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1
00:00:01,523 --> 00:00:03,307
[GUNSHOT, WINDOW SHATTERS]
GET DOWN!
2
00:00:03,481 --> 00:00:04,743
BAT, V/O: THERE'S A REASON THEY
CALLED IT THE WILD WEST.
3
00:00:04,917 --> 00:00:06,702
GOOD PEOPLE OF TOMBSTONE,
4
00:00:06,876 --> 00:00:08,312
MY NAME IS C.S. FLY,
5
00:00:08,486 --> 00:00:11,011
PROPRIETOR OF THE
FLY PHOTOGRAPHY GALLERY!
6
00:00:11,185 --> 00:00:13,578
NEW BLOOD. YOUR SHOP COULD USE
OUR PROTECTION.
7
00:00:13,752 --> 00:00:15,406
WE CAN LOOK AFTER OURSELVES
JUST FINE, THANK YOU.
8
00:00:15,580 --> 00:00:17,278
YOU LEARN SLOW, DON'T YOU BOY?
[COCKS GUN]
9
00:00:17,452 --> 00:00:19,323
THE TRUTH HAS NO SIDES,
IT JUST IS!
10
00:00:19,497 --> 00:00:20,629
MOLLIE FLY:
BUCK STOP!
11
00:00:20,803 --> 00:00:22,674
[GUNSHOT FIRED IN AIR NEARBY]
12
00:00:22,848 --> 00:00:24,894
[TRAIN WHISTLE]
13
00:00:25,068 --> 00:00:28,898
BAT, V/O: I WAS JUST A YOUNG
MAN WHEN I FIRST HEADED WEST.
14
00:00:29,072 --> 00:00:30,465
IN THE YEARS THAT FOLLOWED,
I BECAME
15
00:00:30,639 --> 00:00:32,597
A COWBOY...
A GUNSLINGER...
16
00:00:32,771 --> 00:00:34,947
AND EVEN SERVED AS SHERIFF
OF DODGE CITY,
17
00:00:35,122 --> 00:00:37,646
ONE OF THE MOST LAWLESS TOWNS
IN THE COUNTRY.
18
00:00:37,820 --> 00:00:41,128
MY NAME IS BAT MASTERSON.
19
00:00:41,302 --> 00:00:44,044
NOW I'M A REPORTER AND I'VE COME
WEST AGAIN TO CHRONICLE
20
00:00:44,218 --> 00:00:46,307
THE WORLD THAT I KNOW BEST...
21
00:00:46,481 --> 00:00:49,223
THE AMERICAN WEST.
22
00:00:49,397 --> 00:00:53,749
LURE OF GOLD, LAND,
DESTINY FLOODED THE FRONTIER
23
00:00:53,923 --> 00:00:55,751
WITH MEN BOTH GOOD AND BAD.
24
00:00:55,925 --> 00:00:59,233
THESE ARE THE INCREDIBLE TRUE
TALES OF THE WILD WEST.
25
00:00:59,407 --> 00:01:03,324
? ?
26
00:01:03,498 --> 00:01:04,629
AN OLD-FASHIONED BEHIND THE
27
00:01:04,803 --> 00:01:06,153
SCENES REPORTER LIKE MYSELF
28
00:01:06,327 --> 00:01:07,502
WOULD RATHER SIT FOR THE DENTIST
29
00:01:07,676 --> 00:01:09,025
THAN A PHOTOGRAPHER.
30
00:01:09,199 --> 00:01:10,983
HAT OR NO HAT?
31
00:01:11,158 --> 00:01:13,116
WHICHEVER YOU PREFER.
32
00:01:13,290 --> 00:01:15,901
WHAT'S YOUR PROFESSIONAL
OPINION?
33
00:01:16,076 --> 00:01:17,512
IT'S YOUR PORTRAIT, SIR.
34
00:01:17,686 --> 00:01:19,209
WHATEVER PUTS YOU AT EASE.
35
00:01:19,383 --> 00:01:22,343
? ?
36
00:01:22,517 --> 00:01:25,781
HAVE YOU POSED FOR
PHOTOGRAPHS BEFORE?
37
00:01:25,955 --> 00:01:27,826
ONLY UNDER DURESS.
38
00:01:28,000 --> 00:01:30,916
? ?
39
00:01:31,091 --> 00:01:34,529
MRS. FLY, THIS CAMERA OF YOURS,
WHO'S THE MAKER?
40
00:01:34,703 --> 00:01:36,487
MR. MASTERSON...
41
00:01:36,661 --> 00:01:38,707
YOUR EDITOR INSISTS
ON A PORTRAIT.
42
00:01:38,881 --> 00:01:41,666
STALL ALL YOU LIKE BUT
IT WILL BE TAKEN.
43
00:01:41,840 --> 00:01:44,582
PHOTOGRAPHY IS A BIT
OF AN UNUSUAL CAREER FOR A-
44
00:01:44,756 --> 00:01:47,542
FOR A WOMAN?
45
00:01:47,716 --> 00:01:50,284
I'VE ALWAYS HAD A KEEN EYE.
46
00:01:50,458 --> 00:01:52,286
SADLY, I COULDN'T PAINT
WORTH SPIT.
