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These are the user uploaded subtitles that are being translated: 1 00:00:11,639 --> 00:00:12,799 Stand by, two. 2 00:00:12,879 --> 00:00:14,719 Mix through, cue on two. 3 00:00:14,799 --> 00:00:16,320 The BBC's announced the appointment 4 00:00:16,400 --> 00:00:18,840 of the ex Head of Olympic Delivery, Ian Fletcher, 5 00:00:18,919 --> 00:00:20,919 as its new Head of Values. 6 00:00:26,720 --> 00:00:28,480 Time now for the shipping forecast. 7 00:00:30,840 --> 00:00:32,559 Superimpose. 8 00:00:38,839 --> 00:00:41,160 {\an8}- Move Panorama to Twitter? - Right, OK. 9 00:00:41,239 --> 00:00:43,480 - Yes, no, brilliant. - Blimey, how's that gonna work? 10 00:00:43,559 --> 00:00:44,879 It's Monday morning 11 00:00:44,960 --> 00:00:47,559 at the BBC's New Broadcasting House headquarters 12 00:00:47,640 --> 00:00:50,199 and Head of Values Ian fletcher is chairing 13 00:00:50,280 --> 00:00:51,559 another meeting of the renewal group. 14 00:00:51,640 --> 00:00:53,480 I mean, this might be a good time to remind ourselves 15 00:00:53,559 --> 00:00:54,839 what this is actually about. 16 00:00:54,919 --> 00:00:55,720 Oh, yes, please, sir. 17 00:00:55,800 --> 00:00:56,800 - Brilliant... - Right. 18 00:00:56,879 --> 00:00:58,519 So, essentially this DCMS thing... 19 00:00:58,599 --> 00:01:01,800 Following a broadly successful visit to New Broadcasting House 20 00:01:01,879 --> 00:01:05,800 by a delegation from the Department of Culture, Media and also Sport, 21 00:01:05,880 --> 00:01:09,399 Ian has been tasked with the opportunity to represent the BBC 22 00:01:09,479 --> 00:01:11,600 in what will be, in one way or another, 23 00:01:11,679 --> 00:01:14,160 a decisive series of meetings at Westminster, 24 00:01:14,240 --> 00:01:17,280 as it negotiates the renewal of its royal charter, 25 00:01:17,360 --> 00:01:19,360 and therefore its permission to exist. 26 00:01:19,440 --> 00:01:22,160 ...to really set out our stall at the start of the process. 27 00:01:22,240 --> 00:01:23,360 - Hurrah. - Yeah, great. 28 00:01:23,440 --> 00:01:25,960 And maybe even a chance to set the tone of the whole conversation 29 00:01:26,039 --> 00:01:29,399 by being really confident about our aspirations for the future up front. 30 00:01:29,479 --> 00:01:31,440 Christ. -With this in mind, 31 00:01:31,520 --> 00:01:35,920 the BBC has recently launched its high-profile More Of Less initiative, 32 00:01:36,000 --> 00:01:40,000 as a flagship policy to demonstrate that they understand what they're doing. 33 00:01:40,080 --> 00:01:42,759 For what it's worth, the mood music at breakfast with Tony these days 34 00:01:42,839 --> 00:01:44,880 is all about ways of showing that we get it. 35 00:01:44,960 --> 00:01:47,000 - Right. - Breakfast with Tony? 36 00:01:47,080 --> 00:01:49,039 These days it's just a matter of kiwi fruit 37 00:01:49,119 --> 00:01:51,240 - and tired-looking almond croissants. - Jesus. 38 00:01:51,320 --> 00:01:52,600 - Yes. - Isn't it, Anna? 39 00:01:52,679 --> 00:01:54,119 - Yes, exactly, yes. - Right. 40 00:01:54,199 --> 00:01:56,160 Sorry, can I just ask, this probably isn't my... 41 00:01:56,240 --> 00:01:57,720 - No. - but when you say "get it"... 42 00:01:57,800 --> 00:01:58,960 - Yes? - get what, exactly? 43 00:01:59,039 --> 00:02:00,119 Oh, yes, no, brilliant, Lucy. 44 00:02:00,199 --> 00:02:01,880 - I might be being stupid. - Yes, exactly. 45 00:02:01,960 --> 00:02:05,720 No, the fact is this is about establishing what we do most of best and finding 46 00:02:05,800 --> 00:02:07,800 - fewer ways of doing more of it less. - Right. 47 00:02:07,880 --> 00:02:10,280 Yes... Yes... Brilliant... Yeah, bollocks. 48 00:02:10,359 --> 00:02:11,640 - So, what is this, Jerry-- - Ben. 49 00:02:11,720 --> 00:02:12,920 So, what is this, Ben? 50 00:02:13,000 --> 00:02:15,560 Listen, I don't know how this stuff works, but, uh... 51 00:02:15,640 --> 00:02:18,480 With Ian's first trip to Westminster due next week, 52 00:02:18,560 --> 00:02:21,600 it's become clear that Ben has been invited to have some thoughts 53 00:02:21,680 --> 00:02:23,720 about what More Of Less might look like 54 00:02:23,799 --> 00:02:27,519 in his new role as someone about to apply for the same job as Jerry. 55 00:02:27,600 --> 00:02:31,120 These are just some squeaky toys to push around the floor, Ben, aren't they? 56 00:02:31,200 --> 00:02:32,760 - Yeah. - Squeaky toys? 57 00:02:32,840 --> 00:02:35,440 - Yep. - Yes. Now feel free to ignore them. 58 00:02:35,519 --> 00:02:36,760 - Right, well. - OK, fine, done. 59 00:02:36,840 --> 00:02:38,079 - Yep. - Oh, I dunno. 60 00:02:38,160 --> 00:02:39,840 Um... gardening? 61 00:02:39,920 --> 00:02:42,000 - Gardening? - OK, right! 62 00:02:42,079 --> 00:02:43,920 Would anybody miss that if we didn't do it? 63 00:02:44,000 --> 00:02:45,799 - I would! - Yes... I mean... No. 64 00:02:45,880 --> 00:02:47,000 - Surely... - No, I'm sorry. 65 00:02:47,079 --> 00:02:48,280 - Isn't it more-- - No, the fact is, that's not the point. 66 00:02:48,359 --> 00:02:50,679 - Can we close that for the moment? - Yes. 67 00:02:50,760 --> 00:02:51,920 If that's alright, Ben? 68 00:02:52,000 --> 00:02:53,679 - Sure. - Yeah, close it. 69 00:02:53,760 --> 00:02:55,920 - Yes, of course, yes, no, very good. - I'm sorry, guys, 70 00:02:56,000 --> 00:02:57,120 I am gonna say this. 71 00:02:57,200 --> 00:03:00,160 As a woman, I have a bit of a soft spot for Monty Don. 72 00:03:00,239 --> 00:03:01,560 - Really? - Brilliant. 73 00:03:01,640 --> 00:03:03,519 - Really? - Yes, no, who hasn't? 74 00:03:03,600 --> 00:03:05,320 - I gotta say I would miss him. - OK. 75 00:03:05,400 --> 00:03:08,600 And I know there are a lot of other women out there like me. 76 00:03:09,280 --> 00:03:13,160 Yes. I mean obviously I'm grateful to Ben for all the... you know, the thing 77 00:03:13,239 --> 00:03:14,600 - you've put into this. - No, really. 78 00:03:14,679 --> 00:03:16,440 - Hey. - But we seem to have got off 79 00:03:16,519 --> 00:03:18,480 - on the wrong foot here somehow. - Yes. 80 00:03:18,560 --> 00:03:22,000 And the idea of us spending our energy on looking for things not to do... 81 00:03:22,079 --> 00:03:23,079 I agree completely. 82 00:03:23,160 --> 00:03:25,959 I mean, that is absolutely not what renewal is about. 