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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,981 --> 00:00:03,981 SHAKY BREATHING 2 00:00:10,341 --> 00:00:12,501 MUFFLED SIRENS 3 00:00:18,981 --> 00:00:20,981 DOOR SLAMS 4 00:00:28,981 --> 00:00:30,501 SILENCE 5 00:02:05,341 --> 00:02:08,341 INDISTINCT HUM OF CONVERSATION 6 00:02:13,181 --> 00:02:15,981 MUFFLED CHATTER 7 00:02:47,981 --> 00:02:49,981 Spill. Have they shagged yet? 8 00:02:49,981 --> 00:02:51,981 Yeah. I think so. No! 9 00:02:51,981 --> 00:02:53,981 And he wants her to leave her husband 10 00:02:53,981 --> 00:02:55,981 and just go away with him. 11 00:02:55,981 --> 00:02:57,981 What, leave everything? 12 00:02:57,981 --> 00:03:00,181 I would shag Gary if it'd get me out of this place. 13 00:03:01,501 --> 00:03:02,981 Would you?! 14 00:03:02,981 --> 00:03:04,981 No! THEY LAUGH 15 00:03:04,981 --> 00:03:06,021 Of course not! 16 00:03:07,981 --> 00:03:09,981 But anywhere is better than this place. 17 00:03:09,981 --> 00:03:11,981 When you two have finished gossiping, Jayne, 18 00:03:11,981 --> 00:03:13,501 need you on the tills. 19 00:03:22,501 --> 00:03:24,981 Detective was looking for you on the breakfast shift. 20 00:03:24,981 --> 00:03:25,981 For me? 21 00:03:27,981 --> 00:03:28,981 Why? 22 00:03:46,981 --> 00:03:48,661 KNOCK ON DOOR 23 00:03:53,981 --> 00:03:55,981 Hi. Erm... Hey. Can I help you? 24 00:03:55,981 --> 00:03:58,021 I'm here for DS Francis? 25 00:04:01,981 --> 00:04:02,981 Over there. 26 00:04:09,981 --> 00:04:12,821 Hi. I'm Alison Brooks. 27 00:04:12,821 --> 00:04:14,981 Apparently, you were asking for me? 28 00:04:14,981 --> 00:04:18,981 Yeah, I was. Alison, yeah. Erm, thank you for coming up. 29 00:04:18,981 --> 00:04:21,981 I got your name from the Community Skills Database. 30 00:04:21,981 --> 00:04:25,981 You signed up when you started working for the canteen. 31 00:04:25,981 --> 00:04:27,981 You read lips, right? Yeah. 32 00:04:27,981 --> 00:04:31,981 Oh, good. OK. All of our usual lip-readers are busy on other jobs. 33 00:04:31,981 --> 00:04:32,981 One sec. 34 00:04:35,181 --> 00:04:37,981 PHONE RINGS 35 00:04:45,981 --> 00:04:46,981 Hello. 36 00:04:46,981 --> 00:04:48,981 This is Alison. Alison works in the canteen. 37 00:04:48,981 --> 00:04:50,981 She's a lip-reader. 38 00:04:50,981 --> 00:04:52,981 This is Detective Inspector Marsh. James. 39 00:04:52,981 --> 00:04:55,981 James. SOFTLY: James, hi. 40 00:04:55,981 --> 00:04:58,661 And this is DC Lawford. Ben. Hello. 41 00:05:01,981 --> 00:05:04,981 So, you lip-read? Did you have lessons, or...? 42 00:05:04,981 --> 00:05:06,981 I just picked it up. 43 00:05:06,981 --> 00:05:08,981 And how much of a conversation can you read? 44 00:05:08,981 --> 00:05:11,981 Well, it depends. You know, some people are easy. 45 00:05:11,981 --> 00:05:15,981 It depends on the situation. OK. Can we just have one moment? 46 00:05:15,981 --> 00:05:17,341 Is that all right? Have a sit-down. 47 00:05:19,981 --> 00:05:22,981 Sir, all our usual terps are tied up on other jobs. 48 00:05:29,981 --> 00:05:31,981 MUFFLED CHATTER 49 00:05:41,981 --> 00:05:45,821 I-I can do it if you tell me what it is. 50 00:05:46,981 --> 00:05:48,981 MURMURS: OK. That was impressive. 51 00:05:48,981 --> 00:05:50,981 OK... She got that. 52 00:05:52,981 --> 00:05:57,981 Well, we're all watching a gang who are planning a robbery. 53 00:05:57,981 --> 00:05:59,981 A big robbery. 54 00:05:59,981 --> 00:06:02,981 And we have reason to believe they're meeting tomorrow, 55 00:06:02,981 --> 00:06:05,981 but they're always careful to meet in places where we can't bug them. 56 00:06:05,981 --> 00:06:07,981 That's why we need a lip-reader, 57 00:06:07,981 --> 00:06:09,981 so we can understand what's being said. 58 00:06:09,981 --> 00:06:11,981 Ah. Exactly. 59 00:06:11,981 --> 00:06:15,981 Well, with lip-reading, it's not just about seeing words. 60 00:06:15,981 --> 00:06:18,981 It's who's talking and what you know of them, 61 00:06:18,981 --> 00:06:21,341 cos you kind of need context. 62 00:06:21,341 --> 00:06:24,501 But we've also got to be very careful about what we tell you, 63 00:06:24,501 --> 00:06:26,981 for your own protection. 64 00:06:26,981 --> 00:06:27,981 Oh. Alison... 65 00:06:27,981 --> 00:06:29,981 do you need an interpreter or anything like that? 66 00:06:29,981 --> 00:06:31,981 Well, I don't have one now. 67 00:06:31,981 --> 00:06:35,661 You can't talk about anything that we've spoken about today. 