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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,910 --> 00:00:05,910 All right. 2 00:00:05,930 --> 00:00:06,970 How about this one? 3 00:00:09,550 --> 00:00:13,970 I don't know, Corky. Yes, you do, Murphy. You can get this. We both know 4 00:00:13,970 --> 00:00:15,390 future success depends on it. 5 00:00:16,770 --> 00:00:18,610 Is it Big Bird? 6 00:00:19,070 --> 00:00:23,210 No! It ain't Big Bird. It has no feathers, no beak. 7 00:00:23,470 --> 00:00:24,570 It's Cookie Monster. 8 00:00:26,250 --> 00:00:28,450 How do you ever expect to teach your child to read? 9 00:00:29,830 --> 00:00:30,830 Try this one. 10 00:00:33,910 --> 00:00:34,910 Topo Gigio? 11 00:00:36,730 --> 00:00:42,690 Okay, people, I've got an announcement to make. 12 00:00:43,130 --> 00:00:46,410 Well, not so much an announcement as a favor to ask. 13 00:00:46,630 --> 00:00:52,970 A tiny favor. A favorite, really, for the network who pays us so well to do a 14 00:00:52,970 --> 00:00:54,290 job we love so much. 15 00:00:55,070 --> 00:00:58,930 Steady. Now, I know how you felt in the past when you've been asked to attend 16 00:00:58,930 --> 00:01:00,830 tribute dinners which honor others in our business. 17 00:01:01,630 --> 00:01:07,980 But... This one happens to be at the Museum of Broadcast Arts, which would 18 00:01:07,980 --> 00:01:12,600 a trip to exciting New York. Yes, New York, the city that never sleeps. They 19 00:01:12,600 --> 00:01:15,100 would if they had to sit through one of these stupid dinners. Am I right, guys? 20 00:01:15,640 --> 00:01:16,640 Okay, 21 00:01:16,780 --> 00:01:17,780 okay, fine. 22 00:01:18,060 --> 00:01:19,200 I'll tell them you're not interested. 23 00:01:19,640 --> 00:01:22,940 Too bad, really, because the show they happen to be honoring this year is FYI. 24 00:01:23,340 --> 00:01:26,620 I'm kidding. But if you're not interested, I... Give me that or I'll 25 00:01:26,620 --> 00:01:27,620 glasses. 26 00:01:29,080 --> 00:01:33,300 An evening with FYI honoring 15 years of excellence in journalism. What an 27 00:01:33,300 --> 00:01:36,740 honor. You know the best part? The award also honors the invaluable contribution 28 00:01:36,740 --> 00:01:39,660 of the producer as well, which means I'm going to be right up on that stage 29 00:01:39,660 --> 00:01:42,880 along with you. Me, who hasn't won an award since my senior class voted me 30 00:01:42,880 --> 00:01:43,880 likely to hemorrhage. 31 00:01:45,780 --> 00:01:48,960 So, Miles, how much is the cash award, and do we have to split it with you? 32 00:01:49,780 --> 00:01:52,380 There's no money involved, and this is not an attractive side of you. 33 00:01:54,510 --> 00:01:58,050 The evening will begin in an auditorium of adoring fans asking us questions, 34 00:01:58,130 --> 00:02:02,790 followed by a film retrospective celebrating FYI's past 15 years. Then a 35 00:02:02,790 --> 00:02:06,610 and a VIP reception at the Four Seasons. No one gives money anymore. 36 00:02:07,950 --> 00:02:08,949 It's so amazing. 37 00:02:09,169 --> 00:02:10,690 First Miss America, now this? 38 00:02:11,009 --> 00:02:14,050 You guys realize we are now a part of history? We're going to live forever in 39 00:02:14,050 --> 00:02:17,610 the museum archive. To be honored with the likes of Edward R. Murrow, Chet 40 00:02:17,610 --> 00:02:18,610 Huntley. 41 00:02:18,670 --> 00:02:20,290 The best part, I didn't have to die to get it. 42 00:02:20,990 --> 00:02:22,110 Peter Jennings was wrong. 43 00:02:23,310 --> 00:02:26,630 Okay, guys, I'm going to need clips from the show to put in the retrospective. 