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BAT MASTERSON, V/O: IN THE
WANING DAYS OF THE WILD WEST,
2
00:00:05,005 --> 00:00:06,702
ONE COWBOY WAS DETERMINED
TO PRESERVE
3
00:00:06,745 --> 00:00:08,269
A VANISHING WAY OF LIFE.
4
00:00:08,312 --> 00:00:11,054
CHARLIE, THIS IS NANCY COOPER.
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00:00:11,098 --> 00:00:13,839
I UNDERSTAND YOU'RE AN
ACCOMPLISHED ARTIST,
MR. RUSSELL.
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00:00:13,926 --> 00:00:15,928
TRULY, I HAVE NEVER
SEEN THEIR LIKE.
7
00:00:15,972 --> 00:00:17,060
THAT'S ALL YOU
EVER SAW IN ME
8
00:00:17,147 --> 00:00:19,019
WAS DOLLAR SIGNS.
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00:00:19,062 --> 00:00:21,064
[KNOCKING METAL CUP]
[OPENING FLASK]
10
00:00:21,108 --> 00:00:23,893
I'VE NEVER KNOWN
ANYONE LIKE YOU.
11
00:00:23,936 --> 00:00:26,374
BUT I NEED YOU TO THINK
ABOUT WHAT YOU WANT.
12
00:00:26,417 --> 00:00:27,723
BAT MASTERSON, V/O:
THIS IS THE TRUE STORY
13
00:00:27,766 --> 00:00:29,899
OF CHARLES RUSSELL,
THE COWBOY ARTIST.
14
00:00:29,986 --> 00:00:32,684
[TRAIN WHISTLE]
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00:00:32,728 --> 00:00:36,645
I WAS JUST A YOUNG MAN
WHEN I FIRST HEADED WEST.
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00:00:36,688 --> 00:00:37,994
IN THE YEARS THAT FOLLOWED,
I BECAME
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00:00:38,038 --> 00:00:40,214
A COWBOY...
A GUNSLINGER...
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00:00:40,257 --> 00:00:42,607
AND EVEN SERVED AS SHERIFF
OF DODGE CITY,
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00:00:42,694 --> 00:00:44,914
ONE OF THE MOST LAWLESS TOWNS
IN THE COUNTRY.
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00:00:44,957 --> 00:00:48,961
MY NAME IS BAT MASTERSON.
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00:00:49,049 --> 00:00:51,486
NOW I'M A REPORTER AND I'VE
COME WEST AGAIN
22
00:00:51,573 --> 00:00:53,270
TO CHRONICLE THE WORLD
THAT I KNOW BEST...
23
00:00:53,314 --> 00:00:56,926
THE AMERICAN WEST.
24
00:00:56,969 --> 00:01:00,930
THE LURE OF GOLD, LAND, AND
DESTINY FLOODED THE
25
00:01:00,973 --> 00:01:03,802
FRONTIER WITH MEN,
BOTH GOOD AND BAD.
26
00:01:03,846 --> 00:01:08,329
THESE ARE THE INCREDIBLE
TRUE TALES OF THE WILD WEST.
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00:01:08,372 --> 00:01:18,339
♪
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00:01:18,382 --> 00:01:25,389
♪
29
00:01:25,476 --> 00:01:28,088
MRS. CHARLES RUSSELL,
I PRESUME.
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00:01:28,175 --> 00:01:32,483
PLEASE, MR. MASTERSON,
CALL ME NANCY.
31
00:01:32,527 --> 00:01:33,789
I HOPE YOU DIDN'T DRAG
THAT CRATE ALL THE WAY
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00:01:33,832 --> 00:01:35,269
FROM MONTANA ON MY ACCOUNT.
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00:01:35,312 --> 00:01:37,880
IT WAS NO PROBLEM.
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00:01:37,923 --> 00:01:38,794
GENTLE.
GENTLE.
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00:01:41,753 --> 00:01:45,061
MAGNIFICENT.
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00:01:45,105 --> 00:01:46,497
NANCY: I'LL LET YOU IN
ON A LITTLE SECRET.
37
00:01:46,541 --> 00:01:47,629
THAT FELLOW ON THE HORSE...
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00:01:47,672 --> 00:01:52,068
THAT'S CHARLIE.
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00:01:52,112 --> 00:01:54,244
I HAD NO IDEA YOU'D GO TO SO
MUCH TROUBLE
40
00:01:54,288 --> 00:01:56,681
TO SHOW ME CHARLES' WORK...
IN PERSON.
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00:01:56,725 --> 00:01:59,597
WE LIKE TO SAY
"ON CANVAS".
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00:01:59,684 --> 00:02:01,164
MR. MASTERSON,
THERE'S NOTHING
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00:02:01,208 --> 00:02:02,731
I WOULDN'T DO TO
INTRODUCE PEOPLE
44
00:02:02,774 --> 00:02:06,430
TO CHARLES RUSSELL,
COWBOY ARTIST.
45
00:02:06,474 --> 00:02:08,737
I LIKE THAT.
46
00:02:08,780 --> 00:02:10,260
WHEN YOU REACHED OUT,
ASKING ABOUT
47
00:02:10,304 --> 00:02:12,393
DOING A PIECE ON CHARLIE
AND HIS WORK,
48
00:02:12,436 --> 00:02:14,177
WELL, I HAD TO MAKE SURE
YOU SAW HIS ART
49
00:02:14,221 --> 00:02:17,354
AND SEE HOW
TRULY SPECIAL IT IS.
50
00:02:17,398 --> 00:02:19,487
SO IS...
MR. RUSSELL GONNA...
