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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,037 --> 00:00:04,905 - PREVIOUSLY ON AWKWARD... 2 00:00:04,905 --> 00:00:06,807 - I'M YOUR FRIEND. WE HAD AN ACCIDENTAL KISS 3 00:00:06,807 --> 00:00:08,109 THAT EVEN YOU SAID WAS A MISTAKE 4 00:00:08,109 --> 00:00:09,543 BECAUSE YOU HAVE A GIRLFRIEND. 5 00:00:09,543 --> 00:00:11,712 - I'M SO GLAD I WROTE YOU THAT LETTER. 6 00:00:11,712 --> 00:00:12,980 YOU'RE DEAD TO ME, JENNA HAMILTON. 7 00:00:12,980 --> 00:00:14,648 - I DON'T WANT TO BE FRIENDS. 8 00:00:14,648 --> 00:00:16,850 I WANT TO BE MORE. 9 00:00:16,850 --> 00:00:19,887 - THE WEEKLY HUMP DAY OF HIGH SCHOOL 10 00:00:19,887 --> 00:00:21,889 WAS USUALLY A DAY WITHOUT FANFARE, 11 00:00:21,889 --> 00:00:24,758 AND YET, I COULDN'T SHAKE THE GNARLY FEELING IN MY GUT, 12 00:00:24,758 --> 00:00:26,460 AND ON FIRST INTUIT, 13 00:00:26,460 --> 00:00:29,630 I WAS CONVINCED AMANDA TANKERSLY WAS HAVING ANOTHER SEIZURE. 14 00:00:29,630 --> 00:00:31,565 students chanting: FIGHT! FIGHT! FIGHT... 15 00:00:31,565 --> 00:00:33,567 - OR THERE WAS A FIGHT. 16 00:00:33,567 --> 00:00:37,471 students: FIGHT! FIGHT! FIGHT... 17 00:00:37,471 --> 00:00:38,839 - FOR TWO WEEKS, TAMARA HAD TORTURED ME 18 00:00:38,839 --> 00:00:40,541 WITH HER SILENCE. 19 00:00:40,541 --> 00:00:42,009 AND IF SHE DIDN'T BREAK THE SILENCE SOON, 20 00:00:42,009 --> 00:00:44,712 I WAS STARTING TO DOUBT THAT WE'D EVER BE FRIENDS AGAIN. 21 00:00:44,712 --> 00:00:47,381 - JENNA? JENNA? 22 00:00:47,381 --> 00:00:49,917 WHY WOULD YOU KISS JENNA HAMILTON? 23 00:00:49,917 --> 00:00:52,019 - THERE'S THE BITCH! SIC HER! 24 00:00:52,019 --> 00:00:54,222 - NO. LIS, LOOK, IT'S NOT HER FAULT. 25 00:00:54,222 --> 00:00:57,191 SHE DIDN'T DO ANYTHING WRONG. - AAH! 26 00:00:57,191 --> 00:01:02,130 - WATCHING AN EMOTIONAL TRAIN WRECK WAS AWESOME... 27 00:01:02,130 --> 00:01:04,998 UNLESS YOU'RE THE ONE GETTING HIT. 28 00:01:08,902 --> 00:01:10,771 [bullhorn siren bursts] 29 00:01:10,771 --> 00:01:12,005 - OKAY, PARTY'S OVER, PEOPLE! 30 00:01:12,005 --> 00:01:14,275 PALOS HILLS HAS ZERO TOLERANCE FOR VIOLENCE. 31 00:01:14,275 --> 00:01:16,777 ZERO IS A BRUISE'S HERO. 32 00:01:16,777 --> 00:01:19,480 BLONDIES, COME WITH ME. 33 00:01:19,480 --> 00:01:21,615 NOT YOU, REBECCA. GOD! 34 00:01:21,615 --> 00:01:24,852 - THEY'RE CALLING IT "THE SLAP HEARD ACROSS THE QUAD." 35 00:01:24,852 --> 00:01:25,986 - IT ALREADY HAS A NAME? - YES. 36 00:01:25,986 --> 00:01:27,655 BUT IT TOTALLY NEEDS A REWRITE. 37 00:01:27,655 --> 00:01:29,190 IT SHOULD HAVE BEEN CALLED "THE SMACK ATTACK." 38 00:01:29,190 --> 00:01:30,491 - WHICH IT WAS. - NO JOKE. 39 00:01:30,491 --> 00:01:32,025 YOU'VE GOTTA TELL ME, WHAT WAS NUMBNUTS SAYING 40 00:01:32,025 --> 00:01:33,194 BEFORE SHE KNOCKED YOU BACK? 41 00:01:33,194 --> 00:01:34,828 - I THINK SHE WAS SPEAKING IN TONGUES. 42 00:01:34,828 --> 00:01:36,597 - SHE IS SO JACKED UP ON JESUS! 43 00:01:36,597 --> 00:01:38,466 - I'M GLAD WE'RE FRIENDS AGAIN. 44 00:01:38,466 --> 00:01:40,000 - WE'RE NOT. 45 00:01:40,000 --> 00:01:43,003 - IT WAS A FRIENDSHIP DRIVE-BY. 46 00:01:43,003 --> 00:01:46,440 - THIS IS LISSA'S CIRCLE OF TRUST, OKAY? 47 00:01:46,440 --> 00:01:49,042 AND THIS...IS YOU. 48 00:01:49,042 --> 00:01:51,712 WHAT WE NEED TO DO IS GET YOU 49 00:01:51,712 --> 00:01:53,181 BACK INTO LISSA'S CIRCLE. 50 00:01:53,181 --> 00:01:55,349 I WILL BE A NEUTRAL LISTENER 51 00:01:55,349 --> 00:01:57,218 TO HELP GUIDE YOU IN THE RIGHT DIRECTION. 52 00:01:57,218 --> 00:01:58,486 FEEL FREE TO OPEN UP. 53 00:01:58,486 --> 00:01:59,953 I'LL BE COMPLETELY OBJECTIVE. 54 00:01:59,953 --> 00:02:02,022 - I TRUSTED YOU. YOU SAID YOU WOULD NEVER LIE TO ME, 55 00:02:02,022 --> 00:02:04,292 AND NOW YOU'VE HUMILIATED ME IN FRONT OF THE ENTIRE SCHOOL! 56 00:02:04,292 --> 00:02:06,794 - I DIDN'T LIE TO YOU. - OH, LIAR. 57 00:02:06,794 --> 00:02:08,962 - NO, I-- I TOLD YOU THE TRUTH 58 00:02:08,962 --> 00:02:11,332 IT'S JUST-- IT TOOK ME A WHILE 59 00:02:11,332 --> 00:02:13,033 TO FIGURE OUT HOW TO TELL YOU. 60 00:02:13,033 --> 00:02:14,602 - SOMETIMES MEN FEEL LIKE 61 00:02:14,602 --> 00:02:17,338 IF THEY TELL YOU ABOUT THE CHEATING, IT MAKES IT OKAY. 62 00:02:17,338 --> 00:02:19,307 IT DOESN'T. IT'S SELFISH. 63 00:02:19,307 --> 00:02:21,275 AND DOING IT PUBLICLY WAS REALLY DOUCHEY. 64 00:02:21,275 --> 00:02:23,544 - AND NOW, EVERYONE PROBABLY THINKS 65 00:02:23,544 --> 00:02:24,978 I'M UNSTABLE. 