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The book we're talking about is Murphy
Brown, The Tragic Untold Story.
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So tell us, while you were writing this
biography, what did you find out about
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Murphy? Well, sadly, I found her to be a
deeply conflicted, deeply disturbed
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woman. Really? How so?
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Where shall I start? Well, look at the
name she chose for her son.
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Avery? Yes.
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She named him after a mother, a woman.
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clearly expressing the desire that her
boy be a girl. To me, this reflects a
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confusion over her own sexual identity.
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Very interesting. You're not suggesting
that Murphy might secretly be a
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transsexual? Well, I wasn't able to get
her medical records, but it wouldn't
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surprise me if they showed some
chromosomal abnormalities. But keep in
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are dealing with a delusional, manic
-depressive sociopath with eating
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disorders. And you're basing that on...
Her handwriting.
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And her table manners.
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Very telling.
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Well, there you have it.
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Murphy Brown, The Tragic Untold Story.
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And, Murphy, if you are watching at
home, please, please get some
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help. Or please come on the show and
share your pain with us.
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And that's exactly why I don't want to
do one of those books. You're just
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setting yourself up for public
humiliation. You don't know that, Murph.
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sounds to me like this guy wants to
write a perfectly legitimate biography
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you. Well, of course he's going to sound
legitimate in his letter, Frank. That's
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how these guys gain your trust.
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So you give them free access to your
life, and then one day you come home and
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find him bouncing up and down on your
bed wearing a pair of your underpants as
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hat.
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Sure, that's one of the risks. Come on!
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This is Marshall Corwin we're talking
about here. He wrote that new biography
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Robert Oppenheimer, father of the atom
bomb.
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Excellent book.
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Smart book. Have you read it? Really
thick book.
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I read it. What? The whole thing?
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No, Frank.
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My lips got tired after the third
chapter.
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Yes, I read the whole thing.
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I love biography.
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Murphy, if you're lucky, yours can
combine the historic scope of Eleanor
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Roosevelt with the bittersweet irony of
the Charlene Tilton story.
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Make sure they put a lot of pictures in
the middle.
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Marcel Proust didn't do that. Made it
really boring.
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Well, listen, thanks for your advice,
guys, but you know how I feel.
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Journalists should report the story, not
be the story. The fact is the public
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likes knowing something personal about
the people who bring them their news. It
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humanizes them, makes them more
approachable. Oh, yeah, that's just what
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more approachable. Like people don't
already feel comfortable enough to...
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Coming up to me on the street to tell me
I look bonier in person.
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Look, Murph, somebody is going to write
a book about you sooner or later whether
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you're content to it or not. At least
this way you've got a little input as to
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how it turns out.
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I don't know.
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Jim, you've been awfully quiet. What do
you think I should do?
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I understand your reluctance, Murphy.
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Books of this ilk always strike me as a
trifle undignified. That's why I've
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turned down offers.
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Many offers.
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tempting offers.
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00:03:04,640 --> 00:03:08,060
Of course, Walter Cronkite's delightful
little confessional hit the stands, and
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lo and behold, apparently all my bad
stories happened to Walter and not to
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Oh, the most trusted man in America, my
Aunt Fanny.
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You watch what you say when you're at
his dinner table, and if he offers you a
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cocktail to loosen you up... Jim, Jim,
Jim, I'm double parked, yes or no?
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Do it, Murphy.
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Do it before the jackals find a way to
steal your life, too.
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If you're looking for your biographer,
I'd set him at your usual table.
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He's not my biographer. I just agreed to
meet with him, that's all.
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Besides, Phil, if anybody should do a
book, it's you.
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Oh, I've thought about it.
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Someday I may actually do it.
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Hell, what I know about the Nixon years
alone would put Phyllis and me into that
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Winnebago we've always dreamed about.
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Just the two of us gliding down the
highway, miles and miles of open road.
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Miles and miles of Phyllis yelping in my
ear, mooing at every damn cow we pass.
