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♪
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00:00:05,483 --> 00:00:07,007
[COCKS GUN]
BAT, V/O: THERE'S A REASON
THEY CALLED IT THE WILD WEST.
3
00:00:07,050 --> 00:00:12,142
[FIGHTING, LAUGHING]
4
00:00:12,186 --> 00:00:12,838
YOU REMEMBER WHEN THAT GLOBE
TO FLORENCE STAGECOACH
5
00:00:12,925 --> 00:00:14,840
PASSED US LAST WEEK?
6
00:00:14,884 --> 00:00:16,277
AND YOU REMEMBER YOU TALKING
ABOUT HOW NO ONE'S
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00:00:16,364 --> 00:00:18,627
RIDIN' SHOTGUN ANYMORE?YEAH...
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00:00:18,670 --> 00:00:21,282
ON ACCOUNT OF AIN'T NOBODY
ROBBIN' STAGE COACHES NO MORE.
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00:00:21,325 --> 00:00:22,152
BAT, V/O: SHE WOULD BECOME
ONE OF THE MOST INFAMOUS
10
00:00:22,196 --> 00:00:26,069
WOMEN OF THE WEST.
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00:00:26,113 --> 00:00:28,854
MAYBE IT'S TIME YOU AND ME BRING
BACK A FINE, OLD TRADITION.
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00:00:28,898 --> 00:00:31,770
BAT, V/O: THIS IS THE TRUE
STORY OF PEARL HART,
13
00:00:31,814 --> 00:00:32,815
THE BANDIT QUEEN.
14
00:00:34,860 --> 00:00:37,602
[TRAIN WHISTLE]
15
00:00:37,646 --> 00:00:38,647
I WAS JUST A YOUNG MAN WHEN I
FIRST HEADED WEST.
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00:00:38,734 --> 00:00:42,172
♪
17
00:00:42,259 --> 00:00:44,653
IN THE YEARS THAT FOLLOWED I
BECAME A COWBOY, A GUNSLINGER
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00:00:44,696 --> 00:00:47,612
AND EVEN SERVED AS SHERIFF
OF DODGE CITY --
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00:00:47,656 --> 00:00:49,527
ONE OF THE MOST LAWLESS TOWNS
IN THE COUNTRY.
20
00:00:49,571 --> 00:00:53,009
MY NAME IS BAT MASTERSON.
21
00:00:53,096 --> 00:00:56,795
NOW, I'M A REPORTER AND I'VE
COME WEST AGAIN TO CHRONICLE
22
00:00:56,882 --> 00:01:01,626
THE WORLD THAT I KNOW BEST
-- THE AMERICAN WEST.
23
00:01:01,670 --> 00:01:05,587
LURE OF GOLD, LAND, DESTINY
FLOODED THE FRONTIER WITH
24
00:01:05,630 --> 00:01:08,938
MEN BOTH GOOD AND BAD.
25
00:01:08,981 --> 00:01:10,157
THESE ARE THE INCREDIBLE,
TRUE TALES OF THE WILD WEST.
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♪
27
00:01:19,905 --> 00:01:21,559
AMERICAN WEST HAS
ALWAYS ATTRACTED MEN
28
00:01:21,603 --> 00:01:23,822
OF STRONG CHARACTER.
29
00:01:23,866 --> 00:01:26,912
NOT ALWAYS OF GOOD CHARACTER.
30
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THERE'S NO SHORTAGE OF
COMMON CROOKS AND CONMEN.
31
00:01:29,437 --> 00:01:31,091
AND THERE WERE SOME PRETTY
RUTHLESS OUTLAWS.
32
00:01:31,134 --> 00:01:34,050
AND THEY WEREN'T ALL MEN.
33
00:01:34,137 --> 00:01:35,095
IN FACT, THERE WAS A WOMAN
WHO BECAME ONE OF THE MOST
34
00:01:35,138 --> 00:01:37,314
INFAMOUS OUTLAWS OF THE DAY.
35
00:01:37,358 --> 00:01:40,100
HER NAME WAS PEARL HART.
36
00:01:40,143 --> 00:01:45,017
SHE WAS BETTER KNOWN AS
THE BANDIT QUEEN.
37
00:01:45,061 --> 00:01:46,976
NOW I KNEW OF PEARL HART FROM
THE NEWSPAPERS BUT...
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00:01:47,063 --> 00:01:49,979
I DIDN'T KNOW MUCH.
39
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AND IT TURNS OUT NOT MANY
OTHER FOLKS DID EITHER.
40
00:01:53,330 --> 00:01:55,245
I WAS FINALLY ABLE TO LOCATE
THE ONE PERSON WHO MIGHT...
41
00:01:55,289 --> 00:01:57,334
JOE BOOT.
42
00:01:57,378 --> 00:01:59,902
♪
43
00:01:59,945 --> 00:02:01,860
[GUN COCKS]
44
00:02:01,904 --> 00:02:04,515
JOE BOOT?
45
00:02:04,559 --> 00:02:06,865
BAT MASTERSON,
PLEASURE TO MEET YOU.
46
00:02:06,909 --> 00:02:10,913
♪♪
47
00:02:10,956 --> 00:02:13,655
ANYBODY
FOLLOWING YOU?
