All language subtitles for Nash Bridges s02e06 The Brothers McMillan

Bye.

Everybody listen up.

This used to be Patrick McCauley, top
contender to head the McMillan

organization. Two days ago, Connor
McMillan blows into town.

McCauley ends up dead yesterday.

Draw your own conclusions.

He's leading suspect in the murder of
officer Nick Carey in 89.

The McMillan clan, for those of you in
the dark, control one -third of the

city's prostitution, gambling,
extortion.

So who's who here?

The old man is Cork McMillan.

And those are his two sons, Connor and
Kevin.

That's the family lawyer there, Horace
Atwood.

It's not hard to figure out that by
eliminating Patrick McCauley, this

that at least one of the brothers will
succeed the old man.

Now, if we can bring down Connor
McMillan, we get us a cop killer, stop a

war, maybe even get him to roll over and
put the whole damn family out of

business. All right, you all have your
surveillance chips. See me for detail.

Look, he's pulling over.

Connor, where are you going, Bubba?

Think he made it?

Not a chance.

He's in there.

So, uh, how was your date with Kelly?

Scary.

Why? I don't know. We were getting along
great.

We didn't see each other for a while,
and then the last month, it's been

incredible. That part was always
incredible.

I mean, if you can believe the tape,
so...

Don't you go there, man.

No, it's like we spent the whole weekend
together. We didn't argue.

We didn't fight.

Joked with each other.

It was great, man.

So?

So what?

Were you thinking about getting back
with her together full time?

Considering it?

Oh, really?

Really. I love that woman, man. I know
you love her back there.

Okay, here we go.

Oh, nice cut. He's picked up some
flowers.

Got ourselves a hyphen.

Cop killer slash laser.

So, did you get a look on the original
homicide?

No, but I knew the cop that got killed.

Nick Carrey.

What's going to make the case?

The PI that had the evidence on Connor
disappeared at the same time Connor did.

Seven years ago.

No, our boy's back one day. He's already
got a dead body.

That's right, Bubba.

He really does have a hot date.

How does he do that one day in town?

I don't know. Maybe it's an old
girlfriend or something.

Is that who I think it is?

That would be Kelly.

I take it you didn't know about this,
huh?

What the hell is he doing with my ex
-wife?

We're not discussing politics.

So we need to get back together with him
now, huh?

Thought you might like to see this.

What is it?

Connor's hotel phone record. First night
he called Kelly and they spoke for 47

minutes.

Well, today's just a bounty of good
news, is it?

Yeah, she likes wives.

Which one, the good one or the bad one?

Oh, the bad one.

What are you going to say to her?

Beats the hell out of me. I think I'll
let her do all the talking.

Good luck.

Hello, sweetheart.

What a nice surprise.

Hey, dear, how are you? Hey, Kelly, how
are you doing? Sam.

I was in the neighborhood. I wanted to
see if you were free for lunch.

Ah, damn it.

I'm doing surveillance on this case.

Well, can I take a rain check? Would
that be ridiculously optimistic?

How about dinner?

How about drinks?

About six?

Drinks? Okay, great, fine.

Six. Great.

I'll meet you at the cooker train.

We need to talk.

We do?

Gary.

Six o 'clock.

We're at the Campbell. The police won't
be there.

Did you see the picture?

She tried to cover it, but she saw it.

Look, not that this is much more
interesting, but I just got this urgent

call from Mrs. Nassiter.

You know, the world's loudest kind of
partner.

You can even go to the bar for
something.

Go.

Nash is the surveillance team.

Connor just showed up at Cork McMillan's
house.

I could only get a wire in there.

Emmett, you know how to tie those animal
balloons?

Sorry, boss. Afraid not.

I got a better idea.

Come on.

Hi there, FFPD. Which one of you
gentlemen is a 40 regular?

Sir, would you like a crab cake? Here
you go.

Very welcome.

Would you like an hors d 'oeuvre?

With Evan on the inside, maybe we'll get
lucky.

Gentlemen.

That's Horace Atwood. He's been with the
old man for 20 years.

That's a cork.

Old man doesn't look good, does he?

Hey, Dad.

Kind of cancer.

This whole thing's all about.

Ah, the prodigal son.

Boy, these past couple days remind me of
the good old days.

Of course, they weren't so good, were
they, Connor? Don't start, you two.

It's time to talk business.

Come on.

We're meeting in the library.

Excuse me, gentlemen. Would you like
some hors d 'oeuvres or something? Or

I could bring you a drink or some
refreshments. Anything, though.

No.

Party's over for us.

more tidy around here? Is somebody going
to put all these bottles away?

