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1
00:00:04,910 --> 00:00:05,910
All right.
2
00:00:05,930 --> 00:00:06,970
How about this one?
3
00:00:09,550 --> 00:00:13,970
I don't know, Corky. Yes, you do,
Murphy. You can get this. We both know
4
00:00:13,970 --> 00:00:15,390
future success depends on it.
5
00:00:16,770 --> 00:00:18,610
Is it Big Bird?
6
00:00:19,070 --> 00:00:23,210
No! It ain't Big Bird. It has no
feathers, no beak.
7
00:00:23,470 --> 00:00:24,570
It's Cookie Monster.
8
00:00:26,250 --> 00:00:28,450
How do you ever expect to teach your
child to read?
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00:00:29,830 --> 00:00:30,830
Try this one.
10
00:00:33,910 --> 00:00:34,910
Topo Gigio?
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00:00:36,730 --> 00:00:42,690
Okay, people, I've got an announcement
to make.
12
00:00:43,130 --> 00:00:46,410
Well, not so much an announcement as a
favor to ask.
13
00:00:46,630 --> 00:00:52,970
A tiny favor. A favorite, really, for
the network who pays us so well to do a
14
00:00:52,970 --> 00:00:54,290
job we love so much.
15
00:00:55,070 --> 00:00:58,930
Steady. Now, I know how you felt in the
past when you've been asked to attend
16
00:00:58,930 --> 00:01:00,830
tribute dinners which honor others in
our business.
17
00:01:01,630 --> 00:01:07,980
But... This one happens to be at the
Museum of Broadcast Arts, which would
18
00:01:07,980 --> 00:01:12,600
a trip to exciting New York. Yes, New
York, the city that never sleeps. They
19
00:01:12,600 --> 00:01:15,100
would if they had to sit through one of
these stupid dinners. Am I right, guys?
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Okay,
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00:01:16,780 --> 00:01:17,780
okay, fine.
22
00:01:18,060 --> 00:01:19,200
I'll tell them you're not interested.
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00:01:19,640 --> 00:01:22,940
Too bad, really, because the show they
happen to be honoring this year is FYI.
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I'm kidding. But if you're not
interested, I... Give me that or I'll
25
00:01:26,620 --> 00:01:27,620
glasses.
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00:01:29,080 --> 00:01:33,300
An evening with FYI honoring 15 years of
excellence in journalism. What an
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honor. You know the best part? The award
also honors the invaluable contribution
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of the producer as well, which means I'm
going to be right up on that stage
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00:01:39,660 --> 00:01:42,880
along with you. Me, who hasn't won an
award since my senior class voted me
30
00:01:42,880 --> 00:01:43,880
likely to hemorrhage.
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So, Miles, how much is the cash award,
and do we have to split it with you?
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There's no money involved, and this is
not an attractive side of you.
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00:01:54,510 --> 00:01:58,050
The evening will begin in an auditorium
of adoring fans asking us questions,
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followed by a film retrospective
celebrating FYI's past 15 years. Then a
35
00:02:02,790 --> 00:02:06,610
and a VIP reception at the Four Seasons.
No one gives money anymore.
36
00:02:07,950 --> 00:02:08,949
It's so amazing.
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00:02:09,169 --> 00:02:10,690
First Miss America, now this?
38
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You guys realize we are now a part of
history? We're going to live forever in
39
00:02:14,050 --> 00:02:17,610
the museum archive. To be honored with
the likes of Edward R. Murrow, Chet
40
00:02:17,610 --> 00:02:18,610
Huntley.
41
00:02:18,670 --> 00:02:20,290
The best part, I didn't have to die to
get it.
42
00:02:20,990 --> 00:02:22,110
Peter Jennings was wrong.
43
00:02:23,310 --> 00:02:26,630
Okay, guys, I'm going to need clips from
the show to put in the retrospective.
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00:02:26,870 --> 00:02:29,830
Why don't each of you make a list of
what you think are the top five pieces
45
00:02:29,830 --> 00:02:32,490
we've ever done, and I'll edit something
together. Well, you know, there's
46
00:02:32,490 --> 00:02:34,550
Murphy's Gorbachev piece. That was
brilliant.