48
00:02:13,742 --> 00:02:15,352
THERE WERE A COUPLE
BUZZARDS CIRCLING BACK THERE
49
00:02:15,396 --> 00:02:17,006
MADE ME A LITTLE
NERVOUS BUT NO.
50
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I'M ALL ALONE.
51
00:02:24,535 --> 00:02:25,841
COMPLIMENTS
OF MY EDITOR.
52
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LET'S CALL IT AN HONORARIUM
IN RETURN FOR HELPING
53
00:02:31,716 --> 00:02:35,372
ME OUT WITH MY ARTICLE.
54
00:02:35,416 --> 00:02:35,503
'COURSE YOU KNOW WHAT I'M HERE
TO TALK TO YOU ABOUT, JOE.
55
00:02:38,941 --> 00:02:40,551
YOU WANT ME TO TELL
YOU ABOUT PEARL.
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00:02:40,595 --> 00:02:44,033
RIGHT.
57
00:02:44,076 --> 00:02:46,122
I'LL JUST START BY SAYING
I KNOW VERY LITTLE ABOUT HER.
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00:02:46,166 --> 00:02:49,038
WELL, THAT MAKES
TWO OF US.
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00:02:49,081 --> 00:02:49,821
WELL, TELL ME WHAT
YOU REMEMBER.
60
00:02:53,303 --> 00:02:55,479
[SIGHS]
61
00:02:55,523 --> 00:02:58,830
PEARL WAS FROM A WELL TO
DO FAMILY BACK EAST...
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00:02:58,874 --> 00:03:00,049
SHE WASN'T BUT 16-YEARS-OLD
WHEN SHE MET THIS GAMBLER
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00:03:00,136 --> 00:03:02,834
FELLA BY THE NAME OF HART.
64
00:03:02,878 --> 00:03:04,053
AND SHE ELOPED WITH HIM.
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♪♪
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00:03:06,621 --> 00:03:07,709
PEARL...
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00:03:11,626 --> 00:03:13,715
THERE'S SOMETHING I'VE BEEN
MEANING TO PUT INTO WORDS.
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00:03:13,758 --> 00:03:16,761
♪
69
00:03:16,848 --> 00:03:19,808
YOU ARE SO BEAUTIFUL.
70
00:03:19,851 --> 00:03:22,593
I WANT YOU BY MY SIDE,
FOREVER AND EVER.
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00:03:22,637 --> 00:03:24,900
PEARL...
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00:03:24,943 --> 00:03:29,383
♪
73
00:03:29,470 --> 00:03:31,341
WILL YOU MARRY ME?
74
00:03:31,428 --> 00:03:38,218
♪♪
75
00:03:38,261 --> 00:03:39,784
I'M GONNA NEED SOME
TIME TO THINK IT OVER.
76
00:03:39,828 --> 00:03:45,312
♪
77
00:03:45,355 --> 00:03:47,531
YES, OF COURSE
I'LL MARRY YOU!
78
00:03:47,618 --> 00:03:49,490
♪♪
79
00:03:49,533 --> 00:03:55,322
[LAUGHTER]
80
00:03:55,409 --> 00:03:58,934
IT'S BEAUTIFUL,
I LOVE IT.
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00:03:58,977 --> 00:04:00,892
I LOVE YOU.I LOVE YOU.
82
00:04:03,286 --> 00:04:05,723
BAT: TELL ME MORE
ABOUT HIM.
83
00:04:05,767 --> 00:04:09,423
HE GOT HIMSELF A JOB
AT THE CHICAGO WORLD'S FAIR.
84
00:04:09,466 --> 00:04:11,033
THAT'S WHERE PEARL FIRST
SEEN ANNIE OAKLEY PERFORM.
85
00:04:11,076 --> 00:04:13,165
AH, ANNIE
OAKLEY.
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00:04:13,209 --> 00:04:14,776
MATTER OF FACT SHE SAID
IT WAS ANNIE THAT
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00:04:14,819 --> 00:04:18,910
INSPIRED HER TO COME WEST.
88
00:04:18,954 --> 00:04:20,825
THAT AND HER WANTING TO
GET AWAY FROM THAT MEAN
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00:04:20,912 --> 00:04:23,045
OLD DRUNK OF A HUSBAND.
90
00:04:23,088 --> 00:04:24,916
I CAN'T EVER DO
ANYTHING RIGHT FOR YOU!
91
00:04:25,003 --> 00:04:27,092
YOU DON'T EVER DO
ANYTHING AT ALL!
92
00:04:27,136 --> 00:04:28,093
I GOT MARRIED BECAUSE I WANTED
SOMEONE TO COOK AND CLEAN.
93
00:04:28,137 --> 00:04:30,139
YOU DON'T DO ANYTHING!
94
00:04:30,226 --> 00:04:33,229
WHY I EVER THOUGHT TO
MARRY YOU, I'LL NEVER KNOW!
95
00:04:33,316 --> 00:04:34,970
IF I WOULD'VE KNOWN YOU GOT THIS
MEAN EVERY TIME YOU TOOK A DRINK
96
00:04:35,013 --> 00:04:36,841
I WOULD'VE NEVER MARRIED YOU.
97
00:04:36,885 --> 00:04:39,496
WHAT DID YOU JUST
SAY TO ME?
98
00:04:39,540 --> 00:04:41,846
DON'T YOU EVER TALK
BACK TO ME, PEARL.
