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Stand by, two.
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Mix through, cue on two.
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The BBC's announced the appointment
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of the ex Head of Olympic Delivery,
Ian Fletcher,
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as its new Head of Values.
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Time now
for the shipping forecast.
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Superimpose.
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{\an8}- Move Panorama to Twitter?
- Right, OK.
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- Yes, no, brilliant.
- Blimey, how's that gonna work?
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It's Monday morning
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at the BBC's
New Broadcasting House headquarters
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and Head of Values Ian fletcher
is chairing
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another meeting of the renewal group.
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I mean, this might be a good time to
remind ourselves
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what this is actually about.
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Oh, yes, please, sir.
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- Brilliant...
- Right.
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So, essentially this DCMS thing...
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Following a broadly successful
visit to New Broadcasting House
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by a delegation from the Department
of Culture, Media and also Sport,
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Ian has been tasked with
the opportunity to represent the BBC
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in what will be, in one way or another,
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a decisive series of meetings
at Westminster,
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as it negotiates the renewal
of its royal charter,
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and therefore its permission to exist.
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...to really set out our stall
at the start of the process.
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- Hurrah.
- Yeah, great.
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And maybe even a chance to set the tone
of the whole conversation
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by being really confident about
our aspirations for the future up front.
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Christ. -With this in mind,
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the BBC has recently launched its
high-profile More Of Less initiative,
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as a flagship policy to demonstrate
that they understand what they're doing.
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For what it's worth, the mood music
at breakfast with Tony these days
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is all about ways of showing
that we get it.
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- Right.
- Breakfast with Tony?
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These days it's just a matter
of kiwi fruit
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- and tired-looking almond croissants.
- Jesus.
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- Yes.
- Isn't it, Anna?
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- Yes, exactly, yes.
- Right.
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Sorry, can I just ask,
this probably isn't my...
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- No.
- but when you say "get it"...
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- Yes?
- get what, exactly?
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Oh, yes, no, brilliant, Lucy.
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00:02:00,199 --> 00:02:01,880
- I might be being stupid.
- Yes, exactly.
45
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No, the fact is this is about establishing
what we do most of best and finding
46
00:02:05,800 --> 00:02:07,800
- fewer ways of doing more of it less.
- Right.
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Yes... Yes... Brilliant...
Yeah, bollocks.
48
00:02:10,359 --> 00:02:11,640
- So, what is this, Jerry--
- Ben.
49
00:02:11,720 --> 00:02:12,920
So, what is this, Ben?
50
00:02:13,000 --> 00:02:15,560
Listen, I don't know how this stuff works,
but, uh...
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With Ian's first trip to
Westminster due next week,
52
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it's become clear that Ben
has been invited to have some thoughts
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about what More Of Less might look like
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00:02:23,799 --> 00:02:27,519
in his new role as someone about to apply
for the same job as Jerry.
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These are just some squeaky toys to push
around the floor, Ben, aren't they?
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00:02:31,200 --> 00:02:32,760
- Yeah.
- Squeaky toys?
57
00:02:32,840 --> 00:02:35,440
- Yep.
- Yes. Now feel free to ignore them.
58
00:02:35,519 --> 00:02:36,760
- Right, well.
- OK, fine, done.
59
00:02:36,840 --> 00:02:38,079
- Yep.
- Oh, I dunno.
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Um... gardening?
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- Gardening?
- OK, right!
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Would anybody miss that
if we didn't do it?
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- I would!
- Yes... I mean... No.
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- Surely...
- No, I'm sorry.
65
00:02:47,079 --> 00:02:48,280
- Isn't it more--
- No, the fact is, that's not the point.
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- Can we close that for the moment?
- Yes.
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If that's alright, Ben?
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- Sure.
- Yeah, close it.
69
00:02:53,760 --> 00:02:55,920
- Yes, of course, yes, no, very good.
- I'm sorry, guys,
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I am gonna say this.
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As a woman, I have a bit
of a soft spot for Monty Don.
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00:03:00,239 --> 00:03:01,560
- Really?
- Brilliant.
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00:03:01,640 --> 00:03:03,519
- Really?
- Yes, no, who hasn't?
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00:03:03,600 --> 00:03:05,320
- I gotta say I would miss him.
- OK.
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And I know there are a lot of other women
out there like me.
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Yes. I mean obviously I'm grateful
to Ben for all the... you know, the thing
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- you've put into this.
- No, really.
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- Hey.
- But we seem to have got off
79
00:03:16,519 --> 00:03:18,480
- on the wrong foot here somehow.
- Yes.
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And the idea of us spending our energy
on looking for things not to do...
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I agree completely.
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I mean, that is absolutely
not what renewal is about.
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Yes, no, very good.
84
00:03:27,519 --> 00:03:30,079
No, the challenge is to...
Hang on, what's this?
85
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Oh no, yes.
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- Another squeaky toy, presumably?
- Yep, yes, no, brilliant.
87
00:03:33,840 --> 00:03:34,840
- Orchestras?
- Yes.
88
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- Right.
- Orchestras, yep.
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Yes, but six is probably the perfect
number to have in life anyway, so...
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- Well, that's...
- So let's not...
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00:03:40,959 --> 00:03:42,280
- No, I'm sorry.
- That's a different...
92
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- Yes.
- Six?
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00:03:43,840 --> 00:03:46,920
It's becoming clear to Ian that
so crucial is the More Of Less
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initiative deemed to be
for the future of the BBC,
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that Jerry has also been invited to have
some thoughts about how it might work
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00:03:54,040 --> 00:03:57,880
in his new role as someone about
to apply for the same job as Ben.
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The BBC Celtic Symphonieta.
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- Yep.
- Right.
99
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- Yeah.
- Isn't that a bit--
100
00:04:02,480 --> 00:04:03,760
- No.
- Yeah, a bit crap, yeah.
101
00:04:03,839 --> 00:04:05,200
- Well, no.
- Yes.
102
00:04:05,280 --> 00:04:07,519
I'm not sure that's how you spell
"Symphonieta" anyway, is it?
103
00:04:07,600 --> 00:04:09,440
- No, it's not, no.
- No... Really?
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No, it is bloody not.
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{\an8}After a, for him, unusually
intense period of research,
106
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Jerry has discovered that the BBC
currently operates
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a total of six major orchestras
and has been looking at ways
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of reimagining them as a smaller number
of minor orchestras.
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I remember being taken to see
the Welsh Symphony Orchestra
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as it was then in St David's Hall Cardiff
when I was 12.
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- Right.
- Really?
112
00:04:30,320 --> 00:04:33,360
Apart from the musical experience, which
I've got to say was Vaughan Williams,
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for me, it was the first time I'd seen
more than 30 people
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in any kind of room at the same time.
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- Yes, well, that's brilliant.
- For me as a young woman
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- growing up in Wales, it was seminal.
- Right.
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- That's when I knew I had to get out.
- Yes, I mean...
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- Hurrah.
- A couple things
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- to throw in at this point.
- Brilliant... Yep.
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I'm with you on this, Ian.
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00:04:52,080 --> 00:04:54,960
- Good. Although I haven't said it yet.