47
00:02:34,870 --> 00:02:37,070
Well, thanks. Oh, what about your Mafia
story?
48
00:02:37,390 --> 00:02:40,750
And then there's Jim's Love Canal piece.
Oh, well, let's not forget Corky's.
49
00:02:45,230 --> 00:02:47,850
while of Mrs. Fields and her cookies.
50
00:02:53,530 --> 00:02:56,950
And since we're being honored as a team,
the last clip I included was our group
51
00:02:56,950 --> 00:02:58,330
location show from the Berlin Wall.
52
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Well, there it is.
53
00:03:01,330 --> 00:03:03,450
20 minutes, just like they asked for.
54
00:03:03,790 --> 00:03:08,970
So, what do you think? Very nice. Okay,
then. I'll just send this off to New
55
00:03:08,970 --> 00:03:13,050
York. Miles, I was just wondering, I
guess you...
56
00:03:13,360 --> 00:03:15,240
Decided not to use my crack house, Pete?
57
00:03:15,700 --> 00:03:18,500
I thought your Pentagon piece was much
stronger.
58
00:03:18,720 --> 00:03:19,900
He's right, Frank. Much more powerful.
59
00:03:20,200 --> 00:03:24,820
Besides, I'm sure Miles had to make many
tough choices, just as he chose to use
60
00:03:24,820 --> 00:03:27,780
clips of me, primarily from what appears
to be the dawn of television.
61
00:03:29,680 --> 00:03:34,600
Well, Jimbo, most of the footage of you
doing actual stories is from the earlier
62
00:03:34,600 --> 00:03:36,520
days when you went out on assignment
more.
63
00:03:36,800 --> 00:03:40,900
Oh, I like the footage, Jim. It offered
an interesting glimpse back in time.
64
00:03:41,470 --> 00:03:43,250
Although it was more than just a
glimpse, really.
65
00:03:43,550 --> 00:03:44,630
It's more of a look.
66
00:03:44,970 --> 00:03:45,970
A long look.
67
00:03:46,690 --> 00:03:49,870
A very long look at the early days of
FYI.
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00:03:50,290 --> 00:03:54,910
I guess that's why there's not much of
me in it. Well, Corky, you've only been
69
00:03:54,910 --> 00:03:59,090
with the show for the past four years,
while others of us have obviously been
70
00:03:59,090 --> 00:04:02,130
here since the days of wide lapels and
long sideburns.
71
00:04:03,650 --> 00:04:07,230
Let's remember that this film represents
all of us as a team.
72
00:04:07,680 --> 00:04:11,180
If we just pick it apart and focus on
ourselves, then we'll miss the essence,
73
00:04:11,360 --> 00:04:15,820
the grandeur of what FYI has come to
stand for. You got one minute and 17
74
00:04:15,820 --> 00:04:18,360
seconds more than anyone else. You timed
it? Well,
75
00:04:19,279 --> 00:04:22,800
maybe that's because Miles recognizes
that my stories tend to carry a little
76
00:04:22,800 --> 00:04:24,220
more, you know, weight.
77
00:04:24,460 --> 00:04:25,460
More weight?
78
00:04:25,800 --> 00:04:27,520
And who are you all of a sudden, Jenny
Craig?
79
00:04:29,280 --> 00:04:34,100
Hey, look, this is not a problem. We're
talking about a few minor adjustments.
80
00:04:34,920 --> 00:04:38,780
Let me go get some coffee. We'll bounce
some ideas around. And in no time, we'll
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00:04:38,780 --> 00:04:41,960
have something that'll make everyone in
this award -winning team happy.
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00:04:42,360 --> 00:04:43,360
Okay?
83
00:04:44,140 --> 00:04:45,140
Okay.
84
00:04:48,440 --> 00:04:52,060
Guys, I didn't mean to suggest that my
stories are more important than anyone
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00:04:52,060 --> 00:04:53,600
else's. Oh, of course not, slugger.
86
00:04:53,820 --> 00:04:57,060
And Corky, when I pointed out you were
the newcomer to the group, that doesn't
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00:04:57,060 --> 00:04:58,320
mean you're any less valuable.