47
00:01:52,460 --> 00:01:55,027
[CLICKS CLOSED]
PHOTOGRAPHY CHOSE ME.
48
00:01:55,202 --> 00:01:58,553
WHERE'D YOU GET STARTED?
49
00:01:58,727 --> 00:02:01,817
SAN FRANCISCO.
50
00:02:01,991 --> 00:02:03,558
I...
51
00:02:03,732 --> 00:02:06,343
I MET A YOUNG MAN WHO HAD
SCRAPED AND SAVED ENOUGH
52
00:02:06,517 --> 00:02:08,345
TO BUY HIS OWN EQUIPMENT.
53
00:02:08,519 --> 00:02:10,434
AH! MR. FLY.
54
00:02:10,608 --> 00:02:14,612
BUCK, YEAH.
55
00:02:14,786 --> 00:02:18,268
YOU KNOW RIGHT AWAY
I SAW THAT HE WAS SPECIAL.
56
00:02:18,442 --> 00:02:20,662
HE WANTED TO SHOW PEOPLE
THE WAY THAT HE
57
00:02:20,836 --> 00:02:22,316
SAW...
58
00:02:25,406 --> 00:02:27,495
LISTEN TO ME DRUDGING UP
ANCIENT HISTORY.
59
00:02:27,669 --> 00:02:29,714
I DO TEND TO HAVE THAT
EFFECT ON PEOPLE.
60
00:02:29,888 --> 00:02:33,240
? ?
61
00:02:33,414 --> 00:02:35,807
DID YOU STAY ON THE
COAST OR...
62
00:02:35,981 --> 00:02:37,853
NOT LONG.
63
00:02:38,027 --> 00:02:40,769
AS SOON AS WE GOT MARRIED,
WE HEADED FOR ARIZONA.
64
00:02:40,943 --> 00:02:43,380
WHAT DREW YOU THERE?
65
00:02:43,554 --> 00:02:47,819
BUCK HAD HEARD OF A SILVER BOOM
TOWN IN THE DESERT,
66
00:02:47,993 --> 00:02:51,432
AND HE WANTED TO BE THE FIRST
TO OPEN A STUDIO
67
00:02:51,606 --> 00:02:54,739
SO WE PACKED UP THE CAMERA
AND RODE 800 MILES
68
00:02:54,913 --> 00:02:56,350
TO A PLACE CALLED TOMBSTONE.
69
00:02:56,524 --> 00:03:03,748
? ?
70
00:03:03,922 --> 00:03:08,318
I COULDN'T PROMISE YOU MONEY,
OR A LIFE WITHOUT WORK,
71
00:03:08,492 --> 00:03:10,973
BUT I DID PROMISE
IT WOULD NEVER BE DULL.
72
00:03:11,147 --> 00:03:13,149
AND I BELIEVED YOU.
73
00:03:13,323 --> 00:03:23,159
? ?
74
00:03:23,333 --> 00:03:27,859
? ?
75
00:03:28,033 --> 00:03:31,994
[DOOR OPENS, CLOSES]
MOLLIE, I GOT AN IDEA.
76
00:03:32,168 --> 00:03:34,475
LET'S TAKE THE OPTICAL
OUT ON THE TOWN.
77
00:03:34,649 --> 00:03:36,694
THERE'S TOO MUCH TO DO, BUCK.
78
00:03:36,868 --> 00:03:40,394
WE HAVE TO ARRANGE THE DARKROOM
AND CHOOSE THE FURNISHINGS.
79
00:03:40,568 --> 00:03:42,396
THERE'S PLENTY OF TIME.
80
00:03:42,570 --> 00:03:47,183
LOOK AROUND YOU, MOL!
LOOK WHERE WE ARE!
81
00:03:47,357 --> 00:03:49,794
THAT'S NOT HOW YOU
BUILD A CLIENTELE.
82
00:03:49,968 --> 00:03:51,579
WE DISCUSSED THIS.
83
00:03:51,753 --> 00:03:54,146
WE'LL PHOTOGRAPH
ALL THE FAT CATS,
84
00:03:54,321 --> 00:03:57,280
AND THEIR FAT WIVES!
85
00:03:57,454 --> 00:04:01,719
BUT THESE PEOPLE,
THEY'RE REAL.
86
00:04:01,893 --> 00:04:05,027
AND OUR BUSINESS IS
REAL, BUCK.
87
00:04:05,201 --> 00:04:08,117
AND IT NEEDS OUR ATTENTION.
88
00:04:09,292 --> 00:04:11,120
NO SHAME IN PORTRAITURE.
89
00:04:15,603 --> 00:04:16,908
LET'S GET STARTED!
90
00:04:17,082 --> 00:04:26,918
? ?
91
00:04:27,092 --> 00:04:34,926
? ?
92
00:04:35,100 --> 00:04:36,363
[TAPS HANDS]
93
00:04:36,537 --> 00:04:43,283
? ?
94
00:04:43,457 --> 00:04:52,074
[CLICKING, TICKING SOUND]
95
00:04:52,248 --> 00:04:57,209
? ?
96
00:04:57,384 --> 00:05:01,083
? ?
