All language subtitles for Wild West Chronicles s01e09 Annie Oakley.eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,800 --> 00:00:00,974 BAT MASTERSON, V/O: THERE'S A REASON THEY CALLED IT 2 00:00:01,017 --> 00:00:03,150 THE WILD WEST. 3 00:00:03,193 --> 00:00:05,761 SOMEONE AMONG YOU CLAIMS HE CAN OUTSHOOT ME. 4 00:00:05,805 --> 00:00:08,285 [CROWD CHATTERING] 5 00:00:08,329 --> 00:00:09,286 YOU HERE FOR A SHOOTING MATCH. 6 00:00:09,373 --> 00:00:10,810 I'M A PROFESSIONAL. 7 00:00:10,853 --> 00:00:13,073 PULL. 8 00:00:13,160 --> 00:00:14,552 [CLAY PIGEON EXPLODES] [CROWD CHEERS] 9 00:00:14,596 --> 00:00:15,553 BUFFALO BILL'S? 10 00:00:15,597 --> 00:00:17,294 THAT'S OUR FUTURE. 11 00:00:17,338 --> 00:00:18,034 MY WIFE AND I, WE'RE A... 12 00:00:18,078 --> 00:00:18,861 A DOUBLE ACT. 13 00:00:18,905 --> 00:00:21,908 YOU SHOOT? 14 00:00:21,995 --> 00:00:24,040 BAT MASTERSON, V/O: THIS IS THE TRUE STORY OF ANNIE OAKLEY. 15 00:00:24,084 --> 00:00:26,521 THE WEST'S GREATEST TRICK SHOOTER. 16 00:00:26,564 --> 00:00:27,261 [CLAY PIGEON EXPLODES] 17 00:00:27,304 --> 00:00:29,742 [TRAIN WHISTLE] 18 00:00:29,785 --> 00:00:30,438 BAT MASTERSON, V/O: I WAS JUST A YOUNG MAN 19 00:00:30,481 --> 00:00:33,789 WHEN I FIRST HEADED WEST. 20 00:00:33,833 --> 00:00:35,182 IN THE YEARS THAT FOLLOWED, I BECAME 21 00:00:35,225 --> 00:00:37,575 A COWBOY... A GUNSLINGER... 22 00:00:37,619 --> 00:00:40,187 AND EVEN SERVED AS SHERIFF OF DODGE CITY, 23 00:00:40,274 --> 00:00:42,189 ONE OF THE MOST LAWLESS TOWNS IN THE COUNTRY. 24 00:00:42,276 --> 00:00:46,149 MY NAME IS BAT MASTERSON. 25 00:00:46,193 --> 00:00:48,630 NOW I'M A REPORTER AND I'VE COME WEST AGAIN 26 00:00:48,673 --> 00:00:50,458 TO CHRONICLE THE WORLD THAT I KNOW BEST... 27 00:00:50,545 --> 00:00:54,244 THE AMERICAN WEST. 28 00:00:54,331 --> 00:00:58,118 THE LURE OF GOLD, LAND, AND DESTINY FLOODED THE 29 00:00:58,161 --> 00:01:01,251 FRONTIER WITH MEN, BOTH GOOD AND BAD. 30 00:01:01,295 --> 00:01:03,166 THESE ARE THE INCREDIBLE TRUE TALES OF THE WILD WEST. 31 00:01:03,210 --> 00:01:04,777 ? 32 00:01:05,908 --> 00:01:08,128 ? 33 00:01:08,215 --> 00:01:10,652 WHO HASN'T HEARD OF ANNIE OAKLEY? 34 00:01:10,695 --> 00:01:13,350 THE GREATEST TRICK SHOT ARTIST OF OUR TIME. 35 00:01:13,437 --> 00:01:15,744 MOST DON'T KNOW WHO HELPED CREATE HER LEGEND 36 00:01:15,788 --> 00:01:18,616 AND EVEN HER NAME. 37 00:01:18,660 --> 00:01:21,837 IT'S HER HUSBAND AND MANAGER, FRANK BUTLER. 38 00:01:21,881 --> 00:01:24,274 FRANK, IT OCCURS TO ME THAT WITH THE EXCEPTION 39 00:01:24,318 --> 00:01:26,146 OF QUEEN VICTORIA, YOU'RE MARRIED TO 40 00:01:26,189 --> 00:01:28,757 JUST ABOUT THE MOST FAMOUS WOMAN IN THE WORLD. 41 00:01:28,801 --> 00:01:30,803 KIND OF YOU TO SAY, MR. MASTERSON. 42 00:01:30,846 --> 00:01:34,981 MY WIFE... IS A STAR. 43 00:01:35,024 --> 00:01:35,851 THAT'S WHY I'M HERE TODAY, DOING THE INTERVIEW 44 00:01:35,895 --> 00:01:37,331 AND SHE'S THE ONE REHEARSING. 45 00:01:37,374 --> 00:01:39,768 THAT'S ANNIE FOR YA. 46 00:01:39,812 --> 00:01:41,726 TELL ME HOW IT HAPPENED, FRANK. 47 00:01:41,770 --> 00:01:45,600 HOW DID A YOUNG GIRL FROM NOWHERE 48 00:01:45,687 --> 00:01:48,472 COME TO BE THE MOST FAMOUS ENTERTAINER IN THE WORLD. 49 00:01:48,516 --> 00:01:51,127 YOU WOULD NEVER CATCH ANNIE PLAYING WITH DOLLS. 50 00:01:51,171 --> 00:01:53,608 EVEN WITH FIVE BIG SISTERS, THE ONLY THING 51 00:01:53,695 --> 00:01:56,132 SHE WANTED TO PLAY WITH WAS HER PAPPY'S HUNTING RIFLE. 