68 00:06:35,661 --> 00:06:36,981 No, OK. 69 00:06:36,981 --> 00:06:39,981 Oh, you need to check me out. 70 00:06:39,981 --> 00:06:41,981 Make sure you all can trust me? 71 00:06:41,981 --> 00:06:44,181 We'll let you know. DS Francis will be in touch. 72 00:06:54,981 --> 00:06:56,181 Hi! 73 00:06:57,181 --> 00:06:59,981 You're on tonight? What? 74 00:06:59,981 --> 00:07:01,981 Why aren't those in the fridge? Well, I'll take them now. 75 00:07:05,341 --> 00:07:07,981 Can I get a non-alcoholic beer? 76 00:07:07,981 --> 00:07:10,341 Non-alcoholic beer? You would like some beer? 77 00:07:10,341 --> 00:07:11,981 Non-alcoholic beer? 78 00:07:11,981 --> 00:07:13,981 Non-alcoholic beer? OK. I'll get you that. 79 00:08:23,981 --> 00:08:25,981 PHONE BUZZES 80 00:08:41,981 --> 00:08:43,981 Good. I've negotiated an extra hour, 81 00:08:43,981 --> 00:08:46,661 which means we now have surveillance until 11:30. 82 00:08:46,661 --> 00:08:48,981 And then the team is due on a job in Dover, 83 00:08:48,981 --> 00:08:50,021 which gives us a fighting chance 84 00:08:50,021 --> 00:08:52,981 to figure out what Helen Redman is cooking up this time. 85 00:08:52,981 --> 00:08:53,981 We picked up another text. 86 00:08:53,981 --> 00:08:56,981 The meeting place is a picnic bench on the south side of the park. 87 00:08:56,981 --> 00:08:58,981 Alison, come through. 88 00:08:58,981 --> 00:09:00,181 Went to three numbers. 89 00:09:00,181 --> 00:09:02,981 One unknown, one we think is Braden Moore, 90 00:09:02,981 --> 00:09:04,981 and the other, you'll like this - Joseph Holhurst. 91 00:09:04,981 --> 00:09:06,981 Oh, Christ, really? Yeah. 92 00:09:06,981 --> 00:09:09,981 OK, so Helen's getting the old gang back together. 93 00:09:09,981 --> 00:09:11,981 Well, minus Rob Byron, I guess. Isn't Danny Heath still inside? 94 00:09:11,981 --> 00:09:13,981 For the ransomware attack on the insurance firm. 95 00:09:13,981 --> 00:09:16,981 He's got eight months. OK. So Helen's recruiting. 96 00:09:16,981 --> 00:09:18,981 Oh, Alison. Hey. Hey. 97 00:09:18,981 --> 00:09:20,981 Hey. You all right? 98 00:09:20,981 --> 00:09:22,501 Nice to see you. You all right? Come through. 99 00:09:24,181 --> 00:09:26,661 This gang that we're watching, 100 00:09:26,661 --> 00:09:29,981 they target jewellery stores, workshops. 101 00:09:29,981 --> 00:09:31,661 Not afraid to use violence. 102 00:09:31,661 --> 00:09:33,981 We can't arrest them until we have enough evidence 103 00:09:33,981 --> 00:09:37,981 to secure a conviction, but that's... 104 00:09:37,981 --> 00:09:39,981 like trying to do a jigsaw without the picture on the box. 105 00:09:39,981 --> 00:09:42,661 And, what, you want me to find that piece of the jigsaw? 106 00:09:42,661 --> 00:09:43,981 Exactly. You know, we're doing what we can. 107 00:09:43,981 --> 00:09:46,981 We've got the live feeds, we're... I need to see you. 108 00:09:46,981 --> 00:09:48,021 Oh, OK. Sorry. 109 00:09:48,021 --> 00:09:51,981 We have surveillance teams in the park, 110 00:09:51,981 --> 00:09:54,821 and we're watching the live feeds whenever we can. 111 00:09:54,821 --> 00:09:56,981 But today, we need you to just sit and watch the monitors 112 00:09:56,981 --> 00:09:59,661 and tell us what you see. OK? 113 00:10:00,501 --> 00:10:01,661 Alison. Hi. 114 00:10:02,981 --> 00:10:04,981 These are the people we'll be watching, OK? 115 00:10:06,341 --> 00:10:08,341 We call her Cruella. 116 00:10:08,341 --> 00:10:10,981 We call him Hulk. 117 00:10:10,981 --> 00:10:12,981 And that's Wolf. ALISON CHUCKLES 118 00:10:12,981 --> 00:10:14,981 What, like a code name? Yeah. 119 00:10:14,981 --> 00:10:18,341 We need you to tell us if you know any of these people. 120 00:10:18,341 --> 00:10:19,981 No. No? 121 00:10:19,981 --> 00:10:22,981 Here we go. Here we go. Nia? Have a seat. 122 00:10:29,981 --> 00:10:31,661 OK. 123 00:10:50,981 --> 00:10:52,981 BEN: 'Someone's approaching the rendezvous.' 124 00:10:54,981 --> 00:10:56,981 Unknown IC1 male, grey jeans, brown hoodie. 125 00:10:58,981 --> 00:11:01,981 Who is that? No idea. 126 00:11:01,981 --> 00:11:03,981 'Awaiting orders. Shall I move him on?' 127 00:11:08,981 --> 00:11:09,981 Nia, anything? 128 00:11:09,981 --> 00:11:11,981 NIA: Not yet. Nothing. 129 00:11:11,981 --> 00:11:14,981 He looks really nervous. Like he's waiting for someone. 130 00:11:16,981 --> 00:11:19,981 Hold on. Ben, he might be part of this. 131 00:11:19,981 --> 00:11:21,981 Hulk's here. 132 00:11:23,981 --> 00:11:27,981 New contact with Cruella. Entering east gate. 133 00:11:40,021 --> 00:11:42,981 'Contact with Wolf, central path.' Full house. 