Uh, you, excuse me, could you do
something about these bottles here?

What? Yeah, I'll put them away in the
recycle bin outside. I have a question

you.

Do you people want to see my head
explode?

Because if you continue to talk to me in
that tone, that is literally what will

happen.

What tone?

Okay.

Take it easy, Enrico, all right? This is
Mr.

Dominguez and Mrs. Nassiter. They're the
new owners.

They took over the bar after the
foreclosure.

You can't give them an order that way.
Got it.

Yes.

What did you say to him?

Oh, it's much more involved than that.

Who is that man?

Enrico used to be the bar accountant.

He went through a terrible IRS audit and
had another breakdown.

Now he's been reduced to a more limited
management role.

Yeah. I thought you were the bar
accountant.

Oh, no, no. I'm the acting accountant
until Enrico recovers. Or such time you

management choose to name a new
permanent accountant slash general

Listen, I got to go. So what's the
urgent situation?

I've been going over the receipts for
the past couple of nights, and I noticed

that $500 was missing from the register.

You know who did it?

I have my suspicions.

Now I need both of you to authorize an
internal investigation.

Follow me.

Nail the bastard.

You know, I've been thinking all
-leather night.

Hey, how about all -wet leather night?

Something's going on, man. You should
have seen the look in Connor's eyes.

Some kind of major powwow.

Did I miss anything?

No, we all missed it.

How's the bar that runs itself?

Don't ask.

I mean, you can't trust anybody anymore.

Especially those closest to you.

Heads up, guys. Connor's leaving.

Joe and I'll take him.

Give me your keys. I'll drive.

No way. It's my car, man. It's my turn
to drive for a change. Oh, man, come on.

You know how to drive. Yeah, low and
slow.

Go. You want to keep up? You're losing.

Don't tell me you're going to backseat
drive, man. How classic.

Nash. Nash, darling.

You're going to kill me, but I've got to
cancel tonight.

I'm not used to this one. You cancel
before I do? I promise we'll get to our

talk. There's some charity train wreck
I've got to fix, okay? Yeah, okay.

Bye.

She had to cancel.

Hmm.

I see.

No, you don't be.

Oh, yeah, well, maybe murder and mayhem
aren't the only reasons that Connor came

back. Look, this guy's dangerous, man.
Chicks dig that.

That's ridiculous.

Now, why do you think Kelly likes you,
huh? You're very dangerous, especially

when you're a passenger.

I'll tell you what happened.

She probably dated this guy sometime in
the past.

She didn't want to tell me because she
thought it might have fed me.

Ridiculous. And she just didn't mention
it, and that's it.

I see. Okay.

What do you think you're saying?

I don't know. I don't read lit.

You gonna confront her?

Until I have to.

You still haven't explained to me why
you've come back.

Family business, is that the reason?

I'd hoped you might have escaped your
father's gravitational pull by now.

I need to borrow that painting.

I don't have it. I lent it to a gallery
in Semmel.

Why'd you need it?

I just do.

Just get back.

No one lets you tell me why first.
Kelly, just get the painting back.

All right, then.

Who do we follow?

Until I know what he's doing and why,
he's still our key.

So what do you think Connor's doing up
there?

Probably trying to figure out a way to
sneak the McMillan family business away

from his brother.

You think Kelly knows what's going on?

I'm not sure we do yet.

I just don't want her in a crossfire
when things start to get ugly.

Fresh eyes, guys. Take five.

He's on the fourth floor.

Corner room, room 411.

You got it? All right, don't lose it.
Don't worry.

Hey, uh, I got to stop by the bar.

That would be the bar that runs itself.

So I've narrowed it down to five people
with motive, means, and no alibis.

Well, uh, weren't there just five people
on the shift that night?

Exactly.

No wonder you're so well -respected at
your job.

Our first suspect is Jerry.

Jerry? The paycheck manager, Jerry? Mm
-hmm. Not exactly an attractive man. I

mean, the pasty skin combined with the
not -very -convincing toupee.

Nevertheless, he has a 22 -year -old
boyfriend.

Huh? A student at SFU with the body of a
Greek god.

Oh.

Love doesn't come cheap.

Come in. Come in.

Oh, hey, guys.

Sorry to interrupt.

Hey, Hank.

Just going over some figures here with
the boss.

Just getting a case of beer.

All right.

But then I got to thinking, what do we
know about him?

Him?

Hank?

Like a straightforward kind of guy?

Exactly. He seemed like a straight
-ahead kind of guy.

But yesterday, he shows up in a new
leather jacket.

