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I officially announce my resignation
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from this show and this network.
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This has been my final edition of FYI.
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Good night.
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I don't see where you put
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the coffee in.
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Jim knew where to put the coffee in.
Well, usually there's a funnel thingy,
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I can't find it. Is there an instruction
manual?
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Maybe you don't need to put coffee in.
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You know, you guys are pathetic.
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Three grown adults can't figure out how
to work a coffee machine.
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Okay, Miss Smarty Pants, then you make
the coffee.
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I don't want coffee.
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We need Jim. He's the only one who knows
how to work that thing. I still can't
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believe he's gone. How could he quit
like that? How could he quit without
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talking to me first?
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How could he quit without showing us how
to work this thing?
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You know what the worst part is? For
years, whenever there was anything wrong
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here, I would always go to Jim.
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But now Jim not being here is what's
wrong here. So I want to go to Jim. But
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there is no Jim. Which makes me want to
go to Jim.
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of unfinished business, and I would
appreciate it if this time we could
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it rationally without anybody trying to
dangle me out a window. Hey, forget it.
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We're not replacing Jim. Listen, we have
to face facts here.
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Jim is gone. Come on, Marky, grab his
legs. Okay.
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I care about Jim as much as anybody, but
what choice do we have?
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We need an anchor to set the tone for
the show and to take over Jim's
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responsibilities. Besides, something has
to take a place in the world according
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to the dial. But why?
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Why do we have to replace it? As long as
no one takes Jim's spot.
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I can keep on thinking that Jim really
isn't gone.
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At any minute, he's going to come
through that elevator, and he's going to
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good morning, all.
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Hello, everyone.
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Close enough.
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Jim!
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You see, Miles, we don't have to replace
Jim. He's back. He's ready to work.
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He's carrying an empty carton. He's
being escorted by two security guards.
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not back.
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I'm afraid not, Lugger.
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I came by to clean up my office, and
these two uniformed gentlemen insisted
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accompanying me.
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Sorry, sir, it's been company policy
since Connie Chung made off with that
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machine under her skirt.
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So, what's next, Jim? You got anything
lined up?
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Well, I've had a number of offers from
some very prestigious news
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but the truth is, FYI's been my home all
these years, and it's too late to start
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somewhere new.
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Now I'm afraid it's time for this
reporter to turn in his press card.
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you know you could always come back to
FYI.
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Thank you, Miles, but I don't see how I
can.
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Look, Jim, I don't like the way the
network dumped our tobacco story any
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than you do, but there has to be some
way around this. It's not just that,
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Slugger. I can't stand by any longer and
watch the network desecrate its news
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division. I've had enough of budget cuts
and sensationalism and the pressure for
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ratings. Being forced to submit to
Lansing's random drug tests.
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It was just me, wasn't it?
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Well, Tim, I understand how you feel.
But I let you talk me out of quitting.
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least you can do is let me return the
favor. You were going to quit?
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When did this come up? Miles, can we
talk about this later? No, we cannot
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about this later. Why am I always the
last person to know these things?
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else you're planning on quitting?
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When did this come up?
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I don't know. Lately, I've been
experiencing an overwhelming sense of
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If you're sure about this, the least you
can do is allow us to give you an
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appropriate send -off. You know, a
retirement party or something.
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That would be splendid.
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And I really shouldn't keep you from
your work any longer.
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Goodbye, all.
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Oh, Jim, Jim.
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Don't go, Jim.
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I'm afraid I'll never see you again.
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I'll be back in ten minutes after I've
collected my thing.
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But after that, I might not ever see you
again.
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Well, then there's my retirement party.
But after that?
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Well, Doris and I are free Saturday.
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Oh. Well, Saturday doesn't work for us.
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We'll figure something out.
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Well, I guess he's gone. I can't believe
this is happening. This is really the
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end of an era.
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Look, Jim left his mug. He loves this
mug.
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He sure does.
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Hey, you know what this means?
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This means he wants to stay.
