All language subtitles for Murphy Brown s08e13 If Youre Going to Talk the Talk

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:06,340 Top to top, you better walk the walk, if you want to be with me. 2 00:00:06,900 --> 00:00:13,740 If you got something to prove, you better prove to prove, if you want to 3 00:00:13,740 --> 00:00:14,740 with me. 4 00:00:15,760 --> 00:00:18,640 So let's see what you got now, baby. 5 00:00:19,880 --> 00:00:22,020 Those actions keep cloudin'. 6 00:00:35,760 --> 00:00:36,940 Has anyone seen Miles? 7 00:00:37,180 --> 00:00:40,660 I need help getting a colored laser printer down to Morley's safe for his 8 00:00:40,660 --> 00:00:42,620 hear security's doing a surprise trunk check tonight. 9 00:00:43,690 --> 00:00:46,190 He's not back yet. He's meeting with Clive Walker's people today, don't you 10 00:00:46,190 --> 00:00:49,830 remember? Sorry, but the only interest I have in Clive Walker or his people is 11 00:00:49,830 --> 00:00:51,830 if one of them knows how to disable Morley's car alarm. 12 00:00:52,110 --> 00:00:55,710 Oh, come on. Admit it, Murph. You want the Walker interview just as much as the 13 00:00:55,710 --> 00:00:59,930 rest of us. One of the biggest music superstars in the world agreeing to do 14 00:00:59,930 --> 00:01:01,330 first television interview? 15 00:01:01,610 --> 00:01:02,610 Big deal. 16 00:01:02,630 --> 00:01:04,250 Clive Walker is not a superstar. 17 00:01:04,530 --> 00:01:05,530 Smokey Robinson. 18 00:01:05,550 --> 00:01:06,570 Now there's a superstar. 19 00:01:06,970 --> 00:01:10,270 Here he comes. A good old day. Sounds just like Jim talking about the Andrews 20 00:01:10,270 --> 00:01:11,270 sisters. 21 00:01:13,580 --> 00:01:18,680 Mike Walker is big. Even the Times compared him to Elvis. And not just any 22 00:01:18,680 --> 00:01:23,060 Elvis. The post -Viva Las Vegas pre -jumbo buckets of buffalo wings Elvis. 23 00:01:25,130 --> 00:01:28,930 Sorry, but I just can't get excited about asking some guitar -playing freak 24 00:01:28,930 --> 00:01:32,850 it's like to sleep in an old abandoned missile silo. Don't Clive Walker's a 25 00:01:32,850 --> 00:01:33,609 little eccentric. 26 00:01:33,610 --> 00:01:36,590 If I had that much money, I'd be eccentric, too. Yeah, but when you 27 00:01:36,590 --> 00:01:40,390 around in an old ratty bathrobe and Tweety Bird slippers, it's just plain 28 00:01:41,070 --> 00:01:44,330 Oh, Murphy, you can't believe everything you read about Clive in the checkout 29 00:01:44,330 --> 00:01:48,990 line. Although, remember the space aliens that supposedly crash -landed in 30 00:01:48,990 --> 00:01:53,450 Mexico? Well, they say Clive bought the remains and keeps them in an airtight 31 00:01:53,450 --> 00:01:55,050 container in his... bedroom. 32 00:01:55,450 --> 00:01:58,990 That's right, and I hear that during rush hour, he buckled them into the 33 00:01:58,990 --> 00:02:01,290 seats in his Humvee so he can drive in the carpool lane. 34 00:02:02,810 --> 00:02:06,390 People are interested, Murph. Don't you think it's a little arrogant for us to 35 00:02:06,390 --> 00:02:08,990 assume that we know what's best for the viewing public? 36 00:02:09,289 --> 00:02:12,410 Well, I don't think it's arrogant at all. I just happen to know what people 37 00:02:12,410 --> 00:02:15,930 should spend their time thinking about and what they should read and what they 38 00:02:15,930 --> 00:02:17,610 should watch and what movies they should go to. 39 00:02:18,050 --> 00:02:19,890 You know, I really should open my own website. 40 00:02:21,370 --> 00:02:24,870 Julie Slugger may not be as clear -cut as you think. Why, even Murrow 41 00:02:24,870 --> 00:02:25,990 interviewed Bogey and Bacall. 42 00:02:26,270 --> 00:02:29,530 Yeah, but Bogey didn't have a baggie full of aliens in his bedroom, now, did 43 00:02:29,670 --> 00:02:30,489 You never know. 44 00:02:30,490 --> 00:02:31,490 Murrow didn't ask the question. 