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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,520 --> 00:00:14,639 Standby, two. Mix through. Cue on two. 2 00:00:14,680 --> 00:00:16,560 The BBC has announced the appointment 3 00:00:16,599 --> 00:00:19,080 of ex-head of Olympic Deliverance, Ian Fletcher, 4 00:00:19,119 --> 00:00:21,040 as its new Head of Values. 5 00:00:26,799 --> 00:00:28,680 Time now for the Shipping Forecast. 6 00:00:31,000 --> 00:00:32,199 Superimpose. 7 00:00:41,600 --> 00:00:44,720 I mean, obviously, a royal visit at any time would be a big thing for us, 8 00:00:44,760 --> 00:00:46,360 but coming now... It's Monday 9 00:00:46,400 --> 00:00:48,879 at the BBC's Central London Headquarters, 10 00:00:48,919 --> 00:00:51,320 New Broadcasting House in Central London, 11 00:00:51,360 --> 00:00:53,239 and Head of Values, Ian Fletcher, 12 00:00:53,280 --> 00:00:54,599 is chairing an important meeting 13 00:00:54,640 --> 00:00:56,480 of the Way Ahead taskforce. 14 00:00:56,519 --> 00:00:59,720 Anyway, the point is the relationship between the BBC and the royal family 15 00:00:59,760 --> 00:01:02,959 is a very delicate and important issue in all kinds of ways. 16 00:01:03,000 --> 00:01:05,640 But in the context of charter renewal in 2016, 17 00:01:05,679 --> 00:01:07,200 and, let's face it, 18 00:01:07,240 --> 00:01:09,880 this is a royal charter we're talking about renewing here... 19 00:01:09,920 --> 00:01:12,560 Yay. Suddenly an occasion like this starts to look like 20 00:01:12,600 --> 00:01:15,119 a really significant opportunity for us to, you know, to... 21 00:01:15,160 --> 00:01:18,039 Yeah, basically, it's a huge opportunity to not fuck it up. 22 00:01:18,080 --> 00:01:19,840 Well, I mean... Yes. Yes. Cool! 23 00:01:19,880 --> 00:01:21,880 Yes, no, brilliant. Brilliant. 24 00:01:21,920 --> 00:01:24,280 In his role as patron and future heir to the environment, 25 00:01:24,320 --> 00:01:27,000 Prince Charles is due to visit New Broadcasting House 26 00:01:27,039 --> 00:01:29,080 to present an award for the BBC as 27 00:01:29,119 --> 00:01:31,360 the world's first zero-energy broadcaster. 28 00:01:31,399 --> 00:01:33,920 Can I just say, Ian, that we have been in regular contact 29 00:01:33,960 --> 00:01:35,679 with the comms people at Clarence House? 30 00:01:35,720 --> 00:01:37,960 Right, well, this is good, cos it's important 31 00:01:38,000 --> 00:01:40,560 to get the fine detail of this thing right, right from the start. 32 00:01:40,600 --> 00:01:43,000 Apparently, the key thing is, whatever you do, 33 00:01:43,039 --> 00:01:44,600 you absolutely must not touch him. 34 00:01:44,640 --> 00:01:45,800 No, sure. Yes. 35 00:01:45,839 --> 00:01:47,559 Unless he touches you first. 36 00:01:47,600 --> 00:01:49,119 The fact is that's true. No, sure, I'm totally good with that. 37 00:01:49,160 --> 00:01:50,399 Right, good. 38 00:01:50,440 --> 00:01:53,039 Also, we have to lock down a special toilet 39 00:01:53,080 --> 00:01:55,399 for three days in advance before he actually arrives. 40 00:01:55,440 --> 00:01:56,839 Right. Christ. 41 00:01:56,880 --> 00:01:58,559 I was thinking more, I mean, that's very fine detail. 42 00:01:58,600 --> 00:02:00,000 Yes, it is, exactly, Ian. 43 00:02:00,039 --> 00:02:02,160 Also, something else that came up, 44 00:02:02,199 --> 00:02:03,559 he doesn't do sweetcorn at all. 45 00:02:03,600 --> 00:02:04,600 Right. No. 46 00:02:04,640 --> 00:02:05,800 Cool. Brilliant. 47 00:02:09,720 --> 00:02:11,200 Meanwhile, downstairs, 48 00:02:11,239 --> 00:02:14,160 intern Will Humphries is arriving as usual, 49 00:02:14,200 --> 00:02:16,920 keen to get into the building and begin some sort of day. 50 00:02:24,760 --> 00:02:26,120 Er, yeah, hi. Hi, can I help? 51 00:02:26,160 --> 00:02:27,680 Yeah, it's, like, my pass doesn't work? 52 00:02:27,720 --> 00:02:29,640 Okay. Yeah, I don't know, it's, like, it's not working. 53 00:02:29,680 --> 00:02:31,239 Okay, let me try. 54 00:02:33,400 --> 00:02:36,600 Okay. Yeah, cos I've got, like, a coffee for Ian Fletcher? 55 00:02:36,640 --> 00:02:37,920 Okay, you will have to sign in. 56 00:02:37,959 --> 00:02:39,400 No, but I work here? You work here. 57 00:02:39,440 --> 00:02:40,519 I'm kind of like an intern. 58 00:02:40,560 --> 00:02:42,160 Okay, but, I mean, your pass doesn't work, 59 00:02:42,200 --> 00:02:43,560 so you will have to sign in. 60 00:02:55,200 --> 00:02:56,239 Hi, Will. 61 00:02:56,280 --> 00:02:57,959 Oh, yeah, hi, Izzy. Yeah, hi. 62 00:02:58,000 --> 00:02:59,400 How are you? Yeah, I'm good. 63 00:02:59,440 --> 00:03:00,760 Yeah, I'm good. I'm good. 64 00:03:00,799 --> 00:03:02,920 Good. Yeah, so, like, I'm in reception, 65 00:03:02,959 --> 00:03:04,560 but, like, my pass isn't working? 66 00:03:04,600 --> 00:03:06,359 Oh, okay. Like, I'm supposed to sign in, 67 00:03:06,400 --> 00:03:07,720 but it's like I have to be visiting someone? 68 00:03:07,760 --> 00:03:09,160 Right, yes. 69 00:03:09,200 --> 00:03:11,399 Yeah, so, like, would it be okay if I visited you? 70 00:03:11,440 --> 00:03:13,160 Yeah, sure, okay. Okay, cool. 71 00:03:13,200 --> 00:03:15,160 Cos I've got, like, a coffee for Ian Fletcher? 72 00:03:15,200 --> 00:03:16,640 I think I have to come down and get you, though. 73 00:03:16,679 --> 00:03:18,320 What? Yeah, I know, yeah, crap. 74 00:03:18,359 --> 00:03:20,399 Okay, stay there and I'll come down in a minute. 75 00:03:20,440 --> 00:03:22,040 Okay, cool, yeah, I'll stay here. 76 00:03:22,079 --> 00:03:24,160 Okay. Okay, cool. 77 00:03:28,040 --> 00:03:30,880 I mean, I am quite busy at the moment, David. Oh, I know... 78 00:03:30,920 --> 00:03:33,000 I have got quite a lot on. I know, tell me about it. 79 00:03:33,040 --> 00:03:36,320 Meanwhile, after a more than usually complicated start to the day 80 00:03:36,359 --> 00:03:37,679 with her daughter at home, 81 00:03:37,720 --> 00:03:40,040 senior producer Lucy Freeman has arrived, 82 00:03:40,079 --> 00:03:42,840 with just enough time to snatch a quick breakfast on her own, 83 00:03:42,880 --> 00:03:46,160 but, nevertheless, entertainment format executive David Wilkes 84 00:03:46,200 --> 00:03:49,239 is keen to ask her advice about an idea he's been asked to have. 85 00:03:49,280 --> 00:03:50,600 I mean, what was the remit she gave you? 86 00:03:50,640 --> 00:03:52,000 The remit? Yeah. 87 00:03:52,040 --> 00:03:53,920 No, sorry, you've lost me already there, Lucy. 88 00:03:53,959 --> 00:03:56,399 Following a mixed reception for Britain's Top Village, 89 00:03:56,440 --> 00:03:58,720 with Gary Lineker and Holly Willoughby last year, 90 00:03:58,760 --> 00:04:01,560 he's been invited to come up with something even better than that 91 00:04:01,600 --> 00:04:03,480 by Head of Output Anna Rampton. 92 00:04:03,519 --> 00:04:05,679 I don't know what it is! Whether she's like done something to her hair... 93 00:04:05,720 --> 00:04:07,280 Do you know what I mean? Mmm. 94 00:04:07,320 --> 00:04:08,200 I can't quite put my finger on it. So, what ideas 95 00:04:08,239 --> 00:04:09,359 have you got so far? 96 00:04:09,399 --> 00:04:11,000 Okay, so the direction I'm going in, 97 00:04:11,040 --> 00:04:12,679 like the way my mind is working, 98 00:04:12,720 --> 00:04:15,200 I was thinking maybe something like Uptown Downtown. 