- No, I know, I'm just saying.
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No, I should probably say now
that this isn't something
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I'd feel comfortable taking to the DCM
and also S next week.
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00:05:00,560 --> 00:05:02,760
- No.
- I'm not gonna be responsible for axing
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00:05:02,840 --> 00:05:04,919
four major BBC orchestras
and instigating the launch
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00:05:05,000 --> 00:05:07,719
of the BBC Celtic Symphonieta,
however you spell it.
127
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- Yes, no, very good.
- I don't see that as my role.
128
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- as Head of Values.
- Yes, no, fabulous, Ian, very clear.
129
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- Just give it...
- Get off, it's mine.
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- Yes?
- Yes, no, come on, boys, nice big voice.
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This is me on my bike.
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- This is me on my bike.
- This is me on my bike.
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Yeah, hey, this is me on my bike.
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This is me on my bike.
135
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Meanwhile,
across town at Fun Media,
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Siobhan has asked her team
to gather together and have ideas
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about using the Cycle Shorts video
sent over to them
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00:06:00,440 --> 00:06:02,039
by Director of Better, Anna Rampton,
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00:06:02,120 --> 00:06:07,120
as a possible trail for the launch
of the BBC's new online platform, BBC Me.
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OK.
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- This is me on my bike.
- This is me on my bike!
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- OK, it's done now, shut up.
- Yep.
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- What are we thinking here, guys?
- Pretty cool.
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In many ways,
it's a perfect example
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of exactly the sort
of selfie-centred content that will lie
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at the heart of the new channel
and that may well be the model
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for how television will work in a world
where no one watches it anymore.
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Plus, when it comes to the actual launch,
you can have it playing
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on like a permanent loop on
a really big screen like a whole wall.
150
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- Maybe if it was in black-and-white?
- Sure.
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Yeah, cool, black-and-white, yeah.
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- Yeah, maybe like both.
- This is so not happening.
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We've got one chance
to get this launch gig right, OK?
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- Yep.
- Get it wrong,
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we're eating shit soup with no chopsticks.
156
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Yeah.
157
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- OK, so you theme the whole event.
- Yeah yeah yeah yeah.
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- OK.
- Maybe everyone's wearing cycling shorts.
159
00:06:50,760 --> 00:06:52,120
- Yeah.
- Cycling shorts?
160
00:06:52,200 --> 00:06:54,719
- Yeah, or like...
- Eww. Not gonna happen.
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- OK, so everybody has to have a bike.
- OK.
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If you don't have a bike,
you can't come in.
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Yeah, maybe have it somewhere
you can only get to by bike.
164
00:07:01,640 --> 00:07:02,960
- Yeah.
- OK, like where?
165
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- I don't know, maybe more like...
- Yeah, France.
166
00:07:06,719 --> 00:07:08,760
- OK, Michael, what are you thinking here?
- Sure.
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What you got upside your head?
168
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- I have an idea.
- You wanna go fuzzy-felt on us?
169
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- I don't need that.
- OK, cool.
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So, we don't need the bike.
171
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- Say what?
- Cool.
172
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- Lose it.
- Lose it?
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The cool part of this is
"freeing the selfie,"
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so we don't need the bike at all.
175
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Even though Michael brings
several years' experience with him
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from the Fun Media office in New York,
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it's become clear that in many ways
he's actually
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younger than the rest of the team
put together.
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00:07:31,840 --> 00:07:34,359
So you set up a YouTube channel.
You could do it now, right?
180
00:07:34,440 --> 00:07:36,840
And people upload themselves
just saying the word "me"
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00:07:36,919 --> 00:07:39,000
like right into their phones
like a super selfie,
182
00:07:39,080 --> 00:07:42,200
whoever they are or wherever they are now,
so anyone can add to it
183
00:07:42,280 --> 00:07:43,479
so like it goes viral, right?
184
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So already you got zillions of people,
already it's like a huge thing
185
00:07:46,320 --> 00:07:49,919
like even before the BBC Me launch you got
pretty much the whole world saying "Me."
186
00:07:50,000 --> 00:07:52,479
Which could be pretty cool, right?
187
00:07:52,560 --> 00:07:53,599
Holy shit.
188
00:07:53,680 --> 00:07:56,719
So maybe for the launch you edit it
so like you get some cool music
189
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and maybe the strapline could be
like "BBC Me: it's you."
190
00:08:00,239 --> 00:08:02,400
Which actually could be cool.
191
00:08:04,599 --> 00:08:05,599
Yeah.
192
00:08:05,679 --> 00:08:06,479
- Yeah.
- Yeah.
193
00:08:08,159 --> 00:08:09,359
George!
194
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♪ 'Cause here we go ♪
195
00:08:28,320 --> 00:08:30,239
♪ S Club ♪
196
00:08:30,320 --> 00:08:32,959
♪ There ain't no party
like an S Club party ♪
197
00:08:38,559 --> 00:08:39,799
Meanwhile, back in renewal,
198
00:08:39,880 --> 00:08:44,079
one of either Ben or Jerry
has noticed that there is a BBC orchestra
199
00:08:44,159 --> 00:08:47,640
on the original list of six
that no one has so far mentioned.
200
00:08:47,720 --> 00:08:49,120
They all sound fabulous, don't they?
201
00:08:49,199 --> 00:08:50,640
- Yep.
- Do they?
202
00:08:50,720 --> 00:08:51,800
Yes, alright.
203
00:08:51,880 --> 00:08:54,560
Originally the BBC Light Fun Orchestra,
204
00:08:54,640 --> 00:08:57,959
the BBC Swing Band
started life in 1927
205
00:08:58,040 --> 00:09:01,000
and has had incarnations as
the BBC Home Service Dance Band
206
00:09:01,079 --> 00:09:05,480
and the Radio 2 Big Swingers Ensemble
in its nearly 80-year history.
207
00:09:05,560 --> 00:09:07,760
- Yes, no, can you stop that now, please?
- Brilliant.
208
00:09:07,840 --> 00:09:09,400
- Can you stop that now, please?
- Yeah.
209
00:09:10,439 --> 00:09:12,439
- Yes, it's an interesting one, isn't it?
- Is it?
210
00:09:12,520 --> 00:09:13,520
Yes, exactly, yes.
211
00:09:13,600 --> 00:09:15,560
Maybe there's been a lot happening
in the world recently
212
00:09:15,640 --> 00:09:17,880
but hands up who knew
we had a big swing band?
213
00:09:17,959 --> 00:09:20,160
- Yes, well.
- Yes, no, the fact is we have.
214
00:09:20,240 --> 00:09:22,520
So what are we gonna do,
make it smaller, are we?
215
00:09:22,600 --> 00:09:24,600
- Brilliant.
- The BBC Little Swing Band.
216
00:09:24,680 --> 00:09:25,800
- Brilliant.
- Brilliant.
217
00:09:25,880 --> 00:09:28,800
Just out of interest, guys, do we know
what their natural constituency is?
218
00:09:28,880 --> 00:09:29,959
Their natural constituency?
219
00:09:30,040 --> 00:09:31,839
- Yes, exactly.
- Yep.