66 00:02:24,978 --> 00:02:27,715 - HONEY, THAT PROBABLY HAS MORE TO DO 67 00:02:27,715 --> 00:02:28,816 WITH YOUR TWITCHY EYE THAN YOUR OUTBURST, 68 00:02:28,816 --> 00:02:31,752 - WHAT? 69 00:02:31,752 --> 00:02:35,223 - LIS, I'M...SORRY. 70 00:02:35,223 --> 00:02:37,891 AND I FEEL HORRIBLE? 71 00:02:37,891 --> 00:02:40,461 AND I NEVER MEANT TO KISS JENNA. 72 00:02:40,461 --> 00:02:42,396 IT WAS AN IMPULSIVE MISTAKE. 73 00:02:42,396 --> 00:02:44,031 AND IF YOU WANT TO BREAK UP, 74 00:02:44,031 --> 00:02:45,333 I MEAN, I'LL TOTALLY UNDERSTAND. 75 00:02:45,333 --> 00:02:47,067 - I DON'T WANT TO BREAK UP. DO YOU WANT TO BREAK UP? 76 00:02:47,067 --> 00:02:50,271 - WELL, AS LONG AS WE'RE BEING HONEST HERE... 77 00:02:50,271 --> 00:02:53,140 - DO YOU? 78 00:02:53,140 --> 00:02:55,309 - [mouths word] - NO. 79 00:02:55,309 --> 00:02:56,610 - OH, GOOD. 80 00:02:56,610 --> 00:02:59,079 - OWNING UP TO BEING A MANWHORE IS NOT AN EASY TASK. 81 00:02:59,079 --> 00:03:02,049 NOW WE NEED TO MAKE THINGS RIGHT. LISSA, 82 00:03:02,049 --> 00:03:04,852 WHAT CAN JAKE DO TO GET BACK INTO YOUR CIRCLE OF TRUST? 83 00:03:04,852 --> 00:03:08,722 - HE CAN GIVE ME... 84 00:03:08,722 --> 00:03:12,993 EVERYTHING I WANT. 85 00:03:12,993 --> 00:03:15,263 - I AM GOOD AT BEING SWITZERLAND. 86 00:03:15,263 --> 00:03:17,665 - I'M NOT GOOD AT BEING SWITZERLAND! 87 00:03:17,665 --> 00:03:20,334 CHINESE PEOPLE CAN'T DIGEST CHEESE AND CHOCOLATE. 88 00:03:20,334 --> 00:03:22,570 AND THE ONLY THING WE'RE NEUTRAL ABOUT IS CHILD LABOR. 89 00:03:22,570 --> 00:03:24,405 - I DON'T WANT TO PUT YOU IN THE MIDDLE EITHER, 90 00:03:24,405 --> 00:03:25,773 BUT TAMARA ONLY TALKS TO ME 91 00:03:25,773 --> 00:03:27,275 AFTER I'VE BEEN PHYSICALLY ASSAULTED. 92 00:03:27,275 --> 00:03:30,177 - DO YOU WANT ME TO HIT YOU? - NO. 93 00:03:30,177 --> 00:03:32,280 - CAN'T YOU GUYS GET OVER IT ALREADY? 94 00:03:32,280 --> 00:03:34,348 YOU KISSED HER CRUSH. SHE WROTE THE HEINOUS LETTER. 95 00:03:34,348 --> 00:03:35,716 THE WAY I SEE IT, YOU'RE EVEN. 96 00:03:35,716 --> 00:03:38,519 - I JUST NEED YOU TO BRING HER TO THE SANCTUARY. 97 00:03:38,519 --> 00:03:41,455 - HOW AM I SUPPOSED TO DO THAT? - LIE. 98 00:03:41,455 --> 00:03:46,627 - I'LL TRY, BUT I'M NOT GOOD AT IT. 99 00:03:46,627 --> 00:03:50,063 - HEY, HOME WRECKER! 100 00:03:50,063 --> 00:03:51,932 DID I CROSS THE LINE? - NO. 101 00:03:51,932 --> 00:03:52,933 THE LINE IS ACROSS MY CHEEK. 102 00:03:52,933 --> 00:03:54,302 YOU CAN PROBABLY STILL SEE IT. 103 00:03:54,302 --> 00:03:56,003 - SO WERE YOU EVER GONNA TELL ME YOU KISSED MY BEST FRIEND? 104 00:03:56,003 --> 00:03:57,305 - I DIDN'T KISS JAKE. 105 00:03:57,305 --> 00:03:58,772 HE PRACTICALLY WALKED INTO MY FACE. 106 00:03:58,772 --> 00:04:01,041 - HOW 'BOUT I WALK INTO IT? - [chuckles] 107 00:04:01,041 --> 00:04:02,343 I THINK MY FACE HAS HAD MORE THAN ENOUGH ACTION 108 00:04:02,343 --> 00:04:03,811 FOR ONE DAY. - THAT'S TOO BAD, 109 00:04:03,811 --> 00:04:06,046 'CAUSE I WAS HOPING WE COULD HOOK UP TONIGHT. 110 00:04:06,046 --> 00:04:08,181 - FOR THE RECORD, HOOKING UP INVOLVES MY FACE. 111 00:04:08,181 --> 00:04:10,451 - I MEANT, DO YOU WANT TO GET TOGETHER? 112 00:04:10,451 --> 00:04:12,386 - CLOTHES ON OR OFF? - OPTIONAL. 113 00:04:12,386 --> 00:04:14,154 BUT YOU SHOULD PROBABLY WEAR SOMETHING TO START. 114 00:04:14,154 --> 00:04:15,789 KIND OF HARD TO TAKE YOU OUT TO DINNER 115 00:04:15,789 --> 00:04:16,790 WITH YOUR BOOBS HANGING LOW. 116 00:04:16,790 --> 00:04:18,459 - MY BOOBS DON'T HANG LOW. 117 00:04:18,459 --> 00:04:19,860 - OH, I KNOW. 118 00:04:19,860 --> 00:04:22,330 - UNFORTUNATELY, SO DOES EVERYONE ELSE. 119 00:04:22,330 --> 00:04:24,932 SO, DINNER? - YEAH. 120 00:04:24,932 --> 00:04:27,167 - ARE YOU ASKING ME OUT? 121 00:04:27,167 --> 00:04:29,337 - ARE YOU ALWAYS THIS DIFFICULT? 122 00:04:29,337 --> 00:04:31,038 - I DON'T KNOW. ASK JAKE. 123 00:04:31,038 --> 00:04:35,843 - OKAY, JENNA... WILL YOU GO OUT WITH ME? 124 00:04:35,843 --> 00:04:38,045 - I THOUGHT YOU'D NEVER ASK. 125 00:04:38,045 --> 00:04:42,916 - I'LL TEXT YOU LATER. 126 00:04:42,916 --> 00:04:44,485 - I COULDN'T WAIT TO SHARE 127 00:04:44,485 --> 00:04:47,721 THE EXCITING DEVELOPMENT IN MY LOVE LIFE... 128 00:04:47,721 --> 00:04:49,590 WITH MYSELF. 129 00:04:49,590 --> 00:04:52,360 THE FATE OF MY FRIENDSHIP RESTED IN MING'S HANDS. 