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These are the user uploaded subtitles that are being translated: 1 00:00:04,509 --> 00:00:07,059 Elita is dropped into this world and 2 00:00:07,059 --> 00:00:09,730 through her eyes you are experiencing 3 00:00:09,730 --> 00:00:12,789 everything for the first time they knew 4 00:00:12,789 --> 00:00:15,369 when I did avatar with wetter but Aleta 5 00:00:15,369 --> 00:00:17,320 would not only be possible that as a 6 00:00:17,320 --> 00:00:19,150 character she would be spectacular 7 00:00:19,150 --> 00:00:22,450 hi when we were making avatar I would 8 00:00:22,450 --> 00:00:24,280 tell people we don't need to be photo 9 00:00:24,280 --> 00:00:26,230 real because you can't tell me what real 10 00:00:26,230 --> 00:00:28,150 is on Pandora we only needed to be 11 00:00:28,150 --> 00:00:30,340 photographic for a leader where on earth 12 00:00:30,340 --> 00:00:33,010 a leader needs to be photo real so that 13 00:00:33,010 --> 00:00:35,050 she can stand right next to Christoph 14 00:00:35,050 --> 00:00:38,260 Waltz and look together of one in the 15 00:00:38,260 --> 00:00:41,050 frame Aleta is probably the most 16 00:00:41,050 --> 00:00:43,300 ambitious digital character that we have 17 00:00:43,300 --> 00:00:45,609 created that's so good there's no better 18 00:00:45,609 --> 00:00:48,519 way of doing that than capturing a 19 00:00:48,519 --> 00:00:50,469 performance from a real human 20 00:00:50,469 --> 00:00:52,629 performance capture gives you the body 21 00:00:52,629 --> 00:00:54,460 and the weight and the realism of the 22 00:00:54,460 --> 00:00:56,499 expressions the way the performance 23 00:00:56,499 --> 00:00:58,719 capture process worked is we had a 24 00:00:58,719 --> 00:01:01,959 number of cameras placed around the set 25 00:01:01,959 --> 00:01:05,560 that would record markers or the actors 26 00:01:05,560 --> 00:01:08,170 physical body the system would interpret 27 00:01:08,170 --> 00:01:10,120 that marker and put it into 28 00:01:10,120 --> 00:01:12,010 three-dimensional space and create a 29 00:01:12,010 --> 00:01:15,400 skeleton to go inside a CG model to 30 00:01:15,400 --> 00:01:17,830 drive that CG models performance this 31 00:01:17,830 --> 00:01:21,880 body it has the power I need I feel a 32 00:01:21,880 --> 00:01:24,340 connection to it I can't explain this 33 00:01:24,340 --> 00:01:26,260 could be Who I am it takes some getting 34 00:01:26,260 --> 00:01:28,180 used to you're wearing a helmet with 35 00:01:28,180 --> 00:01:31,120 Mike pack battery microphone a titanium 36 00:01:31,120 --> 00:01:33,970 boom a recorder you're zipped into the 37 00:01:33,970 --> 00:01:36,160 suit and you have gloves it's all the 38 00:01:36,160 --> 00:01:37,450 difference in the world for us being 39 00:01:37,450 --> 00:01:40,090 able to work on set and actually capture 40 00:01:40,090 --> 00:01:43,420 an actor in a proper environment because 41 00:01:43,420 --> 00:01:45,820 you just get a better performance from 42 00:01:45,820 --> 00:01:47,970 the actors 43 00:01:48,359 --> 00:01:50,700 performance capture tends to lend a lot 44 00:01:50,700 --> 00:01:52,289 of credibility because you get all of 45 00:01:52,289 --> 00:01:54,060 the weight you get the physics that also 46 00:01:54,060 --> 00:01:56,490 needs them to be taken to the next level 47 00:01:56,490 --> 00:01:57,360 when you talk about something like 48 00:01:57,360 --> 00:01:59,850 representation of manga we really wanted 49 00:01:59,850 --> 