99
00:04:41,890 --> 00:04:43,326
[SIGHS]
100
00:04:43,370 --> 00:04:46,373
♪
101
00:04:46,416 --> 00:04:47,852
JOE: SO ONE NIGHT
SHE SNUCK OUT...
102
00:04:47,896 --> 00:04:50,333
♪
103
00:04:50,420 --> 00:04:51,682
NEVER LOOKED BACK.
104
00:04:51,726 --> 00:04:58,820
♪
105
00:04:58,863 --> 00:05:01,126
EVENTUALLY SHE MADE IT TO
ARIZONA, TO A LITTLE MINING
106
00:05:01,213 --> 00:05:03,694
TOWN CALLED MAMMOTH.
107
00:05:03,738 --> 00:05:07,350
SHE GOT A JOB AS A COOK,
SLOPPING CHOW TO THE MINERS.
108
00:05:07,394 --> 00:05:09,657
[SIGHS]
109
00:05:09,700 --> 00:05:10,658
AND THAT'S WHEN
I FIRST SEEN HER.
110
00:05:12,573 --> 00:05:14,401
[CHATTER]
111
00:05:14,444 --> 00:05:17,578
YEAH, HUNGRY BOYS?
112
00:05:17,621 --> 00:05:19,623
YOU KNOW I LIKE A
MAN WITH AN APPETITE.
113
00:05:19,667 --> 00:05:20,450
THANK YOU, PEARL.YES SIR,
YOU'RE WELCOME.
114
00:05:20,494 --> 00:05:21,799
HOW WE DOING TODAY?
115
00:05:21,843 --> 00:05:23,453
OH, FINE
THANK YOU.
116
00:05:23,497 --> 00:05:25,890
WHAT DO WE
GOT, PEARL?
117
00:05:25,977 --> 00:05:28,110
GIBLET STEW AND HOMEMADE
JOHNNY CAKES WITH MOLASSES.
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00:05:28,153 --> 00:05:29,807
AH... WE HAD GIBLET
STEW YESTERDAY.
119
00:05:29,851 --> 00:05:32,680
YES YOU DID, PETE.
120
00:05:32,723 --> 00:05:34,769
IF I GOT GIBLETS LEFTOVER
AFTER SUPPER TONIGHT,
121
00:05:34,812 --> 00:05:37,598
YOU'LL BE GETTING
IT AGAIN TOMORROW!
122
00:05:37,641 --> 00:05:40,252
HEY...
123
00:05:40,296 --> 00:05:42,342
YOU GOTTA GET TO THE
BACK OF THE LINE, SIR.
124
00:05:42,385 --> 00:05:44,779
HEY YOU'RE A PRETTY
LITTLE THING AREN'T YOU?
125
00:05:44,866 --> 00:05:48,173
HOW MANY OF ME DO
YOU SEE, MISTER?
126
00:05:48,217 --> 00:05:53,309
LOOKS LIKE YOU COULD DO
WELL WITH SOME COFFEE.
127
00:05:53,353 --> 00:05:55,703
YOU GONNA PUT A
LITTLE SUGAR IN IT?
128
00:05:55,746 --> 00:05:57,661
THIS FELLA
BOTHERIN' YOU MISS?
129
00:05:57,705 --> 00:06:00,534
HEY, WHY DON'T YOU
MIND YOUR OWN BUSINESS?
130
00:06:00,577 --> 00:06:08,019
[GRUNTING, MEN SHOUTING]
131
00:06:08,106 --> 00:06:16,071
[LAUGHTER]
132
00:06:18,900 --> 00:06:28,518
[POURING, LAUGHTER]
133
00:06:28,562 --> 00:06:29,389
AFTER THAT WE UH...
134
00:06:32,609 --> 00:06:33,828
WELL WE BECAME REAL CLOSE
IF YOU GET MY MEANING.
135
00:06:35,960 --> 00:06:38,963
DID YOU LOVE
HER, JOE?
136
00:06:39,007 --> 00:06:44,534
♪♪
137
00:06:44,578 --> 00:06:48,538
COULDN'T HELP
MYSELF.
138
00:06:48,582 --> 00:06:51,628
SHE WASN'T LIKE ANY OTHER
WOMAN YOU'D EVER MEET.
139
00:06:51,672 --> 00:06:53,978
[LAUGHS]
140
00:06:54,022 --> 00:06:56,677
AND AS PRETTY
AS A PICTURE.
141
00:06:56,720 --> 00:06:58,287
SO YEAH, I DID.
142
00:07:02,073 --> 00:07:06,034
ANYWAY, THINGS WERE GOING WELL
FOR US THERE IN MAMMOTH.
143
00:07:06,077 --> 00:07:08,253
TILL ONE DAY THINGS
STOPPED GOING SO WELL.
144
00:07:13,694 --> 00:07:14,912
WHAT'S GOING ON?
145
00:07:14,956 --> 00:07:18,263
YOU DIDN'T HEAR?
146
00:07:18,307 --> 00:07:20,135
THEY CLOSED THE MINE
DOWN AS OF TODAY.
147
00:07:23,355 --> 00:07:26,576
JOE: MAMMOTH TURNED INTO
A GHOST TOWN OVER NIGHT.