88
00:04:58,900 --> 00:05:05,180
Thanks, Jim. And I know I haven't been
here as long as you and Murphy and
89
00:05:05,950 --> 00:05:06,950
Where is Frank?
90
00:05:07,370 --> 00:05:12,190
Oh, jeez. Is he obvious or what? Look at
him, trying to get more of his stuff in
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00:05:12,190 --> 00:05:13,190
the film.
92
00:05:13,810 --> 00:05:16,650
You guys just wait here. I'll handle
this.
93
00:05:20,110 --> 00:05:23,730
I don't want to take anything away from
you. He's not the kind of guy I... Oh,
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00:05:23,850 --> 00:05:24,850
hi, guys.
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00:05:25,370 --> 00:05:27,970
Happy you're getting some coffee? Yeah,
coffee's what I'm getting out of here.
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00:05:28,110 --> 00:05:30,850
Me too, here for some more coffee.
Coffee, my Aunt Fanny.
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00:05:31,450 --> 00:05:34,910
If you give him what he asks for, then I
expect the same.
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And to begin with, I want you to put in
my commentary on German reunification
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and dump the footage when I was
experimenting with that perm.
100
00:05:45,160 --> 00:05:51,560
Well, I
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00:05:51,560 --> 00:05:54,040
can see where this is going.
102
00:05:55,940 --> 00:05:58,080
And that is too bad.
103
00:05:59,200 --> 00:06:02,740
Because it would have been nice if we
could have worked on this together.
104
00:06:03,850 --> 00:06:06,110
This being an award honoring a team.
105
00:06:08,830 --> 00:06:11,390
But I guess I'll just have to do it
myself.
106
00:06:12,270 --> 00:06:15,010
Unless anybody has a suggestion.
107
00:06:17,270 --> 00:06:23,010
Well, we could grow up, put our petty
egos aside, and work together for the
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00:06:23,010 --> 00:06:24,010
common good.
109
00:06:26,170 --> 00:06:27,210
Oh, you're serious.
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00:06:28,830 --> 00:06:30,090
I'd be willing by me.
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00:06:30,650 --> 00:06:32,210
Good, I need to see my weight.
112
00:06:32,430 --> 00:06:33,430
I'll take notes.
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00:06:34,800 --> 00:06:39,660
First, since I seem to have gotten the
most time, I'll give up my airline
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story. No, wait.
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00:06:41,900 --> 00:06:43,020
My EPA scandal.
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00:06:43,440 --> 00:06:44,540
That was a masterpiece.
117
00:06:45,600 --> 00:06:46,660
My Brando interview.
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00:06:48,140 --> 00:06:50,260
I'm going to give him a Brando. Okay,
Frank's turn.
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00:06:52,400 --> 00:06:55,000
You've got to give up something. I
really want to use my crack house piece.
120
00:06:55,020 --> 00:06:58,260
come on, Frank. We already have you
running out of an embassy, jumping out
121
00:06:58,260 --> 00:07:00,280
airplane, and swimming through shark
-infested waters.
122
00:07:00,500 --> 00:07:03,680
If we're not careful, our 15 -year
retrospective is going to look like a
123
00:07:03,680 --> 00:07:04,680
of MacGyver.
124
00:07:05,680 --> 00:07:07,940
People like action.
125
00:07:08,200 --> 00:07:12,100
My stories are why a lot of people, most
people, tune in to FYI. Oh!
126
00:07:13,460 --> 00:07:18,220
And how many times were you honored by
the Museum of Broadcast Arts before I
127
00:07:18,220 --> 00:07:19,220
here, hmm?
128
00:07:19,320 --> 00:07:20,320
How many?
129
00:07:21,000 --> 00:07:22,000
Let's hear the number.
130
00:07:26,700 --> 00:07:27,700
all know what that means.
131
00:07:28,120 --> 00:07:31,100
We got this award because of me. Oh,
give me a break.
132
00:07:31,620 --> 00:07:34,800
So the squeaky wheel is going to get the
grease. Is that how it works? A good
133
00:07:34,800 --> 00:07:39,040
old Jim is supposed to politely sit back
and keep quiet. It wouldn't be right to
134
00:07:39,040 --> 00:07:40,040
blow my own horn.