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Do you think?
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Absolutely. Jim forgetting his mug is
his subconscious way of saying he
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want to leave FYI.
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Did anyone else notice the way he kept
looking over at the assignment board?
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Yeah, as if he was checking to see if
his name was still there.
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And did you guys catch that thing he was
doing with his eyes?
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No. What?
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Unless I missed my guess, he was trying
to blink out the words, I want to stay
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in Morse code. Unless, of course, I
missed a dash, in which case he was
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no sauce on hat.
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You guys are so desperate to get Jim
back, you'll believe anything.
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She's right. We're just clutching at
straws here. I guess we're just going to
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have to face facts.
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Jim is really gone.
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Although, when you think about what Jim
actually said, about how FYI was his
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home, about how much he'd miss us... He
did. That's true.
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And, Miles, when you told Jim he could
always come back to FYI, he didn't say
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no. He said...
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I don't see how I can.
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As if he wanted us to find a way to make
it happen. Oh, you know she's right.
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So, maybe Jim is saying he doesn't want
to leave FYI.
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Maybe there is some significance to this
model.
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Maybe he... When was the last time you
washed this thing?
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I, my new development executive here, is
pitching me another rip -off of
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Friends. What is this one called?
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Chums? Pals?
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Amigos.
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Get the hell out of my office.
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What is the worst idea I ever heard?
Amigos. I mean, who's the... What if one
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them was a genie?
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God, I love the creative process.
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So what should I do for my favorite news
team?
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It's about Jim, Stan. Jim, I don't
want... to hear about Jim.
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After the way he humiliated me, I'm
going to devote the rest of my life to
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blotting out his name from the face of
the earth.
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And when I die, I'm going to will that
my heirs and assigns continue to blot
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where I left off blotting.
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Well, Stan, we were kind of hoping you'd
ask Jim to come back.
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Are you insane, Fontana?
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What are you yelling at me for? Corky
said it.
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I can't yell at her. She's too cute.
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It would be like yelling at a little
bunny rabbit.
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Stan, FYI needs Jim. You've got to bring
him back.
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Why should I?
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Thanks to Jim, our network is now known
for its lack of integrity.
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I kind of miss the old days when our
network was known for its advertisers.
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fleeing like rats from a sinking ship.
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Yeah, but think about it, Stan. If Jim's
leaving was a bad thing for the
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network's image, his returning would be
a good thing. Right, right. His coming
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back would be like he was saying
everything's okay with the network
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And then he can get your rats back.
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You're on thin ice, Fontana.
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Okay, shut up.
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I did not fire Jim. Jim walked off. If
he wants to return, let him walk back
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Come on, Stan. We know that Jim's too
proud to do that. Besides, we both know
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was right.
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I don't care if he was right.
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I can't have my stars quitting just
because they disagree with one of my
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decisions. I mean, did the cast of
Dave's World quit when I moved them from
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Monday night to wherever the hell I
moved them to?
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Look, Stan, the show needs him. Not just
the show. The network needs him. And
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not just the network.
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Humanity needs him.
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Humanity? What in hell are you talking
about?
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Good one, Frank.
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I am noticing a pattern here.
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Whenever you people want something, you
expect me to do it. Even though it may
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be very difficult for me personally.
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But when I want something, you're never
there.
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With all due respect, sir, FYI has done
more than its share for you. What about
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that special I asked you to do? The one
that examines the sociological impact of
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romance in modern society?
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That's a sex show.
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Of course it was a sex show.
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You can't use a word like sociological
when you're up against Eeyore.
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So, say we do this sex show.
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Then will you ask Jim to come back?
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Forget it. We are not doing a sex show.
I don't know, Murphy.
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If it'll get Jim back. Yeah, come on,
Murphy, for Jim.
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Oh, all right.
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We'll do your stupid sex show for Jim.
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Good. Now, Vabus, I gotta talk the 60
-minute people into doing a program that
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examines the earthy and gritty world of
the competition among women.