45 00:02:31,930 --> 00:02:35,270 Hey, have you guys seen that dance of his, the walker walk? 46 00:02:35,770 --> 00:02:39,290 Miles and I were at a wedding where if you gave a dollar to the groom, you got 47 00:02:39,290 --> 00:02:41,730 to take a shot of whiskey and do the walk with the bride. 48 00:02:42,350 --> 00:02:44,910 Well, I felt sorry for the poor girl, full figure. 49 00:02:45,370 --> 00:02:49,810 So I made Miles go through the line eight times. Then he passed out on the 50 00:02:49,810 --> 00:02:50,810 buffet table. 51 00:02:51,170 --> 00:02:52,049 Hello, people. 52 00:02:52,050 --> 00:02:55,390 You all remember our good friends from the network? Owen Tyler, assistant VP. 53 00:02:55,570 --> 00:02:56,570 Bruce Webb, assistant VP. 54 00:02:56,710 --> 00:02:57,910 Howard Davis, assistant VP. 55 00:02:59,010 --> 00:03:01,490 Hey, didn't I see you pushing the mail cart last week? 56 00:03:04,310 --> 00:03:06,050 So how do you go, Miles? What happened? 57 00:03:06,270 --> 00:03:07,550 What happened? With what? 58 00:03:07,850 --> 00:03:09,350 Stop toying with us, Miles. 59 00:03:09,570 --> 00:03:11,450 Did you land the Walker interview or not? 60 00:03:12,459 --> 00:03:19,260 Well, let's just say... Picture this. 61 00:03:19,740 --> 00:03:20,820 Picture this. 62 00:03:21,040 --> 00:03:25,280 The producers of all the top news shows crammed into a single waiting room. 63 00:03:25,320 --> 00:03:29,280 Attention. So thick, you could cut it with a knife. It got so bad, when I went 64 00:03:29,280 --> 00:03:33,220 up to go to the bathroom, those jerks from 2020 sabotaged my presentation. 65 00:03:33,560 --> 00:03:35,140 Look what they did to Frank. 66 00:03:36,100 --> 00:03:37,059 Oh, man. 67 00:03:37,060 --> 00:03:38,760 Jeez, can you believe this? 68 00:03:39,310 --> 00:03:42,910 Yeah, that's terrible. So who got the interview? I just want to say, for those 69 00:03:42,910 --> 00:03:46,070 of you who didn't get chosen, you are all strong candidates. 70 00:03:46,370 --> 00:03:49,890 Oh, God, it's Murphy. I knew it. No, wait a second. I didn't say that. 71 00:03:50,170 --> 00:03:51,430 So who did Clyde pick then? 72 00:03:52,550 --> 00:03:53,550 Murphy. 73 00:03:53,890 --> 00:03:58,330 It is not fair. I never had a chance. I mean, would you choose this guy? 74 00:03:58,710 --> 00:04:02,510 The Hitler mustache doesn't exactly say, relax, you're in good hands. I'm sorry, 75 00:04:02,670 --> 00:04:04,070 but that's just the way they decided to go. 76 00:04:04,350 --> 00:04:06,910 Well, then that's too bad. They can go there alone. I'm not doing this 77 00:04:06,910 --> 00:04:10,140 interview. Wait just a second. Not gonna happen, Miles. 78 00:04:11,560 --> 00:04:13,240 Good. Mull it over. 79 00:04:14,500 --> 00:04:16,540 Listen, guys, she gets like this sometimes. 80 00:04:16,760 --> 00:04:19,899 It's nothing I can't handle. It's barely a blip on the screen. The network 81 00:04:19,899 --> 00:04:23,300 doesn't want a blip on its screen. The network likes a blip -blip screen. 82 00:04:23,820 --> 00:04:25,040 Lose the blip. 83 00:04:31,700 --> 00:04:33,160 All right, look. 84 00:04:33,740 --> 00:04:38,140 I know you're not happy, but we are talking about a major television event 85 00:04:38,220 --> 00:04:40,660 A first -time exclusive interview. 86 00:04:41,060 --> 00:04:42,060 Huge ratings. 87 00:04:42,460 --> 00:04:46,560 Oh, huge ratings. Well, then, that's different. Because if I'm going to 88 00:04:46,560 --> 00:04:49,440 compromise my journalistic integrity, I want to make sure I do it in front of as 89 00:04:49,440 --> 00:04:50,580 many people as possible. 90 00:04:51,680 --> 00:04:56,000 Forget it, Maz. Just go find some other chump. There is no other chump. There's 91 00:04:56,000 --> 00:04:59,680 just you and the network. And the network is not going to budge this time, 92 00:04:59,760 --> 00:05:02,400 Murphy. Yeah, well, we'll see. I'm just going to call it a stand. It won't work. 93 00:05:03,310 --> 00:05:05,210 Okay, I'll go up and see that other guy. That won't work either. 94 00:05:06,170 --> 00:05:07,170 Can you see, Murphy? 95 00:05:07,810 --> 00:05:10,810 You're dealing with a glacier. 