83 00:03:26,040 --> 00:03:27,440 Yes, no, very good. 84 00:03:27,519 --> 00:03:30,079 No, the challenge is to... Hang on, what's this? 85 00:03:30,160 --> 00:03:31,160 Oh no, yes. 86 00:03:31,239 --> 00:03:33,760 - Another squeaky toy, presumably? - Yep, yes, no, brilliant. 87 00:03:33,840 --> 00:03:34,840 - Orchestras? - Yes. 88 00:03:34,920 --> 00:03:36,560 - Right. - Orchestras, yep. 89 00:03:36,640 --> 00:03:39,720 Yes, but six is probably the perfect number to have in life anyway, so... 90 00:03:39,799 --> 00:03:40,880 - Well, that's... - So let's not... 91 00:03:40,959 --> 00:03:42,280 - No, I'm sorry. - That's a different... 92 00:03:42,359 --> 00:03:43,760 - Yes. - Six? 93 00:03:43,840 --> 00:03:46,920 It's becoming clear to Ian that so crucial is the More Of Less 94 00:03:47,000 --> 00:03:50,160 initiative deemed to be for the future of the BBC, 95 00:03:50,239 --> 00:03:53,959 that Jerry has also been invited to have some thoughts about how it might work 96 00:03:54,040 --> 00:03:57,880 in his new role as someone about to apply for the same job as Ben. 97 00:03:57,959 --> 00:04:00,160 The BBC Celtic Symphonieta. 98 00:04:00,239 --> 00:04:01,239 - Yep. - Right. 99 00:04:01,320 --> 00:04:02,399 - Yeah. - Isn't that a bit-- 100 00:04:02,480 --> 00:04:03,760 - No. - Yeah, a bit crap, yeah. 101 00:04:03,839 --> 00:04:05,200 - Well, no. - Yes. 102 00:04:05,280 --> 00:04:07,519 I'm not sure that's how you spell "Symphonieta" anyway, is it? 103 00:04:07,600 --> 00:04:09,440 - No, it's not, no. - No... Really? 104 00:04:09,519 --> 00:04:10,880 No, it is bloody not. 105 00:04:10,959 --> 00:04:14,760 {\an8}After a, for him, unusually intense period of research, 106 00:04:14,839 --> 00:04:17,399 Jerry has discovered that the BBC currently operates 107 00:04:17,479 --> 00:04:20,719 a total of six major orchestras and has been looking at ways 108 00:04:20,800 --> 00:04:23,440 of reimagining them as a smaller number of minor orchestras. 109 00:04:23,520 --> 00:04:26,280 I remember being taken to see the Welsh Symphony Orchestra 110 00:04:26,360 --> 00:04:29,080 as it was then in St David's Hall Cardiff when I was 12. 111 00:04:29,159 --> 00:04:30,240 - Right. - Really? 112 00:04:30,320 --> 00:04:33,360 Apart from the musical experience, which I've got to say was Vaughan Williams, 113 00:04:33,440 --> 00:04:36,800 for me, it was the first time I'd seen more than 30 people 114 00:04:36,880 --> 00:04:38,760 in any kind of room at the same time. 115 00:04:38,840 --> 00:04:41,320 - Yes, well, that's brilliant. - For me as a young woman 116 00:04:41,400 --> 00:04:43,680 - growing up in Wales, it was seminal. - Right. 117 00:04:43,760 --> 00:04:46,719 - That's when I knew I had to get out. - Yes, I mean... 118 00:04:46,800 --> 00:04:48,400 - Hurrah. - A couple things 119 00:04:48,479 --> 00:04:50,479 - to throw in at this point. - Brilliant... Yep. 120 00:04:50,560 --> 00:04:52,000 I'm with you on this, Ian. 121 00:04:52,080 --> 00:04:54,960 - Good. Although I haven't said it yet. - No, I know, I'm just saying. 122 00:04:55,039 --> 00:04:57,680 No, I should probably say now that this isn't something 123 00:04:57,760 --> 00:05:00,479 I'd feel comfortable taking to the DCM and also S next week. 124 00:05:00,560 --> 00:05:02,760 - No. - I'm not gonna be responsible for axing 125 00:05:02,840 --> 00:05:04,919 four major BBC orchestras and instigating the launch 126 00:05:05,000 --> 00:05:07,719 of the BBC Celtic Symphonieta, however you spell it. 127 00:05:07,800 --> 00:05:09,599 - Yes, no, very good. - I don't see that as my role. 128 00:05:09,680 --> 00:05:11,880 - as Head of Values. - Yes, no, fabulous, Ian, very clear. 129 00:05:11,960 --> 00:05:13,560 - Just give it... - Get off, it's mine. 130 00:05:13,640 --> 00:05:16,159 - Yes? - Yes, no, come on, boys, nice big voice. 131 00:05:43,240 --> 00:05:44,880 This is me on my bike. 132 00:05:44,960 --> 00:05:47,400 - This is me on my bike. - This is me on my bike. 133 00:05:47,479 --> 00:05:50,440 Yeah, hey, this is me on my bike. 134 00:05:51,120 --> 00:05:52,039 This is me on my bike. 135 00:05:52,120 --> 00:05:54,159 Meanwhile, across town at Fun Media, 136 00:05:54,240 --> 00:05:57,240 Siobhan has asked her team to gather together and have ideas 137 00:05:57,320 --> 00:06:00,359 about using the Cycle Shorts video sent over to them 138 00:06:00,440 --> 00:06:02,039 by Director of Better, Anna Rampton, 139 00:06:02,120 --> 00:06:07,120 as a possible trail for the launch of the BBC's new online platform, BBC Me. 140 00:06:07,200 --> 00:06:08,120 OK. 141 00:06:08,200 --> 00:06:10,599 - This is me on my bike. - This is me on my bike! 142 00:06:10,680 --> 00:06:12,280 - OK, it's done now, shut up. - Yep. 143 00:06:12,359 --> 00:06:14,200 - What are we thinking here, guys? - Pretty cool. 144 00:06:14,280 --> 00:06:16,000 In many ways, it's a perfect example 145 00:06:16,080 --> 00:06:18,719 of exactly the sort of selfie-centred content that will lie 146 00:06:18,799 --> 00:06:21,799 at the heart of the new channel and that may well be the model 147 00:06:21,880 --> 00:06:25,760 for how television will work in a world where no one watches it anymore. 148 00:06:25,840 --> 00:06:28,680 Plus, when it comes to the actual launch, you can have it playing 149 00:06:28,760 --> 00:06:32,440 on like a permanent loop on a really big screen like a whole wall. 150 00:06:32,520 --> 00:06:35,080 - Maybe if it was in black-and-white? - Sure. 151 00:06:35,159 --> 00:06:36,400 Yeah, cool, black-and-white, yeah. 152 00:06:36,479 --> 00:06:39,320 - Yeah, maybe like both. - This is so not happening. 153 00:06:39,400 --> 00:06:41,599 We've got one chance to get this launch gig right, OK? 154 00:06:41,680 --> 00:06:42,919 - Yep. - Get it wrong, 155 00:06:43,000 --> 00:06:44,599 we're eating shit soup with no chopsticks. 156 00:06:44,680 --> 00:06:45,680 Yeah. 157 00:06:45,760 --> 00:06:48,240 - OK, so you theme the whole event. - Yeah yeah yeah yeah. 158 00:06:48,320 --> 00:06:50,680 - OK. - Maybe everyone's wearing cycling shorts. 159 00:06:50,760 --> 00:06:52,120 - Yeah. - Cycling shorts? 160 00:06:52,200 --> 00:06:54,719 - Yeah, or like... - Eww. Not gonna happen. 161 00:06:54,799 --> 00:06:57,400 - OK, so everybody has to have a bike. - OK. 162 00:06:57,479 --> 00:06:58,919 If you don't have a bike, you can't come in. 163 00:06:59,000 --> 00:07:01,560 Yeah, maybe have it somewhere you can only get to by bike. 164 00:07:01,640 --> 00:07:02,960 - Yeah. - OK, like where? 