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Oh, yes.
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I'm going to write that book real soon.
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Hi. Marshall Corwin. Murphy Brown.
Thanks for meeting with me. Oh, it's a
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pleasure. You've done some very
impressive work, especially that
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biography. Oh, you read that, did you?
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Well... No, of course you didn't. It was
too long.
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I told my editor to cut me. Cut me till
I bleed. But did she listen? No.
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Who cares? It was on the bestseller list
for 12 weeks. It could have gone 14, 15
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weeks. Easy.
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But another one of those damn Garfield
books came out.
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What do you think?
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Have you succumbed to my charms yet?
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Are you going to let me do the book?
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Oh, yeah.
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Happy guy, aren't you?
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Why should I be? I'm in the presence of
a television news legend whose life
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story demands to be written.
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I'm very flattered, Marshall, but I... I
have to be straight with you. I really
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don't know. You don't know if you want
to have this book written at all. I
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and I can tell you why.
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You don't need the publicity.
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You don't want your privacy invaded.
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You're afraid it might be a hatchet job,
and you don't feel it's a place for the
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journalist to be the story.
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Wow. That's pretty much it in a
nutshell.
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I was right.
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This is so exciting.
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You know, you have a hunch, you take a
shot, you try to get into your subject's
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mind, but before you all, all my
subjects have been dead.
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You're a real character, Marshall.
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So you're saying that I'm going to be
able to do the book? No, I'm saying
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a real character, Marshall.
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So, we both know the reasons why I
shouldn't cooperate with the book, but
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still don't know any compelling reasons
why you should. Boy, you live ones are
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tough.
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Let me just put it this way. For you,
the book is not so much an indulgence as
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it is an obligation.
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And how do you figure that?
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The kids.
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What's the rule, Marshall? ...for kids
coming up today in broadcast journalism.
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The people who pass for reporters on
hard copy in The Current Affair.
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You were the first person who ever
interviewed Nixon after his resignation.
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You were the one who brought the SNL
scandal to national attention.
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You, Murphy Brown, you're someone who in
a different era would have been
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referred to as a real broad.
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The gutsy, hard -hitting woman who
entered the male -dominated field of
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television journalism and rose to the
top without making any compromises.
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The story I want to tell?
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Well, you're not trying to snow me, and
I respect that.
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What do you say?
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I don't know.
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You're asking me to put my trust in you.
That's not something I do easily.
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I mean, you're looking at someone who
marks the inside of the ice cream
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containers before the cleaning lady
comes.
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I understand your fears. I can't dismiss
them, but I can promise you whatever I
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write will be fair, honest, and
unbiased. Yeah, well, that still doesn't
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you want to see your life detected on
Sally Jesse Raphael.
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Who's Sally Jesse Raphael?
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Congratulations, Marshall, you got
yourself a book.
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The deadline pressure was intense, and
as a female, I knew I had to do quite as
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well as a guy to get any respect.
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Then I found out that the hot shot
possessed next to me was going after the
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story. So I did the only thing I could.
I marched into the school library and
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checked out all five copies of Tom
Edison, Boy Genius.
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That little weasel was stuck doing his
book report on Squanto, the first
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Thanksgiving.
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You getting all this, Marshall? Oh,
every word.
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I think I'm going to have to run down to
Radio Shack and get some more
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cassettes. I'm guessing my 12 -pack
won't even get us to puberty.
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After the second, 1961, but we'll get to
that.
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I can't wait.
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You know, I do have to check with my
editor, though.
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Oh, here, why don't you use my phone?
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Then when you get back, we can move on
to the fourth grade. Let's see, won a
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jello slurping contest and bloodied
Bobby Zarwell's nose. That was a big
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00:07:51,280 --> 00:07:55,340
Hey, guys, friendly piece of advice? Get
someone to write a book about you. This
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is so great, I'm remembering things I
haven't thought about in years.
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Unless I missed my guess, this is
Murphy's way of thanking us for
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to do the book. Of course, being Murphy,
she'd manage to do that without using
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the words thank or you.
