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This is the hardest decision I've ever
had to make.
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But I'm exercising my choice to have
this baby.
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Are you saying that you're going to
attempt to do your job while week after
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you puff up in front of a viewing
audience that includes a certain number
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00:00:19,130 --> 00:00:21,910
people still reeling from the concept of
women wearing pants?
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That's right, Jim.
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Oh, dear Lord!
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I... blowing the biggest laugh in the
scene.
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Good evening. You know, for many years,
this city was my beat. I'm Leslie Stahl
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00:00:38,370 --> 00:00:42,350
with 60 Minutes. And for the last seven
years, it's been the television home of
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the most famous journalist who never
was, Murphy Brown.
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When the show premiered on November 14,
1988, TV Guide described it as 2020 on
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laughing gas.
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00:00:53,750 --> 00:00:57,250
Join us now for the best of Murphy
Brown.
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I hadn't worked for three years. I'd had
my daughter. I didn't want to work.
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Someone gave me the script of a sitcom.
I'd never watched sitcoms because
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whenever I zapped by them, they always
had orange carpeting. You know, that's
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very cute, but it's not nice to mimic
someone.
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I'm going to have to ask you to stop
that. I'm going to have to ask you to
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that.
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Hey, this time I mean it. Hey, this time
I mean it.
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should have gotten barbara walters and
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finally
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i read the script because i said you
know you just have to read it now out of
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courtesy because you've had it for so
long so i took it on a plane i read it
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grudgingly and then after the the first
or second page i went oh my God, what if
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it's too late? What if I've lost this
and I got up and it's the only time I
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made a phone call from a plane because
it looks so stupid.
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I'm an executive producer.
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I'll just executive produce this baby.
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Don't I always take care of everything?
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Like the captain of a ship, the pilot of
a plane.
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It's like this character was written for
me. I got to sing badly at the end. It
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was everything I wanted in life. And I
had to fight to get it because they
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wanted Heather Locklear.
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I'm not kidding.
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Now I'm no longer doubtful of what I'm
living for.
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00:03:02,710 --> 00:03:06,490
And if I make you happy, I don't need to
do more.
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00:03:21,480 --> 00:03:23,380
You were getting much better at the end.
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I was stuck in traffic on the 101, and
from out of the blue, popped into my
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this idea about a woman who was a
recovering alcoholic. She was a
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She had a cadre of friends around her.
They worked on a news magazine. By the
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time I got to the office, I had all the
characters. I had the plot for the first
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episode.
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It was just one of those...
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Rare cosmic things.
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You're Miles Silverberg? Yes. Yes.
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Miles Silverberg.
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Let me just say what a big fan I am. You
know who the Shirelles are.
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Excuse me?
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The Shirelles?
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The Ronettes? The Delphonics?
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00:04:07,570 --> 00:04:08,690
It's only my second day.
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00:04:10,890 --> 00:04:12,170
How old are you?
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25.
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I'm sorry, Mr.
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Silverberg, if it appears I'm being rude
to you. It's just that I can't help
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thinking about the fact that while I was
getting maced at the Democratic
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Convention in 68, you were wondering if
you'd ever meet Adam West.
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00:04:29,640 --> 00:04:33,980
While the idea for the series may have
dropped from the sky, coming up with a
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name for the character took a little bit
more work.
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I wanted a very simple last name and a
very interesting and memorable first
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name. And I was just going through the
phone book, and I saw the last name
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Murphy.
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And I decided that that might be an
interesting first name for her. And then
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very simple last name, Brown.
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The name stuck, and Murphy Brown struck
a chord with viewers across the country.
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00:05:00,340 --> 00:05:02,120
There was nothing like her on
television.
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She was tough, competitive, and not
afraid to speak her mind.
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00:05:07,040 --> 00:05:09,140
Say, that is one nice tie.
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00:05:09,500 --> 00:05:12,840
Oh, you like it? It's hand -painted. But
if you could be a little more careful,
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because once you get finger oils on a
hand -painted... Little slug, I know
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00:05:16,100 --> 00:05:17,100
you did to Corky.
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You're lucky it wasn't me, because
otherwise you'd be sipping that wine
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a slow drip right now.
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00:05:22,060 --> 00:05:25,840
There's some miscommunication here. Let
me explain something to you.
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Corky hasn't filed a complaint against
you yet. In the meantime, my knee is
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00:05:31,240 --> 00:05:33,140
poised inches from a sensitive spot.
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And if you don't swear not to hit on
Corky or anyone else in this company
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you'll be coughing up things you ate as
a child.
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00:05:43,330 --> 00:05:49,930
She's a wonderful character to live
with. Such a rich, weird, funny, smart,
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tough, take -no -prisoners person. Mike
Wallace in a dress, and I always loved
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00:05:54,550 --> 00:05:55,690
that description of her.
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I'm spending time with my kid because I
want to, not because I can't cut it
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anymore. Hey, call it whatever you want.
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Point is... You got a little soft.
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00:06:04,180 --> 00:06:07,660
And while that is a lovely quality in a
mommy, it's not worth squatting a
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00:06:07,660 --> 00:06:08,660
journal.
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I'm going to do you a big favor and
forget I just heard that.
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Look, I'm just telling you the truth.
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But if you can't deal with it, maybe you
should pull back a little bit farther.
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In fact, maybe you should go home to
your kid and leave the reporting to
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of us who can deal with it.
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00:06:28,940 --> 00:06:33,420
It's often hard to pinpoint the exact
moment an actress truly becomes her
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character. On this show, that moment
came very early in the first season when
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Candace Bergen became Murphy Brown.
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I can't believe it. You must feel awful.
Give it a rest, Lyle. What's going on?
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00:06:45,600 --> 00:06:48,540
What's the matter? Murphy wasn't invited
to the inaugural ball.
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I mean, I could understand if I hadn't
been invited, but you?
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Oh, Murphy.
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00:06:53,800 --> 00:06:57,440
I know why I'm not going. I'm not on the
A -list yet.
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00:06:57,980 --> 00:06:59,820
but to have been there and fallen.
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00:07:01,940 --> 00:07:06,760
There was a particular moment toward the
end of the show where Murphy resolves
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00:07:06,760 --> 00:07:08,780
to get tickets to the inaugural ball.
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00:07:09,140 --> 00:07:11,900
And she says something, and she does
something.
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00:07:12,400 --> 00:07:18,380
She made the resolve, and she said, I'm
back. Yes! I'm back. Ha!
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Candace never looked back after that.
