All language subtitles for movieddl.me_W1A.S01E04.1080p.NF.WEB-DL.AAC2.0.H.264-WELP_track3_[eng]

Stand-by, two.
Mix through. Cue on two.

The BBC has
announced the appointment

of ex-head of Olympic
Deliverance, Ian Fletcher,

as its new Head of Values.

Time now
for the Shipping Forecast.

Superimpose.

Yes, no, I know.
Yes, no, I saw that.

Yes. Yes.
No, Tracey, I saw it.

It's Thursday
morning at New Broadcasting
House in Central London.

And it's not a good start to
the day for BBC Head of Values
Ian Fletcher.

Well, how do you think I feel?
I feel like I've been
run over by a truck.

What? No, in a bad way.

He's already
late for work,

but he's about to discover
he's not as late yet

as he's eventually
going to be.

Ian!
Oh, bloody hell.

Ian, Ian Fletcher!
Morning. Right.

The mood music from
George Osborne's Treasury

is still all around
the theme of the deficit,

and the need for further cuts
in the years ahead.

Meanwhile, up in
Tommy Cooper, the daily Damage
Limitation Meeting

has already started
without him.

I mean, I have to say,
for what it's worth,

I thought
she was really rather good.

No, she's bloody good.
I thought we were okay,

I thought it was just a bump,

until that bloody skirt
on Monday night.

Yes. Brilliant.
Then all hell broke loose.

The first item
on today's agenda
involves a new presenter

on the BBC's current affairs
flagship Newsnight,

who has been accused
of wearing clothes

that are inappropriately watchable.

Professor of Economics
at Warwick University...

Can I just say, you're not
gonna wanna hear this, guys,

but her legs have now got
their own Twitter account.

Right. Yikes. Yeah.

Hashtag kneesnight.

You have to say it is actually
a pretty good name for it.

Oh, yes, no, brilliant.
It's bloody great.

So, um, just to clarify, Neil,
the original complaint
about this was...

Yeah. It was internal, yeah.

Yes, and that was...
Another presenter, yeah.

Right.
No, it's another
classic own goal.

Yes, and when you say
another presenter...

I'm sworn to secrecy,
I'm afraid.

Oh, yes, no, of course... Sorry.

Yes, but just so we know,
who is it?

Right.

Yes.
Okay.

So that could be a bit...

Oh, yeah, no, it's a live
grenade with the pin out.

Hi.
Ah, the man of the moment.

Sorry I'm late.
No, come on in.

Took a bit longer to get
through the front door
than usual.

Yes, no, brilliant, brilliant.

Uh, thanks, Will, would you be
able to put that somewhere?

Yeah, okay, cool.
Thanks, great.

Well, so like...
Uh, no, just somewhere
that isn't here.

Okay, cool, yeah, no worries,
yeah, cool.

With Ian's arrival,

the meeting can address
the main item on
this morning's agenda.

Ian.
I mean, the salary's

one thing,
I can live with that.

Yes, I should
hope so, Ian.
But the private stuff...

I know. No,
that is a problem.

I mean, it's unforgivable.
No, it really
is very irksome.

Overnight, a media
story about the size of Ian's
BBC salary has developed.

Several papers are now
alleging that not only did he
misuse public funds

at the Olympic Deliverance Commission

by asking his
Personal Assistant

to arrange a private holiday
for him in Italy in 2012,

but also that he deliberately
took her with him
in order to enjoy it.

I mean, for what it's worth,
I had a quick muffin with Tony
this morning.

A muffin?
Yes, he's very chipper about
the whole thing, isn't he?

Mmm-hmm.

Yeah, just cutting
the crap for a second. Brilliant.

Just so we don't end up with
the usual fuck-up in News. Right.

Yes, no, very good.
So the personal stuff...

Right. Yes.
So, the

PA, the whole Umbrian doodah,
you know, that stuff... Right.

I mean...
Love nest.

What?
Umbrian love nest.

Yeah, well... Brilliant.

Right, okay.
I mean, it's a free country,

and, I mean,
I should be so lucky,
who doesn't like Umbria?