96 00:05:11,430 --> 00:05:13,530 A humongous network glacier. 97 00:05:13,870 --> 00:05:17,790 A humongous network glacier that's fourth in key demographics, that's 98 00:05:17,790 --> 00:05:21,530 to do this interview, and, most importantly, a glacier that's got you 99 00:05:21,530 --> 00:05:22,530 in an ironclad contract. 100 00:05:22,810 --> 00:05:25,150 You don't defy the glacier, Murphy. 101 00:05:26,750 --> 00:05:28,330 It's wounded. It's angry. 102 00:05:28,750 --> 00:05:29,990 It's snapping in all directions. 103 00:05:32,120 --> 00:05:33,120 Snapping glacier? 104 00:05:34,740 --> 00:05:35,880 You just have to do it. 105 00:05:38,480 --> 00:05:45,040 For every... And all I'm saying is it's against my 106 00:05:45,040 --> 00:05:47,560 policy to clear out this place for any VIP. 107 00:05:47,940 --> 00:05:51,620 I didn't even do it for Billy Graham, and he threatened me with eternal 108 00:05:51,620 --> 00:05:52,620 damnation. 109 00:05:53,400 --> 00:05:57,100 Okay, we'll make it worth your while. How much is this place making a normal 110 00:05:57,100 --> 00:05:58,100 lunch hour? 111 00:05:59,240 --> 00:06:00,240 $20 ,000. 112 00:06:01,690 --> 00:06:05,150 Consider it done. Oh, of course that doesn't include tips. 113 00:06:05,630 --> 00:06:06,870 How much do you make a tip? 114 00:06:07,790 --> 00:06:08,790 $20 ,000. 115 00:06:16,930 --> 00:06:17,930 Hello. 116 00:06:18,370 --> 00:06:19,430 I'm Clive Walker. 117 00:06:19,710 --> 00:06:21,510 Oh, wow, God. 118 00:06:21,790 --> 00:06:22,790 Gosh, swoon. 119 00:06:22,950 --> 00:06:27,310 Let me just get this over with. Oh, gee, I hope my bodyguards didn't give you 120 00:06:27,310 --> 00:06:27,989 any trouble. 121 00:06:27,990 --> 00:06:29,310 They can be a little enthusiastic. 122 00:06:29,830 --> 00:06:33,030 Most of the time, it's not much of a problem. Except when I go to football 123 00:06:33,030 --> 00:06:37,130 games, they clear out a huge bunch of seats, the wave gets to me, boom, just 124 00:06:37,130 --> 00:06:38,130 sort of stops. 125 00:06:38,390 --> 00:06:40,430 I guess a lot of people think that's a good thing. 126 00:06:41,450 --> 00:06:45,290 Look, Clive, I don't know what you've heard, but if you think I'm flattered 127 00:06:45,290 --> 00:06:47,110 you picked me for this interview, I'm not. 128 00:06:48,050 --> 00:06:49,050 Picture. 129 00:06:49,300 --> 00:06:53,120 Oh, well, I don't know what they told you, but I didn't exactly think you. Oh, 130 00:06:53,160 --> 00:06:56,780 you see, I kind of flipped through the TV guide and went, boop, and landed. 131 00:06:56,860 --> 00:07:00,300 Well, no, first I landed on one of those little Bo Peep figurines, the Franklin 132 00:07:00,300 --> 00:07:01,300 man. Oh, gee. 133 00:07:01,520 --> 00:07:03,820 But when I tried again, I landed on you. 134 00:07:04,400 --> 00:07:07,960 Really? I would have had you pegged for more of an eeny, meeny, miny, moe kind 135 00:07:07,960 --> 00:07:08,960 of job. 136 00:07:09,080 --> 00:07:10,080 Okay. 137 00:07:10,280 --> 00:07:15,640 Look, Tex, I'm a journalist, and the bottom line here is I don't think you're 138 00:07:15,640 --> 00:07:16,900 news. Truth is? 139 00:07:18,190 --> 00:07:19,510 I don't think I am either. 140 00:07:19,770 --> 00:07:22,530 But every time I open up a magazine, I seem to be in it. 141 00:07:22,870 --> 00:07:26,390 Yeah, but those are the same magazines that run stories on two -headed devil 142 00:07:26,390 --> 00:07:28,910 babies and what Burt Reynolds looks like without his toupee. 143 00:07:30,450 --> 00:07:33,690 Now I'm starting to think I should have stuck with Little Bo Peep. 144 00:07:34,110 --> 00:07:38,110 Look, Clive, I'm really not the right person for this interview. 145 00:07:38,330 --> 00:07:40,130 So, why me? 146 00:07:40,970 --> 00:07:43,510 Truth is, Murphy, you're the best at what you do. 147 00:07:44,060 --> 00:07:47,700 I figure if I can get past some of your questions on national TV, I might be 148 00:07:47,700 --> 00:07:50,260 able to put an end to some of those stupid rumors about me. 149 00:07:50,920 --> 00:07:55,620 Like why a grown man would sleep in an abandoned missile silo? Oh, that one's 150 00:07:55,620 --> 00:07:56,620 still kicking around. 