Oh, yeah?

Mm -hmm. Hey. Hey, Hank.

I say, being friendly.

Nice jacket.

How much did that set you back?

Guess what his answer was.

What?

$500.

$500.

Mm -hmm.

Should I question him?

No, that's okay. I'll question him.

Can't trust anybody nowadays, huh?

I know.

Sad.

The guy with the rug has got a 22 -year
-old guy. Mm -hmm. Should see him. Very

weird.

Should be me.

Hey, Hank, how's it going?

Hey, Mr. Dominguez.

Can I get you something to drink?

No, no, thank you.

Can we talk for a minute?

Yeah, sure.

I wanted to tell you... Oh, thank.

You know, I mean, I know I don't fit in
here very well.

I mean, hell, my family runs a dairy
farm.

But this job, you know, it's...

It's been so great for me.

You know, these people, they're like
family.

Anyway, it's home, and you made it that
way.

I'm sorry, what were you going to say?

Nothing, really. I just want to say what
a good job you're doing.

Nice talking to you.

It's Connor's car.

Here we go.

Stay there and let me know if he comes
back.

Oh, my God, you scared me.

Sorry, sweetheart.

I let myself in.

You okay?

Yeah.

You look a little nervous, sweetie.

So, um... Where were you?

Well, I had to go and pick up something
from my headache.

I couldn't sleep.

New painting?

Yeah.

It's some new experimental art. You'd
hate it.

Well, I'm open to trying new things.

I just have to be willing to share.

Do you want to show me the painting,
Kelly?

Maybe it's time to have that little
talk.

Have you been spying on me?

No, I've been following Connor.

This is outrageous.

I have a job to do. I can't not do that
job just because of who's involved.

Connor bought this for you, didn't he?

Yeah, seven years ago.

He just said he wanted to borrow it for
a few hours.

Let's find out why.

Shall we find out what this fits?

And why Connor is so desperate to get it
back?

You're my father's attorney and advisor,
not mine.

I'll handle my brother in my own way.

We can't do anything without that key.

We need to make our move.

I'm working on it.

You know there are going to be
reprisals.

He's ready to seize control.

I have to get it from third party, a
very skittish third party, and the

are following me. Listen. If you ask me
again, I'll get up and walk out. Do you

understand? What do you want out of
this?

Nothing you have to offer.

Just do what you came back for.

You still walking?

Whenever I can.

Stay healthy, kid.

You too, my friend.

God, you scared me.

Morning. Yeah, morning.

If it's not such a good morning for
Horace Atwood, it ain't for no one to

in. Close range hit.

Couldn't happen to a nicer guy.

Anybody see it?

The hit, no, but I've got witnesses that
say that they saw him eating with

Connor McMillan 20 minutes before the
hit.

Let's bring him in.

How you doing, Connor?

Comfortable? You want a coffee or
something? There's a machine outside.

You might want to have your lawyer
present.

Oops, I forgot.

You killed your lawyer last night.

He wasn't my lawyer.

He was my father's lawyer.

And I didn't kill him.

Oh, well.

You want to tell me who did?

I have no idea.

Do you have any idea what this key fits?

That's my property. I'd like it back.

Actually, it belongs to my ex -wife.

It was in one of her paintings.

I'm going to ask you something. Why are
you involving her?

I think I will call a lawyer.

You can do that.

But you better understand something.

There are very few things that I would
risk my life or my career over.

And Kelly is one of them.

So my advice to you is stay the hell
away from her.

What if she wants me around?

We're not going to charge you yet.

But I am going to hang on to these.

How did you get that?

Magic.

I hold all the cards.

Best thing for you to do is make a deal.
You might save yourself a death

sentence.

This is personal to you.

But you're barking up the wrong tree.

Prove me wrong.

See if you can figure out which bank
that key came from.

Yeah, sure. You have a call on line
four.

Thank you.

Yeah, Nash.

Well, I'd be delighted.

Sir, be right over.

Who was that?

That was Cork McMillan.

He wants to have a chat.

Me too?

Well, he didn't mention you by name,
but...

I'm sure I can bring a guest.

Oh, good.

You know, I got to tell you, Cork, you
have got to be the most successful

plumber in the history of the business.

Could be right.

Then that pays to run your own business.

You really think I'm a plumber?

You never know, Joe.

So, um, what's this little get -together
all about, Cork?

I want to know who you think killed
Horace Atwood.

Well, right now, the prime suspect would
be your son.

Which one?

Connor.

We all have our capacities, Nash, but
Connor's.

They don't include murder.

