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All right.
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How about this one?
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I don't know, Corky. Yes, you do,
Murphy. You can get this. We both know
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future success depends on it.
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Is it Big Bird?
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No! It ain't Big Bird. It has no
feathers, no beak.
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It's Cookie Monster.
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How do you ever expect to teach your
child to read?
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Try this one.
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Topo Gigio?
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Okay, people, I've got an announcement
to make.
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Well, not so much an announcement as a
favor to ask.
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A tiny favor. A favorite, really, for
the network who pays us so well to do a
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job we love so much.
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Steady. Now, I know how you felt in the
past when you've been asked to attend
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tribute dinners which honor others in
our business.
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But... This one happens to be at the
Museum of Broadcast Arts, which would
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a trip to exciting New York. Yes, New
York, the city that never sleeps. They
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would if they had to sit through one of
these stupid dinners. Am I right, guys?
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Okay,
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okay, fine.
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I'll tell them you're not interested.
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Too bad, really, because the show they
happen to be honoring this year is FYI.
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I'm kidding. But if you're not
interested, I... Give me that or I'll
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glasses.
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An evening with FYI honoring 15 years of
excellence in journalism. What an
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honor. You know the best part? The award
also honors the invaluable contribution
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of the producer as well, which means I'm
going to be right up on that stage
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along with you. Me, who hasn't won an
award since my senior class voted me
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likely to hemorrhage.
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So, Miles, how much is the cash award,
and do we have to split it with you?
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There's no money involved, and this is
not an attractive side of you.
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The evening will begin in an auditorium
of adoring fans asking us questions,
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followed by a film retrospective
celebrating FYI's past 15 years. Then a
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and a VIP reception at the Four Seasons.
No one gives money anymore.
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It's so amazing.
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First Miss America, now this?
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You guys realize we are now a part of
history? We're going to live forever in
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the museum archive. To be honored with
the likes of Edward R. Murrow, Chet
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Huntley.
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The best part, I didn't have to die to
get it.
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Peter Jennings was wrong.
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Okay, guys, I'm going to need clips from
the show to put in the retrospective.
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Why don't each of you make a list of
what you think are the top five pieces
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we've ever done, and I'll edit something
together. Well, you know, there's
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Murphy's Gorbachev piece. That was
brilliant.
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Well, thanks. Oh, what about your Mafia
story?
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And then there's Jim's Love Canal piece.
Oh, well, let's not forget Corky's.
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while of Mrs. Fields and her cookies.
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And since we're being honored as a team,
the last clip I included was our group
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location show from the Berlin Wall.
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Well, there it is.
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20 minutes, just like they asked for.
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So, what do you think? Very nice. Okay,
then. I'll just send this off to New
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York. Miles, I was just wondering, I
guess you...
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Decided not to use my crack house, Pete?
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I thought your Pentagon piece was much
stronger.
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He's right, Frank. Much more powerful.
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Besides, I'm sure Miles had to make many
tough choices, just as he chose to use
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clips of me, primarily from what appears
to be the dawn of television.
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Well, Jimbo, most of the footage of you
doing actual stories is from the earlier
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days when you went out on assignment
more.
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Oh, I like the footage, Jim. It offered
an interesting glimpse back in time.
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Although it was more than just a
glimpse, really.
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It's more of a look.
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A long look.
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A very long look at the early days of
FYI.
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I guess that's why there's not much of
me in it. Well, Corky, you've only been
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with the show for the past four years,
while others of us have obviously been
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here since the days of wide lapels and
long sideburns.
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Let's remember that this film represents
all of us as a team.
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If we just pick it apart and focus on
ourselves, then we'll miss the essence,
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the grandeur of what FYI has come to
stand for. You got one minute and 17
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seconds more than anyone else. You timed
it? Well,
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maybe that's because Miles recognizes
that my stories tend to carry a little
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more, you know, weight.
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More weight?
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And who are you all of a sudden, Jenny
Craig?
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Hey, look, this is not a problem. We're
talking about a few minor adjustments.
