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BAT MASTERSON, V/O: IN THE
WANING DAYS OF THE WILD WEST,
2
00:00:03,500 --> 00:00:05,197
ONE COWBOY WAS DETERMINED
TO PRESERVE
3
00:00:05,240 --> 00:00:06,764
A VANISHING WAY OF LIFE.
4
00:00:06,807 --> 00:00:09,549
CHARLIE, THIS IS NANCY COOPER.
5
00:00:09,593 --> 00:00:12,334
I UNDERSTAND YOU'RE AN
ACCOMPLISHED ARTIST, MR. RUSSELL.
6
00:00:12,421 --> 00:00:14,423
TRULY, I HAVE NEVER
SEEN THEIR LIKE.
7
00:00:14,467 --> 00:00:15,555
THAT'S ALL YOU
EVER SAW IN ME
8
00:00:15,642 --> 00:00:17,514
WAS DOLLAR SIGNS.
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00:00:17,557 --> 00:00:19,559
[KNOCKING METAL CUP]
[OPENING FLASK]
10
00:00:19,603 --> 00:00:22,388
I'VE NEVER KNOWN
ANYONE LIKE YOU.
11
00:00:22,431 --> 00:00:24,869
BUT I NEED YOU TO THINK
ABOUT WHAT YOU WANT.
12
00:00:24,912 --> 00:00:26,218
BAT MASTERSON, V/O:
THIS IS THE TRUE STORY
13
00:00:26,261 --> 00:00:28,394
OF CHARLES RUSSELL,
THE COWBOY ARTIST.
14
00:00:28,481 --> 00:00:31,179
[TRAIN WHISTLE]
15
00:00:31,223 --> 00:00:35,140
I WAS JUST A YOUNG MAN
WHEN I FIRST HEADED WEST.
16
00:00:35,183 --> 00:00:36,489
IN THE YEARS THAT FOLLOWED,
I BECAME
17
00:00:36,533 --> 00:00:38,709
A COWBOY...
A GUNSLINGER...
18
00:00:38,752 --> 00:00:41,102
AND EVEN SERVED AS SHERIFF
OF DODGE CITY,
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00:00:41,189 --> 00:00:43,409
ONE OF THE MOST LAWLESS TOWNS
IN THE COUNTRY.
20
00:00:43,452 --> 00:00:47,456
MY NAME IS BAT MASTERSON.
21
00:00:47,544 --> 00:00:49,981
NOW I'M A REPORTER AND I'VE
COME WEST AGAIN
22
00:00:50,068 --> 00:00:51,765
TO CHRONICLE THE WORLD
THAT I KNOW BEST...
23
00:00:51,809 --> 00:00:55,421
THE AMERICAN WEST.
24
00:00:55,464 --> 00:00:59,425
THE LURE OF GOLD, LAND, AND
DESTINY FLOODED THE
25
00:00:59,468 --> 00:01:02,297
FRONTIER WITH MEN,
BOTH GOOD AND BAD.
26
00:01:02,341 --> 00:01:06,824
THESE ARE THE INCREDIBLE
TRUE TALES OF THE WILD WEST.
27
00:01:06,867 --> 00:01:16,834
?
28
00:01:16,877 --> 00:01:23,884
?
29
00:01:23,971 --> 00:01:26,583
MRS. CHARLES RUSSELL,
I PRESUME.
30
00:01:26,670 --> 00:01:30,978
PLEASE, MR. MASTERSON,
CALL ME NANCY.
31
00:01:31,022 --> 00:01:32,284
I HOPE YOU DIDN'T DRAG
THAT CRATE ALL THE WAY
32
00:01:32,327 --> 00:01:33,764
FROM MONTANA ON MY ACCOUNT.
33
00:01:33,807 --> 00:01:36,375
IT WAS NO PROBLEM.
34
00:01:36,418 --> 00:01:37,289
GENTLE.
GENTLE.
35
00:01:40,248 --> 00:01:43,556
MAGNIFICENT.
36
00:01:43,600 --> 00:01:44,992
NANCY: I'LL LET YOU IN
ON A LITTLE SECRET.
37
00:01:45,036 --> 00:01:46,124
THAT FELLOW ON THE HORSE...
38
00:01:46,167 --> 00:01:50,563
THAT'S CHARLIE.
39
00:01:50,607 --> 00:01:52,739
I HAD NO IDEA YOU'D GO TO SO
MUCH TROUBLE
40
00:01:52,783 --> 00:01:55,176
TO SHOW ME CHARLES' WORK...
IN PERSON.
41
00:01:55,220 --> 00:01:58,092
WE LIKE TO SAY
"ON CANVAS".
42
00:01:58,179 --> 00:01:59,659
MR. MASTERSON,
THERE'S NOTHING
43
00:01:59,703 --> 00:02:01,226
I WOULDN'T DO TO
INTRODUCE PEOPLE
44
00:02:01,269 --> 00:02:04,925
TO CHARLES RUSSELL,
COWBOY ARTIST.
45
00:02:04,969 --> 00:02:07,232
I LIKE THAT.
46
00:02:07,275 --> 00:02:08,755
WHEN YOU REACHED OUT,
ASKING ABOUT
47
00:02:08,799 --> 00:02:10,888
DOING A PIECE ON CHARLIE
AND HIS WORK,
48
00:02:10,931 --> 00:02:12,672
WELL, I HAD TO MAKE SURE
YOU SAW HIS ART
49
00:02:12,716 --> 00:02:15,849
AND SEE HOW
TRULY SPECIAL IT IS.
50
00:02:15,893 --> 00:02:17,982
SO IS...