From that moment on, she went full steam
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00:07:25,860 --> 00:07:26,860
ahead.
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And I think that that moment gave birth
to what the character is today.
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Okay, last words, last words. I need
some good last words. Help me, Murph.
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00:07:37,420 --> 00:07:41,600
give you last words. This is Murphy
Brown talking. If anyone at the FAA is
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00:07:41,600 --> 00:07:46,000
listening, I paid for first class. My
seat back didn't recline. I never got my
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00:07:46,000 --> 00:07:49,760
ginger ale. I make it to the bathroom
once in a while. And another thing, I
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00:07:49,760 --> 00:07:52,940
my mileage public account credited for
the full length of this trip. I don't
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00:07:52,940 --> 00:07:55,200
care if we wind up splattered all over
Father John's week.
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Murphy's priorities have shifted.
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00:07:58,760 --> 00:08:03,480
She's humanized in the last couple of
years.
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00:08:03,740 --> 00:08:08,860
Certainly her child has become a
priority for her, and she's sorted
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00:08:08,860 --> 00:08:13,680
sort of shaky beginning of motherhood. I
think I'm pregnant.
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00:08:47,150 --> 00:08:51,390
and get this kid out of me. Use a
scalpel. Use a pocket knife. Use a
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00:08:51,470 --> 00:08:53,870
stinking melon baller if you have to.
Just do it.
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00:08:55,790 --> 00:08:57,190
Here's some ice chips, Murphy.
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Can I put some in your mouth? I see your
hands are full.
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You're a woman. You've got to help me.
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00:09:04,010 --> 00:09:05,010
Smother me with the pillow.
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00:09:17,070 --> 00:09:23,050
Birth 101 all in all was a very, an
incredibly emotionally loaded show for
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00:09:23,050 --> 00:09:27,750
because it was Diane English's last
show, it was Murphy having the baby, it
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a wonderfully written show. It was my
idea to have Murphy singing to the baby
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the end and it was almost impossible to
get through it on the first take. It was
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completely unusable because I was
sobbing, the camera crew was sobbing.
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00:09:42,070 --> 00:09:45,290
I have a special soft spot for Birth
101.
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00:09:46,280 --> 00:09:51,640
Now I'm no longer doubtful of what I'm
living for.
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00:09:52,360 --> 00:09:58,080
And if I make you happy, I don't need to
do more.
134
00:10:21,550 --> 00:10:22,549
Welcome back.
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00:10:22,550 --> 00:10:27,610
All of us at 60 Minutes are constantly
asked which are our favorite stories,
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00:10:27,610 --> 00:10:31,610
each of us has a different answer. Of
course, we always say it's one of our
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00:10:31,950 --> 00:10:36,710
The same holds true for the cast of
Murphy Brown, the reporters at FYI.
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00:10:37,610 --> 00:10:41,550
Well, my favorite Jim Dial episode is
the one where he loses it on the air,
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00:10:41,630 --> 00:10:45,150
breaks into hysterical, uncontrollable
laughter.
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00:10:45,560 --> 00:10:49,180
To me, it's quintessentially Jim Dial.
It's his nightmare. If he had one
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00:10:49,180 --> 00:10:54,700
nightmare, it would be in performance to
lose his composure. President Bush sat
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on a wasp and was rushed to the
hospital.
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The stinger was removed.
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00:11:04,220 --> 00:11:07,000
And the president later released.
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00:11:07,900 --> 00:11:10,460
Tonight, he's resting comfortably.
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God, I'm sorry, really.
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This isn't funny.
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00:11:19,130 --> 00:11:23,370
Stay tuned to your local station for
complete coverage.
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Miles made reservations for Sardellas
tonight.
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00:11:29,730 --> 00:11:33,650
You probably have plans, but if you'd
like to join us... I'd love to.
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00:11:34,930 --> 00:11:36,530
If that's okay with you, Miles.
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What?
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Okay. My personal favorite.
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00:11:44,300 --> 00:11:49,920
was the brother Silverberg, where my
brother comes to town and he hooks up
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Murphy romantically.
156
00:11:51,860 --> 00:11:57,720
And I spin off on this sibling rivalry,
jealousy trip.
157
00:11:58,640 --> 00:12:02,920
You'll feel kind of silly about this,
but I hate it that you're dating my
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brother.
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00:12:04,000 --> 00:12:05,800
I hate it, I hate it, I hate it.
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I try to be big about it. I try to be a
sport, but it's just not working.
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I'm a small, petty, petty, petty...
little person i want it to be over
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you are mine m -i -n -e mine they
started i think i'm taking some real
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with my character in year two where you
know i got to play something other than
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neurosis over my job what are you doing
you've got boxers on it's not like i can
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see any whoops let's get this meeting
started great not
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great just what we do we have meetings
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00:12:42,120 --> 00:12:44,560
And here's Jim to join our meeting. I'm
sorry I'm late, Miles.
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Hope I didn't leave you dangling.
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00:12:48,740 --> 00:12:49,780
You told her!
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Did you tell her?
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00:12:52,220 --> 00:12:54,760
Really? Murph? You told Frank?
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Yeah, he told me. I can tell another
guy.
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00:12:57,480 --> 00:12:58,760
Tell a guy what? I can't tell you.
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00:13:00,120 --> 00:13:03,680
Because it's embarrassing to Miles. You
said I shouldn't be embarrassed! What
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00:13:03,680 --> 00:13:04,680
was I supposed to say?
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00:13:04,840 --> 00:13:07,240
Would somebody please tell me what's
happened?
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00:13:09,290 --> 00:13:10,850
Murphy saw Miles' wiener.
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00:13:14,250 --> 00:13:19,270
The face character of Corphy has grown.
If you look at the early shows of Faith,
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00:13:19,390 --> 00:13:23,890
where she really looked like sort of the
swamp thing that we called her.
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Make any sudden moves.
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Turkeys are very, very stupid animals.
They confuse easily.
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Instead of Spanish.
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And you look at her now where she's this
sort of weak seal with, you know. And
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00:13:51,900 --> 00:13:56,060
it's been great to see the development
of Faith as Corky.
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00:13:56,400 --> 00:14:01,460
Corky, if it'll make you feel any
better, I tasted success at a pretty
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00:14:01,460 --> 00:14:03,820
and I had some of the same fears you do.
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00:14:04,120 --> 00:14:06,940
But then look at all I've experienced
since then.
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00:14:08,180 --> 00:14:09,560
You became an alcoholic.
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00:14:10,360 --> 00:14:12,320
You had to dry out at Betty Ford.