151 00:07:56,880 --> 00:07:59,900 Well, I'll give you my permission to walk my ranch up one side and down the 152 00:07:59,900 --> 00:08:03,700 other, see if you can find it. Just do me a favor, don't disturb the Martian 153 00:08:03,700 --> 00:08:06,200 family living up in the oak tree. They get mighty jumpy. 154 00:08:07,560 --> 00:08:09,200 Okay, just explain this. 155 00:08:09,720 --> 00:08:13,660 You live in a place with a Ferris wheel and a petting zoo in the backyard, and 156 00:08:13,660 --> 00:08:16,800 you call it the Happy Time Ranch. What the heck is that all about? 157 00:08:18,100 --> 00:08:19,100 Fair enough. 158 00:08:20,760 --> 00:08:22,520 My mama died when I was a kid. 159 00:08:23,580 --> 00:08:25,640 I had to raise six brothers and sisters. 160 00:08:26,060 --> 00:08:29,280 My dad worked at the steel mill, which is where I went when I dropped out of 161 00:08:29,280 --> 00:08:31,500 high school, so I didn't have much time for childhood. 162 00:08:32,380 --> 00:08:34,559 I guess I'm just trying to get a little bit of that back. 163 00:08:37,059 --> 00:08:39,039 Your manager said you'd want a partner. 164 00:08:40,039 --> 00:08:43,080 Here you go. Oh, thank you. Thank you very much. You're welcome. 165 00:08:43,720 --> 00:08:45,120 That'll be $860. 166 00:08:47,420 --> 00:08:48,420 Want a Coke? 167 00:08:55,260 --> 00:08:56,219 Oh, man. 168 00:08:56,220 --> 00:08:59,840 The network has Murphy going on another talk show tonight. She hasn't even done 169 00:08:59,840 --> 00:09:02,500 the Walker interview yet. What could they possibly ask her? 170 00:09:02,700 --> 00:09:05,740 I guess the same thing the New Yorker and People magazine already asked her. 171 00:09:05,840 --> 00:09:08,900 What are the sociopolitical ramifications of Clive Walker's music? 172 00:09:09,310 --> 00:09:11,450 And how does she think she looked with a Jennifer Aniston haircut? 173 00:09:12,910 --> 00:09:15,810 You know, I was in favor of this interview until I learned the network 174 00:09:15,810 --> 00:09:19,790 three primetime specials from Clive Walker's record company. It's one of 175 00:09:19,790 --> 00:09:21,610 you scratch mine, I'll scratch yours situations. 176 00:09:22,010 --> 00:09:25,550 Well, I, for one, am plenty happy scratching my own. Thank you very much. 177 00:09:27,310 --> 00:09:30,330 Okay, so if you watch E .T. tonight, this will be on right after the 178 00:09:30,330 --> 00:09:31,430 we got with Burt Reynolds. 179 00:09:31,650 --> 00:09:33,570 He's going to show us what he looks like without his toupee. 180 00:09:34,650 --> 00:09:35,830 I'll be sure to tape it. 181 00:09:36,290 --> 00:09:37,410 You know, Murphy... 182 00:09:37,850 --> 00:09:39,510 The cameras aren't rolling. Come clean. 183 00:09:39,770 --> 00:09:41,870 How did you land that interview with Clive Walker? 184 00:09:43,070 --> 00:09:45,910 Oh, I just closed my eyes and wished real hard. 185 00:09:46,910 --> 00:09:50,230 Come on, Murphy, if that worked, John Tesh would have spent the last hour here 186 00:09:50,230 --> 00:09:51,230 with you instead of me. 187 00:09:54,330 --> 00:09:57,150 Murphy, Redwood called to thank you for the recipe you sent for their cooking 188 00:09:57,150 --> 00:09:58,150 with Murphy story. 189 00:09:58,950 --> 00:10:00,990 You sent in a recipe? 190 00:10:01,350 --> 00:10:04,810 Well, it's part of the Clive Walker interview hype. I don't know. What did I 191 00:10:04,810 --> 00:10:08,090 send in again, Corky? Granny Sherwood's recipe for faux apple pie. 192 00:10:08,310 --> 00:10:11,990 Just like the real kind, only use Ritz crackers instead of apples. Tastes real 193 00:10:11,990 --> 00:10:12,990 good. 194 00:10:13,130 --> 00:10:17,050 That's my favorite recipe? Ritz cracker pie? What's my favorite drink? Corn 195 00:10:17,050 --> 00:10:21,030 squeezes? Boy, this is just humiliating. Hey, guys. What's up? What do you 196 00:10:21,030 --> 00:10:23,170 expect when you have to do something you don't want to do? 197 00:10:23,790 --> 00:10:26,790 starts with a Clive Walker interview and ends with me posing on top of a 198 00:10:26,790 --> 00:10:28,450 haystack for the cover of TV Guide. 