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Let me go get some coffee. We'll bounce
some ideas around. And in no time, we'll
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have something that'll make everyone in
this award -winning team happy.
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Okay?
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Okay.
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Guys, I didn't mean to suggest that my
stories are more important than anyone
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else's. Oh, of course not, slugger.
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And Corky, when I pointed out you were
the newcomer to the group, that doesn't
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mean you're any less valuable.
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Thanks, Jim. And I know I haven't been
here as long as you and Murphy and
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Where is Frank?
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Oh, jeez. Is he obvious or what? Look at
him, trying to get more of his stuff in
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the film.
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You guys just wait here. I'll handle
this.
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I don't want to take anything away from
you. He's not the kind of guy I... Oh,
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hi, guys.
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Happy you're getting some coffee? Yeah,
coffee's what I'm getting out of here.
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Me too, here for some more coffee.
Coffee, my Aunt Fanny.
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If you give him what he asks for, then I
expect the same.
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And to begin with, I want you to put in
my commentary on German reunification
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and dump the footage when I was
experimenting with that perm.
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Well, I
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can see where this is going.
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And that is too bad.
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Because it would have been nice if we
could have worked on this together.
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This being an award honoring a team.
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But I guess I'll just have to do it
myself.
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Unless anybody has a suggestion.
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Well, we could grow up, put our petty
egos aside, and work together for the
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common good.
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Oh, you're serious.
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I'd be willing by me.
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Good, I need to see my weight.
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I'll take notes.
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First, since I seem to have gotten the
most time, I'll give up my airline
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story. No, wait.
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My EPA scandal.
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That was a masterpiece.
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My Brando interview.
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I'm going to give him a Brando. Okay,
Frank's turn.
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You've got to give up something. I
really want to use my crack house piece.
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come on, Frank. We already have you
running out of an embassy, jumping out
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airplane, and swimming through shark
-infested waters.
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If we're not careful, our 15 -year
retrospective is going to look like a
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of MacGyver.
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People like action.
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My stories are why a lot of people, most
people, tune in to FYI. Oh!
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And how many times were you honored by
the Museum of Broadcast Arts before I
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here, hmm?
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How many?
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Let's hear the number.
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all know what that means.
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We got this award because of me. Oh,
give me a break.
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So the squeaky wheel is going to get the
grease. Is that how it works? A good
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old Jim is supposed to politely sit back
and keep quiet. It wouldn't be right to
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blow my own horn.
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Well, I'm the one who holds this show
together, and I'd like to see any of you
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last two minutes without me.
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Blow, blow, blow.
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00:07:47,500 --> 00:07:51,460
I want my expose on black market Barbie
dolls in, and I want it in now.
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00:07:59,280 --> 00:08:04,020
Let me say again how thrilled we are to
have you with us at the Museum of
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Broadcast Arts, or MOBA as we like to
call it.
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00:08:08,840 --> 00:08:12,580
Thank you, Mr. Milliken. I don't mean to
gush. Oh, what the heck?
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I'm gushing.
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I've been a fan of your show ever since
it premiered. September 21st, 1977.
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Wow. You remember the exact date.
Amazing, huh, guys? Amazing, right? I'll
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forget it.
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Nine o 'clock, eight central. You had
your premiere right after the short
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-lived, but in my opinion, vastly
underrated Mulligan Stew.
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Starring Lawrence Pressman as Mike
Mulligan, Eleanor Donahue as his wife
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and Julie Ann Haddock as...
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I can see you're a true fan of
television, isn't he, guys?
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If I could impose, I know you're asked
all the time, but I would love a picture
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of all of you.
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Please, no imposition at all. Guys?
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Just press that button right there.
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Now, in just a few minutes, you'll hear
me introduce you through this speaker.
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Then it's out the door, into the
auditorium, and our evening shall begin.
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00:09:29,560 --> 00:09:33,880
Oh, is this great or what?
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Staying at the plaza?
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00:09:36,760 --> 00:09:40,200
A stretch limo to take us to our own
MOBA night?