165 00:07:03,039 --> 00:07:05,000 - I don't know, maybe more like... - Yeah, France. 166 00:07:06,719 --> 00:07:08,760 - OK, Michael, what are you thinking here? - Sure. 167 00:07:08,840 --> 00:07:10,239 What you got upside your head? 168 00:07:10,320 --> 00:07:12,599 - I have an idea. - You wanna go fuzzy-felt on us? 169 00:07:12,680 --> 00:07:14,159 - I don't need that. - OK, cool. 170 00:07:14,239 --> 00:07:15,560 So, we don't need the bike. 171 00:07:16,560 --> 00:07:17,479 - Say what? - Cool. 172 00:07:17,560 --> 00:07:18,520 - Lose it. - Lose it? 173 00:07:18,599 --> 00:07:20,320 The cool part of this is "freeing the selfie," 174 00:07:20,400 --> 00:07:21,799 so we don't need the bike at all. 175 00:07:21,880 --> 00:07:24,640 Even though Michael brings several years' experience with him 176 00:07:24,719 --> 00:07:27,080 from the Fun Media office in New York, 177 00:07:27,159 --> 00:07:29,400 it's become clear that in many ways he's actually 178 00:07:29,479 --> 00:07:31,760 younger than the rest of the team put together. 179 00:07:31,840 --> 00:07:34,359 So you set up a YouTube channel. You could do it now, right? 180 00:07:34,440 --> 00:07:36,840 And people upload themselves just saying the word "me" 181 00:07:36,919 --> 00:07:39,000 like right into their phones like a super selfie, 182 00:07:39,080 --> 00:07:42,200 whoever they are or wherever they are now, so anyone can add to it 183 00:07:42,280 --> 00:07:43,479 so like it goes viral, right? 184 00:07:43,560 --> 00:07:46,239 So already you got zillions of people, already it's like a huge thing 185 00:07:46,320 --> 00:07:49,919 like even before the BBC Me launch you got pretty much the whole world saying "Me." 186 00:07:50,000 --> 00:07:52,479 Which could be pretty cool, right? 187 00:07:52,560 --> 00:07:53,599 Holy shit. 188 00:07:53,680 --> 00:07:56,719 So maybe for the launch you edit it so like you get some cool music 189 00:07:56,799 --> 00:07:59,640 and maybe the strapline could be like "BBC Me: it's you." 190 00:08:00,239 --> 00:08:02,400 Which actually could be cool. 191 00:08:04,599 --> 00:08:05,599 Yeah. 192 00:08:05,679 --> 00:08:06,479 - Yeah. - Yeah. 193 00:08:08,159 --> 00:08:09,359 George! 194 00:08:26,880 --> 00:08:28,239 ♪ 'Cause here we go ♪ 195 00:08:28,320 --> 00:08:30,239 ♪ S Club ♪ 196 00:08:30,320 --> 00:08:32,959 ♪ There ain't no party like an S Club party ♪ 197 00:08:38,559 --> 00:08:39,799 Meanwhile, back in renewal, 198 00:08:39,880 --> 00:08:44,079 one of either Ben or Jerry has noticed that there is a BBC orchestra 199 00:08:44,159 --> 00:08:47,640 on the original list of six that no one has so far mentioned. 200 00:08:47,720 --> 00:08:49,120 They all sound fabulous, don't they? 201 00:08:49,199 --> 00:08:50,640 - Yep. - Do they? 202 00:08:50,720 --> 00:08:51,800 Yes, alright. 203 00:08:51,880 --> 00:08:54,560 Originally the BBC Light Fun Orchestra, 204 00:08:54,640 --> 00:08:57,959 the BBC Swing Band started life in 1927 205 00:08:58,040 --> 00:09:01,000 and has had incarnations as the BBC Home Service Dance Band 206 00:09:01,079 --> 00:09:05,480 and the Radio 2 Big Swingers Ensemble in its nearly 80-year history. 207 00:09:05,560 --> 00:09:07,760 - Yes, no, can you stop that now, please? - Brilliant. 208 00:09:07,840 --> 00:09:09,400 - Can you stop that now, please? - Yeah. 209 00:09:10,439 --> 00:09:12,439 - Yes, it's an interesting one, isn't it? - Is it? 210 00:09:12,520 --> 00:09:13,520 Yes, exactly, yes. 211 00:09:13,600 --> 00:09:15,560 Maybe there's been a lot happening in the world recently 212 00:09:15,640 --> 00:09:17,880 but hands up who knew we had a big swing band? 213 00:09:17,959 --> 00:09:20,160 - Yes, well. - Yes, no, the fact is we have. 214 00:09:20,240 --> 00:09:22,520 So what are we gonna do, make it smaller, are we? 215 00:09:22,600 --> 00:09:24,600 - Brilliant. - The BBC Little Swing Band. 216 00:09:24,680 --> 00:09:25,800 - Brilliant. - Brilliant. 217 00:09:25,880 --> 00:09:28,800 Just out of interest, guys, do we know what their natural constituency is? 218 00:09:28,880 --> 00:09:29,959 Their natural constituency? 219 00:09:30,040 --> 00:09:31,839 - Yes, exactly. - Yep. 220 00:09:31,920 --> 00:09:33,680 I don't know much about their natural constituency. 221 00:09:33,760 --> 00:09:34,760 No, exactly. 222 00:09:34,839 --> 00:09:38,720 But I think my grandparents actually used to listen to them on the World Service. 223 00:09:38,800 --> 00:09:40,120 - Really? - Yes. 'Cause-- 224 00:09:40,199 --> 00:09:42,040 - No, this is not about the World Service. - No, no. 225 00:09:42,120 --> 00:09:43,000 It's not about grandparents. 226 00:09:43,079 --> 00:09:45,120 - No, I just-- - The fact is orchestras are something 227 00:09:45,199 --> 00:09:46,880 - that we currently do well. - Hurrah. 228 00:09:46,959 --> 00:09:49,839 This is about finding more ways of doing less of what we currently do better. 229 00:09:51,480 --> 00:09:52,839 - Well-- - About finding better ways-- 230 00:09:52,920 --> 00:09:54,520 - Finding fewer. - Finding more ways of doing-- 231 00:09:54,600 --> 00:09:55,640 - Anyway. - Yes, exactly. 232 00:09:55,720 --> 00:09:56,839 - Fuck sake. - Yes, no, brilliant. 233 00:09:56,920 --> 00:09:59,319 I completely get your concerns around this whole values thing, Ian. 234 00:09:59,400 --> 00:10:00,400 - Do you? - Yes, completely. 235 00:10:00,480 --> 00:10:02,240 - Completely. - Yep... Yes, exactly. 236 00:10:02,319 --> 00:10:05,000 I mean, I have no idea how this whole thing works, 237 00:10:05,079 --> 00:10:07,760 but, I dunno, are we in an area here... - Yes. 238 00:10:07,839 --> 00:10:09,959 where we can make some positive statement of intent? 239 00:10:10,040 --> 00:10:12,160 - Yes, exactly. - Positive statement of intent? 240 00:10:12,240 --> 00:10:14,120 - Alright, OK. - You know, maybe without 241 00:10:14,199 --> 00:10:16,920 quite so much collateral damage as we might get in some other... 242 00:10:17,000 --> 00:10:18,880 - Yes, exactly, yes. - Collateral damage? 243 00:10:18,959 --> 00:10:21,480 - No offence to your grandparents, Lucy. - No exactly. 244 00:10:21,560 --> 00:10:23,120 - No. No. - No. 245 00:10:33,600 --> 00:10:34,920 This is BBC news. 246 00:10:35,000 --> 00:10:37,439 These are the top stories developing at 11. 