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That is where you're wrong, Frank. Thank
you. Thank you all.
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Oh, my God! She said it!
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Miss Brown, my editor's cleared me for
another hundred pages. That means your
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great -grandfather O 'Casey's struggle
against the Tweed Barons has a chance.
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Say, you know, since I'm in the office,
would you mind if I took a little time
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to talk to some of your peers? Sure,
assuming you can find any.
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These guys would be happy to talk to
you, right, guys?
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Absolutely.
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Okay.
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Here, why don't I just run over to
Phil's, grab some lunch, and do a little
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work? That way you'll feel free to say
whatever you want.
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Just remember, anyone using the words
dazzling, brilliant, and insightful in
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same sentence will not be disappointed
come Christmas time.
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Well, thank you. Thank you for taking
the time to talk to me. You know, in the
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few days I've spent with Murphy, a
couple of things have made themselves
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glaringly obvious.
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She's the world's safest driver, and she
has the finest singing voice east of
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the Mississippi.
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I heard laughing. Laughing is good, as
are the words dazzling, brilliant, and
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insightful.
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Well,
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what qualities would you say make Murphy
the journalist she is?
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00:09:38,200 --> 00:09:41,620
Well, why don't I just start? Since I've
known Murph the longest, then probably
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know her the best.
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I think what makes her so good is that
she's tough.
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Yes. Definitely.
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Oh, yes. The woman has the tenacity of a
pit bull.
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That's pretty tough.
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00:09:52,990 --> 00:09:55,950
Oh, yeah. You get in Murphy's way when
she's chasing a story. She'll run you
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down. Then she'll back over you just to
make sure you're dead.
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Good and dead. Oh, yeah. She is tough.
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But not too tough.
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Not too tough?
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No, but not un -tough.
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Just the right amount of tough.
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Normal tough. Right, guys?
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Normal tough.
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Well, for the sake of time, we'll just
say tough.
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Well, what was your first impression of
Murphy when you met her?
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00:10:23,590 --> 00:10:28,790
My first impression of Murphy was that
she carried herself with a lot of
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confidence, which really impressed me
because I was just this wide -eyed girl
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from Louisiana.
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00:10:32,950 --> 00:10:37,250
You can imagine my amazement when I saw
Murphy firing her third secretary that
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week. Three secretaries? Boy, it must
have been some week. Are you kidding?
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00:10:40,750 --> 00:10:43,190
That's something you should ask Frank
about.
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After all, he hasn't known her the
longest. Probably knows her the best.
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I wasn't here that day.
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00:10:52,050 --> 00:10:53,730
Well, thank you. That's terrific.
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Tell me, though, you know, she always
seems so composed, so professional.
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Does she ever lose her cool?
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00:11:00,270 --> 00:11:01,270
No.
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Any of us in this pressure cooker of a
business we call broadcast journalism is
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00:11:06,670 --> 00:11:10,330
going to have days or even weeks when
our professional demeanor is not as
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perfect as we'd like.
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00:11:11,590 --> 00:11:12,810
That's interesting. Can you elaborate?
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00:11:13,390 --> 00:11:14,390
No.
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00:11:15,810 --> 00:11:18,960
Really? I don't think you're getting the
full picture. I mean, there are so many
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aspects to Murphy we haven't told you
about. Many. Many. Such as?
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Her hair.
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00:11:25,420 --> 00:11:26,359
Oh, my.
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00:11:26,360 --> 00:11:27,360
Yes.
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She can arrange it in any number of
ways.
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And let's not forget her fun side.
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00:11:34,520 --> 00:11:39,500
Good. By all means, let's hear about it.
That woman knows how to enjoy life.
219
00:11:41,210 --> 00:11:46,570
Take the 1980 Republican Convention in
Detroit. Oh, man, that was one wild
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Murphy gets to the airport around
midnight, goes directly to the VIP party
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the Sheraton. After about an hour... No,
wait, no, no.