99 00:04:15,239 --> 00:04:16,599 What? 100 00:04:16,640 --> 00:04:18,039 I'm still working on the title, obviously. Yes. 101 00:04:18,079 --> 00:04:21,200 So, basically, celebrities have like a town, okay? 102 00:04:21,240 --> 00:04:23,479 So, maybe Myleene Klass was born in... 103 00:04:23,520 --> 00:04:24,880 Well, I don't know, she must come from somewhere. 104 00:04:24,920 --> 00:04:26,719 Yes. And they compete against each other. 105 00:04:26,760 --> 00:04:28,680 You have, like, judges, like Kirstie Allsopp, 106 00:04:28,719 --> 00:04:30,680 to convince you that theirs is the best town in Britain. 107 00:04:30,719 --> 00:04:32,440 Right, okay. 108 00:04:32,479 --> 00:04:35,240 So, almost exactly like Britain's Top Village then. 109 00:04:35,280 --> 00:04:36,640 Okay, so, with Town it's, like, 110 00:04:36,680 --> 00:04:38,520 what you've done is you've taken Village, okay? 111 00:04:38,560 --> 00:04:40,280 And what you've done is you've gone up a gear straightaway. 112 00:04:40,320 --> 00:04:42,919 Right. Any others? 113 00:04:42,960 --> 00:04:44,080 Oh, what? Any other ideas? 114 00:04:44,120 --> 00:04:46,479 Just in case that one doesn't fly, yes. 115 00:04:46,520 --> 00:04:47,840 Look at you, you're so healthy, Lucy. 116 00:04:47,880 --> 00:04:49,360 Do you know what? Excuse me. 117 00:04:49,400 --> 00:04:51,560 I'm putting this back. 118 00:04:51,599 --> 00:04:53,560 I'm going for fruit salad instead. 119 00:04:53,599 --> 00:04:54,719 Do you know what? I'm going to have both. 120 00:04:54,760 --> 00:04:56,880 Sorry, think I'll have both. 121 00:04:56,919 --> 00:04:58,039 Honestly, what am I like? 122 00:04:58,080 --> 00:04:59,560 And then finally the other thing 123 00:04:59,599 --> 00:05:01,360 I just wanted to touch on this morning 124 00:05:01,400 --> 00:05:03,360 is this issue around Wimbledon that's come up. 125 00:05:03,400 --> 00:05:04,640 Ah, okay. Yeah, bollocks. 126 00:05:04,680 --> 00:05:06,159 Brilliant. 127 00:05:06,200 --> 00:05:07,880 Meanwhile, back up in Frankie Howerd, 128 00:05:07,919 --> 00:05:11,240 Ian is literally setting the agenda in the Way Ahead Meeting. 129 00:05:11,280 --> 00:05:14,479 Can I just say I was actually going to raise this in Damage Limitation, Ian. 130 00:05:14,520 --> 00:05:16,360 Right. It doesn't matter what meeting it is, 131 00:05:16,400 --> 00:05:18,320 it's the BBC, it's damage limitation, okay? 132 00:05:18,360 --> 00:05:20,400 Well, I mean... Just saves time. 133 00:05:20,440 --> 00:05:22,440 In the past few weeks, there have been rumours that the BBC 134 00:05:22,479 --> 00:05:26,000 could be in danger of losing its exclusive contract to broadcast 135 00:05:26,039 --> 00:05:29,159 the Wimbledon Tennis Championships to a rival broadcaster, 136 00:05:29,200 --> 00:05:30,640 in this case, S... 137 00:05:30,680 --> 00:05:32,400 The fact is I've made my views clear on this. 138 00:05:32,440 --> 00:05:33,680 Cannot happen, okay? 139 00:05:33,719 --> 00:05:35,760 Well, exactly. Absolutely cannot happen. 140 00:05:35,800 --> 00:05:38,120 I mean, for Christ's sake. I'm sorry, but here we go, we're panicking already. 141 00:05:38,159 --> 00:05:39,760 This is just a bit of... I mean, 142 00:05:39,800 --> 00:05:41,760 I don't know where this story came from for a start. 143 00:05:41,800 --> 00:05:43,039 Well, I can't speak for anyone else, Neil, 144 00:05:43,080 --> 00:05:44,400 but I got it from BBC News. 145 00:05:44,440 --> 00:05:46,359 Yeah, okay. Yes, me too, Neil, yes. 146 00:05:46,400 --> 00:05:48,280 Yes. Right. Fuck. 147 00:05:48,320 --> 00:05:50,680 The BBC has broadcast Wimbledon in one form or another 148 00:05:50,719 --> 00:05:53,320 unremittingly for over 90 years. 149 00:05:53,359 --> 00:05:54,599 If it was to lose it now, 150 00:05:54,640 --> 00:05:58,200 it would be a major blow to its very BBCness. 151 00:05:58,240 --> 00:06:01,520 Worse still, the ensuing debate has thrown up suggestions 152 00:06:01,560 --> 00:06:03,960 in some quarters that its coverage of the Championships 153 00:06:04,000 --> 00:06:06,599 is, in certain respects, too white. 154 00:06:06,640 --> 00:06:08,560 Guys, I don't want to be dramatic about this, 155 00:06:08,599 --> 00:06:10,240 and, I mean, we all love Sue Barker, 156 00:06:10,280 --> 00:06:12,960 but I got to say we are looking at a situation here 157 00:06:13,000 --> 00:06:14,800 and not in a good way. Brilliant. 158 00:06:14,840 --> 00:06:16,560 I mean, brilliant. Too white? 159 00:06:16,599 --> 00:06:19,479 Bummer. I don't think it's about Sue Barker specifically. 160 00:06:19,520 --> 00:06:21,520 Apart from anything else, it's factually inaccurate. 161 00:06:21,560 --> 00:06:24,440 Right, well... The fact is Sue Barker was originally blonde. 162 00:06:24,479 --> 00:06:25,919 Right, yes... 163 00:06:26,640 --> 00:06:27,799 As I say, I don't... 164 00:06:28,719 --> 00:06:30,159 Yes, Will, come in. 165 00:06:30,200 --> 00:06:32,000 No, come in, come in. Come in! 166 00:06:33,479 --> 00:06:35,520 Thanks, Will, that's great. Yeah, hi, sorry. 167 00:06:35,560 --> 00:06:38,359 No, that's great, thanks. Er, we missed each other earlier. 168 00:06:38,400 --> 00:06:39,919 Yeah, I know, it's like my pass isn't working? 169 00:06:39,960 --> 00:06:42,359 Oh, bad luck. Yeah, crap. 170 00:06:42,400 --> 00:06:45,159 Right, well... Yeah, so, like, Izzy came down to get me. 171 00:06:45,200 --> 00:06:46,599 Oh, right, did she? Yeah. 172 00:06:47,560 --> 00:06:50,120 Oh, well, that's nice. Yeah. 173 00:06:50,159 --> 00:06:51,280 Okay. Well, thanks, anyway, Will. 174 00:06:51,320 --> 00:06:52,599 Yeah, no worries, yeah, cool. 175 00:06:53,799 --> 00:06:55,560 Right. Good. 176 00:06:55,599 --> 00:06:57,039 Yes, no, I mean, I think we're in danger 177 00:06:57,080 --> 00:07:00,440 of being drawn into detail too early again here. 178 00:07:00,479 --> 00:07:03,359 I mean, Wimbledon is obviously a cornerstone of the... 179 00:07:03,400 --> 00:07:05,320 Okay, okay, okay, erm, 180 00:07:05,359 --> 00:07:07,000 here's the thing with this, erm, it's a no-brainer. 181 00:07:07,039 --> 00:07:10,520 What it is is, okay, so, now we've got two things, okay? 182 00:07:10,560 --> 00:07:12,880 We've got like Wimbledon, which is like tennis, okay? 183 00:07:12,919 --> 00:07:14,280 And we've got BBC, which is like, 184 00:07:14,320 --> 00:07:16,159 erm, I don't know... 185 00:07:16,200 --> 00:07:17,760 Sue Parker, okay? Sue Barker. 186 00:07:17,799 --> 00:07:21,280 Sure, and what you want is, erm, you want one thing... 187 00:07:21,320 --> 00:07:22,760 One thing? Sure. 188 00:07:22,799 --> 00:07:25,039 So, what you're looking at here is a brand mashup. 189 00:07:25,080 --> 00:07:26,599 Right... Oh, right. Here we go. 190 00:07:26,640 --> 00:07:28,080 A "brand mashup"? 191 00:07:28,120 --> 00:07:29,799 Sure. You want to say more about how that could work? 192 00:07:29,840 --> 00:07:31,000 Well, erm... No, sure. 193 00:07:31,039 --> 00:07:32,280 Really? Er, so it's, like, 194 00:07:32,320 --> 00:07:34,719 I don't know, it's like okay, okay, okay... 195 00:07:34,760 --> 00:07:38,919 Okay. So, it's like I say, erm, like the word "Peanut", okay? 196 00:07:38,960 --> 00:07:40,479 What are you thinking? Peanut? 