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This is that supermodel mud wrestling
special, isn't it?
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Not if you run into Leslie Stoll, it
isn't.
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don't know why I have to be here.
Couldn't I have done this through email?
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That's how I told my son he was adopted.
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You have to be here to stand. Jim needs
to know you really mean it. I'm a
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respected journalist.
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I don't care what you suspect.
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I deserve at least a courtesy knock and
a moment to collect myself before you
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kick in the stall door.
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It's Jim!
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Hey, everybody, it's Jim!
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Jim, Jim, Jim, Jim, Jim! Now, now, now,
now, now, now, let's keep things civil.
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After all, we don't want the folks at
CBS this morning banging on the ceiling
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with a broomstick.
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Hey, Jim.
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Miller, how nice of you to come to my
going -away party.
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Going -away party?
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Oh, that explains all the free shrimp.
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Hey, nice working with you, ma 'am.
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Jim, look who else came to your party.
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Stan, I'm surprised to see you. Are you
kidding? When he heard about the party,
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wild horses couldn't drag him away.
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Really? Yeah, sure, horses.
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If you want your job back, you can have
it.
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Really?
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00:10:49,440 --> 00:10:51,220
Guys, did you hear that?
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Well, nothing would please me more. Hey,
everybody, Jim's coming back!
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But I can't.
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Not until there are some substantive
changes in the way the news division is
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run.
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00:11:06,160 --> 00:11:09,320
That's doable, right, Stan? I mean, it's
always a good idea for the network to
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review its policies from time to time.
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Absolutely. No problem. Whatever she
says. Seeing that it's settled!
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Yes!
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I'm afraid that's not good enough, Stan.
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I have a guarantee that FYI will never
again be pressured into pulling a new
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story. I cannot return.
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00:11:28,100 --> 00:11:32,440
How can I guarantee that? Who knows the
circumstances that we'll face in the
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future? I see. So we will continue to
expose corruption wherever we find it,
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long as corruption doesn't have a
lawyer.
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I was faced with a $15 billion lawsuit.
What was I supposed to do? You were
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supposed to have the courage of your
convictions.
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The courage of my convictions? Good.
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Open dialogue, you understand. Hear me
understand. I'll show you the courage of
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my convictions.
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You, you, shoot him.
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00:12:01,230 --> 00:12:02,850
No guns? Well, what do you have?
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Forget it. You think you're
irreplaceable. Well, you're not. Anybody
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job. As a matter of fact, the new anchor
for FYI is you.
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Me? No, no. Get out of the way.
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00:12:17,630 --> 00:12:21,050
Behind you. You, Miller. You're the new
FYI anchor.
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Cool. Thanks, Stan.
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00:12:22,630 --> 00:12:23,630
What? Yes,
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Miller. What do you think of that, Jim?
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00:12:27,490 --> 00:12:28,490
What do I think?
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I think you just helped me decide
something.
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I'm not going to retire after all. So
you're coming back. Quick, Frank, put
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00:12:34,100 --> 00:12:37,420
sign in. As of Monday, I'll be signing a
contract to create a news division for
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the ICN network.
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00:12:39,640 --> 00:12:41,580
ICN? You call that a network?
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You want to double the ratings? Convince
your wife to watch.
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00:12:47,170 --> 00:12:51,450
Didn't ICN beat us last Sunday? Of
course they did, because we aired the
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00:12:51,450 --> 00:12:53,790
-conceived special after they were
stars.
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And for some reason, the public was
turned off by the image of the guy from
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eating out of a garbage can.
233
00:13:00,990 --> 00:13:04,430
Say what you will, Stan, my news
division will never roll over because of
234
00:13:04,430 --> 00:13:05,610
imagined threats. No, sir.
235
00:13:06,110 --> 00:13:08,370
My news division will be built on
integrity.
236
00:13:09,310 --> 00:13:14,410
I don't care if you build it on a
flaming toxic waste dump.
