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We're good.
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We're good. When we were in college. I
think we're better. We're good. Hey,
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Felix. Thanks for letting me sit in with
your old gang. Hey, too bad Oscar isn't
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00:00:16,940 --> 00:00:18,040
here. He would like to sit in, too.
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00:00:18,420 --> 00:00:21,640
Oscar? Yeah, he told me he played bass
drum with his high school band.
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That's amateur stuff. We're pros.
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Well, for an old college band, you sure
sound professional.
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Well, we could have been. We were almost
on Arthur Godfrey's talent, Scott. What
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happened? Well, that was the week Arthur
fired Julius La Rosa, and he was down
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on all young talent.
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I'll bet you could get on TV now.
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00:00:36,360 --> 00:00:38,340
I think that La Rosa thing has died
down.
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That's why I got you together, guys.
I've got a sensational idea on how we
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00:00:44,260 --> 00:00:45,260
get on TV.
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00:00:45,500 --> 00:00:46,500
Well, what show do you mean?
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Monty Hall.
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00:00:48,040 --> 00:00:49,040
Let's make a deal.
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I can't blow this horn dressed up like a
chicken.
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He's got a new show.
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00:00:55,480 --> 00:00:59,600
Monty's Hall of Memories. Old nostalgia
stuff. We can do our golden oldies.
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Monty's gonna love it.
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I'm gonna get Oscar to ask him.
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Oscar? Oh, yeah, they're old friends.
They were in college ROTC together.
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Some people say that's what gave Hitler
the courage to declare war.
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Uh, excuse us, fellas, take five.
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Murray, I'm the leader. Take three,
guys.
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Uh, Felix, uh, listen, uh, I didn't want
to bring down the other cats, but, uh,
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Oscar's mad at Monty. I mean, things are
not copacetic between them.
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What are you talking about? Well...
Monty embarrassed him. Remember when you
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guys were on Let's Make a Deal dressed
up in that horse outfit?
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Yeah. I was there. I wasn't embarrassed.
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Yeah, you were playing the front of the
horse.
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Stroke of fate. Oscar wouldn't hold a
grudge. That's months ago.
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Okay, fellas, break's over. Come on.
Let's work. Let's work.
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Let's do my biggie.
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My sure -standing ovation.
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Okay, watch the monster now. And one,
two.
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Stumbling all around, stumbling all
around, stumbling all around. So funny.
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Stumbling here and there, stumbling
everywhere. And I must declare, I
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right on her toe.
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And when she pulled my nose, I fell and
pulled my rope. I fell and fell.
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Talk to you for a minute. You like it?
Like what? Yeah, nice, nice. Tell the
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guys you like it. I like it, guys. He
likes it.
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Did you see the paper? No.
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Hermione's show tonight. He's going to
show film clips of when we were on Let's
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Make a Deal. Oh, that's... As a horse.
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Well, I think that's wonderful. My Aunt
Cleveland didn't see it. Now she'll get
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a chance to see it. I'm never going to
talk to that Monty Hall again as long as
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I live. Oscar, Oscar. You're a creep.
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Well, what did I tell you, Felix?
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Looks like no Monty Hall.
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Leave it to the maestro. I can talk that
man into anything.
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I'm still living here, am I not?
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The Odd Couple was filmed in front of a
live audience.
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Oscar! Come on, come on, mommy's almost
gone. Come on, come on, come on.
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You'll see the show, then you'll ask him
to put our band on, won't you? How can
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I ask a favor of a man I'm not going to
talk to anymore? You'll send him a note.
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Yeah, but it's attached to a rock.
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Since we went on the air with Let's Make
a Deal over ten years ago... What's
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happened to you since then, Mrs.
Ibernathy?
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Oh, so many exciting things, Monty. You
know, my husband and I still haven't
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finished all those ice cream bars we
won.
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You're kidding.
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No, we're building our summer home out
of all those little sticks. Isn't that
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00:04:43,200 --> 00:04:47,840
nice? Thank you, Mrs. Ibernathy.
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And now, as we promised you, we have
some clips of memorable moments of the
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ten years of Let's Make a Deal. Can we
roll these, please?
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Let's make a deal, Monty. Let's make a
deal.