197 00:07:40,520 --> 00:07:41,680 No, I said that. 198 00:07:41,719 --> 00:07:43,039 That's the word I just said. Yes, no, I... 199 00:07:43,080 --> 00:07:44,680 What are you thinking? Erm... 200 00:07:44,719 --> 00:07:47,280 Okay, I'll say it again, okay? But don't think, just say stuff. 201 00:07:48,359 --> 00:07:49,560 Peanut. 202 00:07:59,120 --> 00:08:00,599 Monkey. Yes, very good. 203 00:08:00,640 --> 00:08:02,039 Butter. "Butter"? 204 00:08:02,080 --> 00:08:03,760 Peanut butter, okay? Brilliant. 205 00:08:03,799 --> 00:08:05,320 Duh. Well, I'm sorry, Siobhan, 206 00:08:05,359 --> 00:08:06,760 but I think of monkey. 207 00:08:06,799 --> 00:08:09,200 Okay, there's no such thing as peanut monkey, okay? 208 00:08:09,239 --> 00:08:10,280 What? I mean, that's like, 209 00:08:10,320 --> 00:08:11,799 I don't even know where to start. 210 00:08:11,840 --> 00:08:14,599 So, like peanut and butter, two things. 211 00:08:14,640 --> 00:08:15,760 Peanut butter, one thing. 212 00:08:15,799 --> 00:08:17,000 Yes... Yes, no, very strong. 213 00:08:17,039 --> 00:08:19,239 BBC and Wimbledon, two things. 214 00:08:19,280 --> 00:08:20,880 BB-Swimbledon, one thing. 215 00:08:20,919 --> 00:08:22,320 Yes, no, I think we've got that. 216 00:08:22,359 --> 00:08:23,919 No, sure, it's, like, what's not to get? 217 00:08:23,960 --> 00:08:25,919 And this is an area where you could have some ideas? 218 00:08:25,960 --> 00:08:27,599 Well, hang on... Where we could have ideas? 219 00:08:27,640 --> 00:08:29,599 Yes. Like there are areas we don't? 220 00:08:29,640 --> 00:08:31,479 Right... Okay, good. 221 00:08:31,520 --> 00:08:33,199 Shall we just have a think about exactly how we want to play this? 222 00:08:33,240 --> 00:08:34,840 The fact is this is important. 223 00:08:34,880 --> 00:08:36,159 Yes. I've already made that clear. 224 00:08:36,199 --> 00:08:37,840 Yes, no, brilliant. But, Siobhan, 225 00:08:37,880 --> 00:08:40,000 I don't want to spoil this party we're all having now, 226 00:08:40,039 --> 00:08:42,439 but you can actually have other kinds of butter. 227 00:08:42,480 --> 00:08:44,000 Excuse me? I don't believe this. 228 00:08:44,039 --> 00:08:46,240 You can have, like, brandy butter or just ordinary butter. 229 00:08:46,280 --> 00:08:47,560 It doesn't have to be peanut. 230 00:08:47,600 --> 00:08:49,800 There's no such thing as monkey butter, okay? 231 00:08:49,840 --> 00:08:51,000 What? Brilliant. 232 00:08:51,040 --> 00:08:52,079 Get over it. Brilliant. 233 00:08:52,120 --> 00:08:53,560 Very strong. 234 00:08:55,360 --> 00:08:58,079 Cos, sometimes, I mean, it's her hair, obviously, 235 00:08:58,120 --> 00:08:59,880 but sometimes, she has it done really straight, 236 00:08:59,920 --> 00:09:02,079 and, to be honest, I just don't think it does her any favours. 237 00:09:02,120 --> 00:09:03,640 Mmm... Do you know what I mean, though? 238 00:09:03,680 --> 00:09:05,640 Meanwhile, down in the Syncopaticafe, 239 00:09:05,680 --> 00:09:07,880 it's becoming increasingly clear to Lucy 240 00:09:07,920 --> 00:09:09,640 that she's having breakfast with David. 241 00:09:09,680 --> 00:09:11,760 So, why the sudden urgency from Anna, all of a sudden, anyway? 242 00:09:11,800 --> 00:09:13,160 Mmm, I know. 243 00:09:13,199 --> 00:09:14,360 Do you know what, Lucy? 244 00:09:14,400 --> 00:09:16,240 I think it's to do with this new job. 245 00:09:16,280 --> 00:09:17,680 What new job? Oh, okay. 246 00:09:17,720 --> 00:09:20,640 Well, apparently, no one's supposed to know anything yet, 247 00:09:20,680 --> 00:09:23,480 but they created this new like Director of Better or... 248 00:09:23,520 --> 00:09:25,079 "Director of Better"? Apparently, yeah. 249 00:09:25,120 --> 00:09:26,600 Better what? I mean, basically, 250 00:09:26,640 --> 00:09:27,959 I think what it is is... 251 00:09:28,000 --> 00:09:29,560 Yeah, you know what? I don't care. No? Okay. 252 00:09:29,600 --> 00:09:32,400 Anyway, all it is is she needs something really good 253 00:09:32,439 --> 00:09:34,280 to have up her sleeve if she applies. 254 00:09:34,319 --> 00:09:36,680 Right. So, all you need to do now is think of something really good? 255 00:09:36,720 --> 00:09:38,319 Oh, I know, tell me about it. 256 00:09:38,360 --> 00:09:39,720 I mean, this is so not my area, David... 257 00:09:39,760 --> 00:09:41,800 No, I know. But if you want my honest opinion... 258 00:09:41,839 --> 00:09:43,240 Yes, please, Lucy, I do. 259 00:09:43,280 --> 00:09:44,959 I'd be tempted to go in a different direction, I think. 260 00:09:45,000 --> 00:09:46,360 All right. If I was you. 261 00:09:46,400 --> 00:09:49,160 Maybe surprise her with something original. 262 00:09:49,199 --> 00:09:50,880 Okay. 263 00:09:50,920 --> 00:09:52,680 That's interesting. 264 00:09:52,720 --> 00:09:54,959 That's brilliant, Lucy. That's really great. Thank you. 265 00:10:01,920 --> 00:10:03,280 So, when you say "different direction", Lucy... 266 00:10:03,319 --> 00:10:04,680 As I say, I'm really not... 267 00:10:04,720 --> 00:10:06,240 No, no, just an example of what you mean, I mean. 268 00:10:06,280 --> 00:10:07,920 I mean, I don't know, if all the celebrities in the world 269 00:10:07,959 --> 00:10:10,280 swapped pets with each other for a week or... Oh, my God! 270 00:10:10,319 --> 00:10:11,720 I mean, not that, obviously... 271 00:10:11,760 --> 00:10:13,480 Kylie has a Rhodesian ridgeback. 272 00:10:13,520 --> 00:10:15,000 Yes, well, that's... And then it's, like, 273 00:10:15,040 --> 00:10:16,280 "Will they miss their old pets? 274 00:10:16,319 --> 00:10:17,800 "Or will they fall in love with the new one?" 275 00:10:17,839 --> 00:10:19,720 No, David... Do you think a week would be enough? 276 00:10:35,319 --> 00:10:39,439 Okay, so, how it works is you guys go either end 277 00:10:39,480 --> 00:10:42,360 and I'm like umpire or judge or whatever. 278 00:10:42,400 --> 00:10:43,920 Cool. Groovy. 279 00:10:43,959 --> 00:10:46,199 Over at Perfect Curve, it's a different day 280 00:10:46,240 --> 00:10:48,280 and Siobhan is preparing her creative team 281 00:10:48,319 --> 00:10:49,839 to play mashup tennis. 282 00:10:49,880 --> 00:10:52,640 So, then you guys have, like, ideas, 283 00:10:52,680 --> 00:10:54,240 okay, so, like, you have an idea, okay? 284 00:10:54,280 --> 00:10:56,040 Yeah, so, like... So, no shut up, still me. 285 00:10:56,079 --> 00:10:58,280 Yeah. So, like, you hit the idea ball... 286 00:10:58,319 --> 00:11:01,760 Cool. And if your idea isn't better than your idea, 287 00:11:01,800 --> 00:11:03,439 then you lose the point, okay? Okay. 288 00:11:03,480 --> 00:11:05,000 Okay, cool. Yeah. 289 00:11:05,040 --> 00:11:06,719 With other broadcasters, such as S... 290 00:11:06,760 --> 00:11:10,000 Making moves to poach the iconic event from the BBC, 291 00:11:10,040 --> 00:11:12,880 leaving it with no live sports that people understand, 292 00:11:12,920 --> 00:11:14,520 their mission to both mashup 293 00:11:14,560 --> 00:11:16,560 and pimp the BBC Wimbledon brand 294 00:11:16,600 --> 00:11:18,400 at the same time, which isn't easy. 295 00:11:18,439 --> 00:11:19,959 So, it's, like, serious shit. 296 00:11:20,000 --> 00:11:21,280 But that doesn't mean they can't have fun. 297 00:11:21,319 --> 00:11:22,360 It doesn't mean we can't have fun here, right? 