148
00:07:26,663 --> 00:07:31,015
PEARL WAS OUT OF WORK AND THEN
THINGS GOT EVEN WORSE FOR HER.
149
00:07:31,102 --> 00:07:35,585
"DEAR SISTER, I MUST SHARE
SOME UNPLEASANT NEWS.
150
00:07:35,629 --> 00:07:39,894
OUR MOTHER HAS BECOME QUITE ILL
AND IS REQUIRING CONSTANT CARE.
151
00:07:39,937 --> 00:07:41,809
I'M WRITING TO IMPLORE YOU TO
HELP US WITH MOTHER BY SENDING
152
00:07:41,852 --> 00:07:45,639
WHATEVER MONEY YOU ARE ABLE.
153
00:07:45,682 --> 00:07:47,510
SHOULD YOU WISH TO SEE HER
BEFORE SHE LEAVES US,
154
00:07:47,597 --> 00:07:50,644
YOU SHOULD MAKE HASTE.
155
00:07:50,687 --> 00:07:52,559
AND GOD BLESS AND PROTECT
YOU, MY DARLING SISTER."
156
00:07:52,602 --> 00:07:56,998
[THUNDER]
157
00:07:57,041 --> 00:07:59,130
JOE: YOU KNOW, I BELIEVE IT'S
HUMAN NATURE THAT WHEN GOOD
158
00:07:59,217 --> 00:08:02,656
FOLKS GET BACKED INTO A CORNER,
ANY A MAN, OR EVEN A WOMAN,
159
00:08:02,699 --> 00:08:07,051
CAN BECOME DANGEROUS.
160
00:08:07,095 --> 00:08:08,357
AND IF I'D HAVE KNOWN WHAT
PEARL WAS GONNA GET US INTO
I WOULD'VE TURNED TAIL AND RUN.
161
00:08:11,403 --> 00:08:14,319
♪♪
162
00:08:15,843 --> 00:08:19,324
[THUNDER]
163
00:08:19,411 --> 00:08:21,979
[RAIN POURING]
164
00:08:22,066 --> 00:08:23,459
PEARL, COME ON IN
OUT OF THE RAIN.
165
00:08:23,503 --> 00:08:27,507
[RAIN POURING]
166
00:08:27,550 --> 00:08:29,900
I DON'T KNOW WHAT
TO DO, JOE.
167
00:08:29,944 --> 00:08:32,947
I DON'T HAVE ANY
MONEY TO SEND AND...
168
00:08:32,990 --> 00:08:34,514
I DON'T HAVE THE TRAIN FARE
TO GET BACK BEFORE SHE PASSES.
169
00:08:34,601 --> 00:08:39,214
[THUNDER]
170
00:08:39,257 --> 00:08:40,389
IT BREAKS MY HEART THAT YOUR
MAMA WOULD PASS WITHOUT
171
00:08:40,476 --> 00:08:41,782
YOU THERE TO SAY GOODBYE.
172
00:08:41,825 --> 00:08:46,700
♪
173
00:08:46,743 --> 00:08:49,006
I WISH THAT I COULD
HELP YOU PEARL, BUT...
174
00:08:49,093 --> 00:08:51,269
I'M IN BAD SHAPE
MYSELF MONEY WISE.
175
00:08:51,313 --> 00:08:54,925
♪♪
176
00:08:54,969 --> 00:08:59,277
WELL...
177
00:08:59,321 --> 00:09:00,975
MAYBE THERE IS A WAY
YOU COULD HELP, JOE.
178
00:09:01,018 --> 00:09:04,544
HOW'S THAT?
179
00:09:04,587 --> 00:09:06,023
YOU REMEMBER WHEN THAT GLOBE
TO FLORENCE STAGECOACH
180
00:09:06,067 --> 00:09:07,198
PASSED US LAST WEEK ON OUR
WAY TO KING SPRINGS?
181
00:09:07,242 --> 00:09:10,506
YEAH.
182
00:09:10,550 --> 00:09:11,246
AND YOU SAID THEY STOPPED
THERE AT THE SPRINGS TO
183
00:09:11,289 --> 00:09:14,945
WATER THEIR HORSES, RIGHT?
184
00:09:14,989 --> 00:09:15,642
AND YOU REMEMBER YOU TALKING
ABOUT HOW NO ONE'S RIDING
185
00:09:15,729 --> 00:09:18,122
SHOTGUN ANYMORE?YEAH...
186
00:09:18,166 --> 00:09:21,212
ON ACCOUNT OF AIN'T NOBODY
ROBBIN' STAGECOACHES NO MORE.
187
00:09:21,299 --> 00:09:25,086
IT'S TRAINS THAT'S HAULING
AROUND ALL THE MONEY THESE DAYS.
188
00:09:25,129 --> 00:09:28,480
WELL...
189
00:09:28,524 --> 00:09:32,528
MAYBE IT'S TIME YOU AND ME BRING
BACK A FINE, OLD TRADITION.
190
00:09:32,572 --> 00:09:37,664
SURE COULD SOLVE A LOT
OF OUR PROBLEMS, JOE.
191
00:09:37,751 --> 00:09:40,580
YEAH AND IT CAN GIVE US A
WHOLE BATCH OF NEW ONES.
192
00:09:40,623 --> 00:09:41,885
ONLY IF WE GET CAUGHT.