134 00:11:44,821 --> 00:11:46,981 Nia, do we have an ID on the IC1 male in the brown hoodie? 135 00:11:46,981 --> 00:11:48,981 Not yet. OK, keep trying. 136 00:11:48,981 --> 00:11:50,981 There's not much to go on. 137 00:11:50,981 --> 00:11:53,181 I'm looking back through the messages. 138 00:11:54,981 --> 00:11:56,981 OK, what about this one? What about this one? 139 00:11:56,981 --> 00:11:58,981 What can you see there? 140 00:11:58,981 --> 00:12:00,981 Here, anything you can see. 141 00:12:01,981 --> 00:12:02,981 Anything at all. 142 00:12:02,981 --> 00:12:04,981 James, just give her... 143 00:12:14,981 --> 00:12:16,981 Liam. Liam? 144 00:12:16,981 --> 00:12:17,981 That's his name. His name's Liam. 145 00:12:17,981 --> 00:12:20,981 Nia, check for any associates of the gang called Liam. 146 00:12:32,981 --> 00:12:36,341 If we play the surveillance feeds back, 147 00:12:36,341 --> 00:12:37,981 are you OK to try again? 148 00:12:37,981 --> 00:12:40,821 To get any information we might have missed. 149 00:12:40,821 --> 00:12:43,981 So, if I play this back... 150 00:12:44,981 --> 00:12:47,981 Right. Anything you can get from this. 151 00:12:48,981 --> 00:12:52,981 Wait. Can you just go back a bit? Yeah, well, if I... 152 00:12:52,981 --> 00:12:54,981 Well, here. You do it. Oh, OK. 153 00:13:02,981 --> 00:13:06,981 She's introducing man in a hoodie to Wolf. 154 00:13:12,981 --> 00:13:14,981 SHE MUTTERS 155 00:13:14,981 --> 00:13:17,981 He said his last name. I missed it before. 156 00:13:17,981 --> 00:13:19,981 So, Hoodie says his name's Liam. 157 00:13:19,981 --> 00:13:22,981 And then I think his second name is something like... 158 00:13:22,981 --> 00:13:25,981 like Barlow or Marlow. 159 00:13:25,981 --> 00:13:28,981 But P and a B and an M, they all look the same. 160 00:13:28,981 --> 00:13:31,181 OK. What else? Keep watching. What else? 161 00:13:34,981 --> 00:13:35,981 Oh, Hulk said, 162 00:13:35,981 --> 00:13:36,981 "I think he can help us." 163 00:13:40,981 --> 00:13:44,981 Yeah. So, Hoodie is telling Wolf about himself. 164 00:13:48,661 --> 00:13:49,981 He's not from Canterbury. 165 00:13:49,981 --> 00:13:51,981 He's moved around a lot. 166 00:13:51,981 --> 00:13:54,981 Yeah, it's like it's some sort of interview. 167 00:13:54,981 --> 00:13:57,981 Liam Barlow, 29. No previous convictions. 168 00:13:57,981 --> 00:13:59,981 I have an address in Manchester, but... 169 00:13:59,981 --> 00:14:01,341 They found him. Yeah. 170 00:14:01,341 --> 00:14:03,981 OK, I need a full profile on him. As quick as you can, yeah? 171 00:14:05,661 --> 00:14:06,981 ALISON EXHALES, CHUCKLES 172 00:14:06,981 --> 00:14:07,981 Very good work today. 173 00:14:07,981 --> 00:14:09,981 Very, very good. Oh. 174 00:14:10,981 --> 00:14:12,981 You need to fill in this form if you wanna be paid. 175 00:14:12,981 --> 00:14:15,981 OK. Alison? Alison? 176 00:14:15,981 --> 00:14:18,981 Erm... very important that you don't look up anything 177 00:14:18,981 --> 00:14:20,981 that you've seen in this office today, OK? 178 00:14:20,981 --> 00:14:22,981 For your own safety. 179 00:14:24,821 --> 00:14:25,981 SOFTLY: OK. OK. 180 00:14:28,981 --> 00:14:30,821 TV: 'Fantastic, well done, John. 181 00:14:30,821 --> 00:14:32,341 'He knows his sport, this lad, doesn't he? 182 00:14:32,341 --> 00:14:33,981 'So, Christine, over to you...' 183 00:15:30,981 --> 00:15:32,181 PHONE BUZZES 184 00:15:36,501 --> 00:15:39,981 Today, the footage is from CCTV, so it won't be as good quality, 185 00:15:39,981 --> 00:15:41,981 but we need a date and location for the robbery. 186 00:15:41,981 --> 00:15:42,981 BEN: Morning, Sir. How are we doing? 187 00:15:42,981 --> 00:15:44,981 Good. Do you wanna roll the tapes? 188 00:15:44,981 --> 00:15:46,181 Sir. 189 00:15:49,341 --> 00:15:50,981 Anything? 190 00:15:51,981 --> 00:15:52,981 No, it's not really clear. 191 00:15:52,981 --> 00:15:55,981 I can barely see the face. OK. 192 00:15:55,981 --> 00:15:59,981 Well, you use this, and you take as long as you need. 193 00:16:02,981 --> 00:16:05,981 What's she saying? Here. What's she saying? 194 00:16:14,661 --> 00:16:15,981 Cruella is saying something 195 00:16:15,981 --> 00:16:17,341 about Belmarsh? 196 00:16:17,341 --> 00:16:18,981 Is someone in prison there? 197 00:16:18,981 --> 00:16:20,981 Yeah. We know. Yeah. What else? 198 00:16:20,981 --> 00:16:21,981 Keep looking. 199 00:16:23,981 --> 00:16:26,981 I think she's saying a date. Let me go back a bit. 200 00:16:26,981 --> 00:16:27,981 Actually... 