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00:11:56,330 --> 00:11:57,470
I'm wrong, no.
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00:11:58,030 --> 00:12:00,630
That wasn't Murphy. No, that was Connie
Chung.
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00:12:02,250 --> 00:12:03,750
Murphy doesn't have a fun side.
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00:12:05,330 --> 00:12:06,330
Well, uh...
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00:12:07,210 --> 00:12:11,590
Just to shift gears a bit, how does
Murphy react to criticism?
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00:12:15,110 --> 00:12:16,410
I'm no car expert.
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00:12:16,970 --> 00:12:18,670
Hey, guys, how'd the interviews go?
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00:12:20,290 --> 00:12:23,270
I'm just reading through some of my old
journals. This one's from the summer I
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00:12:23,270 --> 00:12:25,350
interned with Eric Severide. Listen to
this.
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00:12:25,570 --> 00:12:27,350
August 28th, 1969.
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00:12:28,170 --> 00:12:30,630
Snuck onto the set after everyone had
gone home.
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00:12:31,070 --> 00:12:33,950
sat in Mr. Severide's chair and did my
own version of the commentary.
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00:12:34,330 --> 00:12:35,330
Memo to myself.
235
00:12:35,410 --> 00:12:39,370
Next time, make sure boss's car has left
the parking lot. Start looking for new
236
00:12:39,370 --> 00:12:41,650
internship. Put fish in Severide's
trunk.
237
00:12:42,510 --> 00:12:43,850
That was cute.
238
00:12:44,350 --> 00:12:46,350
Adorable. We don't think you should do
the book.
239
00:12:47,150 --> 00:12:51,670
What? What are you talking about? I
think what Jim is trying to say is that
240
00:12:51,670 --> 00:12:55,090
maybe now is not the best time to do a
biography on Murphy Brown.
241
00:12:55,510 --> 00:12:58,330
Oh, and when would be a good time? When
you're dead.
242
00:13:01,390 --> 00:13:02,390
When we're all dead.
243
00:13:02,490 --> 00:13:04,550
But anyone who might possibly want to
read this book is dead.
244
00:13:05,110 --> 00:13:06,990
But that would be a good time. There you
go.
245
00:13:07,390 --> 00:13:10,530
Well, this is just great. One day you're
telling me do this, the next day you're
246
00:13:10,530 --> 00:13:11,530
telling me don't.
247
00:13:11,570 --> 00:13:15,050
Throw in a bunch of half -even Big Macs
and George Stephanopoulos bragging about
248
00:13:15,050 --> 00:13:17,670
how chicks dig his hair. I'd swear I was
in a White House staff meeting.
249
00:13:18,990 --> 00:13:22,430
Mophie, we had no idea he was going to
be asking us all sorts of loaded
250
00:13:22,430 --> 00:13:23,810
questions. Like what?
251
00:13:24,090 --> 00:13:28,150
Like what kind of person you are, what
it's like working with you. What were we
252
00:13:28,150 --> 00:13:31,490
supposed to tell him? Well, how about
the truth? Geez, we're talking about me
253
00:13:31,490 --> 00:13:32,730
here. I'd turn her.
254
00:13:33,870 --> 00:13:37,110
The truth is good in theory, Murphy, but
it's a little different when you start
255
00:13:37,110 --> 00:13:39,110
picturing how these things will look in
black and white.
256
00:13:39,630 --> 00:13:41,870
Remember the time you threw that coffee
mug at my head?
257
00:13:42,070 --> 00:13:43,750
Oh, that way y 'all laughed about that.
258
00:13:45,890 --> 00:13:49,630
Yet in print, that gesture might lose
some of its whimsical charm.
259
00:13:49,930 --> 00:13:51,730
Oh, come on. I missed, didn't I?
260
00:13:52,030 --> 00:13:55,450
There were a lot of stories when you
didn't miss. Murphy, you don't know what
261
00:13:55,450 --> 00:13:58,230
it's like. You'd think because we
interview people all the time, we'd know
262
00:13:58,230 --> 00:13:59,850
exactly what to say, but...