130 00:04:52,360 --> 00:04:54,362 AND NEEDLESS TO SAY, I WAS WORRIED. 131 00:04:54,362 --> 00:04:57,665 - WHERE IS IT? 132 00:04:57,665 --> 00:05:00,100 "FOR A SEX TOUCH"? 133 00:05:00,100 --> 00:05:03,070 WHAT THE HELL IS A SEX TOUCH? 134 00:05:03,070 --> 00:05:05,973 MING, THAT'S YOUR HANDWRITING! WHY WOULD YOU WRITE THIS? 135 00:05:05,973 --> 00:05:07,475 AND MORE IMPORTANTLY, WHY WOULD YOU SHOW ME? 136 00:05:07,475 --> 00:05:10,378 - I...UH... 137 00:05:10,378 --> 00:05:11,379 JENNA! 138 00:05:11,379 --> 00:05:13,146 - I ASKED HER TO BRING YOU HERE. 139 00:05:13,146 --> 00:05:14,648 I'M SORRY I KISSED RICKY SCHWARTZ, 140 00:05:14,648 --> 00:05:16,417 BUT IT WASN'T MY FAULT-- I WAS DRUGGED. 141 00:05:16,417 --> 00:05:18,151 AND I'M PRETTY SURE HE WAS THE ONE WHO KISSED ME FIRST. 142 00:05:18,151 --> 00:05:19,620 - I'M NOT READY TO FORGIVE YOU. - WHY? 143 00:05:19,620 --> 00:05:21,922 I ALWAYS FORGIVE YOU, AND FOR MUCH WORSE THINGS. 144 00:05:21,922 --> 00:05:22,956 - OH, LIKE WHAT? 145 00:05:22,956 --> 00:05:25,092 - LIKE THE CAREFRONTATION. 146 00:05:25,092 --> 00:05:29,430 - I DIDN'T WRITE THE LETTER... BUT I KNOW WHO DID. 147 00:05:29,430 --> 00:05:33,501 [school bell rings] 148 00:05:33,501 --> 00:05:36,837 - NO-CARB CHOCOLATE, WITH GUMMI BEARS ON THE SIDE. 149 00:05:36,837 --> 00:05:38,772 - ARE THE GUMMIES SUGAR FREE? - OF COURSE. 150 00:05:38,772 --> 00:05:39,873 BUT DON'T EAT TOO MANY. 151 00:05:39,873 --> 00:05:41,174 THE LADY BEHIND THE COUNTER SAID 152 00:05:41,174 --> 00:05:42,309 THEY'RE BASICALLY CANDY LAXATIVES. 153 00:05:42,309 --> 00:05:44,445 - I KNOW. - THOSE ARE NOT CARB-FREE. 154 00:05:44,445 --> 00:05:46,179 - IT'S NOT CARB-FREE? 155 00:05:46,179 --> 00:05:47,848 - YOU WANT ME TO GET YOU ANOTHER ONE? 156 00:05:47,848 --> 00:05:49,850 - NO. 157 00:05:52,986 --> 00:05:55,322 - DUDE, I THINK YOU LEFT YOUR NADS BACK IN THE CAR. 158 00:05:55,322 --> 00:05:56,624 - NOPE, SHE'S GOT 'EM. 159 00:05:56,624 --> 00:05:57,891 IT WAS EITHER DRIVE ALL THE WAY TO YUMMY YOGURT 160 00:05:57,891 --> 00:05:59,026 OR GO TO CHURCH THIS WEEKEND. 161 00:05:59,026 --> 00:06:00,461 - WHY WOULD YOU TELL HER ABOUT THE KISS? 162 00:06:00,461 --> 00:06:01,929 - I'M NOT GOOD AT KEEPING SECRETS. 163 00:06:01,929 --> 00:06:04,197 - BUT WHY DOES EVERYBODY HAVE TO KNOW EVERYTHING? 164 00:06:04,197 --> 00:06:06,099 - BECAUSE [bleep] GETS OUT, THEN THERE'S DRAMA. 165 00:06:06,099 --> 00:06:07,935 - ROSATI, YOU SOUND LIKE A GIRL. 166 00:06:07,935 --> 00:06:11,271 - SHE'S RIGHT. THIS ISN'T CARB-FREE. 167 00:06:11,271 --> 00:06:12,773 - WHY DID YOU SAY YOU WROTE THE LETTER IF YOU DIDN'T? 168 00:06:12,773 --> 00:06:14,007 - I WAS HURT. 169 00:06:14,007 --> 00:06:17,310 AND YOU KNOW I HAVE A LOW TOLERANCE FOR PAIN. 170 00:06:17,310 --> 00:06:18,646 CAN YOU FORGIVE ME? 171 00:06:28,722 --> 00:06:31,291 NOW THAT WE'RE BEING HONEST, 172 00:06:31,291 --> 00:06:32,760 I THINK MATTY WROTE THE LETTER. 173 00:06:32,760 --> 00:06:35,663 IS THIS ANOTHER SLAP, OR DO YOU HAVE A POINT? 174 00:06:35,663 --> 00:06:36,964 - THE FACTS ARE ON THE GROUND. 175 00:06:36,964 --> 00:06:38,566 DID YOU OR DID YOU NOT RECEIVE THE LETTER 176 00:06:38,566 --> 00:06:40,333 THE LAST DAY OF SUMMER CAMP-- 177 00:06:40,333 --> 00:06:42,069 THE DAY NE VOTED YOUR HYMEN OFF THE ISLAND? 178 00:06:42,069 --> 00:06:48,476 AND ISN'T IT A FACT THAT HE CONTINUES TO HUMP YOU IN HIDING? 179 00:06:48,476 --> 00:06:49,743 - THAT'S NOT A FACT. 180 00:06:49,743 --> 00:06:50,878 - WELL, WHATEVER. 181 00:06:50,878 --> 00:06:53,514 HE STILL KISSED ANOTHER GIRL IN FRONT OF YOU. 182 00:06:53,514 --> 00:06:55,649 - HE APOLOGIZED FOR THAT, SORT OF. 183 00:06:55,649 --> 00:06:58,251 - I HAVE NO FURTHER QUESTIONS. HE'S ANNE FRANK-ING YOU. 184 00:06:58,251 --> 00:06:59,487 - THERE'S NO WAY. 185 00:06:59,487 --> 00:07:00,888 - YOU'RE IN TOO DEEP. 186 00:07:00,888 --> 00:07:02,590 YOU'RE BLINDED MY HIS HAIR PRODUCT. 187 00:07:02,590 --> 00:07:05,959 - AS YOUR FRIEND WHO WILL NEVER EVER LIE TO YOU EVER AGAIN, 188 00:07:05,959 --> 00:07:07,495 I' AM TELLING YOU, IT'S OBVI. 189 00:07:07,495 --> 00:07:10,664 HE'S GROOMING YOU IN PRIVATE SO HE CAN TAKE YOU PUBLIC. 190 00:07:10,664 --> 00:07:13,667 - WELL, HE MUST THINK I'M READY, 191 00:07:13,667 --> 00:07:18,572 BECAUSE WE'RE GOING OUT TONIGHT, IN PUBLIC. 192 00:07:18,572 --> 00:07:20,340 [cell phone chimes] 193 00:07:20,340 --> 00:07:23,210 AN HOUR DRIVE DIDN'T SEEM VERY PUBLIC. 