MR. RUSSELL GONNA...
51
00:02:18,025 --> 00:02:20,767
OH...
52
00:02:20,811 --> 00:02:23,335
HIS WORK TAKES UP
A GREAT DEAL OF HIS TIME.
53
00:02:23,422 --> 00:02:24,815
WHEN YOU WROTE, ASKING
ABOUT AN INTERVIEW,
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00:02:24,858 --> 00:02:26,904
WELL, I'M HAPPY
TO STEP IN.
55
00:02:26,991 --> 00:02:27,992
AS WHAT?
A PROUD WIFE?
56
00:02:28,035 --> 00:02:30,298
OR HIS AGENT?
57
00:02:30,342 --> 00:02:33,519
DOES THAT SURPRISE YOU?
58
00:02:33,562 --> 00:02:36,653
I GUESS IT SHOULDN'T.
59
00:02:36,696 --> 00:02:38,219
SO, HOW'D YOU COME BY
THIS ARRANGEMENT?
60
00:02:38,263 --> 00:02:39,612
IT'S NOT EXACTLY
THE WORD I'D USE.
61
00:02:39,656 --> 00:02:42,876
FAIR ENOUGH.
62
00:02:42,920 --> 00:02:45,487
WHEN DID YOU FIRST
GET ACQUAINTED?
63
00:02:45,531 --> 00:02:46,097
IS THIS WHAT YOU
INTEND TO WRITE ABOUT,
64
00:02:46,140 --> 00:02:47,576
MR. MASTERSON?
65
00:02:47,664 --> 00:02:52,625
BAT, PLEASE.
INDULGE ME?
66
00:02:52,669 --> 00:02:55,367
MOST ALL BOYS DREAM
OF BEING A COWBOY.
67
00:02:55,410 --> 00:02:56,803
BUT CHARLIE ACTUALLY DID IT.
68
00:02:56,847 --> 00:02:59,763
[CATTLE MOOING]
69
00:02:59,806 --> 00:03:02,591
HE LEFT THE COMFORTS
OF ST. LOUIS FOR MONTANA
70
00:03:02,635 --> 00:03:04,115
AND SPENT 10 YEARS RANCHING
AND RIDING ROUND-UPS.
71
00:03:04,158 --> 00:03:12,471
?
72
00:03:12,514 --> 00:03:13,254
BAT: CHARLES WAS STILL
A YOUNG MAN
73
00:03:13,298 --> 00:03:14,952
WHEN HE QUIT RANCH LIFE.
74
00:03:14,995 --> 00:03:17,694
WHAT CHANGED?
75
00:03:17,737 --> 00:03:20,784
DO YOU REMEMBER THE
WINTER OF '87?
76
00:03:20,827 --> 00:03:22,524
HUNDREDS OF THOUSANDS
OF CATTLE DIED IN THE SNOW,
77
00:03:22,568 --> 00:03:25,876
FROZEN AND STARVING.
78
00:03:25,919 --> 00:03:28,182
WHEN THE OWNERS WROTE,
ASKING HOW BAD IT WAS,
79
00:03:28,226 --> 00:03:30,750
WELL, CHARLIE KNEW WORDS
WOULDN'T CUT IT.
80
00:03:30,837 --> 00:03:31,316
SO, HE PAINTED THEM
A PICTURE.
81
00:03:31,359 --> 00:03:40,194
?
82
00:03:40,281 --> 00:03:42,109
WHEN THE SNOW
FINALLY THAWED,
83
00:03:42,153 --> 00:03:44,808
THE CARNAGE WAS
UNSPEAKABLE.
84
00:03:44,851 --> 00:03:47,593
THAT PAINTING WAS
PASSED AROUND HELENA
85
00:03:47,636 --> 00:03:52,293
AND SOON, ALL MONTANA
KNEW THE NAME CHARLES RUSSELL.
86
00:03:52,337 --> 00:03:57,821
I'VE SEEN HIS TALENTS,
I'M STARTING TO DISCERN YOURS.
87
00:03:57,864 --> 00:04:00,127
WHERE'D YOUR PATHS
FINALLY CROSS?
88
00:04:00,171 --> 00:04:02,434
NOW, WE'RE GETTIN'
TO THE GOOD PART.
89
00:04:02,477 --> 00:04:04,001
I WAS LIVING IN
CASCADE,
90
00:04:04,044 --> 00:04:05,176
WORKING FOR
THE ROBERTS FAMILY.
91
00:04:05,219 --> 00:04:08,701
GOOD PEOPLE.
92
00:04:08,745 --> 00:04:12,183
THEY TOOK ME IN
AFTER MY MOTHER DIED.
93
00:04:12,270 --> 00:04:15,229
DID I TELL YOU THAT I KNEW
THE RUSSELLS IN HELENA?
94
00:04:15,273 --> 00:04:16,361
THEY MUST BE BESIDES THEMSELVES
THAT CHARLES
95
00:04:16,404 --> 00:04:18,972
HASN'T SETTLED DOWN BY NOW.
96
00:04:19,059 --> 00:04:22,062
HOW MANY MORE POTATOES
DO WE NEED AGAIN?
97
00:04:22,106 --> 00:04:24,282
BUT I SAY IT'S JUST
A MATTER OF TIME,
98
00:04:24,369 --> 00:04:26,588
AND CIRCUMSTANCE...BEN: I'M BACK.
99
00:04:26,632 --> 00:04:29,504
BROUGHT COMPANY.
100
00:04:29,548 --> 00:04:31,376
CHARLES RUSSELL.
101
00:04:31,419 --> 00:04:32,464
YOU'RE LOOKING MORE HANDSOME
THAN EVER.