298 00:11:22,400 --> 00:11:24,319 Okay, you serve. Sure, whatever. 299 00:11:24,360 --> 00:11:25,439 Go! Okay. 300 00:11:25,480 --> 00:11:26,600 No, hang on, what's going on? 301 00:11:26,640 --> 00:11:28,160 Okay, no, that's too slow, you're out. 302 00:11:28,199 --> 00:11:30,160 No, but it's like it's singles, otherwise it doesn't work. 303 00:11:30,199 --> 00:11:31,800 Yeah, singles, yeah, whatever. Go. Okay? 304 00:11:31,839 --> 00:11:33,360 So, I could be, like, down the other end? 305 00:11:34,520 --> 00:11:35,560 No. Yeah. 306 00:11:35,600 --> 00:11:36,719 Well, how's that going to help? 307 00:11:36,760 --> 00:11:37,880 He could be, like, ball boy. 308 00:11:37,920 --> 00:11:39,959 Yeah, cool, yeah, ball boy, yeah, cool. 309 00:11:40,000 --> 00:11:41,120 Okay? Yeah. 310 00:11:43,079 --> 00:11:44,600 Okay. Right. Ready? 311 00:11:44,640 --> 00:11:45,920 Yeah. Go! 312 00:11:45,959 --> 00:11:49,680 So, you have BBC newsreaders or like David Thingy 313 00:11:49,719 --> 00:11:51,480 actually umpiring the matches. 314 00:11:52,839 --> 00:11:53,920 Cool. Shit. 315 00:11:53,959 --> 00:11:55,120 David who? This is good. 316 00:11:55,160 --> 00:11:57,439 Erm, old guy, grey hair, does, like, 317 00:11:57,480 --> 00:11:58,920 political stuff with politicians. 318 00:11:58,959 --> 00:12:00,439 Attenborough. Yeah, David Attenborough. 319 00:12:00,480 --> 00:12:02,880 Yeah, cool, yeah. Okay, cool idea, Barney. 320 00:12:02,920 --> 00:12:04,199 15-love. 321 00:12:04,240 --> 00:12:05,719 Coco, your... Fault. 322 00:12:05,760 --> 00:12:07,000 Excuse me? What? 323 00:12:07,040 --> 00:12:08,719 Yeah, because what if David Attenborough 324 00:12:08,760 --> 00:12:10,880 doesn't know the rules of tennis or like how to score? 325 00:12:12,760 --> 00:12:14,560 In this idea, he does know the rules. 326 00:12:14,600 --> 00:12:16,319 Well, he might not, it's not as easy as it looks. 327 00:12:17,400 --> 00:12:19,439 You're a ball boy, okay? Yeah. 328 00:12:19,480 --> 00:12:22,120 Okay, cool. So, I could be like net cord judge? 329 00:12:22,160 --> 00:12:23,719 What? Okay, 30-15. 330 00:12:23,760 --> 00:12:25,079 Coco. Okay, so... 331 00:12:25,120 --> 00:12:26,199 With, like, the finger, it's pretty cool. 332 00:12:26,240 --> 00:12:28,040 Yeah, so, like, with the umpires, 333 00:12:28,079 --> 00:12:30,719 like, with David Attenborough or maybe, like, Alan Sugar? 334 00:12:30,760 --> 00:12:31,920 Yeah, yeah, cool, yeah, Alan Sugar, yeah. 335 00:12:31,959 --> 00:12:34,360 Like, so now all they do is, like, say the score, 336 00:12:34,400 --> 00:12:36,520 but they could be more like judges. 337 00:12:36,560 --> 00:12:38,000 Cool. So, like, at the end of the rally, 338 00:12:38,040 --> 00:12:40,360 they'd be like "15-love. Nice footwork." 339 00:12:40,400 --> 00:12:42,439 Yeah, yeah, cool. Or if it's just out, 340 00:12:42,480 --> 00:12:45,439 they're like "Love-15. Cool shot, but no cigar." 341 00:12:45,480 --> 00:12:47,599 Yeah, cool, yeah. Okay, I love this, this is epic. 342 00:12:47,640 --> 00:12:50,199 Okay, so, erm, like, 30-30, whatever. 343 00:12:50,240 --> 00:12:51,599 Barney? Okay. 344 00:12:51,640 --> 00:12:54,160 So, we have Graham Norton up in the Players' Box? 345 00:12:54,199 --> 00:12:56,079 Excuse me? Cool. 346 00:12:56,120 --> 00:12:57,959 Yeah, so he's, like, up there with, like, the players' girlfriends. 347 00:12:58,000 --> 00:12:59,719 Yeah, yeah, yeah. No way! 348 00:12:59,760 --> 00:13:02,439 Yeah. Cos when, like, the players swap ends and sit down, 349 00:13:02,480 --> 00:13:04,079 normally that's when you go to adverts, 350 00:13:04,120 --> 00:13:06,640 but, with the BBC, they don't have adverts, Bummer. 351 00:13:06,680 --> 00:13:10,199 Yeah, so instead you've just got two guys, like, sitting there eating bananas. 352 00:13:10,240 --> 00:13:11,800 Well, sometimes it's like they take their shirts off. 353 00:13:11,839 --> 00:13:13,240 Yeah, but... Yeah, sometimes. 354 00:13:13,280 --> 00:13:16,000 But with Graham up there with, like, 355 00:13:16,040 --> 00:13:17,680 Andy Murray's girlfriend... Kim? 356 00:13:17,719 --> 00:13:18,800 Yeah, Kim, yeah. 357 00:13:18,839 --> 00:13:20,400 We love Kim, she's gorgeous. 358 00:13:20,439 --> 00:13:22,480 Yeah. And big sunglasses. 359 00:13:22,520 --> 00:13:24,959 Yeah, and Graham's like, "How are you feeling?" 360 00:13:25,000 --> 00:13:28,040 Or "Oh, my God, we're so loving that dress, Kim." 361 00:13:28,079 --> 00:13:32,480 God, I love this, this is just, like, the best thing ever, okay? 362 00:13:32,520 --> 00:13:34,839 Erm, 30-40. No, it's... 363 00:13:34,880 --> 00:13:38,319 Okay, okay. 40... 30-30? 40, deuce, whatever. Go! 364 00:13:46,199 --> 00:13:47,959 Hi, Izzy. Hi. 365 00:13:48,000 --> 00:13:50,280 Have you got a moment? Back at New Broadcasting House, 366 00:13:50,319 --> 00:13:53,560 Ian has had an issue on his mind, and it hasn't gone away. 367 00:13:53,599 --> 00:13:55,120 I don't want to disturb you, I know you're busy enough. 368 00:13:55,160 --> 00:13:56,920 That's okay. But I wonder if it would be possible? 369 00:13:56,959 --> 00:13:58,760 Will's pass isn't working, for some reason. 370 00:13:58,800 --> 00:14:01,439 Yes, no, I know. Oh, yes, thanks for letting him in again today. 371 00:14:01,480 --> 00:14:03,120 I had a quick look on Syncopatico... 372 00:14:03,160 --> 00:14:04,839 Yes. But as usual, I couldn't make... 373 00:14:04,880 --> 00:14:06,680 You know, it kept telling me I wasn't discoverable, 374 00:14:06,719 --> 00:14:08,760 or my network settings were in conflict with, you know, my, God knows. 375 00:14:08,800 --> 00:14:11,000 Yes. So, basically I fell at the first hurdle. 376 00:14:11,040 --> 00:14:12,640 Yes, no, I had a look earlier, too. 377 00:14:12,680 --> 00:14:14,839 Oh, right. And? His pass has actually run out. 378 00:14:14,880 --> 00:14:16,560 Well, I mean yes, that's the... No, I mean, it's... 379 00:14:16,599 --> 00:14:18,160 What? 380 00:14:18,199 --> 00:14:21,040 I think Will's internship has expired. 381 00:14:21,079 --> 00:14:22,560 Oh, God. I know. 382 00:14:22,599 --> 00:14:24,680 No. Yeah. 383 00:14:24,719 --> 00:14:26,800 I haven't said anything to him. No, no, of course. 384 00:14:26,839 --> 00:14:28,920 I don't really know what to say. I mean, are you sure? 385 00:14:28,959 --> 00:14:31,160 So, the standard period is normally, like, eight weeks. 386 00:14:31,199 --> 00:14:32,599 Eight weeks? I know. 387 00:14:32,640 --> 00:14:33,880 But, I mean, that's, how long? 388 00:14:33,920 --> 00:14:35,520 11 months. 11 months? 389 00:14:35,560 --> 00:14:36,640 Yeah. 390 00:14:36,680 --> 00:14:38,199 Well, how can that happen? 391 00:14:38,240 --> 00:14:40,040 I don't think anyone's noticed. No. 392 00:14:40,079 --> 00:14:42,479 No, okay. Well, at least that's something positive, I suppose. 393 00:14:42,520 --> 00:14:43,839 Yes. Yeah. 394 00:14:46,800 --> 00:14:48,719 Okay, so, like, on court, 395 00:14:48,760 --> 00:14:52,800 you have, like, BBC theme tunes for both players. 