But just for the sake
of clarity and for the
avoidance of doubt,

whatever the fuck that means,

that's just the usual
bollocks, is it?

Right, yes.

I mean, it's all made up,
it's not true?

I mean, for God's sake.
I paid for it myself.

I couldn't stop her
arranging it.

Right.
Brilliant.

Okay.

Great.
Mmm-hmm.

All righty-ho.

Hi, Will.

Oh, yeah, hi. Yeah, hi.

How are you?
Oh, yeah, good, yeah.

Sorry I'm a bit late
in this morning.
Are you waiting for something?

No, yeah, I was just
gonna leave Ian Fletcher's
bike here next to your desk?

Okay.
Cool. Just put it next
to Simon's.

Just so I know
where it is. Cool.
Yeah, that's fine.

Oh, God, that is brilliant,
Will, thank you.

Yeah, no worries.
Must have taken you forever.

No, it's cool, yeah.
It's my own fault.

Overnight,
intern Will Humphries
has very nearly succeeded

in his task of putting
400 letters of invitation
to a major BBC event

into 400 different envelopes
and then sealing them up
one after the other.

What's happened here?
What? Yeah, I know!

So this is a letter
to David Cameron. Yeah.

And this is an envelope
addressed to Prince Charles,
the Prince of Wales.

Yeah, Prince Charles,
yeah, I know.

So. I mean...

Yeah, I know, it's like
I don't know
how that happened?

It's just one, so I thought
I'd leave it till you
got here.

Okay, well, presumably... Yeah.

Let's hope that the letter for
Prince Charles is in the
envelope for David Cameron.

Yeah, cool, yeah, presumably,
yeah, cool.

Right, so where is the letter
for Cameron?

Well, yeah... Say again?

The envelope addressed
to Cameron.
Right, yeah.

Where is it?
Yeah, cool, yeah,

it's in there somewhere.
I saw it.

"From Bakewell tarts to
Melton Mowbray pork pies,

"a culinary tour
of the nation's taste buds.

"Each week, Rick Stein
and new face
Sally Wingate

"adopt a village each
as they battle it out, live
and against the clock,

"for the title of
Britain's Tastiest Village."

It's genius, Lucy.
It's wonderful.

Rick Stein's wrong for this.
Oh, yeah, no, definitely.
Lovely Rick.

We're not doing old and bald.

Meanwhile,
producer Lucy Freeman

has been asked to rewrite
the press release

for the forthcoming new show

Britain's Tastiest Village,

following the sad loss of its
tastiest ingredients,

Alan Titchmarsh and
either Clare Balding
or Carol Vorderman.

I mean, obviously this
is your show, David...

I so want to see this show.
I just thought making
it a live show

might somehow...
Yeah, no, genius.

It's a big thing, obviously,
but I suppose what I was...

Yeah. No, sure.
So where are we up to
with names?

Right.
If we're going
to do this thing at all.

Despite Lucy's
concerns about the basic
premise of the show itself,

the question of who's going
to present it is much more
important than that.

And Anna has got an idea.

Gary Lineker?
Yes.

Genius.
Head of Output
Anna Rampton

has met TV colossus
Gary Lineker

at the Pride of Sporting
Britain's Little Children Awards,

and something has happened.

The fact is Gary's
sick of football.

He has been for years,
you can see it in his face.
Lovely Gary.

He's surrounded by deadbeats
24/7, he's ready for a change.

I know. It's like every week
he's got to make
those terrible jokes.

This is one of those moments.

The fact is, we should
make this thing happen.

And this is like,
this is so cool.

But Gary's all about up,
he's not about sideways.

What?
Well, the fact is he's not
gonna want to do something

just about food at this
point in his career. Okay.

But this is
Britain's Tastiest Village.
The clue is in the title.

So, we talked about maybe
Britain's Top Village.

Britain's Top Village?
Christ.

The fact is this is Sunday
night Event Television.

Well, yes, of course.
There's got to be
more to this

than a few pork pies
and some tarts.

I know, 'cause if you
break down a whole village,
then it's...

What have you actually got?
I mean it's genius. Yes.

What have you got?