201 00:16:29,021 --> 00:16:32,981 Actually two dates, 7th and 17th. 202 00:16:32,981 --> 00:16:35,981 Could it be 7th or 17th? Alternate dates? 203 00:16:35,981 --> 00:16:37,981 7th AND 17th. 7th and... 204 00:16:37,981 --> 00:16:41,021 Maybe the robbery might happen between those dates. 205 00:16:41,021 --> 00:16:43,981 I mean, it's very hard to see, but... 206 00:16:43,981 --> 00:16:46,981 She says "big, risky". 207 00:16:48,981 --> 00:16:50,021 "Keep an eye on him." 208 00:16:50,021 --> 00:16:53,981 What's he saying here? This guy, what's he saying there? 209 00:16:56,341 --> 00:16:57,981 "Putting him in a flat..." 210 00:16:57,981 --> 00:16:59,981 Putting him in a flat. 211 00:16:59,981 --> 00:17:02,981 Good. Near the app. 212 00:17:03,981 --> 00:17:05,981 Could it be The Tap? It's the name of a pub. 213 00:17:05,981 --> 00:17:08,981 Yeah. Yeah, yeah. Yeah, it could be "tap". 214 00:17:08,981 --> 00:17:11,821 Are they talking about Hoodie? SOFTLY: Ashleigh. 215 00:17:21,981 --> 00:17:22,981 PHONE BUZZES 216 00:17:27,981 --> 00:17:30,981 Shit. Erm, sorry, I'm gonna have to go. 217 00:17:31,981 --> 00:17:33,981 What? DOOR OPENS 218 00:17:57,981 --> 00:17:59,981 SPEECH MUTED 219 00:18:08,981 --> 00:18:09,981 SPEECH MUTED 220 00:18:09,981 --> 00:18:13,341 MUFFLED: Load of nonsense... 221 00:18:18,981 --> 00:18:22,341 Excuse me. Hello. Erm, what is happening? 222 00:18:22,341 --> 00:18:24,981 Our landlord's selling our estate to this management company. 223 00:18:32,341 --> 00:18:35,021 Sorry, erm, does that mean our rent's gonna go up? 224 00:18:36,021 --> 00:18:37,981 Someone's got to pay for her expensive suits. 225 00:19:08,341 --> 00:19:09,981 No, no, no, no. 226 00:19:22,021 --> 00:19:23,981 PHONE BUZZES 227 00:19:34,341 --> 00:19:35,981 We've got intel 228 00:19:35,981 --> 00:19:37,981 that the gang are meeting in a bar not far from here. 229 00:19:37,981 --> 00:19:39,981 We can watch on my tablet. 230 00:19:39,981 --> 00:19:41,981 Saves us going to the station. 231 00:19:41,981 --> 00:19:43,661 How do you know they're gonna meet at the bar? 232 00:19:43,661 --> 00:19:45,981 Someone got lazy. We're monitoring their messages. 233 00:19:45,981 --> 00:19:46,981 But that's why we need to be quick, 234 00:19:46,981 --> 00:19:49,661 because they could change their passwords at any time. 235 00:19:49,661 --> 00:19:51,981 PHONE BUZZES Yeah. 236 00:19:51,981 --> 00:19:53,981 They're having technical problems with the camera. 237 00:19:56,981 --> 00:19:58,981 Would you be up for going into the bar? 238 00:19:58,981 --> 00:20:01,981 Into the bar? We'd just be friends having a drink. 239 00:20:03,821 --> 00:20:05,981 We won't get too close to them. 240 00:20:05,981 --> 00:20:07,981 OK. Yeah? 241 00:20:07,981 --> 00:20:09,981 But you're buying. CHUCKLES: OK. 242 00:20:09,981 --> 00:20:12,661 Wolf, Hulk and Hoodie are at a table to the left. 243 00:20:12,661 --> 00:20:14,981 On the left? Yeah. Our team will be in there. 244 00:20:14,981 --> 00:20:17,661 And we can just take their place as they leave. OK. 245 00:20:17,661 --> 00:20:19,981 I'm just gonna talk to you like we're friends, 246 00:20:19,981 --> 00:20:23,021 and you can just ignore me, and you watch them, OK? 247 00:20:23,021 --> 00:20:25,981 OK. You ready? OK. 248 00:20:29,181 --> 00:20:31,981 ANIMATED CHATTER, MUSIC PLAYS 249 00:20:44,981 --> 00:20:48,341 What do you want? Can I have an Aperol spritz, please? 250 00:20:50,981 --> 00:20:53,821 Two Aperol spritz, please. Thank you. 251 00:21:01,981 --> 00:21:04,021 HUSHED VOICES 252 00:21:08,981 --> 00:21:10,981 Thank you. 253 00:21:13,661 --> 00:21:14,981 WHISPERS: OK. We gotta go. 254 00:21:25,981 --> 00:21:30,981 OK, I'm just gonna... chat, while you get what you can. 255 00:21:30,981 --> 00:21:33,981 Take your time. OK? Erm... Yeah. 256 00:21:33,981 --> 00:21:35,981 Oh. Wolf is here. 257 00:21:45,501 --> 00:21:46,981 Are you OK? 258 00:21:47,981 --> 00:21:50,981 I need to get closer. The angle's really bad. 259 00:21:50,981 --> 00:21:53,021 It's too dangerous. Keep trying from here. 260 00:21:53,021 --> 00:21:54,981 You'll not get everything straight away. 261 00:21:58,981 --> 00:22:00,981 Are you OK? 262 00:22:00,981 --> 00:22:02,981 I can't see anything from here. OK. 263 00:22:04,981 --> 00:22:06,021 Drink up. Why? 264 00:22:06,021 --> 00:22:08,181 What are you...? Wait! 265 00:22:08,181 --> 00:22:10,021 HUSHED: Alison! 266 00:22:12,981 --> 00:22:16,501 Hi. Can I have an Aperol spritz? On her tab. Thank you. 267 00:23:35,501 --> 00:23:36,981 Can I get some napkins? 