51
00:02:19,530 --> 00:02:22,272
OH...
52
00:02:22,316 --> 00:02:24,840
HIS WORK TAKES UP
A GREAT DEAL OF HIS TIME.
53
00:02:24,927 --> 00:02:26,320
WHEN YOU WROTE, ASKING
ABOUT AN INTERVIEW,
54
00:02:26,363 --> 00:02:28,409
WELL, I'M HAPPY
TO STEP IN.
55
00:02:28,496 --> 00:02:29,497
AS WHAT?
A PROUD WIFE?
56
00:02:29,540 --> 00:02:31,803
OR HIS AGENT?
57
00:02:31,847 --> 00:02:35,024
DOES THAT SURPRISE YOU?
58
00:02:35,067 --> 00:02:38,158
I GUESS IT SHOULDN'T.
59
00:02:38,201 --> 00:02:39,724
SO, HOW'D YOU COME BY
THIS ARRANGEMENT?
60
00:02:39,768 --> 00:02:41,117
IT'S NOT EXACTLY
THE WORD I'D USE.
61
00:02:41,161 --> 00:02:44,381
FAIR ENOUGH.
62
00:02:44,425 --> 00:02:46,992
WHEN DID YOU FIRST
GET ACQUAINTED?
63
00:02:47,036 --> 00:02:47,602
IS THIS WHAT YOU
INTEND TO WRITE ABOUT,
64
00:02:47,645 --> 00:02:49,081
MR. MASTERSON?
65
00:02:49,169 --> 00:02:54,130
BAT, PLEASE.
INDULGE ME?
66
00:02:54,174 --> 00:02:56,872
MOST ALL BOYS DREAM
OF BEING A COWBOY.
67
00:02:56,915 --> 00:02:58,308
BUT CHARLIE ACTUALLY DID IT.
68
00:02:58,352 --> 00:03:01,268
[CATTLE MOOING]
69
00:03:01,311 --> 00:03:04,096
HE LEFT THE COMFORTS
OF ST. LOUIS FOR MONTANA
70
00:03:04,140 --> 00:03:05,620
AND SPENT 10 YEARS RANCHING
AND RIDING ROUND-UPS.
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00:03:05,663 --> 00:03:13,976
♪
72
00:03:14,019 --> 00:03:14,759
BAT: CHARLES WAS STILL
A YOUNG MAN
73
00:03:14,803 --> 00:03:16,457
WHEN HE QUIT RANCH LIFE.
74
00:03:16,500 --> 00:03:19,199
WHAT CHANGED?
75
00:03:19,242 --> 00:03:22,289
DO YOU REMEMBER THE
WINTER OF '87?
76
00:03:22,332 --> 00:03:24,029
HUNDREDS OF THOUSANDS
OF CATTLE DIED IN THE SNOW,
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00:03:24,073 --> 00:03:27,381
FROZEN AND STARVING.
78
00:03:27,424 --> 00:03:29,687
WHEN THE OWNERS WROTE,
ASKING HOW BAD IT WAS,
79
00:03:29,731 --> 00:03:32,255
WELL, CHARLIE KNEW WORDS
WOULDN'T CUT IT.
80
00:03:32,342 --> 00:03:32,821
SO, HE PAINTED THEM
A PICTURE.
81
00:03:32,864 --> 00:03:41,699
♪
82
00:03:41,786 --> 00:03:43,614
WHEN THE SNOW
FINALLY THAWED,
83
00:03:43,658 --> 00:03:46,313
THE CARNAGE WAS
UNSPEAKABLE.
84
00:03:46,356 --> 00:03:49,098
THAT PAINTING WAS
PASSED AROUND HELENA
85
00:03:49,141 --> 00:03:53,798
AND SOON, ALL MONTANA
KNEW THE NAME CHARLES RUSSELL.
86
00:03:53,842 --> 00:03:59,326
I'VE SEEN HIS TALENTS,
I'M STARTING TO DISCERN YOURS.
87
00:03:59,369 --> 00:04:01,632
WHERE'D YOUR PATHS
FINALLY CROSS?
88
00:04:01,676 --> 00:04:03,939
NOW, WE'RE GETTIN'
TO THE GOOD PART.
89
00:04:03,982 --> 00:04:05,506
I WAS LIVING IN
CASCADE,
90
00:04:05,549 --> 00:04:06,681
WORKING FOR
THE ROBERTS FAMILY.
91
00:04:06,724 --> 00:04:10,206
GOOD PEOPLE.
92
00:04:10,250 --> 00:04:13,688
THEY TOOK ME IN
AFTER MY MOTHER DIED.
93
00:04:13,775 --> 00:04:16,734
DID I TELL YOU THAT I KNEW
THE RUSSELLS IN HELENA?
94
00:04:16,778 --> 00:04:17,866
THEY MUST BE BESIDES THEMSELVES
THAT CHARLES
95
00:04:17,909 --> 00:04:20,477
HASN'T SETTLED DOWN BY NOW.
96
00:04:20,564 --> 00:04:23,567
HOW MANY MORE POTATOES
DO WE NEED AGAIN?
97
00:04:23,611 --> 00:04:25,787
BUT I SAY IT'S JUST
A MATTER OF TIME,
98
00:04:25,874 --> 00:04:28,093
AND CIRCUMSTANCE...BEN: I'M BACK.
99
00:04:28,137 --> 00:04:31,009
BROUGHT COMPANY.
100
00:04:31,053 --> 00:04:32,881
CHARLES RUSSELL.
101
00:04:32,924 --> 00:04:33,969
YOU'RE LOOKING MORE HANDSOME
THAN EVER.