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This horse is a nag.
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You want to make another deal, all
right. We'll take your $10.
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00:05:04,570 --> 00:05:08,890
That's Felix Unger. That was none other
than Oscar Madison, sports writer for
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the New York Herald.
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Ain't life grand?
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Two friends of mine try to get on the
show in the horse's costume.
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00:05:15,270 --> 00:05:18,110
Oscar, what are you doing now, covering
the races from the inside?
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00:05:18,850 --> 00:05:22,170
Come on out here. Let's take a look at
you. Come on, Oscar. Might as well.
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Keep your sense of humor.
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00:05:24,150 --> 00:05:25,470
What about my sense of dignity?
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They tried to con me out of some money,
but I zonked them. Oscar Madison, what
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00:05:30,310 --> 00:05:31,530
do you want to do? Keep the squid.
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00:05:31,870 --> 00:05:33,330
Do you, Jacques Cousteau?
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00:05:33,650 --> 00:05:35,890
Keep the squid. This is a trick. This is
a trick.
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00:05:36,230 --> 00:05:40,750
Oh, come on. The audience loved it and
Monty loved it. Go talk to him. I am
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00:05:40,750 --> 00:05:44,090
going to talk to him through my lawyer.
You know I could sue him for putting
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that on without getting my permission
first.
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I gave him permission.
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That makes two guys I'm not talking to.
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Didn't you think the color was good?
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Did I watch the show?
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00:06:18,440 --> 00:06:19,440
Would I miss?
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00:07:29,000 --> 00:07:30,600
You know, door number one from door
number three.
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You'll never guess what's behind door
number two.
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Hi, Oscar.
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Get out of here.
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Well, I'll just leave you two alone and
just go horse around.
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Felix wasn't kidding, was he?
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When did you talk to Felix? He called me
this morning and told me how upset you
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were about the show last night.
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Really, Oscar, I'm surprised at you.
Where's your sense of humor?
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00:07:59,000 --> 00:08:01,160
I believe that you can get mad over a
thing like that. Yeah, well, we believe
101
00:08:01,160 --> 00:08:04,440
different things, different ways of
life, buddy. But you guys were funny.
102
00:08:04,440 --> 00:08:07,700
it. You were funny. It was a good show
and all in fun. Fun for you.
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00:08:08,160 --> 00:08:11,220
Come on. Good old Oscar. Put a saddle on
him, you can take him anywhere.
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00:08:11,620 --> 00:08:12,620
Oh, boy.
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00:08:12,840 --> 00:08:15,860
You can dish it out, but you can't take
it, huh? What do you mean, dish it out?
106
00:08:16,240 --> 00:08:17,780
Well, think back to our college days.
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00:08:18,040 --> 00:08:21,340
You invited me to a masquerade party. It
turned out to be a formal dinner for
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the dean, and I show up in a gorilla
suit, huh?
109
00:08:24,120 --> 00:08:27,840
Yeah. That you like. I think that's
where you got the idea, but let's make a
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00:08:27,840 --> 00:08:28,840
deal.
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00:08:29,740 --> 00:08:33,039
The main thing is that I did it, you
laughed, and I forgave you. Yes, you
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Even Steve, you're right. Okay, but no
more. I don't want to see it on
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television. Well, well, well, Mr.
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Hall. Hello, Felix.
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Monty the Muckraker, huh? You came down
here to gloat over the man you
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humiliated last night in front of
millions of people. Felix, you told me
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00:08:46,440 --> 00:08:47,399
down here. Whatever, whatever.
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Look, if you make fun of me, who cares?
I'm an unknown photographer. But this
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man, a respected journalist, a famous
man, to strip him of his last shred of
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00:08:56,800 --> 00:09:00,420
dignity in front of the whole... Sun
trees? Will you cut it out? It's all
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00:09:00,420 --> 00:09:01,299
You hear that?
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00:09:01,300 --> 00:09:02,300
It's all right.
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00:09:02,720 --> 00:09:04,240
There's a big man.
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00:09:04,860 --> 00:09:09,600
If you were as big as he, as
compassionate, you'd try to do
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00:09:09,600 --> 00:09:14,060
power to make amends. You'd try to do
something really classy like I... Like
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00:09:14,060 --> 00:09:16,720
what? Oh, put a friend of his on your TV
show.