194 00:07:23,210 --> 00:07:25,979 MAYBE HE WAS ANNE FRANK-ING ME. 195 00:07:28,582 --> 00:07:29,617 - WHILE TAMARA MADE A GOOD CASE 196 00:07:29,617 --> 00:07:30,684 WITH HER LAW & ORDER LOGIC, 197 00:07:30,684 --> 00:07:32,252 I JUST COULDN'T WRAP MY MIND AROUND 198 00:07:32,252 --> 00:07:33,621 MATTY WRITING THE LETTER. 199 00:07:33,621 --> 00:07:36,089 HE WAS A REMEDIAL SPELLER, 200 00:07:36,089 --> 00:07:38,191 AND THAT WAS PROOF ENOUGH FOR ME TO EXONERATE HIM. 201 00:07:38,191 --> 00:07:39,527 [doorbell rings] 202 00:07:45,933 --> 00:07:48,035 LOOK AT, I HATE TO BE A BUZZ KILL, 203 00:07:48,035 --> 00:07:49,136 BUT YOU GUYS HAVE TO BAIL. 204 00:07:49,136 --> 00:07:50,904 MATTY IS GONNA BE HERE ANY MINUTE. 205 00:07:50,904 --> 00:07:53,106 - AHA! 206 00:07:53,106 --> 00:07:55,576 I KNEW SHE TAPED IT BACK TOGETHER. EXHIBIT "A." 207 00:07:55,576 --> 00:07:59,112 "NUMBER THREE. THE ONLY PEOPLE MORE PATHETIC THAN YOU 208 00:07:59,112 --> 00:08:00,881 ARE YOUR FRIENDS. DROP THE DEAD WEIGHT. 209 00:08:00,881 --> 00:08:03,183 IT'S ONE THING FOR HIM TO DIS YOU, 210 00:08:03,183 --> 00:08:05,653 BUT HOW CAN YOU LET HIM DIS US? [doorbell rings] 211 00:08:05,653 --> 00:08:08,355 - CRAP. YOU GUYS CANNOT LEAVE THIS ROOM. 212 00:08:08,355 --> 00:08:09,890 YOU CAN NANCY DREW THIS ANOTHER TIME. 213 00:08:09,890 --> 00:08:11,792 - IF YOU'RE SO SURE HE DIDN'T WRITE THE LETTER, 214 00:08:11,792 --> 00:08:13,894 WHY CAN'T WE JUST SAY HI? - YEAH. 215 00:08:13,894 --> 00:08:15,563 ARE YOU AFRAID HE'LL THINK YOUR FRIENDS ARE PATHETIC? 216 00:08:15,563 --> 00:08:18,699 - YOU ARE PATHETIC FOR TRYING TO RUIN MY FIRST DATE. 217 00:08:18,699 --> 00:08:20,634 - SHE MAKES A GOOD POINT. 218 00:08:20,634 --> 00:08:23,571 - FINE. BUT DON'T COME LOOKING FOR THIS SHOULDER TO CRY ON 219 00:08:23,571 --> 00:08:24,872 WHEN THE TRUTH IS REVEALED! 220 00:08:24,872 --> 00:08:26,306 - MINE WILL BE AVAILABLE. 221 00:08:26,306 --> 00:08:28,976 - STAY! 222 00:08:28,976 --> 00:08:31,579 - SUCH A FAT LITTLE BABY. 223 00:08:31,579 --> 00:08:34,381 SHE WAS EVEN BIGGER THAN THE PONIES AT THE FARM. 224 00:08:34,381 --> 00:08:35,583 THEY WOULDN'T LET HER RIDE THEM 225 00:08:35,583 --> 00:08:36,584 BECAUSE IT WASN'T SAFE FOR THE HORSES. 226 00:08:36,584 --> 00:08:37,985 - THEY WERE MINIATURE HORSES. 227 00:08:37,985 --> 00:08:40,688 MOM, DON'T YOU HAVE SOMEWHERE TO BE? 228 00:08:40,688 --> 00:08:43,223 - YES. I'M MEETING YOUR FATHER AT THE ANNUAL FUNDRAISER 229 00:08:43,223 --> 00:08:44,592 FOR NARCOLEPSY. 230 00:08:44,592 --> 00:08:46,594 EVERY YEAR, IT'S THE SAME THING-- 231 00:08:46,594 --> 00:08:48,962 A WHOLE LOT OF BOOZE, A WHOLE LOT OF BORING. 232 00:08:48,962 --> 00:08:50,163 AT LEAST THEY CAN SLEEP THROUGH IT. 233 00:08:50,163 --> 00:08:52,065 - MOM, IT'S A SERIOUS DISORDER. 234 00:08:52,065 --> 00:08:54,167 - NO, IT'S NOT. IT'S A GIFT. 235 00:08:54,167 --> 00:08:57,237 THOSE PEOPLE GET SO SLEEP THROUGH THE NIGHT WITHOUT PILLS. 236 00:08:57,237 --> 00:08:59,039 [laughs] 237 00:08:59,039 --> 00:09:01,074 - [mouths words] 238 00:09:03,644 --> 00:09:04,745 - HAVE A GOOD NIGHT. 239 00:09:08,181 --> 00:09:11,151 - WATCH YOUR FOOT. 240 00:09:11,151 --> 00:09:12,920 - * HUGGING, KISSING, ALWAYS MISSING * 241 00:09:12,920 --> 00:09:15,856 * LOVING YOU IS WORTH... * 242 00:09:15,856 --> 00:09:17,658 * HOW'S HE GOING TO BEAT THE BLUES * 243 00:09:17,658 --> 00:09:20,260 - I'M EXCITED. - HE WAS EXCITED... 244 00:09:20,260 --> 00:09:22,329 AND NERVOUS. 245 00:09:22,329 --> 00:09:23,463 THAT WAS SWEET. 246 00:09:23,463 --> 00:09:24,932 HE WAS SWEET. 247 00:09:24,932 --> 00:09:27,100 WHATEVER MINISCULE DOUBT THAT WAS LINGERING 248 00:09:27,100 --> 00:09:29,436 IN THE FAR RECESSES OF MY BRAIN 249 00:09:29,436 --> 00:09:31,171 WAS NOW OBSOLETE. 250 00:09:31,171 --> 00:09:33,073 WE HAD CHEMISTRY, WE HAD EXCITEMENT, 251 00:09:33,073 --> 00:09:34,775 WE HAD... 252 00:09:34,775 --> 00:09:38,345 BEEN IN THE CAR FOR OVER AN HOUR. 253 00:09:38,345 --> 00:09:39,780 ARE WE LOST? 254 00:09:39,780 --> 00:09:41,314 NO, WE'RE JUST GOING SOMEWHERE SPECIAL. 255 00:09:41,314 --> 00:09:43,316 IT IS WORTH THE DRIVE. 256 00:09:43,316 --> 00:09:46,820 SUDDENLY, I WAS THINKING OF TOMORROW...AND ANNE FRANK. 257 00:09:46,820 --> 00:09:48,355 AND THAT SIGN AT THE MEXICAN BORDER 258 00:09:48,355 --> 00:09:50,658 OF PEOPLE ESCAPING UNDER THE DARK OF NIGHT... 