52 00:01:56,176 --> 00:01:58,787 BUT WHEN HE DIED... 53 00:01:58,874 --> 00:02:02,704 HE LEFT HIS WIFE WITH FIVE KIDS AND NO MEANS OF SUPPORT. 54 00:02:02,747 --> 00:02:05,489 ANNIE HAD TO PITCH IN TO HELP HER FAMILY SURVIVE. 55 00:02:05,533 --> 00:02:06,186 AND THAT DIDN'T MEAN SEWING BUTTONS 56 00:02:06,229 --> 00:02:07,013 OR DARNING SOCKS. 57 00:02:09,667 --> 00:02:11,321 IT MEANT HUNTING. 58 00:02:11,365 --> 00:02:13,541 [GUNSHOT] 59 00:02:13,584 --> 00:02:16,239 SHE SUPPORTED HER WHOLE FAMILY BAGGING GAME 60 00:02:16,283 --> 00:02:18,459 AND SELLING IT TO LOCAL HOTELS AND RESTAURANTS. 61 00:02:18,502 --> 00:02:20,417 SHE DID SO WELL... 62 00:02:20,461 --> 00:02:21,462 THAT THE FAMILY FARM WAS PAID OFF 63 00:02:21,549 --> 00:02:24,421 BY THE TIME SHE WAS 15. 64 00:02:24,465 --> 00:02:26,771 WHEN DID YOU TWO MEET, FRANK? 65 00:02:26,815 --> 00:02:29,513 1881. 66 00:02:29,600 --> 00:02:31,907 IT WAS SPRINGTIME IN CINCINNATI. 67 00:02:31,951 --> 00:02:33,430 I WAS TOURING WITH A DOUBLE ACT. 68 00:02:33,517 --> 00:02:35,084 HOW GOOD WERE YA? 69 00:02:35,171 --> 00:02:38,044 I WAS VERY GOOD. 70 00:02:38,087 --> 00:02:40,176 BUT THE STAGE WAS SHRINKING. 71 00:02:40,220 --> 00:02:41,395 EVERY DAY SOME NEW KID WAS CALLING HIMSELF 72 00:02:41,482 --> 00:02:43,919 A FANCY SHOOTER. 73 00:02:44,006 --> 00:02:45,965 NEW TRICKS DON'T STAY NEW FOR LONG. 74 00:02:46,052 --> 00:02:49,229 YEAH. AND THIS OLD DOG WAS RUNNING OUT OF THEM. 75 00:02:49,272 --> 00:02:51,318 SO, WHEN A HOTEL OWNER BRAGGED THAT HE KNEW SOMEONE 76 00:02:51,361 --> 00:02:53,015 IN GREENVILLE WHO COULD OUTSHOOT ME... 77 00:02:53,059 --> 00:02:55,322 AND PLACED A $100 BET... 78 00:02:55,409 --> 00:02:57,019 I AGREED TO TAKE HIS MONEY. 79 00:02:57,063 --> 00:02:59,065 THAT'S RIGHT, FOLKS. 80 00:02:59,108 --> 00:03:00,980 AS SEEN IN THE GREAT VAUDEVILLE PALACES 81 00:03:01,023 --> 00:03:02,895 FROM NEW YORK TO SAINT LOUIS... 82 00:03:02,938 --> 00:03:04,809 ALL THE WAY HERE TO GREENVILLE, 83 00:03:04,853 --> 00:03:06,681 [TWIRLS THEN HOLSTERS GUNS] 84 00:03:06,724 --> 00:03:08,813 FRANK BUTLER, THE SNAP SHOT SENSATION. 85 00:03:08,857 --> 00:03:10,511 [APPLAUSE] 86 00:03:10,598 --> 00:03:11,729 YOU AS GOOD AS THEY SAY? 87 00:03:11,773 --> 00:03:13,079 I'M THAT GOOD... 88 00:03:13,122 --> 00:03:16,169 AND BETTER. 89 00:03:16,256 --> 00:03:18,736 FIGURE YOU AIN'T AS GOOD AS CAPTAIN BOGARDUS. 90 00:03:18,780 --> 00:03:19,999 HEARD HE KILLED SOME HUNDRED BIRDS WITHOUT A MISS. 91 00:03:20,086 --> 00:03:22,131 SEEING IS BELIEVING, FRIEND. 92 00:03:22,175 --> 00:03:25,613 NOW, THERE WAS TALK OF A WAGER. 93 00:03:25,656 --> 00:03:28,833 SOMEONE AMONG YOU CLAIMS HE CAN OUTSHOOT ME. 94 00:03:28,877 --> 00:03:30,400 IF THAT MAN WANTS TO BEG OFF, 95 00:03:30,444 --> 00:03:30,748 AFTER SEEING ME SHOOT, I WOULD UNDER- 96 00:03:30,792 --> 00:03:31,532 [GUN COCKS] 97 00:03:31,575 --> 00:03:36,667 ? 98 00:03:36,711 --> 00:03:38,147 YO MISTER? 99 00:03:38,234 --> 00:03:40,323 SHE FEELS JUST FINE. 100 00:03:40,367 --> 00:03:45,067 [CROWD CHATTERING] 101 00:03:45,111 --> 00:03:46,503 ALL RIGHT. 102 00:03:46,547 --> 00:03:48,288 WHO'S THIS GAL BELONG TO? 103 00:03:48,331 --> 00:03:49,637 WHO'S THE REAL CHALLENGER? 104 00:03:49,724 --> 00:03:54,250 [CROWD CHATTERING] 105 00:03:54,337 --> 00:03:56,600 OKAY. 106 00:03:56,644 --> 00:03:58,602 - UH... - EXCUSE ME. 107 00:03:58,646 --> 00:03:59,952 IS THERE A REASON YOU'RE GRABBING AT ME? 108 00:03:59,995 --> 00:04:02,476 LISTEN, MA'AM. - MISS. 109 00:04:02,519 --> 00:04:03,956 MISS? LISTEN... 