00:02:01,250 to be able to take this augmented 50 00:02:01,250 --> 00:02:04,679 animation hybrid and layer against the 51 00:02:04,679 --> 00:02:06,659 forms capture to attain sort of the best 52 00:02:06,659 --> 00:02:07,710 version of both walls 53 00:02:07,710 --> 00:02:13,000 [Music] 54 00:02:13,000 --> 00:02:15,770 what changes it from being motion 55 00:02:15,770 --> 00:02:18,020 capture to performance capture is that 56 00:02:18,020 --> 00:02:20,600 simultaneously with capturing the body's 57 00:02:20,600 --> 00:02:22,760 performance we are capturing the facial 58 00:02:22,760 --> 00:02:25,010 performance it's all about this if you 59 00:02:25,010 --> 00:02:26,660 can make the audience believe that that 60 00:02:26,660 --> 00:02:30,400 character is real in a tight close-up 61 00:02:32,960 --> 00:02:36,230 Rosa would wear to high-definition 62 00:02:36,230 --> 00:02:39,030 cameras as a Hedrick that would 63 00:02:39,030 --> 00:02:41,970 photograph her face Lana would interpret 64 00:02:41,970 --> 00:02:44,850 those images on a frame-by-frame almost 65 00:02:44,850 --> 00:02:47,370 on a poor by poor level to drive the 66 00:02:47,370 --> 00:02:49,380 facial performance of the character of 67 00:02:49,380 --> 00:02:52,920 Lena every pull every indent every scar 68 00:02:52,920 --> 00:02:55,410 every crease things I wish they didn't 69 00:02:55,410 --> 00:02:57,510 put in are there it's like looking at me 70 00:02:57,510 --> 00:03:00,090 because every little nuance of my face 71 00:03:00,090 --> 00:03:03,810 is there touch of again and I will kill 72 00:03:03,810 --> 00:03:07,050 Hughes amazing scene Rosa's spirit her 73 00:03:07,050 --> 00:03:10,100 light come through the Alita character 74 00:03:10,100 --> 00:03:12,960 my hope is that when people are watching 75 00:03:12,960 --> 00:03:14,760 this they sort of forget that she's a CG 76 00:03:14,760 --> 00:03:15,480 character 77 00:03:15,480 --> 00:03:18,750 I'm amore your honor you know you've 78 00:03:18,750 --> 00:03:21,600 always known I think we've been able to 79 00:03:21,600 --> 00:03:24,690 create a seamless blend of live-action 80 00:03:24,690 --> 00:03:28,580 and synthetic action in one single frame 81 00:03:28,580 --> 00:03:32,360 that's pretty intense though the action 82 00:03:32,360 --> 00:03:36,360 the emotion the grand world it was all 83 00:03:36,360 --> 00:03:37,530 there 84 00:03:37,530 --> 00:03:39,420 I saw it as this great female 85 00:03:39,420 --> 00:03:42,480 empowerment story an incredible artist 86 00:03:42,480 --> 00:03:44,970 named Kushiro created bolita battle 87 00:03:44,970 --> 00:03:48,000 angel 30 years ago Keshe Rose creation 88 00:03:48,000 --> 00:03:49,890 is something that inspires dreams 89 00:03:49,890 --> 00:03:52,290 Elita battle angel is about a girl who 90 00:03:52,290 --> 00:03:55,110 is plopped into the world not knowing 91 00:03:55,110 --> 00:03:58,620 who she is solid and she goes on a 92 00:03:58,620 --> 00:04:00,750 journey of self-discovery and discovers 93 00:04:00,750 --> 00:04:02,070 that she's not an insignificant girl at 94 00:04:02,070 --> 00:04:02,400 all 95 00:04:02,400 --> 00:04:04,980 she is someone quite extraordinary dance 96 00:04:04,980 --> 00:04:11,550 a little please it's all about this if 97 00:04:11,550 --> 00:04:13,200 you can make the audience believe that 98 00:04:13,200 --> 00:04:15,030 that character is real a tight close-up 99 00:04:15,030 --> 00:04:16,950 and frankly what are the only people 100 00:04:16,950 --> 00:04:18,720 