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Phoenix, will you please?
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00:09:18,340 --> 00:09:21,020
It's not a bad idea, but I can do even
better than that. You'll give his friend
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00:09:21,020 --> 00:09:21,699
the whole show?
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00:09:21,700 --> 00:09:24,040
No, better than that. You'll give his
friend a TV series?
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00:09:24,360 --> 00:09:28,280
No. I'm going to put Oscar himself on my
TV show. Oh, do you want to do a thing
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like that? For what can he do? He's
nothing.
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You want to come on my show?
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Look out for nothing, will you?
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00:09:33,360 --> 00:09:36,440
What do I do? Well, we're doing a
college nostalgia bit, and we've been
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collecting some old film clips of
college football games. Who wants to see
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00:09:39,340 --> 00:09:40,259
film clips?
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00:09:40,260 --> 00:09:42,720
Yeah, and you can narrate the show and
then do some of your sports stuff. You
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00:09:42,720 --> 00:09:45,700
can have a band. The band can play
college songs. And because I know what
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00:09:45,700 --> 00:09:48,700
can do, I don't have to audition any of
those crazy acts this week. You know, a
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woman hitchhiked all the way down from
Schenectady to show me how she plays
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Ramona on top of her son's head.
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Are the pressures really getting to me,
Oscar? You've got to learn to relax.
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You want to play softball with us
tomorrow?
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Yeah, I'd like to, very much. And after
the game, come up to the apartment. I'll
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00:10:01,720 --> 00:10:02,639
make some snacks.
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00:10:02,640 --> 00:10:05,540
Come on, I'll buy you lunch. I want to
tell you about the lunch. Hey, that's a
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good idea.
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00:10:06,220 --> 00:10:07,760
Where are you going, guys?
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00:10:08,180 --> 00:10:08,840
Did you
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00:10:08,840 --> 00:10:22,640
make
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00:10:22,640 --> 00:10:23,780
three errors on the search?
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00:10:28,080 --> 00:10:32,060
at home with him. What is this? Oh,
something broke down. We're having some
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00:10:32,060 --> 00:10:35,260
repairs. Everything broke down at the
same time? You ever have a day like
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00:10:35,400 --> 00:10:37,920
Go get cleaned up before you eat. Come
on, come on. Dirty as ball playwright.
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00:10:38,140 --> 00:10:39,700
Monty, sit down, relax.
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Take a load off your cleats and enjoy a
major snack.
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Have a snack.
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00:10:44,640 --> 00:10:46,220
And a one, two.
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00:10:48,600 --> 00:10:52,240
Stumbling all around, stumbling all
around, stumbling all around. So funny.
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00:10:52,880 --> 00:10:56,800
Stumbling here and there, stumbling
everywhere. And I must declare, I
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00:10:56,800 --> 00:10:57,800
right on...
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00:10:58,760 --> 00:11:05,540
when she bumped my nose I fell and when
I rose I felt ashamed and told her
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00:11:05,540 --> 00:11:09,180
that's the latest step that's the latest
step that's the latest step my honey
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00:11:09,180 --> 00:11:13,700
notice all the best notice all the best
notice all the best she said stop
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00:11:13,700 --> 00:11:19,420
mumbling though you are stumbling I like
it just a little bit just a little bit
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00:11:19,420 --> 00:11:20,420
quite a little bit
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00:11:46,000 --> 00:11:48,200
they were going to pull a crazy stunt
like this, I never would have asked you
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00:11:48,200 --> 00:11:50,880
over. Wait a minute, Oscar. They weren't
too bad. You see?
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00:11:51,140 --> 00:11:52,160
He loved it.
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00:11:52,680 --> 00:11:57,740
He said you weren't too bad. There's a
big difference.
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00:11:58,120 --> 00:12:02,040
Felix, if these guys aren't out of here
before I finish dressing, I'm going to
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00:12:02,040 --> 00:12:02,999
tune your nose.
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00:12:03,000 --> 00:12:04,560
I don't believe what he said about me.