135
00:07:40,060 --> 00:07:43,560
Well, I'm the one who holds this show
together, and I'd like to see any of you
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00:07:43,560 --> 00:07:44,800
last two minutes without me.
137
00:07:45,080 --> 00:07:46,080
Blow, blow, blow.
138
00:07:47,500 --> 00:07:51,460
I want my expose on black market Barbie
dolls in, and I want it in now.
139
00:07:59,280 --> 00:08:04,020
Let me say again how thrilled we are to
have you with us at the Museum of
140
00:08:04,020 --> 00:08:07,640
Broadcast Arts, or MOBA as we like to
call it.
141
00:08:08,840 --> 00:08:12,580
Thank you, Mr. Milliken. I don't mean to
gush. Oh, what the heck?
142
00:08:12,820 --> 00:08:13,820
I'm gushing.
143
00:08:14,120 --> 00:08:18,500
I've been a fan of your show ever since
it premiered. September 21st, 1977.
144
00:08:19,220 --> 00:08:23,340
Wow. You remember the exact date.
Amazing, huh, guys? Amazing, right? I'll
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00:08:23,340 --> 00:08:24,179
forget it.
146
00:08:24,180 --> 00:08:28,080
Nine o 'clock, eight central. You had
your premiere right after the short
147
00:08:28,080 --> 00:08:31,620
-lived, but in my opinion, vastly
underrated Mulligan Stew.
148
00:08:32,400 --> 00:08:35,940
Starring Lawrence Pressman as Mike
Mulligan, Eleanor Donahue as his wife
149
00:08:36,059 --> 00:08:38,179
and Julie Ann Haddock as...
150
00:08:43,720 --> 00:08:46,380
I can see you're a true fan of
television, isn't he, guys?
151
00:08:46,960 --> 00:08:53,140
If I could impose, I know you're asked
all the time, but I would love a picture
152
00:08:53,140 --> 00:08:54,140
of all of you.
153
00:08:54,200 --> 00:08:56,520
Please, no imposition at all. Guys?
154
00:09:04,080 --> 00:09:05,780
Just press that button right there.
155
00:09:17,960 --> 00:09:21,260
Now, in just a few minutes, you'll hear
me introduce you through this speaker.
156
00:09:21,460 --> 00:09:26,420
Then it's out the door, into the
auditorium, and our evening shall begin.
157
00:09:29,560 --> 00:09:33,880
Oh, is this great or what?
158
00:09:35,040 --> 00:09:36,260
Staying at the plaza?
159
00:09:36,760 --> 00:09:40,200
A stretch limo to take us to our own
MOBA night?
160
00:09:41,560 --> 00:09:43,960
With our own MOBA hors d 'oeuvres?
161
00:09:47,500 --> 00:09:48,500
Big crowd.
162
00:09:48,860 --> 00:09:49,860
Mobile crowd.
163
00:09:50,400 --> 00:09:51,620
These people love us.
164
00:09:52,020 --> 00:09:54,420
Jim, are you still hungry? I didn't
think that was possible after all those
165
00:09:54,420 --> 00:09:56,920
peanuts you ate on the plane. Let's see.
You had yours.
166
00:09:57,240 --> 00:09:58,780
Then you took mine while I was sleeping.
167
00:09:59,060 --> 00:10:03,000
Then you took my replacement bag when I
went to get a magazine. My other
168
00:10:03,000 --> 00:10:05,900
replacement bag while I was... Oh,
please, Frank. I am so sick of hearing
169
00:10:05,900 --> 00:10:11,540
you and your lousy peanuts envy. It's
the most... Please, let's not do this.
170
00:10:11,980 --> 00:10:15,760
Sure, our week wasn't without its little
ups and downs. But let's just...
171
00:10:16,010 --> 00:10:19,230
Put that all behind us and enjoy this
night. What do you say?
172
00:10:21,530 --> 00:10:23,610
Thanks a lot.
173
00:10:23,870 --> 00:10:25,630
Thanks for leaving without me.
174
00:10:26,450 --> 00:10:29,170
I waited in the oyster bar for half an
hour.
175
00:10:29,430 --> 00:10:34,210
And then I tried to get a cab. But you
can't get a cab in Manhattan on Saturday
176
00:10:34,210 --> 00:10:35,510
night. So I...
