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Who's that gal? I think you know her.
She's a real -life liar and she'll
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go her own way.
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She's a nut, she's a gal, she's a big
newscaster. If you need a friend, just
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on and ask her today.
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Yeah, it's Murthy, Murthy, Murthy,
Murthy Brawl.
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The lady's a tramp.
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The lady's a brawl.
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There's no one else in the whole darn
town who can make you laugh when you're
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feeling down.
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It's Murphy, Murphy, Murphy, Murphy
Brown.
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Hi, I'm Murphy Brown. You must be my new
secretary.
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Please tell me you. And let me just say
that I'm here to serve you in any way.
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Now, I'm a guy who's fly.
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So look me in the eye. and tell me what
you need, then let me say ha, ha, ha,
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ha. Say it again.
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Ha, ha, ha, ha. One more time.
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Ha, ha, ha, ha.
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Okay.
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Morning, everybody.
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Sorry I'm late. I got tied up in a
meeting.
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The guys from the entertainment division
are in from L .A. They spent the first
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20 minutes talking about how death
starts in the colon before we got down
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business. Can we make this meeting fast,
Miles? I've got a shoot at a toxic
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waste site, and I want to get there
before the wind shifts.
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Okay, okay.
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I have some information for you.
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The network has given the green light to
a new situation comedy series.
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Now, they're very high on it, and they'd
like our help.
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Our help?
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Sorry, Miles.
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We don't get involved with people who
sit in a room all day and think up
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stories about talking horses.
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What kind of job is that for a grown
-up?
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No, no, you don't understand.
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It seems this show is set in a newsroom.
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Oh, a newsroom.
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What kind of newsroom, Miles? A live
weekly magazine show. It centers around
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anchorwoman. What kind of anchorwoman?
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Bright, ambitious, tough, driven, at the
top of her profession.
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Can they do that without my permission?
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Before you jump to any conclusions,
they've assured me she's not modeled
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anybody. She's a combination of a lot of
people.
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Anyone from Leslie Stahl to Sam
Donaldson.
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What's her name?
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Kelly Green.
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I'm going to kill you, Mike.
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I have nothing to do with this.
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You know how I feel about the news
division.
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It's sacred.
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But the head of the network overruled me
and gave them permission to come in and
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study us.
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I don't know about anyone else, but I'm
not... I'm about to jeopardize my
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credibility as a journalist for some 30
-minute sitcom.
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Who's in it?
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They just closed the deal with Julia St.
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Martin. Oh, that does it.
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Julia St. Martin?
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I love her.
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Come on, Frank. The woman made a fortune
playing a nun in a push -up bra.
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it isn't. It's an intrusion. How are we
supposed to get anything done with her
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hanging around here flicking her hair
and wetting her lips?
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Did she need a ride from the airport?
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I don't know, Murphy.
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At least there are two of us left who
refuse to allow our journalistic
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to be tarnished. I better get back to
work before the network decides to give
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a wacky sidekick.
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And I said to him, Jack, this is an
important speech for you.
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I've seen this wall affect everyone,
East, West, even the Americans.
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And in a sense, we're all Berliners.
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Of course, we were speaking German at
the time.
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You know, Jim, this is so exciting for
me to get to sit here and experience the
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man behind the icon.
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There's a warmth and a passion.
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I don't show that side to many people.
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I played a merry townsman in my high
school production of Brigadoon.
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Murphy, you're here.
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Hello, Murphy.
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There's someone I want you to meet.
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Julius A. Barton, Murphy Brown.
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Murphy, I am so pleased to finally meet
you. I feel like I know you.
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I mean, after all, we did once share the
cover of the National Enquirer.
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I was abducted by a UFO, and Murphy was
having Bigfoot's baby.
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Nice to meet you, too.
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Do you think I could have my chair back?
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Oh, yes, of course. I'm sorry.
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I was just getting the feel of your
office, studying the details. It really
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help an actress to construct a
character.
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00:05:00,140 --> 00:05:03,820
Uh -huh. Well, I'm sort of busy
constructing a story for next week's
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00:05:03,820 --> 00:05:08,360
time's a little short. You know, I love
her directness. That ability to just cut
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00:05:08,360 --> 00:05:11,600
right through it. I really want to try
to use that. Wonderful idea. Just
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wonderful. Knock, knock.