Well, I mean, you got like
houses, and you got food,

and you got like gardens,
you've got like makeovers,

and you've got characters,
you know, like weird people
and that,

and, uh, you got, uh, pets,
and you got football teams... Yes.

And I don't know,
maybe a choir or something?
You've got vegetables.

Yes, okay.
Oh, my God. Okay, can I
just say right now, Anna,

you're going to do the speech
at the BAFTAs,

'cause I'm so gonna
be off my face.

Cameron... Cameron... Nope.

Okay, not in that one either. Cool.

Yeah, my brother
does this thing...

Shall we just do this first?
Yeah, okay, cool.

Ah, here we go, David Cameron.

Okay, cool, yeah,
David Cameron.

I'll just print off another
address sticker and
get a new envelope.

Yeah, cool, it was in
that one all the time.

Ah, right. Okay.
What?

Joan Bakewell.
Yeah. What?

This one's to Joan Bakewell.

Yeah, I don't know
who that is.

So how many of these
are wrong, Will?

Two.

Two?

No, okay, crap. Three.

Right. Okay. Thanks, Will.

It's like with me,
sometimes, it's like
I'm completely useless.

Yes. No, it's okay.
Shall I...

Okay.
Thanks, Will.
I'll sort it out.

Yeah. Okay, yeah. Cool.

Yes, no, I know.

No, but, Dan, you shouldn't
feel that, you mustn't.

You know, it was just
one meeting, that's all.

I mean, they hadn't
even read it.

Meanwhile,
in a break between meetings,

producer Lucy Freeman
has found time to catch up
with other projects.

No, listen. Nothing worthwhile
is easy, you know?

What?

Yes, okay. Bye, Dan, bye. Bye.

Hi.
Hi. You sure?

Yes, sure.

I think I owe you one.

It's also
a convenient moment
to look for a desk

that isn't already
too hot to work at.

To save you asking, I haven't
read that script yet.

What, Home Truth? No, no.

I will do, I'd like to, but I
had a few other things to...

Yes, no, of course.

So was that the writer
you were talking to?

Yes. Dan, yes.
He's up in Wetherby.

I was just trying
to cheer him up. Yes.

So, nothing worthwhile
is easy.

Yes.
What does that actually mean?

I'm not really sure, but I
always think it sounds good,
doesn't it?

Yeah, sounds great.

Yes, hi.

Yes, I'd like to send
some flowers, please.

Please, yes,
that's why I phoned.

I mean, if you don't
mind me asking, Ian,

how much were you earning

back at the Olympic
Deliverance Commission?

The Olympic Deliverance
Commission?
A-ha!

I just think that could be
relevant here. Brilliant.

Meanwhile,
Director of Strategic
Governance Simon Harwood,

has arranged for Ian to meet
BBC Head of Humane Resources
Elaine Pearson

to have a bit of a natter
about the issue of his salary.

Well, leaving aside
the rights and wrongs
of all the personal stuff

for the moment...
Right. Well, no,
wait a minute...

Yes, 'cause I'm not being
funny or anything, Ian,

but who knows what they're
gonna turn up next?

I'm sorry, but this all...
You're talking as if...

I haven't done
anything wrong here.

No.
Oh, no, no, no.

I was divorced, I was

out of a job after seven years
on the bloody Olympic Games,

I went to Italy for one week

with someone who... She...

Okay, it was a mistake, okay?

Ah, yes, good.
It was a mistake.

I think I probably
knew it at the time.

We had separate rooms,
it rained,

there was some sort of
dreadful tomato festival for
the whole bloody week,

she spent pretty much
the last two days in tears,

I felt physically sick with
guilt and then we came back.

Okay.
I mean, what's wrong
with that?

Oh, yes. Nothing.

No, Simon and I were talking
earlier and I know you've
talked to Tony...

Oh, yes, who by the way
is pretty perky about this.

Right. Is he?

The fact is you do earn
almost twice as much
as the Prime Minister.

You are BBC Head of Values.
Hang on.

There's no getting
around it, that's a pretty
toxic combination.

I'm sorry. People keep banging
on about the Prime Minister.