193
00:09:41,972 --> 00:09:46,107
♪♪
194
00:09:46,150 --> 00:09:47,543
SO LET'S NOT
GET CAUGHT.
195
00:09:51,460 --> 00:09:52,069
JOE: THAT'S WHEN I SHOULD'VE
JUST PACKED UP AND BEEN
196
00:09:52,113 --> 00:09:54,594
ON MY WAY BUT...
197
00:09:54,681 --> 00:09:55,725
OLD PEARL HAD A WAY
OF PULLING YOU IN.
198
00:09:55,812 --> 00:10:05,909
♪
199
00:10:05,953 --> 00:10:07,041
[GUN COCKS]
200
00:10:07,128 --> 00:10:16,528
♪
201
00:10:16,572 --> 00:10:26,582
♪
202
00:10:26,626 --> 00:10:28,149
[SCISSORS SNAP]
203
00:10:28,192 --> 00:10:37,767
♪
204
00:10:37,854 --> 00:10:42,511
♪
205
00:10:42,554 --> 00:10:44,295
SO DID YOU TRY TO TALK
PEARL OUT OF THIS PLAN?
206
00:10:44,382 --> 00:10:47,603
[CHUCKLING]
207
00:10:47,647 --> 00:10:48,691
WASN'T IT OLD ABE LINCOLN
THAT SAID WE SHOULD LISTEN
208
00:10:48,778 --> 00:10:52,173
TO OUR BETTER ANGELS?
209
00:10:52,260 --> 00:10:53,435
WELL MINE MUST'VE FLOWN
THE COOP THE DAY I AGREED
210
00:10:53,478 --> 00:10:54,436
TO GO ALONG WITH PEARL.
211
00:10:54,523 --> 00:11:04,228
♪♪
212
00:11:04,315 --> 00:11:07,623
STOP SHOWING
OFF PEARL.
213
00:11:07,710 --> 00:11:10,539
I NEVER SEEN NOBODY SO EXCITED
ABOUT ROBBIN' A STAGECOACH.
214
00:11:10,582 --> 00:11:12,846
WELL, IT'S MY
FIRST TIME JOE.
215
00:11:12,889 --> 00:11:14,369
FIRST TIME'S
ALWAYS EXCITING.
216
00:11:14,412 --> 00:11:24,727
♪♪
217
00:11:24,771 --> 00:11:29,558
[STAGE COACH APPROACHING]
218
00:11:32,866 --> 00:11:34,258
[HORSE BLOWS]
219
00:11:34,302 --> 00:11:39,481
♪
220
00:11:39,524 --> 00:11:48,969
♪ [SUSPENSE]
221
00:11:49,012 --> 00:11:52,450
♪
222
00:11:52,494 --> 00:11:54,061
[EXHALING]
223
00:11:57,368 --> 00:11:59,327
♪
224
00:12:01,590 --> 00:12:07,465
♪ [SUSPENSE]
225
00:12:07,509 --> 00:12:11,774
[HORSES TROTTING]
226
00:12:11,818 --> 00:12:22,176
♪
227
00:12:22,219 --> 00:12:24,482
WHY ARE WE SLOWING DOWN?
228
00:12:24,526 --> 00:12:27,181
THIS MUST BE
KING SPRINGS.
229
00:12:27,224 --> 00:12:28,182
DRIVER NEEDS TO WATER
THE HORSES.
230
00:12:28,225 --> 00:12:38,366
♪
231
00:12:38,409 --> 00:12:43,501
♪ [SUSPENSE]
232
00:12:43,545 --> 00:12:44,372
[GUNS COCKED]
233
00:12:44,415 --> 00:12:47,027
HANDS UP!!
234
00:12:47,070 --> 00:12:48,245
HANDS IN THE
AIR, MISTER!!
235
00:12:48,289 --> 00:12:53,033
♪♪
236
00:12:53,076 --> 00:12:55,470
I THINK WE'RE ABOUT
TO GET ROBBED.
237
00:12:55,513 --> 00:12:59,604
LOOKS LIKE A MAN AND
A YOUNG BOY WITH 'EM.
238
00:12:59,648 --> 00:13:01,693
DON'T YOU MOVE.
239
00:13:01,781 --> 00:13:03,521
STAY THERE.
240
00:13:03,608 --> 00:13:05,480
YOU DO ANYTHING FUNNY
AND I'LL SHOOT.
241
00:13:05,523 --> 00:13:06,916
GOOD MORNIN' FOLKS.
242
00:13:07,003 --> 00:13:08,526
WHY YOU AIN'T
NO BOY.
243
00:13:08,613 --> 00:13:11,442
YOU'RE A LADY.
244
00:13:11,486 --> 00:13:12,792
WELL THAT'S NICE OF YOU TO SAY
MISTER, BUT I'M SURE THERE'S
245
00:13:12,835 --> 00:13:14,837
SOME FOLKS WHO'D
BEG TO DIFFER.
246
00:13:14,881 --> 00:13:17,840
ABOUT ME BEING
A LADY, I MEAN.
247
00:13:17,927 --> 00:13:21,539
NOW IF YOU WOULD ALL BE SO KIND
AS TO CLIMB OUT OF THERE FOR ME.