263
00:14:00,220 --> 00:14:04,020
Then you hear yourself answering more
than you should. Things start to slip
264
00:14:04,620 --> 00:14:07,800
Things like the convention story. How
would you feel about seeing that in
265
00:14:08,360 --> 00:14:14,040
Well, I think put in the appropriate
context, given the proper thin, told
266
00:14:14,040 --> 00:14:17,060
the right amount of humor, I'd be fine
seeing the convention story in print.
267
00:14:18,320 --> 00:14:19,860
You didn't tell him the convention
story.
268
00:14:21,060 --> 00:14:25,420
That's the point. It was three hours of
not telling stories about you. Just
269
00:14:25,420 --> 00:14:28,200
think what it's going to be like when
Marshall interviews other people. People
270
00:14:28,200 --> 00:14:29,200
who don't love you.
271
00:14:29,440 --> 00:14:31,920
People don't care about you. People
aren't afraid of you.
272
00:14:33,140 --> 00:14:36,840
You know, you guys are something else. I
mean, sure, Marshall might come across
273
00:14:36,840 --> 00:14:40,200
a few people with a score to settle, and
yes, I've done a couple of things I
274
00:14:40,200 --> 00:14:43,400
might not do again, but don't you think
I took all that into consideration when
275
00:14:43,400 --> 00:14:44,420
I decided to do this?
276
00:14:44,620 --> 00:14:48,560
I have no intention of pulling out of
this book. I'm proud of my life and what
277
00:14:48,560 --> 00:14:49,419
I've accomplished.
278
00:14:49,420 --> 00:14:51,000
I have nothing to be ashamed of.
279
00:14:51,600 --> 00:14:56,420
What kind of journalist is Murphy Brown?
Well, she's thorough, resourceful,
280
00:14:56,480 --> 00:14:57,480
articulate.
281
00:14:57,710 --> 00:15:01,270
And when it comes to a one -on -one
interview, she is almost as good as I
282
00:15:01,870 --> 00:15:02,870
Almost.
283
00:15:03,030 --> 00:15:06,430
Murphy's an outstanding reporter. She's
got a good nose for a story, and she's
284
00:15:06,430 --> 00:15:07,369
very aggressive.
285
00:15:07,370 --> 00:15:08,370
Very competitive.
286
00:15:08,830 --> 00:15:10,130
She's very competitive.
287
00:15:10,370 --> 00:15:12,490
She's brutally competitive at times.
288
00:15:13,370 --> 00:15:14,370
Competitive?
289
00:15:14,850 --> 00:15:18,670
Privacious. The Soviet Union was
collapsing, and we found ourselves on
290
00:15:18,670 --> 00:15:21,630
flight to Moscow, going after an
exclusive interview with Gorbachev.
291
00:15:22,170 --> 00:15:25,250
When we landed, she told the airport
security guard I was smuggling in blue
292
00:15:25,250 --> 00:15:26,630
jeans and Michael Jackson tapes.
293
00:15:26,990 --> 00:15:31,050
She got Gorbachev, and I got a guard
named Mikolai with cold hands and a bad
294
00:15:31,050 --> 00:15:35,270
attitude. I made the mistake once of
dozing off next to her on the press bus
295
00:15:35,270 --> 00:15:36,450
during the Mondale campaign.
296
00:15:36,750 --> 00:15:41,410
And when I woke up, my taped interview
with Geraldine Ferraro had mysteriously
297
00:15:41,410 --> 00:15:45,910
turned into two hours of Forrest Sawyer
and Brit Hume playing license plate
298
00:15:45,910 --> 00:15:48,430
bingo. She'll do anything for an
interview.
299
00:15:49,000 --> 00:15:52,660
She wants to offer Lech Bowenza free use
of her Martha's Vineyard beach house.