199 00:10:30,670 --> 00:10:31,670 Poor Murphy. 200 00:10:31,770 --> 00:10:33,450 I hate to see her like this. 201 00:10:33,670 --> 00:10:36,330 Heartbreaking. But you thought it was a great interview. 202 00:10:36,550 --> 00:10:37,650 You all wanted it. 203 00:10:37,910 --> 00:10:40,170 Yeah, we did until we saw what you're putting Murphy through. 204 00:10:40,470 --> 00:10:41,910 What I'm putting her through. 205 00:10:42,210 --> 00:10:48,210 But I'm just an innocent little penguin for tipping his eggs on this humongous 206 00:10:48,210 --> 00:10:49,210 glacier. 207 00:10:49,760 --> 00:10:51,660 You can't hide behind your metaphors forever. 208 00:10:51,880 --> 00:10:56,700 Now, you can take your flightless wings and you just waddle on in there and you 209 00:10:56,700 --> 00:10:57,700 comfort her. 210 00:11:02,100 --> 00:11:04,380 But it really is a great interview. I said waddle. 211 00:11:12,060 --> 00:11:13,820 Murphy, can I have a word with you? 212 00:11:14,180 --> 00:11:19,720 Yeah, sure. What is it? Well, look, I know the network. force this interview 213 00:11:19,720 --> 00:11:23,220 you, and I know I went along with it, and I know you're not happy about it. 214 00:11:23,220 --> 00:11:25,920 even though there's nothing I can do about that now, maybe you would feel 215 00:11:25,920 --> 00:11:28,580 if you could take your frustrations out on me. 216 00:11:29,480 --> 00:11:31,800 So, go ahead. 217 00:11:32,400 --> 00:11:35,560 But please bear in mind that Corky and I have discussed having children someday. 218 00:11:37,880 --> 00:11:41,980 Miles? I haven't even touched you! 219 00:11:43,180 --> 00:11:44,180 Oh. 220 00:11:44,740 --> 00:11:45,740 What's that? 221 00:11:46,340 --> 00:11:47,820 This? Oh, this is, uh... 222 00:11:51,430 --> 00:11:53,570 Okay. You want to know what it is? 223 00:11:54,550 --> 00:11:56,770 It's photographs of me sitting on that haystack. 224 00:11:57,410 --> 00:11:59,690 But I thought you didn't want to have anything to do with that. 225 00:12:00,410 --> 00:12:02,350 Well, I do. 226 00:12:04,150 --> 00:12:07,070 I, uh... I like doing this interview. 227 00:12:08,110 --> 00:12:11,370 I like that every journalist on the planet is jealous of me. 228 00:12:11,990 --> 00:12:14,670 And I think I look pretty damn good on this haystack. 229 00:12:15,410 --> 00:12:17,410 Really? You like it? Yeah. 230 00:12:18,480 --> 00:12:23,420 surprise, isn't it? I mean, I always thought that if I crossed this line into 231 00:12:23,420 --> 00:12:26,340 this kind of interview that something bad would happen. Lightning would strike 232 00:12:26,340 --> 00:12:30,680 or something, but nothing has so far. No frogs, no boils, no locusts. 233 00:12:32,120 --> 00:12:37,560 Miles, liking this doesn't make me a bad journalist, does it? Of course not. 234 00:12:37,880 --> 00:12:41,920 I mean, it's not like I'm going to go easy on the guy. You go easy? Huh? 235 00:12:42,700 --> 00:12:46,300 I'm going to be just as tough on him as I would on anybody else. There'll just 236 00:12:46,300 --> 00:12:47,860 be an extra 40 million people watching, that's all. 237 00:12:48,590 --> 00:12:49,910 million people for my interview. 238 00:12:50,150 --> 00:12:51,150 On my show. 239 00:12:51,290 --> 00:12:53,310 Listening to my penetrating questions. 240 00:12:53,590 --> 00:12:55,090 Seeing my name roll by on the credits. 241 00:12:55,330 --> 00:12:56,810 Being my thoughtful analysis. 242 00:12:57,190 --> 00:12:58,510 Seeing my name roll by on the credits. 243 00:12:59,110 --> 00:13:00,170 We are good. 244 00:13:00,410 --> 00:13:01,830 We are very good. 245 00:13:02,910 --> 00:13:03,910 Partner. 246 00:13:08,430 --> 00:13:09,430 Oh, 247 00:13:10,150 --> 00:13:11,150 Miles. 