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You had an illegitimate child.
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I'm looking at my future.
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Go away, go away.
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00:14:21,440 --> 00:14:27,820
A real favorite was Murphy and I go down
in a plane crash or imagine that we're
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00:14:27,820 --> 00:14:31,900
going down and we go to our own funeral.
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00:14:32,160 --> 00:14:34,220
That jacket doesn't go with that skirt.
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00:14:35,310 --> 00:14:37,910
And the shoes are all wrong. Who dressed
me?
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00:14:38,430 --> 00:14:42,990
It was so difficult going through
Murphy's closet trying to decide what
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00:14:42,990 --> 00:14:45,270
should wear for her very last public
appearance.
199
00:14:46,050 --> 00:14:48,150
I never really liked her sense of color.
200
00:14:48,650 --> 00:14:50,910
And she didn't seem to know how to hide
her flaws.
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00:14:52,470 --> 00:14:54,790
I think the peplum jacket and the dickie
work.
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00:14:55,130 --> 00:14:58,530
What? I hate that dickie. I wouldn't be
caught dead in one.
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00:15:02,589 --> 00:15:06,690
The reception was less than warm
-hearted. It was a lot of fun.
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00:15:07,090 --> 00:15:12,650
One guy actually sort of handy -vacked
up my asses. We were different. We were
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00:15:12,650 --> 00:15:13,650
special.
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00:15:41,800 --> 00:15:48,740
especially rich when it ranges between
reality and comedy sometimes on those
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00:15:48,740 --> 00:15:52,340
Friday nights I would get home and just
sort of sit outside in the patio because
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00:15:52,340 --> 00:15:58,360
it's a lot to to put on in five days but
but you felt really so proud of the
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00:15:58,360 --> 00:16:03,620
show for for covering such a range of
emotions for having a kind of resonance
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00:16:03,620 --> 00:16:06,020
and substance that the shows had
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00:16:06,990 --> 00:16:10,630
The supporting cast helped to add that
resonance and substance.
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00:16:11,030 --> 00:16:15,610
Robert Pastorelli plays Eldon the house
painter, the Jiminy Cricket in Murphy's
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00:16:15,610 --> 00:16:16,610
Light.
214
00:16:16,910 --> 00:16:19,910
You know, there are a lot more choices
than I remember.
215
00:16:21,230 --> 00:16:23,590
Plain ribbed, scented, colored,
contoured.
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00:16:25,870 --> 00:16:28,470
I said to myself, just keep walking.
217
00:16:29,530 --> 00:16:33,250
I'm too old for this. You know, I've
been off the market too long. It was
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00:16:33,250 --> 00:16:34,730
comfortable. It was simpler.
219
00:16:35,580 --> 00:16:38,460
I'm a mother. For God's sakes, I've got
stretch marks. Too much information!
220
00:16:38,960 --> 00:16:39,960
Too much information!
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00:16:42,200 --> 00:16:46,940
I want you to tell me the truth. When
you look at this area here... I don't
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00:16:46,940 --> 00:16:47,940
at that area!
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00:16:48,560 --> 00:16:50,060
I'm begging you, get a girlfriend!
224
00:16:51,660 --> 00:16:52,660
All right.
225
00:16:53,360 --> 00:16:54,780
All right, you want my advice?
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00:16:56,360 --> 00:16:57,860
Fluff your hair up a little bit.
227
00:16:58,980 --> 00:17:00,280
Lose some of them buttons.
228
00:17:02,460 --> 00:17:04,240
The one with the Aztec warrior.
229
00:17:08,040 --> 00:17:12,260
It allowed us to have a sort of human
moment at the end of the show with
230
00:17:12,260 --> 00:17:17,099
because that's what Eldon and Murphy
had. There was always a connection there
231
00:17:17,099 --> 00:17:21,380
where Murphy would sort of redeem
herself by being a human being at the
232
00:17:21,380 --> 00:17:22,219
the show.
233
00:17:22,220 --> 00:17:27,020
You know, 30 million people watched me
on television tonight.
234
00:17:27,619 --> 00:17:28,620
Yeah?
235
00:17:28,960 --> 00:17:30,880
I won 10 bucks at Lotto.
236
00:17:34,460 --> 00:17:36,880
How would you describe my...
237
00:17:37,310 --> 00:17:38,310
On camera style.
238
00:17:39,090 --> 00:17:43,130
Oh, that's easy, Jim. You're strong,
dependable, real pro.
239
00:17:43,550 --> 00:17:48,610
Pat Corley plays Phil the bartender,
father confessor to the FYI gang.
240
00:17:48,910 --> 00:17:50,310
What are you saying, that I have no
personality?
241
00:17:50,650 --> 00:17:51,650
I didn't say that.
242
00:17:51,990 --> 00:17:57,230
I just meant that you're from the old
school, like Chet Huntley, Douglas
243
00:17:57,230 --> 00:18:00,130
Edwards, Frank Rivels. They're all dead,
Phil.
244
00:18:01,810 --> 00:18:03,110
I'll tell you what, Jim.
245
00:18:03,670 --> 00:18:04,670
Here's a napkin.
246
00:18:04,940 --> 00:18:08,920
Write down what you want to hear, and
I'll act like a $20 hooker and try to
247
00:18:08,920 --> 00:18:09,920
it like I mean it.
248
00:18:12,260 --> 00:18:16,680
Some of Hollywood's top stars have
played the role of the man in Murphy's
249
00:18:17,160 --> 00:18:21,580
Most recently, Scott Bakula, who plays
FYI correspondent Peter Hunt.
250
00:18:22,260 --> 00:18:23,260
Oh, God!
251
00:18:23,500 --> 00:18:24,500
Carpool!
252
00:18:26,120 --> 00:18:29,320
I'm sorry, Slugger, but if you dawdle
around in bed all morning, you're going
253
00:18:29,320 --> 00:18:31,860
have to pay the price. You've abused the
carpooling privilege.
254
00:18:32,400 --> 00:18:33,400
I have.
255
00:18:33,500 --> 00:18:37,220
And I am going to spend my entire drive
into work thinking about mending my
256
00:18:37,220 --> 00:18:38,220
selfish ways.
257
00:18:38,960 --> 00:18:40,440
Well, so long.
258
00:18:40,860 --> 00:18:44,240
Murphy, I don't know about you, but I'm
starved.
259
00:18:46,520 --> 00:18:53,400
I guess there's no
260
00:18:53,400 --> 00:18:55,500
point in my saying your table's fixed,
ma 'am.
