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1
00:00:11,520 --> 00:00:14,639
Standby, two.
Mix through. Cue on two.
2
00:00:14,680 --> 00:00:16,560
The BBC has
announced the appointment
3
00:00:16,599 --> 00:00:19,080
of ex-head of Olympic
Deliverance, Ian Fletcher,
4
00:00:19,119 --> 00:00:21,040
as its new Head of Values.
5
00:00:26,799 --> 00:00:28,680
Time now
for the Shipping Forecast.
6
00:00:31,000 --> 00:00:32,199
Superimpose.
7
00:00:41,600 --> 00:00:44,720
I mean, obviously,
a royal visit at any time
would be a big thing for us,
8
00:00:44,760 --> 00:00:46,360
but coming now...
It's Monday
9
00:00:46,400 --> 00:00:48,879
at the BBC's
Central London Headquarters,
10
00:00:48,919 --> 00:00:51,320
New Broadcasting House
in Central London,
11
00:00:51,360 --> 00:00:53,239
and Head of Values,
Ian Fletcher,
12
00:00:53,280 --> 00:00:54,599
is chairing an
important meeting
13
00:00:54,640 --> 00:00:56,480
of the Way Ahead taskforce.
14
00:00:56,519 --> 00:00:59,720
Anyway, the point is the
relationship between the BBC
and the royal family
15
00:00:59,760 --> 00:01:02,959
is a very delicate and
important issue in
all kinds of ways.
16
00:01:03,000 --> 00:01:05,640
But in the context of
charter renewal in 2016,
17
00:01:05,679 --> 00:01:07,200
and, let's face it,
18
00:01:07,240 --> 00:01:09,880
this is a royal charter we're
talking about renewing here...
19
00:01:09,920 --> 00:01:12,560
Yay.
Suddenly an occasion
like this starts to look like
20
00:01:12,600 --> 00:01:15,119
a really significant
opportunity for us to,
you know, to...
21
00:01:15,160 --> 00:01:18,039
Yeah, basically, it's a huge
opportunity to not fuck it up.
22
00:01:18,080 --> 00:01:19,840
Well, I mean...
Yes. Yes. Cool!
23
00:01:19,880 --> 00:01:21,880
Yes, no, brilliant. Brilliant.
24
00:01:21,920 --> 00:01:24,280
In his role as
patron and future heir to
the environment,
25
00:01:24,320 --> 00:01:27,000
Prince Charles is due to visit
New Broadcasting House
26
00:01:27,039 --> 00:01:29,080
to present an award
for the BBC as
27
00:01:29,119 --> 00:01:31,360
the world's first zero-energy
broadcaster.
28
00:01:31,399 --> 00:01:33,920
Can I just say, Ian, that we
have been in regular contact
29
00:01:33,960 --> 00:01:35,679
with the comms people
at Clarence House?
30
00:01:35,720 --> 00:01:37,960
Right, well, this is good,
cos it's important
31
00:01:38,000 --> 00:01:40,560
to get the fine detail
of this thing right,
right from the start.
32
00:01:40,600 --> 00:01:43,000
Apparently, the key thing is,
whatever you do,
33
00:01:43,039 --> 00:01:44,600
you absolutely must
not touch him.
34
00:01:44,640 --> 00:01:45,800
No, sure. Yes.
35
00:01:45,839 --> 00:01:47,559
Unless he
touches you first.
36
00:01:47,600 --> 00:01:49,119
The fact is that's true.
No, sure, I'm totally good
with that.
37
00:01:49,160 --> 00:01:50,399
Right, good.
38
00:01:50,440 --> 00:01:53,039
Also, we have to lock down
a special toilet
39
00:01:53,080 --> 00:01:55,399
for three days in advance
before he actually arrives.
40
00:01:55,440 --> 00:01:56,839
Right.
Christ.
41
00:01:56,880 --> 00:01:58,559
I was thinking more,
I mean, that's
very fine detail.
42
00:01:58,600 --> 00:02:00,000
Yes, it is, exactly, Ian.
43
00:02:00,039 --> 00:02:02,160
Also, something
else that came up,
44
00:02:02,199 --> 00:02:03,559
he doesn't do
sweetcorn at all.
45
00:02:03,600 --> 00:02:04,600
Right.
No.
46
00:02:04,640 --> 00:02:05,800
Cool.
Brilliant.
47
00:02:09,720 --> 00:02:11,200
Meanwhile,
downstairs,
48
00:02:11,239 --> 00:02:14,160
intern Will Humphries
is arriving as usual,
49
00:02:14,200 --> 00:02:16,920
keen to get into the building
and begin some sort of day.
50
00:02:24,760 --> 00:02:26,120
Er, yeah, hi.
Hi, can I help?
51
00:02:26,160 --> 00:02:27,680
Yeah, it's, like,
my pass doesn't work?
52
00:02:27,720 --> 00:02:29,640
Okay.
Yeah, I don't know,
it's, like, it's not working.
53
00:02:29,680 --> 00:02:31,239
Okay, let me try.
54
00:02:33,400 --> 00:02:36,600
Okay.
Yeah, cos I've got, like,
a coffee for Ian Fletcher?
55
00:02:36,640 --> 00:02:37,920
Okay, you will
have to sign in.
56
00:02:37,959 --> 00:02:39,400
No, but I work here?
You work here.
57
00:02:39,440 --> 00:02:40,519
I'm kind of like an intern.
58
00:02:40,560 --> 00:02:42,160
Okay, but, I mean, your
pass doesn't work,
59
00:02:42,200 --> 00:02:43,560
so you will have to sign in.
60
00:02:55,200 --> 00:02:56,239
Hi, Will.
61
00:02:56,280 --> 00:02:57,959
Oh, yeah, hi, Izzy.
Yeah, hi.
62
00:02:58,000 --> 00:02:59,400
How are you?
Yeah, I'm good.
63
00:02:59,440 --> 00:03:00,760
Yeah, I'm good. I'm good.
64
00:03:00,799 --> 00:03:02,920
Good.
Yeah, so, like,
I'm in reception,
65
00:03:02,959 --> 00:03:04,560
but, like,
my pass isn't working?
66
00:03:04,600 --> 00:03:06,359
Oh, okay.
Like, I'm supposed
to sign in,
67
00:03:06,400 --> 00:03:07,720
but it's like I have to be
visiting someone?
68
00:03:07,760 --> 00:03:09,160
Right, yes.
69
00:03:09,200 --> 00:03:11,399
Yeah, so, like, would it
be okay if I visited you?
70
00:03:11,440 --> 00:03:13,160
Yeah, sure, okay.
Okay, cool.
71
00:03:13,200 --> 00:03:15,160
Cos I've got, like,
a coffee for Ian Fletcher?
72
00:03:15,200 --> 00:03:16,640
I think I have to come
down and get you, though.
73
00:03:16,679 --> 00:03:18,320
What? Yeah,
I know, yeah, crap.
74
00:03:18,359 --> 00:03:20,399
Okay, stay there and I'll
come down in a minute.
75
00:03:20,440 --> 00:03:22,040
Okay, cool, yeah,
I'll stay here.
76
00:03:22,079 --> 00:03:24,160
Okay.
Okay, cool.
77
00:03:28,040 --> 00:03:30,880
I mean, I am quite busy at
the moment, David.
Oh, I know...
78
00:03:30,920 --> 00:03:33,000
I have got quite a lot on.
I know, tell me about it.
79
00:03:33,040 --> 00:03:36,320
Meanwhile, after a
more than usually complicated
start to the day
80
00:03:36,359 --> 00:03:37,679
with her daughter at home,
81
00:03:37,720 --> 00:03:40,040
senior producer
Lucy Freeman has arrived,
82
00:03:40,079 --> 00:03:42,840
with just enough time to
snatch a quick breakfast
on her own,
83
00:03:42,880 --> 00:03:46,160
but, nevertheless,
entertainment format
executive David Wilkes
84
00:03:46,200 --> 00:03:49,239
is keen to ask her advice
about an idea he's been
asked to have.
85
00:03:49,280 --> 00:03:50,600
I mean, what was the remit
she gave you?
86
00:03:50,640 --> 00:03:52,000
The remit?
Yeah.
87
00:03:52,040 --> 00:03:53,920
No, sorry, you've lost me
already there, Lucy.
88
00:03:53,959 --> 00:03:56,399
Following a mixed reception for
Britain's Top Village,
89
00:03:56,440 --> 00:03:58,720
with Gary Lineker and
Holly Willoughby last year,
90
00:03:58,760 --> 00:04:01,560
he's been invited to come
up with something
even better than that
91
00:04:01,600 --> 00:04:03,480
by Head of Output
Anna Rampton.
92
00:04:03,519 --> 00:04:05,679
I don't know what it is!
Whether she's like
done something to her hair...
93
00:04:05,720 --> 00:04:07,280
Do you know what I mean?
Mmm.
94
00:04:07,320 --> 00:04:08,200
I can't quite put
my finger on it.
So, what ideas
95
00:04:08,239 --> 00:04:09,359
have you got so far?
