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Monday, Monday, happy days. Tuesday, Wednesday, happy days.
Thursday, Friday, happy days.
The weekend's come, let's back home.
Ready to race to you.
These days are ours.
Oh, happy days.
These days are ours.
Oh, happy days. Back, gray sky, hello, blue.
Nothing can hold me when I hold you. So right.
It can't be wrong.
Rockin' and rollin' all week long.
Monday, Monday, happy days.
Tuesday, Wednesday, happy days.
Thursday, Friday, happy days.
Saturday, what a day.
Groovin' all week with you.
These days are ours.
in just one minute, all right?
Oh, hi, Loretta. You gonna watch us play?
Sure.
I'll be right over there. Oh, great, great. See you later.
She hates my guts.
Did I miss something here?
Did you ever go out with a girl you really wanted to impress and all you
do is make a fool out of yourself?
Have you been reading my diary?
Let's see, I'm not too late for the entertainment.
Oh, no, Fonz, you haven't even started yet.
Don't flatter yourself. I was talking about her.
Oh, uh, God, we'll be back in just a minute, okay?
All right.
Fonz, uh, I really need to talk to you.
Yeah.
Later.
All right, I'm all ears.
What's on your mind? Well, it's not my problem. It's, uh, it's Potsy.
Patsy's trying to impress this girl, Loretta.
You know, and I thought that a few praising words from you might just do
trick. I don't do tricks. You want tricks, get a dog.
I wouldn't bother you on this, Fonz. I really wouldn't.
But I think Patsy's in love.
Patsy is falling in love? Yeah. Lucky son.
So will you do it? All right, but I gotta work up to this, you know? I mean,
I'll go in my office, I'll splash some cold water on my face, you know, and...
You don't rush into things like this. Yeah, right.
You know something, Fonz? I can always count on you.
That's my reputation.
I'll tell you what I'm going to do. I'll say, Patsy, you're about the coolest
guy I ever met in my whole life, you know.
You know, Lone Ranger would do this. Of course, he's smart enough to wear a
mask.
Thanks again, Fonz.
Hey, come on, Pats. The show must go on.
Let's go surfing now.
Everybody's learning how. Come on and safari with me.
Come on and safari with me. Early in the morning we'll be starting out. Some
honeys will be coming along.
We're loading up our woody with the boards inside and heading out singing
song.
Come on, baby, wait and see, yeah. I'm going to take you surfing with me. Come
along, surf baby.
Wait and see, yeah. I'm going to take you. You're surfing with me now.
Don't surf it now.
Everybody's learning how. Come on and safari with me.
Come on and safari with me. And Huntington and Malibu, they're shooting
pier. And Rincon, they're walking the nose.
We're going on safari to the island this year, so if you're coming, get ready to
go.
Come on, baby, wait and see it. I'm going to take you surfing with me. Come
along, surf baby.
Wait and see it.
I'm gonna take you surfing with me now. Let's go surfing now.
Everybody's learning how. Come on, let's go find with me.
Come on, let's go find with me.
Come
on,
baby, wait a minute.
Come on, baby, surf with me. Now come along, surf, babe.
Waitin' through yet, I'm gonna take you surfin' with me now. Let's go surfin'
now, everybody's learnin' how.
Come on, let's have fun with me.
Come on, let's have fun with,
yeah, with,
with me.
Great job, guys.
You've got quite a voice, young man.
Oh, thanks.
What's your name?
Putz. Warren Weber.
Well, I'm Susan Patterson, and I own the Vogue Terrace. Oh, I know, I know.
That's where Renny Benkel sings.
Hey, he's great.
Yeah, well, he was great.
Now he's garbage.
You see, Renny and the club have had a little parting of the ways, so we're
looking for somebody new.
Maybe you can help me out.
That's pretty tough.
I can't think of anybody.
I thought you'd like to do it.
Me? Sure.
Of course, you'd have to audition first for my partner, but I'm sure you'd be
just wonderful.