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00:13:15,130 --> 00:13:18,450
You're dead in my eyes. You hear me?
Dead, dead, dead.
238
00:13:20,270 --> 00:13:22,210
Well, you can't say I didn't try.
239
00:13:24,630 --> 00:13:27,290
Welcome back to the Great American Love
Test.
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00:13:28,430 --> 00:13:33,730
Later in the hour, Frank Fontana goes
undercover to a pet shop for nudists.
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00:13:35,170 --> 00:13:40,390
And speaking of Petty Murphy, did you
know that since the introduction of the
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00:13:40,390 --> 00:13:44,270
Wonder Bra, small -breasted women are
having sex 18 % more often?
243
00:13:44,590 --> 00:13:45,590
It's true.
244
00:13:46,970 --> 00:13:48,630
Yes, Corky, I did know that.
245
00:13:50,090 --> 00:13:52,330
Gosh, Murphy, you sure know a lot about
sex.
246
00:13:53,070 --> 00:13:59,530
Well, let's just say I've had my share
of in -depth interviews. Miles, I'm not
247
00:13:59,530 --> 00:14:00,530
going to say that.
248
00:14:00,790 --> 00:14:07,170
Murphy, we have been over this a million
times. Just say the line. The writers
249
00:14:07,170 --> 00:14:09,430
assure me it's very funny. And they're
from Harvard.
250
00:14:10,670 --> 00:14:11,730
All right, I'll go talk.
251
00:14:12,770 --> 00:14:13,739
See you.
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00:14:13,740 --> 00:14:16,540
I can't stand this. I never want to have
sex again.
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00:14:16,900 --> 00:14:18,600
Are you guys as horny as I am?
254
00:14:19,740 --> 00:14:23,180
I don't even know why we're here. The
only reason we agreed to do this show
255
00:14:23,180 --> 00:14:25,280
to bring Jim back, and now Jim's not
coming back.
256
00:14:25,560 --> 00:14:28,300
The fact is, we did agree to do this,
and that's all there is to it.
257
00:14:28,620 --> 00:14:32,640
Sorry, Murphy. I talked to the writers,
and they say either we do this or we go
258
00:14:32,640 --> 00:14:34,420
back to the Stortuses from Aer Lingus
skit.
259
00:14:36,040 --> 00:14:37,040
Can't we do both?
260
00:14:37,420 --> 00:14:38,420
Please, please.
261
00:14:42,420 --> 00:14:43,420
Man.
262
00:14:47,280 --> 00:14:48,280
Question number eight.
263
00:14:48,900 --> 00:14:52,140
At what age does the average man lose
his virginity?
264
00:14:52,560 --> 00:14:56,040
While you're thinking at home, let's ask
Frank and Miller for their guess.
265
00:14:56,500 --> 00:14:57,500
2015.
266
00:14:59,540 --> 00:15:04,480
Coming up, Miller Redfield ranked
Hollywood's top celebrities on our love
267
00:15:04,800 --> 00:15:06,500
Smooch -O -Meter.
268
00:15:09,140 --> 00:15:11,400
That was great.
269
00:15:11,840 --> 00:15:15,840
Great. For God's sakes, Miles, I looked
into the camera and said the word smooch
270
00:15:15,840 --> 00:15:19,320
-o -meter, which, by the way, is number
six on my list of things I'd rather die
271
00:15:19,320 --> 00:15:23,360
than say right before how much is that
Neil Diamond box set and right after I,
272
00:15:23,360 --> 00:15:24,400
Murphy, take you newt.
273
00:15:26,500 --> 00:15:27,680
Miles, have you asked her yet?
274
00:15:27,960 --> 00:15:28,960
Ask me what?
275
00:15:29,020 --> 00:15:34,460
Um, well, um, you see, we're running a
little short, and the writers have come
276
00:15:34,460 --> 00:15:39,920
up with, well, a terrific new segment.
New segment? Yeah, well, um...