220
00:09:31,920 --> 00:09:33,680
I don't know much
about their natural constituency.
221
00:09:33,760 --> 00:09:34,760
No, exactly.
222
00:09:34,839 --> 00:09:38,720
But I think my grandparents actually used
to listen to them on the World Service.
223
00:09:38,800 --> 00:09:40,120
- Really?
- Yes. 'Cause--
224
00:09:40,199 --> 00:09:42,040
- No, this is not about the World Service.
- No, no.
225
00:09:42,120 --> 00:09:43,000
It's not about grandparents.
226
00:09:43,079 --> 00:09:45,120
- No, I just--
- The fact is orchestras are something
227
00:09:45,199 --> 00:09:46,880
- that we currently do well.
- Hurrah.
228
00:09:46,959 --> 00:09:49,839
This is about finding more ways of doing
less of what we currently do better.
229
00:09:51,480 --> 00:09:52,839
- Well--
- About finding better ways--
230
00:09:52,920 --> 00:09:54,520
- Finding fewer.
- Finding more ways of doing--
231
00:09:54,600 --> 00:09:55,640
- Anyway.
- Yes, exactly.
232
00:09:55,720 --> 00:09:56,839
- Fuck sake.
- Yes, no, brilliant.
233
00:09:56,920 --> 00:09:59,319
I completely get your concerns
around this whole values thing, Ian.
234
00:09:59,400 --> 00:10:00,400
- Do you?
- Yes, completely.
235
00:10:00,480 --> 00:10:02,240
- Completely.
- Yep... Yes, exactly.
236
00:10:02,319 --> 00:10:05,000
I mean, I have no idea how
this whole thing works,
237
00:10:05,079 --> 00:10:07,760
but, I dunno, are we in an area here...
- Yes.
238
00:10:07,839 --> 00:10:09,959
where we can make some
positive statement of intent?
239
00:10:10,040 --> 00:10:12,160
- Yes, exactly.
- Positive statement of intent?
240
00:10:12,240 --> 00:10:14,120
- Alright, OK.
- You know, maybe without
241
00:10:14,199 --> 00:10:16,920
quite so much collateral damage
as we might get in some other...
242
00:10:17,000 --> 00:10:18,880
- Yes, exactly, yes.
- Collateral damage?
243
00:10:18,959 --> 00:10:21,480
- No offence to your grandparents, Lucy.
- No exactly.
244
00:10:21,560 --> 00:10:23,120
- No. No.
- No.
245
00:10:33,600 --> 00:10:34,920
This is BBC news.
246
00:10:35,000 --> 00:10:37,439
These are the top stories
developing at 11.
247
00:10:37,520 --> 00:10:41,280
{\an8}President Trump promises a big day
on national security,
248
00:10:41,360 --> 00:10:44,920
{\an8}saying, "We will build the wall
along the border with Mexico."
249
00:10:45,000 --> 00:10:47,240
Yeah, so basically
we're pretty pleased with it.
250
00:10:47,319 --> 00:10:48,520
- Yeah, are you?
- Yeah.
251
00:10:48,600 --> 00:10:51,720
{\an8}A high-ranking North Korean diplomat
has told the BBC
252
00:10:51,800 --> 00:10:55,600
{\an8}he believes Kim Jong Un would be prepared
to use nuclear weapons.
253
00:10:55,680 --> 00:10:58,520
It's another day, and head
of News and Current Affairs, Neil Reid,
254
00:10:58,600 --> 00:11:02,040
is down in the in-house
IT Solutions Control Centre
255
00:11:02,120 --> 00:11:05,199
with Senior Technical Services
Choreographer Adam Brady.
256
00:11:05,280 --> 00:11:09,560
So it's been live for 24 hours now and
basically we're looking at 93% accuracy...
257
00:11:09,640 --> 00:11:11,680
- Right.
- except in one or two areas, obviously.
258
00:11:11,760 --> 00:11:14,600
A new version of the BBCs
state-of-the-art in-house
259
00:11:14,680 --> 00:11:17,839
Syncopatical Operating System
has just gone live,
260
00:11:17,920 --> 00:11:20,760
including a major upgrade
of its Syncopaticaption
261
00:11:20,839 --> 00:11:22,600
automatic live subtitling software.
262
00:11:22,680 --> 00:11:26,040
Which means it's faster from brain to ear
than the human eye can detect.
263
00:11:26,120 --> 00:11:28,520
Yeah, great, so with the 93% accuracy...
264
00:11:28,600 --> 00:11:31,120
Yeah, OK. So with 1.9,
we never got past 90%.
265
00:11:31,199 --> 00:11:33,680
Even on good days,
which we didn't really have.
266
00:11:33,760 --> 00:11:35,920
So basically we're ahead
of the game here already.
267
00:11:36,000 --> 00:11:38,199
Yeah, great, so can we talk about
the other 7%?
268
00:11:38,280 --> 00:11:39,319
Yep, sure.
269
00:11:39,400 --> 00:11:43,040
{\an8}Although Syncopaticaption 2.0
is already outsubtitling
270
00:11:43,120 --> 00:11:45,360
{\an8}its predecessors in many areas,
271
00:11:45,439 --> 00:11:48,800
{\an8}the area where it's least accurate
is that of proper names.
272
00:11:48,880 --> 00:11:50,199
Like "Tweezer May," for instance.
273
00:11:50,280 --> 00:11:52,839
Yeah, although to be fair, phonetically,
that's actually pretty close.
274
00:11:52,920 --> 00:11:55,959
Yeah, but politically and in every other
way except phonetically, it's a disaster.
275
00:11:56,040 --> 00:11:58,040
- Yeah.
- Or worse still, "Vladimir Puking."
276
00:11:58,120 --> 00:11:59,640
Yeah, that was really bad luck.
277
00:11:59,719 --> 00:12:02,600
The problem we've got, Adam, proper names
are a key component of world news.
278
00:12:02,680 --> 00:12:04,959
- Yeah.
- I don't understand statistics,
279
00:12:05,040 --> 00:12:06,800
but you could say they're
the most important 7%.
280
00:12:06,880 --> 00:12:09,319
- Yeah.
- And that's the 7% we're getting wrong.
281
00:12:09,400 --> 00:12:11,600
- Not always.
- No, not always, but enough.
282
00:12:11,680 --> 00:12:14,439
Like I say, we're 24 hours in,
but once it's learned a new name,
283
00:12:14,520 --> 00:12:16,240
in theory,
it will never forget it again.
284
00:12:16,319 --> 00:12:18,079
- Yeah.
- It actually can't.
285
00:12:18,160 --> 00:12:20,600
The thing is, Adam, and I don't understand
the technicalities of this,
286
00:12:20,680 --> 00:12:23,880
but as far as I can see, what's happening
is it's getting names wrong
287
00:12:23,959 --> 00:12:27,199
and then it's remembering that wrong
version and repeating it without fail.
288
00:12:27,280 --> 00:12:30,120
The good thing about that is that once
you've got a problem flagged,
289
00:12:30,199 --> 00:12:32,680
we can predict with absolute certainty
when it's gonna happen again.