44 00:02:26,870 --> 00:02:29,830 Why don't each of you make a list of what you think are the top five pieces 45 00:02:29,830 --> 00:02:32,490 we've ever done, and I'll edit something together. Well, you know, there's 46 00:02:32,490 --> 00:02:34,550 Murphy's Gorbachev piece. That was brilliant. 47 00:02:34,870 --> 00:02:37,070 Well, thanks. Oh, what about your Mafia story? 48 00:02:37,390 --> 00:02:40,750 And then there's Jim's Love Canal piece. Oh, well, let's not forget Corky's. 49 00:02:45,230 --> 00:02:47,850 while of Mrs. Fields and her cookies. 50 00:02:53,530 --> 00:02:56,950 And since we're being honored as a team, the last clip I included was our group 51 00:02:56,950 --> 00:02:58,330 location show from the Berlin Wall. 52 00:02:59,550 --> 00:03:01,110 Well, there it is. 53 00:03:01,330 --> 00:03:03,450 20 minutes, just like they asked for. 54 00:03:03,790 --> 00:03:08,970 So, what do you think? Very nice. Okay, then. I'll just send this off to New 55 00:03:08,970 --> 00:03:13,050 York. Miles, I was just wondering, I guess you... 56 00:03:13,360 --> 00:03:15,240 Decided not to use my crack house, Pete? 57 00:03:15,700 --> 00:03:18,500 I thought your Pentagon piece was much stronger. 58 00:03:18,720 --> 00:03:19,900 He's right, Frank. Much more powerful. 59 00:03:20,200 --> 00:03:24,820 Besides, I'm sure Miles had to make many tough choices, just as he chose to use 60 00:03:24,820 --> 00:03:27,780 clips of me, primarily from what appears to be the dawn of television. 61 00:03:29,680 --> 00:03:34,600 Well, Jimbo, most of the footage of you doing actual stories is from the earlier 62 00:03:34,600 --> 00:03:36,520 days when you went out on assignment more. 63 00:03:36,800 --> 00:03:40,900 Oh, I like the footage, Jim. It offered an interesting glimpse back in time. 64 00:03:41,470 --> 00:03:43,250 Although it was more than just a glimpse, really. 65 00:03:43,550 --> 00:03:44,630 It's more of a look. 66 00:03:44,970 --> 00:03:45,970 A long look. 67 00:03:46,690 --> 00:03:49,870 A very long look at the early days of FYI. 68 00:03:50,290 --> 00:03:54,910 I guess that's why there's not much of me in it. Well, Corky, you've only been 69 00:03:54,910 --> 00:03:59,090 with the show for the past four years, while others of us have obviously been 70 00:03:59,090 --> 00:04:02,130 here since the days of wide lapels and long sideburns. 71 00:04:03,650 --> 00:04:07,230 Let's remember that this film represents all of us as a team. 72 00:04:07,680 --> 00:04:11,180 If we just pick it apart and focus on ourselves, then we'll miss the essence, 73 00:04:11,360 --> 00:04:15,820 the grandeur of what FYI has come to stand for. You got one minute and 17 74 00:04:15,820 --> 00:04:18,360 seconds more than anyone else. You timed it? Well, 75 00:04:19,279 --> 00:04:22,800 maybe that's because Miles recognizes that my stories tend to carry a little 76 00:04:22,800 --> 00:04:24,220 more, you know, weight. 77 00:04:24,460 --> 00:04:25,460 More weight? 78 00:04:25,800 --> 00:04:27,520 And who are you all of a sudden, Jenny Craig? 79 00:04:29,280 --> 00:04:34,100 Hey, look, this is not a problem. We're talking about a few minor adjustments. 80 00:04:34,920 --> 00:04:38,780 Let me go get some coffee. We'll bounce some ideas around. And in no time, we'll 81 00:04:38,780 --> 00:04:41,960 have something that'll make everyone in this award -winning team happy. 82 00:04:42,360 --> 00:04:43,360 Okay? 83 00:04:44,140 --> 00:04:45,140 Okay. 84 00:04:48,440 --> 00:04:52,060 Guys, I didn't mean to suggest that my stories are more important than anyone 85 00:04:52,060 --> 00:04:53,600 else's. Oh, of course not, slugger. 