96
00:04:09,399 --> 00:04:11,000
Okay, so the direction
I'm going in,
97
00:04:11,040 --> 00:04:12,679
like the way my
mind is working,
98
00:04:12,720 --> 00:04:15,200
I was thinking maybe something
like Uptown Downtown.
99
00:04:15,239 --> 00:04:16,599
What?
100
00:04:16,640 --> 00:04:18,039
I'm still working on
the title, obviously. Yes.
101
00:04:18,079 --> 00:04:21,200
So, basically, celebrities
have like a town, okay?
102
00:04:21,240 --> 00:04:23,479
So, maybe Myleene Klass
was born in...
103
00:04:23,520 --> 00:04:24,880
Well, I don't know, she must
come from somewhere.
104
00:04:24,920 --> 00:04:26,719
Yes.
And they compete
against each other.
105
00:04:26,760 --> 00:04:28,680
You have, like, judges,
like Kirstie Allsopp,
106
00:04:28,719 --> 00:04:30,680
to convince
you that theirs is the
best town in Britain.
107
00:04:30,719 --> 00:04:32,440
Right, okay.
108
00:04:32,479 --> 00:04:35,240
So, almost exactly like
Britain's Top Village then.
109
00:04:35,280 --> 00:04:36,640
Okay, so, with
Town it's, like,
110
00:04:36,680 --> 00:04:38,520
what you've done is you've
taken Village, okay?
111
00:04:38,560 --> 00:04:40,280
And what you've done is you've
gone up a gear straightaway.
112
00:04:40,320 --> 00:04:42,919
Right. Any others?
113
00:04:42,960 --> 00:04:44,080
Oh, what?
Any other ideas?
114
00:04:44,120 --> 00:04:46,479
Just in case that
one doesn't fly, yes.
115
00:04:46,520 --> 00:04:47,840
Look at you, you're
so healthy, Lucy.
116
00:04:47,880 --> 00:04:49,360
Do you know what?
Excuse me.
117
00:04:49,400 --> 00:04:51,560
I'm putting this back.
118
00:04:51,599 --> 00:04:53,560
I'm going for
fruit salad instead.
119
00:04:53,599 --> 00:04:54,719
Do you know what?
I'm going to have both.
120
00:04:54,760 --> 00:04:56,880
Sorry, think I'll have both.
121
00:04:56,919 --> 00:04:58,039
Honestly, what am I like?
122
00:04:58,080 --> 00:04:59,560
And then finally
the other thing
123
00:04:59,599 --> 00:05:01,360
I just wanted to touch
on this morning
124
00:05:01,400 --> 00:05:03,360
is this issue around Wimbledon
that's come up.
125
00:05:03,400 --> 00:05:04,640
Ah, okay.
Yeah, bollocks.
126
00:05:04,680 --> 00:05:06,159
Brilliant.
127
00:05:06,200 --> 00:05:07,880
Meanwhile,
back up in Frankie Howerd,
128
00:05:07,919 --> 00:05:11,240
Ian is literally setting
the agenda in the
Way Ahead Meeting.
129
00:05:11,280 --> 00:05:14,479
Can I just say I was actually
going to raise this in
Damage Limitation, Ian.
130
00:05:14,520 --> 00:05:16,360
Right.
It doesn't matter
what meeting it is,
131
00:05:16,400 --> 00:05:18,320
it's the BBC,
it's damage limitation, okay?
132
00:05:18,360 --> 00:05:20,400
Well, I mean...
Just saves time.
133
00:05:20,440 --> 00:05:22,440
In the past few
weeks, there have been
rumours that the BBC
134
00:05:22,479 --> 00:05:26,000
could be in danger of losing
its exclusive contract
to broadcast
135
00:05:26,039 --> 00:05:29,159
the Wimbledon Tennis Championships
to a rival broadcaster,
136
00:05:29,200 --> 00:05:30,640
in this case, S...
137
00:05:30,680 --> 00:05:32,400
The fact is I've made
my views clear on this.
138
00:05:32,440 --> 00:05:33,680
Cannot happen, okay?
139
00:05:33,719 --> 00:05:35,760
Well, exactly.
Absolutely cannot happen.
140
00:05:35,800 --> 00:05:38,120
I mean, for Christ's sake.
I'm sorry, but here we go,
we're panicking already.
141
00:05:38,159 --> 00:05:39,760
This is just a bit of...
I mean,
142
00:05:39,800 --> 00:05:41,760
I don't know where this story
came from for a start.
143
00:05:41,800 --> 00:05:43,039
Well, I can't speak
for anyone else, Neil,
144
00:05:43,080 --> 00:05:44,400
but I got it
from BBC News.
145
00:05:44,440 --> 00:05:46,359
Yeah, okay.
Yes, me too, Neil, yes.
146
00:05:46,400 --> 00:05:48,280
Yes.
Right. Fuck.
147
00:05:48,320 --> 00:05:50,680
The BBC has
broadcast Wimbledon in one
form or another
148
00:05:50,719 --> 00:05:53,320
unremittingly for
over 90 years.
149
00:05:53,359 --> 00:05:54,599
If it was to lose it now,
150
00:05:54,640 --> 00:05:58,200
it would be a major blow
to its very BBCness.
151
00:05:58,240 --> 00:06:01,520
Worse still, the ensuing
debate has thrown
up suggestions
152
00:06:01,560 --> 00:06:03,960
in some quarters that its
coverage of the Championships
153
00:06:04,000 --> 00:06:06,599
is, in certain respects,
too white.
154
00:06:06,640 --> 00:06:08,560
Guys, I don't want to be
dramatic about this,
155
00:06:08,599 --> 00:06:10,240
and, I mean,
we all love Sue Barker,
156
00:06:10,280 --> 00:06:12,960
but I got to say we are
looking at a situation here
157
00:06:13,000 --> 00:06:14,800
and not in a good way. Brilliant.
158
00:06:14,840 --> 00:06:16,560
I mean, brilliant.
Too white?
159
00:06:16,599 --> 00:06:19,479
Bummer.
I don't think it's about
Sue Barker specifically.
160
00:06:19,520 --> 00:06:21,520
Apart from anything else,
it's factually inaccurate.
161
00:06:21,560 --> 00:06:24,440
Right, well...
The fact is Sue Barker was
originally blonde.
162
00:06:24,479 --> 00:06:25,919
Right, yes...
163
00:06:26,640 --> 00:06:27,799
As I say, I don't...
164
00:06:28,719 --> 00:06:30,159
Yes, Will, come in.
165
00:06:30,200 --> 00:06:32,000
No, come in, come in.
Come in!
166
00:06:33,479 --> 00:06:35,520
Thanks, Will, that's great.
Yeah, hi, sorry.
167
00:06:35,560 --> 00:06:38,359
No, that's great, thanks.
Er, we missed
each other earlier.
168
00:06:38,400 --> 00:06:39,919
Yeah, I know, it's like
my pass isn't working?
169
00:06:39,960 --> 00:06:42,359
Oh, bad luck.
Yeah, crap.
170
00:06:42,400 --> 00:06:45,159
Right, well...
Yeah, so, like,
Izzy came down to get me.
171
00:06:45,200 --> 00:06:46,599
Oh, right, did she?
Yeah.
172
00:06:47,560 --> 00:06:50,120
Oh, well, that's nice. Yeah.
173
00:06:50,159 --> 00:06:51,280
Okay. Well, thanks,
anyway, Will.
174
00:06:51,320 --> 00:06:52,599
Yeah, no worries,
yeah, cool.
175
00:06:53,799 --> 00:06:55,560
Right. Good.
176
00:06:55,599 --> 00:06:57,039
Yes, no, I mean,
I think we're in danger
177
00:06:57,080 --> 00:07:00,440
of being drawn into detail
too early again here.
178
00:07:00,479 --> 00:07:03,359
I mean, Wimbledon is obviously
a cornerstone of the...
179
00:07:03,400 --> 00:07:05,320
Okay, okay, okay, erm,
180
00:07:05,359 --> 00:07:07,000
here's the thing with this,
erm, it's a no-brainer.
181
00:07:07,039 --> 00:07:10,520
What it is is, okay, so, now
we've got two things, okay?
182
00:07:10,560 --> 00:07:12,880
We've got like Wimbledon,
which is like tennis, okay?
183
00:07:12,919 --> 00:07:14,280
And we've got BBC,
which is like,
184
00:07:14,320 --> 00:07:16,159
erm, I don't know...
185
00:07:16,200 --> 00:07:17,760
Sue Parker, okay?
Sue Barker.
186
00:07:17,799 --> 00:07:21,280
Sure, and what you want is,
erm, you want one thing...
187
00:07:21,320 --> 00:07:22,760
One thing?
Sure.
188
00:07:22,799 --> 00:07:25,039
So, what you're looking
at here is a brand mashup.
189
00:07:25,080 --> 00:07:26,599
Right...
Oh, right.
Here we go.
190
00:07:26,640 --> 00:07:28,080
A "brand mashup"?
191
00:07:28,120 --> 00:07:29,799
Sure. You want to say more
about how that could work?
192
00:07:29,840 --> 00:07:31,000
Well, erm...
No, sure.
193
00:07:31,039 --> 00:07:32,280
Really?
Er, so it's, like,
194
00:07:32,320 --> 00:07:34,719
I don't know,
it's like okay, okay, okay...