396 00:14:52,839 --> 00:14:54,280 Okay, so, I don't get that. 397 00:14:54,319 --> 00:14:56,079 Yeah, okay... I don't get it. 398 00:14:56,120 --> 00:14:58,479 Yeah, so, like, say Andy Murray is going to play Novak Djokovic, okay? 399 00:14:58,520 --> 00:14:59,959 Okay, so, I don't even know what that is. 400 00:15:00,000 --> 00:15:02,719 He's, like, world number one or something. 401 00:15:02,760 --> 00:15:05,120 Okay, sure, whatever. Yeah, but, like, at tennis. 402 00:15:05,160 --> 00:15:07,640 So, like, Novak, he'd be like Doctor Who, 403 00:15:07,680 --> 00:15:10,040 because he's, like, a bit... Sure, whatever. 404 00:15:10,079 --> 00:15:11,240 Yeah, he's kind of like an alien. 405 00:15:11,280 --> 00:15:12,400 Yeah, but... Yeah, like his hair. 406 00:15:12,439 --> 00:15:15,280 Yeah, but, Andy, he'd be, like, Strictly. 407 00:15:15,319 --> 00:15:16,839 We love Strictly. 408 00:15:16,880 --> 00:15:19,959 Yeah, so, like, if Novak wins a rally and then it's like... 409 00:15:26,199 --> 00:15:27,599 Okay, no, I get that. Yeah, but then, like, 410 00:15:27,640 --> 00:15:29,640 the whole crowd joins in, so it's like... 411 00:15:31,479 --> 00:15:33,240 Yeah, I still get it. Do Strictly. 412 00:15:33,280 --> 00:15:36,400 Then, if, like, Andy wins a rally, then it's like... 413 00:15:36,439 --> 00:15:37,680 Ho! 414 00:15:45,240 --> 00:15:47,000 Holy shit. Yeah, cos then it's, like, 415 00:15:47,040 --> 00:15:48,800 suddenly it's, like, party time. 416 00:15:48,839 --> 00:15:50,240 Do it again. Ho! 417 00:15:58,120 --> 00:16:00,359 Somebody tie this girl down. Yeah, it's like... 418 00:16:00,400 --> 00:16:01,640 Ho! 419 00:16:08,880 --> 00:16:10,560 Good job, guys, we did good here. 420 00:16:10,599 --> 00:16:12,520 We totally nailed this coyote. 421 00:16:12,560 --> 00:16:15,839 It's like ho! We just BBCed Wimbledon. 422 00:16:15,880 --> 00:16:17,520 Well played, good match. Cool. 423 00:16:17,560 --> 00:16:18,959 Yeah. Ho... 424 00:16:28,839 --> 00:16:30,800 Back over at New Broadcasting House, 425 00:16:30,839 --> 00:16:32,719 it's a completely different day. 426 00:16:32,760 --> 00:16:34,439 And as Ian arrives for work, 427 00:16:34,479 --> 00:16:36,680 the first issue of the morning presents itself 428 00:16:36,719 --> 00:16:38,640 even before he's made it inside the building. 429 00:16:38,680 --> 00:16:40,839 Oh, hi, Will. Yeah, hey, yeah, cool. 430 00:16:40,880 --> 00:16:42,319 There you go. 431 00:16:42,359 --> 00:16:44,240 Right, thanks. I mean, that's really good of you, Will... 432 00:16:44,280 --> 00:16:46,640 No worries. No, I mean, really, I'm perfectly capable, 433 00:16:46,680 --> 00:16:49,120 I should get used to carrying my own bike and getting my own coffee. 434 00:16:49,160 --> 00:16:50,479 Yeah, no, no worries. That's cool. 435 00:16:50,520 --> 00:16:51,760 No, but... It's like a system. 436 00:16:51,800 --> 00:16:53,199 Right, yes. 437 00:16:53,240 --> 00:16:55,359 Yeah, so my pass still isn't working? Right, no. 438 00:16:55,400 --> 00:16:57,319 I asked Simon Harwood when he came through if I could visit him, 439 00:16:57,359 --> 00:16:59,280 but he said it's probably better if I visit you? 440 00:16:59,319 --> 00:17:00,640 Oh, right yes, did he? Yeah. 441 00:17:00,680 --> 00:17:02,240 I prefer visiting you anyway, it's better. 442 00:17:02,280 --> 00:17:04,200 I mean, we really need to sort this out at some point. 443 00:17:04,240 --> 00:17:05,680 Yeah, I know, crap. Yes. 444 00:17:05,720 --> 00:17:07,399 Yeah, with the pass, 445 00:17:07,440 --> 00:17:09,879 I was thinking maybe it's like the photo's, like, just too weird. 446 00:17:15,280 --> 00:17:16,960 I mean, someone's going to have to tell him, aren't they? 447 00:17:17,000 --> 00:17:18,079 Yes. 448 00:17:18,119 --> 00:17:19,399 I'll tell him. This is awful. 449 00:17:19,440 --> 00:17:20,919 I know. I'll tell him. Really, I don't mind. 450 00:17:20,960 --> 00:17:22,720 I don't think there is, like, a formal system. 451 00:17:22,760 --> 00:17:24,319 But he seems to be closest to you. 452 00:17:24,359 --> 00:17:26,280 Well, that's... Yeah, like you've adopted him. 453 00:17:26,319 --> 00:17:27,919 Me? Well, or Will's adopted you. 454 00:17:27,960 --> 00:17:30,200 I mean, maybe if his pass just keeps not working, 455 00:17:30,240 --> 00:17:33,120 I suppose there's a chance he might just work it out for himself eventually. 456 00:17:33,159 --> 00:17:34,280 Yes. 457 00:17:35,280 --> 00:17:37,560 Right, okay, no. Great. 458 00:17:37,600 --> 00:17:39,440 Meanwhile, producer Lucy Freeman 459 00:17:39,480 --> 00:17:42,200 is with potentially new writer Dan Shepherd. 460 00:17:42,240 --> 00:17:44,320 After working towards developing a new drama, 461 00:17:44,360 --> 00:17:46,520 Home Truth, with him for over two years, 462 00:17:46,560 --> 00:17:48,639 the project is finally nearing another meeting. 463 00:17:48,680 --> 00:17:50,720 I have to say, I don't know what Matt's going to say 464 00:17:50,760 --> 00:17:52,639 Right. But he asked for the meeting so... Yeah. 465 00:17:52,680 --> 00:17:54,680 I mean, I'm always cautious, but, really, after everything, 466 00:17:54,720 --> 00:17:56,800 with everything you've been through, you have to think, 467 00:17:56,840 --> 00:17:58,399 what else can it be but something good? 468 00:17:58,440 --> 00:18:00,960 Yeah. So, do you, like, actually work here every day? 469 00:18:01,000 --> 00:18:02,720 Yes, I do, yes. Right, okay. 470 00:18:02,760 --> 00:18:04,120 Every day. 471 00:18:15,159 --> 00:18:16,320 Dan. Hi. 472 00:18:16,360 --> 00:18:17,480 You remember Matt? How are we? 473 00:18:17,520 --> 00:18:19,200 Yeah, good, yeah. 474 00:18:19,240 --> 00:18:20,720 Thanks so much for coming all the way down. How's Whitby? 475 00:18:20,760 --> 00:18:22,639 Wetherby. Wetherby, yes, Wetherby, of course. 476 00:18:22,680 --> 00:18:23,840 Yeah, no, it's okay, thanks. Great. 477 00:18:23,879 --> 00:18:25,240 It's still pretty much the same. 478 00:18:25,280 --> 00:18:27,320 Great, have a seat or something. Yeah. Oh... 479 00:18:27,360 --> 00:18:30,520 Generic Head of Comedy and/or Drama Matt Taverner 480 00:18:30,560 --> 00:18:32,080 has asked to meet Lucy and Dan 481 00:18:32,120 --> 00:18:34,800 to talk about what happens next with Home Truth, 482 00:18:34,840 --> 00:18:37,320 a love story set and told very much in the context 483 00:18:37,360 --> 00:18:40,120 of the Yorkshire seaside town of Scarborough. 484 00:18:40,159 --> 00:18:43,600 I mean, first of all, I love what you've done with these scripts. 485 00:18:43,639 --> 00:18:44,919 Oh, right. They're great, aren't they? 486 00:18:44,960 --> 00:18:47,159 I just think the characters are really solid now. 487 00:18:47,200 --> 00:18:49,679 Yeah. Especially, I mean, the main character, I just... 488 00:18:49,720 --> 00:18:52,800 Sarah. I love that she's a woman. 489 00:18:52,840 --> 00:18:54,240 I love that she's, you know, she's strong. 490 00:18:54,280 --> 00:18:57,360 I really feel I know who, er, Sarah is now. 491 00:18:57,399 --> 00:18:58,879 Yeah, I haven't really done anything to her. 492 00:18:58,919 --> 00:19:01,080 No. Well, maybe not, but the way she reads now 493 00:19:01,120 --> 00:19:02,879 in the architecture of the whole... 