I can't do anything about
how much the Prime Minister
earns, can I?

I mean, that's really
not my fault.

No.

Oh, no, no, absolutely not.

You know, and by the same
token, I can't do anything
about how much I earn, can I?

That's really not
my fault, either.

So really, I mean, I just,

I don't think that's a helpful
line of argument.

Brilliant.

What?

Brilliant, brilliant, brilliant.

Fiona Bruce. No.

No, okay.
Great with disasters
and uprisings,

but the fact is Fiona
doesn't do fun.

Yeah, lovely Fiona.

Elsewhere,
as Britain's Top Village
inevitably takes shape,

the issue for Anna Rampton
is who could be shiny enough

to present alongside
Gary Lineker,

leaving newcomer
Sally Wingate's face free
to play a less obvious role.

Sorry, Anna.
That's okay, Jack.

Bit of a queue downstairs. Sure.

Went to Starbucks in the end.
Hope that's gonna be okay.

No, I don't want that now. Okay.

You can leave the water.
Also this is broken. Sure.

Okay. Sure, yep.
I'll have a look.
Can you?

Okay.

Julia Bradbury.

Right. Okay.

Lovely Julia. No, okay. No.

There you go, it's good now. Good.

The fact is
we need big hitters here.

I know, the thing about
Julia is, like,

she really needs
to be walking?

As soon as she stands still,
it's not there somehow,
it's gone.

Oh, Jack had an idea. Okay.

Jack. Britain's Top Village. Yeah.

Yeah, right, okay.

Holly Willoughby.

Yes.

Fuck. It's genius.
Holly Willoughby...

I mean, do you think
that would actually work?

What? Holly Willoughby
and Gary Lineker? Together?

I just mean...
I'm like, is that even legal?

Okay, good.

I feel dirty even saying it.

I mean, I can't remember
the exact figure,

not in terms of actual...

No, sure, ballpark's fine.

To the nearest few thousand. Right.

Well, the Olympics
is a long time ago,

and obviously I've spent
all of it now,

but I suppose
it must have been...

Well, it must have been, uh...
I mean, do I have to?

I suppose somewhere
in the region of, I mean,
I don't know,

thousand pounds.

thousand.

I mean, very roughly, yes,
I mean, I'm guessing.

Very good.
Okay, so you got
a decent uplift in

coming to the BBC. Yes.

I mean, I'm not
feeling particularly uplifted
at the moment.

Meanwhile,
back in Frankie Howerd,

Elaine Pearson is taking Ian
through some of the advantages

of cutting his current salary,

which we are unable to reveal
here for ethical reasons,

to a level more comparable
with someone who earns
a lot less than that.

I mean, I have to say
I'm not entirely comfortable
with this whole idea.

Well, although...
If ever there was
an opportunity

for the BBC to stand tall
and make a big,
bold statement about

how much it values
the idea of

valuing values,
then surely this is it.

Oh, yes, no, very strong.

I'm sorry, I may be stupid,
but I just don't see

how the Head of Values
cutting his own salary in half
does that.

Oh, well.
In half?

Blimey.
Well, no, that's...

Steady on, everybody.

It's not
going to be easy to arrive
at an appropriate figure,

but slowly and surely
they're working their way
down towards one.

What I'm saying is
if we were able to say,
amongst the first things

the incoming Head of Values
did at the BBC,

was to look at
his own salary and cut it to,

I don't know, say
thousand pounds less

than he was earning
in his previous job...

We can work
on the detail obviously...

Wouldn't that be one hell
of a signal to put out there?
Right.

That's brilliant.

I'm not being funny
or anything, Ian, but
I gotta say, that is genius.

Well...
There's your big bold
statement right there.

thousand.

Like I say, we can
work on the detail.

You know, for what it's worth,
and I mean, you know,
listen, I don't know

how this stuff works,
but thousand
seems pretty good to me.

Well, I mean...
Yes, 'cause that's
thousand less

than you used to earn before,

but it's thousand
less than you're actually
earning now.

Yes.
Plus it's pounds
less than the Prime Minister.

Well, exactly, yes.

Right. Okay.
It's perfect.