110 00:04:04,043 --> 00:04:06,393 IT'S MISS MOSEY. - I DON'T CARE. 111 00:04:06,436 --> 00:04:06,959 YOU WANT TO TELL ME EXACTLY WHAT'S GOIN' ON HERE? 112 00:04:07,002 --> 00:04:08,786 WHAT DO YOU MEAN? 113 00:04:08,830 --> 00:04:10,353 I'M A BUSY MAN. I WORK SIX SHOWS A WEEK, 114 00:04:10,397 --> 00:04:11,354 DOESN'T INCLUDE MATINEES. 115 00:04:11,441 --> 00:04:12,181 BULLY FOR YOU. 116 00:04:12,268 --> 00:04:13,835 IN CINCINNATI... 117 00:04:13,878 --> 00:04:15,924 WHICH IS A GOOD 80 MILES AWAY. 118 00:04:15,968 --> 00:04:18,144 I WAS LED HERE UNDER FALSE PRETENSES. 119 00:04:18,187 --> 00:04:19,754 YOU'RE HERE FOR A SHOOTING MATCH, AREN'T YOU? 120 00:04:19,797 --> 00:04:23,105 YES! THAT'S EXACT- NO, NO I'M NOT. 121 00:04:23,149 --> 00:04:25,890 BECAUSE THIS IS NO LONGER A FAIR CONTEST. 122 00:04:25,934 --> 00:04:29,372 WELL, IN THE INTEREST OF FAIRNESS... 123 00:04:29,416 --> 00:04:33,463 I COULD... GIVE YOU A HEAD START. 124 00:04:33,507 --> 00:04:35,335 I'LL SPEAK PLAINLY. 125 00:04:35,378 --> 00:04:37,250 I'M A PROFESSIONAL. 126 00:04:37,337 --> 00:04:39,165 AGAIN... BULLY FOR YOU. 127 00:04:41,906 --> 00:04:43,952 NOW, WILL YOU STEP TO THE LINE... 128 00:04:43,996 --> 00:04:45,084 OR ARE YOU BOWING OUT? 129 00:04:45,127 --> 00:04:51,829 ? 130 00:04:51,873 --> 00:04:52,308 [APPLAUSE] 131 00:04:52,395 --> 00:04:53,135 ANNIE. 132 00:04:53,179 --> 00:04:55,659 WHAT? 133 00:04:55,703 --> 00:04:57,748 MISS ANNIE MOSEY. 134 00:04:57,792 --> 00:04:59,315 ? 135 00:04:59,359 --> 00:05:01,317 REMEMBER IT. 136 00:05:01,361 --> 00:05:02,188 IT'S YOUR FUNERAL. 137 00:05:02,275 --> 00:05:12,198 ?? 138 00:05:12,285 --> 00:05:14,591 ? 139 00:05:14,635 --> 00:05:15,331 [GUNSHOT] [CLAY PIGEON EXPLODES] 140 00:05:15,375 --> 00:05:18,117 [CHEERING, APPLAUSE] 141 00:05:18,160 --> 00:05:22,121 ? 142 00:05:22,164 --> 00:05:25,037 ANNIE: PULL. 143 00:05:25,080 --> 00:05:25,733 [GUNSHOT] [CLAY PIGEON EXPLODES] 144 00:05:25,776 --> 00:05:26,908 [CHEERING, APPLAUSE] 145 00:05:28,388 --> 00:05:31,217 PULL. 146 00:05:31,304 --> 00:05:31,826 [GUNSHOT] [CLAY PIGEON EXPLODES] 147 00:05:31,869 --> 00:05:35,569 [CHEERING, APPLAUSE] 148 00:05:35,656 --> 00:05:36,178 [GUNSHOT] [CLAY PIGEON EXPLODES] 149 00:05:36,222 --> 00:05:39,094 [CHEERING, APPLAUSE] 150 00:05:39,181 --> 00:05:39,660 [GUNSHOT] [CLAY PIGEON EXPLODES] 151 00:05:39,747 --> 00:05:43,533 [CHEERING, APPLAUSE] 152 00:05:43,577 --> 00:05:45,274 PULL. [GUNSHOT] [CLAY PIGEON EXPLODES] 153 00:05:45,318 --> 00:05:46,884 PULL. [GUNSHOT] [CLAY PIGEON EXPLODES] 154 00:05:46,928 --> 00:05:47,407 PULL. [GUNSHOT] [CLAY PIGEON EXPLODES] 155 00:05:47,450 --> 00:05:48,799 [CHEERING, APPLAUSE] 156 00:05:48,843 --> 00:05:51,541 ? 157 00:05:51,585 --> 00:05:53,239 MR. BUTLER HAS STRUCK... 158 00:05:53,282 --> 00:05:54,370 25 TARGETS. 159 00:05:54,414 --> 00:05:56,981 [APPLAUSE] 160 00:05:57,025 --> 00:05:58,679 AND OUR MISS MOSEY HAS STRUCK... 161 00:05:58,766 --> 00:06:00,550 21. 162 00:06:00,594 --> 00:06:02,900 BUT, BUT... 163 00:06:02,944 --> 00:06:05,947 SHE HAS FIVE SHOTS LEFT, WITH WHICH SHE COULD TIE 164 00:06:05,990 --> 00:06:08,950 OR WIN. 165 00:06:08,993 --> 00:06:12,040 IF SHE DOESN'T, MR. BUTLER HERE IS THE CHAMPION. 166 00:06:12,084 --> 00:06:20,309 ? 167 00:06:20,353 --> 00:06:22,920 PULL. [GUNSHOT] [CLAY PIGEON EXPLODES] 168 00:06:22,964 --> 00:06:24,270 [GUNSHOT] [CLAY PIGEON EXPLODES] 169 00:06:24,313 --> 00:06:25,575 [GUNSHOT] [CLAY PIGEON EXPLODES] 170 00:06:25,619 --> 00:06:25,923 [GUNSHOT] [CLAY PIGEON EXPLODES] 171 00:06:26,010 --> 00:06:28,752 ? 