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00:00:03,090 --> 00:00:03,264
BAT MASTERSON, V/O: THERE'S A
REASON THEY CALLED IT
2
00:00:03,307 --> 00:00:05,440
THE WILD WEST.
3
00:00:05,483 --> 00:00:08,051
SOMEONE AMONG YOU CLAIMS
HE CAN OUTSHOOT ME.
4
00:00:08,095 --> 00:00:10,575
[CROWD CHATTERING]
5
00:00:10,619 --> 00:00:11,576
YOU HERE FOR A SHOOTING MATCH.
6
00:00:11,663 --> 00:00:13,100
I'M A PROFESSIONAL.
7
00:00:13,143 --> 00:00:15,363
PULL.
8
00:00:15,450 --> 00:00:16,842
[CLAY PIGEON EXPLODES]
[CROWD CHEERS]
9
00:00:16,886 --> 00:00:17,843
BUFFALO BILL'S?
10
00:00:17,887 --> 00:00:19,584
THAT'S OUR FUTURE.
11
00:00:19,628 --> 00:00:20,324
MY WIFE AND I, WE'RE A...
12
00:00:20,368 --> 00:00:21,151
A DOUBLE ACT.
13
00:00:21,195 --> 00:00:24,198
YOU SHOOT?
14
00:00:24,285 --> 00:00:26,330
BAT MASTERSON, V/O: THIS IS THE
TRUE STORY OF ANNIE OAKLEY.
15
00:00:26,374 --> 00:00:28,811
THE WEST'S GREATEST TRICK
SHOOTER.
16
00:00:28,854 --> 00:00:29,551
[CLAY PIGEON EXPLODES]
17
00:00:29,594 --> 00:00:32,032
[TRAIN WHISTLE]
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00:00:32,075 --> 00:00:32,728
BAT MASTERSON, V/O:
I WAS JUST A YOUNG MAN
19
00:00:32,771 --> 00:00:36,079
WHEN I FIRST HEADED WEST.
20
00:00:36,123 --> 00:00:37,472
IN THE YEARS THAT FOLLOWED,
I BECAME
21
00:00:37,515 --> 00:00:39,865
A COWBOY...
A GUNSLINGER...
22
00:00:39,909 --> 00:00:42,477
AND EVEN SERVED AS SHERIFF
OF DODGE CITY,
23
00:00:42,564 --> 00:00:44,479
ONE OF THE MOST LAWLESS TOWNS
IN THE COUNTRY.
24
00:00:44,566 --> 00:00:48,439
MY NAME IS BAT MASTERSON.
25
00:00:48,483 --> 00:00:50,920
NOW I'M A REPORTER AND I'VE
COME WEST AGAIN
26
00:00:50,963 --> 00:00:52,748
TO CHRONICLE THE WORLD
THAT I KNOW BEST...
27
00:00:52,835 --> 00:00:56,534
THE AMERICAN WEST.
28
00:00:56,621 --> 00:01:00,408
THE LURE OF GOLD, LAND, AND
DESTINY FLOODED THE
29
00:01:00,451 --> 00:01:03,541
FRONTIER WITH MEN,
BOTH GOOD AND BAD.
30
00:01:03,585 --> 00:01:05,456
THESE ARE THE INCREDIBLE
TRUE TALES OF THE WILD WEST.
31
00:01:05,500 --> 00:01:07,067
♪
32
00:01:08,198 --> 00:01:10,418
♪
33
00:01:10,505 --> 00:01:12,942
WHO HASN'T HEARD OF ANNIE
OAKLEY?
34
00:01:12,985 --> 00:01:15,640
THE GREATEST TRICK SHOT ARTIST
OF OUR TIME.
35
00:01:15,727 --> 00:01:18,034
MOST DON'T KNOW WHO HELPED
CREATE HER LEGEND
36
00:01:18,078 --> 00:01:20,906
AND EVEN HER NAME.
37
00:01:20,950 --> 00:01:24,127
IT'S HER HUSBAND AND MANAGER,
FRANK BUTLER.
38
00:01:24,171 --> 00:01:26,564
FRANK, IT OCCURS TO ME
THAT WITH THE EXCEPTION
39
00:01:26,608 --> 00:01:28,436
OF QUEEN VICTORIA,
YOU'RE MARRIED TO
40
00:01:28,479 --> 00:01:31,047
JUST ABOUT THE MOST FAMOUS
WOMAN IN THE WORLD.
41
00:01:31,091 --> 00:01:33,093
KIND OF YOU TO SAY,
MR. MASTERSON.
42
00:01:33,136 --> 00:01:37,271
MY WIFE...
IS A STAR.
43
00:01:37,314 --> 00:01:38,141
THAT'S WHY I'M HERE TODAY,
DOING THE INTERVIEW
44
00:01:38,185 --> 00:01:39,621
AND SHE'S THE ONE
REHEARSING.
45
00:01:39,664 --> 00:01:42,058
THAT'S ANNIE FOR YA.
46
00:01:42,102 --> 00:01:44,016
TELL ME HOW
IT HAPPENED, FRANK.