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00:12:05,200 --> 00:12:07,500
Crazy lovable guy. What do you say,
buddy?
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00:12:07,800 --> 00:12:09,080
Can't you use the band on your show?
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00:12:09,600 --> 00:12:12,860
Yeah, that might work out. But you see,
I'm overbooked for this. As a matter of
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00:12:12,860 --> 00:12:16,280
fact, I've got a comedian waiting three
weeks to get on. Who wants to hear jokes
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00:12:16,280 --> 00:12:19,800
when they can listen to music? But I
don't think that we can make the
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00:12:19,800 --> 00:12:22,260
from Oscar's sports stories into music.
It's natural.
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00:12:22,620 --> 00:12:25,360
It's natural. It's what they call a
segue in music. It's perfect. Don't you
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00:12:25,360 --> 00:12:28,080
it ties in because... No. It's Oscar's
band.
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00:12:28,520 --> 00:12:29,179
It's what?
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00:12:29,180 --> 00:12:31,820
Yes. Oscar's band? Oscar doesn't play a
musical instrument.
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00:12:32,060 --> 00:12:34,700
Oh, sure he does. And I've heard him
sing. He's no singer. He plays drums,
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00:12:34,960 --> 00:12:37,080
sticks Madison. The guy's got a great
beat.
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00:12:37,520 --> 00:12:38,520
Hey, that's funny.
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00:12:38,640 --> 00:12:40,560
I used to walk a great beat.
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00:12:43,120 --> 00:12:45,560
Do you want to listen to rotten jokes
like that, or wouldn't you rather have
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00:12:45,560 --> 00:12:46,560
music?
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00:12:48,100 --> 00:12:51,880
Well, I'll tell you. Since it's Oscar's
band, we could make the transition. Why
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00:12:51,880 --> 00:12:54,460
don't we ask him a question? No, no, no,
no, no, no. Let me talk to him. The
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00:12:54,460 --> 00:12:55,840
guy's a little bit shy about his talent.
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00:12:56,060 --> 00:12:57,340
I thought he was just shy of talent.
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00:12:59,040 --> 00:13:00,360
Laugh it up, guys. It's his show.
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00:13:02,040 --> 00:13:06,160
You want to hear college marching songs,
you're going to hear them from Oscar's
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00:13:06,160 --> 00:13:07,700
band. Football hero, guys.
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00:13:07,980 --> 00:13:12,480
You've got to be a football hero.
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00:13:13,080 --> 00:13:18,980
to get along with the beautiful gals.
You gotta be a touchdown getter, you
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00:13:19,220 --> 00:13:25,360
If you wanna get somebody to bet, the
fact that you are rich or handsome won't
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00:13:25,360 --> 00:13:26,360
get you any...
202
00:14:03,280 --> 00:14:04,139
that what's under it?
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00:14:04,140 --> 00:14:05,140
Something that dropped.
204
00:14:05,460 --> 00:14:08,240
I got Miriam a birthday present.
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00:14:08,440 --> 00:14:09,640
Yeah? What'd you get her? A purse.
206
00:14:12,200 --> 00:14:15,060
Why don't you want me to know what's
under the sheet? Breakfast is ready.
207
00:14:15,600 --> 00:14:17,480
Soft -boiled egg? You know, I like
scrambled.
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00:14:17,880 --> 00:14:20,880
Well, have a little variety in your
life. You always have scrambled. Less
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00:14:20,880 --> 00:14:23,040
cholesterol. At least you're gonna crack
the shell for me.
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00:14:23,320 --> 00:14:24,600
You do that. It's part of the fun.
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00:14:25,260 --> 00:14:26,260
Hey!
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00:14:26,760 --> 00:14:27,760
That's good!
213
00:14:28,240 --> 00:14:29,139
That's good.
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00:14:29,140 --> 00:14:32,260
The way you hit that egg, it had
something. It set my toes to tapping.
215
00:14:32,260 --> 00:14:33,259
this? Yeah.
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00:14:33,260 --> 00:14:36,120
a certain natural animal rhythm to it.
Try hitting the glass.
217
00:14:36,520 --> 00:14:37,660
Yeah, yeah. More, more.