268 00:23:53,981 --> 00:23:55,821 Oh, Jesus Christ. 269 00:24:04,181 --> 00:24:06,981 'You shouldn't have got so close. They could've seen you.' 270 00:24:06,981 --> 00:24:08,981 'Do you wanna know what I saw?' 271 00:24:08,981 --> 00:24:10,341 'What did you see?' 272 00:24:10,341 --> 00:24:12,981 This isn't about the jewellery shop. 273 00:24:13,981 --> 00:24:14,981 Yeah, I think they were talking 274 00:24:14,981 --> 00:24:17,981 about something like metric... 275 00:24:17,981 --> 00:24:20,981 like a bio-metric... 276 00:24:20,981 --> 00:24:22,981 'Biometrics? Are you sure?' 277 00:24:22,981 --> 00:24:25,981 'I can't think what else it can be. It's such a clear shape.' 278 00:24:27,981 --> 00:24:29,661 'Biometrics? 279 00:24:29,661 --> 00:24:31,981 'That sounds like they're going for a vault. 280 00:24:31,981 --> 00:24:33,981 'That is a step up for this gang.' 281 00:24:33,981 --> 00:24:35,981 'Hoodie thinks he can break in. 282 00:24:37,981 --> 00:24:40,661 'I think he's a computer hacker.' 283 00:24:40,661 --> 00:24:41,981 Did you see anything else 284 00:24:41,981 --> 00:24:43,981 about the venue? 285 00:24:43,981 --> 00:24:47,981 No. I think Hoodie needs something. 286 00:24:47,981 --> 00:24:49,981 I don't know what, 287 00:24:49,981 --> 00:24:54,501 but I think Cruella is gonna get him information. 288 00:24:55,981 --> 00:24:58,181 'You did well. You got loads this time.' 289 00:24:58,181 --> 00:25:00,981 'It's so much easier when you're in the room with them.' 290 00:25:00,981 --> 00:25:01,981 'These people are dangerous. 291 00:25:01,981 --> 00:25:03,981 'You don't want to get close to them.' 292 00:25:56,821 --> 00:25:57,981 Ah. Can I get you something? 293 00:25:58,981 --> 00:26:00,981 No, thanks. 294 00:27:17,181 --> 00:27:18,981 WOMAN LAUGHS LIGHTLY 295 00:27:19,981 --> 00:27:21,981 THEY CHUCKLE 296 00:27:25,981 --> 00:27:28,181 Alison. Hi. 297 00:27:28,181 --> 00:27:30,501 We should, er... It's a live feed today. 298 00:27:30,501 --> 00:27:32,341 See you. See you around. 299 00:27:35,341 --> 00:27:36,981 'They're meeting in the play area.' 300 00:27:36,981 --> 00:27:38,981 What, you got that from the phone messages? 301 00:27:38,981 --> 00:27:39,981 How do you know about that? 302 00:27:39,981 --> 00:27:42,981 I saw you say something about phones. 303 00:27:44,981 --> 00:27:45,981 Thank you. 304 00:27:45,981 --> 00:27:48,981 We're looking for a potential high-security facility. 305 00:27:48,981 --> 00:27:50,981 Somewhere that uses biometrics, 306 00:27:50,981 --> 00:27:52,981 which is new territory for this gang. 307 00:27:52,981 --> 00:27:55,501 Did you find out what they're planning to steal? 308 00:27:55,501 --> 00:27:58,981 Look, just stick to lip-reading. Leave the detection to us. 309 00:28:08,981 --> 00:28:10,341 Contact with Hulk. 310 00:28:12,021 --> 00:28:14,981 Cruella, south side with Driver. 311 00:28:17,981 --> 00:28:19,981 JAMES: That's a shit angle, isn't it? 312 00:28:19,981 --> 00:28:22,181 LAUGHTER AND SQUEALS 313 00:28:27,981 --> 00:28:29,341 ON EARPIECE: 'And we have Wolf.' 314 00:28:41,981 --> 00:28:43,981 Hoodie's joining the party. 315 00:28:43,981 --> 00:28:45,981 OK, we've got them, we just need to see them. 316 00:28:47,981 --> 00:28:49,501 ALISON SIGHS 317 00:28:49,501 --> 00:28:51,981 I can't see anything. She... 318 00:28:51,981 --> 00:28:53,661 Can I get... Can I get closer? 319 00:28:53,661 --> 00:28:55,981 You can't? Nothing at all? You can't see anything? 320 00:28:55,981 --> 00:28:58,181 I can't lip-read the back of a head. They won't like anyone closer. 321 00:28:58,181 --> 00:28:59,661 Bad idea. 322 00:28:59,661 --> 00:29:01,341 Just get a little bit closer. She's got a point. 323 00:29:01,341 --> 00:29:03,661 They're right there talking about it. Right there. 324 00:29:03,661 --> 00:29:04,981 OK. Ask her to move in. 325 00:29:04,981 --> 00:29:07,021 7-0-6, move closer, with caution. 326 00:29:28,341 --> 00:29:29,981 Oh, OK. Oh, no. 327 00:29:29,981 --> 00:29:31,981 Er, this isn't gonna work, is it? 328 00:29:32,981 --> 00:29:34,981 Oh, shit. Oh, yeah. This isn't gonna work. 329 00:29:34,981 --> 00:29:37,981 Fuck's sake. Great. OK. 330 00:29:37,981 --> 00:29:39,981 Stand her down. Yeah? Yeah. 331 00:29:39,981 --> 00:29:43,981 7-0-6, stand down. All units, stand down. 332 00:29:43,981 --> 00:29:45,021 They were right there talking about it. 333 00:29:45,021 --> 00:29:47,021 They were right under our noses. Right there. 