102
00:04:32,507 --> 00:04:34,031
NANCY, COME ON OUT HERE.
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00:04:34,118 --> 00:04:34,640
SOMEONE I WANT YOU TO MEET.
104
00:04:39,079 --> 00:04:43,083
CHARLIE...
THIS IS NANCY COOPER.
105
00:04:43,127 --> 00:04:43,867
SHE'S THE ONE THAT'S BEEN
HELPIN' LELA AROUND THE HOUSE.
106
00:04:43,910 --> 00:04:47,609
??
107
00:04:47,696 --> 00:04:49,786
PLEASED TO MEET YOU,
MR. RUSSELL.
108
00:04:49,829 --> 00:04:52,614
I'VE HEARD A GOOD DEAL
ABOUT YOU.
109
00:04:52,701 --> 00:04:53,572
NO CAUSE FOR ALARM,
I HOPE.
110
00:04:53,615 --> 00:05:01,623
?
111
00:05:01,667 --> 00:05:03,495
OH...
[CHUCKLING]
112
00:05:03,538 --> 00:05:04,713
I COULD USE A SCRUB.
113
00:05:04,757 --> 00:05:05,410
OF COURSE.
114
00:05:05,453 --> 00:05:15,159
??
115
00:05:15,202 --> 00:05:18,075
HMM... CHARLIE.
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00:05:18,118 --> 00:05:21,556
YOU NEVER TOLD US WHAT
YOU WERE UP TO OUT IN CANADA.
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00:05:21,600 --> 00:05:25,691
SOME WORK...
LOT OF PAINTING.
118
00:05:25,778 --> 00:05:28,563
LIVED WITH THE BLOOD TRIBE
FOR A SPELL.
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00:05:28,607 --> 00:05:31,218
CHARLIE HERE'S GOT A SOFT SPOT
FOR THE NATIVES. - OH MY.
120
00:05:31,262 --> 00:05:33,177
BEN: HE PAINTS THEM MORE THAN
ANYBODY ELSE.
121
00:05:33,220 --> 00:05:35,266
WELL, SOMEONE HAS TO.
122
00:05:35,353 --> 00:05:37,355
BEFORE THEY'RE ALL GONE.
123
00:05:37,442 --> 00:05:39,792
LELA: WELL, THAT'S A NOBLE
SENTIMENT.
124
00:05:39,836 --> 00:05:41,359
BUT IT'S HIGH TIME THAT YOU
START LOOKIN' TO THE FUTURE.
125
00:05:41,402 --> 00:05:42,316
START A FAMILY OF YOUR OWN?
126
00:05:42,403 --> 00:05:45,189
[LAUGHTER]
127
00:05:45,276 --> 00:05:47,756
WELL, I FIGURE THE GAL
HAS TO ROPE ME.
128
00:05:47,844 --> 00:05:49,193
WELL, I UNDERSTAND YOU'RE
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00:05:49,280 --> 00:05:52,936
AN ACCOMPLISHED ARTIST,
MR. RUSSELL.
130
00:05:53,023 --> 00:05:55,677
STARVIN' ARTIST MORE LIKE.
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00:05:55,721 --> 00:05:58,898
WELL, MAYBE I'VE SEEN
YOUR WORK SOMEWHERE.
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00:05:58,985 --> 00:05:59,681
YOU'LL FIND MOST OF IT
LINING THE WALLS
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00:05:59,725 --> 00:06:01,509
OF BARS AND BROTHELS.
134
00:06:01,553 --> 00:06:02,597
BUT I CAN'T IMAGINE A PRETTY
GIRL LIKE YOU
135
00:06:02,641 --> 00:06:03,163
WOULD FREQUENT SUCH
ESTABLISHMENTS.
136
00:06:03,207 --> 00:06:04,599
[LAUGHTER]
137
00:06:04,643 --> 00:06:05,339
LELA: REALLY, CHARLES!
138
00:06:05,383 --> 00:06:08,125
[LAUGHTER]
139
00:06:08,168 --> 00:06:10,736
BEN: NO.
CHARLIE: IT'S TRUE.
140
00:06:10,779 --> 00:06:13,434
NOW, HE'S HAD SIX PAINTINGS
IN THE ST. LOUIS ART SOCIETY.
141
00:06:13,478 --> 00:06:14,740
ALL HANDSOMELY MOUNTED.
142
00:06:14,827 --> 00:06:17,612
AND NONE SOLD.
143
00:06:17,699 --> 00:06:19,701
I DON'T KNOW MUCH ABOUT ART,
BUT I DO ADMIRE
144
00:06:19,745 --> 00:06:25,055
MR. REMINGTON'S WORK.
[CHARLIE COUGHS]
145
00:06:25,098 --> 00:06:25,620
THE PAINTINGS IN HARPER'S
MAGAZINE?
146
00:06:30,495 --> 00:06:32,236
[WHISPERING] HAVE I SAID
SOMETHING WRONG?
147
00:06:32,279 --> 00:06:36,414
WELL... APART FROM BEIN' AN
ACADEMY SNOOT...
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00:06:36,501 --> 00:06:39,678
HE'S A FRAUD.
149
00:06:39,721 --> 00:06:41,898
DOESN'T REALLY UNDERSTAND
THE WEST.
150
00:06:41,941 --> 00:06:44,248
TO HIM, THE WEST IS ALL
JUST SAVAGERY.
151
00:06:44,291 --> 00:06:45,597
BECAUSE THAT'S WHAT SELLS.
152
00:06:45,640 --> 00:06:48,121
NOTHING NOBLE ABOUT IT.