102
00:04:34,012 --> 00:04:35,536
NANCY, COME ON OUT HERE.
103
00:04:35,623 --> 00:04:36,145
SOMEONE I WANT YOU TO MEET.
104
00:04:40,584 --> 00:04:44,588
CHARLIE...
THIS IS NANCY COOPER.
105
00:04:44,632 --> 00:04:45,372
SHE'S THE ONE THAT'S BEEN
HELPIN' LELA AROUND THE HOUSE.
106
00:04:45,415 --> 00:04:49,114
♪♪
107
00:04:49,201 --> 00:04:51,291
PLEASED TO MEET YOU,
MR. RUSSELL.
108
00:04:51,334 --> 00:04:54,119
I'VE HEARD A GOOD DEAL
ABOUT YOU.
109
00:04:54,206 --> 00:04:55,077
NO CAUSE FOR ALARM,
I HOPE.
110
00:04:55,120 --> 00:05:03,128
♪
111
00:05:03,172 --> 00:05:05,000
OH...
[CHUCKLING]
112
00:05:05,043 --> 00:05:06,218
I COULD USE A SCRUB.
113
00:05:06,262 --> 00:05:06,915
OF COURSE.
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00:05:06,958 --> 00:05:16,664
♪♪
115
00:05:16,707 --> 00:05:19,580
HMM... CHARLIE.
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00:05:19,623 --> 00:05:23,061
YOU NEVER TOLD US WHAT
YOU WERE UP TO OUT IN CANADA.
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00:05:23,105 --> 00:05:27,196
SOME WORK...
LOT OF PAINTING.
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00:05:27,283 --> 00:05:30,068
LIVED WITH THE BLOOD TRIBE
FOR A SPELL.
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00:05:30,112 --> 00:05:32,723
CHARLIE HERE'S GOT A SOFT SPOT
FOR THE NATIVES.
- OH MY.
120
00:05:32,767 --> 00:05:34,682
BEN: HE PAINTS THEM MORE THAN
ANYBODY ELSE.
121
00:05:34,725 --> 00:05:36,771
WELL, SOMEONE HAS TO.
122
00:05:36,858 --> 00:05:38,860
BEFORE THEY'RE ALL GONE.
123
00:05:38,947 --> 00:05:41,297
LELA: WELL, THAT'S A NOBLE
SENTIMENT.
124
00:05:41,341 --> 00:05:42,864
BUT IT'S HIGH TIME THAT YOU
START LOOKIN' TO THE FUTURE.
125
00:05:42,907 --> 00:05:43,821
START A FAMILY OF YOUR OWN?
126
00:05:43,908 --> 00:05:46,694
[LAUGHTER]
127
00:05:46,781 --> 00:05:49,261
WELL, I FIGURE THE GAL
HAS TO ROPE ME.
128
00:05:49,349 --> 00:05:50,698
WELL, I UNDERSTAND YOU'RE
129
00:05:50,785 --> 00:05:54,441
AN ACCOMPLISHED ARTIST,
MR. RUSSELL.
130
00:05:54,528 --> 00:05:57,182
STARVIN' ARTIST MORE LIKE.
131
00:05:57,226 --> 00:06:00,403
WELL, MAYBE I'VE SEEN
YOUR WORK SOMEWHERE.
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00:06:00,490 --> 00:06:01,186
YOU'LL FIND MOST OF IT
LINING THE WALLS
133
00:06:01,230 --> 00:06:03,014
OF BARS AND BROTHELS.
134
00:06:03,058 --> 00:06:04,102
BUT I CAN'T IMAGINE A PRETTY
GIRL LIKE YOU
135
00:06:04,146 --> 00:06:04,668
WOULD FREQUENT SUCH
ESTABLISHMENTS.
136
00:06:04,712 --> 00:06:06,104
[LAUGHTER]
137
00:06:06,148 --> 00:06:06,844
LELA: REALLY, CHARLES!
138
00:06:06,888 --> 00:06:09,630
[LAUGHTER]
139
00:06:09,673 --> 00:06:12,241
BEN: NO.
CHARLIE: IT'S TRUE.
140
00:06:12,284 --> 00:06:14,939
NOW, HE'S HAD SIX PAINTINGS
IN THE ST. LOUIS ART SOCIETY.
141
00:06:14,983 --> 00:06:16,245
ALL HANDSOMELY MOUNTED.
142
00:06:16,332 --> 00:06:19,117
AND NONE SOLD.
143
00:06:19,204 --> 00:06:21,206
I DON'T KNOW MUCH ABOUT ART,
BUT I DO ADMIRE
144
00:06:21,250 --> 00:06:26,560
MR. REMINGTON'S WORK.
[CHARLIE COUGHS]
145
00:06:26,603 --> 00:06:27,125
THE PAINTINGS IN HARPER'S
MAGAZINE?
146
00:06:32,000 --> 00:06:33,741
[WHISPERING] HAVE I SAID
SOMETHING WRONG?
147
00:06:33,784 --> 00:06:37,919
WELL... APART FROM BEIN' AN
ACADEMY SNOOT...
148
00:06:38,006 --> 00:06:41,183
HE'S A FRAUD.
149
00:06:41,226 --> 00:06:43,403
DOESN'T REALLY UNDERSTAND
THE WEST.
150
00:06:43,446 --> 00:06:45,753
TO HIM, THE WEST IS ALL
JUST SAVAGERY.
151
00:06:45,796 --> 00:06:47,102
BECAUSE THAT'S WHAT SELLS.
152
00:06:47,145 --> 00:06:49,626
NOTHING NOBLE ABOUT IT.
153
00:06:49,670 --> 00:06:56,720
HMM.