494 00:19:02,919 --> 00:19:05,120 Oh, right. So, the work you've done around her as a protagonist. 495 00:19:05,159 --> 00:19:07,159 Yeah. I mean, look, what I'm basically saying 496 00:19:07,200 --> 00:19:08,760 is congratulations. 497 00:19:08,800 --> 00:19:10,240 Oh, right, okay. Terrific. 498 00:19:10,280 --> 00:19:11,800 Yes. Thanks. See? 499 00:19:11,840 --> 00:19:13,960 So, I guess part of my job is 500 00:19:14,000 --> 00:19:15,879 I think a lot at the moment 501 00:19:15,919 --> 00:19:17,720 about what is a BBC story today. 502 00:19:17,760 --> 00:19:19,280 Oh, right. Do you? 503 00:19:19,320 --> 00:19:21,720 And also about who do we want to be telling stories about. 504 00:19:21,760 --> 00:19:23,040 And who do we want to tell them to. 505 00:19:23,080 --> 00:19:24,639 Right. 506 00:19:24,679 --> 00:19:25,800 I don't know. Who? 507 00:19:25,840 --> 00:19:27,520 I don't know. I may be wrong about this... 508 00:19:27,560 --> 00:19:31,520 Er, but is there just something about Scarborough as a place, 509 00:19:31,560 --> 00:19:33,040 as a precinct, if you like, 510 00:19:33,080 --> 00:19:34,600 is it a bit, I don't know, 511 00:19:34,639 --> 00:19:38,280 maybe a bit one-dimensional in some ways? 512 00:19:38,320 --> 00:19:40,360 "One dimensional"? Yeah, it is. 513 00:19:40,399 --> 00:19:42,679 What do you mean by? What do you mean, one... What do you mean, Matt? 514 00:19:42,720 --> 00:19:44,399 Well, I guess I just mean culturally, really. 515 00:19:44,440 --> 00:19:46,120 Is it all just a bit the same? 516 00:19:46,159 --> 00:19:47,639 Yeah, no, definitely. Well... 517 00:19:47,679 --> 00:19:49,200 Yeah. Cos I mean that's sort of like the point. 518 00:19:49,240 --> 00:19:50,639 Yeah, no, sure, that's great, Dan. That's brilliant. 519 00:19:50,679 --> 00:19:53,120 I mean, okay, would it help us at all here if... 520 00:19:53,159 --> 00:19:54,840 I'm just throwing this out there. 521 00:19:54,879 --> 00:19:57,720 ...would it help us if we thought about reimagining it somewhere 522 00:19:57,760 --> 00:20:00,000 a bit more like, I don't know, Leicester or? 523 00:20:00,040 --> 00:20:01,480 Leicester? Oh, right. 524 00:20:01,520 --> 00:20:03,080 You know, or Wolverhampton or, I don't know, 525 00:20:03,120 --> 00:20:05,320 maybe even somewhere like Walthamstow, perhaps or? 526 00:20:05,360 --> 00:20:06,560 Yeah. I'm just... Walthamstow? 527 00:20:06,600 --> 00:20:09,159 Would that make it culturally richer? 528 00:20:09,200 --> 00:20:10,800 And, if so, would that be a good thing? 529 00:20:10,840 --> 00:20:13,040 No, but, Matt, but that's Walthamstow. 530 00:20:13,080 --> 00:20:15,120 I mean, that's the polar opposite of Scarborough. 531 00:20:15,159 --> 00:20:16,639 No, sure. You might as well just start again. 532 00:20:16,679 --> 00:20:19,000 No, no, this has such potential, Dan. 533 00:20:19,040 --> 00:20:20,280 We all feel the same about that. 534 00:20:20,320 --> 00:20:22,600 I guess, my job is just to ask the question, 535 00:20:22,639 --> 00:20:24,679 could it be even better? 536 00:20:26,000 --> 00:20:28,000 Okay. Right. And if it could, 537 00:20:28,040 --> 00:20:30,320 I guess what I'm asking Dan just to think about is, 538 00:20:30,360 --> 00:20:32,720 is there something we might all gain from that? 539 00:20:32,760 --> 00:20:33,760 Yeah. 540 00:20:33,800 --> 00:20:35,040 That's all I'm thinking about here. 541 00:20:35,080 --> 00:20:36,440 Yes. Great. 542 00:20:51,600 --> 00:20:52,720 I'm sorry, I've got this wrong. 543 00:20:52,760 --> 00:20:54,159 I thought he'd apologised already. 544 00:20:54,200 --> 00:20:55,320 Yes. Oh, he has, Neil, yes. 545 00:20:55,360 --> 00:20:56,919 Meanwhile, it's Thursday, 546 00:20:56,960 --> 00:20:59,760 and time for the Thursday Damage Limitation Meeting. 547 00:20:59,800 --> 00:21:01,600 Since the making of this documentary, 548 00:21:01,639 --> 00:21:03,120 certain events have happened. 549 00:21:03,159 --> 00:21:05,280 As a result of which, for technical reasons, 550 00:21:05,320 --> 00:21:07,800 we are unable to mention certain individuals by name. 551 00:21:07,840 --> 00:21:09,840 The fact is he's issued a formal apology on Twitter. 552 00:21:09,879 --> 00:21:11,800 Yeah, okay, so... He says he's never had anything 553 00:21:11,840 --> 00:21:13,800 at all against tossers he's worked with them all his life. 554 00:21:13,840 --> 00:21:15,080 Yes. Yes, no, very good. 555 00:21:15,120 --> 00:21:17,200 Tracey, do we know what the legal situation is? 556 00:21:17,240 --> 00:21:19,520 Okay, I have spoken to them quite extensively. 557 00:21:19,560 --> 00:21:21,560 Traditionally, the first item on the agenda is 558 00:21:21,600 --> 00:21:24,360 the Jeremy item and today is no exception. 559 00:21:24,399 --> 00:21:27,440 And what they're saying is, over the last four series of the show, 560 00:21:27,480 --> 00:21:29,000 if his use of the word comes to less 561 00:21:29,040 --> 00:21:30,879 than once an hour of broadcast time, 562 00:21:30,919 --> 00:21:34,800 or to put it more clearly 0.5 times every half hour, 563 00:21:34,840 --> 00:21:37,480 This week, there have been complaints about his use of the word 564 00:21:37,520 --> 00:21:40,840 "tosser" in the BBC Two hit sitcom, Top Gear. 565 00:21:40,879 --> 00:21:43,159 Whereas if his use of the word is above that figure, 566 00:21:43,200 --> 00:21:45,280 it counts as detrimental... Okay. 567 00:21:45,320 --> 00:21:47,280 In which case, I don't know what. 568 00:21:47,320 --> 00:21:50,399 I mean, listen, this is so not my area of thingy, 569 00:21:50,439 --> 00:21:52,159 I don't know how the whole thing works. 570 00:21:52,200 --> 00:21:53,840 The fact is we need to be better at this sort of thing. 571 00:21:53,879 --> 00:21:55,200 Yes, very good. Right. 572 00:21:55,240 --> 00:21:56,960 Yes. Well, I mean, leaving aside 573 00:21:57,000 --> 00:21:58,679 the issue of whose responsibility 574 00:21:58,720 --> 00:22:00,000 this actually is for a moment... 575 00:22:00,040 --> 00:22:02,120 I've already said what I think. 576 00:22:02,159 --> 00:22:05,520 Surely the first thing is to establish the answer to the frequency of use question. 577 00:22:05,560 --> 00:22:07,560 Brilliant. Because that might just clarify the whole thing. 578 00:22:07,600 --> 00:22:09,280 Right, okay, fine. Brilliant. 579 00:22:09,320 --> 00:22:11,399 Good-o! So, hang on, wait a minute, 580 00:22:11,439 --> 00:22:14,280 so someone's going to have to watch four years' worth of Top Gear back-to-back? 581 00:22:14,320 --> 00:22:15,320 Well, I mean... Yes. 582 00:22:15,360 --> 00:22:17,320 Jesus! Exactly, Neil, yes. 583 00:22:17,360 --> 00:22:19,480 Going to go bloody mad. The fact is it's basically Dave. 584 00:22:19,520 --> 00:22:20,840 Yeah, they're going to go bloody mad. 585 00:22:20,879 --> 00:22:25,639 Okay. All righty, er, Jeremy, tick. 586 00:22:25,679 --> 00:22:29,879 Now onto frankly rather more royal matters now. 587 00:22:29,919 --> 00:22:32,399 With this week's strategy agreed, 588 00:22:32,439 --> 00:22:34,840 Simon can move the meeting onto the main item, 589 00:22:34,879 --> 00:22:37,679 the increasingly forthcoming visit of Prince Charles. 590 00:22:37,720 --> 00:22:40,120 Erm, brilliant, so, Ian, I had a quick decaf with Tony earlier. 