97
00:05:01,257 --> 00:05:03,085
GOOD PEOPLE OF TOMBSTONE,
98
00:05:03,259 --> 00:05:04,869
MY NAME IS C.S. FLY,
99
00:05:05,043 --> 00:05:07,394
PROPRIETOR OF THE
FLY PHOTOGRAPHY GALLERY!
100
00:05:07,568 --> 00:05:09,439
HIGHEST-GRADE IMAGES
AT A FAIR PRICE!
101
00:05:09,613 --> 00:05:12,747
25 CENTS A PICTURE!
HERE, TAKE A FLYER.
102
00:05:12,921 --> 00:05:14,618
25 CENTS A PICTURE!
103
00:05:14,792 --> 00:05:17,404
COME VISIT
FLY'S PHOTOGRAPHY GALLERY-
104
00:05:17,578 --> 00:05:19,057
? [OMINOUS MUSIC] ?
105
00:05:19,231 --> 00:05:23,061
WELL, PRETTY
AS A PICTURE YOURSELF.
106
00:05:23,235 --> 00:05:25,760
WHAT DO YOU THINK, BOYS?
SHOULD I POSE FOR THE LADY?
107
00:05:25,934 --> 00:05:27,762
I THINK YOUR UGLY MUG
MIGHT BREAK THE GLASS.
108
00:05:27,936 --> 00:05:29,720
[MUMBLING ANGRILY]
109
00:05:29,894 --> 00:05:31,940
ALL OUR WELCOME AT
OUR STUDIO, GENTS...
110
00:05:32,114 --> 00:05:35,030
AS LONG AS YOU HAVE
THE MEANS.
111
00:05:35,204 --> 00:05:36,901
NEW BLOOD.
112
00:05:37,075 --> 00:05:39,600
THESE STREETS
CAN BE FEARSOME.
113
00:05:39,774 --> 00:05:42,472
YOUR SHOP COULD
USE OUR PROTECTION.
114
00:05:42,646 --> 00:05:44,561
WE CAN LOOK AFTER OURSELVES
JUST FINE, THANK YOU.
115
00:05:44,735 --> 00:05:48,522
HMM, YEAH.
[KNOCKS FLYERS OUT OF HIS HAND]
116
00:05:48,696 --> 00:05:51,351
YOU'RE GONNA LEARN
WHO RUNS THIS PLACE.
117
00:05:51,525 --> 00:05:53,788
YOU LEARN SLOW, DON'T YOU BOY?
[COCKS GUN]
118
00:05:53,962 --> 00:05:55,572
NOW LOOK AT HIM!
[CHUCKLES]
119
00:05:55,746 --> 00:05:58,793
[GUNSHOT FIRED IN AIR NEARBY]
THAT'S ENOUGH.
120
00:05:59,620 --> 00:06:01,273
WELL, HEY MARSHAL.
121
00:06:01,448 --> 00:06:03,885
YOU BOYS ARE LIKE
A BAD PENNY.
122
00:06:04,059 --> 00:06:05,669
HOW MANY TIMES WILL
I CATCH YOU PULLING
123
00:06:05,843 --> 00:06:07,715
GUNS IN MY STREET,CLINTON?
124
00:06:07,889 --> 00:06:09,760
YOURSTREET?
125
00:06:09,934 --> 00:06:11,806
COWBOYS WERE HERE FIRST.
126
00:06:11,980 --> 00:06:14,199
WE'LL BE HERE
WHEN YOU'RE GONE.
127
00:06:14,374 --> 00:06:17,812
EVEN SO, I'LL HAVE
THAT PISTOL;
128
00:06:17,986 --> 00:06:19,379
YOURS TOO, BILLY.
129
00:06:19,553 --> 00:06:22,686
? [TENSE MUSIC] ?
130
00:06:22,860 --> 00:06:24,471
COME TAKE IT.
131
00:06:24,645 --> 00:06:26,560
? [TENSE MUSIC] ?
132
00:06:26,734 --> 00:06:30,041
[COCKS GUN]
MOLLIE: STOP!
133
00:06:30,215 --> 00:06:34,481
YOU MEN OUGHT TO BE
ASHAMED OF YOURSELVES.
134
00:06:34,655 --> 00:06:36,134
FIGHT IF YOU MUST BUT I'LL THANK
YOU NOT TO DO IT
135
00:06:36,308 --> 00:06:38,615
IN FRONT OF MY BUSINESS.
136
00:06:38,789 --> 00:06:42,053
YOU HEARD HER, MARSH... NEXT
TIME BRING ALL YOUR BROTHERS
137
00:06:42,227 --> 00:06:44,186
AND YOUR DOCTOR FRIEND.
138
00:06:44,360 --> 00:06:46,449
[CHUCKLES]
139
00:06:46,623 --> 00:06:50,322
[PATS HIM]WE'LL BE WAITING.
COME ON BOYS, LET'S GO.
140
00:06:50,497 --> 00:06:52,020
[SPITS]
141
00:06:52,194 --> 00:06:55,066
? [TENSE MUSIC] ?
142
00:06:55,240 --> 00:06:56,285
COME ON.
143
00:06:56,459 --> 00:06:59,201
? [TENSE MUSIC] ?