153
00:06:48,165 --> 00:06:55,215
HMM.
STILL, HE'S QUITE SUCCESSFUL.
154
00:06:55,259 --> 00:06:58,392
THERE'S MORE TO IT
THAN MAKIN' MONEY.
155
00:06:58,436 --> 00:07:02,135
WELL, I BELIEVE ART IS A THING
TO BE SHARED.
156
00:07:02,222 --> 00:07:04,485
THE WAY YOU SEE THINGS
DOESN'T MATTER
157
00:07:04,529 --> 00:07:05,573
IF NO ONE ELSE GETS THE CHANCE
TO SEE YOUR WORK.
158
00:07:05,660 --> 00:07:09,490
??
159
00:07:11,928 --> 00:07:20,327
?
160
00:07:20,371 --> 00:07:22,634
BAT: OH, I LOVE THIS ONE.
161
00:07:22,677 --> 00:07:23,765
IT'S CALLED "WATER HOLE".
162
00:07:23,852 --> 00:07:28,335
??
163
00:07:28,379 --> 00:07:31,599
SEEMS TO ME, YOU MET CHARLES
AT A CROSSROADS.
164
00:07:31,643 --> 00:07:34,211
COWBOY LIFE WAS BEHIND HIM
AND...
165
00:07:34,254 --> 00:07:37,562
ARTIST LIFE HADN'T QUITE
TAKEN OFF YET.
166
00:07:37,605 --> 00:07:40,217
THE CROSSROADS IS A FINE
PLACE TO MEET SOMEONE.
167
00:07:40,260 --> 00:07:40,957
CHANCES ARE THEY'VE BEEN
WAITING FOR YOU.
168
00:07:41,044 --> 00:07:50,967
??
169
00:07:51,054 --> 00:08:00,977
?
170
00:08:01,064 --> 00:08:10,987
?
171
00:08:11,074 --> 00:08:20,997
?
172
00:08:21,084 --> 00:08:26,611
?
173
00:08:26,654 --> 00:08:28,743
[STUMBLING]
174
00:08:28,787 --> 00:08:31,616
CHARLIE: OH...
[DRUNKEN LAUGHTER]
175
00:08:31,703 --> 00:08:33,139
NANCY: WHAT IN THE WORLD?
176
00:08:33,183 --> 00:08:35,576
I WAS ATTEMPTING TO SIT.
177
00:08:35,620 --> 00:08:36,708
I WAS BETRAYED.
178
00:08:36,751 --> 00:08:39,189
SHH.
KEEP QUIET.
179
00:08:39,232 --> 00:08:41,191
YOU'LL WAKE THE WHOLE HOUSE.
180
00:08:41,234 --> 00:08:47,501
YEAH.
AH...
181
00:08:47,545 --> 00:08:50,461
I'D BE ASHAMED TO BE SEEN
IN YOUR CONDITION.
182
00:08:50,504 --> 00:08:51,853
AW, DON'T WORRY, MISS NANCY.
183
00:08:51,897 --> 00:08:54,247
THE WORLD STILL SPINS...
184
00:08:54,291 --> 00:08:57,076
SAME WITH THIS ROOM.
185
00:08:57,163 --> 00:08:59,209
WELL, I SUGGEST YOU
SLEEP IT OFF.
186
00:08:59,252 --> 00:09:01,515
WAIT, WAIT, WAIT, WAIT,
WAIT, WAIT.
187
00:09:01,602 --> 00:09:03,561
UNHAND ME.
188
00:09:03,604 --> 00:09:05,519
WHY?
189
00:09:05,563 --> 00:09:08,218
BECAUSE I TOLD YOU TO.
190
00:09:08,261 --> 00:09:11,395
YOU'RE AFRAID.
191
00:09:11,482 --> 00:09:13,440
I AM NOT AFRAID OF YOU,
MR. RUSSELL.
192
00:09:13,527 --> 00:09:15,616
OH, NOT OF ME?
193
00:09:15,703 --> 00:09:19,098
OF EVERYTHING ELSE.
194
00:09:19,142 --> 00:09:23,842
OF ALL THE OTHER NASTY SURPRISES
LIFE'S GOT IN STORE FOR YOU.
195
00:09:23,929 --> 00:09:26,888
YOU DON'T KNOW ME
AT ALL.
196
00:09:26,932 --> 00:09:27,976
I KNOW YOU'RE ALONE...
197
00:09:28,020 --> 00:09:32,155
?
198
00:09:32,198 --> 00:09:33,634
NOT LONELY;
WE ALL GET LONELY.
199
00:09:33,678 --> 00:09:36,811
I MEAN WELL AND TRULY ALONE.
200
00:09:36,855 --> 00:09:38,944
?
201
00:09:38,987 --> 00:09:41,294
WE GOT THAT IN COMMON.
202
00:09:41,338 --> 00:09:44,210
AND WHAT AM I SUPPOSED TO-
203
00:09:44,254 --> 00:09:48,519
IS THIS YOUR IDEA
OF A COURTSHIP?
204
00:09:48,606 --> 00:09:49,998
IF YOU'VE SOMETHIN'
TO SAY TO ME, SAY IT NOW.
205
00:09:50,042 --> 00:10:00,008
?
206
00:10:00,052 --> 00:10:04,622
?
207
00:10:04,665 --> 00:10:05,579
THAT'S HOW I SAY IT.
208
00:10:05,666 --> 00:10:07,059
?
209
00:10:07,103 --> 00:10:17,591
?
210
00:10:17,635 --> 00:10:18,505
I SUPPOSE YOU TWO
DIDN'T WASTE ANY TIME
211
00:10:18,592 --> 00:10:20,116
GETTIN' HITCHED.