195
00:07:34,760 --> 00:07:38,919
Okay. So, it's like I say,
erm, like the word
"Peanut", okay?
196
00:07:38,960 --> 00:07:40,479
What are you thinking?
Peanut?
197
00:07:40,520 --> 00:07:41,680
No, I said that.
198
00:07:41,719 --> 00:07:43,039
That's the word I just said.
Yes, no, I...
199
00:07:43,080 --> 00:07:44,680
What are you thinking?
Erm...
200
00:07:44,719 --> 00:07:47,280
Okay, I'll say it again, okay?
But don't think,
just say stuff.
201
00:07:48,359 --> 00:07:49,560
Peanut.
202
00:07:59,120 --> 00:08:00,599
Monkey.
Yes, very good.
203
00:08:00,640 --> 00:08:02,039
Butter.
"Butter"?
204
00:08:02,080 --> 00:08:03,760
Peanut butter, okay?
Brilliant.
205
00:08:03,799 --> 00:08:05,320
Duh.
Well, I'm sorry, Siobhan,
206
00:08:05,359 --> 00:08:06,760
but I think of monkey.
207
00:08:06,799 --> 00:08:09,200
Okay, there's no such thing as
peanut monkey, okay?
208
00:08:09,239 --> 00:08:10,280
What?
I mean, that's like,
209
00:08:10,320 --> 00:08:11,799
I don't even know
where to start.
210
00:08:11,840 --> 00:08:14,599
So, like peanut and butter,
two things.
211
00:08:14,640 --> 00:08:15,760
Peanut butter, one thing.
212
00:08:15,799 --> 00:08:17,000
Yes...
Yes, no, very strong.
213
00:08:17,039 --> 00:08:19,239
BBC and Wimbledon,
two things.
214
00:08:19,280 --> 00:08:20,880
BB-Swimbledon, one thing.
215
00:08:20,919 --> 00:08:22,320
Yes, no,
I think we've got that.
216
00:08:22,359 --> 00:08:23,919
No, sure, it's, like,
what's not to get?
217
00:08:23,960 --> 00:08:25,919
And this is an area where you
could have some ideas?
218
00:08:25,960 --> 00:08:27,599
Well, hang on...
Where we could have ideas?
219
00:08:27,640 --> 00:08:29,599
Yes.
Like there are
areas we don't?
220
00:08:29,640 --> 00:08:31,479
Right...
Okay, good.
221
00:08:31,520 --> 00:08:33,199
Shall we just have a think
about exactly how we
want to play this?
222
00:08:33,240 --> 00:08:34,840
The fact is this is important.
223
00:08:34,880 --> 00:08:36,159
Yes.
I've already made that clear.
224
00:08:36,199 --> 00:08:37,840
Yes, no, brilliant.
But, Siobhan,
225
00:08:37,880 --> 00:08:40,000
I don't want to spoil this
party we're all having now,
226
00:08:40,039 --> 00:08:42,439
but you can actually have
other kinds of butter.
227
00:08:42,480 --> 00:08:44,000
Excuse me?
I don't believe this.
228
00:08:44,039 --> 00:08:46,240
You can have, like,
brandy butter or
just ordinary butter.
229
00:08:46,280 --> 00:08:47,560
It doesn't have to be peanut.
230
00:08:47,600 --> 00:08:49,800
There's no such thing
as monkey butter, okay?
231
00:08:49,840 --> 00:08:51,000
What?
Brilliant.
232
00:08:51,040 --> 00:08:52,079
Get over it. Brilliant.
233
00:08:52,120 --> 00:08:53,560
Very strong.
234
00:08:55,360 --> 00:08:58,079
Cos, sometimes,
I mean, it's her hair, obviously,
235
00:08:58,120 --> 00:08:59,880
but sometimes, she has it
done really straight,
236
00:08:59,920 --> 00:09:02,079
and, to be honest,
I just don't think it does
her any favours.
237
00:09:02,120 --> 00:09:03,640
Mmm...
Do you know what
I mean, though?
238
00:09:03,680 --> 00:09:05,640
Meanwhile,
down in the Syncopaticafe,
239
00:09:05,680 --> 00:09:07,880
it's becoming increasingly
clear to Lucy
240
00:09:07,920 --> 00:09:09,640
that she's having breakfast
with David.
241
00:09:09,680 --> 00:09:11,760
So, why the sudden
urgency from Anna,
all of a sudden, anyway?
242
00:09:11,800 --> 00:09:13,160
Mmm, I know.
243
00:09:13,199 --> 00:09:14,360
Do you know what, Lucy?
244
00:09:14,400 --> 00:09:16,240
I think it's to do
with this new job.
245
00:09:16,280 --> 00:09:17,680
What new job?
Oh, okay.
246
00:09:17,720 --> 00:09:20,640
Well, apparently, no one's
supposed to know anything yet,
247
00:09:20,680 --> 00:09:23,480
but they created this new
like Director of Better or...
248
00:09:23,520 --> 00:09:25,079
"Director of Better"?
Apparently, yeah.
249
00:09:25,120 --> 00:09:26,600
Better what?
I mean, basically,
250
00:09:26,640 --> 00:09:27,959
I think what it is is...
251
00:09:28,000 --> 00:09:29,560
Yeah, you know what?
I don't care.
No? Okay.
252
00:09:29,600 --> 00:09:32,400
Anyway, all it is is she needs
something really good
253
00:09:32,439 --> 00:09:34,280
to have up her
sleeve if she applies.
254
00:09:34,319 --> 00:09:36,680
Right. So, all you need to
do now is think of
something really good?
255
00:09:36,720 --> 00:09:38,319
Oh, I know, tell me about it.
256
00:09:38,360 --> 00:09:39,720
I mean, this is so
not my area, David...
257
00:09:39,760 --> 00:09:41,800
No, I know.
But if you want
my honest opinion...
258
00:09:41,839 --> 00:09:43,240
Yes, please, Lucy, I do.
259
00:09:43,280 --> 00:09:44,959
I'd be tempted to go in a
different direction, I think.
260
00:09:45,000 --> 00:09:46,360
All right.
If I was you.
261
00:09:46,400 --> 00:09:49,160
Maybe surprise her with
something original.
262
00:09:49,199 --> 00:09:50,880
Okay.
263
00:09:50,920 --> 00:09:52,680
That's interesting.
264
00:09:52,720 --> 00:09:54,959
That's brilliant, Lucy.
That's really great.
Thank you.
265
00:10:01,920 --> 00:10:03,280
So, when you say
"different direction", Lucy...
266
00:10:03,319 --> 00:10:04,680
As I say, I'm really not...
267
00:10:04,720 --> 00:10:06,240
No, no, just an example of
what you mean, I mean.
268
00:10:06,280 --> 00:10:07,920
I mean, I don't know, if all
the celebrities in the world
269
00:10:07,959 --> 00:10:10,280
swapped pets with
each other for a week or...
Oh, my God!
270
00:10:10,319 --> 00:10:11,720
I mean, not that, obviously...
271
00:10:11,760 --> 00:10:13,480
Kylie has a
Rhodesian ridgeback.
272
00:10:13,520 --> 00:10:15,000
Yes, well, that's...
And then it's, like,
273
00:10:15,040 --> 00:10:16,280
"Will they miss
their old pets?
274
00:10:16,319 --> 00:10:17,800
"Or will they fall in love
with the new one?"
275
00:10:17,839 --> 00:10:19,720
No, David...
Do you think a week
would be enough?
276
00:10:35,319 --> 00:10:39,439
Okay, so, how it works is
you guys go either end
277
00:10:39,480 --> 00:10:42,360
and I'm like umpire
or judge or whatever.
278
00:10:42,400 --> 00:10:43,920
Cool.
Groovy.
279
00:10:43,959 --> 00:10:46,199
Over at
Perfect Curve,
it's a different day
280
00:10:46,240 --> 00:10:48,280
and Siobhan is preparing
her creative team
281
00:10:48,319 --> 00:10:49,839
to play mashup tennis.
282
00:10:49,880 --> 00:10:52,640
So, then you guys have,
like, ideas,
283
00:10:52,680 --> 00:10:54,240
okay, so, like, you have
an idea, okay?
284
00:10:54,280 --> 00:10:56,040
Yeah, so, like...
So, no shut up, still me.
285
00:10:56,079 --> 00:10:58,280
Yeah.
So, like, you hit
the idea ball...
286
00:10:58,319 --> 00:11:01,760
Cool.
And if your idea
isn't better than your idea,
287
00:11:01,800 --> 00:11:03,439
then you lose
the point, okay?
Okay.
288
00:11:03,480 --> 00:11:05,000
Okay, cool. Yeah.
289
00:11:05,040 --> 00:11:06,719
With other broadcasters,
such as S...
290
00:11:06,760 --> 00:11:10,000
Making moves to poach the
iconic event from the BBC,
291
00:11:10,040 --> 00:11:12,880
leaving it with no live sports
that people understand,
292
00:11:12,920 --> 00:11:14,520
their mission to both mashup
293
00:11:14,560 --> 00:11:16,560
and pimp the
BBC Wimbledon brand
294
00:11:16,600 --> 00:11:18,400
at the same time,
which isn't easy.