261
00:18:58,520 --> 00:19:03,600
We've brought in people who have really
enhanced the show. We've brought in
262
00:19:03,600 --> 00:19:07,700
Scott Bakula for the last two years, who
has been wonderful. Chris Rich as
263
00:19:07,700 --> 00:19:11,600
Miller Redfield, who is a wonderful
character and a terrific actor.
264
00:19:15,520 --> 00:19:20,380
We were just shaking hands.
265
00:19:30,890 --> 00:19:32,710
But this is between Corky and I.
266
00:19:33,890 --> 00:19:34,890
Corky and me.
267
00:19:35,590 --> 00:19:36,930
I. Me.
268
00:19:37,710 --> 00:19:40,770
You're in my office. That makes it about
me. I. Me.
269
00:19:41,930 --> 00:19:44,850
That second kiss said it all. Tell me
you didn't feel it, too.
270
00:19:45,770 --> 00:19:47,110
I don't know how I feel.
271
00:19:47,530 --> 00:19:48,750
My head is spinning.
272
00:19:48,970 --> 00:19:52,810
It's probably so repulsed it's trying to
twist itself off your body.
273
00:19:57,550 --> 00:19:59,530
Corky, we have to talk.
274
00:20:05,960 --> 00:20:07,120
but things can change.
275
00:20:07,540 --> 00:20:09,080
What if she weren't married?
276
00:20:11,340 --> 00:20:15,240
Gary Marshall came in as the head of the
network last year who was hysterical.
277
00:20:15,380 --> 00:20:19,320
What are you saying? That we're not
doing odd here? What does this lose to
278
00:20:19,960 --> 00:20:24,620
We got a single mother with three kids
at 8 o 'clock. I got a single father
279
00:20:24,620 --> 00:20:25,780
three kids at 8 .30.
280
00:20:25,980 --> 00:20:30,860
I got a black single mother with two
kids at 9 o 'clock. I got a stand -up
281
00:20:30,860 --> 00:20:33,520
that nobody ever heard of with no kids
at 9 .30.
282
00:20:41,450 --> 00:20:42,590
The other guy's crap slut.
283
00:20:46,530 --> 00:20:49,610
But the news division is a totally
different story.
284
00:20:49,970 --> 00:20:51,810
It's our prized asset.
285
00:20:52,090 --> 00:20:56,470
And I'll do everything that I can do to
protect it. And I applaud that.
286
00:20:59,070 --> 00:21:01,790
What the hell are you doing, Fontana?
287
00:21:13,390 --> 00:21:18,950
Good evening. I'm Leslie Stahl from 60
Minutes. For many years, this city was
288
00:21:18,950 --> 00:21:22,890
beat. And for the past seven years, it's
also been the television home for the
289
00:21:22,890 --> 00:21:26,450
most famous journalist who never was,
Murphy Brown.
290
00:21:26,990 --> 00:21:31,410
Join us as we continue our look back at
the best of Murphy Brown.
291
00:21:32,430 --> 00:21:36,870
Let me remind you about something,
Murphy. This is a job, not make
292
00:21:36,970 --> 00:21:39,530
We're not doing the Mary Tyler Moore
show here.
293
00:21:40,450 --> 00:21:43,600
There's no on... laughing at every cute
little thing you say.
294
00:21:44,780 --> 00:21:46,380
This is the real world.
295
00:21:46,600 --> 00:21:50,620
So when I tell you you're doing a story,
you don't just say, oh, Mr. Grinch, I
296
00:21:50,620 --> 00:21:52,220
don't want to. You do it.
297
00:21:54,020 --> 00:22:00,620
I wanted our audience to believe that
Murphy and her show were real and that
298
00:22:00,620 --> 00:22:01,720
these people were real.
299
00:22:02,080 --> 00:22:06,580
And because we set the show in a very
realistic place.
300
00:22:07,210 --> 00:22:13,370
We started to do things. We made a lot
of reference to all the political
301
00:22:13,370 --> 00:22:14,370
in Washington.
302
00:22:14,510 --> 00:22:18,370
For three administrations, everything in
the White House has been fair game.
303
00:22:18,710 --> 00:22:20,670
Even the Clintons' cat socks.
304
00:22:21,110 --> 00:22:22,390
What's going on?
305
00:22:23,810 --> 00:22:26,250
Something secret I should...
306
00:22:26,250 --> 00:22:31,910
God,
307
00:22:33,570 --> 00:22:35,170
my allergies are going crazy.
308
00:22:35,930 --> 00:22:37,390
What have you got in here, a cat?
309
00:22:40,290 --> 00:22:45,330
Oh, my God.
310
00:22:45,550 --> 00:22:46,550
It sucks.
311
00:22:46,730 --> 00:22:47,730
You've got socks.
312
00:22:47,970 --> 00:22:51,490
I finally get to invite you to Hillary's
luncheon, and this is how you repay me?
313
00:22:51,670 --> 00:22:53,870
You're evil. Will you calm down, Miles?
314
00:22:54,510 --> 00:22:57,450
What's the matter, Murphy? Was Hillary
watching her purse too closely?
315
00:22:59,430 --> 00:23:03,810
The Murphy Brown guest list reads like a
who -who of Washington insiders.
316
00:23:04,440 --> 00:23:09,000
Dozens of national figures have appeared
as themselves in Murphy's make -believe
317
00:23:09,000 --> 00:23:12,060
world. I'm proud of my life and what
I've accomplished.
318
00:23:12,340 --> 00:23:14,000
I have nothing to be ashamed of.
319
00:23:14,560 --> 00:23:17,080
What kind of journalist is Murphy Brown?
320
00:23:17,280 --> 00:23:20,260
Well, she's thorough, resourceful,
articulate.
321
00:23:20,800 --> 00:23:24,780
And when it comes to a one -on -one
interview, she is almost as good as I
322
00:23:25,360 --> 00:23:30,500
Almost. In this dream sequence, senators
and journalists, including some of my
323
00:23:30,500 --> 00:23:32,940
own colleagues, come back to haunt
Murphy.
324
00:23:33,760 --> 00:23:37,620
I can barely hear the name Murphy Brown
without thinking about the 1980
325
00:23:37,620 --> 00:23:38,800
Republican Convention.
326
00:23:39,280 --> 00:23:42,020
But I really don't think it's
appropriate to go into that.
327
00:23:42,260 --> 00:23:45,860
My wife and I shared a table with her at
a White House dinner in the early 80s.