290
00:12:32,760 --> 00:12:35,520
And that's why we're all dreading
the next story about Russia.
291
00:12:35,599 --> 00:12:39,000
Though, to be fair, things have been
quieter with Russia in the last week,
292
00:12:39,079 --> 00:12:40,319
so that's like a positive already.
293
00:12:40,400 --> 00:12:41,599
What?
294
00:12:41,680 --> 00:12:44,199
Me... Me...
295
00:12:44,280 --> 00:12:46,599
Me... Me...
296
00:12:46,680 --> 00:12:47,920
Me...
297
00:12:48,000 --> 00:12:49,280
Me...
298
00:12:49,360 --> 00:12:50,400
Me...
299
00:12:50,480 --> 00:12:52,640
- So this is like a try-out we did.
- Right.
300
00:12:52,719 --> 00:12:55,959
And this is like a bunch of other people,
I don't know who they are.
301
00:12:56,040 --> 00:12:58,160
Meanwhile,
elsewhere in the building,
302
00:12:58,240 --> 00:13:01,959
Siobhan has come over to report back
to Head of Output Matt Tavener
303
00:13:02,040 --> 00:13:05,520
on Fun Media's creative response
to the Cycle Shorts idea,
304
00:13:05,599 --> 00:13:07,880
after Anna Rampton
had forwarded it to them
305
00:13:07,959 --> 00:13:09,920
after David Wilkes had sent her the link
306
00:13:10,000 --> 00:13:12,719
after Jack Patterson had adapted it
from On Your Bike
307
00:13:12,800 --> 00:13:14,520
after Izzy Gould had developed it
308
00:13:14,599 --> 00:13:17,680
after Will Humphries had come to her
with the idea originally.
309
00:13:17,760 --> 00:13:19,520
Can I just say,
was that you again there, Siobhan?
310
00:13:19,599 --> 00:13:20,800
- Sure was.
- Thought so.
311
00:13:20,880 --> 00:13:23,040
- I'm coming up again.
- For a minute there--
312
00:13:23,120 --> 00:13:25,439
No, shut up, here I come. - Me.
313
00:13:25,520 --> 00:13:26,880
- Me.
- Right, yes.
314
00:13:26,959 --> 00:13:28,199
- That's so fun.
- Yes.
315
00:13:28,280 --> 00:13:32,880
Fun's brainwave is to use the
idea to create an interactive online trail
316
00:13:32,959 --> 00:13:36,120
ahead of the launch of the BBC's
new online platform BBC Me.
317
00:13:36,199 --> 00:13:37,719
- That's it, OK?
- Sure.
318
00:13:37,800 --> 00:13:39,839
- Yeah.
- BBC Me, it's you.
319
00:13:39,920 --> 00:13:41,520
- Great, Siobhan, so this...
- Hi.
320
00:13:41,599 --> 00:13:42,599
Hey, Izzy.
321
00:13:42,680 --> 00:13:45,000
- Sorry I'm a bit late.
- No, great you could make it.
322
00:13:45,079 --> 00:13:46,240
- Yes.
- Thanks.
323
00:13:46,319 --> 00:13:48,199
- Lovely, Izzy.
- Siobhan's been showing us a rough
324
00:13:48,280 --> 00:13:50,319
- of where they're up to with things.
- Yes.
325
00:13:50,400 --> 00:13:51,640
- Genius.
- Basically, it's--
326
00:13:51,719 --> 00:13:52,719
I'm gonna play it again.
327
00:13:52,800 --> 00:13:53,760
- Well, no...
- Here we go.
328
00:13:53,839 --> 00:13:57,839
Given her loyalty to Will's
original concept for On Your Bike
329
00:13:57,920 --> 00:13:59,319
and what's happened to it since,
330
00:13:59,400 --> 00:14:02,920
Izzy has been uncertain about whether
to come to the meeting or not.
331
00:14:03,000 --> 00:14:04,000
But she has.
332
00:14:04,079 --> 00:14:05,079
Me.
333
00:14:05,599 --> 00:14:06,920
So that's it again, OK?
334
00:14:07,000 --> 00:14:08,000
- OK.
- Sure.
335
00:14:08,079 --> 00:14:09,959
- Do you wanna see it--
- No, that's great.
336
00:14:10,040 --> 00:14:11,520
So this will be a YouTube thing.
337
00:14:11,599 --> 00:14:13,000
- Excuse me?
- Well.
338
00:14:13,079 --> 00:14:15,400
A "thing"? Everybody's got a phone.
339
00:14:15,479 --> 00:14:17,400
- Everyone's a "me." Right?
- Right.
340
00:14:17,479 --> 00:14:20,520
So we go live with this thing
before the launch, like now.
341
00:14:20,599 --> 00:14:24,360
Get a few Super Me's involved
at the get-go, it's like, oh my God, OK?
342
00:14:24,439 --> 00:14:25,439
Oh my god!
343
00:14:25,520 --> 00:14:28,120
This trend is leaving town today,
be on it.
344
00:14:28,199 --> 00:14:29,640
No, sure, that's great, Siobhan.
345
00:14:29,719 --> 00:14:30,839
Super Me's?
346
00:14:30,920 --> 00:14:34,400
OK, no, sure,
so like Taylor Swift does a "me," right?
347
00:14:34,479 --> 00:14:36,719
You are pretty much drowning
in retweets right away.
348
00:14:36,800 --> 00:14:37,800
- Right.
- Sure.
349
00:14:37,880 --> 00:14:40,280
- You're living in a world of me's.
- Oh my God.
350
00:14:40,360 --> 00:14:43,599
- Pretty soon you done broke the Internet.
- I love where you've gone with this.
351
00:14:43,680 --> 00:14:45,120
- Sure.
- Genius.
352
00:14:45,199 --> 00:14:46,760
Sorry, 'cause I'm just catching up, so...
353
00:14:46,839 --> 00:14:49,760
- With the Cycling Shorts idea, Siobhan...
- Yes.
354
00:14:49,839 --> 00:14:51,880
- Excuse me.
- You've gone past that as an idea?
355
00:14:51,959 --> 00:14:56,240
OK, here's the thing with this: this is
BBC Me we're launching, not BBC Bike.
356
00:14:56,319 --> 00:14:57,439
- Sure.
- OK.
357
00:14:57,520 --> 00:14:59,479
Lose the bike, what is that?
Get rid of it.
358
00:14:59,560 --> 00:15:02,000
- No, sure.
- And the "free the selfie" idea?
359
00:15:02,079 --> 00:15:03,640
- I'm sorry?
- Free the selfie!
360
00:15:03,719 --> 00:15:05,640
Yeah, 'cause I was never
really sure about that.
361
00:15:05,719 --> 00:15:07,719
No, that's really interesting, Izzy.
362
00:15:07,800 --> 00:15:11,040
So I don't know if this is any use,
I don't know about Taylor Swift,
363
00:15:11,120 --> 00:15:14,439
but we get quite a lot of people
coming in and out of here every day.
364
00:15:14,520 --> 00:15:16,520
- OK.
- Would it be an idea
365
00:15:16,599 --> 00:15:20,680
to maybe just have someone like down
in reception with a phone, every day?