144
00:06:59,375 --> 00:07:03,901
THAT WAS ILL-ADVISED,
YOUNG LADY...
145
00:07:04,075 --> 00:07:06,251
BUT NOT A LITTLE BRAVE.
146
00:07:06,426 --> 00:07:08,950
I'M VIRGIL EARP,
MY KID BROTHER, MORGAN.
147
00:07:09,124 --> 00:07:10,168
WHO WERE THOSE MEN?
148
00:07:10,342 --> 00:07:12,301
YOUNGSTERS BILLY CLANTON.
149
00:07:12,475 --> 00:07:16,392
HIS BROTHER IKE, HE'S THE ONE
THAT PULLED ON YOU.
150
00:07:16,566 --> 00:07:19,264
VIRGIL: STEER CLEAR
OF THAT BUNCH.
151
00:07:19,439 --> 00:07:21,441
THEIR DAYS ARE NUMBERED
AND THEY KNOW IT.
152
00:07:21,615 --> 00:07:27,098
? [TENSE MUSIC] ?
153
00:07:27,272 --> 00:07:30,319
BUCK, LET'S GO INSIDE.
154
00:07:30,493 --> 00:07:31,799
BUCK.
155
00:07:31,973 --> 00:07:34,889
? [TENSE MUSIC] ?
156
00:07:35,063 --> 00:07:43,724
? [TENSE MUSIC] ?
157
00:07:43,898 --> 00:07:45,856
BAT: WAIT A MINUTE.
158
00:07:46,030 --> 00:07:48,816
MR. MASTERSON, I MUST INSIST.
159
00:07:48,990 --> 00:07:53,647
HOLD ON, YOU'RE SAYING YOU MOVED
NEXT DOOR TO THE O.K. CORRAL?
160
00:07:53,821 --> 00:07:57,564
WE ONLY KNEW IT AS A LIVERY THAT
HOSTED UNSAVORY CHARACTERS.
161
00:07:57,738 --> 00:07:58,739
WHEN WAS THIS?
162
00:07:58,913 --> 00:08:00,436
1881.
163
00:08:00,610 --> 00:08:02,003
'81?
THAT'S THE YEAR OF THE-
164
00:08:02,177 --> 00:08:05,876
YES, YES.
THE YEAR OF THE SHOOTOUT.
165
00:08:06,050 --> 00:08:09,489
WELL CONTINUE MRS. FLY,
DON'T LET ME STOP YOU.
166
00:08:09,663 --> 00:08:12,100
AND WHAT ABOUT
YOUR PORTRAIT?
167
00:08:12,274 --> 00:08:14,145
HOW'S THIS...
168
00:08:14,319 --> 00:08:19,760
FINISH YOUR STORY AND I PROMISE
TO BE THE PERFECT SUBJECT.
169
00:08:19,934 --> 00:08:22,937
? ?
170
00:08:23,111 --> 00:08:24,591
WHEN'S THE NEXT ONE?
171
00:08:24,765 --> 00:08:28,377
MR. AND MRS. PORTIS
ARE DUE AT 4 O'CLOCK.
172
00:08:28,551 --> 00:08:31,119
[SIGHS]
SAME SETUP.
173
00:08:31,293 --> 00:08:33,730
SAME BLANK FACES.
174
00:08:33,904 --> 00:08:35,297
I WOULDN'T MIND
STRETCHING MY LEGS.
175
00:08:35,471 --> 00:08:37,473
BUCK, NOT THIS AGAIN.
176
00:08:37,647 --> 00:08:39,431
WHAT WAS THE POINT OF MOVING TO
A REAL BOOM TOWN IF WE
177
00:08:39,606 --> 00:08:40,955
ONLY EVER SEE ONE WALL?
178
00:08:41,129 --> 00:08:42,870
YOU HEARD WHAT THE
MARSHAL SAID.
179
00:08:43,044 --> 00:08:45,263
THERE'S TROUBLE
BREWING OUT THERE.
180
00:08:45,437 --> 00:08:46,961
WHAT BETTER TIME TO
HAVE A CAMERA?
181
00:08:47,135 --> 00:08:49,746
[GUNSHOTS OUTSIDE]
WHAT WAS THAT?
182
00:08:49,920 --> 00:08:51,661
[GUNSHOT, WINDOW SHATTERS]
GET DOWN!
183
00:08:51,835 --> 00:08:54,795
[GUNSHOTS CONTINUE]
184
00:08:54,969 --> 00:08:59,321
[MOLLIE WHIMPERS,
GUNSHOTS CONTINUE]
185
00:08:59,495 --> 00:09:02,542
[DOOR OPENS,
GUNSHOTS CONTINUE]
186
00:09:02,716 --> 00:09:04,805
WHO'S SHOOTING?
- IT'S THE EARPS.
187
00:09:04,979 --> 00:09:06,502
THEY'RE GONNA KILL US ALL!
188
00:09:08,156 --> 00:09:11,159
? ?
189
00:09:12,029 --> 00:09:13,378
[MOLLIE WHIMPERS]
190
00:09:13,553 --> 00:09:18,558
? [TENSE MUSIC] ?