With all due respect, Cord, your word
isn't worth much.

Listen, I have a tumor in my throat.
It's inoperable.

I'd be lucky if I lived two months.

I call Connor home.

Because I didn't want to die without
seeing him again.

The last thing I want is all this
bloodshed in my family.

All this turmoil.

Family.

It's the only thing I've left now that's
worth anything.

So you see, I got nothing to gain by
lying to you.

Thank you for coming, boy.

That's all I have to say.

He's quite a character, huh?

The end of a dynasty.

That's kind of what worries me.

Yeah, Nash.

Listen, Nash, I tracked the key to an
old branch at the San Francisco bank

on Mission and 3rd. I'm on my way.

Well, no, no, no. They actually closed
that branch after the quake, but they

transferred all the safe deposit boxes
to the new branch on Taylor and Bush.

Nash, there were two names on the
signature card.

Connors and Callies. Thank you.

Thank you.

Water damage.

Holly, the water pipes in the bank vault
broke.

What's that?

Here it goes, ladies and gentlemen.
Tonight's command performance.

Kind of understand a word. Great.

It's like the iodine in the calcium in
the water washed the dioxides right off

the tape.

Well, it's for nothing.

Well, actually, there's still some
electromagnetic impulses where the

was made.

Evan, see if you can dig it out. Can I
grab a cup?

How you feeling?

You don't see death, Kevin.

You sense it.

Like the wind.

It's coming.

You sound like Mom.

You know what she said right before she
died? You murdered Horace Atwood, didn't

you? Dad, I removed an obstacle to my
advancement.

You know what you always taught me?
Taught you to defend yourself.

I hear you spoke with the police.

Should have turned you over to him.

You didn't?

No.

Well, that makes this doubly ironic
then, doesn't it?

Take one step out, just one.

Hello, Connor.

I'll pay for the water, I promise.

How'd you get in here? I lent him the
key. Please don't do this, Nash.

I don't have to tell you, do I, how
dangerous it is having him here? I know.

We found the tape.

Yeah, and?

There was nothing on it.

Whoa, whoa, whoa, wait, wait.

How about I do the cop work, all right?

What was on the tape?

It was damaged, not destroyed. We're
going to find out sooner or later.

Well, it doesn't matter if I tell you
then, does it?

I'll have to wait.

Excuse me.

Yeah.

Your father's dead.

Murdered.

No.

I'm sorry.

Oh, my God.

You weren't there.

So who was?

Connor, please. He can help you.

What was on that tape?

My brother's confession.

He killed that cop in 89.

It was that event that made me decide it
had nothing to do with the family

business. But Kevin and them, they had a
hard time believing that or letting me

go. So I taped the conversation and I'm
talking about the murder for my own

security just in case.

My father asked me to come back. He was
ill and he was terrified.

Kevin was taking over the organization.

He wanted me to stop him.

My father.

He had a certain honor about the way he
conducted his business.

Kevin does not. He's ruthless and
mercenary. And nothing is outside his

Even killing our own father!

Or if that would.

And Patrick McCauley. And anyone else
that stands in his way.

I can help you.

But you're going to have to do something
for me.

I'll stop, Kevin.

But when this is all done, you are going
to stay away from Kelly.

You're going to get on a plane and get
the hell back to where you came from.

You understand?

Playing two balls are just cheap.

Hey, .357 iron, huh?

What, do you make your own holes?

Put that away.

You don't mind if we play along, do you?

Well, that depends on how well you play.

Oh, gosh, Bubba.

Any handicap I ever had in this game is
almost gone.

Excuse me.

So, uh, let me get this straight.

Your father's body is still warm, and
you're out here working on your game.

Dang, man.

That's cold.

Just trying to take my mind off my
father's passing.

Why are you here?

Well, we'd like to ask you about all the
other dead people in your life. You

know, cops, members of your extended
family.

Oh, yeah, your lawyer.

Yeah, my new lawyer will be giving you a
phone call if you don't stop this

harassment. Joe, we're going to hear
from his lawyer.

How will I be able to sleep at night?

Anybody got a ball I could use?

Here, here it is.

So, uh, see, the thing is, Kevin, your
lawyer, Mr. Atwood, just before he was

murdered, he turned over a tape to us.

And on it, you're bragging about killing
some cop back in 89.

So the best I can figure, the thing for
you to do is try and make a deal.

Of course, it is a one -time -only
offer.

Thanks.

I decline.

I shouldn't say this, but...

That makes me happy. Yeah.

Bye -bye.

Now, I'm thinking if you just take that
over the bunker, let it drift back in.