247 00:10:37,520 --> 00:10:41,280 {\an8}President Trump promises a big day on national security, 248 00:10:41,360 --> 00:10:44,920 {\an8}saying, "We will build the wall along the border with Mexico." 249 00:10:45,000 --> 00:10:47,240 Yeah, so basically we're pretty pleased with it. 250 00:10:47,319 --> 00:10:48,520 - Yeah, are you? - Yeah. 251 00:10:48,600 --> 00:10:51,720 {\an8}A high-ranking North Korean diplomat has told the BBC 252 00:10:51,800 --> 00:10:55,600 {\an8}he believes Kim Jong Un would be prepared to use nuclear weapons. 253 00:10:55,680 --> 00:10:58,520 It's another day, and head of News and Current Affairs, Neil Reid, 254 00:10:58,600 --> 00:11:02,040 is down in the in-house IT Solutions Control Centre 255 00:11:02,120 --> 00:11:05,199 with Senior Technical Services Choreographer Adam Brady. 256 00:11:05,280 --> 00:11:09,560 So it's been live for 24 hours now and basically we're looking at 93% accuracy... 257 00:11:09,640 --> 00:11:11,680 - Right. - except in one or two areas, obviously. 258 00:11:11,760 --> 00:11:14,600 A new version of the BBCs state-of-the-art in-house 259 00:11:14,680 --> 00:11:17,839 Syncopatical Operating System has just gone live, 260 00:11:17,920 --> 00:11:20,760 including a major upgrade of its Syncopaticaption 261 00:11:20,839 --> 00:11:22,600 automatic live subtitling software. 262 00:11:22,680 --> 00:11:26,040 Which means it's faster from brain to ear than the human eye can detect. 263 00:11:26,120 --> 00:11:28,520 Yeah, great, so with the 93% accuracy... 264 00:11:28,600 --> 00:11:31,120 Yeah, OK. So with 1.9, we never got past 90%. 265 00:11:31,199 --> 00:11:33,680 Even on good days, which we didn't really have. 266 00:11:33,760 --> 00:11:35,920 So basically we're ahead of the game here already. 267 00:11:36,000 --> 00:11:38,199 Yeah, great, so can we talk about the other 7%? 268 00:11:38,280 --> 00:11:39,319 Yep, sure. 269 00:11:39,400 --> 00:11:43,040 {\an8}Although Syncopaticaption 2.0 is already outsubtitling 270 00:11:43,120 --> 00:11:45,360 {\an8}its predecessors in many areas, 271 00:11:45,439 --> 00:11:48,800 {\an8}the area where it's least accurate is that of proper names. 272 00:11:48,880 --> 00:11:50,199 Like "Tweezer May," for instance. 273 00:11:50,280 --> 00:11:52,839 Yeah, although to be fair, phonetically, that's actually pretty close. 274 00:11:52,920 --> 00:11:55,959 Yeah, but politically and in every other way except phonetically, it's a disaster. 275 00:11:56,040 --> 00:11:58,040 - Yeah. - Or worse still, "Vladimir Puking." 276 00:11:58,120 --> 00:11:59,640 Yeah, that was really bad luck. 277 00:11:59,719 --> 00:12:02,600 The problem we've got, Adam, proper names are a key component of world news. 278 00:12:02,680 --> 00:12:04,959 - Yeah. - I don't understand statistics, 279 00:12:05,040 --> 00:12:06,800 but you could say they're the most important 7%. 280 00:12:06,880 --> 00:12:09,319 - Yeah. - And that's the 7% we're getting wrong. 281 00:12:09,400 --> 00:12:11,600 - Not always. - No, not always, but enough. 282 00:12:11,680 --> 00:12:14,439 Like I say, we're 24 hours in, but once it's learned a new name, 283 00:12:14,520 --> 00:12:16,240 in theory, it will never forget it again. 284 00:12:16,319 --> 00:12:18,079 - Yeah. - It actually can't. 285 00:12:18,160 --> 00:12:20,600 The thing is, Adam, and I don't understand the technicalities of this, 286 00:12:20,680 --> 00:12:23,880 but as far as I can see, what's happening is it's getting names wrong 287 00:12:23,959 --> 00:12:27,199 and then it's remembering that wrong version and repeating it without fail. 288 00:12:27,280 --> 00:12:30,120 The good thing about that is that once you've got a problem flagged, 289 00:12:30,199 --> 00:12:32,680 we can predict with absolute certainty when it's gonna happen again. 290 00:12:32,760 --> 00:12:35,520 And that's why we're all dreading the next story about Russia. 291 00:12:35,599 --> 00:12:39,000 Though, to be fair, things have been quieter with Russia in the last week, 292 00:12:39,079 --> 00:12:40,319 so that's like a positive already. 293 00:12:40,400 --> 00:12:41,599 What? 294 00:12:41,680 --> 00:12:44,199 Me... Me... 295 00:12:44,280 --> 00:12:46,599 Me... Me... 296 00:12:46,680 --> 00:12:47,920 Me... 297 00:12:48,000 --> 00:12:49,280 Me... 298 00:12:49,360 --> 00:12:50,400 Me... 299 00:12:50,480 --> 00:12:52,640 - So this is like a try-out we did. - Right. 300 00:12:52,719 --> 00:12:55,959 And this is like a bunch of other people, I don't know who they are. 301 00:12:56,040 --> 00:12:58,160 Meanwhile, elsewhere in the building, 302 00:12:58,240 --> 00:13:01,959 Siobhan has come over to report back to Head of Output Matt Tavener 303 00:13:02,040 --> 00:13:05,520 on Fun Media's creative response to the Cycle Shorts idea, 304 00:13:05,599 --> 00:13:07,880 after Anna Rampton had forwarded it to them 305 00:13:07,959 --> 00:13:09,920 after David Wilkes had sent her the link 306 00:13:10,000 --> 00:13:12,719 after Jack Patterson had adapted it from On Your Bike 307 00:13:12,800 --> 00:13:14,520 after Izzy Gould had developed it 308 00:13:14,599 --> 00:13:17,680 after Will Humphries had come to her with the idea originally. 309 00:13:17,760 --> 00:13:19,520 Can I just say, was that you again there, Siobhan? 310 00:13:19,599 --> 00:13:20,800 - Sure was. - Thought so. 311 00:13:20,880 --> 00:13:23,040 - I'm coming up again. - For a minute there-- 312 00:13:23,120 --> 00:13:25,439 No, shut up, here I come. - Me. 313 00:13:25,520 --> 00:13:26,880 - Me. - Right, yes. 314 00:13:26,959 --> 00:13:28,199 - That's so fun. - Yes. 315 00:13:28,280 --> 00:13:32,880 Fun's brainwave is to use the idea to create an interactive online trail 316 00:13:32,959 --> 00:13:36,120 ahead of the launch of the BBC's new online platform BBC Me. 317 00:13:36,199 --> 00:13:37,719 - That's it, OK? - Sure. 318 00:13:37,800 --> 00:13:39,839 - Yeah. - BBC Me, it's you. 319 00:13:39,920 --> 00:13:41,520 - Great, Siobhan, so this... - Hi. 320 00:13:41,599 --> 00:13:42,599 Hey, Izzy. 321 00:13:42,680 --> 00:13:45,000 - Sorry I'm a bit late. - No, great you could make it. 322 00:13:45,079 --> 00:13:46,240 - Yes. - Thanks. 323 00:13:46,319 --> 00:13:48,199 - Lovely, Izzy. - Siobhan's been showing us a rough 324 00:13:48,280 --> 00:13:50,319 - of where they're up to with things. - Yes. 325 00:13:50,400 --> 00:13:51,640 - Genius. - Basically, it's-- 326 00:13:51,719 --> 00:13:52,719 I'm gonna play it again. 