259 00:09:50,658 --> 00:09:52,192 WAS MATTY TRYING TO HIDE ME? 260 00:09:52,192 --> 00:09:56,463 AND IF NOT, WHERE THE HELL WAS HE TAKING ME? 261 00:09:56,463 --> 00:09:59,566 RESEDA? WHERE THE EFF WAS RESEDA? 262 00:09:59,566 --> 00:10:02,035 [cell phone ringtone chimes] 263 00:10:02,035 --> 00:10:03,871 - HEY. - MATTY, AM I CRAZY, 264 00:10:03,871 --> 00:10:06,139 OR IS JAKE PRETTY TIGHT WITH SAMANTHA OLSON? 265 00:10:06,139 --> 00:10:09,209 - YEAH. - MM-HMM. 266 00:10:09,209 --> 00:10:10,477 MATTY SAYS THEY TALK ALL THE TIME. 267 00:10:10,477 --> 00:10:12,212 I DON'T CARE HOW MANY FRO-YOS HE BUYS YOU, 268 00:10:12,212 --> 00:10:14,081 JAKE CAN'T BE TRUSTED. 269 00:10:14,081 --> 00:10:16,583 LOOK AT ALL THE GIRLS HE'S FRIENDS WITH. 270 00:10:16,583 --> 00:10:19,186 - HE'S CLASS PRESIDENT, AND I HAVE FAITH IN HIM. 271 00:10:19,186 --> 00:10:21,588 I KNOW HE'S LEARNED HIS LESSON. - REALLY? 272 00:10:21,588 --> 00:10:25,258 THEN WHY DIDN'T HE DE-FRIEND THE CRAZY BITCH? 273 00:10:25,258 --> 00:10:27,995 - I NEVER ASKED HIM TO DE=FRIEND HER. 274 00:10:27,995 --> 00:10:29,596 GOD WOULD WANT ME TO OVERLOOK THIS. 275 00:10:29,596 --> 00:10:31,164 - THAT'S INTERESTING. 276 00:10:31,164 --> 00:10:33,200 - WHAT IS? - YOU AND GOD. 277 00:10:33,200 --> 00:10:35,402 ISN'T HE SUPPOSED TO BE ALL-KNOWING AND KIND? 278 00:10:35,402 --> 00:10:36,704 - HE IS. 279 00:10:36,704 --> 00:10:38,438 - THEN WHY WOULD HE LET JENNA KISS YOUR BOYFRIEND? 280 00:10:38,438 --> 00:10:41,441 YOU SHOULD STOP LISTENING TO HIM AND LISTEN TO ME. 281 00:10:41,441 --> 00:10:45,713 REMEMBER, GOD SOLD OUT HIS ONLY SON TO DIE ON A STICK. 282 00:10:45,713 --> 00:10:49,917 - OKAY... WHAT WOULD YOU DO? 283 00:10:49,917 --> 00:10:51,418 - THEY ONLY WAY YOU CAN BE WITH JAKE 284 00:10:51,418 --> 00:10:54,454 IS IF YOU HAVE INSURANCE. 285 00:10:54,454 --> 00:10:57,024 WRITE THIS DOWN. NUMBER ONE, 286 00:10:57,024 --> 00:10:59,459 HE NEEDS TO DE-FRIEND HER, LIKE, YESTERDAY. 287 00:10:59,459 --> 00:11:02,495 NUMBER TWO, YOU NEED ALL OF HIS PASSWORDS. 288 00:11:02,495 --> 00:11:03,997 EMAIL, PHONE, ET CETERA. 289 00:11:03,997 --> 00:11:06,599 WE NEED TO BE ABLE TO CREEP ON HIM AT ALL TIMES. 290 00:11:06,599 --> 00:11:11,004 NUMBER THREE, HE CAN NEVER SPEAK TO HER AGAIN. 291 00:11:11,004 --> 00:11:13,506 ON SECOND THOUGHT, 292 00:11:13,506 --> 00:11:16,476 LET'S WRITE DOWN WHAT JAKE NEEDS TO SAY TO JENNA. 293 00:11:16,476 --> 00:11:18,511 - I KNOW THE OPENING. 294 00:11:18,511 --> 00:11:22,282 "JENNA, YOU'RE A SKITCH." A SKANKY BITCH. 295 00:11:22,282 --> 00:11:24,818 - DON'T PRETEND LIKE YOU COINED IT. I DID. 296 00:11:24,818 --> 00:11:28,221 BUT I THINK WE NEED TO BUILD TO THAT. 297 00:11:28,221 --> 00:11:31,224 [pop music] 298 00:11:31,224 --> 00:11:35,528 * * 299 00:11:35,528 --> 00:11:38,966 - SPECIAL? THE RESTAURANT WAS A HOLE IN THE WALL. 300 00:11:38,966 --> 00:11:40,868 - ISN'T IT NICE? 301 00:11:40,868 --> 00:11:42,135 - YEAH. 302 00:11:42,135 --> 00:11:45,973 NICE...AND SECLUDED. 303 00:11:45,973 --> 00:11:48,575 GUESS WE WON'T RUN INTO ANYONE HERE. 304 00:11:52,913 --> 00:11:54,147 - HEY, DOLL. - HEY. 305 00:11:54,147 --> 00:11:56,049 - GOOD TO SEE YOU AGAIN. - YOU TOO. 306 00:11:56,049 --> 00:11:57,650 - IT HIT ME. 307 00:11:57,650 --> 00:12:00,954 THIS WAS WHERE HE TOOK ALL HIS REJECT DATES. 308 00:12:00,954 --> 00:12:03,123 THE ONES HE COULDN'T TAKE OUT IN PUBLIC. 309 00:12:03,123 --> 00:12:05,793 THE GIRL WITH THE LAZY EYE, THE GIRL WITH CHEST HAIR, 310 00:12:05,793 --> 00:12:08,862 AND THE GIRL WHO TRIED TO KILL HERSELF. 311 00:12:14,401 --> 00:12:16,603 - BUT WE DIDN'T ORDER. 312 00:12:16,603 --> 00:12:19,506 - WHEN I MADE THE RESERVATION, I ORDERED IN ADVANCE. 313 00:12:19,506 --> 00:12:21,574 HERE, TRY THIS. 314 00:12:21,574 --> 00:12:26,313 - I WAS BEING FORCE-FED AND HIDDEN IN RESEDA. 315 00:12:26,313 --> 00:12:28,081 I FELT CHEAP, 316 00:12:28,081 --> 00:12:29,482 LIKE THE LATTICE HE WAS HIDING ME BEHIND. 317 00:12:29,482 --> 00:12:31,151 TAMARA WAS RIGHT. 318 00:12:31,151 --> 00:12:33,186 I WAS TOO BLIND TO SEE IT BEFORE, 319 00:12:33,186 --> 00:12:35,455 BUT UNDER THE GLOW OF TACKY TWINKLE LIGHTS, 320 00:12:35,455 --> 00:12:36,824 I WAS SEEING CLEARLY. 321 00:12:36,824 --> 00:12:38,425 - ARE YOU OKAY? YOU SEEM UPSET. 322 00:12:38,425 --> 00:12:41,862 - IT'S KIND OF OBVIOUS, DON'T YOU THINK? 