277
00:15:40,240 --> 00:15:46,260
They want you to ask women on the street
if, given the choice, would they refer
278
00:15:46,260 --> 00:15:52,180
to their breasts as hooters, yabbos, or
tot -tots.
279
00:15:54,640 --> 00:15:55,559
That's it.
280
00:15:55,560 --> 00:15:59,200
I've humiliated myself enough. The only
reason I agreed to do the show was to
281
00:15:59,200 --> 00:16:03,160
get Jim back. Well, now I'm going to go
get Jim back. Forget it, Murph. Jim's
282
00:16:03,160 --> 00:16:06,540
not coming back, and there's nothing you
can do about it. Mr. Fontana, it's time
283
00:16:06,540 --> 00:16:08,100
to change into your diaper for the Cupid
sketch.
284
00:16:10,830 --> 00:16:11,830
I'll drive.
285
00:16:17,810 --> 00:16:19,650
Okay, so what's the plan?
286
00:16:19,910 --> 00:16:24,310
The plan is we explain to him how much
we miss him, how much we care about him,
287
00:16:24,330 --> 00:16:26,630
and that we can't do FYI without him.
Gotcha.
288
00:16:26,850 --> 00:16:28,230
And another thing, people.
289
00:16:28,950 --> 00:16:30,490
People, people, people.
290
00:16:30,790 --> 00:16:35,350
How many times do I have to tell you we
need to be more careful verifying our
291
00:16:35,350 --> 00:16:39,160
quotes? We've only done two broadcasts,
and we've already had to issue 16
292
00:16:39,160 --> 00:16:40,160
retractions.
293
00:16:40,720 --> 00:16:43,260
And just so there will be no confusion,
that's not good.
294
00:16:44,640 --> 00:16:46,060
All right, Frank, new plan.
295
00:16:46,260 --> 00:16:49,660
We try not to look too smug when he
falls to his knees and begs us to take
296
00:16:49,660 --> 00:16:50,660
away from this household.
297
00:16:50,840 --> 00:16:53,300
For the love of God, label your footage.
298
00:16:53,780 --> 00:16:56,920
That way, the next time we do a piece on
the presidential primaries, our viewers
299
00:16:56,920 --> 00:16:59,740
won't be treated to home movies of
Richard's wife giving birth.
300
00:17:01,260 --> 00:17:03,060
By the way, good camera work, son.
301
00:17:06,199 --> 00:17:09,060
Murphy, Frank, what an unexpected
pleasure.
302
00:17:09,339 --> 00:17:09,759
Thank you.
303
00:17:09,760 --> 00:17:13,000
Well, this is quite an operation you've
got going here.
304
00:17:13,339 --> 00:17:17,760
Yeah. Give this crappy dump a coat of
fresh paint, and you'll have yourself a
305
00:17:17,760 --> 00:17:21,480
freshly painted crappy dump. Well, I
admit things don't look like much now,
306
00:17:21,480 --> 00:17:24,859
I'm working with some very young,
enthusiastic people. Excuse me, Mr.
307
00:17:25,079 --> 00:17:28,140
I'm Todd. I've got his tie caught in the
Mimeo machine again. I'll be over in a
308
00:17:28,140 --> 00:17:29,760
minute. Okay, but he's kind of choking.
309
00:17:32,360 --> 00:17:36,340
Things may seem chaotic, but I assure
you that Jim's... I can't get through to
310
00:17:36,340 --> 00:17:39,480
Jennifer Reno on the phone. Her
secretary keeps stonewalling me. Tell
311
00:17:39,480 --> 00:17:42,040
got a story from your source in the
Justice Department. You want her on
312
00:17:42,800 --> 00:17:46,300
I don't have a source in the Justice
Department. She doesn't have to know
313
00:17:47,140 --> 00:17:48,140
Okay.
314
00:17:48,760 --> 00:17:50,020
What a go -getter that one is.