STILL, HE'S QUITE SUCCESSFUL.
154
00:06:56,764 --> 00:06:59,897
THERE'S MORE TO IT
THAN MAKIN' MONEY.
155
00:06:59,941 --> 00:07:03,640
WELL, I BELIEVE ART IS A THING
TO BE SHARED.
156
00:07:03,727 --> 00:07:05,990
THE WAY YOU SEE THINGS
DOESN'T MATTER
157
00:07:06,034 --> 00:07:07,078
IF NO ONE ELSE GETS THE CHANCE
TO SEE YOUR WORK.
158
00:07:07,165 --> 00:07:10,995
♪♪
159
00:07:13,433 --> 00:07:21,832
♪
160
00:07:21,876 --> 00:07:24,139
BAT: OH, I LOVE THIS ONE.
161
00:07:24,182 --> 00:07:25,270
IT'S CALLED "WATER HOLE".
162
00:07:25,357 --> 00:07:29,840
♪♪
163
00:07:29,884 --> 00:07:33,104
SEEMS TO ME, YOU MET CHARLES
AT A CROSSROADS.
164
00:07:33,148 --> 00:07:35,716
COWBOY LIFE WAS BEHIND HIM
AND...
165
00:07:35,759 --> 00:07:39,067
ARTIST LIFE HADN'T QUITE
TAKEN OFF YET.
166
00:07:39,110 --> 00:07:41,722
THE CROSSROADS IS A FINE
PLACE TO MEET SOMEONE.
167
00:07:41,765 --> 00:07:42,462
CHANCES ARE THEY'VE BEEN
WAITING FOR YOU.
168
00:07:42,549 --> 00:07:52,472
♪♪
169
00:07:52,559 --> 00:08:02,482
♪
170
00:08:02,569 --> 00:08:12,492
♪
171
00:08:12,579 --> 00:08:22,502
♪
172
00:08:22,589 --> 00:08:28,116
♪
173
00:08:28,159 --> 00:08:30,248
[STUMBLING]
174
00:08:30,292 --> 00:08:33,121
CHARLIE: OH...
[DRUNKEN LAUGHTER]
175
00:08:33,208 --> 00:08:34,644
NANCY: WHAT IN THE WORLD?
176
00:08:34,688 --> 00:08:37,081
I WAS ATTEMPTING TO SIT.
177
00:08:37,125 --> 00:08:38,213
I WAS BETRAYED.
178
00:08:38,256 --> 00:08:40,694
SHH.
KEEP QUIET.
179
00:08:40,737 --> 00:08:42,696
YOU'LL WAKE THE WHOLE HOUSE.
180
00:08:42,739 --> 00:08:49,006
YEAH.
AH...
181
00:08:49,050 --> 00:08:51,966
I'D BE ASHAMED TO BE SEEN
IN YOUR CONDITION.
182
00:08:52,009 --> 00:08:53,358
AW, DON'T WORRY, MISS NANCY.
183
00:08:53,402 --> 00:08:55,752
THE WORLD STILL SPINS...
184
00:08:55,796 --> 00:08:58,581
SAME WITH THIS ROOM.
185
00:08:58,668 --> 00:09:00,714
WELL, I SUGGEST YOU
SLEEP IT OFF.
186
00:09:00,757 --> 00:09:03,020
WAIT, WAIT, WAIT, WAIT,
WAIT, WAIT.
187
00:09:03,107 --> 00:09:05,066
UNHAND ME.
188
00:09:05,109 --> 00:09:07,024
WHY?
189
00:09:07,068 --> 00:09:09,723
BECAUSE I TOLD YOU TO.
190
00:09:09,766 --> 00:09:12,900
YOU'RE AFRAID.
191
00:09:12,987 --> 00:09:14,945
I AM NOT AFRAID OF YOU,
MR. RUSSELL.
192
00:09:15,032 --> 00:09:17,121
OH, NOT OF ME?
193
00:09:17,208 --> 00:09:20,603
OF EVERYTHING ELSE.
194
00:09:20,647 --> 00:09:25,347
OF ALL THE OTHER NASTY SURPRISES
LIFE'S GOT IN STORE FOR YOU.
195
00:09:25,434 --> 00:09:28,393
YOU DON'T KNOW ME
AT ALL.
196
00:09:28,437 --> 00:09:29,481
I KNOW YOU'RE ALONE...
197
00:09:29,525 --> 00:09:33,660
♪
198
00:09:33,703 --> 00:09:35,139
NOT LONELY;
WE ALL GET LONELY.
199
00:09:35,183 --> 00:09:38,316
I MEAN WELL AND TRULY ALONE.
200
00:09:38,360 --> 00:09:40,449
♪
201
00:09:40,492 --> 00:09:42,799
WE GOT THAT IN COMMON.
202
00:09:42,843 --> 00:09:45,715
AND WHAT AM I SUPPOSED TO-
203
00:09:45,759 --> 00:09:50,024
IS THIS YOUR IDEA
OF A COURTSHIP?
204
00:09:50,111 --> 00:09:51,503
IF YOU'VE SOMETHIN'
TO SAY TO ME, SAY IT NOW.
205
00:09:51,547 --> 00:10:01,513
♪
206
00:10:01,557 --> 00:10:06,127
♪
207
00:10:06,170 --> 00:10:07,084
THAT'S HOW I SAY IT.
208
00:10:07,171 --> 00:10:08,564
♪
209
00:10:08,608 --> 00:10:19,096
♪
210
00:10:19,140 --> 00:10:20,010
I SUPPOSE YOU TWO
DIDN'T WASTE ANY TIME
211
00:10:20,097 --> 00:10:21,621
GETTIN' HITCHED.