295
00:11:18,439 --> 00:11:19,959
So, it's, like,
serious shit.
296
00:11:20,000 --> 00:11:21,280
But that doesn't
mean they can't have fun.
297
00:11:21,319 --> 00:11:22,360
It doesn't mean we can't
have fun here, right?
298
00:11:22,400 --> 00:11:24,319
Okay, you serve.
Sure, whatever.
299
00:11:24,360 --> 00:11:25,439
Go!
Okay.
300
00:11:25,480 --> 00:11:26,600
No, hang on,
what's going on?
301
00:11:26,640 --> 00:11:28,160
Okay, no, that's too slow,
you're out.
302
00:11:28,199 --> 00:11:30,160
No, but it's like
it's singles, otherwise
it doesn't work.
303
00:11:30,199 --> 00:11:31,800
Yeah, singles, yeah,
whatever. Go.
Okay?
304
00:11:31,839 --> 00:11:33,360
So, I could be, like, down
the other end?
305
00:11:34,520 --> 00:11:35,560
No.
Yeah.
306
00:11:35,600 --> 00:11:36,719
Well, how's
that going to help?
307
00:11:36,760 --> 00:11:37,880
He could be, like, ball boy.
308
00:11:37,920 --> 00:11:39,959
Yeah, cool, yeah,
ball boy, yeah, cool.
309
00:11:40,000 --> 00:11:41,120
Okay?
Yeah.
310
00:11:43,079 --> 00:11:44,600
Okay. Right. Ready?
311
00:11:44,640 --> 00:11:45,920
Yeah. Go!
312
00:11:45,959 --> 00:11:49,680
So, you have BBC newsreaders
or like David Thingy
313
00:11:49,719 --> 00:11:51,480
actually umpiring the matches.
314
00:11:52,839 --> 00:11:53,920
Cool.
Shit.
315
00:11:53,959 --> 00:11:55,120
David who?
This is good.
316
00:11:55,160 --> 00:11:57,439
Erm, old guy, grey hair,
does, like,
317
00:11:57,480 --> 00:11:58,920
political stuff
with politicians.
318
00:11:58,959 --> 00:12:00,439
Attenborough.
Yeah,
David Attenborough.
319
00:12:00,480 --> 00:12:02,880
Yeah, cool, yeah.
Okay, cool idea, Barney.
320
00:12:02,920 --> 00:12:04,199
15-love.
321
00:12:04,240 --> 00:12:05,719
Coco, your... Fault.
322
00:12:05,760 --> 00:12:07,000
Excuse me?
What?
323
00:12:07,040 --> 00:12:08,719
Yeah, because what
if David Attenborough
324
00:12:08,760 --> 00:12:10,880
doesn't know the rules of
tennis or like how to score?
325
00:12:12,760 --> 00:12:14,560
In this idea,
he does know the rules.
326
00:12:14,600 --> 00:12:16,319
Well, he might not,
it's not as easy as it looks.
327
00:12:17,400 --> 00:12:19,439
You're a ball boy, okay?
Yeah.
328
00:12:19,480 --> 00:12:22,120
Okay, cool.
So, I could be
like net cord judge?
329
00:12:22,160 --> 00:12:23,719
What?
Okay, 30-15.
330
00:12:23,760 --> 00:12:25,079
Coco.
Okay, so...
331
00:12:25,120 --> 00:12:26,199
With, like, the finger,
it's pretty cool.
332
00:12:26,240 --> 00:12:28,040
Yeah, so, like,
with the umpires,
333
00:12:28,079 --> 00:12:30,719
like, with David Attenborough
or maybe, like, Alan Sugar?
334
00:12:30,760 --> 00:12:31,920
Yeah, yeah, cool, yeah,
Alan Sugar, yeah.
335
00:12:31,959 --> 00:12:34,360
Like, so now all they do
is, like, say the score,
336
00:12:34,400 --> 00:12:36,520
but they could be
more like judges.
337
00:12:36,560 --> 00:12:38,000
Cool.
So, like, at the
end of the rally,
338
00:12:38,040 --> 00:12:40,360
they'd be like
"15-love. Nice footwork."
339
00:12:40,400 --> 00:12:42,439
Yeah, yeah, cool.
Or if it's just out,
340
00:12:42,480 --> 00:12:45,439
they're like "Love-15.
Cool shot, but no cigar."
341
00:12:45,480 --> 00:12:47,599
Yeah, cool, yeah.
Okay, I love this,
this is epic.
342
00:12:47,640 --> 00:12:50,199
Okay, so, erm, like,
30-30, whatever.
343
00:12:50,240 --> 00:12:51,599
Barney?
Okay.
344
00:12:51,640 --> 00:12:54,160
So, we have Graham Norton
up in the Players' Box?
345
00:12:54,199 --> 00:12:56,079
Excuse me?
Cool.
346
00:12:56,120 --> 00:12:57,959
Yeah, so he's, like,
up there with, like,
the players' girlfriends.
347
00:12:58,000 --> 00:12:59,719
Yeah, yeah, yeah.
No way!
348
00:12:59,760 --> 00:13:02,439
Yeah. Cos when, like,
the players swap
ends and sit down,
349
00:13:02,480 --> 00:13:04,079
normally that's when
you go to adverts,
350
00:13:04,120 --> 00:13:06,640
but, with the BBC,
they don't have adverts, Bummer.
351
00:13:06,680 --> 00:13:10,199
Yeah, so instead you've
just got two guys, like,
sitting there eating bananas.
352
00:13:10,240 --> 00:13:11,800
Well, sometimes it's like
they take their shirts off.
353
00:13:11,839 --> 00:13:13,240
Yeah, but...
Yeah, sometimes.
354
00:13:13,280 --> 00:13:16,000
But with Graham
up there with, like,
355
00:13:16,040 --> 00:13:17,680
Andy Murray's
girlfriend...
Kim?
356
00:13:17,719 --> 00:13:18,800
Yeah, Kim, yeah.
357
00:13:18,839 --> 00:13:20,400
We love Kim,
she's gorgeous.
358
00:13:20,439 --> 00:13:22,480
Yeah.
And big sunglasses.
359
00:13:22,520 --> 00:13:24,959
Yeah, and Graham's like,
"How are you feeling?"
360
00:13:25,000 --> 00:13:28,040
Or "Oh, my God, we're
so loving that dress, Kim."
361
00:13:28,079 --> 00:13:32,480
God, I love this, this is
just, like, the best thing
ever, okay?
362
00:13:32,520 --> 00:13:34,839
Erm, 30-40.
No, it's...
363
00:13:34,880 --> 00:13:38,319
Okay, okay. 40... 30-30?
40, deuce, whatever. Go!
364
00:13:46,199 --> 00:13:47,959
Hi, Izzy. Hi.
365
00:13:48,000 --> 00:13:50,280
Have you got a moment?
Back at
New Broadcasting House,
366
00:13:50,319 --> 00:13:53,560
Ian has had an issue on his
mind, and it hasn't gone away.
367
00:13:53,599 --> 00:13:55,120
I don't want to disturb you,
I know you're busy enough.
368
00:13:55,160 --> 00:13:56,920
That's okay.
But I wonder if it
would be possible?
369
00:13:56,959 --> 00:13:58,760
Will's pass isn't working,
for some reason.
370
00:13:58,800 --> 00:14:01,439
Yes, no, I know.
Oh, yes, thanks for letting
him in again today.
371
00:14:01,480 --> 00:14:03,120
I had a quick look
on Syncopatico...
372
00:14:03,160 --> 00:14:04,839
Yes.
But as usual,
I couldn't make...
373
00:14:04,880 --> 00:14:06,680
You know, it kept telling me
I wasn't discoverable,
374
00:14:06,719 --> 00:14:08,760
or my network settings were in
conflict with, you know,
my, God knows.
375
00:14:08,800 --> 00:14:11,000
Yes.
So, basically I fell at the
first hurdle.
376
00:14:11,040 --> 00:14:12,640
Yes, no, I had a
look earlier, too.
377
00:14:12,680 --> 00:14:14,839
Oh, right. And?
His pass has
actually run out.
378
00:14:14,880 --> 00:14:16,560
Well, I mean yes,
that's the...
No, I mean, it's...
379
00:14:16,599 --> 00:14:18,160
What?
380
00:14:18,199 --> 00:14:21,040
I think Will's internship
has expired.
381
00:14:21,079 --> 00:14:22,560
Oh, God.
I know.
382
00:14:22,599 --> 00:14:24,680
No.
Yeah.
383
00:14:24,719 --> 00:14:26,800
I haven't said
anything to him.
No, no, of course.
384
00:14:26,839 --> 00:14:28,920
I don't really know
what to say.
I mean, are you sure?
385
00:14:28,959 --> 00:14:31,160
So, the standard period is
normally, like, eight weeks.
386
00:14:31,199 --> 00:14:32,599
Eight weeks?
I know.
387
00:14:32,640 --> 00:14:33,880
But, I mean, that's,
how long?
388
00:14:33,920 --> 00:14:35,520
11 months.
11 months?