that I trusted to be able to do that I 101 00:04:18,720 --> 00:04:20,548 think we've been able to create a 102 00:04:20,548 --> 00:04:23,550 seamless blend of live-action and 103 00:04:23,550 --> 00:04:26,780 synthetic action in one single frame 104 00:04:26,780 --> 00:04:30,930 she's just realer than real if you asked 105 00:04:30,930 --> 00:04:33,360 me about the timing of making Alita it's 106 00:04:33,360 --> 00:04:35,370 not the technology who is finding Rosa 107 00:04:35,370 --> 00:04:38,610 Salazar Rosa Salazar is fantastic I'm a 108 00:04:38,610 --> 00:04:41,140 warrior aren't I 109 00:04:41,140 --> 00:04:43,930 I loved her and I felt like her she was 110 00:04:43,930 --> 00:04:46,180 my person to look up to it's amazing 111 00:04:46,180 --> 00:04:49,330 seeing roses spirit her light come 112 00:04:49,330 --> 00:04:51,970 through the Alita character when you see 113 00:04:51,970 --> 00:04:53,680 something like this it's like something 114 00:04:53,680 --> 00:04:55,150 that looks so different than anything 115 00:04:55,150 --> 00:04:58,139 else we need a movie like this right now 116 00:04:58,139 --> 00:04:59,879 and I'm just an insignificant girl 117 00:04:59,879 --> 00:05:03,110 that's what they want you to think 118 00:05:04,970 --> 00:05:07,110 [Music] 119 00:05:07,110 --> 00:05:10,659 you told me the story of the war when 120 00:05:10,659 --> 00:05:14,729 the ground shook in the sky burn 121 00:05:15,479 --> 00:05:21,280 of the ones that survived who will woke 122 00:05:21,280 --> 00:05:26,560 to a different world where the powerful 123 00:05:26,560 --> 00:05:32,110 preyed on me but that's not the way it 124 00:05:32,110 --> 00:05:36,099 has to be when I found you 125 00:05:36,099 --> 00:05:38,949 you're very human brain was miraculously 126 00:05:38,949 --> 00:05:41,069 abducted 127 00:05:41,069 --> 00:05:43,569 it's the loneliest feeling not to know 128 00:05:43,569 --> 00:05:44,110 who you are 129 00:05:44,110 --> 00:05:46,340 in time you'll remember 130 00:05:46,340 --> 00:05:49,469 [Music] 131 00:05:51,260 --> 00:05:53,169 around 132 00:05:53,169 --> 00:05:56,919 the leaders doing here it's harsh world 133 00:05:56,919 --> 00:05:59,259 down here you gotta be willing to do 134 00:05:59,259 --> 00:06:01,650 what it takes 135 00:06:06,390 --> 00:06:13,269 [Music] 136 00:06:15,780 --> 00:06:17,990 she's the last of a kind 137 00:06:17,990 --> 00:06:20,960 she contains technology that have been 138 00:06:20,960 --> 00:06:23,810 lost for 300 years let me show you 139 00:06:23,810 --> 00:06:26,199 something 140 00:06:29,330 --> 00:06:33,839 [Music] 141 00:06:34,250 --> 00:06:37,470 this body I feel a connection to it I 142 00:06:37,470 --> 00:06:39,630 can't explain you know more about me 143 00:06:39,630 --> 00:06:41,430 than you're saying of lead us some 144 00:06:41,430 --> 00:06:45,300 things have been in this forgotten and 145 00:06:45,300 --> 00:06:47,330 I'll find out for myself 146 00:06:47,330 --> 00:06:49,620 she's threatening the natural order of 147 00:06:49,620 --> 00:06:52,919 things I need you to destroy her leader 148 00:06:52,919 --> 00:06:56,190 they will come for you I'll have to face 149 00:06:56,190 --> 00:06:58,669 them head-on 150 00:07:00,980 --> 00:07:02,720 tonight is not a game 151 00:07:02,720 --> 00:07:05,809 [Music] 152 00:07:08,000 --> 00:07:13,459 [Music] 153 00:07:19,400 --> 00:07:24,128 [Music] 154 00:07:26,900 --> 00:07:30,219 I'm with her 11128

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