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With our own MOBA hors d 'oeuvres?
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Big crowd.
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Mobile crowd.
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These people love us.
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Jim, are you still hungry? I didn't
think that was possible after all those
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peanuts you ate on the plane. Let's see.
You had yours.
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00:09:57,240 --> 00:09:58,780
Then you took mine while I was sleeping.
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00:09:59,060 --> 00:10:03,000
Then you took my replacement bag when I
went to get a magazine. My other
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replacement bag while I was... Oh,
please, Frank. I am so sick of hearing
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you and your lousy peanuts envy. It's
the most... Please, let's not do this.
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Sure, our week wasn't without its little
ups and downs. But let's just...
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Put that all behind us and enjoy this
night. What do you say?
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Thanks a lot.
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Thanks for leaving without me.
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00:10:26,450 --> 00:10:29,170
I waited in the oyster bar for half an
hour.
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And then I tried to get a cab. But you
can't get a cab in Manhattan on Saturday
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night. So I...
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In the oyster bar. I mean, we all met in
the lobby.
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When you didn't show, we figured you
came over on your own.
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00:10:52,050 --> 00:10:54,710
Jim told me we were meeting at the
oyster bar.
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00:10:55,070 --> 00:10:55,909
I didn't know.
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You must have misunderstood.
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You're probably right, Jim.
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00:11:00,590 --> 00:11:04,490
Somebody as new to journalism as I am
couldn't possibly know the difference
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00:11:04,490 --> 00:11:08,090
between the place where you pick up your
hotel key and the place where you suck
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00:11:08,090 --> 00:11:09,090
down raw seafood.
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00:11:10,630 --> 00:11:13,830
Remember the time we all went to that
Mexican restaurant in Virginia and made
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our own tortillas? That was fun, wasn't
it?
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00:11:19,180 --> 00:11:23,040
The smallest dressing room. What do I
have to do to get a little respect
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00:11:23,040 --> 00:11:26,240
here? You can't wait for what you want,
Corky. You have to take it.
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00:11:26,460 --> 00:11:28,720
I thought you would have learned that
after four and a half years of working
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with Murphy.
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00:11:29,520 --> 00:11:32,840
You want some of your rare time? Take
it. You want somebody else's story? Take
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00:11:32,840 --> 00:11:33,679
it. What?
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00:11:33,680 --> 00:11:37,400
I never took a story from you. Take,
take, take. You're a taker.
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00:11:38,020 --> 00:11:40,260
Lord, you people are behaving like
children.
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00:11:40,900 --> 00:11:43,240
You're journalists. Where's your sense
of decorum?
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00:11:43,920 --> 00:11:48,100
What would you think if you heard Ed
Murrow or Chet Huntley squabbling over a
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00:11:48,100 --> 00:11:49,100
bag of nuts?
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00:11:51,900 --> 00:11:54,180
I guess I'd be surprised, Jim.
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Because they're dead!
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00:11:56,840 --> 00:11:58,380
Dead, Jim! Look around!
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00:11:58,680 --> 00:12:02,920
It's the 90s! Am I the only one who's
tired of hearing story after story about
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00:12:02,920 --> 00:12:04,940
the old days? She's right! Shut up!
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00:12:21,320 --> 00:12:23,060
stroking your egos and babying you?
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00:12:24,180 --> 00:12:27,560
Who ran all over town looking for desk
chairs with adjustable lumbar support?
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00:12:28,260 --> 00:12:29,260
Me.
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00:12:30,120 --> 00:12:31,860
Who always has to tip the luggage guys?
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00:12:32,300 --> 00:12:33,300
Me.
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00:12:33,500 --> 00:12:35,100
And everywhere we go, people know it.
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They look at me and what do they see?
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00:12:37,840 --> 00:12:38,840
Kevin Boy.
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00:12:40,760 --> 00:12:45,520
I'm the executive producer, a highly
educated professional, the heart and
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00:12:45,760 --> 00:12:49,060
I think they're introducing us. We're
delighted to have the members of the
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00:12:49,060 --> 00:12:50,060
here tonight with us.