328
00:23:46,540 --> 00:23:50,100
When Elizabeth and I got up to dance,
she ate both our sherbets.
329
00:23:50,540 --> 00:23:54,480
Of course she denied it, which is pretty
shameless considering how orange her
330
00:23:54,480 --> 00:23:55,480
tongue was.
331
00:23:55,520 --> 00:23:59,240
I will not talk about her. You don't
know what she's like. She's vindictive.
332
00:23:59,320 --> 00:24:00,320
She'll do things.
333
00:24:00,480 --> 00:24:02,880
You can try a restraining order. You can
try moving.
334
00:24:03,120 --> 00:24:04,720
But she always finds you.
335
00:24:05,040 --> 00:24:09,660
I can't put my family through that
again, again, again, again, again,
336
00:24:10,720 --> 00:24:12,720
Excuse me, is this the Murphy Brown?
337
00:24:13,920 --> 00:24:15,660
Oh, my God!
338
00:24:16,120 --> 00:24:18,980
It's one of those annoying Katie Couric
lookalikes.
339
00:24:21,020 --> 00:24:22,220
The joke worked.
340
00:24:22,700 --> 00:24:25,120
And the revolving door of guest
journalists continued.
341
00:24:25,700 --> 00:24:26,700
Surprise!
342
00:24:28,040 --> 00:24:32,200
And the more we did that, the more
people bought into it. It was really
343
00:24:32,780 --> 00:24:35,480
The nominees are... Frank, me, not
Corky. Who else?
344
00:24:36,140 --> 00:24:37,700
There is no joy left in this job.
345
00:24:38,240 --> 00:24:40,140
Ned Bradley, Diane Sawyer, Leslie Stahl.
346
00:24:40,440 --> 00:24:43,100
Leslie Stahl was nominated instead of
me?
347
00:24:43,400 --> 00:24:48,040
Why? Because she broke some scandal on
black market babies in Romania?
348
00:24:48,800 --> 00:24:50,980
How is that more interesting than my...
349
00:24:57,680 --> 00:25:02,160
You know, that Romanian baby story was
my very first one for 60 Minutes.
350
00:25:02,380 --> 00:25:06,820
But most of us got the joke. And most of
us realized that Murphy was indeed a
351
00:25:06,820 --> 00:25:07,820
fictional character.
352
00:25:07,940 --> 00:25:13,620
But on the night of May 19, 1992, for at
least one person, Murphy Brown was very
353
00:25:13,620 --> 00:25:18,440
real. And that's the moment the show
vaulted from the entertainment page to
354
00:25:18,440 --> 00:25:19,440
front page.
355
00:25:19,600 --> 00:25:22,880
It doesn't help matters when primetime
TV has Murphy Brown.
356
00:25:23,560 --> 00:25:25,100
You're talking about you.
357
00:25:25,640 --> 00:25:28,660
Today's intelligent, highly paid
professional woman.
358
00:25:29,740 --> 00:25:35,380
Mocking the importance of fathers by
bearing a child alone and calling it
359
00:25:35,380 --> 00:25:37,500
another lifestyle choice.
360
00:25:38,060 --> 00:25:41,540
I remember going into the driveway the
morning that the story broke and picking
361
00:25:41,540 --> 00:25:46,640
up my New York Times and opening it up
and seeing a photograph of me and the
362
00:25:46,640 --> 00:25:51,480
baby, Murphy and the baby, flanked by
Bush and Quayle on one side. And it was
363
00:25:51,480 --> 00:25:52,480
like, yeez!
364
00:25:52,800 --> 00:25:54,860
And then there were the tabloid covers.
365
00:25:55,060 --> 00:25:57,020
Murphy has kid, Quayle has cow.
366
00:25:57,260 --> 00:25:59,940
Quayle calls Murphy slut. I mean, it was
just unbelievable.
367
00:26:00,640 --> 00:26:05,160
Mr. Quayle later expanded his remarks to
say that he believed examples like
368
00:26:05,160 --> 00:26:07,320
Murphy Brown glamorized single mothers.
369
00:26:09,230 --> 00:26:11,010
What planet is he on?
370
00:26:11,690 --> 00:26:15,030
Look at me, Frank. Am I glamorous?
371
00:26:18,690 --> 00:26:24,210
They were talking about us on world news
tonight and CNN. There was nothing we
372
00:26:24,210 --> 00:26:26,390
could do in a response.
373
00:26:26,940 --> 00:26:31,220
that was going to satisfy everyone. It
was too liberal. It wasn't liberal. It
374
00:26:31,220 --> 00:26:35,360
was too conservative. You know, it was a
tricky position for us to be in.
375
00:26:36,080 --> 00:26:38,020
Murph, it's Dan Quill!
376
00:26:38,320 --> 00:26:39,540
Forget about it!
377
00:26:41,220 --> 00:26:43,060
I think it put the show...
378
00:26:43,290 --> 00:26:48,730
In the history books, it put the show on
the map, on the cultural map. It made
379
00:26:48,730 --> 00:26:50,710
Murphy a real icon, I think.
380
00:26:51,130 --> 00:26:54,750
I'll get right to the point. It seems
your big story has raised quite a few
381
00:26:54,750 --> 00:26:56,950
hackles on Capitol Hill.
Congratulations, Murphy.
382
00:26:57,310 --> 00:26:58,710
You've been subpoenaed by the Senate.
383
00:26:59,050 --> 00:27:02,170
If an issue was hot, it was on Murphy
Brown.
384
00:27:02,510 --> 00:27:06,910
To satirize the Clarence Thomas and Nita
Hill Senate hearings, of course, Murphy
385
00:27:06,910 --> 00:27:09,590
Brown found herself summoned to Capitol
Hill.
386
00:27:09,890 --> 00:27:10,890
Miss Brown.
387
00:27:11,610 --> 00:27:16,690
Why would you take a classified report
and read it on the television?
388
00:27:17,610 --> 00:27:22,490
Senator, journalists release information
to the public for one reason only, the
389
00:27:22,490 --> 00:27:23,490
public's right to know.
390
00:27:23,670 --> 00:27:27,630
But the public didn't vote for you, Miss
Brown. They voted for us.
391
00:27:28,010 --> 00:27:33,330
And if we want to keep a secret, you
shouldn't be running around like a
392
00:27:33,330 --> 00:27:36,650
dog flapping your jaw like a loose
-shutting hurricane.
393
00:27:40,330 --> 00:27:44,350
Senator, may I respectfully remind you
of the importance of the press in a
394
00:27:44,350 --> 00:27:45,350
democratic society?