389
00:14:35,560 --> 00:14:36,640
Yeah.
390
00:14:36,680 --> 00:14:38,199
Well, how can that happen?
391
00:14:38,240 --> 00:14:40,040
I don't think
anyone's noticed. No.
392
00:14:40,079 --> 00:14:42,479
No, okay. Well, at least
that's something positive,
I suppose.
393
00:14:42,520 --> 00:14:43,839
Yes.
Yeah.
394
00:14:46,800 --> 00:14:48,719
Okay, so, like, on court,
395
00:14:48,760 --> 00:14:52,800
you have, like, BBC theme
tunes for both players.
396
00:14:52,839 --> 00:14:54,280
Okay, so, I don't get that.
397
00:14:54,319 --> 00:14:56,079
Yeah, okay...
I don't get it.
398
00:14:56,120 --> 00:14:58,479
Yeah, so, like, say
Andy Murray is going to play
Novak Djokovic, okay?
399
00:14:58,520 --> 00:14:59,959
Okay, so, I don't even know
what that is.
400
00:15:00,000 --> 00:15:02,719
He's, like, world number
one or something.
401
00:15:02,760 --> 00:15:05,120
Okay, sure, whatever.
Yeah, but, like, at tennis.
402
00:15:05,160 --> 00:15:07,640
So, like, Novak,
he'd be like Doctor Who,
403
00:15:07,680 --> 00:15:10,040
because he's, like, a bit...
Sure, whatever.
404
00:15:10,079 --> 00:15:11,240
Yeah, he's kind
of like an alien.
405
00:15:11,280 --> 00:15:12,400
Yeah, but...
Yeah, like his hair.
406
00:15:12,439 --> 00:15:15,280
Yeah, but, Andy,
he'd be, like, Strictly.
407
00:15:15,319 --> 00:15:16,839
We love Strictly.
408
00:15:16,880 --> 00:15:19,959
Yeah, so, like, if Novak wins
a rally and then it's like...
409
00:15:26,199 --> 00:15:27,599
Okay, no, I get that.
Yeah, but then, like,
410
00:15:27,640 --> 00:15:29,640
the whole crowd joins in,
so it's like...
411
00:15:31,479 --> 00:15:33,240
Yeah, I still get it.
Do Strictly.
412
00:15:33,280 --> 00:15:36,400
Then, if, like, Andy wins
a rally, then it's like...
413
00:15:36,439 --> 00:15:37,680
Ho!
414
00:15:45,240 --> 00:15:47,000
Holy shit.
Yeah, cos then it's, like,
415
00:15:47,040 --> 00:15:48,800
suddenly it's, like,
party time.
416
00:15:48,839 --> 00:15:50,240
Do it again.
Ho!
417
00:15:58,120 --> 00:16:00,359
Somebody tie this girl down.
Yeah, it's like...
418
00:16:00,400 --> 00:16:01,640
Ho!
419
00:16:08,880 --> 00:16:10,560
Good job, guys,
we did good here.
420
00:16:10,599 --> 00:16:12,520
We totally nailed this coyote.
421
00:16:12,560 --> 00:16:15,839
It's like ho!
We just BBCed Wimbledon.
422
00:16:15,880 --> 00:16:17,520
Well played, good match. Cool.
423
00:16:17,560 --> 00:16:18,959
Yeah. Ho...
424
00:16:28,839 --> 00:16:30,800
Back over at
New Broadcasting House,
425
00:16:30,839 --> 00:16:32,719
it's a completely
different day.
426
00:16:32,760 --> 00:16:34,439
And as Ian arrives for work,
427
00:16:34,479 --> 00:16:36,680
the first issue of the morning
presents itself
428
00:16:36,719 --> 00:16:38,640
even before he's made it
inside the building.
429
00:16:38,680 --> 00:16:40,839
Oh, hi, Will.
Yeah, hey, yeah, cool.
430
00:16:40,880 --> 00:16:42,319
There you go.
431
00:16:42,359 --> 00:16:44,240
Right, thanks. I mean, that's
really good of you, Will...
432
00:16:44,280 --> 00:16:46,640
No worries.
No, I mean, really,
I'm perfectly capable,
433
00:16:46,680 --> 00:16:49,120
I should get used to carrying
my own bike and getting
my own coffee.
434
00:16:49,160 --> 00:16:50,479
Yeah, no, no worries.
That's cool.
435
00:16:50,520 --> 00:16:51,760
No, but...
It's like a system.
436
00:16:51,800 --> 00:16:53,199
Right, yes.
437
00:16:53,240 --> 00:16:55,359
Yeah, so my pass
still isn't working?
Right, no.
438
00:16:55,400 --> 00:16:57,319
I asked Simon Harwood
when he came through
if I could visit him,
439
00:16:57,359 --> 00:16:59,280
but he said it's probably
better if I visit you?
440
00:16:59,319 --> 00:17:00,640
Oh, right yes, did he?
Yeah.
441
00:17:00,680 --> 00:17:02,240
I prefer visiting you anyway,
it's better.
442
00:17:02,280 --> 00:17:04,200
I mean, we really need to
sort this out at some point.
443
00:17:04,240 --> 00:17:05,680
Yeah, I know, crap. Yes.
444
00:17:05,720 --> 00:17:07,399
Yeah, with the pass,
445
00:17:07,440 --> 00:17:09,879
I was thinking maybe it's like
the photo's, like,
just too weird.
446
00:17:15,280 --> 00:17:16,960
I mean, someone's going to
have to tell him, aren't they?
447
00:17:17,000 --> 00:17:18,079
Yes.
448
00:17:18,119 --> 00:17:19,399
I'll tell him.
This is awful.
449
00:17:19,440 --> 00:17:20,919
I know.
I'll tell him.
Really, I don't mind.
450
00:17:20,960 --> 00:17:22,720
I don't think there is,
like, a formal system.
451
00:17:22,760 --> 00:17:24,319
But he seems to
be closest to you.
452
00:17:24,359 --> 00:17:26,280
Well, that's...
Yeah,
like you've adopted him.
453
00:17:26,319 --> 00:17:27,919
Me?
Well, or Will's adopted you.
454
00:17:27,960 --> 00:17:30,200
I mean, maybe if his pass just
keeps not working,
455
00:17:30,240 --> 00:17:33,120
I suppose there's a chance
he might just work it
out for himself eventually.
456
00:17:33,159 --> 00:17:34,280
Yes.
457
00:17:35,280 --> 00:17:37,560
Right, okay, no. Great.
458
00:17:37,600 --> 00:17:39,440
Meanwhile,
producer Lucy Freeman
459
00:17:39,480 --> 00:17:42,200
is with potentially
new writer Dan Shepherd.
460
00:17:42,240 --> 00:17:44,320
After working towards
developing a new drama,
461
00:17:44,360 --> 00:17:46,520
Home Truth,
with him for over two years,
462
00:17:46,560 --> 00:17:48,639
the project is finally nearing
another meeting.
463
00:17:48,680 --> 00:17:50,720
I have to say, I don't know
what Matt's going to say
464
00:17:50,760 --> 00:17:52,639
Right. But he asked for the
meeting so... Yeah.
465
00:17:52,680 --> 00:17:54,680
I mean, I'm always cautious,
but, really, after everything,
466
00:17:54,720 --> 00:17:56,800
with everything you've been
through, you have to think,
467
00:17:56,840 --> 00:17:58,399
what else can it be
but something good?
468
00:17:58,440 --> 00:18:00,960
Yeah. So, do you, like,
actually work here every day?
469
00:18:01,000 --> 00:18:02,720
Yes, I do, yes.
Right, okay.
470
00:18:02,760 --> 00:18:04,120
Every day.
471
00:18:15,159 --> 00:18:16,320
Dan.
Hi.
472
00:18:16,360 --> 00:18:17,480
You remember Matt?
How are we?
473
00:18:17,520 --> 00:18:19,200
Yeah, good, yeah.
474
00:18:19,240 --> 00:18:20,720
Thanks so much for coming
all the way down.
How's Whitby?
475
00:18:20,760 --> 00:18:22,639
Wetherby.
Wetherby, yes,
Wetherby, of course.
476
00:18:22,680 --> 00:18:23,840
Yeah, no, it's okay, thanks. Great.
477
00:18:23,879 --> 00:18:25,240
It's still pretty
much the same.
478
00:18:25,280 --> 00:18:27,320
Great, have a seat
or something.
Yeah. Oh...
479
00:18:27,360 --> 00:18:30,520
Generic Head of
Comedy and/or
Drama Matt Taverner
480
00:18:30,560 --> 00:18:32,080
has asked to
meet Lucy and Dan
481
00:18:32,120 --> 00:18:34,800
to talk about what happens
next with Home Truth,
482
00:18:34,840 --> 00:18:37,320
a love story set and told
very much in the context
483
00:18:37,360 --> 00:18:40,120
of the Yorkshire seaside
town of Scarborough.
484
00:18:40,159 --> 00:18:43,600
I mean, first of all,
I love what you've done
with these scripts.
485
00:18:43,639 --> 00:18:44,919
Oh, right.
They're great,
aren't they?
486
00:18:44,960 --> 00:18:47,159
I just think the characters
are really solid now.