212
00:10:21,708 --> 00:10:23,318
WE RENTED A PLACE
IN GREAT FALLS.
213
00:10:23,405 --> 00:10:25,625
OUR BASEMENT LEAKED
214
00:10:25,668 --> 00:10:27,104
AND MY KITCHEN GOT
TURNED INTO A STUDIO.
215
00:10:27,148 --> 00:10:29,629
[LAUGHTER]
216
00:10:29,672 --> 00:10:30,847
AH, TWO NEWLYWEDS
LIVING OFF PAINTING...
217
00:10:30,891 --> 00:10:32,806
TIMES MUST HAVE BEEN TOUGH.
218
00:10:32,849 --> 00:10:34,677
WE WERE HAPPY THERE.
219
00:10:34,721 --> 00:10:35,460
BUT CHARLIE STILL
HADN'T LEARNED
220
00:10:35,547 --> 00:10:36,897
HIS OWN WORTH.
221
00:10:36,940 --> 00:10:40,901
♪
222
00:10:40,988 --> 00:10:43,468
COFFEE?
MR. CAMERON?
223
00:10:43,512 --> 00:10:48,256
MY THANKS,
MRS. RUSSELL.
224
00:10:48,299 --> 00:10:51,172
I MUST CONFESS,
I FIND MYSELF TRANSPORTED
225
00:10:51,259 --> 00:10:55,219
BY YOUR HUSBAND'S RUSTIC
CORNUCOPIA.
226
00:10:55,306 --> 00:10:57,700
A SPIRIT OF MANIFEST DESTINY
IS ALIVE AND WELL
227
00:10:57,787 --> 00:11:00,007
IN THIS STUDIO.
228
00:11:00,094 --> 00:11:02,618
YES, WE'RE VERY PROUD
OF CHARLIE'S WORK
229
00:11:02,662 --> 00:11:03,750
AND WE'RE ANXIOUS TO SHARE IT
WITH FOLKS.
230
00:11:03,793 --> 00:11:06,317
AS AM I, MADAM.
231
00:11:06,361 --> 00:11:08,102
TRULY, I'VE NEVER SEEN
THEIR LIKE.
232
00:11:08,145 --> 00:11:10,321
YEAH?
233
00:11:10,365 --> 00:11:11,671
WELL WHAT ABOUT THEM
STRIKES YOUR FANCY?
234
00:11:11,714 --> 00:11:13,281
IN A WORD, SIR...
235
00:11:13,324 --> 00:11:18,242
FIDELITY.
236
00:11:18,329 --> 00:11:21,898
THESE SCENES OF A LAWLESS WEST
LONG GONE...
237
00:11:21,942 --> 00:11:23,987
AND THE CHARACTERS WHO MADE UP
ITS POPULOUS.
238
00:11:24,031 --> 00:11:25,510
THE STEADFAST COWBOY...
239
00:11:25,554 --> 00:11:26,598
THE RUSTLING HORSES...
240
00:11:26,686 --> 00:11:28,296
AND THE RUGGED TERRAIN.
241
00:11:28,339 --> 00:11:30,994
THEY ARE VIVID
BECAUSE THEY'RE TRUE.
242
00:11:31,081 --> 00:11:34,084
YOU HAVE WOVEN INTO THE VERY
FABRIC OF THESE CANVASES
243
00:11:34,128 --> 00:11:35,738
THE ELUSIVE SPIRIT
OF THE OLD WEST.
244
00:11:40,612 --> 00:11:43,267
MR. CAMERON.
245
00:11:43,311 --> 00:11:44,486
CHARLIE AND I ARE MIGHTY
IMPRESSED WITH YOUR MAGAZINE.
246
00:11:44,529 --> 00:11:47,532
QUITE RIGHT.
247
00:11:47,576 --> 00:11:49,709
MR. RUSSELL, I'LL ARRIVE
AT THE POINT
248
00:11:49,796 --> 00:11:51,885
AND LET US NEITHER
DITHER NOR DELAY.
249
00:11:51,972 --> 00:11:53,843
ALL RIGHT.
250
00:11:53,887 --> 00:11:55,802
NO, NO DITHERIN'.
251
00:11:55,845 --> 00:11:59,022
I WOULD LIKE TO PRINT
THIS PIECE
252
00:11:59,066 --> 00:12:00,415
IN FIELD AND STREAM.
253
00:12:05,942 --> 00:12:08,902
WHAT IS YOUR PRICE?
254
00:12:08,945 --> 00:12:10,381
AW, I DON'T KNOW.
255
00:12:13,428 --> 00:12:13,994
WHATEVER YOU THINK IT'S WORTH.
256
00:12:14,081 --> 00:12:16,605
HMM.
257
00:12:16,648 --> 00:12:18,955
THOUGH IT SEEMS GARISH
TO PLACE A PRICE ON ART...
258
00:12:19,042 --> 00:12:20,174
WE MUST...$40!
259
00:12:20,217 --> 00:12:23,090
♪
260
00:12:23,133 --> 00:12:24,004
[CHUCKLING]
261
00:12:24,047 --> 00:12:26,136
FORGIVE ME.
262
00:12:26,180 --> 00:12:28,660
I'M NOT SURE WHICH
PARTY I'M NEGOTIATING WITH.
263
00:12:28,748 --> 00:12:31,098
YOU SAID NAME YOUR PRICE.
264
00:12:31,185 --> 00:12:33,448
AS A SHOW OF GOOD FAITH,
MRS. RUSSELL,
265
00:12:33,491 --> 00:12:35,537
BUT DO LET'S BE
REASONABLE.