315
00:17:50,260 --> 00:17:54,920
I got Todd out of the Mimeo machine. But
now we've got another problem. Someone
316
00:17:54,920 --> 00:17:58,080
forgot to put the news van in park, and
it sort of rolled into somebody's
317
00:17:58,080 --> 00:17:59,440
Corvette. What do we do?
318
00:17:59,800 --> 00:18:00,800
Oh, God.
319
00:18:03,050 --> 00:18:08,270
Excuse me, Mr. Dial. Our interview for
tonight just fell through. Try calling
320
00:18:08,270 --> 00:18:08,969
William Bennett.
321
00:18:08,970 --> 00:18:09,970
Do you think he'll do it?
322
00:18:10,030 --> 00:18:12,810
If there's one thing you never have to
question, my boy, it's whether William
323
00:18:12,810 --> 00:18:15,810
Bennett wants to get his mug on
television. I'll hop to it right away,
324
00:18:16,070 --> 00:18:17,250
Oh, one question.
325
00:18:17,510 --> 00:18:20,310
William Bennett's the guy who left his
heart in San Francisco, right?
326
00:18:23,250 --> 00:18:27,190
No, that's Tony Bennett. William Bennett
is the former secretary of education.
327
00:18:27,730 --> 00:18:29,090
Oh, duh.
328
00:18:32,520 --> 00:18:35,380
Now, keep your eye on that one, Murphy.
Someday he's going to give you a run for
329
00:18:35,380 --> 00:18:36,299
your money.
330
00:18:36,300 --> 00:18:37,580
Come on, Jim.
331
00:18:37,920 --> 00:18:39,160
You can drop the act.
332
00:18:39,440 --> 00:18:43,200
You're working with a bunch of amateurs.
Oh, I'm aware. My staff may seem a
333
00:18:43,200 --> 00:18:47,140
little green, and this place might
appear to be a tad Spartan.
334
00:18:47,560 --> 00:18:49,340
Spartan? Jim, it's a basement.
335
00:18:49,540 --> 00:18:54,180
Okay, it's a basement, but it's a
basement untainted by corporate cynicism
336
00:18:54,180 --> 00:18:57,020
greed. And in time, this basement will
set the standard for broadcast
337
00:18:57,020 --> 00:18:59,680
journalism. Who cares if we don't have a
budget?
338
00:19:00,350 --> 00:19:03,710
Who cares if our cameras break down
daily or if our research library
339
00:19:03,710 --> 00:19:06,370
solely of the 1973 New World
Encyclopedia?
340
00:19:06,730 --> 00:19:10,390
Whether we're missing volume four,
Denmark through electrolysis. The fact
341
00:19:10,390 --> 00:19:17,270
The fact is that... The fact is I'm
kidding myself. This place
342
00:19:17,270 --> 00:19:18,270
is hopeless.
343
00:19:20,010 --> 00:19:22,710
Come on, Jim. You gave it your best
shot. I'll help you pack.
344
00:19:22,920 --> 00:19:25,320
What did I think I could accomplish? I
should have gone with my original
345
00:19:25,320 --> 00:19:26,640
instinct. I should have just retired.
346
00:19:26,860 --> 00:19:29,760
Jim, great news. I got through to Janet
Reno. And what did she say? She said,
347
00:19:29,860 --> 00:19:32,020
and I quote, no comment.
348
00:19:32,240 --> 00:19:34,620
Can you believe it? I talked to Janet
Reno. Me.
349
00:19:35,300 --> 00:19:36,360
I'm going to go call my mom.
350
00:19:36,600 --> 00:19:37,840
Now, you just hold on there, son.
351
00:19:38,160 --> 00:19:39,160
We're not finished yet.
352
00:19:39,800 --> 00:19:43,980
America wants the truth, and they expect
you to get for them. Now, you get on
353
00:19:43,980 --> 00:19:47,660
that phone, and you stay on that phone
until you find out what America wants to
354
00:19:47,660 --> 00:19:50,240
know. Then, and only then, can you call
your mom.