218
00:14:37,860 --> 00:14:39,980
Oh, that's really good. Makes me want to
dance.
219
00:14:44,120 --> 00:14:47,520
Admit it, though. You used to be a great
drummer. What great drummer? I had a
220
00:14:47,520 --> 00:14:48,860
bass drum twice a song.
221
00:14:49,440 --> 00:14:51,600
But you never lost. I never had it.
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00:14:51,840 --> 00:14:57,500
Talent will out. How would you like to
be a member of the Unger Five Plus None?
223
00:14:58,420 --> 00:15:01,720
Come on, now. I hit a glass with a
spoon. You want me to be a drum in your
224
00:15:01,880 --> 00:15:04,900
I'm... I'm not kidding. If you had a
real set of drums to practice on and
225
00:15:04,900 --> 00:15:06,420
someone... Yeah, where would I get a
real set of drums?
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00:15:08,680 --> 00:15:09,680
Whoa!
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00:15:09,800 --> 00:15:11,840
It's not a purse. It's not a purse.
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00:15:12,200 --> 00:15:16,900
Come over here, sit down. Let's just see
how young you look. Look how he picks
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00:15:16,900 --> 00:15:21,040
up those sticks like a duck to water. I
can just see it all. Give me a drum
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00:15:21,040 --> 00:15:22,040
roll. One drum.
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00:15:33,390 --> 00:15:36,910
Before Tim Pantastic. What? What was
that where Monty can see him? What was
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00:15:36,910 --> 00:15:37,910
that?
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00:15:38,210 --> 00:15:39,610
Can't fool the fox, can I?
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00:15:40,610 --> 00:15:43,290
Monty said if it was your band, we could
go on his show.
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00:15:43,910 --> 00:15:46,530
That's why I couldn't have scrambled
eggs, eh? Well, I had to do something.
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00:15:46,770 --> 00:15:50,290
It wasn't for me. It's for the guys.
They wanted so much. What could I do? I
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00:15:50,290 --> 00:15:53,670
would like to help you, but listen to
me. I cannot play the drums. It's a
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00:15:53,670 --> 00:15:57,250
natural instinct, playing the drums. You
ever seen a baby in a restaurant
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00:15:57,250 --> 00:16:00,090
banging the table with a spoon? It's so
annoying.
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00:16:01,030 --> 00:16:04,430
Exactly what I'm afraid of. I'll be so
annoying. You're not a baby. You'll bang
241
00:16:04,430 --> 00:16:07,810
better than that. You'll have five guys
around to cover for you. I'll teach you.
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00:16:07,850 --> 00:16:09,530
It's going to be easy. Oh, I haven't had
my breakfast.
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00:16:09,830 --> 00:16:12,550
Musicians are always better when they're
hungry. Sit down. You know that song
244
00:16:12,550 --> 00:16:13,790
that sort of features the drummer?
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00:16:15,090 --> 00:16:16,250
Okay, let's wail.
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00:16:16,650 --> 00:16:18,990
You'll come in on the break, okay?
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00:16:19,570 --> 00:16:24,310
And... Come in on the break.
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00:16:40,170 --> 00:16:41,790
at once. Do you know how high the moon?
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00:16:43,390 --> 00:16:44,750
That's close enough. All right, here we
go.
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00:16:46,190 --> 00:16:52,650
And... It's too loud.
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00:16:53,250 --> 00:16:54,390
Try the brushes.
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00:16:56,250 --> 00:16:57,250
Ready?
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00:16:57,670 --> 00:17:01,630
And... I
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00:17:01,630 --> 00:17:08,530
think your problem is you're trying to
show off,
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00:17:08,589 --> 00:17:09,589
you see.
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00:17:10,760 --> 00:17:11,900
Use just one brush.
257
00:17:12,220 --> 00:17:13,220
One brush? Yeah.
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00:17:13,339 --> 00:17:14,339
Here we go.
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00:17:27,339 --> 00:17:29,740
It's too complex for you, isn't it?