191
00:09:18,732 --> 00:09:22,866
[CLICKING SOUND, COCKS RIFLE]
192
00:09:23,040 --> 00:09:24,389
STAY HERE, MOLLIE.
DON'T GET UP.
193
00:09:24,564 --> 00:09:26,304
WHERE ARE YOU GOING?
194
00:09:26,478 --> 00:09:29,917
BUCK! BUCK, WAIT! AH!
[PUTS HAND ON BROKEN GLASS]
195
00:09:32,615 --> 00:09:33,921
[RIPPING]
196
00:09:34,095 --> 00:09:35,966
? [TENSE MUSIC] ?
197
00:09:36,140 --> 00:09:39,579
[WOMAN SCREAMS IN DISTANCE]
198
00:09:39,753 --> 00:09:45,193
[HORSES NEIGHING, HOOFBEATS]
199
00:09:45,367 --> 00:09:50,285
? [TENSE MUSIC] ?
200
00:09:50,459 --> 00:09:53,636
[FAST FOOTSTEPS]
201
00:09:53,810 --> 00:10:01,557
[SLOW, CAUTIOUS FOOTSTEPS]
202
00:10:01,731 --> 00:10:11,567
? [OMINOUS MUSIC] ?
203
00:10:11,741 --> 00:10:14,265
? [OMINOUS MUSIC] ?
204
00:10:14,439 --> 00:10:22,186
[MAN GROANS]
205
00:10:22,360 --> 00:10:23,753
WHAT HAPPENED?
206
00:10:23,927 --> 00:10:25,189
MURDER.
207
00:10:25,363 --> 00:10:30,978
[GROANS]
208
00:10:31,152 --> 00:10:33,110
[THUD]
209
00:10:33,284 --> 00:10:42,380
? ?
210
00:10:42,554 --> 00:10:45,906
[SLOW, CAUTIOUS FOOTSTEPS]
211
00:10:46,297 --> 00:10:55,698
? ?
212
00:10:55,872 --> 00:10:57,047
CAN YOU SEE ANYTHING?
213
00:10:57,221 --> 00:10:59,093
HUSH.
214
00:10:59,267 --> 00:11:01,312
IF THE SHOOTIN'S DONE, YOU HAVE
NO REASON TO BE HERE.
215
00:11:01,486 --> 00:11:04,315
I SAID, QUIET!
216
00:11:04,489 --> 00:11:06,535
BUCK!
217
00:11:06,709 --> 00:11:08,102
THAT'S BILLY'S GUN.
218
00:11:08,276 --> 00:11:11,932
WHAT'D THEY DO?
- YOUR BROTHER'S DEAD.
219
00:11:12,106 --> 00:11:13,411
BUCK?
220
00:11:13,585 --> 00:11:15,065
ANSWER ME,
WHAT'S HAPPENED?
221
00:11:15,239 --> 00:11:16,588
IT'S A MASSACRE
OUT THERE.
222
00:11:16,763 --> 00:11:17,764
I NEED TO
PHOTOGRAPH IT.
223
00:11:17,938 --> 00:11:19,069
YOU'LL DO NO
SUCH THING!
224
00:11:19,243 --> 00:11:20,375
MOLLIE, LET GO,
THIS IS IMPORTANT!
225
00:11:20,549 --> 00:11:22,159
THEY'RE COMING TO FINISH!
226
00:11:22,333 --> 00:11:24,422
I TOLD THEM I WAS UNARMED,
DON'T LET 'EM KILL ME.
227
00:11:24,596 --> 00:11:29,776
? ?
228
00:11:29,950 --> 00:11:32,343
MARSHAL, WHAT WAS
ALL THAT NOISE?
229
00:11:32,517 --> 00:11:35,216
THOUGHT I SAW IKE CLINTON
CRAWL IN HERE.
230
00:11:35,390 --> 00:11:38,393
NO SIR, IT'S JUST
ME AND MY WIFE.
231
00:11:38,567 --> 00:11:39,611
SEARCH THE PLACE.
232
00:11:39,786 --> 00:11:41,048
THAT'S NOT NECESSARY.
233
00:11:41,222 --> 00:11:42,658
WE'RE LOOKING FOR
A FUGITIVE.
234
00:11:42,832 --> 00:11:44,834
WE SAY WHAT'S
NECESSARY.
235
00:11:45,008 --> 00:11:46,749
YOU CARE TO SHOW ME
YOUR WRITTEN WARRANT?
236
00:11:46,923 --> 00:11:49,534
CARE TO SPEND
THE NIGHT IN JAIL, FLY?
237
00:11:49,709 --> 00:11:54,061
MARSHAL EARP, SURELY ENOUGH'S
BEEN DONE FOR ONE DAY.
238
00:11:54,235 --> 00:11:59,327
? ?
239
00:11:59,501 --> 00:12:03,374
STAY INSIDE, KEEP
OUT OF SIGHT.
240
00:12:03,548 --> 00:12:13,384
? ?
241
00:12:13,558 --> 00:12:14,559
? ?
242
00:12:14,734 --> 00:12:18,563
GO OUT THE BACK,
STAY OUT.
243
00:12:18,738 --> 00:12:21,131
THIRTY SECONDS,
THAT'S HOW LONG THE GUNFIGHT
244
00:12:21,305 --> 00:12:23,525
AT THE O.K. CORRAL LASTED.