395
00:27:45,670 --> 00:27:50,430
Without the press, Watergate, the
savings and loan debacle, and Iran
396
00:27:50,430 --> 00:27:51,490
never have come to light.
397
00:27:52,070 --> 00:27:53,070
So?
398
00:27:53,770 --> 00:27:59,490
The Senate episode is one of my
favorites, Murphy Brown, because it's
399
00:27:59,490 --> 00:28:01,050
show does what it does best.
400
00:28:01,670 --> 00:28:03,530
Wonderful political satire.
401
00:28:04,720 --> 00:28:08,360
My name is Corky Sherwood Forrest, and I
have been a professional journalist
402
00:28:08,360 --> 00:28:09,420
since 1988.
403
00:28:10,620 --> 00:28:16,580
And if I may add a personal observation,
I
404
00:28:16,580 --> 00:28:23,380
have seen you on FYI, and I commend you
for your incredible
405
00:28:23,380 --> 00:28:24,700
body of work.
406
00:28:26,460 --> 00:28:33,160
Your ability to stimulate me as a member
of the viewing public.
407
00:28:34,600 --> 00:28:37,860
With your sensitive, probing style.
408
00:28:38,200 --> 00:28:45,180
Right back as the Murphy Brown special
continues.
409
00:28:47,220 --> 00:28:51,760
To be politically correct, they call
them executive assistants,
410
00:28:51,760 --> 00:28:53,520
assistants, or personal assistants.
411
00:28:53,800 --> 00:28:58,420
But to Murphy Brown, they're simply
secretaries, one through 75.
412
00:28:59,040 --> 00:29:01,240
Some have been fired, some quit.
413
00:29:01,920 --> 00:29:04,540
but all of them have been her worst
nightmare.
414
00:29:05,620 --> 00:29:08,720
Hi, I'm Murphy Brown. Welcome to my
desk.
415
00:29:12,000 --> 00:29:17,020
Hello, I'm Murphy Brown, and you must be
my new... Ms. Brown, I'm Chip Clark.
416
00:29:17,600 --> 00:29:22,080
I just want to say that I'm an extremely
qualified secretary with excellent
417
00:29:22,080 --> 00:29:24,640
skills. I'm sure this will work out
fine.
418
00:29:25,080 --> 00:29:26,140
Oh, so am I.
419
00:29:26,720 --> 00:29:30,920
I already like you. And when I spoke to
Satan this morning before breakfast, I
420
00:29:30,920 --> 00:29:34,200
pretty much guaranteed this would be a
great experience.
421
00:29:37,140 --> 00:29:39,360
And you are?
422
00:29:40,280 --> 00:29:41,280
Lori.
423
00:29:43,200 --> 00:29:44,880
Robert L. Watkins, ma 'am.
424
00:29:45,100 --> 00:29:48,420
Pleasure to be serving under you, ma
'am. Were you recently in the military?
425
00:29:48,740 --> 00:29:50,820
Yes, ma 'am. Gay, ma 'am.
426
00:29:54,440 --> 00:29:56,920
and it's great to be here at FYI.
427
00:29:59,720 --> 00:30:02,880
That's right, I'm Bambi, your special
telephone friend.
428
00:30:05,180 --> 00:30:06,180
What's your name?
429
00:30:06,800 --> 00:30:13,640
We were at Warner Brothers at the time
and there's a secretarial pool there and
430
00:30:13,640 --> 00:30:17,940
the first person I was assigned was
actually certifiably insane. She talked
431
00:30:17,940 --> 00:30:18,940
herself.
432
00:30:19,870 --> 00:30:24,070
And it got worse from there, so we
thought that might be a good running
433
00:30:24,390 --> 00:30:29,250
Ms. Brown, I'm Alice Kimmons, your new
secretary, and I'm really excited to be
434
00:30:29,250 --> 00:30:32,650
working for you. I just know it's going
to be great. Oh, stop lying, you weak,
435
00:30:32,710 --> 00:30:35,490
pathetic worm. The only reason you're
here is to pay for that useless therapy.
436
00:30:35,830 --> 00:30:37,510
It's not useless. It's working.
437
00:30:37,930 --> 00:30:42,290
Don't listen to her, Ms. Brown. That's
Rachel, a 37 -year -old divorcee who
438
00:30:42,290 --> 00:30:45,250
lives inside me. Oh, fine. Tell her all
our secrets. That's it. We quit.
439
00:30:46,800 --> 00:30:50,080
So I'm Ms. Brown, but I have no choice.
She's the one who types.
440
00:30:53,160 --> 00:30:57,000
I don't care if he's on his hands and
knees. The car is mine.
441
00:30:57,220 --> 00:30:58,600
The house is mine.
442
00:30:58,840 --> 00:31:02,820
Judy. The skinny metal rod that turns on
the sprinklers and doesn't even have a
443
00:31:02,820 --> 00:31:03,820
name is mine.
444
00:31:04,160 --> 00:31:09,600
Judy. And furthermore, if he tries to
get custody of the dog, I'll drag his
445
00:31:09,600 --> 00:31:15,620
across the coals. Make sure you use
exactly those words. Drag his butt.
446
00:31:20,170 --> 00:31:22,510
Finally give myself to a woman.
447
00:31:25,170 --> 00:31:27,830
It's going to be for love.
448
00:31:32,610 --> 00:31:36,790
But I do love you, Jerry.
449
00:31:41,030 --> 00:31:43,270
And I'm not wearing any underwear.
450
00:31:45,510 --> 00:31:48,890
The writers, just when you think they're
not going to come up with anything
451
00:31:48,890 --> 00:31:52,280
else. You know, what other secretary can
you have? They come up with somebody
452
00:31:52,280 --> 00:31:55,780
crazy or someone more outrageous. It's
like getting blood from a stone. You
453
00:31:55,780 --> 00:32:00,180
don't see how it's possible to squeeze
another drop out of a secretary. And
454
00:32:00,180 --> 00:32:01,180
they come up with...
455
00:32:02,120 --> 00:32:06,840
In this season alone, in the seventh
season, we've had hysterical
456
00:32:06,840 --> 00:32:09,720
want you to type up this letter for me
to the chief of police. Get me the
457
00:32:09,720 --> 00:32:13,180
mayor's office on the phone and fax a
copy of this police report to my
458
00:32:13,180 --> 00:32:14,180
homeowner's association.
459
00:32:14,300 --> 00:32:16,460
Absolutely, Ms. Brown. I'll go send that
fax right now.