Me? How's Friday at noon?
Oh, you name it, I'll be there.
How's Friday at noon? You name it, I'll be there.
Okay. See you then. Yes, yeah, yeah.
This is the most exciting thing of my life. So now we've got to talk about
This lady came from the Vogue Terrace.
Yeah, something happened, Fonz. Don't break the mood. I'm never going to get
in the mood again.
Fonz, you're the coolest guy. Not now, Fonz. I'm talking.
Not now.
to impress her. You know, you're holding his collar. You look bad. He just said
not now right to my face. Oh, no, Fonz. I'm sorry. I'm just so excited. I got to
rent a tux, get new pictures, get arrangements.
Boy, everything.
I'm sorry, Fonz. Come on, Loretta.
Oh, this is so exciting. I can't believe this is happening.
What? I just got an audition at the Vogue Terrace. Can you believe that?
Never can tell what card the old deck of fate is going to do you next.
When you're talking about cards for a time like this, the man just said, not
now, to me.
I think I've got a headache.
You've got a headache?
Betty, my place, now.
I'm getting better. I'm getting better.
Ladies and gentlemen, presenting the most dynamic talent in America today, a
whose voice is a national treasure, the astonishing Mr. Show Business himself,
Warren Webber.
I can't read that.
Oh, that's close.
If you don't like it, why did you write it?
I didn't write it. Patsy wrote it.
And after I say it, I'm supposed to jump up and down and do the splits.
Did you see it?
Did you see this gigantic billboard?
Huge billboard of Patsy on Benton Drive.
Smiling, looking down at you, bigger than life.
Scared the daylights out of you.
Well, I think this is just wonderful. I am so happy for Warren. He does have a
lovely voice.
Oh!
Arthur! My goodness! What happened?
Are you all right?
Tell us what happened.
You might think this is wacko, but I'm cruising on my bike.
I'm having a great time.
I'm rounding Benton Drive.
Uh -oh.
Looming up in front of me is Patsy, two stories high.
He's got teeth as big as your front door.
And Ben, the bike ate my pants, the tree ate my face.
Well, that was Patsy, Fonz. It's a big billboard of him.
Yeah, my collar don't go up no more.
Let me tell you something.
He made me fall off my bike, I'm gonna kill him.
Later, later, Arthur.
Now, dear, I'm gonna take you out... Upstairs, I'm going to put Mother Kelp's
homemade remedy on these fries.
It's going to sting, man.
I'm going to get him for this.
I'm going to get him for this. All right, Fonz, there's two words to
here. Forgive and forget.
Oh, no, I've got two better words.
Seek and destroy.
Listen, I'm going to go out and...
Remedy burns the daylights out of fun.
Stand back, stand back. Give the man some room.
He's practicing to be my flunky.
Is this guy bothering you, Potts? Ralph, he lives here.
It's not easy being a good flunky.
Don't worry about it, Ralph.
You'll make it.
See you, Mr. C.
Listen,
Rich.
I didn't want to say anything in front of your father, but, uh...
Do you think your playing can improve enough in the next two days to back me
the Vogue Terrace?
Improve enough?
Don't upset him, Rachel.
Yeah, don't you worry, Potts. My playing is going to be just fine.
I'm going to work on it.
Good kid.
Where's Fonzie?
Pottsie, he's not in a good mood.
Oh, he will be when he finds out he's going to be my manager.
He's going to be your what?
would I want to stand behind me at the audition?
Well, uh, all right. How about your father?
Oh, I asked him. He couldn't make it.
That's the day his new shipment of maps arrives at the gas station.
That's pitiful.
They're pretty neat maps.
Well, listen, I'll go tell Farns the good news. No, Potts, uh, tell you what,
don't, don't go upstairs because, uh, Joanie's up there. She's, she's
you know. I'm right here, Rich. Oh, you're back.