245
00:12:23,699 --> 00:12:26,484
NO ONE CAN SAY
WHO FIRED FIRST.
246
00:12:26,658 --> 00:12:29,487
YOU KNOW, I KNEW
VIRGIL EARP.
247
00:12:29,661 --> 00:12:34,449
KNEW WYATT EVEN BETTER,
WE WERE FRIENDS.
248
00:12:34,623 --> 00:12:38,322
WHEN THEY WERE ARRESTED I WASN'T
QUITE SURE WHAT TO THINK.
249
00:12:38,496 --> 00:12:40,934
THEY WEREN'T BEHIND
BARS FOR LONG.
250
00:12:41,108 --> 00:12:43,806
SOME SAID THE SHOOTING
WAS JUST.
251
00:12:43,980 --> 00:12:47,114
OTHERS CALLED IT MURDER.
252
00:12:47,288 --> 00:12:49,812
I THINK IT WAS SOMETHING
SIMPLER.
253
00:12:49,986 --> 00:12:52,946
WHAT'S THAT?
- POWER.
254
00:12:53,120 --> 00:12:55,687
ONLY ONE SIDE CAN CONTROL
THOSE STREETS.
255
00:12:55,862 --> 00:12:57,733
AND THE MONEY THAT FLOWED
THROUGH THEM.
256
00:12:57,907 --> 00:12:59,648
COULD BE.
257
00:12:59,822 --> 00:13:03,217
NEVER GOT THE FULL PICTURE
WHAT HAPPENED THAT DAY.
258
00:13:03,391 --> 00:13:05,785
THERE'S GOOD REASON FOR THAT.
259
00:13:05,959 --> 00:13:08,004
WHAT ARE YOU DOING?
260
00:13:08,178 --> 00:13:09,876
WHAT'S IT LOOK LIKE?
- HE ORDERED US TO STAY.
261
00:13:10,050 --> 00:13:11,355
I DON'T CARE!
262
00:13:11,529 --> 00:13:13,967
SOMEONE HAS TO DO IT!
- BUCK, STOP!
263
00:13:16,230 --> 00:13:17,753
I NEED YOU.
264
00:13:17,927 --> 00:13:20,930
? ?
265
00:13:22,279 --> 00:13:25,021
? ?
266
00:13:26,153 --> 00:13:33,725
? ?
267
00:13:33,900 --> 00:13:39,427
? ?
268
00:13:39,601 --> 00:13:41,298
[DOOR OPENS]
269
00:13:43,170 --> 00:13:44,867
I'M SORRY, WE'RE
CLOSED FOR THE-
270
00:13:45,041 --> 00:13:48,958
MRS. FLY.
271
00:13:49,132 --> 00:13:52,005
I WAS HOPING TO
SPEAK TO YOUR HUSBAND.
272
00:13:52,179 --> 00:13:55,138
NO, HE HAS BUSINESS
IN BISBEE.
273
00:13:55,312 --> 00:13:58,315
BISBEE...
274
00:13:58,489 --> 00:14:01,318
HOW'S YOUR BUSINESS TODAY?
275
00:14:01,492 --> 00:14:03,886
LIKE I SAID, MARSHAL,
WE'RE CLOSED.
276
00:14:07,063 --> 00:14:10,023
MAYBE YOU'LL MAKE
AN EXCEPTION.
277
00:14:10,197 --> 00:14:14,244
MRS. EARP HAS BEEN HOUNDING
ME FOR A PHOTOGRAPH.
278
00:14:17,160 --> 00:14:20,337
GLAD TO SEE YOUR SHOP
BACK IN ORDER.
279
00:14:20,511 --> 00:14:22,862
AND THE CORRAL WILL BE
PATCHED UP SOON.
280
00:14:23,036 --> 00:14:25,081
FRESH COAT OF PAINT
DOES WONDERS.
281
00:14:25,255 --> 00:14:27,605
I UNDERSTAND THERE'S
TO BE A TRIAL.
282
00:14:27,779 --> 00:14:29,999
A HEARING,
THAT'S ALL.
283
00:14:34,177 --> 00:14:36,701
WE ONLY WANTED
TO DISARM THEM.
284
00:14:36,876 --> 00:14:40,183
FOLKS DON'T SEEM TO REALIZE WE
WERE ENFORCING THE LAW.
285
00:14:40,357 --> 00:14:44,884
THE LAW'S NOT MY PURVIEW SIR;
I TAKE PICTURES.
286
00:14:45,058 --> 00:14:47,843
MRS. FLY...
287
00:14:48,017 --> 00:14:50,541
THINGS WILL BE SAID
AT THIS HEARING.
288
00:14:50,715 --> 00:14:53,196
VISCOUS THINGS BY PEOPLE
WHO WEREN'T THERE.
289
00:14:53,370 --> 00:14:55,590
I'VE SWORN TO PROTECT
THIS TOWN EVEN IF IT
290
00:14:55,764 --> 00:14:58,810
NEEDS PROTECTING
FROM ITSELF.
291
00:14:58,985 --> 00:15:02,336
GOOD PEOPLE HERE
WANNA MOVE ON.