177
00:10:47,210 --> 00:10:49,290
In the oyster bar. I mean, we all met in
the lobby.
178
00:10:49,490 --> 00:10:51,550
When you didn't show, we figured you
came over on your own.
179
00:10:52,050 --> 00:10:54,710
Jim told me we were meeting at the
oyster bar.
180
00:10:55,070 --> 00:10:55,909
I didn't know.
181
00:10:55,910 --> 00:10:56,910
You must have misunderstood.
182
00:10:58,650 --> 00:11:00,110
You're probably right, Jim.
183
00:11:00,590 --> 00:11:04,490
Somebody as new to journalism as I am
couldn't possibly know the difference
184
00:11:04,490 --> 00:11:08,090
between the place where you pick up your
hotel key and the place where you suck
185
00:11:08,090 --> 00:11:09,090
down raw seafood.
186
00:11:10,630 --> 00:11:13,830
Remember the time we all went to that
Mexican restaurant in Virginia and made
187
00:11:13,830 --> 00:11:15,550
our own tortillas? That was fun, wasn't
it?
188
00:11:19,180 --> 00:11:23,040
The smallest dressing room. What do I
have to do to get a little respect
189
00:11:23,040 --> 00:11:26,240
here? You can't wait for what you want,
Corky. You have to take it.
190
00:11:26,460 --> 00:11:28,720
I thought you would have learned that
after four and a half years of working
191
00:11:28,720 --> 00:11:29,519
with Murphy.
192
00:11:29,520 --> 00:11:32,840
You want some of your rare time? Take
it. You want somebody else's story? Take
193
00:11:32,840 --> 00:11:33,679
it. What?
194
00:11:33,680 --> 00:11:37,400
I never took a story from you. Take,
take, take. You're a taker.
195
00:11:38,020 --> 00:11:40,260
Lord, you people are behaving like
children.
196
00:11:40,900 --> 00:11:43,240
You're journalists. Where's your sense
of decorum?
197
00:11:43,920 --> 00:11:48,100
What would you think if you heard Ed
Murrow or Chet Huntley squabbling over a
198
00:11:48,100 --> 00:11:49,100
bag of nuts?
199
00:11:51,900 --> 00:11:54,180
I guess I'd be surprised, Jim.
200
00:11:55,120 --> 00:11:56,340
Because they're dead!
201
00:11:56,840 --> 00:11:58,380
Dead, Jim! Look around!
202
00:11:58,680 --> 00:12:02,920
It's the 90s! Am I the only one who's
tired of hearing story after story about
203
00:12:02,920 --> 00:12:04,940
the old days? She's right! Shut up!
204
00:12:21,320 --> 00:12:23,060
stroking your egos and babying you?
205
00:12:24,180 --> 00:12:27,560
Who ran all over town looking for desk
chairs with adjustable lumbar support?
206
00:12:28,260 --> 00:12:29,260
Me.
207
00:12:30,120 --> 00:12:31,860
Who always has to tip the luggage guys?
208
00:12:32,300 --> 00:12:33,300
Me.
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And everywhere we go, people know it.
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They look at me and what do they see?
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Kevin Boy.
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I'm the executive producer, a highly
educated professional, the heart and
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I think they're introducing us. We're
delighted to have the members of the
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here tonight with us.
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Won't you join me in welcoming one of
television's most respected and
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news anchors for over 15 years.
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Ladies and gentlemen, for once, I, Miles
Silverberg, am going first.
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Back off.
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And here they are. Murphy Brown.
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Jim Dial.
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Frank Fontana.
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Corky Sherwood -Porris.
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I know our audience is champing at the
bit to ask questions, so let's get to
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I see a member of our board, Mary Van
Heusen, has a question. Mary.
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Yes.
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Since this award has been given to you
as a team, I was curious to know, how do
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you choose your stories each week so
that they complement each other?
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Why don't I just jump in and handle this
one?
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Well, Mary.
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May I call you Mary?
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I remember when I was doing a story on
the SNL scandal. If you'll remember,
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Murph, that was originally supposed to
be my story, but then it kind of
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to Murphy. And as you know, Frank, that
was the same week my piece on religious
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cults aired.