86 00:04:53,820 --> 00:04:57,060 And Corky, when I pointed out you were the newcomer to the group, that doesn't 87 00:04:57,060 --> 00:04:58,320 mean you're any less valuable. 88 00:04:58,900 --> 00:05:05,180 Thanks, Jim. And I know I haven't been here as long as you and Murphy and 89 00:05:05,950 --> 00:05:06,950 Where is Frank? 90 00:05:07,370 --> 00:05:12,190 Oh, jeez. Is he obvious or what? Look at him, trying to get more of his stuff in 91 00:05:12,190 --> 00:05:13,190 the film. 92 00:05:13,810 --> 00:05:16,650 You guys just wait here. I'll handle this. 93 00:05:20,110 --> 00:05:23,730 I don't want to take anything away from you. He's not the kind of guy I... Oh, 94 00:05:23,850 --> 00:05:24,850 hi, guys. 95 00:05:25,370 --> 00:05:27,970 Happy you're getting some coffee? Yeah, coffee's what I'm getting out of here. 96 00:05:28,110 --> 00:05:30,850 Me too, here for some more coffee. Coffee, my Aunt Fanny. 97 00:05:31,450 --> 00:05:34,910 If you give him what he asks for, then I expect the same. 98 00:05:35,420 --> 00:05:38,480 And to begin with, I want you to put in my commentary on German reunification 99 00:05:38,480 --> 00:05:41,240 and dump the footage when I was experimenting with that perm. 100 00:05:45,160 --> 00:05:51,560 Well, I 101 00:05:51,560 --> 00:05:54,040 can see where this is going. 102 00:05:55,940 --> 00:05:58,080 And that is too bad. 103 00:05:59,200 --> 00:06:02,740 Because it would have been nice if we could have worked on this together. 104 00:06:03,850 --> 00:06:06,110 This being an award honoring a team. 105 00:06:08,830 --> 00:06:11,390 But I guess I'll just have to do it myself. 106 00:06:12,270 --> 00:06:15,010 Unless anybody has a suggestion. 107 00:06:17,270 --> 00:06:23,010 Well, we could grow up, put our petty egos aside, and work together for the 108 00:06:23,010 --> 00:06:24,010 common good. 109 00:06:26,170 --> 00:06:27,210 Oh, you're serious. 110 00:06:28,830 --> 00:06:30,090 I'd be willing by me. 111 00:06:30,650 --> 00:06:32,210 Good, I need to see my weight. 112 00:06:32,430 --> 00:06:33,430 I'll take notes. 113 00:06:34,800 --> 00:06:39,660 First, since I seem to have gotten the most time, I'll give up my airline 114 00:06:39,660 --> 00:06:41,180 story. No, wait. 115 00:06:41,900 --> 00:06:43,020 My EPA scandal. 116 00:06:43,440 --> 00:06:44,540 That was a masterpiece. 117 00:06:45,600 --> 00:06:46,660 My Brando interview. 118 00:06:48,140 --> 00:06:50,260 I'm going to give him a Brando. Okay, Frank's turn. 119 00:06:52,400 --> 00:06:55,000 You've got to give up something. I really want to use my crack house piece. 120 00:06:55,020 --> 00:06:58,260 come on, Frank. We already have you running out of an embassy, jumping out 121 00:06:58,260 --> 00:07:00,280 airplane, and swimming through shark -infested waters. 122 00:07:00,500 --> 00:07:03,680 If we're not careful, our 15 -year retrospective is going to look like a 123 00:07:03,680 --> 00:07:04,680 of MacGyver. 124 00:07:05,680 --> 00:07:07,940 People like action. 125 00:07:08,200 --> 00:07:12,100 My stories are why a lot of people, most people, tune in to FYI. Oh! 126 00:07:13,460 --> 00:07:18,220 And how many times were you honored by the Museum of Broadcast Arts before I 127 00:07:18,220 --> 00:07:19,220 here, hmm? 128 00:07:19,320 --> 00:07:20,320 How many? 129 00:07:21,000 --> 00:07:22,000 Let's hear the number. 130 00:07:26,700 --> 00:07:27,700 all know what that means. 131 00:07:28,120 --> 00:07:31,100 We got this award because of me. Oh, give me a break. 