266
00:12:35,580 --> 00:12:37,887
$40 SEEMS MORE THAN
REASONABLE
267
00:12:37,931 --> 00:12:39,715
FOR A PAINTING
THAT'S GOT SUCH...
268
00:12:39,802 --> 00:12:41,412
FIDELITY...
AND VIVIDNESS.
269
00:12:41,499 --> 00:12:46,330
♪♪
270
00:12:46,374 --> 00:12:49,464
MR. RUSSELL...
271
00:12:49,507 --> 00:12:52,467
I'M AFRAID YOU'VE HITCHED YOUR
PROVERBIAL WAGON TO A...
272
00:12:52,510 --> 00:12:54,425
JESTER.
273
00:12:54,512 --> 00:12:56,558
♪♪
274
00:12:56,601 --> 00:12:57,602
GOOD LUCK TO YOU.
275
00:12:57,689 --> 00:12:58,995
♪
276
00:13:01,432 --> 00:13:03,957
♪
277
00:13:06,655 --> 00:13:08,918
35.
278
00:13:08,962 --> 00:13:10,920
I BEG PARDON?
279
00:13:10,964 --> 00:13:12,704
NANCY: $35 AND THE PAINTING'S
ALL YOURS.
280
00:13:12,748 --> 00:13:16,143
♪
281
00:13:16,186 --> 00:13:17,057
15.
282
00:13:17,144 --> 00:13:18,710
30.
283
00:13:18,754 --> 00:13:19,711
20.
284
00:13:19,755 --> 00:13:21,191
30.
285
00:13:21,235 --> 00:13:25,674
♪
286
00:13:25,717 --> 00:13:26,893
30.
287
00:13:26,936 --> 00:13:31,375
♪♪
288
00:13:31,419 --> 00:13:33,769
I'LL SEND A COURIER TO COLLECT
IT WITHIN A WEEK.
289
00:13:33,813 --> 00:13:35,684
GREAT.
290
00:13:35,727 --> 00:13:37,207
GOOD DAY, MR. CAMERON.
291
00:13:37,251 --> 00:13:43,083
♪
292
00:13:43,126 --> 00:13:45,912
NOW CHARLIE...
DON'T BE CROSS.
293
00:13:45,955 --> 00:13:48,479
IT'S HIGH TIME SOMEBODY
PAID YOU WHAT YOU'RE WORTH
294
00:13:48,566 --> 00:13:49,785
AND IF YOU THINK I'M GONNA
STAND HERE AND FEEL GUILTY,
295
00:13:49,829 --> 00:13:53,180
WELL I'M NOT.
296
00:13:53,267 --> 00:13:56,923
[LAUGHTER]
297
00:13:56,966 --> 00:13:58,011
30 DOLLARS!
298
00:13:58,098 --> 00:14:00,143
[LAUGHTER]
299
00:14:00,230 --> 00:14:02,145
NO GOIN' BACK AFTER THAT
WAS THERE?
300
00:14:02,232 --> 00:14:03,581
WELL, I ALREADY
HAD A PERSONAL STAKE
301
00:14:03,625 --> 00:14:06,106
IN THE CHARLES RUSSELL
BUSINESS.
302
00:14:06,149 --> 00:14:08,717
I JUST KNEW BUSINESS
COULD BE BETTER.
303
00:14:08,804 --> 00:14:10,066
I GUESS YOU HAD TO
LEARN ON THE JOB.
304
00:14:10,110 --> 00:14:11,415
WELL, FIRST THING
I LEARNED
305
00:14:11,459 --> 00:14:12,460
WAS THAT CHARLIE
WAS AS KNOWN
306
00:14:12,503 --> 00:14:15,289
AS HE'D EVER BE
IN MONTANA.
307
00:14:15,332 --> 00:14:16,768
SO, I HAD TO GET
HIS WORK ONTO A BIGGER STAGE.
308
00:14:16,812 --> 00:14:21,512
♪♪
309
00:14:21,556 --> 00:14:23,340
THIS IS IT, CHARLIE!
310
00:14:23,384 --> 00:14:25,821
THIS IS THE CHANCE WE'VE
BEEN WAITING FOR.
311
00:14:25,865 --> 00:14:27,214
THE FAIR?
312
00:14:27,257 --> 00:14:29,129
NOT JUST A FAIR.
313
00:14:29,172 --> 00:14:31,305
THE ST. LOUIS WORLD'S FAIR!
314
00:14:31,392 --> 00:14:35,352
THE GATEWAY TO THE WEST.
315
00:14:35,396 --> 00:14:38,355
THERE'S GONNA BE
A MONTANA PAVILION.
316
00:14:38,442 --> 00:14:40,488
AND THE PALACE OF FINE ARTS
WILL SHOW THE BEST PIECES
317
00:14:40,531 --> 00:14:41,881
OF WESTERN ART FROM ALL OVER
THE COUNTRY.
318
00:14:41,968 --> 00:14:43,404
NANCY?
319
00:14:43,447 --> 00:14:44,361
I THINK WE SHOULD SEND FIVE...
320
00:14:44,405 --> 00:14:46,015
NO 10 PAINTINGS.
321
00:14:46,059 --> 00:14:48,409
CHARLIE?
322
00:14:48,452 --> 00:14:49,976
YOU'RE GONNA NEED
TO CREATE SOME NEW WORK.
323
00:14:50,063 --> 00:14:51,455
AND I MEAN PAINT LIKE YOU'VE
NEVER DONE BEFORE.
324
00:14:51,499 --> 00:14:54,241
NANCY.