260
00:17:29,960 --> 00:17:33,820
I told you I wasn't a drummer. You
didn't tell me how much you're not a
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00:17:34,440 --> 00:17:37,820
Hold on a minute, buddy. You were the
one who said I'd be a great asset to the
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00:17:37,820 --> 00:17:41,080
band. You were the one that said I had
rhythm. Somewhere between the egg and
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00:17:41,080 --> 00:17:44,360
drums, you lost it. Okay, so let's
forget it. No, no, we've got to do this.
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00:17:44,640 --> 00:17:47,540
I know. Wait, sit down, sit down. Take
your brushes. Here, you up here. Now,
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00:17:47,580 --> 00:17:52,580
softly make a sort of... Stop it.
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00:17:53,080 --> 00:17:54,080
Stop it.
267
00:17:57,280 --> 00:17:58,380
I'm not playing anything.
268
00:18:00,440 --> 00:18:01,440
Exactly.
269
00:18:02,260 --> 00:18:03,980
Now, you move around a bit. Move the
body.
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00:18:04,300 --> 00:18:05,300
That's it.
271
00:18:05,320 --> 00:18:07,220
That's it. Give it the eye. Move your
mouth.
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00:18:09,180 --> 00:18:10,180
That's it.
273
00:18:19,300 --> 00:18:21,100
We'll have an off -stage drummer cover
for you.
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00:18:38,640 --> 00:18:39,640
It's pretty good on TV.
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00:18:40,040 --> 00:18:43,360
He's been on 15 minutes. When's he going
to introduce the band? He will.
276
00:18:43,800 --> 00:18:47,800
And that's the only time that a college
football game has ever been called off
277
00:18:47,800 --> 00:18:48,800
because of a volcano.
278
00:18:50,780 --> 00:18:53,420
That's a funny story. Oh, I got a
million of them.
279
00:18:53,900 --> 00:18:55,400
We know, we know.
280
00:18:56,140 --> 00:18:59,920
Oh, but I do have a sideline that not
many people do know about.
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00:19:00,640 --> 00:19:03,700
It's this little musical group that I
sort of put together.
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00:19:26,379 --> 00:19:31,560
You gotta hear this one from the
beginning. This is one of the funniest
283
00:19:31,680 --> 00:19:32,760
I hope I can tell it right.
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00:19:33,440 --> 00:19:34,440
It was slow down.
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00:19:34,780 --> 00:19:37,740
And we'll have more of these stories
right after these commercial messages.
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00:19:38,600 --> 00:19:39,740
How much time left on the show?
287
00:19:39,940 --> 00:19:43,640
Only two minutes. Only two minutes. Gee,
we ran long, but those stories were so
288
00:19:43,640 --> 00:19:46,480
great. Oh, I didn't mean to talk that
long. Once I get started, I can't...
289
00:19:46,480 --> 00:19:47,299
do we go on?
290
00:19:47,300 --> 00:19:49,880
It looks like we're not going to be able
to work the band in.
291
00:19:50,360 --> 00:19:51,360
What?
292
00:19:51,440 --> 00:19:52,920
Just one of those things. We ran
overtime.
293
00:19:53,280 --> 00:19:55,500
Oh, boy, what a jet!
294
00:19:56,200 --> 00:19:59,260
You sure there wasn't enough time, Mike?
No, the, uh... We have the commercial
295
00:19:59,260 --> 00:20:01,700
messages that I sing my song and that's
it? Well, there's no problem. We can do
296
00:20:01,700 --> 00:20:02,700
our song instead.
297
00:20:02,720 --> 00:20:06,360
No, the format is that I get to sing my
song last. Oh, there must be some way.
298
00:20:06,400 --> 00:20:07,400
Please, Monty.
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00:20:07,680 --> 00:20:11,300
Well, maybe we could get the band to
play behind me. Yeah, yeah, and you and
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00:20:11,300 --> 00:20:12,139
will do a duet.
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00:20:12,140 --> 00:20:15,100
A duet? Yeah. Don't get pushy. Monty
sings alone.
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00:20:15,460 --> 00:20:17,540
Yeah. Well, if I don't go, the band
doesn't go.
303
00:20:17,920 --> 00:20:18,920
Right, guys?
304
00:20:20,980 --> 00:20:23,640
You've got to step aside for the good of
the band. I'll play the trumpet.
305
00:20:23,980 --> 00:20:25,100
Cut out. You're through.