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00:12:50,410 --> 00:12:54,550
Won't you join me in welcoming one of
television's most respected and
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00:12:54,550 --> 00:12:55,750
news anchors for over 15 years.
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00:12:56,590 --> 00:13:00,930
Ladies and gentlemen, for once, I, Miles
Silverberg, am going first.
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00:13:01,270 --> 00:13:03,170
Back off.
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00:13:07,150 --> 00:13:09,410
And here they are. Murphy Brown.
220
00:13:10,270 --> 00:13:11,270
Jim Dial.
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00:13:11,930 --> 00:13:13,290
Frank Fontana.
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00:13:14,150 --> 00:13:15,630
Corky Sherwood -Porris.
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00:13:25,770 --> 00:13:30,070
I know our audience is champing at the
bit to ask questions, so let's get to
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00:13:30,430 --> 00:13:33,610
I see a member of our board, Mary Van
Heusen, has a question. Mary.
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00:13:33,970 --> 00:13:34,970
Yes.
226
00:13:35,730 --> 00:13:40,550
Since this award has been given to you
as a team, I was curious to know, how do
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00:13:40,550 --> 00:13:43,610
you choose your stories each week so
that they complement each other?
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00:13:46,170 --> 00:13:53,130
Why don't I just jump in and handle this
one?
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00:13:53,770 --> 00:13:54,770
Well, Mary.
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00:13:55,240 --> 00:13:56,260
May I call you Mary?
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00:13:56,720 --> 00:14:02,320
I remember when I was doing a story on
the SNL scandal. If you'll remember,
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00:14:02,440 --> 00:14:06,420
Murph, that was originally supposed to
be my story, but then it kind of
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to Murphy. And as you know, Frank, that
was the same week my piece on religious
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cults aired.
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00:14:12,200 --> 00:14:16,240
And interestingly enough, we got more
mail on that than on Murphy's SNL story.
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Yes, quite a bit of work, Corky. And
thanks to Corky's unique reporting
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our mail ran about 70 % pro -cult.
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That about wraps up our 1986 FYI season.
Now, the 1987 season, and I believe
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that this is the year to which your
question pertains.
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I'm sorry, what was your question again?
We don't know how many cameras we use
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on the show. Three.
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00:14:40,070 --> 00:14:41,070
Right, three.
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00:14:41,110 --> 00:14:42,110
Next question.
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00:14:42,510 --> 00:14:44,970
I feel we've been taking advantage of
Miss Brown.
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Perhaps someone else would like to jump
in on the next question? By all means. I
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feel like I've been talking all night.
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00:14:51,090 --> 00:14:52,090
I wonder why.
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I see another question.
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Yes, Mr. Dial.
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In all the time you've been a reporter,
have you ever had to put your life in
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danger to get a story?
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00:15:02,800 --> 00:15:05,240
There is one time that comes to mind.
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I was still working in radio.
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00:15:07,520 --> 00:15:10,120
And it was sent to Kentucky because
they've been having a lot of... Oh, your
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00:15:10,120 --> 00:15:12,020
flood story, this is great.
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00:15:12,540 --> 00:15:16,440
Jim is sent to Kentucky because they've
been having record rains and the Ohio
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00:15:16,440 --> 00:15:17,620
River is going to flood.
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00:15:18,180 --> 00:15:23,460
So he arrives in the middle of the
night. The motels are evacuated. So he
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00:15:23,460 --> 00:15:24,460
his car and goes to sleep.
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00:15:24,840 --> 00:15:30,040
He wakes up the next morning and
realizes he has parked his car less than
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feet from the river.
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00:15:31,500 --> 00:15:35,500
It's pouring rain and the river has
risen to the doors of the car.
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00:15:35,930 --> 00:15:40,470
The car won't start. The river is
rising. So Jim ends up doing his report
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00:15:40,470 --> 00:15:42,430
the roof of the... Well, you tell it,
Jim.