460
00:32:16,900 --> 00:32:19,480
No, maybe I should type the letter first
and then fax.
461
00:32:19,940 --> 00:32:21,080
Wait, the phone call.
462
00:32:21,460 --> 00:32:22,460
Okay.
463
00:32:23,360 --> 00:32:24,940
Call, then fax, then type.
464
00:32:25,620 --> 00:32:26,660
Fax, then type, then call?
465
00:32:27,290 --> 00:32:29,270
Excuse me, have you worked as a
secretary before?
466
00:32:29,570 --> 00:32:31,930
Oh, sure. Clinton Administration,
Communications Office.
467
00:32:39,330 --> 00:32:43,630
Is there any calls for me?
468
00:32:43,890 --> 00:32:44,890
Yeah, of course.
469
00:32:45,830 --> 00:32:46,830
Oh, great.
470
00:32:49,590 --> 00:32:53,170
See if you can reschedule my lunch with
Cokie Roberts for next Tuesday. You got
471
00:32:53,170 --> 00:32:55,750
that? Absolutely. Let me get a pencil so
I can write that down.
472
00:33:00,010 --> 00:33:01,490
That's okay. I'll get it.
473
00:33:03,910 --> 00:33:07,190
Look, unless I'm to take my guess, it
seems to be a personal call. When you
474
00:33:07,190 --> 00:33:10,510
Rusty's in a better place, you mean like
that nicer dog house we talked about,
475
00:33:10,590 --> 00:33:11,590
right?
476
00:33:12,290 --> 00:33:15,130
What? Oh, jeez. Not old Rusty.
477
00:33:16,230 --> 00:33:17,230
No.
478
00:33:17,370 --> 00:33:18,770
Well, at least you went peacefully.
479
00:33:19,850 --> 00:33:20,850
What?
480
00:33:22,230 --> 00:33:25,650
Look, maybe this isn't a good time. Why
don't I come back later? Well, why was
481
00:33:25,650 --> 00:33:27,870
Grandma walking in near the hay baler?
482
00:33:29,710 --> 00:33:32,230
I'll definitely come back later. Let me
talk to Grandma.
483
00:33:33,190 --> 00:33:34,190
George!
484
00:33:36,070 --> 00:33:38,210
Meet your new secretary, Murphy.
485
00:33:38,410 --> 00:33:39,550
My nephew.
486
00:33:39,770 --> 00:33:40,950
Stand like a person.
487
00:33:42,430 --> 00:33:44,130
Andrew J. Lansing III.
488
00:33:44,370 --> 00:33:46,910
Say hello to the nice lady, Andrew.
Hello.
489
00:33:48,510 --> 00:33:51,830
This is your office? I'm temping for
you?
490
00:33:52,350 --> 00:33:53,350
Screw it.
491
00:33:55,870 --> 00:33:58,150
I'm taking early retirement.
492
00:34:03,310 --> 00:34:04,750
Forget it. I'm sorry.
493
00:34:04,950 --> 00:34:08,830
I told personnel, no smokers. I'm
putting this one out, see?
494
00:34:11,710 --> 00:34:13,630
This is my last cigarette.
495
00:34:15,190 --> 00:34:19,190
Somebody in personnel hates me.
496
00:34:19,429 --> 00:34:23,550
In addition to journalists and
politicians, distinguished guest stars
497
00:34:23,550 --> 00:34:27,570
world of television, motion pictures,
and music have helped create some of
498
00:34:27,570 --> 00:34:29,270
Murphy's most memorable moments.
499
00:34:40,750 --> 00:34:41,750
get one thing straight.
500
00:34:42,270 --> 00:34:45,110
I'm not Martha, and you ain't no
Vandella.
501
00:34:46,510 --> 00:34:48,350
Yeah, right. I'm a solo act.
502
00:34:49,830 --> 00:34:54,370
But without a doubt, the cast's fondest
memories are reserved for the late
503
00:34:54,370 --> 00:34:57,710
Colleen Dewhurst, who played Murphy
Brown's mother, Avery.
504
00:34:58,190 --> 00:35:01,730
I was forced to disarm a rude security
guard in the lobby.
505
00:35:01,970 --> 00:35:04,310
Somebody return this to the proper
authorities.
506
00:35:04,990 --> 00:35:07,810
I remember kidding with her, saying, you
know, we're all...
507
00:35:08,730 --> 00:35:13,210
our very best in front of you. And she
said, are you kidding? I told my family
508
00:35:13,210 --> 00:35:16,530
was coming to do Murphy Brown and they
said, you better not be the one to ruin
509
00:35:16,530 --> 00:35:17,530
that show.
510
00:35:17,570 --> 00:35:19,590
She had great humor about it.
511
00:35:21,010 --> 00:35:24,270
It's wonderful when you have someone
who's such a pro like that give you a
512
00:35:24,270 --> 00:35:26,870
compliment because you feel like, oh,
that's so nice.
513
00:35:27,250 --> 00:35:31,910
And I remember what really stuck out
about her first show was when she came
514
00:35:31,910 --> 00:35:37,320
the stairs with the white flower in her
hair and it was like, This is Murphy's
515
00:35:37,320 --> 00:35:40,220
mother, you know, and she was brilliant
from the get -go.
516
00:35:40,580 --> 00:35:42,800
It must be love.
517
00:35:43,180 --> 00:35:45,480
Say what you choose.
518
00:35:45,980 --> 00:35:49,300
I've got a right to sing the blues.
519
00:35:53,080 --> 00:36:00,040
Who was terrified. And then, of course,
at the 12th hour,
520
00:36:00,080 --> 00:36:03,120
just, you know, came through like a
general.
521
00:36:04,259 --> 00:36:09,240
We were so intimidated by her, but she
was great, and she brought so much to
522
00:36:09,240 --> 00:36:11,760
part of Avery Brown, to Murphy's mother.
523
00:36:12,480 --> 00:36:15,880
I've never said I love you because I'm
afraid no one will say it back.
524
00:36:17,920 --> 00:36:19,120
Why don't you try it?
525
00:36:22,780 --> 00:36:23,780
I love you.
526
00:36:25,680 --> 00:36:26,680
I love you.
527
00:36:36,360 --> 00:36:37,640
You're watching Murphy Brown.
528
00:36:37,900 --> 00:36:41,900
Tonight, we've shown you many of Murphy
Brown's funniest moments. But there are
529
00:36:41,900 --> 00:36:43,560
others that have never been broadcast.
530
00:36:44,140 --> 00:36:48,160
Here now, the funniest moments from
Murphy Brown that you never saw.