132 00:07:31,620 --> 00:07:34,800 So the squeaky wheel is going to get the grease. Is that how it works? A good 133 00:07:34,800 --> 00:07:39,040 old Jim is supposed to politely sit back and keep quiet. It wouldn't be right to 134 00:07:39,040 --> 00:07:40,040 blow my own horn. 135 00:07:40,060 --> 00:07:43,560 Well, I'm the one who holds this show together, and I'd like to see any of you 136 00:07:43,560 --> 00:07:44,800 last two minutes without me. 137 00:07:45,080 --> 00:07:46,080 Blow, blow, blow. 138 00:07:47,500 --> 00:07:51,460 I want my expose on black market Barbie dolls in, and I want it in now. 139 00:07:59,280 --> 00:08:04,020 Let me say again how thrilled we are to have you with us at the Museum of 140 00:08:04,020 --> 00:08:07,640 Broadcast Arts, or MOBA as we like to call it. 141 00:08:08,840 --> 00:08:12,580 Thank you, Mr. Milliken. I don't mean to gush. Oh, what the heck? 142 00:08:12,820 --> 00:08:13,820 I'm gushing. 143 00:08:14,120 --> 00:08:18,500 I've been a fan of your show ever since it premiered. September 21st, 1977. 144 00:08:19,220 --> 00:08:23,340 Wow. You remember the exact date. Amazing, huh, guys? Amazing, right? I'll 145 00:08:23,340 --> 00:08:24,179 forget it. 146 00:08:24,180 --> 00:08:28,080 Nine o 'clock, eight central. You had your premiere right after the short 147 00:08:28,080 --> 00:08:31,620 -lived, but in my opinion, vastly underrated Mulligan Stew. 148 00:08:32,400 --> 00:08:35,940 Starring Lawrence Pressman as Mike Mulligan, Eleanor Donahue as his wife 149 00:08:36,059 --> 00:08:38,179 and Julie Ann Haddock as... 150 00:08:43,720 --> 00:08:46,380 I can see you're a true fan of television, isn't he, guys? 151 00:08:46,960 --> 00:08:53,140 If I could impose, I know you're asked all the time, but I would love a picture 152 00:08:53,140 --> 00:08:54,140 of all of you. 153 00:08:54,200 --> 00:08:56,520 Please, no imposition at all. Guys? 154 00:09:04,080 --> 00:09:05,780 Just press that button right there. 155 00:09:17,960 --> 00:09:21,260 Now, in just a few minutes, you'll hear me introduce you through this speaker. 156 00:09:21,460 --> 00:09:26,420 Then it's out the door, into the auditorium, and our evening shall begin. 157 00:09:29,560 --> 00:09:33,880 Oh, is this great or what? 158 00:09:35,040 --> 00:09:36,260 Staying at the plaza? 159 00:09:36,760 --> 00:09:40,200 A stretch limo to take us to our own MOBA night? 160 00:09:41,560 --> 00:09:43,960 With our own MOBA hors d 'oeuvres? 161 00:09:47,500 --> 00:09:48,500 Big crowd. 162 00:09:48,860 --> 00:09:49,860 Mobile crowd. 163 00:09:50,400 --> 00:09:51,620 These people love us. 164 00:09:52,020 --> 00:09:54,420 Jim, are you still hungry? I didn't think that was possible after all those 165 00:09:54,420 --> 00:09:56,920 peanuts you ate on the plane. Let's see. You had yours. 166 00:09:57,240 --> 00:09:58,780 Then you took mine while I was sleeping. 167 00:09:59,060 --> 00:10:03,000 Then you took my replacement bag when I went to get a magazine. My other 168 00:10:03,000 --> 00:10:05,900 replacement bag while I was... Oh, please, Frank. I am so sick of hearing 169 00:10:05,900 --> 00:10:11,540 you and your lousy peanuts envy. It's the most... Please, let's not do this. 170 00:10:11,980 --> 00:10:15,760 Sure, our week wasn't without its little ups and downs. But let's just... 171 00:10:16,010 --> 00:10:19,230 Put that all behind us and enjoy this night. What do you say? 172 00:10:21,530 --> 00:10:23,610 Thanks a lot. 173 00:10:23,870 --> 00:10:25,630 Thanks for leaving without me. 174 00:10:26,450 --> 00:10:29,170 I waited in the oyster bar for half an hour. 175 00:10:29,430 --> 00:10:34,210 And then I tried to get a cab. But you can't get a cab in Manhattan on Saturday 176 00:10:34,210 --> 00:10:35,510 night. So I... 177 00:10:47,210 --> 00:10:49,290 In the oyster bar. I mean, we all met in the lobby. 