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Here's that cafe au lait. you wanted,
Julia.
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I brought it up from the commissary
myself.
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Miles, thank you. You didn't have to do
that.
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I'm sure you have much more important
things to do than run around and get me
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coffee.
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Not really.
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Hey, Murph, how are you?
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Oh, hello.
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I'm sorry. I didn't know you had
company.
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The Temple of Doom is that way.
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Let me introduce myself.
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Frank Fontana.
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Investigative reporter.
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Julia St. Martin.
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Actress. You know, my time is awfully
short with all the crime and things
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on. But I might be able to manage to
clear some time and pick you on a
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00:06:12,370 --> 00:06:15,310
Yeah, there should be lots of
opportunity for comedy at a cyanide
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Well, I just think she should get an
overview.
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That's all. Well, if she wants an
overview, she should be able to read all
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wiretaps. Do we have to hose you down?
Come on, guys. I'm busy here.
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Fellas, I think we should just get out
of Murphy's way.
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I'm going to go into that news area
there and just see what's going on.
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We call it the bullpen.
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Like in baseball.
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Everybody, I'm here to research a role,
and I can't do that unless all of you
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just ignore me and go back to your work.
I'm not here, okay?
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Oh.
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Thanks.
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I know you!
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Hi. I know you, too. Hi. Judith St.
Martin.
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Corky Sherwood. This is really exciting.
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loved you in None on the Run.
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Although, I think I liked None on the
Run 2 even better.
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Listen, Corky, I know you must be very
busy, but it would really help me if I
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could experience the world of
broadcasting through the eyes of someone
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out there every day, living it and
breathing it.
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00:07:40,440 --> 00:07:42,280
Oh, of course, I'd be happy to help you.
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The blonde leading the blonde.
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If you had one piece of advice to give
me as a journalist and a woman, what
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would it be?
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Don't wear pleats.
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00:08:03,120 --> 00:08:04,820
Corky, I won't keep you any longer.
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00:08:07,760 --> 00:08:09,900
You've really been very helpful. Thank
you.
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If there's any other way I can assist
you in your search for accuracy, I'm at
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your service.
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I should have just put out that exercise
video when I had the chance.
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00:08:24,180 --> 00:08:26,660
Oh, come on, Murphy. Throw me a
lifeline.
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00:08:27,980 --> 00:08:32,080
Look, Julia, I know you have a job to
do, but so do I. I'm in the middle of a
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very hot story, and it has to come
first.
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What is it?
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00:08:35,340 --> 00:08:38,179
Oh, it's a little complicated. I don't
know if you'd understand.
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00:08:38,539 --> 00:08:39,539
Well, try me.
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I've uncovered some information on the
Korea River Dam project.
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The senator sponsoring the bill stands
to make a pretty good profit if the
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government purchases the land involved.
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It's what we in the media call a vested
interest story.
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I knew there was something that wasn't
right about that project.
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The Sierra Club said that dam would
devastate agriculture in three adjoining
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states as well as threaten the habitat
of 23 migratory birds and 17 species of
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fish.
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00:09:04,460 --> 00:09:06,800
And Jane Fonda told me I was paranoid.
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00:09:10,860 --> 00:09:13,480
Look, Murphy, can I just be honest with
you for a minute?
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For most of my career, I've had to
accept whatever roles they handed to me,
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00:09:18,220 --> 00:09:22,060
I've hung in there, but now for the
first time, I get to choose.
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00:09:22,740 --> 00:09:23,740
And I choose you.
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00:09:24,780 --> 00:09:28,660
I really want to be proud of this. I
really want Kelly Green to be modeled
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the best reporter on television.
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00:09:31,180 --> 00:09:33,720
Don't make me go to Maria Shriver, the
woman married Conan.
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00:09:38,580 --> 00:09:42,180
Well... Okay, I guess it wouldn't hurt
for you to watch me for one day, but
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let's keep it low -key. Oh, thank you,
thank you. Oh, I won't be in a way you
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won't even know I'm here.
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So, let's get going on that story. We
really should take a closer look at
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environmental impact studies. Do you
think we could fit another desk in here?
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I'm right behind you, Murphy. I know.
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00:10:00,500 --> 00:10:01,740
Get me Senator Poirot.