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And interestingly enough, we got more
mail on that than on Murphy's SNL story.
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Yes, quite a bit of work, Corky. And
thanks to Corky's unique reporting
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our mail ran about 70 % pro -cult.
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That about wraps up our 1986 FYI season.
Now, the 1987 season, and I believe
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that this is the year to which your
question pertains.
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I'm sorry, what was your question again?
We don't know how many cameras we use
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on the show. Three.
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Right, three.
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Next question.
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I feel we've been taking advantage of
Miss Brown.
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Perhaps someone else would like to jump
in on the next question? By all means. I
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feel like I've been talking all night.
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I wonder why.
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I see another question.
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Yes, Mr. Dial.
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In all the time you've been a reporter,
have you ever had to put your life in
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danger to get a story?
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There is one time that comes to mind.
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I was still working in radio.
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00:15:07,520 --> 00:15:10,120
And it was sent to Kentucky because
they've been having a lot of... Oh, your
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00:15:10,120 --> 00:15:12,020
flood story, this is great.
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00:15:12,540 --> 00:15:16,440
Jim is sent to Kentucky because they've
been having record rains and the Ohio
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River is going to flood.
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So he arrives in the middle of the
night. The motels are evacuated. So he
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his car and goes to sleep.
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He wakes up the next morning and
realizes he has parked his car less than
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feet from the river.
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It's pouring rain and the river has
risen to the doors of the car.
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The car won't start. The river is
rising. So Jim ends up doing his report
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the roof of the... Well, you tell it,
Jim.
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Car.
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I did the report from the roof of the
car. That's the story.
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Every time I hear it, it gets better. No
one tells a story like you, Jim.
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What's it like being the youngest member
of FYI? That's a very interesting
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question.
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Well, you have to remember, the first
time I saw these people on FYI, I was
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still in pigtails and knee socks.
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See, back in Louisiana, I used to watch
FYI all the time.
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Except when her pa and her were
whittling and hunting for possums.
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Well, thank you for those interesting
insights.
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00:16:15,110 --> 00:16:18,270
I realize we still haven't heard from
the executive producer tonight.
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00:16:18,530 --> 00:16:21,850
How about a question for Miles
Silverberg?
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Anyone?
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00:16:32,230 --> 00:16:33,230
Anyone at all?
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00:16:39,120 --> 00:16:44,140
While Miles is waiting for a question,
why don't I take you inside my world?
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The world of an investigative reporter.
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A world where the danger is actually...
Frank,
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00:16:49,240 --> 00:16:51,840
although that's very interesting, it
sounds like it may take a while, and I
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have a question coming.
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Do I see any hands up?
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Nope. I'll never forget.
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00:16:56,350 --> 00:17:01,530
The first time I went undercover, it was
right here in New York City. I had
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00:17:01,530 --> 00:17:06,589
gotten a tip on a car theft ring. I will
never forget the feeling of walking
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into that warehouse.
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00:17:08,050 --> 00:17:12,050
I had a pain in my stomach. I could
barely make my legs. Damn microphone!
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00:17:15,310 --> 00:17:19,510
Perhaps this would be a good time to
take a look at our FYI retrospective. So
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let's roll the tape. In the booth,
please.
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00:17:24,619 --> 00:17:27,819
Good job telling my story, Murphy. You
couldn't have butchered it any worse if
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you told it in Portuguese.
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00:17:28,940 --> 00:17:31,920
Well, the audience wasn't going to sit
here until Wednesday while you told it.
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00:17:32,000 --> 00:17:35,400
The way you were talking, I'm lucky I
got to say anything at all. Oh, yeah,
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00:17:35,400 --> 00:17:38,600
really bought that tender story of your
early days at FYI. Shh!
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00:17:38,820 --> 00:17:41,380
How much longer do you think you can
pass yourself off as some cute little
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00:17:41,380 --> 00:17:43,700
schoolgirl? As long as I'm working with
you!
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00:17:44,980 --> 00:17:50,820
For the past 15 years, America has
looked to the expertly written and
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hour to inform and entertain.
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00:17:53,770 --> 00:17:57,450
Particularly remarkable is the way in
which the reporters' diverse styles
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balance and blend seamlessly.