355
00:19:53,260 --> 00:19:54,219
Some journalist.
356
00:19:54,220 --> 00:19:56,560
He wanted the lead story to be Janet
Reno says nothing.
357
00:19:57,920 --> 00:20:00,740
Yeah. I want you to really straighten
him out.
358
00:20:01,600 --> 00:20:05,380
Mr. Dial. Yes, sir. Bennett refused to
do the interview tonight. How many times
359
00:20:05,380 --> 00:20:07,700
do I have to tell you, son? You have to
be tenacious.
360
00:20:08,060 --> 00:20:11,360
I know. That's why I stayed on the line
until he said yes.
361
00:20:12,160 --> 00:20:13,560
Bennett will be here any minute.
362
00:20:14,760 --> 00:20:17,600
Well, at least my final broadcast won't
be a total embarrassment.
363
00:20:19,400 --> 00:20:20,640
You can't leave here, Jim.
364
00:20:21,120 --> 00:20:22,120
I beg your pardon?
365
00:20:23,530 --> 00:20:24,530
This is great for you.
366
00:20:24,670 --> 00:20:26,190
I haven't seen you so energized.
367
00:20:26,670 --> 00:20:29,910
Look at you. Your sleeves are rolled up.
You never roll your sleeves up. I've
368
00:20:29,910 --> 00:20:32,670
known you for 20 years, and this is the
first time I've ever seen your forearm.
369
00:20:32,890 --> 00:20:34,210
But you said it yourself, Murphy.
370
00:20:34,590 --> 00:20:36,050
I'm working with amateurs here.
371
00:20:36,290 --> 00:20:39,030
Yeah, they're amateurs now, but you're
turning them into professional
372
00:20:39,030 --> 00:20:42,230
journalists. You're inspiring them, just
like you inspired me.
373
00:20:42,590 --> 00:20:46,670
That's very kind of you, slugger. But I
don't... Don't fight me on this. I'm
374
00:20:46,670 --> 00:20:49,310
being unselfish for once, and I don't
know how much longer I can keep it up.
375
00:20:49,410 --> 00:20:51,070
Jim, William Bennett is here.
376
00:20:51,290 --> 00:20:52,290
Take him to the green room.
377
00:20:52,510 --> 00:20:53,590
We don't have him. green room.
378
00:20:53,950 --> 00:20:55,670
Take him to the closet and tell him it's
a green room.
379
00:20:57,170 --> 00:20:59,030
Judge, I'll leave with my statistics on
my quotes.
380
00:20:59,490 --> 00:21:01,850
Neither. You have to tell a story. Draw
people in.
381
00:21:02,090 --> 00:21:03,690
Uh, let me see what you've got there.
382
00:21:03,990 --> 00:21:05,930
Uh, don't go, Slugger. I'll be there in
a minute.
383
00:21:06,610 --> 00:21:07,610
Okay, let me see.
384
00:21:10,830 --> 00:21:14,470
Ah, here's your problem. You've got the
heart of your story down here, paragraph
385
00:21:14,470 --> 00:21:19,970
five. You've got to move this up here
and take this paragraph and move it down
386
00:21:19,970 --> 00:21:24,020
here. You see what that does? Now you've
got something to start with. You've got
387
00:21:24,020 --> 00:21:25,020
something to grab on with.
388
00:21:25,040 --> 00:21:28,220
Okay, then down here, that's when you
get into the details. That's when you
389
00:21:28,220 --> 00:21:29,540
into the research. You can do the
statistics.
390
00:21:31,860 --> 00:21:36,980
What's a redneck?
391
00:21:37,200 --> 00:21:40,040
Tune in for the Jeff Foxworthy show and
find out.
392
00:21:40,280 --> 00:21:41,280
Damn straight.
393
00:21:41,300 --> 00:21:46,140
The show premieres tomorrow with a two
-hour block of four episodes, starting
394
00:21:46,140 --> 00:21:47,800
10, only on Nick at Night.
34518
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