327 00:13:52,800 --> 00:13:53,760 - Well, no... - Here we go. 328 00:13:53,839 --> 00:13:57,839 Given her loyalty to Will's original concept for On Your Bike 329 00:13:57,920 --> 00:13:59,319 and what's happened to it since, 330 00:13:59,400 --> 00:14:02,920 Izzy has been uncertain about whether to come to the meeting or not. 331 00:14:03,000 --> 00:14:04,000 But she has. 332 00:14:04,079 --> 00:14:05,079 Me. 333 00:14:05,599 --> 00:14:06,920 So that's it again, OK? 334 00:14:07,000 --> 00:14:08,000 - OK. - Sure. 335 00:14:08,079 --> 00:14:09,959 - Do you wanna see it-- - No, that's great. 336 00:14:10,040 --> 00:14:11,520 So this will be a YouTube thing. 337 00:14:11,599 --> 00:14:13,000 - Excuse me? - Well. 338 00:14:13,079 --> 00:14:15,400 A "thing"? Everybody's got a phone. 339 00:14:15,479 --> 00:14:17,400 - Everyone's a "me." Right? - Right. 340 00:14:17,479 --> 00:14:20,520 So we go live with this thing before the launch, like now. 341 00:14:20,599 --> 00:14:24,360 Get a few Super Me's involved at the get-go, it's like, oh my God, OK? 342 00:14:24,439 --> 00:14:25,439 Oh my god! 343 00:14:25,520 --> 00:14:28,120 This trend is leaving town today, be on it. 344 00:14:28,199 --> 00:14:29,640 No, sure, that's great, Siobhan. 345 00:14:29,719 --> 00:14:30,839 Super Me's? 346 00:14:30,920 --> 00:14:34,400 OK, no, sure, so like Taylor Swift does a "me," right? 347 00:14:34,479 --> 00:14:36,719 You are pretty much drowning in retweets right away. 348 00:14:36,800 --> 00:14:37,800 - Right. - Sure. 349 00:14:37,880 --> 00:14:40,280 - You're living in a world of me's. - Oh my God. 350 00:14:40,360 --> 00:14:43,599 - Pretty soon you done broke the Internet. - I love where you've gone with this. 351 00:14:43,680 --> 00:14:45,120 - Sure. - Genius. 352 00:14:45,199 --> 00:14:46,760 Sorry, 'cause I'm just catching up, so... 353 00:14:46,839 --> 00:14:49,760 - With the Cycling Shorts idea, Siobhan... - Yes. 354 00:14:49,839 --> 00:14:51,880 - Excuse me. - You've gone past that as an idea? 355 00:14:51,959 --> 00:14:56,240 OK, here's the thing with this: this is BBC Me we're launching, not BBC Bike. 356 00:14:56,319 --> 00:14:57,439 - Sure. - OK. 357 00:14:57,520 --> 00:14:59,479 Lose the bike, what is that? Get rid of it. 358 00:14:59,560 --> 00:15:02,000 - No, sure. - And the "free the selfie" idea? 359 00:15:02,079 --> 00:15:03,640 - I'm sorry? - Free the selfie! 360 00:15:03,719 --> 00:15:05,640 Yeah, 'cause I was never really sure about that. 361 00:15:05,719 --> 00:15:07,719 No, that's really interesting, Izzy. 362 00:15:07,800 --> 00:15:11,040 So I don't know if this is any use, I don't know about Taylor Swift, 363 00:15:11,120 --> 00:15:14,439 but we get quite a lot of people coming in and out of here every day. 364 00:15:14,520 --> 00:15:16,520 - OK. - Would it be an idea 365 00:15:16,599 --> 00:15:20,680 to maybe just have someone like down in reception with a phone, every day? 366 00:15:20,760 --> 00:15:22,760 - No, sure. - Holy shit! 367 00:15:22,839 --> 00:15:25,560 You never know, it would only be a few moments of their time. 368 00:15:25,640 --> 00:15:27,640 - Who knows who you might get? - Great. 369 00:15:27,719 --> 00:15:30,079 - George! - I... What? 370 00:15:38,680 --> 00:15:40,319 - OK, cool. - Right, OK. 371 00:15:40,400 --> 00:15:42,120 - Genius. - That's great, Izzy, thanks. 372 00:15:42,199 --> 00:15:43,360 Yeah, thanks. 373 00:15:56,800 --> 00:15:59,439 Anna? Anna? 374 00:16:00,240 --> 00:16:01,319 Anna? 375 00:16:01,400 --> 00:16:03,520 Eventually it's the end of another day. 376 00:16:03,599 --> 00:16:06,760 But fortunately for Senior Communications Officer Tracy Pritchard, 377 00:16:06,839 --> 00:16:09,359 Anna Rampton hasn't quite made it out of the building yet. 378 00:16:09,439 --> 00:16:10,439 - Anna! - Yes, hi. 379 00:16:11,160 --> 00:16:13,920 I'm glad I caught you. I was gonna run out of road there. 380 00:16:14,000 --> 00:16:16,160 - Yes. - I don't know if you saw my email. 381 00:16:16,240 --> 00:16:17,359 Your email? 382 00:16:17,439 --> 00:16:19,560 - This thing with the big swing band. - Yes, exactly. 383 00:16:19,640 --> 00:16:21,280 Rumours have somehow started to appear 384 00:16:21,359 --> 00:16:23,199 on the BBC Betterness Twitter feed 385 00:16:23,280 --> 00:16:28,040 that the BBC is planning to reimagine its big swing band as terminally un-swung. 386 00:16:28,120 --> 00:16:30,439 So we are starting to take incoming on it already. 387 00:16:30,520 --> 00:16:32,640 - Right, incoming. - I've already had to get heavy 388 00:16:32,719 --> 00:16:35,839 with some 14-year-old from the buzz feed whose tone I didn't appreciate. 389 00:16:35,920 --> 00:16:38,920 And as far as I can work out, this is basically your thing. 390 00:16:39,000 --> 00:16:40,199 Yes, exactly, yes. 391 00:16:41,719 --> 00:16:44,359 This is about identifying what we do most of best 392 00:16:44,439 --> 00:16:46,560 and finding fewer ways of doing more of it less. 393 00:16:47,719 --> 00:16:48,880 - Right, OK. - Yes. 394 00:16:48,959 --> 00:16:50,959 - That's what you want me to say? - Yes. 395 00:16:51,520 --> 00:16:53,479 OK, fine, if you're sure about that, Anna. 396 00:16:53,560 --> 00:16:56,319 - Yes, exactly. - Like I say, I'm glad I caught you. 397 00:16:56,400 --> 00:16:59,560 You won't believe this, but I used to run the 400-meter hurdles at school. 398 00:16:59,640 --> 00:17:01,280 Yes, exactly, no. 399 00:17:16,720 --> 00:17:20,399 Meanwhile it's a new day, and it may only be eight o'clock, 400 00:17:20,480 --> 00:17:24,040 but down in reception, Will Humphries is already hard at work. 401 00:17:25,680 --> 00:17:29,159 He's been entrusted with the task of persuading some famous faces 402 00:17:29,240 --> 00:17:34,480 to take part in the new interactive online BBC Me Super Selfie campaign. 403 00:17:34,560 --> 00:17:36,600 - Yeah, hi, yeah. - Hi. 404 00:17:37,879 --> 00:17:38,840 - Yeah, hi, so I'm Will. - Hi, Will. 405 00:17:38,919 --> 00:17:41,280 - Yeah, so like how are you? - How am I? 406 00:17:41,360 --> 00:17:43,399 - Yeah. - I'm good, thanks. 