334 00:29:47,021 --> 00:29:48,981 I'm really sorry, I... 335 00:29:48,981 --> 00:29:50,341 OK, well... Right, listen. Listen! 336 00:29:50,341 --> 00:29:52,981 I wanna know where they've gone to after that, OK? 337 00:29:52,981 --> 00:29:54,981 I wanna know where they've gone, who they've spoken to, 338 00:29:54,981 --> 00:29:55,981 what tasks they were given. 339 00:29:55,981 --> 00:29:58,981 Ben, a list of all high-security facilities 340 00:29:58,981 --> 00:30:00,981 that use this biometric data. 341 00:30:00,981 --> 00:30:02,981 Let's try and pinpoint a venue, can we, please? 342 00:30:02,981 --> 00:30:06,981 Let's try to make sure today wasn't a complete fucking waste of time. 343 00:30:27,981 --> 00:30:29,501 Can I just...? What? 344 00:30:29,501 --> 00:30:31,981 Sorry, I need... I need to go to the toilet. 345 00:30:31,981 --> 00:30:33,981 Alison?! 346 00:30:35,981 --> 00:30:37,501 Ashleigh? 347 00:30:40,981 --> 00:30:41,981 Can we talk? Yeah. 348 00:30:42,981 --> 00:30:45,981 Look, I'm really sorry that I didn't get anything earlier. 349 00:30:45,981 --> 00:30:47,181 Don't worry. 350 00:30:48,181 --> 00:30:49,981 We were asking too much. 351 00:30:49,981 --> 00:30:52,981 No, and James... James wasn't angry with you. 352 00:30:52,981 --> 00:30:55,981 This isn't just about stopping a robbery. There's... 353 00:30:57,181 --> 00:31:00,981 Cruella, her husband is in Belmarsh Prison for ten years, 354 00:31:00,981 --> 00:31:01,981 for manslaughter. 355 00:31:03,981 --> 00:31:06,981 A member of the public died during their last armed robbery, 356 00:31:06,981 --> 00:31:08,981 and James blames himself for not stopping it. 357 00:31:08,981 --> 00:31:10,981 That's why we're pushing really hard. 358 00:31:10,981 --> 00:31:12,981 Was it... Was it James' fault? 359 00:31:12,981 --> 00:31:16,981 No. The investigation cleared him, but a man died. 360 00:31:16,981 --> 00:31:19,981 Erm, and, you know, he had a wife. 361 00:31:19,981 --> 00:31:23,981 So... sometimes, the IOPC's blessing isn't enough. 362 00:31:23,981 --> 00:31:26,981 Well... I could see a lot more 363 00:31:26,981 --> 00:31:28,981 if you just get me closer. 364 00:31:28,981 --> 00:31:30,981 I mean, I got a lot more in the wine bar. 365 00:31:30,981 --> 00:31:32,181 I don't think that's a good idea. 366 00:31:32,181 --> 00:31:34,981 OK. But The Tap is a pub, right? 367 00:31:34,981 --> 00:31:36,981 The Canterbury Tap. 368 00:31:36,981 --> 00:31:38,661 And they've put Liam in a flat nearby, 369 00:31:38,661 --> 00:31:40,981 so maybe he might go in there. 370 00:31:41,981 --> 00:31:43,981 Have you been researching the case? 371 00:31:44,981 --> 00:31:46,981 No... 372 00:31:46,981 --> 00:31:50,021 You really, really need to leave the investigating to us. 373 00:31:50,021 --> 00:31:51,981 But... 374 00:32:00,981 --> 00:32:04,981 Hello. Cinnamon roll and a pastry. 375 00:32:06,981 --> 00:32:07,981 Erm... My coffee? 376 00:32:07,981 --> 00:32:09,981 Oh! 377 00:32:13,821 --> 00:32:15,981 Enjoy. Erm... 378 00:32:15,981 --> 00:32:18,981 Did you use nut milk? No. 379 00:32:19,981 --> 00:32:22,821 No. I'll get you another one. 380 00:32:27,021 --> 00:32:28,981 Night. Alison! 381 00:32:31,501 --> 00:32:32,981 Can we have a chat before you go? 382 00:32:32,981 --> 00:32:34,661 OK. 383 00:32:34,661 --> 00:32:39,981 I'm... really sorry, but Karl thinks this isn't working out. 384 00:32:44,981 --> 00:32:47,981 But he didn't ask for the nut milk. 385 00:32:47,981 --> 00:32:50,981 And even if he did, he waited till I turned away. 386 00:32:50,981 --> 00:32:51,981 Look, I'm sorry. 387 00:32:51,981 --> 00:32:55,501 No, I really need this job. I know. 388 00:32:55,501 --> 00:32:56,981 And I don't wanna lose you. 389 00:32:56,981 --> 00:32:59,181 You're gonna find something else. No! 390 00:32:59,181 --> 00:33:00,981 KARL: Samira! 391 00:33:04,981 --> 00:33:08,981 Alison... You could've told me yourself. 392 00:33:31,981 --> 00:33:32,981 DOOR CLOSES 393 00:34:39,021 --> 00:34:41,341 BAR MANAGER: Oh. Hello again. 394 00:34:41,341 --> 00:34:45,341 Hi. Erm... Can I have a half of Cold Zombie, please? 395 00:34:46,981 --> 00:34:48,341 You know your craft beer, then? 396 00:34:48,341 --> 00:34:50,981 I like the names. Cold Zombie. 397 00:34:50,981 --> 00:34:53,341 Dead Pig Ditch. Bobby's Biscuit. 398 00:34:53,341 --> 00:34:55,981 It makes it easier to lip-read when people order them. 399 00:34:55,981 --> 00:34:57,981 You work in a bar? Yeah, I used to. 400 00:34:57,981 --> 00:35:00,501 But I'm currently looking for a job at the moment. Oh. 401 00:35:00,501 --> 00:35:01,981 We can never hold on to staff. 