212
00:10:20,203 --> 00:10:21,813
WE RENTED A PLACE
IN GREAT FALLS.
213
00:10:21,900 --> 00:10:24,120
OUR BASEMENT LEAKED
214
00:10:24,163 --> 00:10:25,599
AND MY KITCHEN GOT
TURNED INTO A STUDIO.
215
00:10:25,643 --> 00:10:28,124
[LAUGHTER]
216
00:10:28,167 --> 00:10:29,342
AH, TWO NEWLYWEDS
LIVING OFF PAINTING...
217
00:10:29,386 --> 00:10:31,301
TIMES MUST HAVE BEEN TOUGH.
218
00:10:31,344 --> 00:10:33,172
WE WERE HAPPY THERE.
219
00:10:33,216 --> 00:10:33,955
BUT CHARLIE STILL
HADN'T LEARNED
220
00:10:34,042 --> 00:10:35,392
HIS OWN WORTH.
221
00:10:35,435 --> 00:10:39,396
?
222
00:10:39,483 --> 00:10:41,963
COFFEE?
MR. CAMERON?
223
00:10:42,007 --> 00:10:46,751
MY THANKS,
MRS. RUSSELL.
224
00:10:46,794 --> 00:10:49,667
I MUST CONFESS,
I FIND MYSELF TRANSPORTED
225
00:10:49,754 --> 00:10:53,714
BY YOUR HUSBAND'S RUSTIC
CORNUCOPIA.
226
00:10:53,801 --> 00:10:56,195
A SPIRIT OF MANIFEST DESTINY
IS ALIVE AND WELL
227
00:10:56,282 --> 00:10:58,502
IN THIS STUDIO.
228
00:10:58,589 --> 00:11:01,113
YES, WE'RE VERY PROUD
OF CHARLIE'S WORK
229
00:11:01,157 --> 00:11:02,245
AND WE'RE ANXIOUS TO SHARE IT
WITH FOLKS.
230
00:11:02,288 --> 00:11:04,812
AS AM I, MADAM.
231
00:11:04,856 --> 00:11:06,597
TRULY, I'VE NEVER SEEN
THEIR LIKE.
232
00:11:06,640 --> 00:11:08,816
YEAH?
233
00:11:08,860 --> 00:11:10,166
WELL WHAT ABOUT THEM
STRIKES YOUR FANCY?
234
00:11:10,209 --> 00:11:11,776
IN A WORD, SIR...
235
00:11:11,819 --> 00:11:16,737
FIDELITY.
236
00:11:16,824 --> 00:11:20,393
THESE SCENES OF A LAWLESS WEST
LONG GONE...
237
00:11:20,437 --> 00:11:22,482
AND THE CHARACTERS WHO MADE UP
ITS POPULOUS.
238
00:11:22,526 --> 00:11:24,005
THE STEADFAST COWBOY...
239
00:11:24,049 --> 00:11:25,093
THE RUSTLING HORSES...
240
00:11:25,181 --> 00:11:26,791
AND THE RUGGED TERRAIN.
241
00:11:26,834 --> 00:11:29,489
THEY ARE VIVID
BECAUSE THEY'RE TRUE.
242
00:11:29,576 --> 00:11:32,579
YOU HAVE WOVEN INTO THE VERY
FABRIC OF THESE CANVASES
243
00:11:32,623 --> 00:11:34,233
THE ELUSIVE SPIRIT
OF THE OLD WEST.
244
00:11:39,107 --> 00:11:41,762
MR. CAMERON.
245
00:11:41,806 --> 00:11:42,981
CHARLIE AND I ARE MIGHTY
IMPRESSED WITH YOUR MAGAZINE.
246
00:11:43,024 --> 00:11:46,027
QUITE RIGHT.
247
00:11:46,071 --> 00:11:48,204
MR. RUSSELL, I'LL ARRIVE
AT THE POINT
248
00:11:48,291 --> 00:11:50,380
AND LET US NEITHER
DITHER NOR DELAY.
249
00:11:50,467 --> 00:11:52,338
ALL RIGHT.
250
00:11:52,382 --> 00:11:54,297
NO, NO DITHERIN'.
251
00:11:54,340 --> 00:11:57,517
I WOULD LIKE TO PRINT
THIS PIECE
252
00:11:57,561 --> 00:11:58,910
IN FIELD AND STREAM.
253
00:12:04,437 --> 00:12:07,397
WHAT IS YOUR PRICE?
254
00:12:07,440 --> 00:12:08,876
AW, I DON'T KNOW.
255
00:12:11,923 --> 00:12:12,489
WHATEVER YOU THINK IT'S WORTH.
256
00:12:12,576 --> 00:12:15,100
HMM.
257
00:12:15,143 --> 00:12:17,450
THOUGH IT SEEMS GARISH
TO PLACE A PRICE ON ART...
258
00:12:17,537 --> 00:12:18,669
WE MUST...$40!
259
00:12:18,712 --> 00:12:21,585
?
260
00:12:21,628 --> 00:12:22,499
[CHUCKLING]
261
00:12:22,542 --> 00:12:24,631
FORGIVE ME.
262
00:12:24,675 --> 00:12:27,155
I'M NOT SURE WHICH
PARTY I'M NEGOTIATING WITH.
263
00:12:27,243 --> 00:12:29,593
YOU SAID NAME YOUR PRICE.
264
00:12:29,680 --> 00:12:31,943
AS A SHOW OF GOOD FAITH,
MRS. RUSSELL,
265
00:12:31,986 --> 00:12:34,032
BUT DO LET'S BE
REASONABLE.