It's joyous.
No, well, I mean,

as an option that's
very interesting,
thank you, Elaine.

'Cause I suppose
what you wanna be thinking
here, Ian, is,

what are my other options?

Well, exactly, yes. Absolutely.

And I don't want to be
negative or anything,

but from where I'm standing,
I'm not seeing any.

Chaps, I have to say that I
think we have done something
really rather momentous here.

Yes.
Yes, well, no,
I'll certainly...

Elaine Pearson, Superwoman.

No, really...
Yes, no, thank you very much.

Will.

Yeah, hey, yeah. No, nothing.

Still here.
What? Yeah.

Good, isn't it?
Yeah, it's like, I was just,
yeah, I don't know.

I was gonna ask where you
put it this morning,

but it looks like
it's been around a bit.

Yeah, no,
I've been round here,
I haven't been on the road.

I mean, honestly,
it's ridiculous.

Head of bloody Values,
I've got nowhere
to put my bike.

Yeah, crap, yeah. Crap.

Will.
Yeah.

What're you doing now?
No, nothing,

I've been here all the time.

You all right?
What? Yeah, cool, yeah, cool.

Are you doing anything
for the next half hour or so?

What, now? No.
Yes.

Right, okay. Good.

It's Friday morning.

A new day, and for Ian a day
that already feels very much
like Thursday morning.

No, look,
what I'd say is...

This is a chance
to make a clear and confident
public statement

about the BBC's core values,

and about what makes it
different from just about
every other broadcasting

organisation in the world.

And these chances
don't come along very often.

How are you going to feel
about earning even less
than the Prime Minister?

No, look, this isn't about me
or the Prime Minister.

I think one of the
achievements the BBC of today
can be proudest of

is that it pays its key talent
less than anyone else,

and I'm certainly proud to
have been given the chance
to be part of that,

so, no, that's all good.

I mean, the thing about
this is, for once

it isn't actually about the
standard of journalism
on the show.

No, I know that.
Which, as Tony said,

is really, rather kind
of fabulous.
Yeah, bollocks.

Meanwhile,
inside, Simon Harwood

is in the gallery
of the Newsnight studio.

He's come for a bit
of a catch-up

about what's now being
referred to as
the Kneesnight Issue

with Current Head of News
and Current Affairs Neil Reid,

and Acting Editor of
Kneesnight, Mark Stephenson.

I mean, you guys'll know how
you wanna handle this thing,

but Mark would it be
an idea to just have
a little chat with her?

What? With Indira?

Yes, you know... What,

talk about her skirt?

Well, no, just, you know,
just, just to have a bit of
a chinwag over a coffee,

and take the heat
out of the whole thing.

Oh, yeah, it's an idea,
but it's a terrible idea. Fine.

You know, there's so many ways
of that going wrong.

It's just a question of which
one to choose, really. Yes.

Yes, no, brilliant, brilliant.

Overnight, the
Leader of the House of Commons
Harriet Harman,

herself a woman,
has tweeted about the
increasing sexualisation

of television news.

It doesn't help,
we're all fucking men. No.

I mean, look at us,
for God's sake.

Yes, and in an ideal world,

um, what outcome
are we looking for here?

Well, in an ideal world,

I suppose, they'd all still be
sitting behind desks
like they used to.

None of this would've
ever happened. Brilliant.

As it stands we've got them
prancing around the set
like bloody heifers

at a county show.

Yeah, so whose idea
was it to have them
standing up so much?

Don't know.
I don't know.

Nobody likes it.
Paxman looks like he's waiting
for a fucking bus.

Brilliant. I know you'll know
what you're thinking on this,

but for what it's worth,
Tony absolutely loves desks.

No, I was saying to Mark,
why don't we get Bruce Forsyth

to present Newsnight
and have done with it?
Then everybody's happy.

Yeah.
Yes, no, brilliant,
Neil, brilliant.

No, of course, I mean,
that goes without saying,

but the fact is Gary Lineker
was voted in the top 50 men

you'd most like to
surprise you in the shower.

Meanwhile,
producer Lucy Freeman
is already on the phone.