407 00:17:43,480 --> 00:17:44,760 - Cool. - Yeah, I'm good. 408 00:17:44,840 --> 00:17:47,440 Yeah, so yeah, I'm doing this thing for BBC Me. 409 00:17:47,520 --> 00:17:48,720 - BBC Me? - Yeah. 410 00:17:48,800 --> 00:17:50,000 What the hell is that? 411 00:17:50,080 --> 00:17:52,159 So could you like say "me" into this? 412 00:17:52,240 --> 00:17:53,639 - Say you? - Yeah, what? 413 00:17:53,720 --> 00:17:55,320 - You want me to say you? - No, me. 414 00:17:55,399 --> 00:17:58,040 - Sorry? - Like... me. 415 00:17:58,720 --> 00:18:00,280 Except not me, you. 416 00:18:00,360 --> 00:18:02,480 Will, a part of me would like to help you... 417 00:18:02,560 --> 00:18:04,639 - No, yeah, me too. - But I don't think I can. 418 00:18:04,720 --> 00:18:06,200 - OK, cool. - Sorry. 419 00:18:06,280 --> 00:18:07,960 - No worries. - But you know, hey, good luck. 420 00:18:08,040 --> 00:18:09,800 Yeah, no worries, yeah, cool. 421 00:18:15,159 --> 00:18:16,080 No, of course. I mean, 422 00:18:16,159 --> 00:18:18,240 as I say, I've no idea where that's come from. 423 00:18:18,320 --> 00:18:21,480 And as far as I'm aware, you know, it's probably, 424 00:18:21,560 --> 00:18:23,520 it's almost certainly just a rumour. 425 00:18:23,600 --> 00:18:25,000 So, you know? 426 00:18:25,080 --> 00:18:27,879 Uh, but in the meantime, we're obviously very aware... 427 00:18:27,960 --> 00:18:31,960 Meanwhile, Lucy has found time to go down to the so-called media cafe 428 00:18:32,040 --> 00:18:34,200 to have some breakfast whilst talking on her phone. 429 00:18:34,280 --> 00:18:36,480 OK, well, look, thanks for getting in touch with me, 430 00:18:36,560 --> 00:18:40,159 and I'll do what I can to clarify the situation and get back to you 431 00:18:40,240 --> 00:18:41,240 as soon as... 432 00:18:41,919 --> 00:18:43,480 Yes, OK, bye, bye. 433 00:18:44,840 --> 00:18:45,679 Right! 434 00:18:46,919 --> 00:18:47,919 - Hi. - Hi. 435 00:18:48,000 --> 00:18:49,360 - Everything OK? - Uh, yeah, no. 436 00:18:49,440 --> 00:18:51,080 I mean... Have you got a minute? 437 00:18:51,159 --> 00:18:52,560 Yes, of course, yes. 438 00:18:52,639 --> 00:18:55,399 - Where the hell did she get that from? - I don't know. 439 00:18:55,480 --> 00:18:57,679 Someone told her they'd seen something on Twitter or... 440 00:18:57,760 --> 00:18:58,919 Yes, I know. 441 00:18:59,000 --> 00:19:01,960 Lucy has been contacted by someone called Donna Fredricks, 442 00:19:02,040 --> 00:19:04,440 who turns out to be the daughter, for the moment anyway, 443 00:19:04,520 --> 00:19:07,080 of the leader of the BBC Big Swing Band. 444 00:19:07,159 --> 00:19:10,080 I think she's like his manager or something as well as his daughter. 445 00:19:10,159 --> 00:19:12,800 Also, why you? What have you got to do with it? 446 00:19:12,879 --> 00:19:15,960 She posted on the inclusivity feeling space and it got forwarded to me. 447 00:19:16,040 --> 00:19:18,840 - The "inclusivity feeling space"? - OK, here we go. 448 00:19:18,919 --> 00:19:19,919 So this is him. 449 00:19:20,919 --> 00:19:21,960 Right, OK. 450 00:19:22,040 --> 00:19:24,120 He's 74, he's been leader of the band like forever. 451 00:19:24,200 --> 00:19:26,360 - Right, God. - Yes, I know. 452 00:19:26,440 --> 00:19:29,000 And suddenly she's asking me flat out if we're axing it. 453 00:19:29,080 --> 00:19:30,760 - Right, yes. - What am I supposed to say? 454 00:19:30,840 --> 00:19:31,960 - No. - Are we axing it? 455 00:19:32,040 --> 00:19:33,320 - Well, not unless-- - 'Cause also-- 456 00:19:33,399 --> 00:19:36,800 - God, there's an "also"? - It's his 75th birthday coming up. 457 00:19:36,879 --> 00:19:39,159 They're rehearsing a special concert to celebrate as we speak. 458 00:19:39,240 --> 00:19:41,560 Great, that's pretty much a full house then, isn't it? 459 00:19:41,639 --> 00:19:43,040 This is him with the band. 460 00:19:43,120 --> 00:19:44,480 - Looks like he's having a nice time. - Yes. 461 00:19:44,560 --> 00:19:46,320 At the risk of sounding like Tracy Pritchard, 462 00:19:46,399 --> 00:19:48,480 - I've got a bad feeling about this. - I know. 463 00:19:48,560 --> 00:19:50,440 - Thank God we haven't made a decision yet. - Yes. 464 00:19:50,520 --> 00:19:51,919 - 'Cause that would be... - We haven't made a decision? 465 00:19:52,000 --> 00:19:54,720 - Well, no, I mean, have we? - I didn't think so. 466 00:19:54,800 --> 00:19:56,240 Well, I mean, not unless someone... 467 00:20:03,480 --> 00:20:04,760 Right, good. 468 00:20:04,840 --> 00:20:07,280 - So this is obviously a screen grab. - Yep. 469 00:20:07,360 --> 00:20:09,760 - 10:05 this morning, by the looks of it. - Yeah, whatever. 470 00:20:09,840 --> 00:20:12,240 So we didn't notice it when it went out live. 471 00:20:12,320 --> 00:20:15,840 {\an8}Meanwhile, current Head of News and Current Affairs, Neil Reid, 472 00:20:15,919 --> 00:20:19,600 {\an8}is having another in a series of increasingly ongoing conversations 473 00:20:19,679 --> 00:20:23,240 with the BBC's Chief Technical Services Choreographer Adam Brady. 474 00:20:23,320 --> 00:20:25,720 I mean, "Dame Baggy Smith," for Christ's sake! 475 00:20:25,800 --> 00:20:27,080 Yeah, I know. 476 00:20:27,159 --> 00:20:30,280 Whatever you think of actors, this is one of the most respected of our generation. 477 00:20:30,360 --> 00:20:32,600 - Yeah, she's great, isn't she? - She's 82. 478 00:20:32,679 --> 00:20:35,200 She's a dame, for Christ's sake, she's a national treasure. 479 00:20:35,280 --> 00:20:37,159 And she's now someone... and I say this as someone who's 480 00:20:37,240 --> 00:20:40,000 just been shouted at by her agent... she's now someone 481 00:20:40,080 --> 00:20:41,720 who's never gonna work for the BBC again. 482 00:20:41,800 --> 00:20:45,200 OK, so what's happened is someone's taken this and posted it on Twitter. 483 00:20:45,280 --> 00:20:46,760 - Yes. - Presumably as some joke. 484 00:20:46,840 --> 00:20:49,960 - Yes, I can see what's happened! - In a way, you can't actually blame them. 485 00:20:50,040 --> 00:20:52,679 - I don't blame them, Adam, I blame you! - Yeah, yeah. 486 00:20:52,760 --> 00:20:56,960 So whilst you figure out how to fix it, let's go back to good old 1.9, shall we? 487 00:20:57,040 --> 00:20:58,040 - Yeah. - What? 488 00:20:58,120 --> 00:21:00,240 The thing with 1.9, it's no longer compatible 489 00:21:00,320 --> 00:21:01,720 with Syncopatico Rolling Thunder. 490 00:21:01,800 --> 00:21:04,520 Great. OK, let's just turn the fucking thing off altogether. 491 00:21:04,600 --> 00:21:06,520 With that, Neil, we immediately run the risk 492 00:21:06,600 --> 00:21:07,800 of alienating the blind community. 