172 00:06:31,190 --> 00:06:32,930 ? 173 00:06:34,280 --> 00:06:35,716 ? 174 00:06:35,759 --> 00:06:45,073 ? 175 00:06:45,117 --> 00:06:46,118 PULL. 176 00:06:49,425 --> 00:06:50,905 [GUNSHOT] [CLAY PIGEON EXPLODES] 177 00:06:50,948 --> 00:07:00,523 [CHEERING, APPLAUSE] 178 00:07:00,567 --> 00:07:08,662 ? 179 00:07:08,749 --> 00:07:11,839 ANNIE: 26 TO 25. 180 00:07:11,926 --> 00:07:14,755 I'D CALL THAT... 181 00:07:14,842 --> 00:07:17,453 A FAIR CONTEST AFTER ALL. 182 00:07:17,497 --> 00:07:19,673 HEY... 183 00:07:19,716 --> 00:07:22,154 NO HARD FEELINGS. 184 00:07:22,197 --> 00:07:23,981 WHO TAUGHT YOU TO SHOOT? 185 00:07:24,068 --> 00:07:25,461 I DID. 186 00:07:25,505 --> 00:07:31,815 ?? 187 00:07:31,859 --> 00:07:34,078 GOOD LUCK WITH YOUR ACT. 188 00:07:34,122 --> 00:07:35,123 I'D SURE LIKE TO SEE IT SOMETIME. 189 00:07:35,167 --> 00:07:40,215 ? 190 00:07:40,302 --> 00:07:44,306 THAT WAS THE FINEST BEATING I EVER TOOK. 191 00:07:44,350 --> 00:07:45,699 MOST MEN WOULDN'T BE ABLE TO COUNTENANCE 192 00:07:45,742 --> 00:07:47,440 LOSING TO A GIRL. 193 00:07:47,483 --> 00:07:50,356 I WASN'T IN A HURRY TO TELL ANYBODY. 194 00:07:50,399 --> 00:07:51,357 BUT THE STRANGE THING WAS... 195 00:07:54,751 --> 00:07:58,451 I COULDN'T GET ANNIE OUT OF MY HEAD. 196 00:07:58,494 --> 00:08:00,844 I'D FIND MYSELF WRITING TO HER. 197 00:08:00,888 --> 00:08:02,629 EVERY MOMENT I HAD. 198 00:08:02,672 --> 00:08:04,457 LETTERS... 199 00:08:04,500 --> 00:08:07,111 EVEN POEMS. 200 00:08:07,155 --> 00:08:09,418 SOMETHING CHANGED IN ME THAT DAY. 201 00:08:09,462 --> 00:08:11,638 IT'S LIKE A DOOR HAD OPENED 202 00:08:11,681 --> 00:08:14,554 AND I HAD TO STEP THROUGH IT... 203 00:08:14,641 --> 00:08:17,209 WITH HER. 204 00:08:17,296 --> 00:08:19,907 POEMS? 205 00:08:19,950 --> 00:08:21,735 WELL, THEY WEREN'T SHAKESPEARE. 206 00:08:21,778 --> 00:08:23,650 BUT THEY DID THE TRICK. 207 00:08:23,693 --> 00:08:26,305 TO SOMEONE WHO'S NEVER FELT WANTED... 208 00:08:26,348 --> 00:08:29,786 A LITTLE KINDNESS GOES A LONG WAY. 209 00:08:29,830 --> 00:08:32,920 WE WERE MARRIED THE NEXT SUMMER. 210 00:08:32,963 --> 00:08:34,313 I WAS AFRAID THE TRAVELING LIFE 211 00:08:34,356 --> 00:08:35,618 WOULDN'T PROVE SO GLAMOROUS, 212 00:08:35,705 --> 00:08:39,143 BUT ANNIE WAS GAME. 213 00:08:39,187 --> 00:08:42,190 BUT SHE WASN'T OFFICIALLY PART OF THE ACT THEN, WAS SHE? 214 00:08:42,277 --> 00:08:44,366 SHE WAS CONTENT TO HELP WITH THE GUNS AND TARGETS BUT... 215 00:08:44,410 --> 00:08:46,238 SHE DIDN'T SHOOT. 216 00:08:46,281 --> 00:08:47,630 UNTIL ONE NIGHT... 217 00:08:47,674 --> 00:08:51,025 WHEN MY PARTNER TOOK SICK. 218 00:08:51,112 --> 00:08:54,289 THE NIGHT IT ALL CHANGED. 219 00:08:54,333 --> 00:08:57,379 AS SEEN IN THE GREAT THEATERS AND COLISEUMS... 220 00:08:57,466 --> 00:08:59,903 FROM BALTIMORE TO NEW ORLEANS... 221 00:08:59,990 --> 00:09:01,427 ALL THE WAY HERE TO SPRINGFIELD. 222 00:09:01,470 --> 00:09:02,428 [APPLAUSE] 223 00:09:02,471 --> 00:09:05,126 I'M FRANK BUTLER. 224 00:09:05,169 --> 00:09:06,388 AND THIS IS MY BEAUTIFUL WIFE AND ASSISTANT, ANNIE. 225 00:09:06,432 --> 00:09:12,960 [CHEERING, APPLAUSE] 226 00:09:13,047 --> 00:09:15,267 THE DARING FEATS OF MARKSMANSHIP YOU'LL WITNESS HERE TONIGHT 227 00:09:15,310 --> 00:09:17,660 ARE DESIGNED TO THRILL AND AMAZE. 228 00:09:17,704 --> 00:09:20,184 BUT REST ASSURED... 229 00:09:20,272 --> 00:09:23,187 YOU ARE IN THE STEADY HANDS OF A PROFESSIONAL. 230 00:09:23,275 --> 00:09:24,493 [TWIRLS AND HOLSTERS GUNS] 231 00:09:27,540 --> 00:09:30,630 NOW, FOR OUR FIRST TRICK... 