325
00:14:54,284 --> 00:14:55,633
I APPRECIATE THE THOUGHT.
326
00:14:55,677 --> 00:14:58,985
BUT... THIS...
327
00:14:59,028 --> 00:15:01,074
IS A FARCE.
328
00:15:01,117 --> 00:15:03,293
WHAT DO YOU MEAN?
329
00:15:03,337 --> 00:15:07,558
I MEAN, THESE CITY FATHERS
WANT TO PUT ON A SHOW!
330
00:15:07,602 --> 00:15:10,170
SELL PEOPLE A WEST
THAT WASN'T REAL.
331
00:15:10,213 --> 00:15:11,606
WELL THEN GIVE THEM
SOMETHING REAL.
332
00:15:15,740 --> 00:15:19,962
WELL, I GUESS THEY'LL
FILL UP THE GALLERY SOMEHOW.
333
00:15:20,006 --> 00:15:24,575
I CAN ONLY GUESS HOW MANY
PAINTINGS REMINGTON WILL SUBMIT.
334
00:15:24,662 --> 00:15:26,012
[SIGH]
335
00:15:26,055 --> 00:15:36,022
♪♪
336
00:15:36,065 --> 00:15:46,032
♪
337
00:15:46,075 --> 00:15:56,042
♪
338
00:15:56,085 --> 00:15:58,740
♪
339
00:15:58,827 --> 00:16:01,699
WE SUBMITTED
SIX PAINTINGS.
340
00:16:01,743 --> 00:16:04,572
I'D NEVER SEEN HIM
WORK SO HARD.
341
00:16:04,615 --> 00:16:05,312
HOW LONG DID
THE WAITING LAST?
342
00:16:05,355 --> 00:16:07,401
WEEKS.
343
00:16:07,444 --> 00:16:08,750
WE KNEW OTHER ARTISTS
WERE GETTIN' IN,
344
00:16:08,837 --> 00:16:11,579
BUT NOT A WORD
ABOUT CHARLIE.
345
00:16:11,622 --> 00:16:13,233
THAT MUST HAVE PUT
A STRAIN ON THINGS.
346
00:16:13,276 --> 00:16:16,018
LOOKIN' BACK...
347
00:16:16,062 --> 00:16:18,325
I DIDN'T REALIZE THE PRESSURE
I'D PLACED ON HIS SHOULDERS.
348
00:16:18,412 --> 00:16:27,551
♪
349
00:16:27,595 --> 00:16:37,561
♪
350
00:16:37,605 --> 00:16:38,998
♪
351
00:16:41,435 --> 00:16:46,657
♪
352
00:16:46,701 --> 00:16:47,789
WHERE HAVE YOU BEEN?
353
00:16:47,832 --> 00:16:49,791
NANCY, DARLIN'.
354
00:16:49,834 --> 00:16:52,228
NOT SO LOUD.
355
00:16:52,315 --> 00:16:55,014
I SAT UP HALF THE NIGHT
SCARED TO DEATH.
356
00:16:55,057 --> 00:16:57,059
YOU HAVE THE GALL
TO COME HOME DRUNK?
357
00:16:57,103 --> 00:16:58,887
WELL...
358
00:16:58,930 --> 00:17:02,456
I WANT TO SET IT RIGHT.
359
00:17:02,499 --> 00:17:04,893
I'VE HAD AN EPIPHANY,
YOU SEE.
360
00:17:04,936 --> 00:17:05,937
CHARLIE, YOU'RE NOT
GONNA PAINT RIGHT NOW.
361
00:17:06,025 --> 00:17:07,896
YOU'RE GONNA TALK TO ME.
362
00:17:07,983 --> 00:17:10,681
I'M NOT GONNA PAINT.
363
00:17:10,725 --> 00:17:12,379
NOT TONIGHT.
364
00:17:12,466 --> 00:17:14,294
NOT EVER.
365
00:17:14,337 --> 00:17:15,034
[SCREAM]
366
00:17:15,121 --> 00:17:19,038
♪
367
00:17:19,125 --> 00:17:22,345
NO! NO!
368
00:17:22,389 --> 00:17:24,826
WHAT'S THE POINT
OF ALL THIS, HUH?
369
00:17:24,913 --> 00:17:26,523
THIS WHOLE ROOM REEKS OF...
370
00:17:26,610 --> 00:17:28,177
DEATH.
371
00:17:28,264 --> 00:17:29,918
BEAT YOURSELF UP,
IF YOU LIKE.
372
00:17:29,961 --> 00:17:31,702
BUT YOU WILL NOT DO THIS.
373
00:17:31,746 --> 00:17:35,750
THAT'S OUR FUTURE!
374
00:17:35,793 --> 00:17:38,274
THAT'S ALL I AM TO YOU.
375
00:17:38,361 --> 00:17:38,709
ISN'T THAT RIGHT?
376
00:17:38,796 --> 00:17:40,494
CHARLIE.
377
00:17:40,537 --> 00:17:41,886
THAT'S ALL YOU EVER
SAW IN ME...
378
00:17:41,930 --> 00:17:43,801
WAS DOLLAR SIGNS.
379
00:17:43,845 --> 00:17:48,110
WELL, THIS IS WHAT
YOU GOT.
380
00:17:48,154 --> 00:17:48,719
[KNOCKING ASIDE METAL CUP]
381
00:17:48,806 --> 00:17:56,597
♪
382
00:17:56,640 --> 00:17:58,990
[OPENING FLASK]
383
00:17:59,034 --> 00:18:02,516
♪
384
00:18:02,559 --> 00:18:06,650
CHARLIE.