366
00:15:20,760 --> 00:15:22,760
- No, sure.
- Holy shit!
367
00:15:22,839 --> 00:15:25,560
You never know, it would only be
a few moments of their time.
368
00:15:25,640 --> 00:15:27,640
- Who knows who you might get?
- Great.
369
00:15:27,719 --> 00:15:30,079
- George!
- I... What?
370
00:15:38,680 --> 00:15:40,319
- OK, cool.
- Right, OK.
371
00:15:40,400 --> 00:15:42,120
- Genius.
- That's great, Izzy, thanks.
372
00:15:42,199 --> 00:15:43,360
Yeah, thanks.
373
00:15:56,800 --> 00:15:59,439
Anna? Anna?
374
00:16:00,240 --> 00:16:01,319
Anna?
375
00:16:01,400 --> 00:16:03,520
Eventually it's the end
of another day.
376
00:16:03,599 --> 00:16:06,760
But fortunately for Senior Communications
Officer Tracy Pritchard,
377
00:16:06,839 --> 00:16:09,359
Anna Rampton hasn't quite made it
out of the building yet.
378
00:16:09,439 --> 00:16:10,439
- Anna!
- Yes, hi.
379
00:16:11,160 --> 00:16:13,920
I'm glad I caught you.
I was gonna run out of road there.
380
00:16:14,000 --> 00:16:16,160
- Yes.
- I don't know if you saw my email.
381
00:16:16,240 --> 00:16:17,359
Your email?
382
00:16:17,439 --> 00:16:19,560
- This thing with the big swing band.
- Yes, exactly.
383
00:16:19,640 --> 00:16:21,280
Rumours have somehow started
to appear
384
00:16:21,359 --> 00:16:23,199
on the BBC Betterness Twitter feed
385
00:16:23,280 --> 00:16:28,040
that the BBC is planning to reimagine its
big swing band as terminally un-swung.
386
00:16:28,120 --> 00:16:30,439
So we are starting to take incoming
on it already.
387
00:16:30,520 --> 00:16:32,640
- Right, incoming.
- I've already had to get heavy
388
00:16:32,719 --> 00:16:35,839
with some 14-year-old from the buzz feed
whose tone I didn't appreciate.
389
00:16:35,920 --> 00:16:38,920
And as far as I can work out,
this is basically your thing.
390
00:16:39,000 --> 00:16:40,199
Yes, exactly, yes.
391
00:16:41,719 --> 00:16:44,359
This is about identifying
what we do most of best
392
00:16:44,439 --> 00:16:46,560
and finding fewer ways
of doing more of it less.
393
00:16:47,719 --> 00:16:48,880
- Right, OK.
- Yes.
394
00:16:48,959 --> 00:16:50,959
- That's what you want me to say?
- Yes.
395
00:16:51,520 --> 00:16:53,479
OK, fine, if you're sure about that, Anna.
396
00:16:53,560 --> 00:16:56,319
- Yes, exactly.
- Like I say, I'm glad I caught you.
397
00:16:56,400 --> 00:16:59,560
You won't believe this, but I used to run
the 400-meter hurdles at school.
398
00:16:59,640 --> 00:17:01,280
Yes, exactly, no.
399
00:17:16,720 --> 00:17:20,399
Meanwhile it's a new day,
and it may only be eight o'clock,
400
00:17:20,480 --> 00:17:24,040
but down in reception,
Will Humphries is already hard at work.
401
00:17:25,680 --> 00:17:29,159
He's been entrusted with the task
of persuading some famous faces
402
00:17:29,240 --> 00:17:34,480
to take part in the new interactive
online BBC Me Super Selfie campaign.
403
00:17:34,560 --> 00:17:36,600
- Yeah, hi, yeah.
- Hi.
404
00:17:37,879 --> 00:17:38,840
- Yeah, hi, so I'm Will.
- Hi, Will.
405
00:17:38,919 --> 00:17:41,280
- Yeah, so like how are you?
- How am I?
406
00:17:41,360 --> 00:17:43,399
- Yeah.
- I'm good, thanks.
407
00:17:43,480 --> 00:17:44,760
- Cool.
- Yeah, I'm good.
408
00:17:44,840 --> 00:17:47,440
Yeah, so yeah, I'm doing
this thing for BBC Me.
409
00:17:47,520 --> 00:17:48,720
- BBC Me?
- Yeah.
410
00:17:48,800 --> 00:17:50,000
What the hell is that?
411
00:17:50,080 --> 00:17:52,159
So could you like say "me" into this?
412
00:17:52,240 --> 00:17:53,639
- Say you?
- Yeah, what?
413
00:17:53,720 --> 00:17:55,320
- You want me to say you?
- No, me.
414
00:17:55,399 --> 00:17:58,040
- Sorry?
- Like... me.
415
00:17:58,720 --> 00:18:00,280
Except not me, you.
416
00:18:00,360 --> 00:18:02,480
Will, a part of me
would like to help you...
417
00:18:02,560 --> 00:18:04,639
- No, yeah, me too.
- But I don't think I can.
418
00:18:04,720 --> 00:18:06,200
- OK, cool.
- Sorry.
419
00:18:06,280 --> 00:18:07,960
- No worries.
- But you know, hey, good luck.
420
00:18:08,040 --> 00:18:09,800
Yeah, no worries, yeah, cool.
421
00:18:15,159 --> 00:18:16,080
No, of course. I mean,
422
00:18:16,159 --> 00:18:18,240
as I say,
I've no idea where that's come from.
423
00:18:18,320 --> 00:18:21,480
And as far as I'm aware,
you know, it's probably,
424
00:18:21,560 --> 00:18:23,520
it's almost certainly just a rumour.
425
00:18:23,600 --> 00:18:25,000
So, you know?
426
00:18:25,080 --> 00:18:27,879
Uh, but in the meantime,
we're obviously very aware...
427
00:18:27,960 --> 00:18:31,960
Meanwhile, Lucy has found time
to go down to the so-called media cafe
428
00:18:32,040 --> 00:18:34,200
to have some breakfast
whilst talking on her phone.
429
00:18:34,280 --> 00:18:36,480
OK, well, look, thanks
for getting in touch with me,
430
00:18:36,560 --> 00:18:40,159
and I'll do what I can to clarify
the situation and get back to you
431
00:18:40,240 --> 00:18:41,240
as soon as...
432
00:18:41,919 --> 00:18:43,480
Yes, OK, bye, bye.
433
00:18:44,840 --> 00:18:45,679
Right!
434
00:18:46,919 --> 00:18:47,919
- Hi.
- Hi.
435
00:18:48,000 --> 00:18:49,360
- Everything OK?
- Uh, yeah, no.
436
00:18:49,440 --> 00:18:51,080
I mean... Have you got a minute?
437
00:18:51,159 --> 00:18:52,560
Yes, of course, yes.
438
00:18:52,639 --> 00:18:55,399
- Where the hell did she get that from?
- I don't know.
439
00:18:55,480 --> 00:18:57,679
Someone told her
they'd seen something on Twitter or...
440
00:18:57,760 --> 00:18:58,919
Yes, I know.