How hard can it be, man? White guys in
plaid pants do it all the time.

Sweetheart, what are you doing here?

Finish that talk.

Whenever you're ready.

It's really hard for me.

Sweetheart.

You know you can tell me anything.

When I left Ghana seven years ago, I
found out something.

It would have forced us together in a
way that I knew wouldn't work,

who his family is.

I was pregnant.

I knew that if I had the baby, the
McMillan family would never let her out

its grasp.

I couldn't have my child brought up in a
world like that.

So I broke up with Connor.

I refused even to speak to him.

I went back to England and I stayed
there during the pregnancy.

Then I had the baby.

I gave it up for adoption.

up on you.

That's what that was all about
yesterday.

Baby, that must have been so hard for
you.

Yeah.

Joe, thanks. Mr. Master, hi. I, uh...

I think I may have resolved a little
crisis. There's a man down in the bar.

looking for Enrico. He says he's here
for the payoff money.

You wanted to see me?

Yeah. Um, what was your name?

Blue Eye.

Blue Eye.

Oh, I get it. One blue that way, one
blue that way.

That's a very unusual name. I don't
think I've ever heard of it before.

Yeah, well, Mr. I, I'm Joe Dominguez,
and this is my partner, Mrs. Nassiter.

We're the new owners of the bar. So, you
got the money?

Uh, yeah. Well, you know, we're new
here, and we're trying to acquaint

with the employees and the regulars, and
we were wondering just exactly what

this $500 was all about.

I protect you.

I sleep pretty well at night.

Just what are you protecting us from?

Me.

Well, I'll tell you what, Mr.

Eyeball.

SFPD. Oh, man.

Perhaps Mrs. Nassar would like to tell
you a little bit about her family

history, too. Oh, what is this now? It's
going to be a good cop, bad cop?

No, this is good cop, no cop.

Perhaps you knew my late husband, Bernie
Nassar.

Bernie Nassar was your husband?

No, you can just arrest me.

Please. And that isn't as ironic.

I know. Sometimes you have to travel 25,
30 miles to find a criminal.

Here's one right here. Right here.
Right.

What? Oh.

What is this?

You can have that. And, uh, Mrs.
Nassiter, I'll pay you back the rest.

did you want? You could have my watch.
Like that's really your watch.

No, I'd like you to take a little walk
with me, okay?

Blow, blue eye.

Hey, what's up?

Oh, man.

Had this long conversation with Kelty.
Yeah?

You're not gonna believe this one,
Bubba.

Okay, Cortez, just show me what we got.

Okay, I played around with this thing
for a while.

Listen to this.

Let's go take him down right now. What
about the other McMillan? Don't worry

about him. I still got his passport.
Joe, give me a second. AJ?

It's transatlantic stuff.

A little out of our jurisdiction, but
who's counting?

I got it, but I'm not sure you want it.

Thanks, AJ. Joe?

How could you do it?

How could you kill your own father?

Irish tradition.

Patricide. You're evil.

Yeah, but who's got all the power?

Did you look around you?

I'm head of the house. I'm head of the
family.

You better start showing me a little bit
of respect, little brother.

Go to hell, Kevin.

I'm sure they're expecting you there.

You're Irish.

You're gonna mistake sentiment for
emotion.

That's not what Court McMillan was
about.

He was about money and power.

That's what he's about, and that's what
I'm about.

So get out of my house.

Don't wanna go back to where it was you
crawled back from.

You think

I

won't?

You think I won't?!

Put it down.

It ends here.

Think about it, Kev.

You shoot him, we shoot you.

The way you look at it, it's over.

See, brother, it's not so easy, is it?

Why, it took me seven years to come back
here to bury you.

I can't go to prison.

This is our last chance.

God, I love you.

But we can't.

Why not?

Baby, do a little research.

Connor followed you to England seven
years ago.

And he found the adoptive parents of
your baby.

He proved that he was the father and got
her back.

No, it's impossible.

There's somebody you need to meet.

Connor?

Hi, Megan.

There's someone over here I want you to
meet.

Megan, this is Kelly.

Kelly, this is Megan McMillan.

Hi, Megan.

Come on, I want to show you something.

Come on over here. Really pretty.

Why didn't you tell me?

I lost you.

I didn't want to lose her, too.

I wanted to have a chance at a good
family, the kind of family I never had.

The original McMellons are finished.

Three of us can start fresh.

If you're willing to try.

You're gonna need this.

See you, Megan.

It's a different perspective on things,
doesn't it?

Thank you, nice.

No goodbyes.

You take care of her.

Take care of both of them.