300
00:15:52,800 --> 00:15:56,320
Of course, she doesn't have a Martha's
Vineyard beach house, which is why my
301
00:15:56,320 --> 00:16:00,380
grandchildren walked into our place to
find the leader of Solidarity Boiling
302
00:16:00,380 --> 00:16:03,380
Lobsters wearing nothing but my kiss
-the -cook apron.
303
00:16:03,880 --> 00:16:05,740
I saw her pushing none once.
304
00:16:06,240 --> 00:16:10,920
I'd beaten Murphy out on three stories
in a row, so she wasn't speaking to me.
305
00:16:10,960 --> 00:16:14,880
Then I got an interview with Aretha
Franklin. Suddenly, Murphy's my best
306
00:16:15,710 --> 00:16:20,010
She asked me for Aretha's home phone
number, and foolishly, I gave it to her.
307
00:16:20,150 --> 00:16:21,150
And guess what?
308
00:16:21,190 --> 00:16:25,090
I haven't heard from Murphy since,
which, if you know Murphy, is a
309
00:16:25,470 --> 00:16:27,090
But I sure heard from Aretha.
310
00:16:27,430 --> 00:16:30,750
I'm sorry, but I make it a policy never
to discuss my colleagues.
311
00:16:30,990 --> 00:16:31,990
I'm sure you understand.
312
00:16:32,430 --> 00:16:34,730
I wouldn't give her an interview during
the Bork hearings.
313
00:16:35,070 --> 00:16:39,870
She had pizzas delivered to my house
every hour on the hour for three
314
00:16:39,870 --> 00:16:43,690
days. Well, I wouldn't give her an
interview during the Clarence Thomas
315
00:16:43,690 --> 00:16:44,690
hearings.
316
00:16:44,970 --> 00:16:49,970
And she had Chinese food delivered to my
house every hour on the hour for three
317
00:16:49,970 --> 00:16:50,970
straight days.
318
00:16:51,270 --> 00:16:53,370
I saw her push a nun once.
319
00:16:53,690 --> 00:16:57,190
My wife and I shared a table with her at
a White House dinner in the early 80s.
320
00:16:57,790 --> 00:17:01,210
When Elizabeth and I got up to dance,
she ate both our sherbets.
321
00:17:01,610 --> 00:17:05,390
Of course she denied it, which is pretty
shameless considering how orange her
322
00:17:05,390 --> 00:17:06,390
tongue was.
323
00:17:06,470 --> 00:17:09,910
Nancy Reagan once told me that they
wouldn't have had to replace the White
324
00:17:09,910 --> 00:17:12,150
China if Murphy didn't have such a big
purse.
325
00:17:12,530 --> 00:17:13,710
Her personal life.
326
00:17:14,640 --> 00:17:15,859
Oh, boy, where do you begin?
327
00:17:16,400 --> 00:17:18,859
No, I mean it. I don't want to talk
about her.
328
00:17:19,060 --> 00:17:21,240
I admire how she's turned her life
around.
329
00:17:21,680 --> 00:17:24,619
But in the old days, how should I put
this?
330
00:17:25,480 --> 00:17:28,660
Let's just say Murphy never missed a
trip to the Punchbowl.
331
00:17:29,000 --> 00:17:33,520
It was hard to get close to Murphy back
then. I mean, let's face it. There was a
332
00:17:33,520 --> 00:17:37,180
time when her three best friends were
Jim Beam, Johnny Walker, and old
333
00:17:37,520 --> 00:17:42,400
I remember one St. Patrick's Day party,
she became convinced that Ted Koppel was
334
00:17:42,400 --> 00:17:43,400
a leprechaun.
335
00:17:43,820 --> 00:17:47,800
She spent the entire evening following
him around, trying to rub his head for
336
00:17:47,800 --> 00:17:48,800
luck.
337
00:17:48,960 --> 00:17:52,600
If there's one thing you learn in this
business, it's that you don't mess with
338
00:17:52,600 --> 00:17:53,600
couples' hair.