441
00:18:59,000 --> 00:19:01,960
Lucy has been contacted by
someone called Donna Fredricks,
442
00:19:02,040 --> 00:19:04,440
who turns out to be the daughter,
for the moment anyway,
443
00:19:04,520 --> 00:19:07,080
of the leader
of the BBC Big Swing Band.
444
00:19:07,159 --> 00:19:10,080
I think she's like his manager
or something as well as his daughter.
445
00:19:10,159 --> 00:19:12,800
Also, why you?
What have you got to do with it?
446
00:19:12,879 --> 00:19:15,960
She posted on the inclusivity
feeling space and it got forwarded to me.
447
00:19:16,040 --> 00:19:18,840
- The "inclusivity feeling space"?
- OK, here we go.
448
00:19:18,919 --> 00:19:19,919
So this is him.
449
00:19:20,919 --> 00:19:21,960
Right, OK.
450
00:19:22,040 --> 00:19:24,120
He's 74, he's been leader
of the band like forever.
451
00:19:24,200 --> 00:19:26,360
- Right, God.
- Yes, I know.
452
00:19:26,440 --> 00:19:29,000
And suddenly she's asking me flat out
if we're axing it.
453
00:19:29,080 --> 00:19:30,760
- Right, yes.
- What am I supposed to say?
454
00:19:30,840 --> 00:19:31,960
- No.
- Are we axing it?
455
00:19:32,040 --> 00:19:33,320
- Well, not unless--
- 'Cause also--
456
00:19:33,399 --> 00:19:36,800
- God, there's an "also"?
- It's his 75th birthday coming up.
457
00:19:36,879 --> 00:19:39,159
They're rehearsing a special concert
to celebrate as we speak.
458
00:19:39,240 --> 00:19:41,560
Great, that's pretty much
a full house then, isn't it?
459
00:19:41,639 --> 00:19:43,040
This is him with the band.
460
00:19:43,120 --> 00:19:44,480
- Looks like he's having a nice time.
- Yes.
461
00:19:44,560 --> 00:19:46,320
At the risk of sounding like
Tracy Pritchard,
462
00:19:46,399 --> 00:19:48,480
- I've got a bad feeling about this.
- I know.
463
00:19:48,560 --> 00:19:50,440
- Thank God we haven't made a decision yet.
- Yes.
464
00:19:50,520 --> 00:19:51,919
- 'Cause that would be...
- We haven't made a decision?
465
00:19:52,000 --> 00:19:54,720
- Well, no, I mean, have we?
- I didn't think so.
466
00:19:54,800 --> 00:19:56,240
Well, I mean, not unless someone...
467
00:20:03,480 --> 00:20:04,760
Right, good.
468
00:20:04,840 --> 00:20:07,280
- So this is obviously a screen grab.
- Yep.
469
00:20:07,360 --> 00:20:09,760
- 10:05 this morning, by the looks of it.
- Yeah, whatever.
470
00:20:09,840 --> 00:20:12,240
So we didn't notice it
when it went out live.
471
00:20:12,320 --> 00:20:15,840
{\an8}Meanwhile, current Head of News
and Current Affairs, Neil Reid,
472
00:20:15,919 --> 00:20:19,600
{\an8}is having another in a series
of increasingly ongoing conversations
473
00:20:19,679 --> 00:20:23,240
with the BBC's Chief Technical Services
Choreographer Adam Brady.
474
00:20:23,320 --> 00:20:25,720
I mean, "Dame Baggy Smith,"
for Christ's sake!
475
00:20:25,800 --> 00:20:27,080
Yeah, I know.
476
00:20:27,159 --> 00:20:30,280
Whatever you think of actors, this is one
of the most respected of our generation.
477
00:20:30,360 --> 00:20:32,600
- Yeah, she's great, isn't she?
- She's 82.
478
00:20:32,679 --> 00:20:35,200
She's a dame, for Christ's sake,
she's a national treasure.
479
00:20:35,280 --> 00:20:37,159
And she's now someone...
and I say this as someone who's
480
00:20:37,240 --> 00:20:40,000
just been shouted at by her agent...
she's now someone
481
00:20:40,080 --> 00:20:41,720
who's never gonna work for the BBC again.
482
00:20:41,800 --> 00:20:45,200
OK, so what's happened is someone's
taken this and posted it on Twitter.
483
00:20:45,280 --> 00:20:46,760
- Yes.
- Presumably as some joke.
484
00:20:46,840 --> 00:20:49,960
- Yes, I can see what's happened!
- In a way, you can't actually blame them.
485
00:20:50,040 --> 00:20:52,679
- I don't blame them, Adam, I blame you!
- Yeah, yeah.
486
00:20:52,760 --> 00:20:56,960
So whilst you figure out how to fix it,
let's go back to good old 1.9, shall we?
487
00:20:57,040 --> 00:20:58,040
- Yeah.
- What?
488
00:20:58,120 --> 00:21:00,240
The thing with 1.9,
it's no longer compatible
489
00:21:00,320 --> 00:21:01,720
with Syncopatico Rolling Thunder.
490
00:21:01,800 --> 00:21:04,520
Great. OK, let's just turn
the fucking thing off altogether.
491
00:21:04,600 --> 00:21:06,520
With that, Neil,
we immediately run the risk
492
00:21:06,600 --> 00:21:07,800
of alienating the blind community.
493
00:21:07,879 --> 00:21:10,040
Which, I dunno about you,
but I'm not comfortable with.
494
00:21:10,120 --> 00:21:11,399
- Deaf. Deaf!
- What?
495
00:21:11,480 --> 00:21:14,520
- Yeah, deaf, yeah, deaf. Sorry.
- God. Fucking hell.
496
00:21:15,440 --> 00:21:17,159
{\an8}- Ian.
- Yes, hello, yes.
497
00:21:17,240 --> 00:21:19,399
- Yes, hello, good to meet you.
- Yes, you too.
498
00:21:19,480 --> 00:21:22,080
Meanwhile, Ian has made
the journey to Westminster
499
00:21:22,159 --> 00:21:24,280
for his crucial first charter
renewal meeting
500
00:21:24,360 --> 00:21:27,280
at the Department of Culture, Media
and also Sport.
501
00:21:27,360 --> 00:21:29,879
- Fiona is running a few minutes late.
- OK.
502
00:21:29,960 --> 00:21:32,000
- But if you're happy just to take a seat.
- Of course, yes.
503
00:21:32,080 --> 00:21:34,280
- Can I get you a coffee?
- No, I'm fine, thanks.
504
00:21:34,360 --> 00:21:36,440
- Your colleague's already here.
- Oh good, well... my colleague?
505
00:21:36,520 --> 00:21:37,800
She's been here awhile, actually.
506
00:21:37,879 --> 00:21:39,440
As the first of what could be literally
507
00:21:39,520 --> 00:21:41,560
who knows how many such meetings
to come,
508
00:21:41,639 --> 00:21:44,040
it's vital that it gets off
to a smooth start.
509
00:21:44,120 --> 00:21:45,639
- Anna.
- Yes, hi, yes.