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00:10:02,700 --> 00:10:06,760
I'll get him for you now. You don't have
to tell me how. If you say it to me
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00:10:06,760 --> 00:10:08,460
nice, you don't have to say it twice.
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00:10:08,860 --> 00:10:09,860
Foray. Today.
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00:10:10,140 --> 00:10:11,400
Make way. Okay.
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00:10:21,160 --> 00:10:24,300
Hello. Senator Foray? Murphy Brown.
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00:10:24,700 --> 00:10:26,980
About that Carrillo River Dam project.
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00:10:27,940 --> 00:10:32,580
Yes, I know you're a busy man, Senator.
Anyone holding down two jobs usually is.
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00:10:33,210 --> 00:10:37,950
And tell me, Senator, just what exactly
does the third executive vice president
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of Waterside Realty do?
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00:10:40,510 --> 00:10:44,290
Senator, when you say you have no
comment to me, that's one thing. But
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repeat that to 16 million viewers,
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10 .30 tomorrow would be fine.
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See you then.
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God, that was perfect.
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00:10:53,830 --> 00:10:55,710
That's everything I want Kelly to be.
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00:10:56,150 --> 00:10:58,970
Murphy, do me a favor. Trade places with
me for just a minute.
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I just want to capture that moment.
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00:11:01,850 --> 00:11:02,609
What do you mean?
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00:11:02,610 --> 00:11:04,710
Oh, come on, get up. Here, lower your
glasses.
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00:11:05,450 --> 00:11:09,570
Great. This is an acting exercise. It's
called sense memory.
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00:11:09,890 --> 00:11:13,150
Just give me a minute to prepare and
then cue me. You be the telephone. Say,
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00:11:13,230 --> 00:11:14,230
ring, ring.
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00:11:15,530 --> 00:11:16,550
This is ridiculous.
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00:11:16,930 --> 00:11:19,290
I don't want to be a telephone. What if
someone walks in?
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00:11:33,060 --> 00:11:34,060
This is Kelly Green.
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00:11:34,800 --> 00:11:36,060
Yes, the Kelly Green.
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00:11:37,680 --> 00:11:41,020
Oh, I think you'll find time to talk to
me when you hear why I'm calling.
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00:11:42,580 --> 00:11:46,300
Yes, I know you're very busy. Most
people who hold down two jobs are.
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00:11:47,040 --> 00:11:47,919
Mm -hmm.
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00:11:47,920 --> 00:11:52,460
Even one who's a silent partner in the,
uh, Waterside Realty Corporation.
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00:11:53,900 --> 00:11:54,900
Right.
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00:11:55,180 --> 00:11:59,280
Well, no comment is something you could
say to me, Senator, but I think our 15
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00:11:59,280 --> 00:12:02,700
million viewers are going to have some
pretty... colorful comments of their
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00:12:03,120 --> 00:12:04,460
10 .30 is fine.
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00:12:04,680 --> 00:12:05,680
See you then.
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00:12:06,620 --> 00:12:07,620
Unbelievable.
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00:12:08,680 --> 00:12:11,100
Is it Murphy or is it Memorex?
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00:12:13,280 --> 00:12:14,760
Oh, that felt good.
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00:12:14,960 --> 00:12:15,960
It felt right.
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00:12:16,160 --> 00:12:18,980
Oh, this is so exciting. I have bonded
with the character.
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00:12:19,900 --> 00:12:22,720
Murphy, this is all you're doing. You've
been such an inspiration.
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00:12:23,200 --> 00:12:24,580
Oh, well, gee.
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00:12:25,380 --> 00:12:26,380
Oh, wow.
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00:12:26,440 --> 00:12:29,640
What? What? I have got an idea. This is
so incredible.
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00:12:29,870 --> 00:12:34,310
You're not going to believe this.
Listen, Murphy Brown meets Kelly Green
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00:12:34,310 --> 00:12:35,310
premiere episode.
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00:12:35,350 --> 00:12:37,010
You do a walk -on.
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00:12:37,290 --> 00:12:38,790
Oh, it would be so great.
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00:12:39,170 --> 00:12:44,350
We have a real -life newswoman walk into
our fictional world. Now, tell me this
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00:12:44,350 --> 00:12:47,130
isn't the best. Oh, now wait a minute,
Julia.