292
00:15:02,510 --> 00:15:06,862
I'D BE DISPLEASED TO SEE
ANY PHOTOGRAPHS OF THE CORRAL.
293
00:15:07,036 --> 00:15:12,041
THEY MIGHT GIVE THE WRONG
IMPRESSION.
294
00:15:12,215 --> 00:15:14,174
I MUST ASK YOU TO REMAIN
PERFECTLY STILL.
295
00:15:14,348 --> 00:15:24,184
? ?
296
00:15:24,358 --> 00:15:34,194
? ?
297
00:15:34,368 --> 00:15:44,204
[CLOCK TICKING]
298
00:15:44,378 --> 00:15:53,387
? ?
299
00:15:59,132 --> 00:16:00,655
BUCK: WHAT'S HE DOING?
300
00:16:00,829 --> 00:16:02,352
MAKING THREATS TO MY WIFE?
301
00:16:02,526 --> 00:16:04,137
IN MY OWN STUDIO?
302
00:16:04,311 --> 00:16:06,661
THIS IS TOO LARGE
FOR US, BUCK.
303
00:16:06,835 --> 00:16:08,445
WE JUST HAVE TO
GO ABOUT OUR WORK.
304
00:16:08,619 --> 00:16:11,013
'CAUSE SOME GUN SLINGIN'
MARSHAL TOLD US TO?
305
00:16:11,187 --> 00:16:12,710
THOSE COWBOYS
THREATENED YOUR LIFE.
306
00:16:12,884 --> 00:16:14,321
WHY WOULD YOU TAKE
THEIR SIDE?
307
00:16:14,495 --> 00:16:16,932
I DON'T CARE
ABOUT SIDES!
308
00:16:17,106 --> 00:16:21,067
THE TRUTH HAS
NO SIDES; IT JUST IS!
309
00:16:21,241 --> 00:16:23,765
I SHOULD'VE DONE IT.
310
00:16:23,939 --> 00:16:25,897
WHILE THE BODIES WERE WARM;
311
00:16:26,072 --> 00:16:28,248
I SHOULD'VE TAKEN
THE CAMERA AND DONE MY JOB.
312
00:16:28,422 --> 00:16:30,076
THAT'S NOT YOUR JOB;
YOU'RE NOT A JOURNALIST.
313
00:16:30,250 --> 00:16:31,729
WHY NOT?
314
00:16:31,903 --> 00:16:33,166
PEOPLE DESERVE TO KNOW
WHAT HAPPENED HERE
315
00:16:33,340 --> 00:16:35,385
BEFORE IT GETS
SWEPT UNDER THE RUG!
316
00:16:35,559 --> 00:16:38,867
I HAD THE TOOLS AND I'M
STUCK IN HERE WITH-
317
00:16:39,041 --> 00:16:41,609
WITH ME?
318
00:16:41,783 --> 00:16:44,046
THAT'S NOT WHAT I MEANT.
319
00:16:44,220 --> 00:16:46,962
IF YOU NO LONGER WANT THE LIFE
THAT WE'VE BUILT TOGETHER-
320
00:16:47,136 --> 00:16:50,444
STOP, DON'T SAY THAT.
321
00:16:50,618 --> 00:16:55,536
I HAVE FOLLOWED YOU
IN EVERYTHING.
322
00:16:55,710 --> 00:16:58,408
I HAVE TRUSTED YOU,
323
00:16:58,582 --> 00:17:01,585
I HAVE ASKED YOU FOR
NOTHING
324
00:17:01,759 --> 00:17:05,328
UNTIL NOW.
325
00:17:05,502 --> 00:17:07,809
I AM ASKING YOU BUCK...
326
00:17:09,202 --> 00:17:11,465
CHOOSE US.
327
00:17:11,639 --> 00:17:15,599
TO STAY OUT OF IT
AND KEEP US SAFE.
328
00:17:15,773 --> 00:17:17,906
WILL YOU DO THAT?
329
00:17:18,080 --> 00:17:27,916
? ?
330
00:17:28,090 --> 00:17:32,921
? ?
331
00:17:34,140 --> 00:17:37,056
? ?
332
00:17:38,187 --> 00:17:48,023
? [DRUMS] ?
333
00:17:48,197 --> 00:17:52,419
? [DRUMS] ?
334
00:17:52,593 --> 00:18:02,429
? ?
335
00:18:02,603 --> 00:18:04,431
? ?
336
00:18:04,605 --> 00:18:06,607
IT'S SOMETHING
I HAD TO SEE.
337
00:18:10,611 --> 00:18:11,829
LISTEN...
338
00:18:12,003 --> 00:18:14,136
YOU KNOW I'M NOT
GOING ANYWHERE RIGHT?
339
00:18:19,098 --> 00:18:20,316
OUT OF MY WAY!
340
00:18:20,490 --> 00:18:24,277
THIS AIN'T NO SIDE SHOW.
341
00:18:24,451 --> 00:18:26,322
LOOK WHAT THEY DID.
342
00:18:26,496 --> 00:18:29,543
MY BABY BROTHER,
19-YEARS-OLD
343
00:18:29,717 --> 00:18:31,110
GUNNED DOWN LIKE A DOG!