402 00:35:03,181 --> 00:35:04,821 Wait, so are you looking? 403 00:35:04,821 --> 00:35:06,981 Er... I know you're probably thinking, 404 00:35:06,981 --> 00:35:09,021 "I don't wanna hire a deaf barmaid." Oh... 405 00:35:09,021 --> 00:35:12,981 But I will learn all your menu before the first shift. 406 00:35:12,981 --> 00:35:14,181 I don't get people's orders wrong. 407 00:35:14,181 --> 00:35:17,181 I've got a day job, but I could work any evening. 408 00:35:17,181 --> 00:35:19,981 All right, OK. So what you're saying is...? 409 00:35:19,981 --> 00:35:22,981 I'm saying give me a chance and I'll show you. 410 00:35:26,981 --> 00:35:28,981 LOW HUM OF CHATTER AND MUSIC 411 00:35:28,981 --> 00:35:29,981 MACHINE BEEPS 412 00:35:29,981 --> 00:35:31,981 I'm gonna try it around there. 413 00:35:35,981 --> 00:35:37,501 MACHINE BEEPS 414 00:35:38,981 --> 00:35:39,981 Got it, thank you. 415 00:35:39,981 --> 00:35:42,981 'SWEET DREAMS (Are Made of This)' PLAYS OVER JUKEBOX 416 00:35:46,981 --> 00:35:48,021 Hi. 417 00:35:51,981 --> 00:35:52,981 What can I get for you? 418 00:35:53,981 --> 00:35:55,981 Just a pint of IPA. 419 00:36:14,981 --> 00:36:16,981 Are you, like, a regular here? 420 00:36:16,981 --> 00:36:18,981 No, I just moved in around the corner. 421 00:36:19,981 --> 00:36:21,981 I'd better remember your order, then. 422 00:36:28,981 --> 00:36:30,981 Do you find it hard, with the music? 423 00:36:31,981 --> 00:36:33,021 Sorry. 424 00:36:33,021 --> 00:36:34,981 You're deaf, aren't you? 425 00:36:34,981 --> 00:36:37,981 Or hard of hearing. Is that what you say? 426 00:36:37,981 --> 00:36:41,181 I'm deaf. What did you say? 427 00:36:42,181 --> 00:36:43,981 Does the music make it difficult for you? 428 00:36:44,981 --> 00:36:47,981 Ah. Yeah, sometimes. 429 00:36:47,981 --> 00:36:50,021 But I like the beat. 430 00:36:51,661 --> 00:36:52,981 Yeah. This is a good one. 431 00:36:56,981 --> 00:36:57,981 Bad day? 432 00:37:00,181 --> 00:37:02,181 CHUCKLES SOFTLY Just work. 433 00:37:03,981 --> 00:37:06,661 Can I tell you a secret? 434 00:37:08,981 --> 00:37:09,981 It's my first day, 435 00:37:09,981 --> 00:37:12,981 and I pretended I know everything about craft beer, 436 00:37:12,981 --> 00:37:13,981 but I actually don't. 437 00:37:13,981 --> 00:37:15,341 HE CHUCKLES 438 00:37:16,981 --> 00:37:17,981 I just got a new job too. 439 00:37:18,981 --> 00:37:20,341 What do you do? 440 00:37:22,981 --> 00:37:24,981 It's too boring to explain. 441 00:37:31,341 --> 00:37:32,981 MACHINE BEEPS 442 00:37:32,981 --> 00:37:34,021 That'll be 6.99. 443 00:37:34,021 --> 00:37:36,021 BOTH CHUCKLE 444 00:37:42,661 --> 00:37:43,981 What's your name? 445 00:37:44,981 --> 00:37:45,981 I'm Alison. 446 00:37:46,981 --> 00:37:48,661 Liam. 447 00:37:49,821 --> 00:37:51,981 Have a good day. And you. 448 00:38:04,981 --> 00:38:06,981 LIAM SIGHS, SNIFFS 449 00:38:09,981 --> 00:38:11,981 Hey, don't worry, I'll close up here. 450 00:38:11,981 --> 00:38:12,981 You did good tonight. 451 00:38:12,981 --> 00:38:14,981 Come back tomorrow? What do you think? 452 00:38:14,981 --> 00:38:16,021 PHONE BUZZES Yeah? 453 00:38:16,021 --> 00:38:18,981 All right, yes. ALISON CHUCKLES 454 00:38:41,341 --> 00:38:44,341 Oh. You going? Closing, aren't you? 455 00:38:46,181 --> 00:38:48,981 Gotta go to work. Night. 456 00:38:48,981 --> 00:38:49,981 Good night. 457 00:39:39,981 --> 00:39:41,981 KEYS JANGLE 458 00:40:39,981 --> 00:40:42,981 Fuck! Are you OK? DOOR CLOSES 459 00:40:47,021 --> 00:40:48,981 Alison?! I'm fine. I'm OK. 460 00:40:48,981 --> 00:40:50,981 I'll just get a bruised arse in the morning. 461 00:40:50,981 --> 00:40:52,981 Have you got a death wish? 462 00:40:52,981 --> 00:40:54,981 I-I'm sorry. I forgot my lights. Don't get up. 463 00:40:54,981 --> 00:40:56,981 Don't get up! I'll be... I'll be fine. 464 00:40:56,981 --> 00:40:58,981 I'll be fine, I'll be fine. 465 00:40:58,981 --> 00:41:01,981 SHE GROANS OK. You need a hospital. 466 00:41:02,981 --> 00:41:04,981 I'll drive you. 467 00:41:07,981 --> 00:41:09,981 You OK? Get in. 468 00:41:22,981 --> 00:41:24,661 Sorry. 469 00:41:24,661 --> 00:41:25,981 You were on your way somewhere. 470 00:41:25,981 --> 00:41:28,661 Oh, I missed my meeting. 471 00:41:28,661 --> 00:41:30,981 Erm, besides... 472 00:41:30,981 --> 00:41:33,181 This is more important. 473 00:41:33,181 --> 00:41:35,981 I can't run you over and then abandon you. Oh. 474 00:41:47,981 --> 00:41:49,981 It's supposed to relieve stress. 