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00:12:48,240 --> 00:12:51,440
It's been really great having you here,
but we really frown upon our
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00:12:51,440 --> 00:12:53,300
correspondence doing entertainment
programs.
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00:12:53,640 --> 00:12:56,260
Oh, but Miles, a new show needs all the
help it can get.
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00:12:56,460 --> 00:13:00,920
And besides, having a huge star like
Murphy Brown would practically guarantee
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00:13:00,920 --> 00:13:01,920
a 40 share.
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00:13:02,420 --> 00:13:05,880
Oh, Julia, I don't think it would mean a
40 share.
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00:13:07,020 --> 00:13:08,400
Julia, aren't you forgetting something?
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00:13:08,680 --> 00:13:09,880
Murphy isn't an actress.
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00:13:10,300 --> 00:13:14,440
Isn't an actress? Let me tell you
something. The one thing you cannot
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00:13:14,440 --> 00:13:15,740
actress is charisma.
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00:13:16,520 --> 00:13:19,380
Oh, I have watched this woman week after
week on television.
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00:13:19,900 --> 00:13:22,640
Talk about someone who really knows how
to fill up a screen.
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00:13:23,020 --> 00:13:24,680
I would kill for her presence.
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00:13:24,960 --> 00:13:27,340
I don't really think I'd be any good.
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00:13:27,720 --> 00:13:29,460
Would I? Oh, you'd be great.
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00:13:29,720 --> 00:13:30,780
You would be wonderful.
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00:13:31,660 --> 00:13:35,620
Miles, we're talking 10 million new
viewers for FYI and a cover of TV Guide.
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00:13:35,620 --> 00:13:38,680
Guide? Julia, you're putting Murphy in a
tough spot, but I'll be the bad guy.
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00:13:39,800 --> 00:13:43,500
I cannot endorse anything that might
damage Murphy's credibility as a
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00:13:43,500 --> 00:13:45,360
journalist. I'm going to have to say no.
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00:13:46,670 --> 00:13:50,510
Come on, don't be so dodgy. I mean, if
the entertainment division needs our
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help, how can we refuse?
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00:13:56,470 --> 00:13:57,730
So let's get started.
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00:13:58,470 --> 00:14:02,590
Okay, this is our newsroom set, our
bullpen.
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What we're going to be filming here,
Murphy, is the very last scene of the
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Kelly will say her line to her co
-worker.
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00:14:10,210 --> 00:14:12,690
That will be your cue to enter from the
elevator.
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00:14:14,270 --> 00:14:17,630
You'll come down, you'll come down.
Down, enter from the elevator. Down to
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00:14:17,630 --> 00:14:20,810
spot. Down to this spot that we have
marked on the floor, babe. Okay?
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00:14:21,610 --> 00:14:24,150
Now, you'll say your line. We'll freeze
frame.
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00:14:24,630 --> 00:14:28,630
Show's over. Series runs seven years. We
run out of places to put all the Emmys,
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00:14:28,650 --> 00:14:29,650
okay?
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00:14:29,710 --> 00:14:30,710
Murphy.
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00:14:31,330 --> 00:14:33,670
Murphy, have you seen your line yet?
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00:14:33,950 --> 00:14:37,430
Yes, I have, and I have to tell you, I
think it's pretty funny. Great. Can we
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00:14:37,430 --> 00:14:40,910
put it on a cue card for you? Actually,
I've memorized it, something I do. I
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00:14:40,910 --> 00:14:42,870
frequently memorize several pages of
copy.
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00:14:43,090 --> 00:14:44,090
Hey!
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00:14:44,400 --> 00:14:45,900
waiting for. Okay, good show, everybody.
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00:14:49,960 --> 00:14:50,960
Roll cameras.
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00:14:56,060 --> 00:14:57,600
Rolling. Kelly Green.
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Scene eight, take one.
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00:15:02,520 --> 00:15:04,500
And action.
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Boy, you make one little comment about
the competition and the next thing you
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know it's on page one of the post.
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00:15:14,260 --> 00:15:15,260
Murphy Brown.
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00:15:18,860 --> 00:15:21,240
I got your letter of apology, Kelly.
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00:15:22,500 --> 00:15:25,440
Now I'm sorry I filled your car with
herring.
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00:15:29,520 --> 00:15:30,520
Cut.