178 00:10:49,490 --> 00:10:51,550 When you didn't show, we figured you came over on your own. 179 00:10:52,050 --> 00:10:54,710 Jim told me we were meeting at the oyster bar. 180 00:10:55,070 --> 00:10:55,909 I didn't know. 181 00:10:55,910 --> 00:10:56,910 You must have misunderstood. 182 00:10:58,650 --> 00:11:00,110 You're probably right, Jim. 183 00:11:00,590 --> 00:11:04,490 Somebody as new to journalism as I am couldn't possibly know the difference 184 00:11:04,490 --> 00:11:08,090 between the place where you pick up your hotel key and the place where you suck 185 00:11:08,090 --> 00:11:09,090 down raw seafood. 186 00:11:10,630 --> 00:11:13,830 Remember the time we all went to that Mexican restaurant in Virginia and made 187 00:11:13,830 --> 00:11:15,550 our own tortillas? That was fun, wasn't it? 188 00:11:19,180 --> 00:11:23,040 The smallest dressing room. What do I have to do to get a little respect 189 00:11:23,040 --> 00:11:26,240 here? You can't wait for what you want, Corky. You have to take it. 190 00:11:26,460 --> 00:11:28,720 I thought you would have learned that after four and a half years of working 191 00:11:28,720 --> 00:11:29,519 with Murphy. 192 00:11:29,520 --> 00:11:32,840 You want some of your rare time? Take it. You want somebody else's story? Take 193 00:11:32,840 --> 00:11:33,679 it. What? 194 00:11:33,680 --> 00:11:37,400 I never took a story from you. Take, take, take. You're a taker. 195 00:11:38,020 --> 00:11:40,260 Lord, you people are behaving like children. 196 00:11:40,900 --> 00:11:43,240 You're journalists. Where's your sense of decorum? 197 00:11:43,920 --> 00:11:48,100 What would you think if you heard Ed Murrow or Chet Huntley squabbling over a 198 00:11:48,100 --> 00:11:49,100 bag of nuts? 199 00:11:51,900 --> 00:11:54,180 I guess I'd be surprised, Jim. 200 00:11:55,120 --> 00:11:56,340 Because they're dead! 201 00:11:56,840 --> 00:11:58,380 Dead, Jim! Look around! 202 00:11:58,680 --> 00:12:02,920 It's the 90s! Am I the only one who's tired of hearing story after story about 203 00:12:02,920 --> 00:12:04,940 the old days? She's right! Shut up! 204 00:12:21,320 --> 00:12:23,060 stroking your egos and babying you? 205 00:12:24,180 --> 00:12:27,560 Who ran all over town looking for desk chairs with adjustable lumbar support? 206 00:12:28,260 --> 00:12:29,260 Me. 207 00:12:30,120 --> 00:12:31,860 Who always has to tip the luggage guys? 208 00:12:32,300 --> 00:12:33,300 Me. 209 00:12:33,500 --> 00:12:35,100 And everywhere we go, people know it. 210 00:12:35,860 --> 00:12:37,340 They look at me and what do they see? 211 00:12:37,840 --> 00:12:38,840 Kevin Boy. 212 00:12:40,760 --> 00:12:45,520 I'm the executive producer, a highly educated professional, the heart and 213 00:12:45,760 --> 00:12:49,060 I think they're introducing us. We're delighted to have the members of the 214 00:12:49,060 --> 00:12:50,060 here tonight with us. 215 00:12:50,410 --> 00:12:54,550 Won't you join me in welcoming one of television's most respected and 216 00:12:54,550 --> 00:12:55,750 news anchors for over 15 years. 217 00:12:56,590 --> 00:13:00,930 Ladies and gentlemen, for once, I, Miles Silverberg, am going first. 218 00:13:01,270 --> 00:13:03,170 Back off. 219 00:13:07,150 --> 00:13:09,410 And here they are. Murphy Brown. 