248
00:13:21,583 --> 00:13:23,193
AND EITHER OF YOU FELLAS
HAS A PISTOL YOU'RE THINKING
249
00:13:23,237 --> 00:13:25,892
ABOUT REACHING FOR,
I'D DISCOURAGE THAT.
250
00:13:25,979 --> 00:13:27,458
LET'S GO.
251
00:13:31,201 --> 00:13:32,812
COME ON.
252
00:13:36,816 --> 00:13:37,947
COME ON, MISTER.
253
00:13:39,253 --> 00:13:42,386
NOW...
254
00:13:42,430 --> 00:13:44,214
I'D LIKE YOU TO GET OUT ANY CASH
AND ANY OTHER VALUABLES FOR ME.
255
00:13:44,258 --> 00:13:46,390
AND WHAT IF WE DON'T?
256
00:13:46,477 --> 00:13:48,784
[GUNSHOT]
257
00:13:48,871 --> 00:13:50,090
YOU SAY SOMETHING MISTER?
258
00:13:50,177 --> 00:13:51,961
NO MA'AM.
259
00:13:52,048 --> 00:13:55,095
HEY, YOU'RE
A WOMAN!
260
00:13:55,138 --> 00:13:58,750
YES, I DO BELIEVE WE'VE
ESTABLISHED THAT.
261
00:13:58,794 --> 00:14:00,796
WOULD YOU MIND HOLDING OPEN
THIS BAG FOR ME WHILE THESE
262
00:14:00,840 --> 00:14:02,276
KIND FOLKS DONATE TO OUR CAUSE.
263
00:14:02,319 --> 00:14:04,539
♪
264
00:14:04,626 --> 00:14:06,628
COME ON.
265
00:14:06,671 --> 00:14:10,980
♪♪
266
00:14:11,024 --> 00:14:12,373
WATCH.
267
00:14:12,460 --> 00:14:16,812
♪♪
268
00:14:16,856 --> 00:14:17,726
THAT'S ALL I GOT, MISTER.
269
00:14:17,769 --> 00:14:19,684
UH, I MEAN MISS.
270
00:14:19,728 --> 00:14:22,687
EVERY LAST CENT, I SWEAR.
271
00:14:22,731 --> 00:14:23,558
WHAT DO YOU GOT?
272
00:14:23,645 --> 00:14:33,568
♪
273
00:14:33,655 --> 00:14:38,094
♪
274
00:14:38,138 --> 00:14:39,487
DON'T NONE OF Y'ALL MOVE.
275
00:14:39,530 --> 00:14:40,836
STAY RIGHT THERE.
276
00:14:40,880 --> 00:14:43,099
WAIT, JOE GIVE
ME THREE DOLLARS.
277
00:14:43,186 --> 00:14:43,926
WHAT DO YOU WANT
THREE DOLLARS FOR?
278
00:14:43,970 --> 00:14:46,276
JUST GIVE IT TO ME.
279
00:14:46,320 --> 00:14:47,538
COME ON,
COME ON.
280
00:14:47,582 --> 00:14:53,196
♪
281
00:14:53,240 --> 00:14:58,375
ONE FOR YOU, ONE FOR YOU,
AND ONE FOR YOU MISS.
282
00:14:58,419 --> 00:14:59,768
Y'ALL HAVE A NICE DAY NOW.
283
00:14:59,855 --> 00:15:03,598
♪
284
00:15:03,641 --> 00:15:06,383
SO WHAT KIND OF ROBBER GIVES
BACK MONEY THEY JUST STOLE?
285
00:15:06,427 --> 00:15:08,820
WELL SEE NOW I WONDERED
THAT AT THE TIME.
286
00:15:08,864 --> 00:15:11,823
NOW THAT WAS PEARL'S
SWEET SIDE SHOWIN'.
287
00:15:11,867 --> 00:15:13,869
I REMEMBER I SAYS TO HER,
"PEARL YOU KNOW WHAT THREE
288
00:15:13,956 --> 00:15:16,480
DOLLARS COULD BUY US?"
289
00:15:16,524 --> 00:15:18,134
AND SHE SAYS TO ME,
"I KNOW THAT THREE DOLLARS
290
00:15:18,178 --> 00:15:19,962
COULD BUY THEM A HOT MEAL
WHEN THEY GET TO TOWN."
291
00:15:20,006 --> 00:15:22,399
THAT WAS PEARL
FOR YA.
292
00:15:22,443 --> 00:15:23,792
SHE'D STEAL YOUR HEART
ONE MINUTE,
293
00:15:23,835 --> 00:15:27,927
STEAL YOUR
WALLET THE NEXT.
294
00:15:27,970 --> 00:15:30,277
[LAUGHS]HOW MUCH MONEY DID
YOU GET AWAY WITH ANYWAY, JOE?
295
00:15:30,320 --> 00:15:31,931
$436.
296
00:15:31,974 --> 00:15:33,497
[WHISTLES]
297
00:15:33,541 --> 00:15:34,455
WELL, MINUS THE THREE.
298
00:15:34,542 --> 00:15:36,674
MM.
299
00:15:36,718 --> 00:15:39,329
NOT A BAD DAY'S WORK.
300
00:15:39,373 --> 00:15:41,244
NOTHING WORTH THROWING
YOUR LIFE AWAY FOR.