306
00:20:27,560 --> 00:20:28,560
to play the trumpet? I'll fake it.
307
00:20:29,000 --> 00:20:32,760
Will you cut it? Come on. That's show
business. You know the guy waiting in
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00:20:32,760 --> 00:20:35,720
green room? He's been waiting there for
three weeks. I'm a personal friend of
309
00:20:35,720 --> 00:20:38,660
Monty's. Are you kidding? That guy's
Monty's Uncle Chester.
310
00:20:39,480 --> 00:20:40,480
That's the way it goes.
311
00:20:40,600 --> 00:20:44,240
Oh, close. I can taste it. Well, I'm not
going to play the drums. The real guy's
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00:20:44,240 --> 00:20:45,240
going to play on camera.
313
00:20:45,860 --> 00:20:48,960
Another broken bulb in the bright lights
of Broadway.
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00:20:50,220 --> 00:20:51,880
All right, Monty. Take the band.
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00:20:52,400 --> 00:20:54,300
Come on, guys. Let's go. Break a leg,
guys.
316
00:20:58,280 --> 00:20:59,440
You know, he's really upset.
317
00:21:06,000 --> 00:21:07,320
Felix. Am I on?
318
00:21:07,700 --> 00:21:09,480
No, Uncle Chester, we ran out of time.
319
00:21:10,180 --> 00:21:11,760
That's it. You're out of my will.
320
00:21:13,900 --> 00:21:16,780
Felix, look, we don't want you to be
upset. Why don't you come on stage with
321
00:21:16,860 --> 00:21:19,820
What do you want me on for? I don't know
any funny marching band story.
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00:21:20,700 --> 00:21:22,200
Okay, if you don't want... Well, I'll go
on.
323
00:21:29,950 --> 00:21:32,570
Felix, why don't you have a seat right
over here? Oscar, have a seat.
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00:21:35,730 --> 00:21:37,250
And now for my closing number.
325
00:21:37,630 --> 00:21:40,890
Ladies and gentlemen, I'd like to
introduce you to a song that I just dug
326
00:21:40,890 --> 00:21:44,390
and I think it suits me so well, I'm
going to use it for my closing theme
327
00:21:44,390 --> 00:21:45,430
week. Al?
328
00:21:45,810 --> 00:21:46,810
One, two.
329
00:21:49,150 --> 00:21:52,570
Stumbling all around, stumbling all
around, stumbling all around, so funny.
330
00:21:53,290 --> 00:21:55,750
Stumbling here and there, stumbling
everywhere, and I'm undeclared.
331
00:21:56,510 --> 00:21:58,210
I stepped right on her toes.
332
00:21:58,860 --> 00:22:03,640
And when she bumped my nose, I fell. And
when I rose, I felt ashamed.
333
00:22:04,820 --> 00:22:09,360
I smile at everything. My honey.
334
00:22:09,720 --> 00:22:12,200
Notice all of that. Notice all of that.
Notice all of that.
335
00:22:12,880 --> 00:22:14,520
She said, stop mumbling.
336
00:22:15,020 --> 00:22:16,500
Oh, you are stumbling.
337
00:22:17,100 --> 00:22:20,380
I might get just a little bit. Just a
little bit. Quite a little bit.
338
00:22:50,030 --> 00:22:53,070
Thank you. Just a little bit. Just a
little bit. Fight a little bit. Bit.
339
00:22:53,570 --> 00:22:54,570
I'm a hit.
340
00:23:05,710 --> 00:23:08,410
Well, we're out of time, folks, so let's
start our show tonight. I'd like to
341
00:23:08,410 --> 00:23:12,550
thank everybody who came on our program,
and a special thanks to Felix Unger,
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00:23:12,570 --> 00:23:16,610
who almost quite didn't make it. Felix,
come on down here. Come on.
343
00:23:17,650 --> 00:23:18,650
Fight more!
344
00:23:20,750 --> 00:23:26,530
What it seems Ever shares my dreams
Cause without you dear I don't know what
345
00:23:26,530 --> 00:23:32,590
do In this heart of mine You live all
the time Sweet Sue
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00:23:32,590 --> 00:23:34,550
Got you
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