232 00:09:30,673 --> 00:09:33,459 ANNIE WILL THROW A GLASS BALL AND I WILL SHOOT IT 233 00:09:33,502 --> 00:09:35,112 OUT OF MIDAIR. 234 00:09:35,156 --> 00:09:37,811 [CROWD CHATTERING] 235 00:09:41,641 --> 00:09:43,164 [GUNSHOT] 236 00:09:43,207 --> 00:09:43,773 [BALL FALLS TO THE GROUND] 237 00:09:43,817 --> 00:09:46,907 [CROWD GROANS] 238 00:09:46,994 --> 00:09:47,908 I'M JUST GETTING WARMED UP. 239 00:09:47,951 --> 00:09:49,562 [LAUGHTER] 240 00:09:49,605 --> 00:09:50,780 [CROWD CHATTERING, APPLAUSE] 241 00:09:50,867 --> 00:10:00,921 ? 242 00:10:00,964 --> 00:10:02,096 [GUNSHOT] 243 00:10:02,139 --> 00:10:03,967 [CROWD GROANS] 244 00:10:04,011 --> 00:10:05,360 WHY DON'T YOU LET THE GIRL SHOOT? 245 00:10:05,447 --> 00:10:09,843 [CROWD HECKLING] 246 00:10:09,930 --> 00:10:11,627 I- I THOUGHT... I DON'T UNDERSTAND. 247 00:10:11,671 --> 00:10:13,499 I- I PRACTICED THIS. 248 00:10:13,542 --> 00:10:16,850 I- I JUST... 249 00:10:16,893 --> 00:10:17,764 HOW ABOUT IT, FRANK? 250 00:10:17,807 --> 00:10:28,427 ?? 251 00:10:28,470 --> 00:10:29,341 Y'ALL WANNA WATCH ME HAVE A GO? 252 00:10:29,384 --> 00:10:36,173 [CROWD CHEERING] 253 00:10:36,217 --> 00:10:38,437 COME ON, HONEY. 254 00:10:38,480 --> 00:10:39,481 LET'S GIVE THEM WHAT THEY WANT. 255 00:10:39,525 --> 00:10:49,491 ?? 256 00:10:49,535 --> 00:10:54,801 ? 257 00:10:54,888 --> 00:10:55,976 [CHEERING, APPLAUSE] 258 00:10:56,019 --> 00:10:57,717 HERE WE GO. 259 00:10:57,760 --> 00:10:59,762 COME ON NOW, ANNIE. 260 00:10:59,806 --> 00:11:09,772 ? [OMINOUS MUSIC] 261 00:11:09,816 --> 00:11:13,733 ? [OMINOUS MUSIC] 262 00:11:13,776 --> 00:11:18,215 [GUNSHOT] 263 00:11:18,259 --> 00:11:19,608 [GLASS BALL SHATTERS] 264 00:11:19,652 --> 00:11:23,438 [CHEERING, APPLAUSE] 265 00:11:23,482 --> 00:11:27,616 ? IT'S A CERTAIN MAN 266 00:11:27,660 --> 00:11:30,489 ? TO TAKE YOU BY THE HAND 267 00:11:30,576 --> 00:11:34,971 [CHEERING, APPLAUSE] 268 00:11:35,015 --> 00:11:38,714 ? EVERY TIME THE ANTHEM PLAYS ALL THE PEOPLE STAND ? 269 00:11:41,151 --> 00:11:42,239 ? 270 00:11:44,677 --> 00:11:46,461 I CAN'T GET THE RINGING OUT OF MY EARS. 271 00:11:46,505 --> 00:11:47,941 ALL THOSE PEOPLE CHEERING. 272 00:11:47,984 --> 00:11:49,638 CLAPPING AT ME. 273 00:11:49,682 --> 00:11:51,074 NO WONDER YOU DO IT! 274 00:11:51,118 --> 00:11:53,163 OH, OH! AND HONEY... 275 00:11:53,207 --> 00:11:54,164 I WAS THINKING, FOR THE NEXT SHOW... 276 00:11:54,208 --> 00:11:58,255 WATCH THIS. 277 00:11:58,342 --> 00:11:59,953 YOU CAN LIGHT A CIGAR AND I CAN SHOOT IT OUT OF YOUR MOUTH. 278 00:11:59,996 --> 00:12:01,694 WHAT DO YOU THINK? 279 00:12:01,737 --> 00:12:04,087 YOU MEAN TO MAKE A SPECTACLE OF ME? 280 00:12:04,131 --> 00:12:05,915 IT'S JUST AN IDEA. 281 00:12:06,002 --> 00:12:07,439 YOU SHOULD LEAVE THE IDEAS TO ME. 282 00:12:07,482 --> 00:12:10,267 IT'S MY ACT. 283 00:12:10,311 --> 00:12:11,965 TONIGHT IT WAS OUR ACT. 284 00:12:12,008 --> 00:12:14,446 AND THEY...FRANK: WHAT? 285 00:12:14,533 --> 00:12:15,490 THEY CLAPPED. 286 00:12:18,972 --> 00:12:19,886 I COULD TEACH A POODLE TO JUMP THROUGH A HOOP 287 00:12:19,929 --> 00:12:21,278 AND THEY'D CLAP. 288 00:12:21,322 --> 00:12:24,891 IT DOESN'T MATTER. 289 00:12:24,934 --> 00:12:26,153 ARE YOU ANGRY BECAUSE I HIT THE BALL AND YOU COULDN'T? 290 00:12:26,196 --> 00:12:28,024 [SCOFFS] PLEASE. 291 00:12:28,111 --> 00:12:30,679 I HAD A BAD NIGHT. 292 00:12:30,723 --> 00:12:32,072 GOT NOTHING TO DO WITH YOU. 293 00:12:32,159 --> 00:12:32,986 FRANK. 