323 00:12:41,862 --> 00:12:42,896 THE LONG DRIVE OUT HERE, 324 00:12:42,896 --> 00:12:44,697 THE SECRET LITTLE CORNER TABLE, 325 00:12:44,697 --> 00:12:46,433 - MATTY, MY BOY! 326 00:12:46,433 --> 00:12:50,203 - HEY! [both laugh] 327 00:12:50,203 --> 00:12:52,672 - HE TOLD ME HE WAS BRINGING SOMEONE SPECIAL. 328 00:12:52,672 --> 00:12:53,841 - JENNA. - JENNA, 329 00:12:53,841 --> 00:12:55,675 MATTY HAS NEVER BROUGHT A GIRL HERE BEFORE. 330 00:12:55,675 --> 00:12:59,279 AND IN HONOR OF THIS OCCASION... 331 00:12:59,279 --> 00:13:01,048 DON'T TELL YOUR MOM. - RIGHT. 332 00:13:01,048 --> 00:13:03,683 THANKS, UNCLE PAT. 333 00:13:03,683 --> 00:13:06,920 HUH...SORRY ABOUT ALL THE ATTENTION. 334 00:13:06,920 --> 00:13:12,225 I'VE NEVER DONE THIS WHOLE DATE THING BEFORE... 335 00:13:12,225 --> 00:13:15,896 AND I JUST WANTED TO MAKE IT MEMORABLE. 336 00:13:15,896 --> 00:13:17,965 I KNOW I'M RAMBLING. 337 00:13:17,965 --> 00:13:19,766 - HEY... 338 00:13:23,570 --> 00:13:25,705 IT'S PERFECT. 339 00:13:25,705 --> 00:13:29,910 - WHAT DO YOU SAY WE EAT FAST AND GET OUT OF HERE? 340 00:13:29,910 --> 00:13:32,913 [pop music 341 00:13:32,913 --> 00:13:39,719 * * 342 00:13:39,719 --> 00:13:42,222 both: HI! 343 00:13:42,222 --> 00:13:43,991 - DIDN'T I TELL YOU GUYS TO LEAVE? 344 00:13:43,991 --> 00:13:45,592 - ACTUALLY, YOU JUST SAID TO WAIT IN YOUR ROOM, SO WE DID. 345 00:13:45,592 --> 00:13:47,294 WE WERE JUST IN THE MIDDLE OF A GAME. 346 00:13:47,294 --> 00:13:49,562 YOU GUYS SHOULD JOIN US. MATTY? 347 00:13:49,562 --> 00:13:50,898 - WE DON'T REALLY WANT TO PLAY A GAME. 348 00:13:50,898 --> 00:13:52,165 - IT WON'T TAKE LONG. 349 00:13:52,165 --> 00:13:54,701 THAT IS UNLESS YOU THINK GAMES ARE PATHETIC. 350 00:13:54,701 --> 00:13:58,471 - OH, I'M IN. WHAT ARE WE PLAYING? 351 00:13:58,471 --> 00:14:00,640 - THE GAME'S CALLED "WHAT'S YOUR DIRTY SECRET?" 352 00:14:00,640 --> 00:14:02,809 OKAY, EVERYONE WRITE DOWN THEIR DIRTY SECRET 353 00:14:02,809 --> 00:14:05,012 ON THE PIECE OF PAPER, THEN WE'LL PUT THEM IN THE BOWL 354 00:14:05,012 --> 00:14:07,180 AND TRY TO FIGURE OUT WHO WROTE EACH ONE. 355 00:14:07,180 --> 00:14:08,515 GOT IT? GOOD. 356 00:14:08,515 --> 00:14:10,083 - I'M NOT TOTALLY FOLLOWING. 357 00:14:10,083 --> 00:14:11,351 - IT'S PRETTY BASIC. 358 00:14:11,351 --> 00:14:12,752 YOU WRITE DOWN SOMETHING YOU HAVEN'T TOLD ANYONE. 359 00:14:12,752 --> 00:14:14,421 LIKE, SAY, IF YOU, I DON'T KNOW, 360 00:14:14,421 --> 00:14:16,689 WROTE A MEAN, ANONYMOUS LETTER ABOUT A GIRL YOU LIKED. 361 00:14:16,689 --> 00:14:18,458 SOMETHING LIKE THAT. 362 00:14:23,063 --> 00:14:26,733 - WAIT-- - NO, TOO LATE. 363 00:14:26,733 --> 00:14:29,702 - OKAY...FIRST ONE. 364 00:14:29,702 --> 00:14:31,738 "MY FRIENDS EMBARRASS ME." 365 00:14:31,738 --> 00:14:34,107 GOOD ONE, HAMILTON. WE LOVE YOU TOO. 366 00:14:37,945 --> 00:14:41,614 - "MY PARENTS THINK I'M GAY." 367 00:14:41,614 --> 00:14:44,952 - OH, DEFINITELY NOT ME. 368 00:14:44,952 --> 00:14:48,956 - IT'S THE HAIR AND MY EXTENSIVE SNEAKER COLLECTION. 369 00:14:48,956 --> 00:14:50,690 - MINE'S GONNA BE REALLY LAME. 370 00:14:50,690 --> 00:14:52,525 - WE'LL BE THE JUDGE OF THAT. - GAME OVER. 371 00:14:52,525 --> 00:14:55,028 - OH... 372 00:14:55,028 --> 00:14:57,730 "I FELT UP MY GRANDPARENTS' SPECIAL-ED NEIGHBOR 373 00:14:57,730 --> 00:14:59,766 WHEN I WAS 11." 374 00:14:59,766 --> 00:15:02,269 [laughter] 375 00:15:02,269 --> 00:15:05,372 - SHE GRABBED MY HAND AND PUT IT ON MY BOOB-- 376 00:15:05,372 --> 00:15:08,408 SHE PUT MY HAND ON HER BOOB. 377 00:15:08,408 --> 00:15:10,443 - AND ON THAT NOTE, IT'S TIME FOR "HO & TELL." 378 00:15:10,443 --> 00:15:12,245 NOW, WHERE DOES SPECIAL-ED FIT ON THE TIME LINE? 379 00:15:12,245 --> 00:15:14,747 - PUT THAT AWAY NOW. - NO, WAIT, WAIT, WAIT. 380 00:15:14,747 --> 00:15:16,583 I WANT TO CHECK THIS OUT. 381 00:15:16,583 --> 00:15:21,989 I HAD SEX WITH MRS. LUNDGAARD IN THE FIFTH GRADE? 382 00:15:21,989 --> 00:15:23,490 WELL, I MEAN, SURE, SHE'S HOT. 383 00:15:23,490 --> 00:15:24,591 BUT I MEAN, I WAS TEN, 384 00:15:24,591 --> 00:15:27,995 AND HAVING SEX WAS TECHNICALLY IMPOSSIBLE. 385 00:15:27,995 --> 00:15:31,698 OH, MARIE McGINTEE. ALL RIGHT! 386 00:15:31,698 --> 00:15:33,466 GUESS I'M A ROCK STAR. 387 00:15:33,466 --> 00:15:34,834 - CAN I ASK YOU SOMETHING PERSONAL? 388 00:15:34,834 --> 00:15:37,537 - AT THIS POINT, DO YOU REALLY NEED TO ASK? 389 00:15:37,537 --> 00:15:39,439 - HOW DO YOU GET YOUR HAIR TO DO THAT? 390 00:15:39,439 --> 00:15:41,174 - ENOUGH WITH THE GAMES. 