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Car.
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00:15:44,450 --> 00:15:47,350
I did the report from the roof of the
car. That's the story.
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00:15:47,570 --> 00:15:51,490
Every time I hear it, it gets better. No
one tells a story like you, Jim.
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00:15:52,790 --> 00:15:56,790
What's it like being the youngest member
of FYI? That's a very interesting
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00:15:56,790 --> 00:15:57,790
question.
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00:15:58,650 --> 00:16:03,070
Well, you have to remember, the first
time I saw these people on FYI, I was
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still in pigtails and knee socks.
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00:16:04,990 --> 00:16:07,410
See, back in Louisiana, I used to watch
FYI all the time.
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00:16:07,610 --> 00:16:10,410
Except when her pa and her were
whittling and hunting for possums.
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00:16:11,990 --> 00:16:14,630
Well, thank you for those interesting
insights.
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00:16:15,110 --> 00:16:18,270
I realize we still haven't heard from
the executive producer tonight.
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00:16:18,530 --> 00:16:21,850
How about a question for Miles
Silverberg?
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00:16:30,870 --> 00:16:31,870
Anyone?
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00:16:32,230 --> 00:16:33,230
Anyone at all?
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00:16:39,120 --> 00:16:44,140
While Miles is waiting for a question,
why don't I take you inside my world?
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00:16:44,620 --> 00:16:46,600
The world of an investigative reporter.
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00:16:46,860 --> 00:16:48,500
A world where the danger is actually...
Frank,
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00:16:49,240 --> 00:16:51,840
although that's very interesting, it
sounds like it may take a while, and I
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00:16:51,840 --> 00:16:52,840
have a question coming.
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00:16:52,860 --> 00:16:54,060
Do I see any hands up?
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00:16:54,500 --> 00:16:55,760
Nope. I'll never forget.
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00:16:56,350 --> 00:17:01,530
The first time I went undercover, it was
right here in New York City. I had
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00:17:01,530 --> 00:17:06,589
gotten a tip on a car theft ring. I will
never forget the feeling of walking
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00:17:06,589 --> 00:17:07,589
into that warehouse.
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00:17:08,050 --> 00:17:12,050
I had a pain in my stomach. I could
barely make my legs. Damn microphone!
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00:17:15,310 --> 00:17:19,510
Perhaps this would be a good time to
take a look at our FYI retrospective. So
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00:17:19,510 --> 00:17:21,630
let's roll the tape. In the booth,
please.
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00:17:24,619 --> 00:17:27,819
Good job telling my story, Murphy. You
couldn't have butchered it any worse if
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00:17:27,819 --> 00:17:28,820
you told it in Portuguese.
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00:17:28,940 --> 00:17:31,920
Well, the audience wasn't going to sit
here until Wednesday while you told it.
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00:17:32,000 --> 00:17:35,400
The way you were talking, I'm lucky I
got to say anything at all. Oh, yeah,
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00:17:35,400 --> 00:17:38,600
really bought that tender story of your
early days at FYI. Shh!
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00:17:38,820 --> 00:17:41,380
How much longer do you think you can
pass yourself off as some cute little
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00:17:41,380 --> 00:17:43,700
schoolgirl? As long as I'm working with
you!
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00:17:44,980 --> 00:17:50,820
For the past 15 years, America has
looked to the expertly written and
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00:17:50,820 --> 00:17:52,820
hour to inform and entertain.
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00:17:53,770 --> 00:17:57,450
Particularly remarkable is the way in
which the reporters' diverse styles
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00:17:57,450 --> 00:17:59,270
balance and blend seamlessly.
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00:17:59,830 --> 00:18:04,390
Murphy Brown commented on their
chemistry earlier this year in an
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00:18:04,390 --> 00:18:05,390
Barbara Walters.
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00:18:05,610 --> 00:18:07,270
Television shows don't last forever.
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00:18:07,530 --> 00:18:11,610
I know one day I'll go on to a new job
working with new people.
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00:18:12,190 --> 00:18:15,230
But nothing will ever match my years on
FYI.