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00:15:32,020 --> 00:15:38,640
Great, great. Now that we've got it
once, let's try to relax
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00:15:38,640 --> 00:15:42,060
and have some fun with it, okay? One
more time, just from the elevator,
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I'm ready.
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00:15:52,430 --> 00:15:54,350
Scene eight, take two.
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00:15:56,450 --> 00:15:58,630
And action.
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Murphy Brown.
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00:16:04,530 --> 00:16:09,570
I got your letter of apology, Kelly. Now
I'm sorry I filled your car with
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00:16:09,570 --> 00:16:10,570
herring.
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00:16:13,270 --> 00:16:15,970
Great, great. Much, much, much, much,
much, much better.
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00:16:16,330 --> 00:16:18,310
Let me suggest something.
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00:16:18,570 --> 00:16:21,010
Try to punch the words car.
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00:16:21,320 --> 00:16:22,720
and herring. Car, herring.
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00:16:23,800 --> 00:16:27,560
That really makes the joke hit home. Oh,
oh, I see what you mean. Of course,
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00:16:27,620 --> 00:16:29,420
that makes it much funnier. Thanks for
the tip.
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00:16:32,100 --> 00:16:33,100
Roll cameras.
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00:16:38,100 --> 00:16:39,280
Rolling. Kelly Green.
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00:16:39,640 --> 00:16:40,399
Scene eight.
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00:16:40,400 --> 00:16:41,400
Take three.
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00:16:43,000 --> 00:16:45,260
And... action.
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00:16:48,020 --> 00:16:51,180
Murphy Brown. I got your letter of
apology. Apology, Kelly.
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00:16:51,440 --> 00:16:54,480
Now I'm sorry I filled your car with
herring.
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00:16:55,120 --> 00:16:59,740
Cut. I missed my mark. I knew that. I
guess I was thinking so much about
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00:16:59,740 --> 00:17:00,820
punching the right words.
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00:17:01,060 --> 00:17:04,839
You know, this is harder than I thought.
I've been watching you. You hit your
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00:17:04,839 --> 00:17:06,760
mark every time and you seem so natural.
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00:17:07,160 --> 00:17:11,180
Well, Murphy, maybe it will help if you
just try to forget about the cameras and
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00:17:11,180 --> 00:17:14,780
all the people out there. You know, all
the times we've talked the last few
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00:17:14,780 --> 00:17:18,140
weeks. Just think of this as just
another one of those conversations.
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00:17:18,900 --> 00:17:19,980
Great, I'll try that.
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00:17:24,880 --> 00:17:26,579
The woman is a redwood.
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00:17:29,960 --> 00:17:32,860
Hey, Alvin. Hey, how you doing? Hello
there. Hi there, Alvin.
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00:17:33,440 --> 00:17:34,440
Hello.
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00:17:35,060 --> 00:17:37,280
So, we meet again.
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00:17:40,440 --> 00:17:41,440
Hello, Alvin.
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00:17:41,800 --> 00:17:43,380
It's Alvin.
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00:17:44,170 --> 00:17:45,210
But I can be Alvin.
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00:17:46,510 --> 00:17:47,510
Hey, everybody.
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00:17:47,730 --> 00:17:48,730
Wait up.
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00:17:50,750 --> 00:17:53,490
So, everybody, ready for the world
premiere of Kelly Green?
305
00:17:53,750 --> 00:17:54,549
Where's Julia?
306
00:17:54,550 --> 00:17:56,670
I thought she should be here. Did you
invite her, Murph?
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00:17:56,970 --> 00:17:59,290
You know, I bet you'd love to watch the
show with all of us.
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00:17:59,490 --> 00:18:01,790
She and I were getting pretty close
there at the end.
309
00:18:02,150 --> 00:18:05,090
Faith and Frank, right now the woman is
sitting in a hot tub with Emilio
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00:18:05,090 --> 00:18:06,090
Estevez.
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00:18:44,330 --> 00:18:45,950
This is why I don't own a television.
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00:18:46,790 --> 00:18:50,850
I braved three wars and eight
administrations so I could see myself
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00:18:50,850 --> 00:18:52,550
comic tour de force for Peter Graves.
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00:18:55,690 --> 00:18:58,850
Okay, I know the show's a little
contrived, but didn't you think there
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00:18:58,850 --> 00:18:59,850
few good moments?