220 00:13:10,270 --> 00:13:11,270 Jim Dial. 221 00:13:11,930 --> 00:13:13,290 Frank Fontana. 222 00:13:14,150 --> 00:13:15,630 Corky Sherwood -Porris. 223 00:13:25,770 --> 00:13:30,070 I know our audience is champing at the bit to ask questions, so let's get to 224 00:13:30,430 --> 00:13:33,610 I see a member of our board, Mary Van Heusen, has a question. Mary. 225 00:13:33,970 --> 00:13:34,970 Yes. 226 00:13:35,730 --> 00:13:40,550 Since this award has been given to you as a team, I was curious to know, how do 227 00:13:40,550 --> 00:13:43,610 you choose your stories each week so that they complement each other? 228 00:13:46,170 --> 00:13:53,130 Why don't I just jump in and handle this one? 229 00:13:53,770 --> 00:13:54,770 Well, Mary. 230 00:13:55,240 --> 00:13:56,260 May I call you Mary? 231 00:13:56,720 --> 00:14:02,320 I remember when I was doing a story on the SNL scandal. If you'll remember, 232 00:14:02,440 --> 00:14:06,420 Murph, that was originally supposed to be my story, but then it kind of 233 00:14:06,420 --> 00:14:11,240 to Murphy. And as you know, Frank, that was the same week my piece on religious 234 00:14:11,240 --> 00:14:12,199 cults aired. 235 00:14:12,200 --> 00:14:16,240 And interestingly enough, we got more mail on that than on Murphy's SNL story. 236 00:14:16,440 --> 00:14:20,060 Yes, quite a bit of work, Corky. And thanks to Corky's unique reporting 237 00:14:20,200 --> 00:14:22,520 our mail ran about 70 % pro -cult. 238 00:14:26,890 --> 00:14:32,570 That about wraps up our 1986 FYI season. Now, the 1987 season, and I believe 239 00:14:32,570 --> 00:14:34,670 that this is the year to which your question pertains. 240 00:14:35,750 --> 00:14:38,930 I'm sorry, what was your question again? We don't know how many cameras we use 241 00:14:38,930 --> 00:14:39,930 on the show. Three. 242 00:14:40,070 --> 00:14:41,070 Right, three. 243 00:14:41,110 --> 00:14:42,110 Next question. 244 00:14:42,510 --> 00:14:44,970 I feel we've been taking advantage of Miss Brown. 245 00:14:45,270 --> 00:14:48,990 Perhaps someone else would like to jump in on the next question? By all means. I 246 00:14:48,990 --> 00:14:50,330 feel like I've been talking all night. 247 00:14:51,090 --> 00:14:52,090 I wonder why. 248 00:14:53,070 --> 00:14:54,430 I see another question. 249 00:14:54,810 --> 00:14:55,810 Yes, Mr. Dial. 250 00:14:56,480 --> 00:14:59,720 In all the time you've been a reporter, have you ever had to put your life in 251 00:14:59,720 --> 00:15:00,980 danger to get a story? 252 00:15:02,800 --> 00:15:05,240 There is one time that comes to mind. 253 00:15:05,820 --> 00:15:07,060 I was still working in radio. 254 00:15:07,520 --> 00:15:10,120 And it was sent to Kentucky because they've been having a lot of... Oh, your 255 00:15:10,120 --> 00:15:12,020 flood story, this is great. 256 00:15:12,540 --> 00:15:16,440 Jim is sent to Kentucky because they've been having record rains and the Ohio 257 00:15:16,440 --> 00:15:17,620 River is going to flood. 258 00:15:18,180 --> 00:15:23,460 So he arrives in the middle of the night. The motels are evacuated. So he 259 00:15:23,460 --> 00:15:24,460 his car and goes to sleep. 260 00:15:24,840 --> 00:15:30,040 He wakes up the next morning and realizes he has parked his car less than 261 00:15:30,040 --> 00:15:31,220 feet from the river. 262 00:15:31,500 --> 00:15:35,500 It's pouring rain and the river has risen to the doors of the car. 263 00:15:35,930 --> 00:15:40,470 The car won't start. The river is rising. So Jim ends up doing his report 264 00:15:40,470 --> 00:15:42,430 the roof of the... Well, you tell it, Jim. 265 00:15:42,690 --> 00:15:43,690 Car. 266 00:15:44,450 --> 00:15:47,350 I did the report from the roof of the car. That's the story. 