266
00:12:34,075 --> 00:12:36,382
$40 SEEMS MORE THAN
REASONABLE
267
00:12:36,426 --> 00:12:38,210
FOR A PAINTING
THAT'S GOT SUCH...
268
00:12:38,297 --> 00:12:39,907
FIDELITY...
AND VIVIDNESS.
269
00:12:39,994 --> 00:12:44,825
??
270
00:12:44,869 --> 00:12:47,959
MR. RUSSELL...
271
00:12:48,002 --> 00:12:50,962
I'M AFRAID YOU'VE HITCHED YOUR
PROVERBIAL WAGON TO A...
272
00:12:51,005 --> 00:12:52,920
JESTER.
273
00:12:53,007 --> 00:12:55,053
??
274
00:12:55,096 --> 00:12:56,097
GOOD LUCK TO YOU.
275
00:12:56,184 --> 00:12:57,490
?
276
00:12:59,927 --> 00:13:02,452
?
277
00:13:05,150 --> 00:13:07,413
35.
278
00:13:07,457 --> 00:13:09,415
I BEG PARDON?
279
00:13:09,459 --> 00:13:11,199
NANCY: $35 AND THE PAINTING'S
ALL YOURS.
280
00:13:11,243 --> 00:13:14,638
?
281
00:13:14,681 --> 00:13:15,552
15.
282
00:13:15,639 --> 00:13:17,205
30.
283
00:13:17,249 --> 00:13:18,206
20.
284
00:13:18,250 --> 00:13:19,686
30.
285
00:13:19,730 --> 00:13:24,169
?
286
00:13:24,212 --> 00:13:25,388
30.
287
00:13:25,431 --> 00:13:29,870
??
288
00:13:29,914 --> 00:13:32,264
I'LL SEND A COURIER TO COLLECT
IT WITHIN A WEEK.
289
00:13:32,308 --> 00:13:34,179
GREAT.
290
00:13:34,222 --> 00:13:35,702
GOOD DAY, MR. CAMERON.
291
00:13:35,746 --> 00:13:41,578
?
292
00:13:41,621 --> 00:13:44,407
NOW CHARLIE...
DON'T BE CROSS.
293
00:13:44,450 --> 00:13:46,974
IT'S HIGH TIME SOMEBODY
PAID YOU WHAT YOU'RE WORTH
294
00:13:47,061 --> 00:13:48,280
AND IF YOU THINK I'M GONNA
STAND HERE AND FEEL GUILTY,
295
00:13:48,324 --> 00:13:51,675
WELL I'M NOT.
296
00:13:51,762 --> 00:13:55,418
[LAUGHTER]
297
00:13:55,461 --> 00:13:56,506
30 DOLLARS!
298
00:13:56,593 --> 00:13:58,638
[LAUGHTER]
299
00:13:58,725 --> 00:14:00,640
NO GOIN' BACK AFTER THAT
WAS THERE?
300
00:14:00,727 --> 00:14:02,076
WELL, I ALREADY
HAD A PERSONAL STAKE
301
00:14:02,120 --> 00:14:04,601
IN THE CHARLES RUSSELL
BUSINESS.
302
00:14:04,644 --> 00:14:07,212
I JUST KNEW BUSINESS
COULD BE BETTER.
303
00:14:07,299 --> 00:14:08,561
I GUESS YOU HAD TO
LEARN ON THE JOB.
304
00:14:08,605 --> 00:14:09,910
WELL, FIRST THING
I LEARNED
305
00:14:09,954 --> 00:14:10,955
WAS THAT CHARLIE
WAS AS KNOWN
306
00:14:10,998 --> 00:14:13,784
AS HE'D EVER BE
IN MONTANA.
307
00:14:13,827 --> 00:14:15,263
SO, I HAD TO GET
HIS WORK ONTO A BIGGER STAGE.
308
00:14:15,307 --> 00:14:20,007
??
309
00:14:20,051 --> 00:14:21,835
THIS IS IT, CHARLIE!
310
00:14:21,879 --> 00:14:24,316
THIS IS THE CHANCE WE'VE
BEEN WAITING FOR.
311
00:14:24,360 --> 00:14:25,709
THE FAIR?
312
00:14:25,752 --> 00:14:27,624
NOT JUST A FAIR.
313
00:14:27,667 --> 00:14:29,800
THE ST. LOUIS WORLD'S FAIR!
314
00:14:29,887 --> 00:14:33,847
THE GATEWAY TO THE WEST.
315
00:14:33,891 --> 00:14:36,850
THERE'S GONNA BE
A MONTANA PAVILION.
316
00:14:36,937 --> 00:14:38,983
AND THE PALACE OF FINE ARTS
WILL SHOW THE BEST PIECES
317
00:14:39,026 --> 00:14:40,376
OF WESTERN ART FROM ALL OVER
THE COUNTRY.
318
00:14:40,463 --> 00:14:41,899
NANCY?
319
00:14:41,942 --> 00:14:42,856
I THINK WE SHOULD SEND FIVE...
320
00:14:42,900 --> 00:14:44,510
NO 10 PAINTINGS.
321
00:14:44,554 --> 00:14:46,904
CHARLIE?
322
00:14:46,947 --> 00:14:48,471
YOU'RE GONNA NEED
TO CREATE SOME NEW WORK.
323
00:14:48,558 --> 00:14:49,950
AND I MEAN PAINT LIKE YOU'VE
NEVER DONE BEFORE.
324
00:14:49,994 --> 00:14:52,736
NANCY.