487
00:18:47,200 --> 00:18:49,679
Yeah.
Especially, I mean,
the main character, I just...
488
00:18:49,720 --> 00:18:52,800
Sarah.
I love that she's a woman.
489
00:18:52,840 --> 00:18:54,240
I love that she's,
you know, she's strong.
490
00:18:54,280 --> 00:18:57,360
I really feel I know
who, er, Sarah is now.
491
00:18:57,399 --> 00:18:58,879
Yeah, I haven't really done
anything to her.
492
00:18:58,919 --> 00:19:01,080
No. Well, maybe not,
but the way she reads now
493
00:19:01,120 --> 00:19:02,879
in the architecture
of the whole...
494
00:19:02,919 --> 00:19:05,120
Oh, right.
So, the work you've done
around her as a protagonist.
495
00:19:05,159 --> 00:19:07,159
Yeah.
I mean, look,
what I'm basically saying
496
00:19:07,200 --> 00:19:08,760
is congratulations.
497
00:19:08,800 --> 00:19:10,240
Oh, right, okay. Terrific.
498
00:19:10,280 --> 00:19:11,800
Yes. Thanks.
See?
499
00:19:11,840 --> 00:19:13,960
So, I guess part of my job is
500
00:19:14,000 --> 00:19:15,879
I think a lot at the moment
501
00:19:15,919 --> 00:19:17,720
about what is a
BBC story today.
502
00:19:17,760 --> 00:19:19,280
Oh, right.
Do you?
503
00:19:19,320 --> 00:19:21,720
And also about who do we want
to be telling stories about.
504
00:19:21,760 --> 00:19:23,040
And who do we
want to tell them to.
505
00:19:23,080 --> 00:19:24,639
Right.
506
00:19:24,679 --> 00:19:25,800
I don't know.
Who?
507
00:19:25,840 --> 00:19:27,520
I don't know.
I may be wrong about this...
508
00:19:27,560 --> 00:19:31,520
Er, but is there
just something about
Scarborough as a place,
509
00:19:31,560 --> 00:19:33,040
as a precinct, if you like,
510
00:19:33,080 --> 00:19:34,600
is it a bit, I don't know,
511
00:19:34,639 --> 00:19:38,280
maybe a bit one-dimensional
in some ways?
512
00:19:38,320 --> 00:19:40,360
"One dimensional"?
Yeah, it is.
513
00:19:40,399 --> 00:19:42,679
What do you mean by?
What do you mean, one...
What do you mean, Matt?
514
00:19:42,720 --> 00:19:44,399
Well, I guess I just mean
culturally, really.
515
00:19:44,440 --> 00:19:46,120
Is it all just a bit the same?
516
00:19:46,159 --> 00:19:47,639
Yeah, no, definitely. Well...
517
00:19:47,679 --> 00:19:49,200
Yeah. Cos I mean that's
sort of like the point.
518
00:19:49,240 --> 00:19:50,639
Yeah, no, sure,
that's great, Dan.
That's brilliant.
519
00:19:50,679 --> 00:19:53,120
I mean, okay, would it help
us at all here if...
520
00:19:53,159 --> 00:19:54,840
I'm just throwing
this out there.
521
00:19:54,879 --> 00:19:57,720
...would it help us if
we thought about reimagining
it somewhere
522
00:19:57,760 --> 00:20:00,000
a bit more like, I don't know,
Leicester or?
523
00:20:00,040 --> 00:20:01,480
Leicester?
Oh, right.
524
00:20:01,520 --> 00:20:03,080
You know,
or Wolverhampton
or, I don't know,
525
00:20:03,120 --> 00:20:05,320
maybe even somewhere like
Walthamstow, perhaps or?
526
00:20:05,360 --> 00:20:06,560
Yeah. I'm just...
Walthamstow?
527
00:20:06,600 --> 00:20:09,159
Would that make it
culturally richer?
528
00:20:09,200 --> 00:20:10,800
And, if so, would that be
a good thing?
529
00:20:10,840 --> 00:20:13,040
No, but, Matt,
but that's Walthamstow.
530
00:20:13,080 --> 00:20:15,120
I mean, that's the polar
opposite of Scarborough.
531
00:20:15,159 --> 00:20:16,639
No, sure.
You might as well
just start again.
532
00:20:16,679 --> 00:20:19,000
No, no, this has
such potential, Dan.
533
00:20:19,040 --> 00:20:20,280
We all feel the
same about that.
534
00:20:20,320 --> 00:20:22,600
I guess, my job is just
to ask the question,
535
00:20:22,639 --> 00:20:24,679
could it be even better?
536
00:20:26,000 --> 00:20:28,000
Okay. Right.
And if it could,
537
00:20:28,040 --> 00:20:30,320
I guess what I'm asking Dan
just to think about is,
538
00:20:30,360 --> 00:20:32,720
is there something we might
all gain from that?
539
00:20:32,760 --> 00:20:33,760
Yeah.
540
00:20:33,800 --> 00:20:35,040
That's all I'm
thinking about here.
541
00:20:35,080 --> 00:20:36,440
Yes.
Great.
542
00:20:51,600 --> 00:20:52,720
I'm sorry,
I've got this wrong.
543
00:20:52,760 --> 00:20:54,159
I thought he'd
apologised already.
544
00:20:54,200 --> 00:20:55,320
Yes. Oh, he has,
Neil, yes.
545
00:20:55,360 --> 00:20:56,919
Meanwhile,
it's Thursday,
546
00:20:56,960 --> 00:20:59,760
and time for the Thursday
Damage Limitation Meeting.
547
00:20:59,800 --> 00:21:01,600
Since the making
of this documentary,
548
00:21:01,639 --> 00:21:03,120
certain events have happened.
549
00:21:03,159 --> 00:21:05,280
As a result of which,
for technical reasons,
550
00:21:05,320 --> 00:21:07,800
we are unable to mention
certain individuals by name.
551
00:21:07,840 --> 00:21:09,840
The fact is he's issued a
formal apology on Twitter.
552
00:21:09,879 --> 00:21:11,800
Yeah, okay, so...
He says he's never
had anything
553
00:21:11,840 --> 00:21:13,800
at all against tossers
he's worked with
them all his life.
554
00:21:13,840 --> 00:21:15,080
Yes.
Yes, no, very good.
555
00:21:15,120 --> 00:21:17,200
Tracey, do we know what
the legal situation is?
556
00:21:17,240 --> 00:21:19,520
Okay, I have spoken to
them quite extensively.
557
00:21:19,560 --> 00:21:21,560
Traditionally,
the first item
on the agenda is
558
00:21:21,600 --> 00:21:24,360
the Jeremyitem
and today is no exception.
559
00:21:24,399 --> 00:21:27,440
And what they're saying is,
over the last four
series of the show,
560
00:21:27,480 --> 00:21:29,000
if his use of the
word comes to less
561
00:21:29,040 --> 00:21:30,879
than once an hour
of broadcast time,
562
00:21:30,919 --> 00:21:34,800
or to put it more clearly 0.5
times every half hour,
563
00:21:34,840 --> 00:21:37,480
This week, there
have been complaints about
his use of the word
564
00:21:37,520 --> 00:21:40,840
"tosser" in the BBC Two
hit sitcom, Top Gear.
565
00:21:40,879 --> 00:21:43,159
Whereas if his use of the
word is above that figure,
566
00:21:43,200 --> 00:21:45,280
it counts as detrimental... Okay.
567
00:21:45,320 --> 00:21:47,280
In which case,
I don't know what.
568
00:21:47,320 --> 00:21:50,399
I mean, listen, this is so
not my area of thingy,
569
00:21:50,439 --> 00:21:52,159
I don't know how the whole
thing works.
570
00:21:52,200 --> 00:21:53,840
The fact is we need to be
better at this sort of thing.
571
00:21:53,879 --> 00:21:55,200
Yes, very good. Right.
572
00:21:55,240 --> 00:21:56,960
Yes.
Well, I mean,
leaving aside
573
00:21:57,000 --> 00:21:58,679
the issue of
whose responsibility
574
00:21:58,720 --> 00:22:00,000
this actually is
for a moment...
575
00:22:00,040 --> 00:22:02,120
I've already
said what I think.
576
00:22:02,159 --> 00:22:05,520
Surely the first thing is to
establish the answer to the
frequency of use question.
577
00:22:05,560 --> 00:22:07,560
Brilliant.
Because that might
just clarify the whole thing.
578
00:22:07,600 --> 00:22:09,280
Right, okay, fine. Brilliant.
579
00:22:09,320 --> 00:22:11,399
Good-o!
So, hang on, wait a minute,
580
00:22:11,439 --> 00:22:14,280
so someone's going to have to
watch four years' worth of
Top Gear back-to-back?
581
00:22:14,320 --> 00:22:15,320
Well, I mean... Yes.
582
00:22:15,360 --> 00:22:17,320
Jesus!
Exactly, Neil, yes.
583
00:22:17,360 --> 00:22:19,480
Going to go bloody mad.
The fact is it's
basically Dave.
584
00:22:19,520 --> 00:22:20,840
Yeah, they're going
to go bloody mad.