475 00:41:51,981 --> 00:41:53,981 HE CHUCKLES SOFTLY 476 00:41:54,981 --> 00:41:56,981 That is weirdly effective. 477 00:42:02,181 --> 00:42:03,981 Do you do this often? 478 00:42:04,981 --> 00:42:05,981 Just throw yourself in front of cars? 479 00:42:06,981 --> 00:42:08,341 It's my first time. 480 00:42:09,501 --> 00:42:10,981 Well, I'm honoured you chose me. 481 00:42:17,021 --> 00:42:20,661 Are you from Manchester? I don't always get the accent. 482 00:42:20,661 --> 00:42:23,181 Yeah. Yeah, I am. INHALES SHARPLY 483 00:42:23,181 --> 00:42:24,981 Just got here, and I barely know anyone, so... 484 00:42:27,661 --> 00:42:29,981 Well, now I know you. 485 00:42:32,501 --> 00:42:34,021 Now you know me. 486 00:42:49,821 --> 00:42:50,981 SOFTLY: Ow... 487 00:43:07,981 --> 00:43:10,981 Is this happening now? ASHLEIGH: Yeah. 488 00:43:10,981 --> 00:43:13,341 We picked up a text. We know they're meeting this morning, 489 00:43:13,341 --> 00:43:14,981 but we don't have a location. 490 00:43:18,981 --> 00:43:20,981 6-0-2. 491 00:43:20,981 --> 00:43:21,981 New contact with Hoodie. 492 00:43:21,981 --> 00:43:23,981 All right. 493 00:43:23,981 --> 00:43:25,981 Let's go. Nia? 494 00:43:25,981 --> 00:43:27,981 NIA: We've got a text coming in. 495 00:43:28,981 --> 00:43:30,821 Bright, walker, roast. 496 00:43:30,821 --> 00:43:32,981 OK. Ben. Ben. Where is that? 497 00:43:32,981 --> 00:43:34,981 BEN: There, it's by the splash park in Vale Gardens. 498 00:43:34,981 --> 00:43:36,981 ASHLEIGH: OK. We've got a What3words location. 499 00:43:36,981 --> 00:43:40,821 The gang are meeting by the splash park in Vale Gardens. 500 00:43:40,821 --> 00:43:42,021 Can we get officers there? '6-0-2. 501 00:43:42,021 --> 00:43:45,501 'Hoodie is diverting. He's entering the electronic shop on Beem Street.' 502 00:43:45,501 --> 00:43:46,981 Wait, wait, wait. 503 00:43:46,981 --> 00:43:47,981 NIA: Nothing on phones, Sir. 504 00:43:47,981 --> 00:43:50,981 Why... Why the change of location? I dunno. 505 00:43:50,981 --> 00:43:53,341 OK, there's a back alley down the back of the shop. 506 00:43:53,341 --> 00:43:54,981 Maybe he's trying to shake us? 507 00:43:54,981 --> 00:43:56,981 Nothing on phones? What is he doing? 508 00:43:56,981 --> 00:43:58,981 What is he doing? 509 00:44:02,981 --> 00:44:04,981 DC FUNG: Contact with Hoodie. 510 00:44:04,981 --> 00:44:05,981 He's carrying a bag. 511 00:44:05,981 --> 00:44:08,021 Subject continuing east on foot along Beem Street. 512 00:44:08,021 --> 00:44:10,981 What is in that bag? Can we see what he's bought? 513 00:44:10,981 --> 00:44:11,981 Negative. 514 00:44:14,981 --> 00:44:16,981 'Subject continuing on foot. 515 00:44:16,981 --> 00:44:18,981 'Taking west turn into Vale Gardens.' 516 00:44:21,661 --> 00:44:23,981 DS BARTON: '6-0-1. New contact with Hoodie. 517 00:44:23,981 --> 00:44:25,981 'Entering Vale Gardens, headed toward the splash park. 518 00:44:28,981 --> 00:44:29,981 '6-0-1. 519 00:44:31,341 --> 00:44:32,981 'Hulk on site.' 520 00:44:32,981 --> 00:44:34,981 DI MARSH: Here we go. 521 00:44:46,501 --> 00:44:48,181 He's saying he's sorry. OK. 522 00:44:48,181 --> 00:44:50,981 If we set up a meeting, you turn up. 523 00:44:50,981 --> 00:44:52,981 There's no fucking discussion! 524 00:44:52,981 --> 00:44:56,981 Hulk is getting really angry. Something about a meeting. 525 00:44:58,981 --> 00:45:00,021 Alison. There. 526 00:45:07,981 --> 00:45:09,981 What is he saying? 527 00:45:09,981 --> 00:45:11,981 And... there, what's that? 528 00:45:13,821 --> 00:45:15,981 There, what's he saying there? We need to know what he's saying. 529 00:45:15,981 --> 00:45:17,981 He's explaining something. What...? 530 00:45:17,981 --> 00:45:20,341 VOICES FADE AND MERGE 531 00:45:28,981 --> 00:45:31,341 Have you made contact with Liam Barlow? 532 00:45:32,981 --> 00:45:35,981 You've risked the entire fucking operation. 533 00:45:35,981 --> 00:45:37,981 Good morning, Mr Stanford. I have an appointment. 534 00:45:37,981 --> 00:45:38,981 ALISON: I've got information. 535 00:45:38,981 --> 00:45:42,661 We were so clear to you about the dangers of getting involved. 536 00:45:42,661 --> 00:45:44,501 I didn't tell him I was lip-reading for you. 537 00:45:44,501 --> 00:45:46,981 MARSH: You understand how dangerous this is, being an informant? 538 00:45:46,981 --> 00:45:48,821 LIAM: I'll have to keep my eye on you. 539 00:45:50,981 --> 00:45:53,021 Subtitles by accessibility@itv.com 39034

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