316
00:19:00,270 --> 00:19:02,570
What about that last scene? I thought
that was pretty funny.
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00:19:04,390 --> 00:19:07,550
Did you hear the way I punched the joke?
That's an acting term, punching the
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00:19:07,550 --> 00:19:08,550
joke.
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00:19:10,190 --> 00:19:11,190
Oh, come on.
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00:19:11,290 --> 00:19:12,430
What did you think of me?
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00:19:16,330 --> 00:19:17,330
Hey, look at the time.
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00:19:26,830 --> 00:19:31,710
I'll call you back.
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00:19:32,670 --> 00:19:37,250
Before you start, I got something to
say. So I'm going to say it now and get
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00:19:37,250 --> 00:19:41,390
out of the way. I want a good assistant
before I'm retired. And that's not you.
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00:19:41,450 --> 00:19:42,630
So guess what? You're fired.
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00:19:51,360 --> 00:19:52,360
Good morning, Murphy.
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00:19:52,880 --> 00:19:55,480
I got your ratings from your show. It's
not my show, Miles.
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00:19:55,760 --> 00:19:58,460
Kelly Green came in a distant fifth in
the ratings.
329
00:19:58,840 --> 00:20:03,420
You were behind the other two networks,
Fox, and a Superstation broadcast of the
330
00:20:03,420 --> 00:20:04,460
incredible Mr. Limpet.
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00:20:06,340 --> 00:20:09,540
Give it a rest, okay? I just wanted to
point out that had you listened to my
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00:20:09,540 --> 00:20:11,560
advice, you wouldn't be suffering
through this humiliation.
333
00:20:11,880 --> 00:20:14,920
Look, Miles, it was a one -shot deal. I
just tried to have a little fun.
334
00:20:15,500 --> 00:20:18,920
The fact is the American people aren't
sitting around right now discussing my
335
00:20:18,920 --> 00:20:19,920
performance.
336
00:20:20,640 --> 00:20:21,700
Okay, so they are.
337
00:20:21,900 --> 00:20:25,460
But tomorrow somebody will spot Elvis at
a 7 -Eleven and they'll forget all
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00:20:25,460 --> 00:20:26,460
about me.
339
00:20:32,740 --> 00:20:33,740
Hi.
340
00:20:35,140 --> 00:20:36,140
Hi.
341
00:20:36,620 --> 00:20:38,960
Gee, it's great to see you. What brings
you to town?
342
00:20:39,220 --> 00:20:40,820
Oh, I was just here for some bureau
meetings.
343
00:20:41,140 --> 00:20:44,040
Hey, I saw you on TV last night. Really?
What did you think?
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00:20:44,600 --> 00:20:46,220
Murphy, can I be honest with you?
345
00:20:47,600 --> 00:20:51,800
I think it's wrong for a journalist of
your stature to appear in a sitcom.
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00:20:55,320 --> 00:21:00,220
What? You crossed that line. You
undermine your credibility. I feel so
347
00:21:00,220 --> 00:21:01,220
about that.
348
00:21:02,620 --> 00:21:06,720
Well, Connie, that sounds awfully noble
and righteous, but I bet if you'd been
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00:21:06,720 --> 00:21:10,660
in my place and those network people
came to you begging you to help their
350
00:21:10,660 --> 00:21:11,660
show...
351
00:21:11,980 --> 00:21:14,780
Offering you the chance to do something
a little different, a little intriguing.
352
00:21:14,880 --> 00:21:18,280
Something tells me you'd be singing a
different tune. I bet I know what you
353
00:21:18,280 --> 00:21:19,280
would have told them.
354
00:21:19,500 --> 00:21:21,620
Exactly what I did tell them. No thanks.
355
00:21:32,420 --> 00:21:38,000
I don't know how many people realize
this, but the kid from the Sixth Sense
356
00:21:38,000 --> 00:21:39,900
played your son on the show. Yeah.
357
00:21:40,160 --> 00:21:45,040
Haley Joel Osment, really talented kid.
Tell me, does that kid give you the
358
00:21:45,040 --> 00:21:49,360
creeps? No. But he sees dead people.
359
00:21:49,940 --> 00:21:51,520
Are you a real journalist?
29752
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