267 00:15:47,570 --> 00:15:51,490 Every time I hear it, it gets better. No one tells a story like you, Jim. 268 00:15:52,790 --> 00:15:56,790 What's it like being the youngest member of FYI? That's a very interesting 269 00:15:56,790 --> 00:15:57,790 question. 270 00:15:58,650 --> 00:16:03,070 Well, you have to remember, the first time I saw these people on FYI, I was 271 00:16:03,070 --> 00:16:04,530 still in pigtails and knee socks. 272 00:16:04,990 --> 00:16:07,410 See, back in Louisiana, I used to watch FYI all the time. 273 00:16:07,610 --> 00:16:10,410 Except when her pa and her were whittling and hunting for possums. 274 00:16:11,990 --> 00:16:14,630 Well, thank you for those interesting insights. 275 00:16:15,110 --> 00:16:18,270 I realize we still haven't heard from the executive producer tonight. 276 00:16:18,530 --> 00:16:21,850 How about a question for Miles Silverberg? 277 00:16:30,870 --> 00:16:31,870 Anyone? 278 00:16:32,230 --> 00:16:33,230 Anyone at all? 279 00:16:39,120 --> 00:16:44,140 While Miles is waiting for a question, why don't I take you inside my world? 280 00:16:44,620 --> 00:16:46,600 The world of an investigative reporter. 281 00:16:46,860 --> 00:16:48,500 A world where the danger is actually... Frank, 282 00:16:49,240 --> 00:16:51,840 although that's very interesting, it sounds like it may take a while, and I 283 00:16:51,840 --> 00:16:52,840 have a question coming. 284 00:16:52,860 --> 00:16:54,060 Do I see any hands up? 285 00:16:54,500 --> 00:16:55,760 Nope. I'll never forget. 286 00:16:56,350 --> 00:17:01,530 The first time I went undercover, it was right here in New York City. I had 287 00:17:01,530 --> 00:17:06,589 gotten a tip on a car theft ring. I will never forget the feeling of walking 288 00:17:06,589 --> 00:17:07,589 into that warehouse. 289 00:17:08,050 --> 00:17:12,050 I had a pain in my stomach. I could barely make my legs. Damn microphone! 290 00:17:15,310 --> 00:17:19,510 Perhaps this would be a good time to take a look at our FYI retrospective. So 291 00:17:19,510 --> 00:17:21,630 let's roll the tape. In the booth, please. 292 00:17:24,619 --> 00:17:27,819 Good job telling my story, Murphy. You couldn't have butchered it any worse if 293 00:17:27,819 --> 00:17:28,820 you told it in Portuguese. 294 00:17:28,940 --> 00:17:31,920 Well, the audience wasn't going to sit here until Wednesday while you told it. 295 00:17:32,000 --> 00:17:35,400 The way you were talking, I'm lucky I got to say anything at all. Oh, yeah, 296 00:17:35,400 --> 00:17:38,600 really bought that tender story of your early days at FYI. Shh! 297 00:17:38,820 --> 00:17:41,380 How much longer do you think you can pass yourself off as some cute little 298 00:17:41,380 --> 00:17:43,700 schoolgirl? As long as I'm working with you! 299 00:17:44,980 --> 00:17:50,820 For the past 15 years, America has looked to the expertly written and 300 00:17:50,820 --> 00:17:52,820 hour to inform and entertain. 301 00:17:53,770 --> 00:17:57,450 Particularly remarkable is the way in which the reporters' diverse styles 302 00:17:57,450 --> 00:17:59,270 balance and blend seamlessly. 303 00:17:59,830 --> 00:18:04,390 Murphy Brown commented on their chemistry earlier this year in an 304 00:18:04,390 --> 00:18:05,390 Barbara Walters. 305 00:18:05,610 --> 00:18:07,270 Television shows don't last forever. 