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00:17:59,830 --> 00:18:04,390
Murphy Brown commented on their
chemistry earlier this year in an
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00:18:04,390 --> 00:18:05,390
Barbara Walters.
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00:18:05,610 --> 00:18:07,270
Television shows don't last forever.
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00:18:07,530 --> 00:18:11,610
I know one day I'll go on to a new job
working with new people.
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00:18:12,190 --> 00:18:15,230
But nothing will ever match my years on
FYI.
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00:18:15,450 --> 00:18:19,310
We're blessed with that rare combination
of professionalism and friendship.
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00:18:20,010 --> 00:18:21,830
And when it's time to move on...
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i'm really going to miss it we all will
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how come murphy got interviewed and none
of us did
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00:19:06,570 --> 00:19:08,950
We're going to start our story meeting a
little early today.
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Come on. Don't be shy.
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00:19:12,870 --> 00:19:14,370
Jim, there's a nice seat.
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00:19:15,390 --> 00:19:16,990
Franco, why don't you take this one?
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00:19:18,210 --> 00:19:20,490
Murphy, Corky, join us, won't you?
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00:19:24,770 --> 00:19:25,770
All right.
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00:19:26,450 --> 00:19:31,790
Now, first of all, I think it would be a
nice gesture if we all chipped in to
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00:19:31,790 --> 00:19:33,430
pay for the torn video screen at the
museum.
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00:19:36,239 --> 00:19:39,540
Second, you'll be happy to know that Mr.
Milliken is resting comfortably and
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00:19:39,540 --> 00:19:41,220
will be back on solid foods by the end
of the week.
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00:19:42,420 --> 00:19:43,640
So, there's some good news.
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00:19:44,560 --> 00:19:50,060
So, the question then seems to be, where
do we go from here?
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We have four very strong -willed people
with four very healthy egos who I
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00:19:56,980 --> 00:20:01,300
believe would like to apologize to each
other and desperately want life to get
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00:20:01,300 --> 00:20:02,300
back to normal.
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00:20:04,149 --> 00:20:08,490
Everyone's afraid to go first and risk
the chance of rejection. Am I right?
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00:20:09,550 --> 00:20:10,550
I think I am.
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00:20:11,530 --> 00:20:13,490
So, here's my idea.
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00:20:14,690 --> 00:20:19,130
Anyone who would like to apologize for
their behavior, scratch your chin.
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00:20:22,150 --> 00:20:23,150
On three.
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00:20:23,750 --> 00:20:25,210
One, two...
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00:20:33,450 --> 00:20:38,750
If you would like to accept these
eloquent apologies, knock on the table.
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00:20:44,510 --> 00:20:48,390
And finally, anyone who would like to
promise that in the future they will
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00:20:48,390 --> 00:20:51,410
the wisdom of the executive producer,
rub your tummies while you're... Okay,
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00:20:51,410 --> 00:20:52,410
far.
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00:20:54,890 --> 00:20:55,890
One last thing.
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00:20:56,510 --> 00:20:59,270
In this box is our lovely award.
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00:21:05,610 --> 00:21:06,610
to have a piece.
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00:21:08,570 --> 00:21:10,310
Take it proudly, but carefully.
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00:21:10,570 --> 00:21:11,870
There's some jagged edges.
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00:21:13,550 --> 00:21:19,310
And, uh, I just want you all to remember
that no matter what happened, we're
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00:21:19,310 --> 00:21:20,830
still the best damn news team in the
business.
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00:21:22,930 --> 00:21:23,930
Team.
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00:21:24,290 --> 00:21:25,290
Team.
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00:21:28,350 --> 00:21:29,350
Jeez,
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00:21:32,290 --> 00:21:33,770
Murph, you took the biggest piece.
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00:21:45,480 --> 00:21:47,720
Only moms in America. Only one is the
funniest.
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00:21:48,060 --> 00:21:49,060
I'm the single mom.
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00:21:49,160 --> 00:21:51,740
And, uh, what? Shut up. You're so hot.
How could that be?
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00:21:51,940 --> 00:21:52,940
Who will it be?
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00:21:54,840 --> 00:21:57,600
Watch Nick at Night Search for the
funniest mom in America.
30491
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