493 00:21:07,879 --> 00:21:10,040 Which, I dunno about you, but I'm not comfortable with. 494 00:21:10,120 --> 00:21:11,399 - Deaf. Deaf! - What? 495 00:21:11,480 --> 00:21:14,520 - Yeah, deaf, yeah, deaf. Sorry. - God. Fucking hell. 496 00:21:15,440 --> 00:21:17,159 {\an8}- Ian. - Yes, hello, yes. 497 00:21:17,240 --> 00:21:19,399 - Yes, hello, good to meet you. - Yes, you too. 498 00:21:19,480 --> 00:21:22,080 Meanwhile, Ian has made the journey to Westminster 499 00:21:22,159 --> 00:21:24,280 for his crucial first charter renewal meeting 500 00:21:24,360 --> 00:21:27,280 at the Department of Culture, Media and also Sport. 501 00:21:27,360 --> 00:21:29,879 - Fiona is running a few minutes late. - OK. 502 00:21:29,960 --> 00:21:32,000 - But if you're happy just to take a seat. - Of course, yes. 503 00:21:32,080 --> 00:21:34,280 - Can I get you a coffee? - No, I'm fine, thanks. 504 00:21:34,360 --> 00:21:36,440 - Your colleague's already here. - Oh good, well... my colleague? 505 00:21:36,520 --> 00:21:37,800 She's been here awhile, actually. 506 00:21:37,879 --> 00:21:39,440 As the first of what could be literally 507 00:21:39,520 --> 00:21:41,560 who knows how many such meetings to come, 508 00:21:41,639 --> 00:21:44,040 it's vital that it gets off to a smooth start. 509 00:21:44,120 --> 00:21:45,639 - Anna. - Yes, hi, yes. 510 00:21:45,720 --> 00:21:47,760 - So is this, are you-- - Yes, exactly, yes. 511 00:21:47,840 --> 00:21:51,840 Right, don't take this the wrong way. It's always nice to see you, obviously. 512 00:21:51,919 --> 00:21:53,360 But I didn't realise you were gonna be here for this. 513 00:21:53,439 --> 00:21:55,320 - Yes. - Right. 514 00:21:56,200 --> 00:21:58,480 - The fact is I came in a taxi. - Right. 515 00:21:59,800 --> 00:22:01,639 - Yes, me too. - Yes. Exactly, yes. 516 00:22:06,840 --> 00:22:09,200 With Fiona Craig running slightly late, 517 00:22:09,280 --> 00:22:10,960 Ian and Anna have got some time 518 00:22:11,040 --> 00:22:14,040 to sit next to each other in the waiting room and wait. 519 00:22:14,120 --> 00:22:17,639 ...and as we head up to next week, the temperatures will continue to rise 520 00:22:17,720 --> 00:22:20,040 as well, and that is it. 521 00:22:20,120 --> 00:22:22,000 Thank you. 522 00:22:22,080 --> 00:22:25,960 And here with us now are the leader of the BBC Big Swing Band himself, 523 00:22:26,040 --> 00:22:28,960 Ray Fredricks and his daughter Donna. 524 00:22:29,040 --> 00:22:33,560 Donna, I think this is a picture of them rehearsing for that 75th birthday concert. 525 00:22:33,639 --> 00:22:35,320 Yes, that was last week, yes. 526 00:22:35,399 --> 00:22:38,480 So, Ray, for you, all these rumours around closure, 527 00:22:38,560 --> 00:22:41,320 it's gotta be really upsetting for you, and for everyone, really. 528 00:22:41,399 --> 00:22:43,159 At first we thought it was a joke. 529 00:22:43,240 --> 00:22:46,200 Hey, that's life I guess. That's show business. 530 00:22:52,360 --> 00:22:55,000 Meanwhile, back in New Broadcasting House reception, 531 00:22:55,080 --> 00:22:58,120 Will has spotted a new potential target. 532 00:22:58,200 --> 00:22:59,200 - Well yeah, hi yeah. - Hi. 533 00:22:59,280 --> 00:23:00,520 - Yeah, so can you-- - No. 534 00:23:00,600 --> 00:23:01,600 OK. Sorry. 535 00:23:01,679 --> 00:23:02,960 OK, cool. 536 00:23:08,240 --> 00:23:09,159 Will! 537 00:23:09,240 --> 00:23:11,240 - Oh, yeah, hey Izzy. Hi. - How's it going? 538 00:23:11,320 --> 00:23:12,840 Yeah, no worries, yeah, pretty cool. 539 00:23:12,919 --> 00:23:14,600 - Any luck? - What, you mean like so far? 540 00:23:14,679 --> 00:23:16,000 Yes. 541 00:23:16,080 --> 00:23:18,360 This one guy looked like the guy with Pudsey the Bear. 542 00:23:18,439 --> 00:23:19,520 - Pudsey the Bear? - Yeah. 543 00:23:19,600 --> 00:23:21,600 - Terry Wogan? - Terry Wogan, yeah. 544 00:23:21,679 --> 00:23:24,080 - Right. - But I asked him and he wasn't. 545 00:23:24,159 --> 00:23:25,360 But Terry Wogan's dead, surely. 546 00:23:25,439 --> 00:23:26,560 That's what he said, yeah. 547 00:23:26,639 --> 00:23:29,439 Right. You don't have to be down here all the time, Will. 548 00:23:29,520 --> 00:23:32,679 - Yeah, no worries, I don't mind. - It would be cool if you ended up getting 549 00:23:32,760 --> 00:23:34,240 - a couple really big names. - Yeah. 550 00:23:34,320 --> 00:23:36,480 Apparently, Lenny Henry was in this morning. 551 00:23:37,240 --> 00:23:38,280 - Yeah. - It'd be-- 552 00:23:38,360 --> 00:23:40,480 - No way! - It'd be great if you could get him. 553 00:23:40,560 --> 00:23:41,760 I know, yeah, me too. 554 00:23:44,280 --> 00:23:46,600 At what point did you find out? When did you hear? 555 00:23:46,679 --> 00:23:48,159 - No one's said anything to us. - No. 556 00:23:48,240 --> 00:23:51,360 - No one's told us anything, have they? - I don't believe so, I guess not. 557 00:23:51,439 --> 00:23:53,320 Back over at the DCM and also S, 558 00:23:53,399 --> 00:23:56,120 it's becoming clear that despite the importance of the BBC 559 00:23:56,200 --> 00:23:59,800 not dropping a ball of any size on this morning of all mornings, 560 00:23:59,879 --> 00:24:04,560 it's managed to drop a potentially really big one live on its own breakfast show. 561 00:24:04,639 --> 00:24:08,679 Every day he comes in, he gets up in front of the band, he's 27 again. 562 00:24:08,760 --> 00:24:10,280 You can see it happening. 563 00:24:10,879 --> 00:24:12,600 He's like a father to those guys. 564 00:24:12,679 --> 00:24:14,760 He literally is a father to me. 565 00:24:14,840 --> 00:24:17,280 You know, it's like, what more do they want? 566 00:24:17,600 --> 00:24:19,040 - Right, OK. - Yes. 567 00:24:19,120 --> 00:24:21,080 So I don't understand quite how this happened. 568 00:24:21,159 --> 00:24:22,639 - Hello. - Yes, hi. 569 00:24:22,720 --> 00:24:24,280 - Welcome. - Yes, exactly. 570 00:24:24,360 --> 00:24:26,600 But before they know it, it's time to be met 571 00:24:26,679 --> 00:24:30,439 by the DCM and also S's executive media director, Fiona Craig. 572 00:24:30,520 --> 00:24:33,960 I don't like to boast, but I have a TV in my office, shall we watch there? 573 00:24:34,040 --> 00:24:35,639 - Yes. - Yes. No, yes. 574 00:24:36,480 --> 00:24:38,480 They're to be joined again for the meeting 575 00:24:38,560 --> 00:24:41,080 by two further DCM and S junior people. 