391 00:15:41,174 --> 00:15:43,876 - I'M SENSING A LITTLE FRUSTRATION, ROSATI. 392 00:15:43,876 --> 00:15:45,178 - REALLY? 393 00:15:45,178 --> 00:15:47,314 - YOU MIGHT WANT TO WATCH THE 'TUDE. 394 00:15:47,314 --> 00:15:49,882 YOU'RE STILL ON THIN ICE. 395 00:15:49,882 --> 00:15:51,651 - LIS, YOU'VE BEEN FED, 396 00:15:51,651 --> 00:15:53,520 MANICURED, CHAUFFEURED AROUND ALL DAY. 397 00:15:53,520 --> 00:15:54,854 CAN WE PLEASE JUST BE DONE? 398 00:15:54,854 --> 00:15:57,157 - DON'T RESPOND. YOU'RE FRAGILE. 399 00:15:57,157 --> 00:15:58,691 WE'LL LET YOU KNOW WHEN YOU'VE ATONED 400 00:15:58,691 --> 00:16:00,727 AFTER YOU'VE ATONED. 401 00:16:00,727 --> 00:16:03,930 - BABE, IT'S ALMOST OVER. THIS IS THE LAST STOP. 402 00:16:03,930 --> 00:16:06,566 - WHY ARE WE AT JENNA HAMILTON'S HOUSE? 403 00:16:06,566 --> 00:16:08,301 - DIDN'T YOU SAY YOU'D DO ANYTHING FOR ME? 404 00:16:08,301 --> 00:16:09,702 - YEAH. 405 00:16:09,702 --> 00:16:12,939 - TAKE THIS LETTER, KNOCK ON JENNA'S DOOR, 406 00:16:12,939 --> 00:16:14,307 AND READ IT TO HER. 407 00:16:14,307 --> 00:16:17,144 - YOU WANT ME TO TRUST YOU? THEN YOU HAVE TO TRUST ME. 408 00:16:23,416 --> 00:16:25,218 - WHAT KIND OF PRODUCT DO YOU USE? 409 00:16:25,218 --> 00:16:28,488 - NO, NO, NO, IT IS LESS ABOUT THE PRODUCT, 410 00:16:28,488 --> 00:16:31,058 AND MORE ABOUT THE FLIP. 411 00:16:31,058 --> 00:16:32,059 [laughter] 412 00:16:32,059 --> 00:16:35,095 - SO I NEED SOME GUY ADVICE. 413 00:16:35,095 --> 00:16:36,629 - HIT ME. - THERE'S THIS GUY I LIKE, 414 00:16:36,629 --> 00:16:38,798 AND HE KISSED ANOTHER GIRL IN FRONT OF ME. 415 00:16:38,798 --> 00:16:40,733 SHE'S A REALLY GOOD FRIEND OF MINE, 416 00:16:40,733 --> 00:16:42,135 SO I TOTALLY FORGAVE HER BECAUSE IT WASN'T HER FAULT, 417 00:16:42,135 --> 00:16:44,071 BECAUSE SHE WAS BASICALLY ROOFIED. 418 00:16:44,071 --> 00:16:45,972 BUT DO YOU THINK HE WAS DOING IT TO MAKE ME JEALOUS? 419 00:16:45,972 --> 00:16:48,641 - DON'T WASTE YOUR TIME. THE GUY SOUNDS LIKE A DOUCHE. 420 00:16:48,641 --> 00:16:50,477 IF HE REALLY LIKED YOU, 421 00:16:50,477 --> 00:16:53,446 THEN HE WOULDN'T KISS ANOTHER GIRL IN FRONT OF YOU. 422 00:16:53,446 --> 00:16:55,315 - DID MATTY COMPLETELY FORGET THAT HE KISSED ANOTHER GIRL 423 00:16:55,315 --> 00:16:56,616 IN FRONT OF ME? 424 00:16:56,616 --> 00:16:59,119 OR WAS HE TRYING TO TELL ME SOMETHING? 425 00:16:59,119 --> 00:17:00,587 - SO SHOULD I GIVE HIM A SECOND CHANCE? 426 00:17:00,587 --> 00:17:02,255 I MEAN, WE NEVER DTRed. 427 00:17:02,255 --> 00:17:03,590 - "DEFINE THE RELATIONSHIP." 428 00:17:03,590 --> 00:17:06,093 - AH. 429 00:17:06,093 --> 00:17:07,694 DIDN'T HE SORT OF DEFINE IT 430 00:17:07,694 --> 00:17:10,397 WHEN HE KISSED THAT OTHER GIRL? 431 00:17:10,397 --> 00:17:12,399 - HMM. I NEVER THOUGHT ABOUT IT LIKE THAT. 432 00:17:12,399 --> 00:17:16,103 - MY FRIENDS HAVE CLEARLY FALLEN UNDER MATTY'S SPELL. 433 00:17:16,103 --> 00:17:17,370 - SO HOW DO I GET A HOTTER GUY? 434 00:17:17,370 --> 00:17:19,572 - AS I WATCHED THEM FAWN OVER HIM, 435 00:17:19,572 --> 00:17:23,009 I STARTED TO WONDER IF I WAS AS EASY TO FOOL AS THEY WERE. 436 00:17:23,009 --> 00:17:24,511 - YOU'VE GOTTA MOVE ON SO YOU CAN BE OPEN 437 00:17:24,511 --> 00:17:25,612 TO A MORE QUALITY GUY. 438 00:17:25,612 --> 00:17:27,280 - WAS HIS ADVICE THE ADVICE 439 00:17:27,280 --> 00:17:31,251 I SHOULD BE TAKING MYSELF? [doorbell rings] 440 00:17:31,251 --> 00:17:34,020 - I HAVE TO TAKE A PICTURE OF YOUR MATCHING HAIR. 441 00:17:34,020 --> 00:17:36,589 I AM SO POSTING THIS. 442 00:17:36,589 --> 00:17:38,391 - WAIT. WAIT A SEC. WAIT. - WHAT? 443 00:17:38,391 --> 00:17:39,392 YOU EMBARRASSED TO BE SEEN WITH MING? 444 00:17:39,392 --> 00:17:42,562 - NO, DORK. GET IN HERE. 445 00:17:42,562 --> 00:17:45,132 - * THE THINGS WE DO AND THE THINGS WE LET * 446 00:17:45,132 --> 00:17:47,600 * BETWEEN THE TIDE AND THE CIGARETTES * 447 00:17:47,600 --> 00:17:51,138 - "YOU'RE A SKITCH AND A SLUT"? 448 00:17:51,138 --> 00:17:54,807 - * BETWEEN OUR LIVES, ACROSS OUR LIPS * 449 00:17:56,609 --> 00:17:57,977 - WHAT ARE YOU DOING HERE? 450 00:17:57,977 --> 00:18:00,213 - I, UH-- 451 00:18:00,213 --> 00:18:03,283 I WANTED TO APOLOGIZE... IN PERSON... 