585
00:22:20,879 --> 00:22:25,639
Okay. All righty, er,
Jeremy, tick.
586
00:22:25,679 --> 00:22:29,879
Now onto frankly rather
more royal matters now.
587
00:22:29,919 --> 00:22:32,399
With this week's
strategy agreed,
588
00:22:32,439 --> 00:22:34,840
Simon can move the meeting
onto the main item,
589
00:22:34,879 --> 00:22:37,679
the increasingly forthcoming
visit of Prince Charles.
590
00:22:37,720 --> 00:22:40,120
Erm, brilliant, so, Ian,
I had a quick decaf
with Tony earlier.
591
00:22:40,159 --> 00:22:42,520
Right, did you?
Yes, I mean, he'll know
how you want to play this
592
00:22:42,560 --> 00:22:45,960
better than I do, but, erm,
for what it's worth we got
really rather excited about
593
00:22:46,000 --> 00:22:49,200
the idea of you doing a sort
head prefect number for
us on the day, Ian.
594
00:22:49,240 --> 00:22:51,800
Yes.
You know, ushering
his HRH-ness
595
00:22:51,840 --> 00:22:53,520
up to the headmaster's office,
596
00:22:53,560 --> 00:22:55,800
chatting with some of the
brighter sixth formers
on the way.
597
00:22:55,840 --> 00:22:58,000
Yes, no, I talked to Tony
about this last week.
598
00:22:58,040 --> 00:22:59,399
Oh, okay, brilliant.
We both...
599
00:22:59,439 --> 00:23:01,040
Brilliant.
We both agreed, though,
600
00:23:01,080 --> 00:23:03,159
when it comes to the sequence
of events on the day itself,
601
00:23:03,200 --> 00:23:05,520
it's key that we all know
what's going to happen
602
00:23:05,560 --> 00:23:06,879
and we all know
what we're doing.
603
00:23:06,919 --> 00:23:08,000
Yes.
Yes, very good.
604
00:23:08,040 --> 00:23:09,159
No, I agree with that, Ian.
605
00:23:09,200 --> 00:23:10,919
Yeah, also it'd be a first.
606
00:23:10,960 --> 00:23:13,360
One thing I can say,
something they've
very clear about,
607
00:23:13,399 --> 00:23:16,800
apparently he wants to
meet people from all
levels in the BBC.
608
00:23:16,840 --> 00:23:18,159
Right.
Yes, no, very good.
609
00:23:18,200 --> 00:23:19,800
Why?
No, I don't know why, Anna,
610
00:23:19,840 --> 00:23:21,840
they don't tell you that.
611
00:23:21,879 --> 00:23:23,800
But he doesn't just want
to meet the high-ups.
That's all good to know.
612
00:23:23,840 --> 00:23:25,439
Another thing they want
to know in advance, Ian,
613
00:23:25,480 --> 00:23:28,000
is exactly who is going to
be in the greeting party.
614
00:23:28,040 --> 00:23:29,600
Right, yes. Yes.
615
00:23:29,639 --> 00:23:32,280
You know, who's actually going
to be meeting him, personally.
616
00:23:32,320 --> 00:23:33,399
Yes.
617
00:23:35,520 --> 00:23:38,040
That is something
they will need to know
in advance, Ian.
618
00:23:38,080 --> 00:23:40,639
No, I mean, I said to Tony
that this is obviously something
619
00:23:40,679 --> 00:23:42,120
we'll need to think
about very carefully.
620
00:23:42,159 --> 00:23:43,280
Yes.
Yes, exactly.
621
00:23:43,320 --> 00:23:44,399
Yeah.
Yes.
622
00:23:44,439 --> 00:23:46,439
Brilliant.
Yeah, good luck with that.
623
00:23:55,040 --> 00:23:57,000
Cos, do you
know what, Anna?
624
00:23:57,040 --> 00:23:59,280
I just think it would be great
to go in a different
direction from Village,
625
00:23:59,320 --> 00:24:00,520
if you want my honest opinion.
626
00:24:00,560 --> 00:24:01,679
Heavy petting?
627
00:24:01,720 --> 00:24:04,280
Okay, so Kylie
swaps her Rhodesian ridgeback
628
00:24:04,320 --> 00:24:07,399
for like one week with
Alan Carr's Maine Coon.
629
00:24:07,439 --> 00:24:08,960
What?
630
00:24:09,000 --> 00:24:10,720
I know, I hadn't heard
of them, either,
had to look them up.
631
00:24:10,760 --> 00:24:13,320
It's later that day
and Head of Output
Anna Rampton
632
00:24:13,360 --> 00:24:17,240
has asked David Wilkes to
come into her office
and talk about his ideas.
633
00:24:17,280 --> 00:24:19,240
"The largest domesticated
breed of cat
634
00:24:19,280 --> 00:24:21,879
"with a distinctive
physical appearance
and valuable hunting skills."
635
00:24:21,919 --> 00:24:24,000
Yes.
"Also known for its intelligence,
636
00:24:24,040 --> 00:24:25,280
"gentle personality,
637
00:24:25,320 --> 00:24:26,639
"and health problems,
such as feline..."
638
00:24:26,679 --> 00:24:28,280
Yes, all right.
It's just something
639
00:24:28,320 --> 00:24:29,800
I've not seen on television,
that's all.
640
00:24:29,840 --> 00:24:31,919
Yes, and the fact is that's
not going to change. No.
641
00:24:31,960 --> 00:24:34,040
The fact is this is a critical
moment in the
history of the...
642
00:24:34,080 --> 00:24:37,200
Aware that
this is a critical moment
in the BBC's history,
643
00:24:37,240 --> 00:24:39,879
Anna knows she's
in a situation where
she needs something
644
00:24:39,919 --> 00:24:43,360
that's not only different,
but, crucially, better
than different.
645
00:24:43,399 --> 00:24:45,320
And, crucially,
better than different.
Yes, right.
646
00:24:45,360 --> 00:24:48,120
For David, this
a moment to draw on
his experience
647
00:24:48,159 --> 00:24:49,439
as a development executive,
648
00:24:49,480 --> 00:24:51,600
whilst at the same time
thinking with his feet.
649
00:24:51,639 --> 00:24:54,200
Imagine Britain's Got Talent
meets Family Fortunes.
650
00:24:54,240 --> 00:24:55,639
Right.
With a bit of
The One Show thrown in
651
00:24:55,679 --> 00:24:57,720
just in case, obviously.
Britain's Top Family?
652
00:24:57,760 --> 00:24:59,240
But that's just
the working title.
653
00:24:59,280 --> 00:25:02,080
I was thinking maybe
something like
Family Face-Off.
654
00:25:02,120 --> 00:25:04,480
Or maybe just Family,
because one word's good.
655
00:25:04,520 --> 00:25:05,760
Yes.
And it's, like,
656
00:25:05,800 --> 00:25:07,320
do you know what?
This is about all of us.
657
00:25:07,360 --> 00:25:08,760
It's just got everything,
it's very...
658
00:25:08,800 --> 00:25:10,280
Yes, so how would it work?
659
00:25:10,320 --> 00:25:12,320
Well, each week, you've got,
like, two different families,
660
00:25:12,360 --> 00:25:15,159
so, you know, like,
one, like, really posh one,
661
00:25:15,199 --> 00:25:17,960
one, like, total car crash,
and they compete
against each other.
662
00:25:18,000 --> 00:25:19,439
They compete how?
Sorry, Anna?
663
00:25:19,480 --> 00:25:21,879
They compete how?
664
00:25:21,919 --> 00:25:25,639
Yes. Because it's like we've
all got something we can do.
665
00:25:25,679 --> 00:25:29,000
So, one week Granddad plays,
like, tunes on his head
with a spoon.
666
00:25:29,040 --> 00:25:32,240
Okay.
And the kids are doing, like,
handstands while doing
667
00:25:32,280 --> 00:25:33,960
impressions of, like, different...
668
00:25:34,000 --> 00:25:35,960
The fact is the future of the
BBC is not old people
playing spoons
669
00:25:36,000 --> 00:25:37,199
on their head with tunes.
670
00:25:37,240 --> 00:25:39,480
No.
The fact is that's
what ITV is for.
671
00:25:39,520 --> 00:25:41,040
Sorry, Anna, excuse me.
Jack?
672
00:25:41,080 --> 00:25:42,760
Afraid they didn't have any
white tea in the end,
but I...
673
00:25:42,800 --> 00:25:44,520
Okay, no.
I did manage to get hold
of some oolong.
674
00:25:44,560 --> 00:25:46,199
No, that's not going to work.
Right, sure.
675
00:25:46,240 --> 00:25:47,639
Can I get you anything else?
I'll have water.
676
00:25:47,679 --> 00:25:48,720
Sure.
Not from the...
677
00:25:48,760 --> 00:25:50,080
No, sure.
Oh, yes...
678
00:25:50,120 --> 00:25:51,240
Nothing for me, thanks,
Jack, I'm fine.
679
00:25:51,280 --> 00:25:53,320
Another e-mail from
Carrie at BBC America.
680
00:25:53,360 --> 00:25:54,720
Yes?
They really need to know now
681
00:25:54,760 --> 00:25:56,199
if you can do that week
of the 27th in LA?