325
00:14:52,779 --> 00:14:54,128
I APPRECIATE THE THOUGHT.
326
00:14:54,172 --> 00:14:57,480
BUT... THIS...
327
00:14:57,523 --> 00:14:59,569
IS A FARCE.
328
00:14:59,612 --> 00:15:01,788
WHAT DO YOU MEAN?
329
00:15:01,832 --> 00:15:06,053
I MEAN, THESE CITY FATHERS
WANT TO PUT ON A SHOW!
330
00:15:06,097 --> 00:15:08,665
SELL PEOPLE A WEST
THAT WASN'T REAL.
331
00:15:08,708 --> 00:15:10,101
WELL THEN GIVE THEM
SOMETHING REAL.
332
00:15:14,235 --> 00:15:18,457
WELL, I GUESS THEY'LL
FILL UP THE GALLERY SOMEHOW.
333
00:15:18,501 --> 00:15:23,070
I CAN ONLY GUESS HOW MANY
PAINTINGS REMINGTON WILL SUBMIT.
334
00:15:23,157 --> 00:15:24,507
[SIGH]
335
00:15:24,550 --> 00:15:34,517
??
336
00:15:34,560 --> 00:15:44,527
?
337
00:15:44,570 --> 00:15:54,537
?
338
00:15:54,580 --> 00:15:57,235
?
339
00:15:57,322 --> 00:16:00,194
WE SUBMITTED
SIX PAINTINGS.
340
00:16:00,238 --> 00:16:03,067
I'D NEVER SEEN HIM
WORK SO HARD.
341
00:16:03,110 --> 00:16:03,807
HOW LONG DID
THE WAITING LAST?
342
00:16:03,850 --> 00:16:05,896
WEEKS.
343
00:16:05,939 --> 00:16:07,245
WE KNEW OTHER ARTISTS
WERE GETTIN' IN,
344
00:16:07,332 --> 00:16:10,074
BUT NOT A WORD
ABOUT CHARLIE.
345
00:16:10,117 --> 00:16:11,728
THAT MUST HAVE PUT
A STRAIN ON THINGS.
346
00:16:11,771 --> 00:16:14,513
LOOKIN' BACK...
347
00:16:14,557 --> 00:16:16,820
I DIDN'T REALIZE THE PRESSURE
I'D PLACED ON HIS SHOULDERS.
348
00:16:16,907 --> 00:16:26,046
?
349
00:16:26,090 --> 00:16:36,056
?
350
00:16:36,100 --> 00:16:37,493
?
351
00:16:39,930 --> 00:16:45,152
?
352
00:16:45,196 --> 00:16:46,284
WHERE HAVE YOU BEEN?
353
00:16:46,327 --> 00:16:48,286
NANCY, DARLIN'.
354
00:16:48,329 --> 00:16:50,723
NOT SO LOUD.
355
00:16:50,810 --> 00:16:53,509
I SAT UP HALF THE NIGHT
SCARED TO DEATH.
356
00:16:53,552 --> 00:16:55,554
YOU HAVE THE GALL
TO COME HOME DRUNK?
357
00:16:55,598 --> 00:16:57,382
WELL...
358
00:16:57,425 --> 00:17:00,951
I WANT TO SET IT RIGHT.
359
00:17:00,994 --> 00:17:03,388
I'VE HAD AN EPIPHANY,
YOU SEE.
360
00:17:03,431 --> 00:17:04,432
CHARLIE, YOU'RE NOT
GONNA PAINT RIGHT NOW.
361
00:17:04,520 --> 00:17:06,391
YOU'RE GONNA TALK TO ME.
362
00:17:06,478 --> 00:17:09,176
I'M NOT GONNA PAINT.
363
00:17:09,220 --> 00:17:10,874
NOT TONIGHT.
364
00:17:10,961 --> 00:17:12,789
NOT EVER.
365
00:17:12,832 --> 00:17:13,529
[SCREAM]
366
00:17:13,616 --> 00:17:17,533
?
367
00:17:17,620 --> 00:17:20,840
NO! NO!
368
00:17:20,884 --> 00:17:23,321
WHAT'S THE POINT
OF ALL THIS, HUH?
369
00:17:23,408 --> 00:17:25,018
THIS WHOLE ROOM REEKS OF...
370
00:17:25,105 --> 00:17:26,672
DEATH.
371
00:17:26,759 --> 00:17:28,413
BEAT YOURSELF UP,
IF YOU LIKE.
372
00:17:28,456 --> 00:17:30,197
BUT YOU WILL NOT DO THIS.
373
00:17:30,241 --> 00:17:34,245
THAT'S OUR FUTURE!
374
00:17:34,288 --> 00:17:36,769
THAT'S ALL I AM TO YOU.
375
00:17:36,856 --> 00:17:37,204
ISN'T THAT RIGHT?
376
00:17:37,291 --> 00:17:38,989
CHARLIE.
377
00:17:39,032 --> 00:17:40,381
THAT'S ALL YOU EVER
SAW IN ME...
378
00:17:40,425 --> 00:17:42,296
WAS DOLLAR SIGNS.
379
00:17:42,340 --> 00:17:46,605
WELL, THIS IS WHAT
YOU GOT.
380
00:17:46,649 --> 00:17:47,214
[KNOCKING ASIDE METAL CUP]
381
00:17:47,301 --> 00:17:55,092
?
382
00:17:55,135 --> 00:17:57,485
[OPENING FLASK]
383
00:17:57,529 --> 00:18:01,011
?
384
00:18:01,054 --> 00:18:05,145
CHARLIE.
385
00:18:05,189 --> 00:18:08,148
I'VE NEVER KNOWN
ANYONE LIKE YOU.