301
00:15:41,288 --> 00:15:51,341
♪♪
302
00:15:51,385 --> 00:16:00,611
♪ [SUSPENSE]
303
00:16:00,655 --> 00:16:02,352
UH-UH.
304
00:16:02,396 --> 00:16:07,270
♪
305
00:16:07,314 --> 00:16:09,316
[GROANS]
306
00:16:09,359 --> 00:16:11,405
HEY, HEY DON'T DO
NOTHING STUPID NOW.
307
00:16:11,448 --> 00:16:14,060
HEY!
308
00:16:14,103 --> 00:16:15,061
A LOT OF MEN'LL HAVE
A PROBLEM KILLING A WOMAN.
309
00:16:15,104 --> 00:16:17,411
I AIN'T ONE OF 'EM.
310
00:16:17,498 --> 00:16:18,847
[GRUNTS]
311
00:16:18,934 --> 00:16:22,894
♪
312
00:16:26,289 --> 00:16:27,682
♪
313
00:16:32,643 --> 00:16:40,608
♪ [SUSPENSE]
314
00:16:40,695 --> 00:16:42,392
UH-UH.
315
00:16:42,436 --> 00:16:48,268
♪
316
00:16:48,355 --> 00:16:51,445
HEY, DON'T DO NOTHING
STUPID NOW.
317
00:16:51,488 --> 00:16:52,924
[GRUNTS]
318
00:16:52,968 --> 00:17:02,412
♪
319
00:17:02,456 --> 00:17:12,422
♪
320
00:17:12,466 --> 00:17:17,645
♪
321
00:17:17,688 --> 00:17:20,126
[LAUGHS]
322
00:17:20,169 --> 00:17:22,302
I REMEMBER HOPING
SHE'D GET AWAY.
323
00:17:22,345 --> 00:17:24,304
THAT'S HOW BAD I HAD
IT FOR THAT WOMAN.
324
00:17:24,347 --> 00:17:26,001
LOVE CAN DO FUNNY
THINGS TO A MAN.
325
00:17:26,045 --> 00:17:28,264
FUNNY MAYBE.
326
00:17:28,308 --> 00:17:30,266
BUT I WEREN'T
LAUGHING FOR LONG.
327
00:17:30,310 --> 00:17:31,441
TELL ME ABOUT
THE TRIAL JOE.
328
00:17:31,485 --> 00:17:33,922
[LAUGHS]
329
00:17:33,965 --> 00:17:37,926
WELL, IT'S WHAT I'D CALL
A MISCARRIAGE OF JUSTICE.
330
00:17:37,969 --> 00:17:40,624
PEARL TURNED ON THE WATERWORKS
FOR THE JURY, TOLD THEM SHE
331
00:17:40,668 --> 00:17:41,756
WAS JUST TRYING TO RAISE MONEY
TO GET HOME TO SEE HER
332
00:17:41,843 --> 00:17:44,106
MAMA BEFORE SHE DIED.
333
00:17:44,150 --> 00:17:45,803
AND THEN, SHE CLAIMED THE
WHOLE THING WAS MY IDEA.
334
00:17:45,847 --> 00:17:48,850
[LAUGHING]
335
00:17:48,937 --> 00:17:51,896
AND THEY FOUND
HER NOT GUILTY.
336
00:17:51,940 --> 00:17:54,464
THE JUDGE WAS NONE TOO
HAPPY ABOUT THAT, THOUGH.
337
00:17:54,508 --> 00:17:56,597
SO HE GAVE HER FIVE YEARS FOR
TAMPERING WITH THE U.S. MAIL.
338
00:17:56,684 --> 00:17:58,468
WHAT ABOUT YOU?
339
00:17:58,512 --> 00:18:01,210
[LAUGHS]
340
00:18:01,254 --> 00:18:03,865
JURY FOUND ME GUILTY.
341
00:18:03,908 --> 00:18:06,041
JUDGE GAVE ME 30 YEARS.
342
00:18:06,085 --> 00:18:09,827
NOW YOU TELL ME
THAT'S FAIR.
343
00:18:09,871 --> 00:18:12,047
AS SOON AS THE STORY OF THE
HOLD UP GOT OUT EVERY REPORTER
344
00:18:12,091 --> 00:18:13,266
AND PHOTOGRAPHER IN THE
COUNTRY CAME TO SEE HER.
345
00:18:20,099 --> 00:18:21,361
THE BANDIT QUEEN
THEY CALLED HER.
346
00:18:25,800 --> 00:18:28,585
YEAH, I HAD ANOTHER
NAME FOR HER...
347
00:18:28,629 --> 00:18:29,499
WASN'T QUITE SO NICE.
348
00:18:29,543 --> 00:18:35,505
♪
349
00:18:35,549 --> 00:18:40,119
THANKS WARDEN, THAT'LL
MAKE A SWELL PHOTO.
350
00:18:40,162 --> 00:18:41,032
YOU SEEM TO BE GETTING
AN AWFUL LOT OF ATTENTION
LATELY, MISS HART.
351
00:18:41,076 --> 00:18:44,993
WHY DO YOU
THINK THAT IS?
WELL...
352
00:18:45,036 --> 00:18:46,690
MAYBE IT'S BECAUSE I SHOWED
THEM THAT A WOMAN CAN DO
353
00:18:46,734 --> 00:18:48,997
ANYTHING A
MAN CAN DO.