510
00:21:45,720 --> 00:21:47,760
- So is this, are you--
- Yes, exactly, yes.
511
00:21:47,840 --> 00:21:51,840
Right, don't take this the wrong way.
It's always nice to see you, obviously.
512
00:21:51,919 --> 00:21:53,360
But I didn't realise you were
gonna be here for this.
513
00:21:53,439 --> 00:21:55,320
- Yes.
- Right.
514
00:21:56,200 --> 00:21:58,480
- The fact is I came in a taxi.
- Right.
515
00:21:59,800 --> 00:22:01,639
- Yes, me too.
- Yes. Exactly, yes.
516
00:22:06,840 --> 00:22:09,200
With Fiona Craig running
slightly late,
517
00:22:09,280 --> 00:22:10,960
Ian and Anna have got some time
518
00:22:11,040 --> 00:22:14,040
to sit next to each other
in the waiting room and wait.
519
00:22:14,120 --> 00:22:17,639
...and as we head up to next week,
the temperatures will continue to rise
520
00:22:17,720 --> 00:22:20,040
as well, and that is it.
521
00:22:20,120 --> 00:22:22,000
Thank you.
522
00:22:22,080 --> 00:22:25,960
And here with us now are the leader
of the BBC Big Swing Band himself,
523
00:22:26,040 --> 00:22:28,960
Ray Fredricks and his daughter Donna.
524
00:22:29,040 --> 00:22:33,560
Donna, I think this is a picture of them
rehearsing for that 75th birthday concert.
525
00:22:33,639 --> 00:22:35,320
Yes, that was last week, yes.
526
00:22:35,399 --> 00:22:38,480
So, Ray, for you,
all these rumours around closure,
527
00:22:38,560 --> 00:22:41,320
it's gotta be really upsetting for you,
and for everyone, really.
528
00:22:41,399 --> 00:22:43,159
At first we thought it was a joke.
529
00:22:43,240 --> 00:22:46,200
Hey, that's life I guess.
That's show business.
530
00:22:52,360 --> 00:22:55,000
Meanwhile,
back in New Broadcasting House reception,
531
00:22:55,080 --> 00:22:58,120
Will has spotted a new potential target.
532
00:22:58,200 --> 00:22:59,200
- Well yeah, hi yeah.
- Hi.
533
00:22:59,280 --> 00:23:00,520
- Yeah, so can you--
- No.
534
00:23:00,600 --> 00:23:01,600
OK. Sorry.
535
00:23:01,679 --> 00:23:02,960
OK, cool.
536
00:23:08,240 --> 00:23:09,159
Will!
537
00:23:09,240 --> 00:23:11,240
- Oh, yeah, hey Izzy. Hi.
- How's it going?
538
00:23:11,320 --> 00:23:12,840
Yeah, no worries, yeah, pretty cool.
539
00:23:12,919 --> 00:23:14,600
- Any luck?
- What, you mean like so far?
540
00:23:14,679 --> 00:23:16,000
Yes.
541
00:23:16,080 --> 00:23:18,360
This one guy looked like
the guy with Pudsey the Bear.
542
00:23:18,439 --> 00:23:19,520
- Pudsey the Bear?
- Yeah.
543
00:23:19,600 --> 00:23:21,600
- Terry Wogan?
- Terry Wogan, yeah.
544
00:23:21,679 --> 00:23:24,080
- Right.
- But I asked him and he wasn't.
545
00:23:24,159 --> 00:23:25,360
But Terry Wogan's dead, surely.
546
00:23:25,439 --> 00:23:26,560
That's what he said, yeah.
547
00:23:26,639 --> 00:23:29,439
Right. You don't have to be
down here all the time, Will.
548
00:23:29,520 --> 00:23:32,679
- Yeah, no worries, I don't mind.
- It would be cool if you ended up getting
549
00:23:32,760 --> 00:23:34,240
- a couple really big names.
- Yeah.
550
00:23:34,320 --> 00:23:36,480
Apparently, Lenny Henry
was in this morning.
551
00:23:37,240 --> 00:23:38,280
- Yeah.
- It'd be--
552
00:23:38,360 --> 00:23:40,480
- No way!
- It'd be great if you could get him.
553
00:23:40,560 --> 00:23:41,760
I know, yeah, me too.
554
00:23:44,280 --> 00:23:46,600
At what point did you find out?
When did you hear?
555
00:23:46,679 --> 00:23:48,159
- No one's said anything to us.
- No.
556
00:23:48,240 --> 00:23:51,360
- No one's told us anything, have they?
- I don't believe so, I guess not.
557
00:23:51,439 --> 00:23:53,320
Back over
at the DCM and also S,
558
00:23:53,399 --> 00:23:56,120
it's becoming clear that despite
the importance of the BBC
559
00:23:56,200 --> 00:23:59,800
not dropping a ball of any size
on this morning of all mornings,
560
00:23:59,879 --> 00:24:04,560
it's managed to drop a potentially really
big one live on its own breakfast show.
561
00:24:04,639 --> 00:24:08,679
Every day he comes in, he gets up
in front of the band, he's 27 again.
562
00:24:08,760 --> 00:24:10,280
You can see it happening.
563
00:24:10,879 --> 00:24:12,600
He's like a father to those guys.
564
00:24:12,679 --> 00:24:14,760
He literally is a father to me.
565
00:24:14,840 --> 00:24:17,280
You know, it's like,
what more do they want?
566
00:24:17,600 --> 00:24:19,040
- Right, OK.
- Yes.
567
00:24:19,120 --> 00:24:21,080
So I don't understand quite
how this happened.
568
00:24:21,159 --> 00:24:22,639
- Hello.
- Yes, hi.
569
00:24:22,720 --> 00:24:24,280
- Welcome.
- Yes, exactly.
570
00:24:24,360 --> 00:24:26,600
But before they know it,
it's time to be met
571
00:24:26,679 --> 00:24:30,439
by the DCM and also S's
executive media director, Fiona Craig.
572
00:24:30,520 --> 00:24:33,960
I don't like to boast, but I have a TV
in my office, shall we watch there?
573
00:24:34,040 --> 00:24:35,639
- Yes.
- Yes. No, yes.
574
00:24:36,480 --> 00:24:38,480
They're to be joined again
for the meeting
575
00:24:38,560 --> 00:24:41,080
by two further DCM and S junior people.
576
00:24:41,159 --> 00:24:44,120
I'm sure you won't remember Chloe and Zoe,
but this is them again.
577
00:24:44,200 --> 00:24:45,399
- Yes, of course, hi.
- Hi.
578
00:24:45,480 --> 00:24:46,800
- Yes, hi.
- Yes, exactly.
579
00:24:46,879 --> 00:24:49,639
With the introductions over,
perhaps not surprisingly
580
00:24:49,720 --> 00:24:52,760
the first item on the agenda
is pleasantries.
581
00:24:52,840 --> 00:24:55,520
If there's anything you can do
to make EastEnders less depressing,
582
00:24:55,600 --> 00:24:57,720
- I strongly advise you to think about it.
- Right, yes.
583
00:24:57,800 --> 00:24:58,800
Yes.