591 00:22:40,159 --> 00:22:42,520 Right, did you? Yes, I mean, he'll know how you want to play this 592 00:22:42,560 --> 00:22:45,960 better than I do, but, erm, for what it's worth we got really rather excited about 593 00:22:46,000 --> 00:22:49,200 the idea of you doing a sort head prefect number for us on the day, Ian. 594 00:22:49,240 --> 00:22:51,800 Yes. You know, ushering his HRH-ness 595 00:22:51,840 --> 00:22:53,520 up to the headmaster's office, 596 00:22:53,560 --> 00:22:55,800 chatting with some of the brighter sixth formers on the way. 597 00:22:55,840 --> 00:22:58,000 Yes, no, I talked to Tony about this last week. 598 00:22:58,040 --> 00:22:59,399 Oh, okay, brilliant. We both... 599 00:22:59,439 --> 00:23:01,040 Brilliant. We both agreed, though, 600 00:23:01,080 --> 00:23:03,159 when it comes to the sequence of events on the day itself, 601 00:23:03,200 --> 00:23:05,520 it's key that we all know what's going to happen 602 00:23:05,560 --> 00:23:06,879 and we all know what we're doing. 603 00:23:06,919 --> 00:23:08,000 Yes. Yes, very good. 604 00:23:08,040 --> 00:23:09,159 No, I agree with that, Ian. 605 00:23:09,200 --> 00:23:10,919 Yeah, also it'd be a first. 606 00:23:10,960 --> 00:23:13,360 One thing I can say, something they've very clear about, 607 00:23:13,399 --> 00:23:16,800 apparently he wants to meet people from all levels in the BBC. 608 00:23:16,840 --> 00:23:18,159 Right. Yes, no, very good. 609 00:23:18,200 --> 00:23:19,800 Why? No, I don't know why, Anna, 610 00:23:19,840 --> 00:23:21,840 they don't tell you that. 611 00:23:21,879 --> 00:23:23,800 But he doesn't just want to meet the high-ups. That's all good to know. 612 00:23:23,840 --> 00:23:25,439 Another thing they want to know in advance, Ian, 613 00:23:25,480 --> 00:23:28,000 is exactly who is going to be in the greeting party. 614 00:23:28,040 --> 00:23:29,600 Right, yes. Yes. 615 00:23:29,639 --> 00:23:32,280 You know, who's actually going to be meeting him, personally. 616 00:23:32,320 --> 00:23:33,399 Yes. 617 00:23:35,520 --> 00:23:38,040 That is something they will need to know in advance, Ian. 618 00:23:38,080 --> 00:23:40,639 No, I mean, I said to Tony that this is obviously something 619 00:23:40,679 --> 00:23:42,120 we'll need to think about very carefully. 620 00:23:42,159 --> 00:23:43,280 Yes. Yes, exactly. 621 00:23:43,320 --> 00:23:44,399 Yeah. Yes. 622 00:23:44,439 --> 00:23:46,439 Brilliant. Yeah, good luck with that. 623 00:23:55,040 --> 00:23:57,000 Cos, do you know what, Anna? 624 00:23:57,040 --> 00:23:59,280 I just think it would be great to go in a different direction from Village, 625 00:23:59,320 --> 00:24:00,520 if you want my honest opinion. 626 00:24:00,560 --> 00:24:01,679 Heavy petting? 627 00:24:01,720 --> 00:24:04,280 Okay, so Kylie swaps her Rhodesian ridgeback 628 00:24:04,320 --> 00:24:07,399 for like one week with Alan Carr's Maine Coon. 629 00:24:07,439 --> 00:24:08,960 What? 630 00:24:09,000 --> 00:24:10,720 I know, I hadn't heard of them, either, had to look them up. 631 00:24:10,760 --> 00:24:13,320 It's later that day and Head of Output Anna Rampton 632 00:24:13,360 --> 00:24:17,240 has asked David Wilkes to come into her office and talk about his ideas. 633 00:24:17,280 --> 00:24:19,240 "The largest domesticated breed of cat 634 00:24:19,280 --> 00:24:21,879 "with a distinctive physical appearance and valuable hunting skills." 635 00:24:21,919 --> 00:24:24,000 Yes. "Also known for its intelligence, 636 00:24:24,040 --> 00:24:25,280 "gentle personality, 637 00:24:25,320 --> 00:24:26,639 "and health problems, such as feline..." 638 00:24:26,679 --> 00:24:28,280 Yes, all right. It's just something 639 00:24:28,320 --> 00:24:29,800 I've not seen on television, that's all. 640 00:24:29,840 --> 00:24:31,919 Yes, and the fact is that's not going to change. No. 641 00:24:31,960 --> 00:24:34,040 The fact is this is a critical moment in the history of the... 642 00:24:34,080 --> 00:24:37,200 Aware that this is a critical moment in the BBC's history, 643 00:24:37,240 --> 00:24:39,879 Anna knows she's in a situation where she needs something 644 00:24:39,919 --> 00:24:43,360 that's not only different, but, crucially, better than different. 645 00:24:43,399 --> 00:24:45,320 And, crucially, better than different. Yes, right. 646 00:24:45,360 --> 00:24:48,120 For David, this a moment to draw on his experience 647 00:24:48,159 --> 00:24:49,439 as a development executive, 648 00:24:49,480 --> 00:24:51,600 whilst at the same time thinking with his feet. 649 00:24:51,639 --> 00:24:54,200 Imagine Britain's Got Talent meets Family Fortunes. 650 00:24:54,240 --> 00:24:55,639 Right. With a bit of The One Show thrown in 651 00:24:55,679 --> 00:24:57,720 just in case, obviously. Britain's Top Family? 652 00:24:57,760 --> 00:24:59,240 But that's just the working title. 653 00:24:59,280 --> 00:25:02,080 I was thinking maybe something like Family Face-Off. 654 00:25:02,120 --> 00:25:04,480 Or maybe just Family, because one word's good. 655 00:25:04,520 --> 00:25:05,760 Yes. And it's, like, 656 00:25:05,800 --> 00:25:07,320 do you know what? This is about all of us. 657 00:25:07,360 --> 00:25:08,760 It's just got everything, it's very... 658 00:25:08,800 --> 00:25:10,280 Yes, so how would it work? 659 00:25:10,320 --> 00:25:12,320 Well, each week, you've got, like, two different families, 660 00:25:12,360 --> 00:25:15,159 so, you know, like, one, like, really posh one, 661 00:25:15,199 --> 00:25:17,960 one, like, total car crash, and they compete against each other. 662 00:25:18,000 --> 00:25:19,439 They compete how? Sorry, Anna? 663 00:25:19,480 --> 00:25:21,879 They compete how? 664 00:25:21,919 --> 00:25:25,639 Yes. Because it's like we've all got something we can do. 665 00:25:25,679 --> 00:25:29,000 So, one week Granddad plays, like, tunes on his head with a spoon. 666 00:25:29,040 --> 00:25:32,240 Okay. And the kids are doing, like, handstands while doing 667 00:25:32,280 --> 00:25:33,960 impressions of, like, different... 668 00:25:34,000 --> 00:25:35,960 The fact is the future of the BBC is not old people playing spoons 669 00:25:36,000 --> 00:25:37,199 on their head with tunes. 670 00:25:37,240 --> 00:25:39,480 No. The fact is that's what ITV is for. 671 00:25:39,520 --> 00:25:41,040 Sorry, Anna, excuse me. Jack? 672 00:25:41,080 --> 00:25:42,760 Afraid they didn't have any white tea in the end, but I... 673 00:25:42,800 --> 00:25:44,520 Okay, no. I did manage to get hold of some oolong. 674 00:25:44,560 --> 00:25:46,199 No, that's not going to work. Right, sure. 675 00:25:46,240 --> 00:25:47,639 Can I get you anything else? I'll have water. 676 00:25:47,679 --> 00:25:48,720 Sure. Not from the... 677 00:25:48,760 --> 00:25:50,080 No, sure. Oh, yes... 678 00:25:50,120 --> 00:25:51,240 Nothing for me, thanks, Jack, I'm fine. 679 00:25:51,280 --> 00:25:53,320 Another e-mail from Carrie at BBC America. 680 00:25:53,360 --> 00:25:54,720 Yes? They really need to know now 681 00:25:54,760 --> 00:25:56,199 if you can do that week of the 27th in LA? 682 00:25:56,240 --> 00:25:57,679 Right. I've been stalling, 683 00:25:57,720 --> 00:25:59,520 cos I know that's the week of the Prince Charles thing. 