452 00:18:03,283 --> 00:18:06,386 FOR TELLING LISSA ABOUT THE KISS. 453 00:18:06,386 --> 00:18:08,288 I NEVER MEANT FOR IT TO GO DOWN THAT WAY. 454 00:18:08,288 --> 00:18:10,223 I STILL CAN'T BELIEVE SHE SLAPPED YOU. 455 00:18:10,223 --> 00:18:12,024 [nervous chuckle] 456 00:18:16,696 --> 00:18:18,465 I THINK YOU'RE A REALLY GOOD PERSON, JENNA, 457 00:18:18,465 --> 00:18:20,733 AND YOU'VE BEEN THROUGH ENOUGH. 458 00:18:20,733 --> 00:18:23,603 I DIDN'T MEAN TO DRAG YOU INTO MY [bleep]. 459 00:18:23,603 --> 00:18:24,737 I'M SORRY. 460 00:18:24,737 --> 00:18:26,639 - THANKS. 461 00:18:26,639 --> 00:18:29,542 I REALLY APPRECIATE THAT, JAKE. 462 00:18:29,542 --> 00:18:31,077 AND THE SLAP WASN'T THAT BAD. 463 00:18:36,082 --> 00:18:39,252 - I SHOULD GO. 464 00:18:39,252 --> 00:18:40,453 SORRY TO BUG YOU. 465 00:18:45,325 --> 00:18:46,959 - BYE. 466 00:18:51,097 --> 00:18:52,799 - WHO WAS THAT? 467 00:18:52,799 --> 00:18:56,636 - JUST SOMEONE-- A FRIEND...THING. 468 00:18:56,636 --> 00:18:57,770 - WHAT HAVE THEY DONE TO YOU? 469 00:18:57,770 --> 00:18:59,239 - MY PORES ARE CLOGGED. 470 00:18:59,239 --> 00:19:00,740 YOU SHOULDN'T LEAVE ME ALONE WITH YOUR FRIENDS. 471 00:19:00,740 --> 00:19:02,209 THEY'RE FALLING IN LOVE WITH ME. 472 00:19:02,209 --> 00:19:03,576 - MM. 473 00:19:06,813 --> 00:19:08,215 - WHAT'D SHE SAY? WAS SHE CRYING? 474 00:19:08,215 --> 00:19:10,116 - I BET THE FREAK IS SHARPENING HER RAZORBLADES 475 00:19:10,116 --> 00:19:11,284 RIGHT NOW. 476 00:19:11,284 --> 00:19:12,985 - I CAN'T BELIEVE YOU WROTE THIS! 477 00:19:12,985 --> 00:19:15,555 - BUT NOW I KNOW THAT I CAN TRUST YOU. 478 00:19:15,555 --> 00:19:16,989 AND EVERYTHING WILL BETTER FROM HERE ON OUT. 479 00:19:16,989 --> 00:19:18,658 - OH, YEAH, YOU'RE RIGHT. IT WILL BE! 480 00:19:18,658 --> 00:19:20,893 BECAUSE WE'RE DONE. - AND WE CAN GET PIZZA. 481 00:19:20,893 --> 00:19:23,029 I WAS THINKING MAMA JO'S, OR MAYBE-- 482 00:19:23,029 --> 00:19:24,096 - I DON'T THINK YOU UNDERSTAND. 483 00:19:24,096 --> 00:19:26,098 WE ARE DONE. 484 00:19:26,098 --> 00:19:28,768 I WANT NOTHING TO DO WITH YOU OR SADIE--YOU TWO ARE EVIL. 485 00:19:28,768 --> 00:19:30,603 - BABE, YOU'RE OVERREACTING. 486 00:19:30,603 --> 00:19:34,006 - GET OUT OF THE CAR. - NO. 487 00:19:34,006 --> 00:19:36,543 - FINE. THEN I'LL LEAVE. 488 00:19:36,543 --> 00:19:40,046 - WE HAVE TO DO SOMETHING. 489 00:19:40,046 --> 00:19:42,249 IT'S OKAY, I TOTALLY FORGIVE YOU FOR THE OUTBURST. 490 00:19:42,249 --> 00:19:45,252 - HAVE A NICE WALK HOME. 491 00:19:45,252 --> 00:19:47,754 - THIS IS NOT A GUARD-GATED COMMUNITY. 492 00:19:47,754 --> 00:19:50,690 WE'RE NOT SAFE! [dog barking] 493 00:19:50,690 --> 00:19:53,526 - AH, I SEE HOW IT IS. 494 00:19:53,526 --> 00:19:55,262 YOU USE ME FOR MY HAIR TIPS, AND THEN YOU LEAVE. 495 00:19:55,262 --> 00:19:57,597 - WE COULD FIRE UP ANOTHER GAME OF "DIRTY LITTLE SECRET." 496 00:19:57,597 --> 00:19:59,098 - NO, THAT'S OKAY. 497 00:20:02,569 --> 00:20:04,904 - I DON'T THINK HE WROTE THE LETTER. 498 00:20:04,904 --> 00:20:06,573 - I'LL BE RIGHT BACK. 499 00:20:06,573 --> 00:20:13,446 - * I HOPE THAT YOU SEE RIGHT THROUGH MY WALLS * 500 00:20:13,446 --> 00:20:15,615 * I HOPE THAT YOU CATCH ME * 501 00:20:15,615 --> 00:20:17,617 * 'CAUSE I'M ALREADY FALLING * 502 00:20:17,617 --> 00:20:20,453 - THE MATTY INVESTIGATION WAS INCONCLUSIVE. 503 00:20:20,453 --> 00:20:22,054 BUT IF I WAS A JUDGE... 504 00:20:22,054 --> 00:20:25,825 - * I LOVE YOU SO CLOSE * 505 00:20:25,825 --> 00:20:32,399 * YOU PUT YOUR ARMS AROUND ME AND I'M HOME * 506 00:20:32,399 --> 00:20:35,902 * YOU PUT YOUR ARMS AROUND ME AND I'M HOME * 507 00:20:35,902 --> 00:20:38,037 - I'D THROW HIS CASE OUT OF COURT. 508 00:20:41,140 --> 00:20:42,575 - NEXT ON AWKWARD... - MATTY ASKED YOU? 509 00:20:42,575 --> 00:20:43,776 - WELL, IT WASN'T AN OFFICIAL INVITE, 510 00:20:43,776 --> 00:20:45,111 BUT HE ASKED WHAT COLOR DRESS I WAS WEARING. 511 00:20:45,111 --> 00:20:46,479 SO IT'S KIND OF THE SAME THING. 512 00:20:46,479 --> 00:20:47,480 I WAS JUST NOMINATED FOR 513 00:20:47,480 --> 00:20:49,816 SOPHOMORE WINTER FORMAL PRINCESS. 514 00:20:49,816 --> 00:20:51,851 - I VANT TO GO TO FORMAL VITH YOU. 515 00:20:51,851 --> 00:20:54,854 - [gasps] - WHAT DO YOU SAY, GORGEOUS? 516 00:20:54,854 --> 00:20:56,489 - [making ape noises] 517 00:20:56,489 --> 00:20:59,492 - KEEP READING. 518 00:20:59,492 --> 00:21:01,961 - I GOT THE HEISMAN FROM JENNA. I THOUGHT SHE WAS INTO ME. 519 00:21:01,961 --> 00:21:03,596 - JENNA HAMILTON? - YOU KNOW WHO SHE'S GOING WITH? 38034

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