682
00:25:56,240 --> 00:25:57,679
Right.
I've been stalling,
683
00:25:57,720 --> 00:25:59,520
cos I know that's the week
of the Prince Charles thing.
684
00:25:59,560 --> 00:26:01,919
The, yes.
I wasn't sure if you were
going to be involved in that.
685
00:26:03,600 --> 00:26:04,760
I can't do LA. Okay.
686
00:26:04,800 --> 00:26:05,960
They can move it.
No, sure.
687
00:26:06,000 --> 00:26:07,199
Okay, cool. Yes.
688
00:26:10,280 --> 00:26:11,560
Wow.
Yes?
689
00:26:11,600 --> 00:26:13,199
You're meeting Prince Charles
when he comes, Anna?
690
00:26:13,240 --> 00:26:15,919
The fact is we've met before.
Lucky you.
691
00:26:15,960 --> 00:26:17,480
Talk about
Britain's Top Family.
Hmm, yes.
692
00:26:17,520 --> 00:26:19,639
Get him involved, then you
really have got a show.
693
00:26:23,159 --> 00:26:25,199
I mean, when you first
came here, to the BBC, I mean,
694
00:26:25,240 --> 00:26:26,760
what did they
actually tell you?
695
00:26:26,800 --> 00:26:29,120
Yeah, they just said, like,
"Wait in reception."
696
00:26:29,159 --> 00:26:31,679
Right. But did they say
anything about
how long it was for?
697
00:26:31,720 --> 00:26:33,159
Yeah, it was like
most of the morning.
698
00:26:33,199 --> 00:26:34,439
Then Izzy came down.
699
00:26:34,480 --> 00:26:36,199
Right...
Yeah, I know.
700
00:26:36,240 --> 00:26:38,639
Meanwhile,
Ian has invited Will
into Frankie Howerd
701
00:26:38,679 --> 00:26:40,240
to talk about
things generally.
702
00:26:40,280 --> 00:26:41,800
I don't really know
how to say this,
703
00:26:41,840 --> 00:26:44,080
but internships are normally
for a limited amount of time.
704
00:26:44,120 --> 00:26:45,800
Yeah.
They don't normally
last forever.
705
00:26:49,639 --> 00:26:51,199
Yeah.
So, we need to
talk about that.
706
00:26:51,240 --> 00:26:53,840
Yeah, no worries. It's not my
pass that's expired, it's me.
707
00:26:53,879 --> 00:26:55,600
Well, no, that's not quite...
Yeah, no, that's cool.
708
00:26:55,639 --> 00:26:57,520
It's like with school.
Well, yes...
709
00:26:57,560 --> 00:26:59,679
It's sometimes you've
just got to leave right
in the middle of the morning.
710
00:26:59,720 --> 00:27:01,280
Yes, I mean, really?
711
00:27:01,320 --> 00:27:03,600
Yeah, my sister just turned
up in my mother's car. Right.
712
00:27:03,639 --> 00:27:06,800
But, as well as
things generally, Ian also
knows that at some point
713
00:27:06,840 --> 00:27:09,000
someone is going to
have to talk to Will
714
00:27:09,040 --> 00:27:13,120
about things specifically
and that, for better, or,
more accurately, for worse,
715
00:27:13,159 --> 00:27:15,639
he is that person
and this is that moment.
716
00:27:15,679 --> 00:27:20,720
Anyway, as I say,
I think things have probably
come to the point where we...
717
00:27:20,760 --> 00:27:22,120
I mean, I don't know
if you've had any thoughts
718
00:27:22,159 --> 00:27:24,080
about the sort of thing you
might want to do next?
719
00:27:24,120 --> 00:27:25,480
Yeah, I have, yeah.
Because I mean...
720
00:27:25,520 --> 00:27:26,879
You have?
Yeah.
721
00:27:26,919 --> 00:27:28,399
Oh, well, that's really...
That's great, Will.
722
00:27:28,439 --> 00:27:30,000
Yeah, I know, yeah.
It's pretty cool.
723
00:27:30,040 --> 00:27:31,679
So, what sort of thing are
you thinking of going for?
724
00:27:31,720 --> 00:27:33,199
Cos I was going to
ask you about it.
725
00:27:33,240 --> 00:27:35,120
Well, of course. Obviously,
I'd love to help, if I can.
726
00:27:35,159 --> 00:27:36,679
Yeah, cool, yeah.
727
00:27:36,720 --> 00:27:39,000
Cos, you know, like,
Izzy is, like, a PA to
Simon Harwood?
728
00:27:39,040 --> 00:27:41,439
Yes, right.
Like, she feeds his fish
for him and stuff.
729
00:27:41,480 --> 00:27:42,840
Yes, I mean... She what?
730
00:27:42,879 --> 00:27:44,800
Yeah, so, like,
I was thinking...
His fish?
731
00:27:44,840 --> 00:27:47,600
So, I was thinking, like, I do
your coffee and, like,
your bike and stuff.
732
00:27:47,639 --> 00:27:49,840
Right...
So...
733
00:27:49,879 --> 00:27:52,120
I mean, could I,
like, be PA to you?
734
00:27:52,159 --> 00:27:54,840
PA to me?
Yeah, I mean, like,
a real one. Like, a real job.
735
00:27:54,879 --> 00:27:56,720
Like, I could do
other stuff, too.
736
00:27:56,760 --> 00:28:00,080
Cos that would be, like...
That would be so cool.
737
00:28:00,120 --> 00:28:02,080
Right, okay...
Yeah, okay, no.
738
00:28:02,120 --> 00:28:03,560
Well, no, Will...
Yeah, no worries.
739
00:28:03,600 --> 00:28:04,960
Yeah, you know, yeah, crap.
No, it's just, as I say,
740
00:28:05,000 --> 00:28:06,520
I'd like to help...
Yeah, me too.
741
00:28:06,560 --> 00:28:08,520
But it's just, I mean,
for that to happen...
742
00:28:08,560 --> 00:28:10,080
Okay, for a start,
743
00:28:10,120 --> 00:28:13,080
I'd have to work out a formal
job description of some kind.
744
00:28:13,120 --> 00:28:14,520
Yeah, cool, yeah.
No, but.
745
00:28:14,560 --> 00:28:16,800
No, but you'd have to
apply for it, formally.
746
00:28:16,840 --> 00:28:19,639
Okay.
I'd probably have to
give you a reference... Cool.
747
00:28:19,679 --> 00:28:21,879
Which would be,
well, I'd have to think
about how to do that.
748
00:28:21,919 --> 00:28:23,280
Yeah.
This whole thing
749
00:28:23,320 --> 00:28:25,760
would have to go through
the BBC HR department...
750
00:28:25,800 --> 00:28:28,639
Whoa!
And ultimately, you'd need to
be able to put together
751
00:28:28,679 --> 00:28:31,360
a really top-quality,
impressive CV.
752
00:28:35,879 --> 00:28:37,240
Okay.
What?
753
00:28:37,280 --> 00:28:38,760
Let's go for it.
Well, no...
754
00:28:38,800 --> 00:28:40,560
It's, like, sometimes you
have to believe in yourself,
755
00:28:40,600 --> 00:28:42,000
because no one
else does, either.
756
00:28:42,040 --> 00:28:43,879
The, what?
Yeah, cool,
yeah, let's do it.
757
00:28:44,600 --> 00:28:46,679
Right, okay. Good.
758
00:28:46,720 --> 00:28:50,360
Just to say, guys,
the royal convoy has left
Clarence House.
759
00:28:50,399 --> 00:28:52,080
Great to have you around. Yeah.
760
00:28:52,120 --> 00:28:53,600
And, you know,
good luck with,
Yeah, no.
761
00:28:53,639 --> 00:28:55,600
Good luck.
We've got
a suspicious object
762
00:28:55,639 --> 00:28:57,320
in the plaza.
What?
763
00:28:57,360 --> 00:28:59,280
The world is
full of rucksacks with
Sue Barker's face on them.
764
00:28:59,320 --> 00:29:01,679
No, it isn't!
That's a ridiculous
thing to say.
765
00:29:01,720 --> 00:29:03,480
We know who that is.
Gonna have to...
766
00:29:07,199 --> 00:29:08,959
I think he's
actually arrived.
767
00:29:09,000 --> 00:29:10,280
But where actually are you?
768
00:29:10,320 --> 00:29:11,600
I really do need to get out.
769
00:29:11,639 --> 00:29:13,199
Okay, I know what I did there.
770
00:29:13,240 --> 00:29:15,240
Where does this go?
What the hell's
going on in there?
771
00:29:15,280 --> 00:29:16,800
The others
are just grouping up.
772
00:29:16,840 --> 00:29:18,879
Grouping up? What are
they, the bloody red arrows?
773
00:29:18,919 --> 00:29:21,480
The fact is, Prince Charles
is here to be met, and
somebody's got to meet him.
774
00:29:21,520 --> 00:29:23,720
Sorry, how do we get back
to New Broadcasting House?
775
00:29:23,760 --> 00:29:26,679
He's here. Okay?
He's outside now.
He's arrived.
776
00:29:27,560 --> 00:29:28,959
Oh, God.
63063
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