closer to you than to almost anyone.

And I don't want to lose that.

Neither do I.

So, you know, maybe this is part of our journey.

Maybe we have to go through this to see if we can go any further.

That'll be John and Peter.

Hi. Hi. Come on in. Thank you. Where's John?

He had to go to L .A.

You are stuck with me tonight.

Oh.

Okay.

Why don't we go to the studios to hear the tape?

Sure. Are you all right?

Rough day.

Listen, you're in no mood to work.

What do you say we just go out for a cup of coffee?

Buy a treat?

Okay. Good.

I like that.

Angela.