584
00:24:58,879 --> 00:25:00,679
- Probably thinking that's a joke, Ian.
- Well...
585
00:25:00,760 --> 00:25:01,879
- It's not.
- Right, no.
586
00:25:01,960 --> 00:25:03,040
- No.
- Yes.
587
00:25:03,120 --> 00:25:06,280
For Ian, getting off to a good
start in his first-ever meeting
588
00:25:06,360 --> 00:25:08,480
with the government
in the charter renewal process
589
00:25:08,560 --> 00:25:11,919
hasn't been helped by the item on
this morning's BBC Breakfast programme
590
00:25:12,000 --> 00:25:15,520
about plans to axe the BBC
Big Swing Band without telling them,
591
00:25:15,600 --> 00:25:17,240
as they rehearse for a special concert
592
00:25:17,320 --> 00:25:19,919
to mark its leader's
75th birthday celebrations.
593
00:25:20,000 --> 00:25:22,040
I was surprised to see Ray
Fredricks in prime position
594
00:25:22,120 --> 00:25:24,080
on what I can only call
the BBC Breakfast sofa.
595
00:25:24,159 --> 00:25:26,360
- Right, yes.
- So, how should we think about that?
596
00:25:26,439 --> 00:25:29,520
- Yes. How should you think about it?
- Yes. Yes. Uh-huh. Yes.
597
00:25:29,600 --> 00:25:32,520
Well, I mean this is just,
it's one of those genuinely...
598
00:25:32,600 --> 00:25:36,000
- Yes.
- In the context of very tough choices.
599
00:25:36,080 --> 00:25:37,760
Exactly, yes. Tough choices, yes.
600
00:25:37,840 --> 00:25:40,240
This is something we found ourselves
looking at, isn't it, Anna?
601
00:25:40,320 --> 00:25:41,560
Yes, exactly. Yes.
602
00:25:42,840 --> 00:25:47,000
- Obviously, in an ideal world--
- Let's not do ideal worlds, Ian, shall we?
603
00:25:47,080 --> 00:25:48,760
- Dare we mark those lines?
- No. Yes.
604
00:25:48,840 --> 00:25:52,199
What I would say about this, to me,
I'm an agnostic when it comes to music.
605
00:25:52,280 --> 00:25:55,600
It's nothing to me what tune you dance to,
but what I would say,
606
00:25:55,679 --> 00:26:00,080
maybe a word to the wise, you do know that
the minister himself is a keen trombonist?
607
00:26:00,159 --> 00:26:01,840
- Right.
- The he, the what?
608
00:26:01,919 --> 00:26:03,600
- Were you not aware of that?
- A trombonist?
609
00:26:03,679 --> 00:26:06,439
- I have to say I wondered.
- Right.
610
00:26:06,520 --> 00:26:09,560
- Wh-When you say--
- So if I tell you he's got a picture
611
00:26:09,639 --> 00:26:11,560
of Duke Ellington on the wall
of his office, Ian...
612
00:26:11,639 --> 00:26:13,800
- Right.
- The Duke, the Ellington?
613
00:26:13,879 --> 00:26:15,879
Forgive me, Fiona. Is this a joke?
614
00:26:15,960 --> 00:26:17,280
- A joke?
- Yes.
615
00:26:17,360 --> 00:26:19,120
Judge for yourself
if you get here early enough.
616
00:26:19,199 --> 00:26:21,000
Some mornings,
you can hear him from the street.
617
00:26:21,080 --> 00:26:22,159
- Right.
- Yes.
618
00:26:22,240 --> 00:26:24,879
So what I'd say to you, Ian,
is, from your point of view,
619
00:26:24,960 --> 00:26:27,360
if it's a joke,
it's not a very funny one, is it?
620
00:26:27,439 --> 00:26:28,600
No.
621
00:26:34,240 --> 00:26:35,919
Yes, hi, Tracy, yes.
622
00:26:36,000 --> 00:26:37,720
Yes, I have, just now, yes.
623
00:26:38,679 --> 00:26:40,120
Yes, it is.
624
00:26:41,199 --> 00:26:42,360
Yes, I know.
625
00:26:42,879 --> 00:26:44,199
Yes, I have.
626
00:26:44,280 --> 00:26:46,760
As part of an explosion of
reaction on social media
627
00:26:46,840 --> 00:26:49,919
following the big swing band item
on BBC Breakfast earlier,
628
00:26:50,000 --> 00:26:53,600
Jools Holland, one of the BBC's
biggest living musical giants,
629
00:26:53,679 --> 00:26:56,320
has tweeted that he will
leave the BBC for good
630
00:26:56,399 --> 00:26:58,120
if the planned closure goes ahead.
631
00:26:58,199 --> 00:27:01,439
And worse still, a lot of people
with opinions have already "liked" that.
632
00:27:01,520 --> 00:27:03,840
Yes, now Anna's here with me. Yes.
633
00:27:04,360 --> 00:27:05,720
Well, but anyway she is.
634
00:27:05,800 --> 00:27:08,120
Overall, things are not
going well.
635
00:27:08,199 --> 00:27:10,919
So we'll see you shortly,
and in the meantime, let's all stay calm
636
00:27:11,000 --> 00:27:13,800
and try and visualise
some positive outcomes here.
637
00:27:15,080 --> 00:27:17,560
No, well, OK, but let's try anyway.
638
00:27:18,120 --> 00:27:19,159
Yes, fine, OK.
639
00:27:19,240 --> 00:27:20,280
Bye, bye.
640
00:27:20,960 --> 00:27:22,320
Right, good.
641
00:27:22,399 --> 00:27:27,159
So there's an emergency damage limitation
in Nadia Hussain at eleven o'clock.
642
00:27:27,240 --> 00:27:28,720
Tony's suggestion.
643
00:27:30,159 --> 00:27:31,639
He's super calm, apparently,
644
00:27:31,720 --> 00:27:33,879
but apparently someone heard him
shouting in the toilet.
645
00:27:36,760 --> 00:27:39,199
So anyway, yes, if you've got
any bright ideas,
646
00:27:39,280 --> 00:27:41,720
apart from asking the driver to drive us
both to St. Pancras,
647
00:27:41,800 --> 00:27:44,480
getting on a train and disappearing
to the continent for a while.
648
00:27:44,560 --> 00:27:46,600
Obviously the main...
That was a joke, by the way.
649
00:27:46,679 --> 00:27:48,480
- Just in case you... Yeah.
- Mm.
650
00:27:48,560 --> 00:27:52,600
No, I mean the main thing now is to,
before we, you know, actually...
651
00:27:52,679 --> 00:27:56,040
Are you OK, Anna?
Anna, are you alright?
652
00:27:57,360 --> 00:27:58,879
Right, OK, um...
653
00:27:58,960 --> 00:28:01,240
- Actually, can we just stop, please?
- What?
654
00:28:01,320 --> 00:28:02,520
You OK back there?
655
00:28:02,600 --> 00:28:05,639
No, I think she's fine. I think it's OK.
She's just, you know...
656
00:28:05,720 --> 00:28:07,879
Ah, no, I think
maybe we'd better stop.
55798
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