She's managed to talk to
Holly Willoughby's agents,

despite how difficult
that is to do.

I mean, initially, it
would obviously be great

if we could maybe meet Holly,
maybe lunch or something,
tell her a bit about...

No, sure, I mean it
could just be a salad
or something.

Absolutely, of course.

Okay, well, look,
that's great, Tamsin.

Look forward
to hearing from you.

Okay, thanks.
Lovely, bye. Bye.

Hi.

Yeah, hi.

How are you?
Okay, no, forget that.

Yes.

No, I'm okay today, thanks.

Oh, okay.

Have you got a moment?
Yes. Sure.

Oh, now?
Yes.

Right, okay. Yeah Yes.

Wow.
Yes.

Yeah, we built it.

Come on in.
Yeah, this is where
the bike goes.

Right.
Here.

Yes.

Pretty cool.
Thanks, Will.

I thought offices
weren't allowed.

No, they're not, no. No.

No, but I think what I've
realised is that ultimately,

in the big scheme of things,
you know, sod it.

Yes, right.
Yeah, 'cause it's like

in the end life's too short
and then you die?

Yes.
Yes, thanks, Will.

Okay, cool, yeah, no worries,
yeah, cool.

Have a seat.

Thanks. Great.

So I didn't really get
much sleep last night.

No, right.
So I read Home Truth.

Oh, okay. Twice.

Right.
Yes.

As if
his morning hasn't been
interesting enough already,

suddenly, out of nowhere,

Ian has a got a text from
someone waiting in reception.

Sally.

Oh, yes, hi, yes.

What are you... How are you?

Oh, yeah, fine.

I mean, I just...

Yes, no, not a problem.

Shall we...
Just came...
Thank you for these.

Oh, no, it's just,
I couldn't...

I can't... I don't
actually want them.

Right.

Yes, and please don't...

I'd quite like it if you
didn't actually ring me,
or contact me again.

Right.

Yes, and...

Sally...
Yes, thank you,

that's... Thank you. Sally...

Yeah, hey.

Yes, hi, Will.
Yeah, I just got a coffee.

Cool flowers. Yes.

Yeah, nice and big.

Yes, do you want them?
Yeah, say again?

There you go. Uh...

It's your lucky day.

Yeah, cool, yeah, no worries,
yeah, cool.

So what Barney's going
to do here, what's
gonna happen,

and he's going to talk us
through some really
cool ideas,

and then we're just going
to talk about stuff. Okay?
Brilliant.

Meanwhile,
BBC Brand Consultant
Siobhan Sharpe,

has brought Senior
Perfect Curve go-to-guy
Barney Lumsden

over to New Broadcasting House

to present the initial results
of Perfect Curve's mission

to refresh the famous
BBC logo,

and make it feel more
like an app.

Siobhan, I know you'll know
how you wanna do this
better than I do...

Sure, yeah.
And just before
you start,

maybe could you just give
us a bit of background
about how the...

No, sure, I mean,
and so how we do this

is we do background afterwards.

Oh, right, okay.

Yeah, Barney's a kind of
foreground first kind of guy.

Brilliant.
Okay, so, what've
we got here?

Uh, we got, uh, three letters.

Uh, not even three,
we've got...

Two.
Two letters, 'cause the
first two are the same letter,

which is like a B,
so we got two letters,

and they're in a row, which
is like one after the other. Sure.

And we're like,
"Thanks, guys,"

it's not like they've given us
a lot to work with here...

After the
brave decision to lose
the letters B, B and C

from the famous BBC logo,

Barney has got some examples

of what the new BBC icon
might look like.

It's kind of universal.
It could be... It could be
whatever you like.

It could be B, B, C. BBC.

Yeah.
BBC.

Yeah, but without the...
Mmm, mmm, mmm.

Yeah, but...
Mmm, mmm, mmm.

And it's getting bigger,
it's getting stronger,

it's like, it's coming
out of...
Sure. That's comin' at ya.

And we're like, for the BBC,
that's pretty much exactly

where you want...
Okay, so we've got that now.

Okay.
Now do the next one.

Okay, cool.

God.

Oh, don't ask me.
They were just here.