684 00:25:59,560 --> 00:26:01,919 The, yes. I wasn't sure if you were going to be involved in that. 685 00:26:03,600 --> 00:26:04,760 I can't do LA. Okay. 686 00:26:04,800 --> 00:26:05,960 They can move it. No, sure. 687 00:26:06,000 --> 00:26:07,199 Okay, cool. Yes. 688 00:26:10,280 --> 00:26:11,560 Wow. Yes? 689 00:26:11,600 --> 00:26:13,199 You're meeting Prince Charles when he comes, Anna? 690 00:26:13,240 --> 00:26:15,919 The fact is we've met before. Lucky you. 691 00:26:15,960 --> 00:26:17,480 Talk about Britain's Top Family. Hmm, yes. 692 00:26:17,520 --> 00:26:19,639 Get him involved, then you really have got a show. 693 00:26:23,159 --> 00:26:25,199 I mean, when you first came here, to the BBC, I mean, 694 00:26:25,240 --> 00:26:26,760 what did they actually tell you? 695 00:26:26,800 --> 00:26:29,120 Yeah, they just said, like, "Wait in reception." 696 00:26:29,159 --> 00:26:31,679 Right. But did they say anything about how long it was for? 697 00:26:31,720 --> 00:26:33,159 Yeah, it was like most of the morning. 698 00:26:33,199 --> 00:26:34,439 Then Izzy came down. 699 00:26:34,480 --> 00:26:36,199 Right... Yeah, I know. 700 00:26:36,240 --> 00:26:38,639 Meanwhile, Ian has invited Will into Frankie Howerd 701 00:26:38,679 --> 00:26:40,240 to talk about things generally. 702 00:26:40,280 --> 00:26:41,800 I don't really know how to say this, 703 00:26:41,840 --> 00:26:44,080 but internships are normally for a limited amount of time. 704 00:26:44,120 --> 00:26:45,800 Yeah. They don't normally last forever. 705 00:26:49,639 --> 00:26:51,199 Yeah. So, we need to talk about that. 706 00:26:51,240 --> 00:26:53,840 Yeah, no worries. It's not my pass that's expired, it's me. 707 00:26:53,879 --> 00:26:55,600 Well, no, that's not quite... Yeah, no, that's cool. 708 00:26:55,639 --> 00:26:57,520 It's like with school. Well, yes... 709 00:26:57,560 --> 00:26:59,679 It's sometimes you've just got to leave right in the middle of the morning. 710 00:26:59,720 --> 00:27:01,280 Yes, I mean, really? 711 00:27:01,320 --> 00:27:03,600 Yeah, my sister just turned up in my mother's car. Right. 712 00:27:03,639 --> 00:27:06,800 But, as well as things generally, Ian also knows that at some point 713 00:27:06,840 --> 00:27:09,000 someone is going to have to talk to Will 714 00:27:09,040 --> 00:27:13,120 about things specifically and that, for better, or, more accurately, for worse, 715 00:27:13,159 --> 00:27:15,639 he is that person and this is that moment. 716 00:27:15,679 --> 00:27:20,720 Anyway, as I say, I think things have probably come to the point where we... 717 00:27:20,760 --> 00:27:22,120 I mean, I don't know if you've had any thoughts 718 00:27:22,159 --> 00:27:24,080 about the sort of thing you might want to do next? 719 00:27:24,120 --> 00:27:25,480 Yeah, I have, yeah. Because I mean... 720 00:27:25,520 --> 00:27:26,879 You have? Yeah. 721 00:27:26,919 --> 00:27:28,399 Oh, well, that's really... That's great, Will. 722 00:27:28,439 --> 00:27:30,000 Yeah, I know, yeah. It's pretty cool. 723 00:27:30,040 --> 00:27:31,679 So, what sort of thing are you thinking of going for? 724 00:27:31,720 --> 00:27:33,199 Cos I was going to ask you about it. 725 00:27:33,240 --> 00:27:35,120 Well, of course. Obviously, I'd love to help, if I can. 726 00:27:35,159 --> 00:27:36,679 Yeah, cool, yeah. 727 00:27:36,720 --> 00:27:39,000 Cos, you know, like, Izzy is, like, a PA to Simon Harwood? 728 00:27:39,040 --> 00:27:41,439 Yes, right. Like, she feeds his fish for him and stuff. 729 00:27:41,480 --> 00:27:42,840 Yes, I mean... She what? 730 00:27:42,879 --> 00:27:44,800 Yeah, so, like, I was thinking... His fish? 731 00:27:44,840 --> 00:27:47,600 So, I was thinking, like, I do your coffee and, like, your bike and stuff. 732 00:27:47,639 --> 00:27:49,840 Right... So... 733 00:27:49,879 --> 00:27:52,120 I mean, could I, like, be PA to you? 734 00:27:52,159 --> 00:27:54,840 PA to me? Yeah, I mean, like, a real one. Like, a real job. 735 00:27:54,879 --> 00:27:56,720 Like, I could do other stuff, too. 736 00:27:56,760 --> 00:28:00,080 Cos that would be, like... That would be so cool. 737 00:28:00,120 --> 00:28:02,080 Right, okay... Yeah, okay, no. 738 00:28:02,120 --> 00:28:03,560 Well, no, Will... Yeah, no worries. 739 00:28:03,600 --> 00:28:04,960 Yeah, you know, yeah, crap. No, it's just, as I say, 740 00:28:05,000 --> 00:28:06,520 I'd like to help... Yeah, me too. 741 00:28:06,560 --> 00:28:08,520 But it's just, I mean, for that to happen... 742 00:28:08,560 --> 00:28:10,080 Okay, for a start, 743 00:28:10,120 --> 00:28:13,080 I'd have to work out a formal job description of some kind. 744 00:28:13,120 --> 00:28:14,520 Yeah, cool, yeah. No, but. 745 00:28:14,560 --> 00:28:16,800 No, but you'd have to apply for it, formally. 746 00:28:16,840 --> 00:28:19,639 Okay. I'd probably have to give you a reference... Cool. 747 00:28:19,679 --> 00:28:21,879 Which would be, well, I'd have to think about how to do that. 748 00:28:21,919 --> 00:28:23,280 Yeah. This whole thing 749 00:28:23,320 --> 00:28:25,760 would have to go through the BBC HR department... 750 00:28:25,800 --> 00:28:28,639 Whoa! And ultimately, you'd need to be able to put together 751 00:28:28,679 --> 00:28:31,360 a really top-quality, impressive CV. 752 00:28:35,879 --> 00:28:37,240 Okay. What? 753 00:28:37,280 --> 00:28:38,760 Let's go for it. Well, no... 754 00:28:38,800 --> 00:28:40,560 It's, like, sometimes you have to believe in yourself, 755 00:28:40,600 --> 00:28:42,000 because no one else does, either. 756 00:28:42,040 --> 00:28:43,879 The, what? Yeah, cool, yeah, let's do it. 757 00:28:44,600 --> 00:28:46,679 Right, okay. Good. 758 00:28:46,720 --> 00:28:50,360 Just to say, guys, the royal convoy has left Clarence House. 759 00:28:50,399 --> 00:28:52,080 Great to have you around. Yeah. 760 00:28:52,120 --> 00:28:53,600 And, you know, good luck with, Yeah, no. 761 00:28:53,639 --> 00:28:55,600 Good luck. We've got a suspicious object 762 00:28:55,639 --> 00:28:57,320 in the plaza. What? 763 00:28:57,360 --> 00:28:59,280 The world is full of rucksacks with Sue Barker's face on them. 764 00:28:59,320 --> 00:29:01,679 No, it isn't! That's a ridiculous thing to say. 765 00:29:01,720 --> 00:29:03,480 We know who that is. Gonna have to... 766 00:29:07,199 --> 00:29:08,959 I think he's actually arrived. 767 00:29:09,000 --> 00:29:10,280 But where actually are you? 768 00:29:10,320 --> 00:29:11,600 I really do need to get out. 769 00:29:11,639 --> 00:29:13,199 Okay, I know what I did there. 770 00:29:13,240 --> 00:29:15,240 Where does this go? What the hell's going on in there? 771 00:29:15,280 --> 00:29:16,800 The others are just grouping up. 772 00:29:16,840 --> 00:29:18,879 Grouping up? What are they, the bloody red arrows? 773 00:29:18,919 --> 00:29:21,480 The fact is, Prince Charles is here to be met, and somebody's got to meet him. 774 00:29:21,520 --> 00:29:23,720 Sorry, how do we get back to New Broadcasting House? 775 00:29:23,760 --> 00:29:26,679 He's here. Okay? He's outside now. He's arrived. 776 00:29:27,560 --> 00:29:28,959 Oh, God. 63063

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