248 00:13:12,150 --> 00:13:16,570 Um, if you don't mind, I'd appreciate your keeping this between us. 249 00:13:17,080 --> 00:13:20,920 I took a pretty tough stand against his interview, and, you know, it wouldn't 250 00:13:20,920 --> 00:13:24,260 look good if people saw me backing away from that. Oh, here. 251 00:13:24,780 --> 00:13:25,780 I understand. 252 00:13:26,320 --> 00:13:27,320 Thank you. 253 00:13:28,220 --> 00:13:32,520 You think I like going on all these stupid talk shows, Miles? Do you? Do you 254 00:13:32,520 --> 00:13:35,820 think I have any small problems with Charles Brown? I know how difficult this 255 00:13:35,820 --> 00:13:37,800 for you, Murphy. I am so sorry. Sorry? 256 00:13:38,000 --> 00:13:39,040 You think that makes it better? 257 00:13:39,280 --> 00:13:40,340 Sorry, is that what you think? 258 00:13:40,860 --> 00:13:41,920 Sorry. Ow! 259 00:13:42,200 --> 00:13:43,220 You never mentioned me. 260 00:13:45,120 --> 00:13:46,260 Jeff Foxworthy. 261 00:13:53,450 --> 00:13:55,950 We need more light on the stage. 262 00:13:56,390 --> 00:13:57,490 How's the sound level? 263 00:13:58,050 --> 00:14:01,190 Get that thing away from the table! 264 00:14:01,530 --> 00:14:03,730 Our umbrella policy doesn't cover llamas. 265 00:14:03,990 --> 00:14:09,650 Okay, Miles, crew's all set. Well, except for Carl. He had too many 266 00:14:09,650 --> 00:14:10,650 threw up on the tilt -a -whirl. 267 00:14:11,970 --> 00:14:17,170 This is going to be huge. I'm seeing Super Bowl XVI. Bigger. Mash. Final 268 00:14:17,170 --> 00:14:21,310 episode. I've got three words for you. Who shot J .R.? Who did shoot J .R.? 269 00:14:21,610 --> 00:14:23,890 I don't know. My parents wouldn't let me stay up to watch it. 270 00:14:25,250 --> 00:14:29,350 Is this place amazing or what? Who would have thought you could make so much 271 00:14:29,350 --> 00:14:30,930 money by rhyming walk with talk? 272 00:14:32,010 --> 00:14:35,030 I just don't understand it. Miles, we're television executives. 273 00:14:35,350 --> 00:14:38,890 There are some things we can never hope to understand yet must seek to exploit. 274 00:14:39,030 --> 00:14:40,190 Things like injustice. 275 00:14:40,720 --> 00:14:41,619 Human suffering. 276 00:14:41,620 --> 00:14:42,620 Tori Spelling. 277 00:14:42,840 --> 00:14:43,840 I mean, 278 00:14:45,420 --> 00:14:49,060 this is Murphy Brown we're talking about here. She's a serious journalist who 279 00:14:49,060 --> 00:14:52,660 will ask serious questions. She brings an awesome power and weight to 280 00:14:52,660 --> 00:14:53,660 she does. 281 00:14:54,680 --> 00:15:01,500 I think he just 282 00:15:01,500 --> 00:15:02,500 sneezed on my tie. 283 00:15:12,200 --> 00:15:13,980 I finally met a Republican I like. 284 00:15:14,640 --> 00:15:15,860 Yeah, yeah, nice elephant. 285 00:15:16,200 --> 00:15:19,520 But did you check out that unsupervised Sunday bar in the video game room? 286 00:15:19,860 --> 00:15:23,660 Are you kidding? I crouched under that sucker, hit the button, and let the good 287 00:15:23,660 --> 00:15:24,660 times roll. 288 00:15:25,600 --> 00:15:26,700 What the hell is this? 289 00:15:26,980 --> 00:15:27,980 Well, it's this. 290 00:15:29,080 --> 00:15:30,680 This is the set where we're going to do the interview. 291 00:15:31,820 --> 00:15:35,260 Really? I don't know, Miles. It doesn't really capture the charm of the place. 292 00:15:35,520 --> 00:15:36,520 What do you have in mind? 293 00:15:36,670 --> 00:15:40,890 Well, originally, I thought we could go with the filter world, but now... Maybe 294 00:15:40,890 --> 00:15:42,010 the carousel's the way to go. 295 00:15:42,630 --> 00:15:44,930 John, Carl hasn't been on the carousel yet, has he? 296 00:15:45,130 --> 00:15:45,829 Not yet. 297 00:15:45,830 --> 00:15:48,010 Okay, quick, let's move it to the carousel. Fine with me. 298 00:15:48,410 --> 00:15:49,410 Moving to the carousel! 299 00:15:53,470 --> 00:15:55,610 So, let's review, Murphy. 300 00:15:56,070 --> 00:16:00,330 I ask you to do something, you do it, and then you're happy to have done it. 301 00:16:00,690 --> 00:16:03,530 So, what have we learned from this little experience? 