385
00:18:06,694 --> 00:18:09,653
I'VE NEVER KNOWN
ANYONE LIKE YOU.
386
00:18:09,697 --> 00:18:11,916
I LOVE YOU.
387
00:18:12,003 --> 00:18:15,659
AND I BELIEVE
IN YOUR TALENT.
388
00:18:15,746 --> 00:18:19,054
BUT I NEED YOU TO
THINK ABOUT WHAT YOU WANT.
389
00:18:19,098 --> 00:18:20,708
I'D RATHER BE ALONE
THAN LIVE LIKE THIS.
390
00:18:20,751 --> 00:18:30,718
♪
391
00:18:30,761 --> 00:18:39,161
♪
392
00:18:39,205 --> 00:18:40,075
[FLASK CLATTERS TO FLOOR]
393
00:18:40,119 --> 00:18:43,339
♪
394
00:18:43,426 --> 00:18:46,473
[BIRDS CHIRPING]
395
00:18:46,516 --> 00:18:47,996
[DOOR OPENS]
396
00:19:10,323 --> 00:19:11,280
I DIDN'T HAVE TO THINK.
397
00:19:15,502 --> 00:19:17,068
I'VE...
398
00:19:17,156 --> 00:19:21,160
LIVED TOO LONG IN THE PAST
399
00:19:21,247 --> 00:19:22,683
TRYING TO KEEP HOLD OF SOMETHING
I DON'T EVEN KNOW IF IT'S REAL.
400
00:19:33,520 --> 00:19:35,086
THIS...
401
00:19:35,130 --> 00:19:36,958
♪
402
00:19:37,001 --> 00:19:41,832
THIS IS REAL.
403
00:19:41,919 --> 00:19:43,094
WHATEVER ELSE I DO, I WANT YOU
RIGHT THERE BESIDE ME.
404
00:19:43,138 --> 00:19:49,188
♪♪
405
00:19:49,231 --> 00:19:52,060
THIS JUST ARRIVED.
406
00:19:52,103 --> 00:19:54,323
IT'S FROM THE FAIR.
407
00:19:54,367 --> 00:19:57,718
YOU READ IT?
408
00:19:57,805 --> 00:19:58,980
NO, GO AHEAD.
409
00:19:59,023 --> 00:20:08,990
♪♪
410
00:20:09,033 --> 00:20:12,211
♪
411
00:20:12,298 --> 00:20:13,342
NANCE?
412
00:20:13,386 --> 00:20:15,518
♪♪
413
00:20:15,562 --> 00:20:16,606
FOUR.
414
00:20:16,650 --> 00:20:19,087
♪♪
415
00:20:19,130 --> 00:20:23,309
THEY'RE TAKING FOUR PAINTINGS.
416
00:20:23,352 --> 00:20:26,094
THEY'RE GONNA HANG THEM IN THE
PALACE OF FINE ARTS.
417
00:20:26,137 --> 00:20:28,531
CHARLIE, YOU'VE DONE IT!
418
00:20:28,618 --> 00:20:30,054
NO, NO.
419
00:20:30,141 --> 00:20:33,319
♪♪
420
00:20:33,362 --> 00:20:35,321
WE DID IT.
421
00:20:35,364 --> 00:20:40,369
♪
422
00:20:40,413 --> 00:20:41,718
BAT MASTERSON, V/O:
CHARLES RUSSELL,
423
00:20:41,762 --> 00:20:44,068
"THE COWBOY ARTIST" PRODUCED
CLOSE TO 4,000
424
00:20:44,155 --> 00:20:47,115
WORKS OF ART IN HIS LIFETIME.
425
00:20:47,158 --> 00:20:49,204
NANCY RUSSELL WORKED TIRELESSLY
TO PROMOTE HER HUSBAND
426
00:20:49,248 --> 00:20:51,380
AND HIS WESTERN ART,
MAKING THE NAME
427
00:20:51,424 --> 00:20:52,990
CHARLES M. RUSSELL
WORLD FAMOUS.
428
00:20:53,034 --> 00:20:57,691
♪
429
00:20:57,734 --> 00:20:59,997
♪
430
00:21:00,041 --> 00:21:01,869
THANKS AGAIN,
MRS. RUSSELL.
431
00:21:01,912 --> 00:21:04,001
SEEING YOUR HUSBAND'S WORK
IN PERSON-
432
00:21:04,045 --> 00:21:05,089
ON CANVAS
433
00:21:05,176 --> 00:21:06,308
[LAUGHTER]
434
00:21:06,395 --> 00:21:08,528
WAS A RARE TREAT.
435
00:21:08,615 --> 00:21:09,833
WE CAN'T THANK YOU ENOUGH
FOR SHARING CHARLIE'S WORK
436
00:21:09,920 --> 00:21:11,357
WITH YOUR READERS.
437
00:21:11,400 --> 00:21:14,447
MY READERS...
438
00:21:14,490 --> 00:21:16,797
WANT TO KNOW EVERYTHING
ABOUT THE TRUE WEST.
439
00:21:16,884 --> 00:21:18,929
WHICH WE BOTH KNOW IS...
DISAPPEARING.
440
00:21:18,973 --> 00:21:20,409
BUT I NOW KNOW,
441
00:21:20,496 --> 00:21:21,671
THANKS IN PART
TO YOUR UNWAVERING
442
00:21:21,715 --> 00:21:24,892
BELIEF IN YOUR HUSBAND,
443
00:21:24,935 --> 00:21:28,112
CHARLES RUSSELL'S PRESERVING
A LITTLE BIT OF THAT REAL WEST.
444
00:21:28,156 --> 00:21:28,983
FOR GENERATIONS TO COME.
29095
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