531
00:36:48,740 --> 00:36:49,740
Action.
532
00:36:49,920 --> 00:36:53,980
Oh, God.
533
00:36:54,380 --> 00:36:56,860
That looks like the part of my brain
that does long division.
534
00:37:03,440 --> 00:37:06,400
I haven't seen an audience that cold
since Moriaga stepped out on the
535
00:37:06,400 --> 00:37:08,160
and asked, how am I doing? It's balcony.
536
00:37:13,020 --> 00:37:19,160
With 50 pages per script and 25 shows
per season, the actors are constantly
537
00:37:19,160 --> 00:37:20,640
memorizing new dialogue.
538
00:37:21,040 --> 00:37:25,440
But sometimes they just can't. I'll
spend the rest of my days working
539
00:37:25,440 --> 00:37:26,440
this guilt.
540
00:37:26,540 --> 00:37:27,540
Oh, God.
541
00:37:36,010 --> 00:37:37,930
Okay, so there's a few years between us.
So what?
542
00:37:39,890 --> 00:37:40,970
Is that my line now?
543
00:37:41,390 --> 00:37:47,070
What line would it be, actually?
544
00:37:48,970 --> 00:37:52,250
There are times when it's not a matter
of remembering a line.
545
00:37:52,750 --> 00:37:55,750
All it takes is a look in Candace's eye.
546
00:37:56,670 --> 00:37:58,930
Just want to look at you and get ready
for it. Okay.
547
00:38:00,890 --> 00:38:02,790
Corky, we have to talk.
548
00:38:08,600 --> 00:38:10,540
Okay, but things can change.
549
00:38:15,180 --> 00:38:17,560
I hate it when you look at me like that.
550
00:38:19,880 --> 00:38:23,180
Miles, you know what your problem is?
You're just not a fun guy. You have no
551
00:38:23,180 --> 00:38:24,180
sense of whimsy.
552
00:38:25,700 --> 00:38:26,700
I'm sorry.
553
00:38:26,740 --> 00:38:29,540
Miles, you know what your problem is?
You're just not a fun guy.
554
00:38:34,190 --> 00:38:38,890
Whenever I look into Candace's eyes, I
lose it. There's some weird chemistry
555
00:38:38,890 --> 00:38:41,410
between Grant and I where we always make
each other laugh.
556
00:38:41,630 --> 00:38:44,630
You have no sense of fun. You have no
sense of whimsy. You're just not a fun
557
00:38:44,630 --> 00:38:45,630
guy.
558
00:38:45,870 --> 00:38:46,870
Hey!
559
00:38:49,370 --> 00:38:51,630
I am fun, and I have whimsy, too.
560
00:38:52,070 --> 00:38:55,970
Are you forgetting the flying toaster
screen table on my computer?
561
00:39:00,080 --> 00:39:03,560
In fact, they actually stopped putting
us together in the scene because... Why
562
00:39:03,560 --> 00:39:04,880
you don't see us in the same scene
anymore?
563
00:39:05,180 --> 00:39:06,700
What would Edward R. Murrow say?
564
00:39:07,760 --> 00:39:13,320
In this serious scene, Candace is on the
verge of losing it. If she looks Grant
565
00:39:13,320 --> 00:39:15,220
in the eye, she'll break out laughing.
566
00:39:15,680 --> 00:39:16,820
But look closely.
567
00:39:17,260 --> 00:39:18,580
It's already hopeless.
568
00:39:19,820 --> 00:39:24,960
No less than freedom of the press is at
stake.
569
00:39:35,310 --> 00:39:36,310
This is like Jersey Shakespeare.
570
00:39:38,970 --> 00:39:43,910
Some of the funniest outtakes come when
a seemingly innocent line doesn't quite
571
00:39:43,910 --> 00:39:45,330
come out the way it should.
572
00:39:45,730 --> 00:39:48,950
Work? I hate that dickie. I wouldn't be
caught dead in one.
573
00:39:49,190 --> 00:39:52,070
And now look, dead in a dickie.
574
00:39:52,810 --> 00:39:54,630
At least you've got a dickie.
575
00:40:08,810 --> 00:40:12,510
Romantic scenes in front of a live
audience can be the toughest to play.
576
00:40:12,910 --> 00:40:17,050
The line Candace is about to deliver
refers to the envelope on the bed.
577
00:40:18,130 --> 00:40:19,130
What's that?
578
00:40:20,570 --> 00:40:21,910
Don't tell me you've forgotten already.
579
00:40:31,190 --> 00:40:32,890
Oh, it's the eyes behind my head.
580
00:40:36,200 --> 00:40:37,700
us anything. She's laughing behind my
head.
581
00:40:38,600 --> 00:40:39,600
You're so wrong.
582
00:40:39,760 --> 00:40:40,760
Oh, good.
583
00:40:42,040 --> 00:40:44,360
Gee, it's all business with you, isn't
it?
584
00:40:46,140 --> 00:40:51,440
Okay, let's go.
585
00:40:52,920 --> 00:40:58,260
I think in the outtakes you see the
heart and soul of the cast and the show.
586
00:40:58,400 --> 00:41:02,220
Miles, that's great. Isn't that great,
guys? That'll give us even more time for
587
00:41:02,220 --> 00:41:03,220
my welfare story.
588
00:41:03,480 --> 00:41:05,340
When were you able to do that? On my
cellular.
589
00:41:06,400 --> 00:41:08,980
When were you able to do that?
590
00:41:09,240 --> 00:41:10,240
On my cellular.
591
00:41:12,960 --> 00:41:14,300
I love this line.
592
00:41:14,800 --> 00:41:15,900
Cellular. Cellular.
593
00:41:16,340 --> 00:41:17,340
Try saying that fast.
594
00:41:17,700 --> 00:41:20,300
Cellular. Three times. Cellular.
Cellular. Cellular.
595
00:41:23,580 --> 00:41:27,700
Cellular. Cellular. Cellular. All right,
no pressure.
596
00:41:28,420 --> 00:41:29,760
Cellular. Cellular. Cellular.
597
00:41:52,390 --> 00:41:57,830
Not only has Murphy Brown made an impact
on America's television landscape, it's
598
00:41:57,830 --> 00:42:02,710
also caused families to think, to talk,
and most importantly to laugh.
599
00:42:03,190 --> 00:42:05,770
Not bad for a woman who never existed.
600
00:42:06,150 --> 00:42:09,730
From the nation's capital, I'm Leslie
Stahl. Good night, everyone.
52342
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