354
00:18:49,084 --> 00:18:51,173
YOU MEAN LIKE GOING TO
PRISON FOR ARMED ROBBERY?
355
00:18:51,217 --> 00:18:52,827
HEY PEARL, YOU
EVER SHOT A MAN?
356
00:18:52,870 --> 00:18:56,047
NOT YET.
357
00:18:56,091 --> 00:18:58,702
OH, THE WARDEN, HE LOVED ALL
THE ATTENTION SHE WAS GETTING.
358
00:18:58,789 --> 00:19:02,097
BECAUSE THAT MEANT THAT HE
WAS GETTING ATTENTION TOO.
359
00:19:02,141 --> 00:19:03,577
SHE GOT WHAT YOU MIGHT
CALL PREFERENTIAL TREATMENT.
360
00:19:03,664 --> 00:19:06,536
MM-HMM.
361
00:19:06,623 --> 00:19:07,885
AND YOU'LL NEVER BELIEVE
HOW SHE GOT OUT OF PRISON.
362
00:19:07,929 --> 00:19:14,805
♪
363
00:19:14,849 --> 00:19:17,373
I DON'T KNOW HOW TO
THANK YOU WARDEN.
364
00:19:17,417 --> 00:19:19,854
YOU'VE BEEN
AWFULLY KIND.
365
00:19:19,941 --> 00:19:23,510
WELL, YOU CAN THANK ME
AND THE GOVERNOR BY NEVER
366
00:19:23,553 --> 00:19:24,467
COMING BACK TO THE
ARIZONA TERRITORY.
367
00:19:27,557 --> 00:19:31,561
YES SIR, YOU
HAVE MY WORD.
368
00:19:31,648 --> 00:19:35,174
I'M DONE WITH
ARIZONA.
369
00:19:35,261 --> 00:19:37,567
I THINK ARIZONA'S
DONE WITH ME TOO.
370
00:19:37,611 --> 00:19:39,917
NOW IF I'M REMEMBERING
CORRECTLY...
371
00:19:39,961 --> 00:19:41,354
PEARL FOUND HERSELF WITH
CHILD A COUPLE YEARS
372
00:19:41,397 --> 00:19:45,009
INTO HER PRISON SENTENCE.
373
00:19:45,053 --> 00:19:47,055
SEE NOW, THE WARDEN DIDN'T
WANT THAT KIND OF ATTENTION.
374
00:19:47,098 --> 00:19:49,231
THE GOVERNOR
DIDN'T EITHER.
375
00:19:49,275 --> 00:19:53,061
SO HE GRANTED HER
A FULL PARDON.
376
00:19:53,104 --> 00:19:55,716
AFTER PEARL WAS
RELEASED I WAS...
377
00:19:55,759 --> 00:19:59,198
WELL I WAS MADDER
THAN A BOILED OWL.
378
00:19:59,241 --> 00:20:02,113
I MEAN SHE GETS ME INTO THAT
MESS AND THEN AFTER A COUPLE
379
00:20:02,201 --> 00:20:04,594
OF YEARS SHE'S JUST FREE
TO GO ON HER OWN MERRY WAY?
380
00:20:04,638 --> 00:20:06,814
AND I'M THERE FOR 30 YEARS?
381
00:20:06,857 --> 00:20:10,687
NO SIR, THAT AIN'T
FAIR MR. MASTERSON.
382
00:20:10,774 --> 00:20:12,080
ANY REGRETS?
383
00:20:12,123 --> 00:20:15,736
♪
384
00:20:15,779 --> 00:20:18,956
I JUST GOT ONE
REGRET IN LIFE.
385
00:20:19,000 --> 00:20:20,610
AND THAT'S THE DAY I
LAID EYES ON PEARL HART.
386
00:20:20,654 --> 00:20:28,052
♪
387
00:20:28,139 --> 00:20:30,794
BAT, V/O: BORN IN CANADA,
PEARL HART LEFT HER REFINED
388
00:20:30,838 --> 00:20:36,060
WORLD BEHIND FOR THE ADVENTURE
OF THE AMERICAN WEST.
389
00:20:36,104 --> 00:20:38,976
HART WAS THE FIRST WOMAN TO
EVER ROB A STAGECOACH.
390
00:20:39,020 --> 00:20:41,675
HER STORY FASCINATED
THE PUBLIC.
391
00:20:41,718 --> 00:20:44,417
NEWSPAPERS AROUND THE COUNTRY
RAN POSED PHOTOS OF HART
392
00:20:44,460 --> 00:20:48,464
THAT WERE TAKEN WHILE
SHE WAS STILL BEHIND BARS.
393
00:20:48,508 --> 00:20:50,945
JOE BOOT WAS SENTENCED TO
THIRTY YEARS IN PRISON,
394
00:20:50,988 --> 00:20:53,687
BUT ESCAPED AFTER JUST THREE.
395
00:20:53,774 --> 00:20:55,123
HE WAS NEVER APPREHENDED
BY THE AUTHORITIES.
396
00:20:55,166 --> 00:21:00,171
♪
397
00:21:00,215 --> 00:21:09,398
♪
398
00:21:09,485 --> 00:21:19,016
♪
399
00:21:19,060 --> 00:21:28,461
♪
27403
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