What?

They must have cost a fortune.

Ah, so what,
this isn't normal for you?

Jesus, this is...

I know, they've really gone
the whole nine yards.

What? "Sally. I'm so sorry.

"If there's anybody
that doesn't deserve it,
it's you.

"I hope you're okay."

Sally?
God, this...

Where's Will?
This is really weird.

And I mean, like, who's Ian?

What? Have you read this?
No, no...

No, I just mean... Who's Ian?

And you've got three
main areas here... Threeeee.

You've got British, yeah,
British, Broadcasting
and Company.

Meanwhile,
back in the logo presentation,

Perfect Curve go-to-guy
Barney Lumsden

is getting ever closer
to the cutting edge

in his quest to rebrand
the BBC as an app.

No, you've gone
backwards again.

Hi, apologies.

Ah, brilliant, Mr BBC.

Yes, just been a bit... Yes.

Sort of one of those days.
No, no, brilliant.

How's it going?
No, brilliant.

Yes.
After being
downstairs for a while,

Ian has finally managed

to find his way back
to the sixth floor.

'Cause what we realised
with the number three

is that it's kind of like
a universal number. Threeeee.

Yeah... And we were like,
"Is there like a...
Mmm, mmm, mmm.

"...universal
like thing...
Mmm, mmm, mmm.

"...that gives you the number
three?" And that's when...

Triangle.
Yeah, and that's when we
came up with triangle.

Right.
But when we tried it,

what we found was,
a triangle on its own,

it wasn't very,
it didn't really...
Mmm. It was un-appy.

Yeah, un-appy, yeah.

I'm sorry, Siobhan,
I've been just about hanging
on up to now,

but I'm afraid that's done it.

Um, okay,
so it wasn't appy, okay?

It was un-appy.

Oh, right. Okay.

Un-appy, yeah.

Thank you.
We love this, we so love it.

And then we thought,
"What if you
had two triangles,

"one pointing up,

"and one pointing down,
like they've crashed into
each other."

Right.
Okay.

Blimey.
And suddenly,

we were like,
"This is like an explosion...
Yay!

"...in a triangle factory!"

You got threes everywhere
you look.

Mmm, mmm, mmm.
You've got energy,

you got this really cool dynamic...
Mmm, mmm, mmm.

Well, you've got a star.
You've got a star, yeah,
yeah, cool.

So, that's, um...
You've got the Star of David.

Excuse me?
You've got the Star of David.

Right, so...
Oh, yes, very good.

David who?

The universal symbol
for the Jewish faith
and people.

You're joking me.
No, he's not, Siobhan.

Yeah, sure... Hey.

Yeah, hey.

Okay, well, look, thanks for
that, Siobhan, that's great.

Go, BBC. Go, triangle.

Go, David.

Yes.
Brilliant.

Yes.

Hi.
Yes, hi.

Oh, Anna, actually, I wanted
to just run something by you.

Right.
I don't know
if you've got a second.

Now?
Well, yes, it's just...

No, not really.
No, right.

If you want to e-mail Jack,
he can put something
in the diary.

Okay, fine. That's great.
Okay, good.

It's not important?

What? No, I mean, it's just,

no... I mean, probably not.

What were you doing with it?
I was working at a desk,

and I got talking
to the person next to me.

This was just someone who...
Yes, okay.

I suppose that's the thing
with open-plan, isn't it?

I suppose that was exactly
the sort of...

What were you doing
with the script?
Oh, anyway,

she was telling me about this
thing she was working on,

and I happened to mention I'd
never actually read a script. Right.

Anyway...
Could you hold that for me?
I've finished with it.

Uh, yes... Okay, thank you.

So anyway, I ended up
reading it last night.
All right.

Both episodes. Twice.

Right.
I mean, I know you guys
didn't really go for it, so...

Neither Matt nor I were convinced.

No...
We see a lot of scripts.

Yes, of course, no,

the only reason I mention it
is I hope I haven't committed
a faux pas, that's all.

A faux pas?
I was talking to Tony
this morning, and I...

Yes.
I found myself talking about
Home Truth in passing.