302 00:16:05,960 --> 00:16:08,940 Not to our $200 Oxfords around free -range elephants? 303 00:16:18,780 --> 00:16:21,420 Our places, people, we are live in 25. 304 00:16:22,600 --> 00:16:23,940 Carousel's a great idea, Murphy. 305 00:16:24,240 --> 00:16:26,780 Hey, Clive, you all set to go? Yeah, well, whenever you are. 306 00:16:27,020 --> 00:16:30,800 Okay. Well, you just relax, try to ignore the cameras, and try to forget 307 00:16:30,800 --> 00:16:34,040 the only people not watching tonight are the Amish infants and... 308 00:16:34,460 --> 00:16:38,000 Who are we kidding? Even Amish infants are going to be watching tonight. I'll 309 00:16:38,000 --> 00:16:38,639 my best. 310 00:16:38,640 --> 00:16:43,360 Okay. All right, find a partner. We are live in five, four, three, two. 311 00:16:45,200 --> 00:16:50,760 Live from the Happy Time Ranch in Leesburg, Florida, a special edition of 312 00:16:50,960 --> 00:16:52,920 Here now is Murphy Brown. 313 00:16:53,420 --> 00:16:54,420 Good evening. 314 00:16:54,700 --> 00:16:57,900 For your information tonight, we'll be speaking with music superstar Clive 315 00:16:57,900 --> 00:17:01,700 Walker, whose work has managed to bridge the gap between rock, pop, and country 316 00:17:01,700 --> 00:17:04,780 and stands as a dramatic example of crossover success. 317 00:17:05,119 --> 00:17:09,280 In his first ever televised interview, the five -time Grammy Award winner will 318 00:17:09,280 --> 00:17:13,300 answer questions about his work, the bizarre rumors about his life, and the 319 00:17:13,300 --> 00:17:16,460 number one single that has made him responsible for the nation's latest 320 00:17:16,460 --> 00:17:17,900 craze, The Walker Walk. 321 00:17:21,020 --> 00:17:21,939 Clive, welcome. 322 00:17:21,940 --> 00:17:25,280 Oh, thank you, Murphy. But I think I should point out to you, I'm really not 323 00:17:25,280 --> 00:17:26,660 responsible for that dance. 324 00:17:26,960 --> 00:17:30,420 No kidding. No, the kids started doing it. My conscience just sort of caught 325 00:17:30,420 --> 00:17:33,520 off. I'll tell you something else. I've never actually done it myself. 326 00:17:34,120 --> 00:17:39,380 Really? Well, maybe we can talk you into trying it tonight. Oh, I'll make a deal 327 00:17:39,380 --> 00:17:40,800 with you. I'll do it if you will. 328 00:17:42,020 --> 00:17:44,400 All right. You're on, boys. 329 00:17:46,080 --> 00:17:47,100 Oh, no. 330 00:17:48,420 --> 00:17:50,120 There, have the dance. All right. 331 00:17:51,560 --> 00:17:54,340 I have never done this dance before. Neither have I. Ready? Let's go. 332 00:17:55,640 --> 00:17:56,900 That's it. Oh, you're good at this. 333 00:17:57,300 --> 00:18:00,700 I think it's a little more. That's it. That's it. Oh, look at you. You're a 334 00:18:00,700 --> 00:18:02,740 natural at it. Here you are. 335 00:18:02,980 --> 00:18:06,820 Well, I have been told I've been blessed with an uncanny sense of rhythm. Well, 336 00:18:06,820 --> 00:18:07,820 I can see that, Murphy. 337 00:18:10,020 --> 00:18:13,960 All right, all right. That's about enough. 338 00:18:14,380 --> 00:18:18,140 Maybe we should take a short break now. When we come back, we'll talk about 339 00:18:18,140 --> 00:18:20,600 Clive Walker's childhood and take a guided tour. 340 00:18:20,920 --> 00:18:22,300 On the happy time ride. 341 00:18:23,940 --> 00:18:25,640 We're walking in the commercial. 342 00:18:26,340 --> 00:18:27,760 Okay. Bye all. 343 00:18:28,820 --> 00:18:29,820 Bye all. 344 00:18:30,760 --> 00:18:33,840 Did you see that? Pretty neat, huh? The way I got him to do that dance for the 345 00:18:33,840 --> 00:18:37,440 first time. And how about me? Not too shabby for a first time walker, huh? The 346 00:18:37,440 --> 00:18:41,880 Pentagon has issued a statement labeling the incident a calculated and cold 347 00:18:41,880 --> 00:18:42,980 -blooded act of war. 348 00:18:43,260 --> 00:18:45,980 And the president has vowed to retaliate. 349 00:18:46,560 --> 00:18:48,920 Response in the House and Senate has been muted. 