339
00:17:53,960 --> 00:17:55,980
I saw her push a nun once.
340
00:17:56,800 --> 00:18:00,560
I will not talk about her. You don't
know what she's like. She's vindictive.
341
00:18:00,600 --> 00:18:01,600
She'll do things.
342
00:18:01,700 --> 00:18:03,960
You can try a restraining order. You can
try moving.
343
00:18:04,180 --> 00:18:05,740
But she always finds you.
344
00:18:06,080 --> 00:18:08,320
I can't put my family through that
again.
345
00:18:08,900 --> 00:18:11,580
Well, I don't like to judge people, but
the woman's done a few things that make
346
00:18:11,580 --> 00:18:12,489
me blush.
347
00:18:12,490 --> 00:18:13,490
And I was in the service.
348
00:18:14,350 --> 00:18:17,490
I'm sure you've heard about her behavior
at the 1980 Republican Convention.
349
00:18:18,190 --> 00:18:22,190
I can barely hear the name Murphy Brown
without thinking about the 1980
350
00:18:22,190 --> 00:18:23,310
Republican Convention.
351
00:18:23,690 --> 00:18:26,390
But I really don't think it's
appropriate to go into that.
352
00:18:26,810 --> 00:18:28,490
And then there's the convention story.
353
00:18:28,790 --> 00:18:30,130
Has anyone else brought that up?
354
00:18:30,630 --> 00:18:31,750
The convention story?
355
00:18:32,790 --> 00:18:34,650
It's really not my place to discuss
that.
356
00:18:34,870 --> 00:18:35,829
Oh, yes.
357
00:18:35,830 --> 00:18:37,030
The convention story.
358
00:18:37,949 --> 00:18:41,310
Well, as a gentleman, it's not a story I
feel comfortable telling.
359
00:18:41,670 --> 00:18:44,770
But then again, she always says the
public has a right to know.
360
00:18:45,450 --> 00:18:46,990
How much tape do you have there?
361
00:18:51,930 --> 00:18:55,170
It's one thing to have led a colorful
life. It's another thing to realize that
362
00:18:55,170 --> 00:18:57,230
your kid's going to be old enough to
read about it someday.
363
00:18:57,490 --> 00:18:58,810
I can't do this book.
364
00:18:59,070 --> 00:19:00,070
What am I thinking?
365
00:19:00,190 --> 00:19:01,190
Would you tell me that?
366
00:19:01,210 --> 00:19:04,130
You know, I am not buying this silent
routine.
367
00:19:04,410 --> 00:19:05,410
I bet you can talk.
368
00:19:05,820 --> 00:19:08,920
I'm guessing I leave here in the
morning, you and Eldon have a cup of
369
00:19:09,060 --> 00:19:11,560
read the papers, and just chat till I
get home, am I right?
370
00:19:13,560 --> 00:19:15,420
Oh, well, it's you.
371
00:19:15,920 --> 00:19:19,260
You know, ever since we started watching
101 Dalmatians, I've been having these
372
00:19:19,260 --> 00:19:22,680
dreams that Cruella de Vil comes and
takes them away.
373
00:19:24,480 --> 00:19:28,080
And at this time of night, I must admit,
there's a rather unsettling
374
00:19:28,080 --> 00:19:29,080
resemblance.
375
00:19:31,310 --> 00:19:34,210
I got some painting I have to finish.
Good night, dear little man.
376
00:19:35,250 --> 00:19:36,250
Eldon, wait.
377
00:19:36,270 --> 00:19:37,270
Wait.
378
00:19:37,650 --> 00:19:43,050
You know, this isn't the easiest thing
for me to talk about, but, um... Well,
379
00:19:43,110 --> 00:19:46,430
listen, you've done some things in your
life you're not exactly proud of, right?
380
00:19:47,090 --> 00:19:51,190
Look, if you're talking about that pair
of pantyhose, I only borrowed them to
381
00:19:51,190 --> 00:19:54,650
strain a can of very lumpy paint, and I
can't believe you were still wearing
382
00:19:54,650 --> 00:19:56,710
them anyway. The entire left foot was
gone.