344
00:18:31,284 --> 00:18:33,764
YOU KNOW THIS AIN'T RIGHT!
345
00:18:33,938 --> 00:18:36,506
BUT YOU'RE TOO YELLOW TO
STAND UP AND SAY SOMETHING.
346
00:18:41,468 --> 00:18:43,600
WHAT'S WRONG?
347
00:18:43,774 --> 00:18:46,037
MOLLIE, WAIT.
348
00:18:46,212 --> 00:18:48,779
MR. FLY...
349
00:18:48,953 --> 00:18:51,391
I DIDN'T EXPECT
TO FIND YOU HERE.
350
00:18:51,565 --> 00:18:53,654
I COULD SAY THE SAME
THING TO YOU.
351
00:18:53,828 --> 00:18:56,265
I TRUST YOU HAD A TALK
WITH YOUR WIFE.
352
00:18:56,439 --> 00:18:58,441
YOU LISTEN TO ME EARP,
353
00:18:58,615 --> 00:19:00,487
BADGE OR NO BADGE YOU EVER
STEP FOOT IN MY PLACE
354
00:19:00,661 --> 00:19:02,663
UNINVITED AGAIN, YOU'LL
HEAR FROM ME.
355
00:19:02,837 --> 00:19:04,317
MOLLIE: BUCK?
356
00:19:07,102 --> 00:19:08,712
GIVE ME A HAND?
357
00:19:08,886 --> 00:19:13,717
? ?
358
00:19:13,891 --> 00:19:15,763
ALRIGHT, THAT'S ENOUGH
OF A GANDER FOLKS.
359
00:19:15,937 --> 00:19:18,157
EVERYBODY GO HOME AND SHOW
SOME RESPECT.
360
00:19:18,331 --> 00:19:19,897
THE PAIR OF YOU
LOST YOUR MINDS?
361
00:19:20,071 --> 00:19:22,683
NO SIR, WE JUST
FOUND OUR STOMACHS.
362
00:19:22,857 --> 00:19:27,122
I'M THE LAW; I'M ORDERING
YOU TO PUT IT AWAY.
363
00:19:27,296 --> 00:19:28,993
DO YOU INTEND TO SHOOT US
IN THE STREET, TOO?
364
00:19:29,168 --> 00:19:31,387
LISTEN HERE, WOMAN!
- VIRGIL!
365
00:19:34,216 --> 00:19:35,783
YOU'LL REGRET THIS, FLY.
366
00:19:35,957 --> 00:19:38,351
I'D REGRET DOING NOTHING
A WHOLE LOT MORE.
367
00:19:38,525 --> 00:19:48,361
? ?
368
00:19:48,535 --> 00:19:58,371
? ?
369
00:19:58,545 --> 00:20:08,381
? ?
370
00:20:08,555 --> 00:20:14,256
? ?
371
00:20:17,085 --> 00:20:19,305
BAT MASTERSON, V/O: C.S. FLY'S
PHOTOGRAPH IS THE ONLY SUCH
372
00:20:19,479 --> 00:20:22,177
DOCUMENT TO SURVIVE
THE O.K. CORRAL GUNFIGHT.
373
00:20:24,658 --> 00:20:27,530
EVENTUALLY FLY TOOK HIS CAMERA
OUT OF THE STUDIO, TRAVELING
374
00:20:27,704 --> 00:20:31,142
TO NEW MEXICO TO PHOTOGRAPH
THE SURRENDER OF CHIEF GERONIMO.
375
00:20:33,406 --> 00:20:36,104
MOLLIE FLY CONTINUED TO RUN
FLY'S PHOTOGRAPHY GALLERY
376
00:20:36,278 --> 00:20:38,062
AFTER BUCK'S DEATH.
377
00:20:38,237 --> 00:20:40,151
SHE BEQUEATHED ALL OF THEIR
SURVIVING PHOTOS OF
378
00:20:40,326 --> 00:20:42,719
THE WEST TO THE SMITHSONIAN
INSTITUTE.
379
00:20:43,329 --> 00:20:45,461
I ALWAYS WANTED HEARTH AND HOME.
380
00:20:45,635 --> 00:20:48,725
BUT BUCK...
381
00:20:48,899 --> 00:20:50,988
WAS A RESTLESS SOUL.
382
00:20:51,162 --> 00:20:54,601
WHERE IS MR. FLY NOW?
383
00:20:54,775 --> 00:20:56,777
HE PASSED.
384
00:20:56,951 --> 00:20:58,344
NOT THAT LONG AGO.
385
00:20:58,518 --> 00:21:02,261
I'M SORRY, HE SOUNDS
LIKE A REMARKABLE MAN.
386
00:21:06,874 --> 00:21:09,268
NOW, AS PROMISED.
387
00:21:13,837 --> 00:21:16,797
THE HAT,
DEFINITELY THE HAT.
388
00:21:20,931 --> 00:21:21,845
READY?
389
00:21:22,019 --> 00:21:23,064
? ?
390
00:21:23,238 --> 00:21:25,849
[CAMERA SOUNDS]
391
00:21:26,023 --> 00:21:28,417
? ?
392
00:21:28,467 --> 00:21:33,017
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