350 00:18:49,370 --> 00:18:51,870 Members of both parties offering their... Oh, I'm sending troops. 351 00:18:52,210 --> 00:18:52,929 Oh, no. 352 00:18:52,930 --> 00:18:54,970 It can't be a war. Not tonight. 353 00:18:56,030 --> 00:18:59,570 Maybe it's just a skirmish. Sometimes they think it's a war. It's really just 354 00:18:59,570 --> 00:19:01,470 skirmish. You heard what I heard, Murphy. It looks big. 355 00:19:02,090 --> 00:19:06,210 Okay, okay. We could put it in a little box at the top of the screen, and then 356 00:19:06,210 --> 00:19:09,010 after I turn the monkey cages, we could cut to New York. That sounds okay, 357 00:19:09,090 --> 00:19:10,090 doesn't it? 358 00:19:10,270 --> 00:19:12,070 Oh, God. What am I seeing? 359 00:19:13,850 --> 00:19:15,210 We can't do this tonight. 360 00:19:21,040 --> 00:19:22,300 All right, we all know the drill. 361 00:19:22,500 --> 00:19:25,180 I'll make a brief statement, then we can send it to New York. Are you going to 362 00:19:25,180 --> 00:19:26,180 just cut to New York now? 363 00:19:26,420 --> 00:19:28,180 We're sticking with the Walker interview. 364 00:19:28,580 --> 00:19:30,580 What? You're staying with the interview? 365 00:19:31,160 --> 00:19:32,160 Coming from the top. 366 00:19:32,320 --> 00:19:36,060 I don't care. Let me talk to Stan. This isn't Stan. This is bigger than Stan. 367 00:19:36,200 --> 00:19:37,680 Much, much bigger than Stan. 368 00:19:38,060 --> 00:19:39,720 Whoa, whoa, whoa. What's going on here? 369 00:19:39,920 --> 00:19:43,140 We wouldn't allow those long spaces here at half the time. One of our aircraft 370 00:19:43,140 --> 00:19:44,900 carriers just got attacked in the Mediterranean. 371 00:19:45,880 --> 00:19:49,160 There seems to be some confusion as to what we're going to cover. 372 00:19:50,090 --> 00:19:51,330 Oh, geez, I hope not. 373 00:19:52,210 --> 00:19:55,630 My record comes out tomorrow, and I'm going to have time to mess around, as 374 00:19:55,630 --> 00:19:58,970 as I'm concerned. We do this tonight or not at all? Oh, no, no, no, no, no. We 375 00:19:58,970 --> 00:19:59,970 do this tonight. 376 00:20:00,090 --> 00:20:01,049 Definitely tonight. 377 00:20:01,050 --> 00:20:01,809 All right. 378 00:20:01,810 --> 00:20:02,810 Let's do it. 379 00:20:03,810 --> 00:20:09,310 All right, 20 seconds. We can't do this. There is a major news story happening. 380 00:20:09,470 --> 00:20:12,870 Oh, you're right. There is a major news story, and this is it. And this comes 381 00:20:12,870 --> 00:20:14,690 from the top. The tippy -tippy top. 382 00:20:15,510 --> 00:20:16,510 So let's go. 383 00:20:17,410 --> 00:20:18,650 Well, fine. You want to go? 384 00:20:19,630 --> 00:20:20,630 Let's go. 385 00:20:22,830 --> 00:20:29,350 All right, we're back in 5, 4, 3, 2... Welcome back. 386 00:20:29,810 --> 00:20:34,350 Minutes ago, an American aircraft carrier was attacked in the 387 00:20:34,350 --> 00:20:36,650 president has described it as an act of war. 388 00:20:37,430 --> 00:20:42,210 Unfortunately, that will be the extent of our coverage this evening. For 389 00:20:42,210 --> 00:20:44,890 details, I suggest you switch to another station. 390 00:20:45,750 --> 00:20:50,290 But if you are more interested in the overindulged lifestyle of a pampered pop 391 00:20:50,290 --> 00:20:52,190 music star, you're in the right place. 392 00:20:53,150 --> 00:20:56,330 So, Clive, tell me, what do you look for when you're buying a hat for an 393 00:20:56,330 --> 00:20:58,790 ostrich? Oh, well, now, that's a toughie. 394 00:20:59,050 --> 00:21:02,470 I guess it all depends on the personality of the bird. 395 00:21:03,150 --> 00:21:07,990 Now, Elmo there, oh, he's a classy fella. So for him, I went with the 396 00:21:08,170 --> 00:21:13,050 Now, Janine over there, she's more the playful type. So for her, I went with 397 00:21:13,050 --> 00:21:15,970 straw boater, which she proceeded to eat. 398 00:21:16,270 --> 00:21:20,530 That's when I bought her that little helmet. Oh, she just loves that one. 32776

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