294 00:12:33,029 --> 00:12:36,119 YEAH? 295 00:12:36,163 --> 00:12:37,207 STOP LOOKING AT ME LIKE I'M YOUR ENEMY. 296 00:12:37,251 --> 00:12:42,299 ? 297 00:12:42,386 --> 00:12:43,257 THERE WILL BE BETTER NIGHTS. 298 00:12:43,300 --> 00:12:45,085 THERE WON'T BE BETTER NIGHTS! 299 00:12:45,128 --> 00:12:47,043 NOT HERE. 300 00:12:47,087 --> 00:12:48,480 THE BOOKING'S UP, ANNIE. 301 00:12:48,523 --> 00:12:50,133 WE'RE NOT FILLING ENOUGH SEATS 302 00:12:50,177 --> 00:12:52,832 AND I DON'T KNOW WHERE WE'RE GONNA END UP. 303 00:12:52,875 --> 00:12:55,878 I SEE. 304 00:12:55,965 --> 00:12:57,924 I DON'T KNOW HOW TO GET US THROUGH THE WINTER. 305 00:12:57,967 --> 00:13:01,318 MUCH LESS KEEP YOU IN NICE CLOTHES. 306 00:13:01,362 --> 00:13:03,190 I JUST DON'T KNOW. 307 00:13:03,233 --> 00:13:10,937 ? [MELANCHOLY MUSIC] 308 00:13:10,980 --> 00:13:12,242 I KNOW WHERE WE SHOULD BE. I SAW IT. 309 00:13:12,286 --> 00:13:13,679 ? 310 00:13:13,766 --> 00:13:23,210 ? 311 00:13:23,253 --> 00:13:25,386 BUFFALO BILL'S WILD WEST? 312 00:13:25,473 --> 00:13:27,910 THAT'S OUR FUTURE. 313 00:13:27,954 --> 00:13:29,738 NO MORE SCROUNGING FOR BOOKINGS. 314 00:13:29,782 --> 00:13:33,046 NO MORE EMPTY SEATS. 315 00:13:33,089 --> 00:13:37,311 YOU BELONG IN THE BIG SHOW. 316 00:13:37,354 --> 00:13:40,096 BUFFALO BILL'S BIG ALL RIGHT. 317 00:13:40,183 --> 00:13:43,665 MIGHT BE TOO BIG. 318 00:13:43,709 --> 00:13:47,756 NOT FOR THE TWO OF US. 319 00:13:47,800 --> 00:13:48,801 NOT IF WE'RE TOGETHER. 320 00:13:48,844 --> 00:13:53,022 ?? 321 00:13:53,066 --> 00:13:55,155 I NEED ALL 7TH CAVALRY TROOPERS ON HORSEBACK 322 00:13:55,198 --> 00:13:55,982 FOR THE CUSTER'S LAST STAND REHEARSAL. 323 00:13:56,025 --> 00:14:01,422 ?? 324 00:14:01,465 --> 00:14:03,032 ANNIE. 325 00:14:03,076 --> 00:14:05,557 THAT'S HIM. 326 00:14:05,600 --> 00:14:07,123 THAT'S BUFFALO BILL?YEAH. 327 00:14:07,167 --> 00:14:08,472 LET ME DO THE TALKING. 328 00:14:08,516 --> 00:14:11,171 ? 329 00:14:11,214 --> 00:14:13,565 MR. BUFFALO, EXCUSE ME. MR. CODY... 330 00:14:13,608 --> 00:14:16,480 I'M FRANK BUTLER. 331 00:14:16,524 --> 00:14:18,004 I WANTED TO KNOW IF I COULD TAKE A MOMENT OF YOUR TIME. 332 00:14:18,047 --> 00:14:20,572 I'M A BIT BUSY RIGHT NOW. 333 00:14:20,659 --> 00:14:22,530 BUT... 334 00:14:22,574 --> 00:14:25,577 MR. CODY. 335 00:14:25,664 --> 00:14:28,014 I'M AN ACCOMPLISHED TRICK SHOOTER. 336 00:14:28,057 --> 00:14:31,234 I THINK WE'D MAKE A VALUABLE ADDITION TO YOUR LINE UP. 337 00:14:31,278 --> 00:14:32,758 IF I HAVE TO HEAR ONE MORE SALES PITCH FROM A FANCY SHOOTER 338 00:14:32,845 --> 00:14:34,194 I SWEAR. 339 00:14:34,237 --> 00:14:35,412 ? 340 00:14:38,981 --> 00:14:41,288 WE? 341 00:14:41,375 --> 00:14:43,246 MY WIFE AND I. 342 00:14:43,290 --> 00:14:44,900 WE'RE A... WELL... 343 00:14:44,944 --> 00:14:48,425 A DOUBLE ACT. 344 00:14:48,512 --> 00:14:50,036 YOU SHOOT? 345 00:14:50,079 --> 00:14:52,473 ALL MY LIFE. 346 00:14:52,560 --> 00:14:55,041 I'D LOVE TO GIVE YOU A DEMONSTRATION. 347 00:14:55,084 --> 00:14:57,043 SUPPOSE I'VE SEEN STRANGER THINGS. 348 00:14:57,130 --> 00:14:58,000 MR. CODY, I PROMISE IT'LL BE WORTH YOUR WHILE. 349 00:14:58,044 --> 00:15:01,047 MY DEAR... 350 00:15:01,090 --> 00:15:03,092 I'VE ALREADY GOT A GREAT SHOOTIN' ACT. 351 00:15:03,136 --> 00:15:04,485 CAPTAIN BOGARDUS. 352 00:15:04,528 --> 00:15:05,878 I RECKON YOU'VE HEARD OF HIM. 353 00:15:05,921 --> 00:15:09,403 BILL? NEED YOU. 354 00:15:09,490 --> 00:15:10,099 BEST OF LUCK TO YOU BOTH. 355 00:15:10,186 --> 00:15:14,669 ?? 