576 00:24:41,159 --> 00:24:44,120 I'm sure you won't remember Chloe and Zoe, but this is them again. 577 00:24:44,200 --> 00:24:45,399 - Yes, of course, hi. - Hi. 578 00:24:45,480 --> 00:24:46,800 - Yes, hi. - Yes, exactly. 579 00:24:46,879 --> 00:24:49,639 With the introductions over, perhaps not surprisingly 580 00:24:49,720 --> 00:24:52,760 the first item on the agenda is pleasantries. 581 00:24:52,840 --> 00:24:55,520 If there's anything you can do to make EastEnders less depressing, 582 00:24:55,600 --> 00:24:57,720 - I strongly advise you to think about it. - Right, yes. 583 00:24:57,800 --> 00:24:58,800 Yes. 584 00:24:58,879 --> 00:25:00,679 - Probably thinking that's a joke, Ian. - Well... 585 00:25:00,760 --> 00:25:01,879 - It's not. - Right, no. 586 00:25:01,960 --> 00:25:03,040 - No. - Yes. 587 00:25:03,120 --> 00:25:06,280 For Ian, getting off to a good start in his first-ever meeting 588 00:25:06,360 --> 00:25:08,480 with the government in the charter renewal process 589 00:25:08,560 --> 00:25:11,919 hasn't been helped by the item on this morning's BBC Breakfast programme 590 00:25:12,000 --> 00:25:15,520 about plans to axe the BBC Big Swing Band without telling them, 591 00:25:15,600 --> 00:25:17,240 as they rehearse for a special concert 592 00:25:17,320 --> 00:25:19,919 to mark its leader's 75th birthday celebrations. 593 00:25:20,000 --> 00:25:22,040 I was surprised to see Ray Fredricks in prime position 594 00:25:22,120 --> 00:25:24,080 on what I can only call the BBC Breakfast sofa. 595 00:25:24,159 --> 00:25:26,360 - Right, yes. - So, how should we think about that? 596 00:25:26,439 --> 00:25:29,520 - Yes. How should you think about it? - Yes. Yes. Uh-huh. Yes. 597 00:25:29,600 --> 00:25:32,520 Well, I mean this is just, it's one of those genuinely... 598 00:25:32,600 --> 00:25:36,000 - Yes. - In the context of very tough choices. 599 00:25:36,080 --> 00:25:37,760 Exactly, yes. Tough choices, yes. 600 00:25:37,840 --> 00:25:40,240 This is something we found ourselves looking at, isn't it, Anna? 601 00:25:40,320 --> 00:25:41,560 Yes, exactly. Yes. 602 00:25:42,840 --> 00:25:47,000 - Obviously, in an ideal world-- - Let's not do ideal worlds, Ian, shall we? 603 00:25:47,080 --> 00:25:48,760 - Dare we mark those lines? - No. Yes. 604 00:25:48,840 --> 00:25:52,199 What I would say about this, to me, I'm an agnostic when it comes to music. 605 00:25:52,280 --> 00:25:55,600 It's nothing to me what tune you dance to, but what I would say, 606 00:25:55,679 --> 00:26:00,080 maybe a word to the wise, you do know that the minister himself is a keen trombonist? 607 00:26:00,159 --> 00:26:01,840 - Right. - The he, the what? 608 00:26:01,919 --> 00:26:03,600 - Were you not aware of that? - A trombonist? 609 00:26:03,679 --> 00:26:06,439 - I have to say I wondered. - Right. 610 00:26:06,520 --> 00:26:09,560 - Wh-When you say-- - So if I tell you he's got a picture 611 00:26:09,639 --> 00:26:11,560 of Duke Ellington on the wall of his office, Ian... 612 00:26:11,639 --> 00:26:13,800 - Right. - The Duke, the Ellington? 613 00:26:13,879 --> 00:26:15,879 Forgive me, Fiona. Is this a joke? 614 00:26:15,960 --> 00:26:17,280 - A joke? - Yes. 615 00:26:17,360 --> 00:26:19,120 Judge for yourself if you get here early enough. 616 00:26:19,199 --> 00:26:21,000 Some mornings, you can hear him from the street. 617 00:26:21,080 --> 00:26:22,159 - Right. - Yes. 618 00:26:22,240 --> 00:26:24,879 So what I'd say to you, Ian, is, from your point of view, 619 00:26:24,960 --> 00:26:27,360 if it's a joke, it's not a very funny one, is it? 620 00:26:27,439 --> 00:26:28,600 No. 621 00:26:34,240 --> 00:26:35,919 Yes, hi, Tracy, yes. 622 00:26:36,000 --> 00:26:37,720 Yes, I have, just now, yes. 623 00:26:38,679 --> 00:26:40,120 Yes, it is. 624 00:26:41,199 --> 00:26:42,360 Yes, I know. 625 00:26:42,879 --> 00:26:44,199 Yes, I have. 626 00:26:44,280 --> 00:26:46,760 As part of an explosion of reaction on social media 627 00:26:46,840 --> 00:26:49,919 following the big swing band item on BBC Breakfast earlier, 628 00:26:50,000 --> 00:26:53,600 Jools Holland, one of the BBC's biggest living musical giants, 629 00:26:53,679 --> 00:26:56,320 has tweeted that he will leave the BBC for good 630 00:26:56,399 --> 00:26:58,120 if the planned closure goes ahead. 631 00:26:58,199 --> 00:27:01,439 And worse still, a lot of people with opinions have already "liked" that. 632 00:27:01,520 --> 00:27:03,840 Yes, now Anna's here with me. Yes. 633 00:27:04,360 --> 00:27:05,720 Well, but anyway she is. 634 00:27:05,800 --> 00:27:08,120 Overall, things are not going well. 635 00:27:08,199 --> 00:27:10,919 So we'll see you shortly, and in the meantime, let's all stay calm 636 00:27:11,000 --> 00:27:13,800 and try and visualise some positive outcomes here. 637 00:27:15,080 --> 00:27:17,560 No, well, OK, but let's try anyway. 638 00:27:18,120 --> 00:27:19,159 Yes, fine, OK. 639 00:27:19,240 --> 00:27:20,280 Bye, bye. 640 00:27:20,960 --> 00:27:22,320 Right, good. 641 00:27:22,399 --> 00:27:27,159 So there's an emergency damage limitation in Nadia Hussain at eleven o'clock. 642 00:27:27,240 --> 00:27:28,720 Tony's suggestion. 643 00:27:30,159 --> 00:27:31,639 He's super calm, apparently, 644 00:27:31,720 --> 00:27:33,879 but apparently someone heard him shouting in the toilet. 645 00:27:36,760 --> 00:27:39,199 So anyway, yes, if you've got any bright ideas, 646 00:27:39,280 --> 00:27:41,720 apart from asking the driver to drive us both to St. Pancras, 647 00:27:41,800 --> 00:27:44,480 getting on a train and disappearing to the continent for a while. 648 00:27:44,560 --> 00:27:46,600 Obviously the main... That was a joke, by the way. 649 00:27:46,679 --> 00:27:48,480 - Just in case you... Yeah. - Mm. 650 00:27:48,560 --> 00:27:52,600 No, I mean the main thing now is to, before we, you know, actually... 651 00:27:52,679 --> 00:27:56,040 Are you OK, Anna? Anna, are you alright? 652 00:27:57,360 --> 00:27:58,879 Right, OK, um... 653 00:27:58,960 --> 00:28:01,240 - Actually, can we just stop, please? - What? 654 00:28:01,320 --> 00:28:02,520 You OK back there? 655 00:28:02,600 --> 00:28:05,639 No, I think she's fine. I think it's OK. She's just, you know... 656 00:28:05,720 --> 00:28:07,879 Ah, no, I think maybe we'd better stop. 55798

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