306 00:18:07,530 --> 00:18:11,610 I know one day I'll go on to a new job working with new people. 307 00:18:12,190 --> 00:18:15,230 But nothing will ever match my years on FYI. 308 00:18:15,450 --> 00:18:19,310 We're blessed with that rare combination of professionalism and friendship. 309 00:18:20,010 --> 00:18:21,830 And when it's time to move on... 310 00:18:22,510 --> 00:18:25,230 i'm really going to miss it we all will 311 00:18:25,230 --> 00:18:31,610 how come murphy got interviewed and none of us did 312 00:19:06,570 --> 00:19:08,950 We're going to start our story meeting a little early today. 313 00:19:10,170 --> 00:19:11,410 Come on. Don't be shy. 314 00:19:12,870 --> 00:19:14,370 Jim, there's a nice seat. 315 00:19:15,390 --> 00:19:16,990 Franco, why don't you take this one? 316 00:19:18,210 --> 00:19:20,490 Murphy, Corky, join us, won't you? 317 00:19:24,770 --> 00:19:25,770 All right. 318 00:19:26,450 --> 00:19:31,790 Now, first of all, I think it would be a nice gesture if we all chipped in to 319 00:19:31,790 --> 00:19:33,430 pay for the torn video screen at the museum. 320 00:19:36,239 --> 00:19:39,540 Second, you'll be happy to know that Mr. Milliken is resting comfortably and 321 00:19:39,540 --> 00:19:41,220 will be back on solid foods by the end of the week. 322 00:19:42,420 --> 00:19:43,640 So, there's some good news. 323 00:19:44,560 --> 00:19:50,060 So, the question then seems to be, where do we go from here? 324 00:19:51,520 --> 00:19:56,980 We have four very strong -willed people with four very healthy egos who I 325 00:19:56,980 --> 00:20:01,300 believe would like to apologize to each other and desperately want life to get 326 00:20:01,300 --> 00:20:02,300 back to normal. 327 00:20:04,149 --> 00:20:08,490 Everyone's afraid to go first and risk the chance of rejection. Am I right? 328 00:20:09,550 --> 00:20:10,550 I think I am. 329 00:20:11,530 --> 00:20:13,490 So, here's my idea. 330 00:20:14,690 --> 00:20:19,130 Anyone who would like to apologize for their behavior, scratch your chin. 331 00:20:22,150 --> 00:20:23,150 On three. 332 00:20:23,750 --> 00:20:25,210 One, two... 333 00:20:33,450 --> 00:20:38,750 If you would like to accept these eloquent apologies, knock on the table. 334 00:20:44,510 --> 00:20:48,390 And finally, anyone who would like to promise that in the future they will 335 00:20:48,390 --> 00:20:51,410 the wisdom of the executive producer, rub your tummies while you're... Okay, 336 00:20:51,410 --> 00:20:52,410 far. 337 00:20:54,890 --> 00:20:55,890 One last thing. 338 00:20:56,510 --> 00:20:59,270 In this box is our lovely award. 339 00:21:05,610 --> 00:21:06,610 to have a piece. 340 00:21:08,570 --> 00:21:10,310 Take it proudly, but carefully. 341 00:21:10,570 --> 00:21:11,870 There's some jagged edges. 342 00:21:13,550 --> 00:21:19,310 And, uh, I just want you all to remember that no matter what happened, we're 343 00:21:19,310 --> 00:21:20,830 still the best damn news team in the business. 344 00:21:22,930 --> 00:21:23,930 Team. 345 00:21:24,290 --> 00:21:25,290 Team. 346 00:21:28,350 --> 00:21:29,350 Jeez, 347 00:21:32,290 --> 00:21:33,770 Murph, you took the biggest piece. 348 00:21:45,480 --> 00:21:47,720 Only moms in America. Only one is the funniest. 349 00:21:48,060 --> 00:21:49,060 I'm the single mom. 350 00:21:49,160 --> 00:21:51,740 And, uh, what? Shut up. You're so hot. How could that be? 351 00:21:51,940 --> 00:21:52,940 Who will it be? 352 00:21:54,840 --> 00:21:57,600 Watch Nick at Night Search for the funniest mom in America. 30491

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