356 00:15:17,106 --> 00:15:18,978 ? 357 00:15:21,110 --> 00:15:22,459 ANNIE WAS CRESTFALLEN. 358 00:15:24,679 --> 00:15:27,900 WE HEADED NORTH. 359 00:15:27,943 --> 00:15:29,902 PLAYED ANYWHERE THAT WOULD HAVE US. 360 00:15:29,945 --> 00:15:31,468 I WAS USED TO LEAN WINTERS BUT... 361 00:15:31,555 --> 00:15:34,123 ANNIE... 362 00:15:34,167 --> 00:15:36,343 IT BROKE MY HEART. 363 00:15:36,386 --> 00:15:36,996 I FELT LIKE I FAILED HER. 364 00:15:37,083 --> 00:15:43,263 ? 365 00:15:43,306 --> 00:15:46,658 THIS ISN'T THE LIFE YOU ASKED FOR. 366 00:15:46,701 --> 00:15:49,312 WHAT ARE YOU SAYING? 367 00:15:49,356 --> 00:15:50,574 YOU'VE GOT MORE SPIRIT 368 00:15:50,618 --> 00:15:53,229 THAN ANYBODY I'VE EVER KNOWN. 369 00:15:53,273 --> 00:15:55,318 AND I CAN'T BE THE ONE WHO BREAKS IT. 370 00:15:55,362 --> 00:15:56,102 FRANK, YOU'RE NOT... 371 00:15:56,145 --> 00:15:58,974 I'M SAYING... 372 00:15:59,061 --> 00:16:01,194 IF YOU WANT TO GO BACK HOME... 373 00:16:01,281 --> 00:16:02,761 I'LL UNDERSTAND. 374 00:16:02,804 --> 00:16:12,161 ? 375 00:16:12,205 --> 00:16:13,249 YOU'RE MY HOME. 376 00:16:13,293 --> 00:16:18,864 ? 377 00:16:18,907 --> 00:16:20,213 SOUNDS LIKE YOU WERE HOLDIN' OUT FOR A MIRACLE. 378 00:16:22,476 --> 00:16:24,608 WELL, A MIRACLE'S WHAT WE GOT. 379 00:16:24,696 --> 00:16:27,481 A LETTER CAME FROM MR. CODY. 380 00:16:27,568 --> 00:16:29,788 IT SAID, CAPTAIN BOGARDUS' COLLECTION OF ARMS HAD BEEN LOST 381 00:16:29,831 --> 00:16:32,225 WHEN A SHIP SANK ON THE MISSISSIPPI 382 00:16:32,268 --> 00:16:33,792 AND HE QUIT THE SHOW. 383 00:16:33,879 --> 00:16:34,662 SO, CODY GAVE YOU THE JOB? 384 00:16:34,706 --> 00:16:37,839 NOT QUITE. 385 00:16:37,883 --> 00:16:41,321 HE INVITED US DOWN TO KENTUCKY FOR AN AUDITION. 386 00:16:41,408 --> 00:16:42,626 OUR FUTURE WAS RIDING ON IT. 387 00:16:42,670 --> 00:16:48,676 ?? 388 00:16:48,720 --> 00:16:50,547 I'VE NEVER BEEN SO NERVOUS IN MY LIFE. 389 00:16:50,634 --> 00:16:53,333 ? 390 00:16:53,376 --> 00:16:55,204 WHERE'S MY RIFLE? 391 00:16:55,248 --> 00:16:57,685 WE DON'T NEED IT. 392 00:16:57,729 --> 00:16:59,905 USE MINE. 393 00:16:59,948 --> 00:17:02,081 I DON'T UNDERSTAND. 394 00:17:02,124 --> 00:17:03,125 WHAT ARE YOU SHOOTIN'? 395 00:17:03,169 --> 00:17:07,042 ? 396 00:17:07,086 --> 00:17:10,089 LISTEN TO ME... 397 00:17:10,176 --> 00:17:13,353 THE DAY WE MET... BACK IN GREENVILLE? 398 00:17:13,440 --> 00:17:14,920 I THOUGHT I MET MY MATCH. 399 00:17:15,007 --> 00:17:17,966 I WAS WRONG. 400 00:17:18,053 --> 00:17:20,099 YOU'RE ONE BETTER. 401 00:17:20,142 --> 00:17:21,796 IN EVERY WAY. 402 00:17:21,883 --> 00:17:23,015 HAVE YOU LOST YOUR... 403 00:17:23,058 --> 00:17:25,844 ? 404 00:17:25,887 --> 00:17:27,193 WE'RE A TEAM. 405 00:17:27,236 --> 00:17:29,456 NO, ANNIE. 406 00:17:29,543 --> 00:17:30,762 YOU'RE THE ACT. 407 00:17:33,068 --> 00:17:36,158 FRANK... 408 00:17:36,245 --> 00:17:37,116 DON'T MAKE ME DO THIS. 409 00:17:37,203 --> 00:17:42,512 ?? 410 00:17:42,599 --> 00:17:43,600 SHOW 'EM WHO YOU ARE. 411 00:17:43,687 --> 00:17:45,080 ? 412 00:17:45,124 --> 00:17:55,264 ? 413 00:17:55,308 --> 00:17:59,486 IT'S BEEN A LONG DAY. 414 00:17:59,529 --> 00:18:00,356 YOU GOT TIME FOR ONE TRICK. 415 00:18:03,577 --> 00:18:04,796 DAZZLE ME. 416 00:18:06,928 --> 00:18:08,538 FRANK: MR. CODY. 417 00:18:08,582 --> 00:18:11,324 YOU ARE ABOUT TO BE AMAZED. 418 00:18:11,411 --> 00:18:13,805 ANNIE WILL SEVER THIS CARD IN TWO... 419 00:18:13,848 --> 00:18:15,981 WITH A SINGLE SHOT. 420 00:18:16,024 --> 00:18:18,679 THAT'S YOUR TRICK? 