386
00:18:08,192 --> 00:18:10,411
I LOVE YOU.
387
00:18:10,498 --> 00:18:14,154
AND I BELIEVE
IN YOUR TALENT.
388
00:18:14,241 --> 00:18:17,549
BUT I NEED YOU TO
THINK ABOUT WHAT YOU WANT.
389
00:18:17,593 --> 00:18:19,203
I'D RATHER BE ALONE
THAN LIVE LIKE THIS.
390
00:18:19,246 --> 00:18:29,213
?
391
00:18:29,256 --> 00:18:37,656
?
392
00:18:37,700 --> 00:18:38,570
[FLASK CLATTERS TO FLOOR]
393
00:18:38,614 --> 00:18:41,834
?
394
00:18:41,921 --> 00:18:44,968
[BIRDS CHIRPING]
395
00:18:45,011 --> 00:18:46,491
[DOOR OPENS]
396
00:19:08,818 --> 00:19:09,775
I DIDN'T HAVE TO THINK.
397
00:19:13,997 --> 00:19:15,563
I'VE...
398
00:19:15,651 --> 00:19:19,655
LIVED TOO LONG IN THE PAST
399
00:19:19,742 --> 00:19:21,178
TRYING TO KEEP HOLD OF SOMETHING
I DON'T EVEN KNOW IF IT'S REAL.
400
00:19:32,015 --> 00:19:33,581
THIS...
401
00:19:33,625 --> 00:19:35,453
?
402
00:19:35,496 --> 00:19:40,327
THIS IS REAL.
403
00:19:40,414 --> 00:19:41,589
WHATEVER ELSE I DO, I WANT YOU
RIGHT THERE BESIDE ME.
404
00:19:41,633 --> 00:19:47,683
??
405
00:19:47,726 --> 00:19:50,555
THIS JUST ARRIVED.
406
00:19:50,598 --> 00:19:52,818
IT'S FROM THE FAIR.
407
00:19:52,862 --> 00:19:56,213
YOU READ IT?
408
00:19:56,300 --> 00:19:57,475
NO, GO AHEAD.
409
00:19:57,518 --> 00:20:07,485
??
410
00:20:07,528 --> 00:20:10,706
?
411
00:20:10,793 --> 00:20:11,837
NANCE?
412
00:20:11,881 --> 00:20:14,013
??
413
00:20:14,057 --> 00:20:15,101
FOUR.
414
00:20:15,145 --> 00:20:17,582
??
415
00:20:17,625 --> 00:20:21,804
THEY'RE TAKING FOUR PAINTINGS.
416
00:20:21,847 --> 00:20:24,589
THEY'RE GONNA HANG THEM IN THE
PALACE OF FINE ARTS.
417
00:20:24,632 --> 00:20:27,026
CHARLIE, YOU'VE DONE IT!
418
00:20:27,113 --> 00:20:28,549
NO, NO.
419
00:20:28,636 --> 00:20:31,814
??
420
00:20:31,857 --> 00:20:33,816
WE DID IT.
421
00:20:33,859 --> 00:20:38,864
?
422
00:20:38,908 --> 00:20:40,213
BAT MASTERSON, V/O:
CHARLES RUSSELL,
423
00:20:40,257 --> 00:20:42,563
"THE COWBOY ARTIST" PRODUCED
CLOSE TO 4,000
424
00:20:42,650 --> 00:20:45,610
WORKS OF ART IN HIS LIFETIME.
425
00:20:45,653 --> 00:20:47,699
NANCY RUSSELL WORKED TIRELESSLY
TO PROMOTE HER HUSBAND
426
00:20:47,743 --> 00:20:49,875
AND HIS WESTERN ART,
MAKING THE NAME
427
00:20:49,919 --> 00:20:51,485
CHARLES M. RUSSELL
WORLD FAMOUS.
428
00:20:51,529 --> 00:20:56,186
?
429
00:20:56,229 --> 00:20:58,492
?
430
00:20:58,536 --> 00:21:00,364
THANKS AGAIN,
MRS. RUSSELL.
431
00:21:00,407 --> 00:21:02,496
SEEING YOUR HUSBAND'S WORK
IN PERSON-
432
00:21:02,540 --> 00:21:03,584
ON CANVAS
433
00:21:03,671 --> 00:21:04,803
[LAUGHTER]
434
00:21:04,890 --> 00:21:07,023
WAS A RARE TREAT.
435
00:21:07,110 --> 00:21:08,328
WE CAN'T THANK YOU ENOUGH
FOR SHARING CHARLIE'S WORK
436
00:21:08,415 --> 00:21:09,852
WITH YOUR READERS.
437
00:21:09,895 --> 00:21:12,942
MY READERS...
438
00:21:12,985 --> 00:21:15,292
WANT TO KNOW EVERYTHING
ABOUT THE TRUE WEST.
439
00:21:15,379 --> 00:21:17,424
WHICH WE BOTH KNOW IS...
DISAPPEARING.
440
00:21:17,468 --> 00:21:18,904
BUT I NOW KNOW,
441
00:21:18,991 --> 00:21:20,166
THANKS IN PART
TO YOUR UNWAVERING
442
00:21:20,210 --> 00:21:23,387
BELIEF IN YOUR HUSBAND,
443
00:21:23,430 --> 00:21:26,607
CHARLES RUSSELL'S PRESERVING
A LITTLE BIT OF THAT REAL WEST.
444
00:21:26,651 --> 00:21:27,478
FOR GENERATIONS TO COME.
445
00:21:27,528 --> 00:21:32,078
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