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00:18:15,450 --> 00:18:19,310
We're blessed with that rare combination
of professionalism and friendship.
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00:18:20,010 --> 00:18:21,830
And when it's time to move on...
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00:18:22,510 --> 00:18:25,230
i'm really going to miss it we all will
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00:18:25,230 --> 00:18:31,610
how come murphy got interviewed and none
of us did
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00:19:06,570 --> 00:19:08,950
We're going to start our story meeting a
little early today.
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00:19:10,170 --> 00:19:11,410
Come on. Don't be shy.
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00:19:12,870 --> 00:19:14,370
Jim, there's a nice seat.
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00:19:15,390 --> 00:19:16,990
Franco, why don't you take this one?
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00:19:18,210 --> 00:19:20,490
Murphy, Corky, join us, won't you?
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00:19:24,770 --> 00:19:25,770
All right.
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00:19:26,450 --> 00:19:31,790
Now, first of all, I think it would be a
nice gesture if we all chipped in to
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00:19:31,790 --> 00:19:33,430
pay for the torn video screen at the
museum.
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00:19:36,239 --> 00:19:39,540
Second, you'll be happy to know that Mr.
Milliken is resting comfortably and
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00:19:39,540 --> 00:19:41,220
will be back on solid foods by the end
of the week.
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00:19:42,420 --> 00:19:43,640
So, there's some good news.
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00:19:44,560 --> 00:19:50,060
So, the question then seems to be, where
do we go from here?
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00:19:51,520 --> 00:19:56,980
We have four very strong -willed people
with four very healthy egos who I
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00:19:56,980 --> 00:20:01,300
believe would like to apologize to each
other and desperately want life to get
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00:20:01,300 --> 00:20:02,300
back to normal.
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00:20:04,149 --> 00:20:08,490
Everyone's afraid to go first and risk
the chance of rejection. Am I right?
328
00:20:09,550 --> 00:20:10,550
I think I am.
329
00:20:11,530 --> 00:20:13,490
So, here's my idea.
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00:20:14,690 --> 00:20:19,130
Anyone who would like to apologize for
their behavior, scratch your chin.
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00:20:22,150 --> 00:20:23,150
On three.
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00:20:23,750 --> 00:20:25,210
One, two...
333
00:20:33,450 --> 00:20:38,750
If you would like to accept these
eloquent apologies, knock on the table.
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00:20:44,510 --> 00:20:48,390
And finally, anyone who would like to
promise that in the future they will
335
00:20:48,390 --> 00:20:51,410
the wisdom of the executive producer,
rub your tummies while you're... Okay,
336
00:20:51,410 --> 00:20:52,410
far.
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00:20:54,890 --> 00:20:55,890
One last thing.
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00:20:56,510 --> 00:20:59,270
In this box is our lovely award.
339
00:21:05,610 --> 00:21:06,610
to have a piece.
340
00:21:08,570 --> 00:21:10,310
Take it proudly, but carefully.
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00:21:10,570 --> 00:21:11,870
There's some jagged edges.
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00:21:13,550 --> 00:21:19,310
And, uh, I just want you all to remember
that no matter what happened, we're
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00:21:19,310 --> 00:21:20,830
still the best damn news team in the
business.
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00:21:22,930 --> 00:21:23,930
Team.
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00:21:24,290 --> 00:21:25,290
Team.
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00:21:28,350 --> 00:21:29,350
Jeez,
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00:21:32,290 --> 00:21:33,770
Murph, you took the biggest piece.
348
00:21:45,480 --> 00:21:47,720
Only moms in America. Only one is the
funniest.
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00:21:48,060 --> 00:21:49,060
I'm the single mom.
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00:21:49,160 --> 00:21:51,740
And, uh, what? Shut up. You're so hot.
How could that be?
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00:21:51,940 --> 00:21:52,940
Who will it be?
352
00:21:54,840 --> 00:21:57,600
Watch Nick at Night Search for the
funniest mom in America.
30491
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