383
00:19:57,130 --> 00:19:58,830
Get the pantyhose.
384
00:19:59,240 --> 00:20:03,760
I'm talking about life choices, you
know, things you might have said or done
385
00:20:03,760 --> 00:20:07,980
imbibed when you were younger, things
you might not be so proud of now.
386
00:20:08,860 --> 00:20:12,400
Well, look, I'm not going to tell you
that I'm thrilled with everything I've
387
00:20:12,400 --> 00:20:17,760
ever done, but the way I look at it, if
you don't look back with some regrets...
388
00:20:18,490 --> 00:20:20,530
It probably wasn't that much of a life
to begin with anyway.
389
00:20:20,950 --> 00:20:24,590
Yeah, well, that's easy for you to say.
You weren't stupid enough to agree to a
390
00:20:24,590 --> 00:20:27,990
biography. Your kid's not going to be
standing around at recess while his
391
00:20:27,990 --> 00:20:30,870
friends ask if they could come over and
see his mother do what's described on
392
00:20:30,870 --> 00:20:31,870
page 146.
393
00:20:33,930 --> 00:20:37,970
Look, it's 3 a .m., and little Avery's
not the only one losing interest with
394
00:20:37,970 --> 00:20:38,970
this conversation.
395
00:20:39,150 --> 00:20:40,990
So, let me leave you with this thought.
396
00:20:41,510 --> 00:20:45,690
If you do your job right, Avery's not
going to have to read some book to
397
00:20:45,690 --> 00:20:47,150
whether or not he likes you.
398
00:20:48,720 --> 00:20:51,840
I guess you have a point. Besides, at a
certain age, kids think everything their
399
00:20:51,840 --> 00:20:54,240
parents do is stupid. In your case,
forget about it.
400
00:20:55,720 --> 00:20:56,880
Mike, it's Murphy.
401
00:20:57,460 --> 00:21:01,880
I know, I know. I'm sorry to wake you
up. I just wanted to tell you, a guy is
402
00:21:01,880 --> 00:21:05,140
going to be calling you. He's doing a
book on me. He has my full cooperation.
403
00:21:05,440 --> 00:21:07,740
So just feel free to tell him whatever
you want.
404
00:21:08,620 --> 00:21:12,240
But if you should happen to forget the
convention story, I'll make sure that
405
00:21:12,240 --> 00:21:15,120
that tape of you singing I Enjoy Being a
Girl on the Press Post never sees the
406
00:21:15,120 --> 00:21:16,120
light of day.
407
00:21:16,900 --> 00:21:18,320
Okay, great. Thanks. Go back to sleep.
408
00:21:25,959 --> 00:21:26,959
Leslie, hi.
409
00:21:27,380 --> 00:21:31,460
I'm sorry. I know it's late. I'm sorry.
I just wanted to tell you, there's a guy
410
00:21:31,460 --> 00:21:34,500
who's going to be calling you. He's
doing a book on me, but he has my phone
411
00:21:34,500 --> 00:21:35,500
number.
412
00:21:36,180 --> 00:21:38,700
Morley? I know you're there, Morley.
413
00:21:38,940 --> 00:21:39,940
Pick up the phone.
414
00:21:41,100 --> 00:21:43,540
Don't test me, Morley. I can wait all
night.
415
00:21:45,900 --> 00:21:48,520
Morley? If you don't pick up the phone,
I'm going to start singing.
416
00:21:49,620 --> 00:21:50,620
Hi.
417
00:21:52,900 --> 00:21:56,500
I'm sorry. I know. It's like, listen, I
just wanted to tell you, a guy is doing
418
00:21:56,500 --> 00:21:59,320
a book about me. He's going to be
calling you. So just feel free. Tell him
419
00:21:59,320 --> 00:22:00,320
whatever you want.
37807
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