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Downloaded from
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# Olympic Fanfare and Theme #
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Official YIFY movies site:
YTS.MX
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(SONG ENDS)
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(CHEERING AND APPLAUSE)
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Thank you very much.
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Thank you very much,
ladies and gentlemen,
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for being with us tonight
here in this magnificent hall
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which is like a house of magic.
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And I want to tell you what
a privilege it is for me
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to be here with you in this hall
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stand in front of perhaps
the world's greatest orchestra -
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the Berlin Philharmonic.
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(CHEERING AND APPLAUSE)
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To be standing in front of
this orchestra, for any musician,
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however humble or great,
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to be here with you for these few
moments is truly a great honour
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and a privilege.
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And I'm so grateful
for this invitation to be with you.
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(APPLAUSE)
Thank you.
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I have never been to Berlin before,
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I've always wanted to visit the city
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and it is incredibly beautiful.
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And I just give you
a couple of impressions:
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the weather has been gorgeous,
these early-autumn days,
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we've had sun.
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And driving around the city,
we see people on bicycles
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and actually walking,
in Los Angeles you don't walk.
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There are freeways and cars,
that's all we have.
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And it is- the city is
so alive and is present
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and you have the great history
of the area,
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these magnificent buildings
and monuments.
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And I walked in the Tiergarten
and I see all the little children,
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gorgeous faces, and I think,
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well, the future of this place
is going to be fantastic and bright,
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if we all do our jobs very well.
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It's a fantastic place and I'm very
happy and also honoured
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just to be here in your midst.
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To the music.
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Here's a little suite from
Far and Away,
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which is a film some years ago with
Tom Cruise and Nicole Kidman.
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You'll here in this little suite
an atmospheric theme
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that describes the County Galway
in the time of 1892,
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when the film was staged.
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And there's some action music
which begins as a, kind of, a dance
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which the village fiddler will
lead us
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and the orchestra will join in all
of this a little bit later.
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Then of course a love theme
for the two young people,
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played by Tom and Nicole,
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and then finally the Donnybrook.
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And the Donnybrook is the comedy
fight and when you hear the cellos
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and basses rumble over here,
with all their notes and strength,
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that's the beginning
of the Donnybrook.
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And here is Far and Away.
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(APPLAUSE)
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(SOFT MUSIC)
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(SOFT VILLAGE DANCE MUSIC)
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(LOVE THEME)
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(DOONYBROOK MUSIC)
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(SOFT DRAMATIC MUSIC)
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(SUITE ENDS)
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(APPLAUSE)
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Harry Potter, I'm happy to find, was
as popular in Germany as elsewhere.
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These amazing books and movies have
been the...
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..greatest British export,
since the Beatles.
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Which could be true.
(APPLAUSE)
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(SONG ENDS)
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(APPLAUSE)
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(APPLAUSE ENDS)
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(SONG ENDS)
(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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Thank you so very much.
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Here are three pieces from
Indiana Jones.
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(CHEERING AND APPLAUSE)
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We have- We have already made
four Indiana Jones films
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and as we speak, in London,
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Harrison Ford is now shooting
the fifth one.
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So I think that's good news.
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Because when I leave Berlin,
I will go back to Los Angeles
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in a few days and begin to write
the score for the fifth film.
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(CHEERING AND APPLAUSE)
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Thank you.
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So we have no resting.
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The first of the three pieces is
Scherzo for motorcycle and orchestra
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but you will not see a motorcycle
on the stage.
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But the title is the poor composer's
feeling, I'll explain to you.
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This is a scene in the movie
with Sean Connery and Harrison Ford
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and they're on a motorcycle and
they're being chased by the bad guys
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and the piece you're about to hear
is the piece that I wrote
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for the choreography of that chase.
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And then a few months later,
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I went into the movie theatre
to watch the film
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and the motorcycle chase came along
and all I heard were motorcycles,
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I didn't hear the orchestra at all.
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You can image the composer's
bruised vanity.
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So it's a treat for me to play it
for you with this orchestra
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without the distraction of the film.
(LAUGHTER)
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And the noise of the motorcycle.
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And that's followed by
Marion's theme,
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Karen Allen, do you remember
in the first film.
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It was so great,
and the action sequences,
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as well as comedy.
And then finally Raider's March.
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(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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Thank you, ladies and gentlemen.
Next is a piece called Elergy.
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And it will feature our cellist,
your cellist,
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Bruno Delepelaire.
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And I am delighted to have him do
this piece for me.
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I wrote it a number of years ago
for two lost children,
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and Elegy, a you know, is a-
Well it can be a wish or a prayer
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for condolences and the like.
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To assuage the grief of people
who have lost.
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But it can be other things.
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It can be a wish and a prayer
for wholeness and forgiveness.
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These emotions,
of all the instruments we have,
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are often best expressed
by the cello, I think,
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I love the instrument and
I've written for it every time
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I've had an opportunity to do it
because I love the instrument
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so very much.
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And I hope you enjoy it. Elegy.
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(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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Here are three pieces from
the Star Wars collection.
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(CHEERING AND APPLAUSE)
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The first on is an Adventures of Han
scene, a very active piece
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for the orchestra.
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Second piece is Yoda's theme,
which goes way back.
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And thirdly the processional
and finale of the first film,
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we have the processional in the
throne room which you may remember
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and then the end credits of
Star Wars.
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So here's Adventures of Han,
Yoda's theme,
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and the finale
to the first Star Wars film.
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(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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(SONG ENDS)
(APPLAUSE)
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01:18:16,960 --> 01:18:20,160
(SONG ENDS)
(APPLAUSE)
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01:21:47,400 --> 01:21:50,320
(SONG ENDS)
(APPLAUSE)
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01:21:52,040 --> 01:21:55,560
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