Um, so, you're going upstairs, right? You're going up there to get indecent,
right? Just five minutes ago, before you came, she said, I'm going up, I'm going
to be indecent. No, you better just slow down. down. You're heading for a room
covered with rubber wallpaper.
Bing, bing, bing!
Why don't you go back to your apartment and take it easy, okay?
Ralph, come on. Move it, move it. Ralph, the door. Right, Ponce. Keeps you busy
being a flunky.
And don't you worry. I'll tell Fonzie the good news.
What are you talking about good news?
Oh, no, Fonz. Great news.
Oh, yeah? Your father's maps come in? No.
Listen, I told him at the Vogue Terrace you're my manager.
Just think, if I get really big, you can work for me forever.
Good kid.
Come on, Pat.
Let's go. I'll drive. You sit in the back.
By the way, Fonz, you look terrible, man. If you're going to work for me,
got to clean yourself up.
Work for him forever?
What is he, crazy? Work for Patsy forever?
Uh, you getting upset, Fonz? I'm on my way.
He slapped me.
Yeah, well, he slapped me, too. Okay.
Now, listen, the audition's tomorrow. We got a lot to do. How about some of
those dance steps?
A flip -flip. A flip -flip, right, all right. Or what about your favorite
Yeah, uh...
on his head, right?
Hey, come on. Now, now, wait a minute. This is not a meeting hall.
Oh, thanks, John.
Sorry, but I need the bathroom.
Well, help yourself, Al. No, not for me. It's for my customers who are lined up
out there. Just a few more pictures, Al. Well, all right. Go ahead.
Al, for Patsy.
Oh. You take a good picture, too, Al.
Yeah, I do.
You'll be only a few more minutes. Yeah, two more minutes.
Okay.
in a hospital.
Oh, you're not.
The man says, wait a minute, wait a minute,
we gotta go. Can't you people get organized? What do you think I'm gonna
now. Again, not now.
I'm gonna be the first singer on Jupiter, you know that?
Oh, Foncho, my manager, help me.
All right, everybody, give him breathing space. Kid needs breathing space.
Wait a minute, everyone. By the way, I saw you rehearse last night.
Very sloppy.
Listen, Rennie Benkel's band's available, so, uh, shape up or ship out?
Shape up or ship out?
All right, all right, guys, come on. Uh, Lori Beth, let's go. Shape up or ship
out? All right. All right, not you, Red, not you.
Okay, Fonz, what do I do?
All right, I'm your manager, right? Yeah. You listen to me, you're gonna
great audition.
You go home, take a hot bath, watch cartoons, don't do anything till
Huh, good point.
You're doing a good job, boys, a good job.
Yeah? And showed tremendous restraint.
Oh, yeah.
I'm cool now.
Yeah, well, I'll tell her when she comes in.
What? That was Rennie Bengo's agent on the phone again. He said Rennie is
willing to forget about that crazy ass phone.
kid's face on that billboard, he'd come crawling back here on his hands and
knees. My idea.
Oh, yeah, sure.
Well, I think we've let him squirm long enough.
We'll call him tonight and tell him he can have his job back.
Hey, the Weber kid is here.
Huh? Well, of course he's here.
He's here because he thinks he's got that job.
Oh, well, we'll let him sing a song. What the heck? Might be good for a few
laughs.
Miss Patterson?
We'll be set up in a minute.
Oh, fine, fine.
All right, Webber.
You're going to be great. I'm here. Do not get crazy.
Right, Fonz.
Listen, Loretta, you sit with Fonz and we'll celebrate later.
I can't wait.
See you later, star.
Lucky girl.
Okay, guys, let's get set up, huh?
Hey, look at that.
Let's get the arrangements right.
For our first number, we'd like to do a little Bobby Darin, Mac the Knife.
Guys, one, two, one, two, three.
Oh, this shot, baby, had the teeth, dear.
And it showed them curly white.
Just a jack.
And he keeps it.
You can have some of mine. Would you relax?
Okay, okay. I ordered extra mayonnaise.