I probably shouldn't
have done,

but we'd got on to the issue
of what the BBC is actually...

Yeah, sure. Anyway,

he asked me
to leave it with him.

The it. The script.
What?

It's interesting,
you realise, of course,

he probably never gets
the chance to actually read
a script either.

Yes.
You forget.

'Cause like you say,
you guys are reading scripts
all the time.

Yes. Yes. Yes.

Knock-knock.
Ah, who's there?

Simon.
Simon who?

Yes, exactly,
who the hell cares?

Yes, come on in.

Well, this is all
very lovely.
It's nice, isn't it?

It's not an office, obviously.
Of course not.

It's actually
a creative clearing. Brilliant.

And somewhere
to put your bike.
Brilliant, brilliant.

Well, thanks for dropping by.

Oh, no, always time
for the great, you know...
Great. Good.

...the keeper of the...
Yes, great, have a seat.

Meanwhile, Ian has
asked Director of Strategic
Governance Simon Harwood

to step into his
creative clearing
and sit down.

So, yes, no, just to keep
you in the loop really...

Yes, no, ah, brilliant.
Just, I'm sorry, Ian,

just before you go on,
can I just say,
for what it's worth,

absolutely brilliant out there
with the press...

Oh, well.
No, really beyond brilliant.

Truly epic stuff.
I mean, thank you.

It felt like a rather
significant moment
for all of us.

Well, it was significant
for me, obviously.

Actually made me feel proud
to be part of the BBC,

if that doesn't sound
too wanky a thing to say.

So, yes, so, with the
logo refresh thing...

Oh, yes, right.
I mean, obviously

it's great to get
Perfect Curve's
take on this...

Yeah.
And thank you for making
all that happen, by the way.

But I have to say, from
a values point of view,

if we're talking about being
confident about who we are,

uh, if that's actually
the brief here...

Brilliant.
Then I think there's
something strong in the idea

of staying with a trademark

that's been part of the BBC
from the very beginning... Brilliant.

...and that gives it its
distinctive identity, you
know, in a crowded...

Very good, very strong.
Because, I mean, in the end,

it's the programmes
anyway, isn't it?

I mean, it's the content

that gives value to the brand,

not the brand that gives
value to the content.

Lord, ha' mercy.
Well, no...

No, honestly, I feel I want
to stand up and clap.

Well, no, please don't.
No, brilliant, listen,

so, I think what I might do
now, if that's okay
with you, Ian,

I'll just run
this past Tony...
Yes, of course, yes.

And for what it's worth,
I can tell you now
he'll practically...

I mean, I have mentioned this
to Tony, obviously.

Oh, right!
Yes.

And I have to say,
I think he pretty much
got it straightaway.

Oh, brilliant, brilliant.
What, you've e-mailed him...

What? No. I mean,
yes, obviously...

Brilliant.
But, no, we just had
a quick coffee earlier.

I mean, he's so busy,
isn't he?

It's ridiculous.

I mean, no, as I say, I think
he could see it immediately,

maybe it touched a nerve.

But, no, if you
want to mention
it to him as well, or again,

that'd be really great.

Mmm. Good-o.
Great, so that's all good.

Brilliant, brilliant. Brilliant.

The thing is, I don't
really want them either, Will.

Okay, cool, so, like,
what shall I do with them?

And where have
they been, anyway?

You haven't been carrying
them round all day?

What? Yeah, no, I mean,
I don't know.

Hi, Lucy. Hi.

Yeah, hey.

You about to go?
Almost finished, yes. Why?

I just got an e-mail
from Anna.

Oh, right. What about?

They've commissioned two more
scripts for some reason. Ah.

God knows why.
I just phoned Dan to tell him.

Well, that's brilliant.
Yeah, brilliant.

He was making
himself a cup of tea,
he refused to believe it.

In the end, I had to forward
him the e-mail to prove it.

So, some good news then.
Oh, it's fantastic.

Yeah, do you want these?
What?

Well, Will...
Yeah, no, you can
have them, it's cool.

What?
We don't know
what to do with them.

Who are they from?
No, Will.

They're from him.
From him?

Yeah.