421 00:18:18,722 --> 00:18:19,767 YOU'RE GONNA SHOOT A PLAYING CARD FROM 20 FEET? 422 00:18:19,811 --> 00:18:21,551 FRANK: YES. 423 00:18:21,595 --> 00:18:22,291 BUT WITH ONLY THE NARROW EDGE... 424 00:18:22,378 --> 00:18:25,338 ? 425 00:18:25,381 --> 00:18:26,643 FACING THE SHOOTER. 426 00:18:26,687 --> 00:18:33,781 [CROWD MURMURS] 427 00:18:33,868 --> 00:18:34,913 READY? 428 00:18:34,956 --> 00:18:36,871 ? 429 00:18:36,958 --> 00:18:38,133 [COCKS RIFLE] 430 00:18:38,177 --> 00:18:45,837 ? 431 00:18:45,880 --> 00:18:47,099 [COCKS RIFLE] 432 00:18:47,142 --> 00:18:57,109 ? 433 00:18:57,152 --> 00:18:59,851 ? 434 00:19:01,113 --> 00:19:02,984 [GUNSHOT] 435 00:19:10,078 --> 00:19:11,166 [CHEERING, APPLAUSE] 436 00:19:11,210 --> 00:19:21,176 ? 437 00:19:21,220 --> 00:19:30,229 ? 438 00:19:30,272 --> 00:19:32,144 YOUR NAME AGAIN? 439 00:19:32,187 --> 00:19:33,536 ANNIE... 440 00:19:33,623 --> 00:19:35,060 MOSEY. 441 00:19:35,147 --> 00:19:37,627 ? 442 00:19:37,671 --> 00:19:42,154 YEAH... 443 00:19:42,197 --> 00:19:46,158 YOU'LL NEED A STAGE NAME, OF COURSE. 444 00:19:46,201 --> 00:19:47,376 WELCOME TO BUFFALO BILL'S WILD WEST. 445 00:19:47,420 --> 00:19:50,249 [LAUGHTER] 446 00:19:50,336 --> 00:20:01,303 ? 447 00:20:01,347 --> 00:20:04,698 IT WAS THE BEGINNING OF THE REST OF OUR LIVES. 448 00:20:04,785 --> 00:20:06,134 WE SAW MORE OF THE COUNTRY, 449 00:20:06,221 --> 00:20:08,354 MORE OF THE WORLD... 450 00:20:08,397 --> 00:20:10,791 THAN WE COULD HAVE EVER IMAGINED. 451 00:20:10,834 --> 00:20:11,792 THERE WAS A COST THOUGH, WASN'T THERE, FRANK? 452 00:20:15,013 --> 00:20:16,231 ANNIE BECAME FAMOUS,NOT YOU. 453 00:20:19,887 --> 00:20:22,411 CARVING OUT A PLACE FOR YOURSELF IN THIS WORLD TAKES COURAGE. 454 00:20:22,455 --> 00:20:25,501 SURE, YOU NEED TALENT. 455 00:20:25,545 --> 00:20:27,112 BUT IT TAKES HELP, LOTS OF IT. 456 00:20:29,897 --> 00:20:32,552 IT TOOK BOTH OF US TO MAKE ANNIE FAMOUS. 457 00:20:32,639 --> 00:20:35,120 HOWEVER LONG THIS LASTS... 458 00:20:35,163 --> 00:20:38,123 WE DID IT TOGETHER. 459 00:20:38,166 --> 00:20:38,732 AND I WOULDN'T HAVE HAD IT ANY OTHER WAY. 460 00:20:38,775 --> 00:20:45,347 ?? 461 00:20:45,391 --> 00:20:46,261 BAT MASTERSON, V/O: ANNIE OAKLEY WAS AMERICA'S 462 00:20:46,305 --> 00:20:48,785 FIRST FEMALE SUPERSTAR AND ONE OF THE 463 00:20:48,829 --> 00:20:50,874 HIGHEST PAID ENTERTAINERS IN THE WORLD. 464 00:20:50,918 --> 00:20:54,008 ANNIE PASSED AWAY IN 1926. 465 00:20:54,052 --> 00:20:56,489 A HEARTBROKEN FRANK DIED JUST 18 DAYS LATER. 466 00:20:56,532 --> 00:20:58,491 ANNIE: HOW ABOUT GREENVILLE? 467 00:20:58,534 --> 00:21:00,362 ANNIE GREENVILLE. 468 00:21:00,406 --> 00:21:02,843 NAH. 469 00:21:02,886 --> 00:21:05,193 BE NICE TO LET FOLKS KNOW WHERE I'M FROM. 470 00:21:05,237 --> 00:21:08,109 BILL CODY'S GONNA WANT A BETTER STAGE NAME THAN THAT. 471 00:21:08,153 --> 00:21:10,329 I STILL DON'T SEE WHAT'S WRONG WITH MOSEY. 472 00:21:10,372 --> 00:21:12,984 FRANK: YOU DON'T HAVE TO. BUT HE'S THE BOSS. 473 00:21:13,027 --> 00:21:14,942 ANY OTHER TOWNS YOU CONSIDERED HOME? 474 00:21:14,986 --> 00:21:17,423 OAKLEY. 475 00:21:17,466 --> 00:21:20,121 IT'S A TOWN NEAR WHERE I'M FROM. 476 00:21:20,165 --> 00:21:22,689 FRANK: I LIKE IT. 477 00:21:22,776 --> 00:21:23,733 ALL RIGHT THEN. 478 00:21:23,777 --> 00:21:25,779 ?? 479 00:21:25,822 --> 00:21:26,998 I'M ANNIE OAKLEY. 480 00:21:27,048 --> 00:21:31,598 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 30600

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.