Where's the extra mayonnaise? I told him to bring mayonnaise.
I asked you for extra pickles.
Okay, where's that contact?
I got it up there. So there's never, never a trace of red.
As you hear about the way Miller.
disappeared, baby.
There you go.
I love it. I love it. Isn't that beautiful?
Oh, not one minute.
He's in there.
He's in there. Oh, where did he get him?
Just like a sailor.
Could it be our boy's done something rash?
Now, Jenny Diver. Hey, hey.
Suki Tadre.
Look out for Mr. Lottie Lane.
Now that...
Did you like the song?
Oh, are you finished?
Uh, yeah.
Great. Great, fellas. Just terrific.
Listen, we rehearsed the ballad. We can do that for you now.
No, no, that won't be necessary.
What do you mean it won't be necessary?
I mean, you have my picture.
You'll be in touch, but you have my picture up on Benson. Listen, we'll call
you. Don't call us, all right? But you said for me to come down, and we did a
good job. Great.
loser in the world.
No, Patsy, you were wonderful. I guess you don't feel like talking.
Promise you'll call me later?
Very courteous listeners.
Like there's something rotten going on here in Bangkok.
Who's the hood?
The hood is part of a car. My name is Arthur Fonzarelli. I happen to be his
manager.
Fine, Mr.
Fonzarelli. Yeah. Just leave us your card. I sure will.
We don't want any trouble here.
Bernie Benko decided to accept our offer.
Oh, now I get the picture, of course. You weren't going to hire Warren.
You just wanted to use him.
Hey, that's okay. It's not all right.
You can't treat people like that.
This man's a human being with feelings. Of course you wouldn't understand that,
right? And he also happens to be a personal friend of mine.
measure him for a body cast, or rub his face against the carpet?
I forgot.
Anything I do to you would be an improvement.
You know, I never met a woman I didn't like.
Well, thank you.
Until now.
handled him just great, Eddie.
Well, listen, I'm a lover, not a fighter.
Yes, again.
I'll tell you something. It's their loss, because you were terrific, Potts.
Yeah, Potts, you had all the moves up there. That's right.
You could sing circles around Rennie Benko.
They were using you, Potts. You didn't have a shot anyway, man. It's not your
fault. Let's go. Yeah, let's get out of here.
Hold it. Hold it.
A short one.
But the doorway is this way.
I feel like a creep.
Why?
I can't believe how nice you guys are being to me after the way I acted.
I yelled at you.
I threatened I'd replace you with a new band.
I said shape up or ship out.
I've just been a big creep to you guys.
No, you haven't. Yes, he has.
Why do you have to be so nice all the time?
Well, I guess it's my upbringing.
And my diet. You know, I read... I'm interested, but later.
You know something?
I don't even know why you came with me today.
Potts, we've been friends since kindergarten.
You don't blow that in a couple of days.
Yeah, you know, I wanted this for you as much as you did.
It's a big deal. So you were rough on us for a couple of days. We could take it.
What do you feel, Fonz?
I'm one lucky guy.
You guys are real special.
Let's get out of here.
This is home.
Oh, by the way, Loretta's singing with us tonight.
What is this?
Everybody's always got a girlfriend or a relative or a friend that sings with
the band.
I really think it destroys the dignity of our group.
What dignity?
Last week you played the piano with your feet.
Besides, this band could use a little sex appeal.
Well, what am I, chopped liver?
I see a resemblance.
Guys, talking as the part owner of this establishment, time is money. You want
to hit it? All right, boss.
Let's do it, guys. Get ready.
For our first number this evening, we're going to be joined by Miss Loretta
Campbell. Let's give her a hand.
Here we go. One, two, one, two, three.
All my love, all of my kissing, you don't know what you've been missing, oh
Oh boy. When you're with me, oh boy.
I got the world to see that you are a man for me. Take it away.
All my life.
Great guy. Hello. You can hold me when I hold you. All right. It can't be wrong.
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