47
00:01:44,060 --> 00:01:47,890
HOW DID A YOUNG GIRL
FROM NOWHERE
48
00:01:47,977 --> 00:01:50,762
COME TO BE THE MOST FAMOUS
ENTERTAINER IN THE WORLD.
49
00:01:50,806 --> 00:01:53,417
YOU WOULD NEVER CATCH
ANNIE PLAYING WITH DOLLS.
50
00:01:53,461 --> 00:01:55,898
EVEN WITH FIVE BIG SISTERS,
THE ONLY THING
51
00:01:55,985 --> 00:01:58,422
SHE WANTED TO PLAY WITH
WAS HER PAPPY'S HUNTING RIFLE.
52
00:01:58,466 --> 00:02:01,077
BUT WHEN HE DIED...
53
00:02:01,164 --> 00:02:04,994
HE LEFT HIS WIFE WITH FIVE KIDS
AND NO MEANS OF SUPPORT.
54
00:02:05,037 --> 00:02:07,779
ANNIE HAD TO PITCH IN
TO HELP HER FAMILY SURVIVE.
55
00:02:07,823 --> 00:02:08,476
AND THAT DIDN'T MEAN
SEWING BUTTONS
56
00:02:08,519 --> 00:02:09,303
OR DARNING SOCKS.
57
00:02:11,957 --> 00:02:13,611
IT MEANT HUNTING.
58
00:02:13,655 --> 00:02:15,831
[GUNSHOT]
59
00:02:15,874 --> 00:02:18,529
SHE SUPPORTED HER WHOLE
FAMILY BAGGING GAME
60
00:02:18,573 --> 00:02:20,749
AND SELLING IT TO
LOCAL HOTELS AND RESTAURANTS.
61
00:02:20,792 --> 00:02:22,707
SHE DID SO WELL...
62
00:02:22,751 --> 00:02:23,752
THAT THE FAMILY FARM
WAS PAID OFF
63
00:02:23,839 --> 00:02:26,711
BY THE TIME SHE WAS 15.
64
00:02:26,755 --> 00:02:29,061
WHEN DID YOU
TWO MEET, FRANK?
65
00:02:29,105 --> 00:02:31,803
1881.
66
00:02:31,890 --> 00:02:34,197
IT WAS SPRINGTIME
IN CINCINNATI.
67
00:02:34,241 --> 00:02:35,720
I WAS TOURING WITH
A DOUBLE ACT.
68
00:02:35,807 --> 00:02:37,374
HOW GOOD WERE YA?
69
00:02:37,461 --> 00:02:40,334
I WAS VERY GOOD.
70
00:02:40,377 --> 00:02:42,466
BUT THE STAGE WAS SHRINKING.
71
00:02:42,510 --> 00:02:43,685
EVERY DAY SOME NEW KID
WAS CALLING HIMSELF
72
00:02:43,772 --> 00:02:46,209
A FANCY SHOOTER.
73
00:02:46,296 --> 00:02:48,255
NEW TRICKS DON'T STAY
NEW FOR LONG.
74
00:02:48,342 --> 00:02:51,519
YEAH. AND THIS OLD DOG
WAS RUNNING OUT OF THEM.
75
00:02:51,562 --> 00:02:53,608
SO, WHEN A HOTEL OWNER
BRAGGED THAT HE KNEW SOMEONE
76
00:02:53,651 --> 00:02:55,305
IN GREENVILLE WHO COULD
OUTSHOOT ME...
77
00:02:55,349 --> 00:02:57,612
AND PLACED A $100 BET...
78
00:02:57,699 --> 00:02:59,309
I AGREED TO TAKE HIS MONEY.
79
00:02:59,353 --> 00:03:01,355
THAT'S RIGHT, FOLKS.
80
00:03:01,398 --> 00:03:03,270
AS SEEN IN THE GREAT
VAUDEVILLE PALACES
81
00:03:03,313 --> 00:03:05,185
FROM NEW YORK
TO SAINT LOUIS...
82
00:03:05,228 --> 00:03:07,099
ALL THE WAY HERE TO GREENVILLE,
83
00:03:07,143 --> 00:03:08,971
[TWIRLS THEN HOLSTERS GUNS]
84
00:03:09,014 --> 00:03:11,103
FRANK BUTLER,
THE SNAP SHOT SENSATION.
85
00:03:11,147 --> 00:03:12,801
[APPLAUSE]
86
00:03:12,888 --> 00:03:14,019
YOU AS GOOD AS THEY SAY?
87
00:03:14,063 --> 00:03:15,369
I'M THAT GOOD...
88
00:03:15,412 --> 00:03:18,459
AND BETTER.
89
00:03:18,546 --> 00:03:21,026
FIGURE YOU AIN'T AS GOOD AS
CAPTAIN BOGARDUS.
90
00:03:21,070 --> 00:03:22,289
HEARD HE KILLED SOME HUNDRED
BIRDS WITHOUT A MISS.
91
00:03:22,376 --> 00:03:24,421
SEEING IS BELIEVING, FRIEND.
92
00:03:24,465 --> 00:03:27,903
NOW, THERE WAS TALK
OF A WAGER.
93
00:03:27,946 --> 00:03:31,123
SOMEONE AMONG YOU CLAIMS
HE CAN OUTSHOOT ME.
94
00:03:31,167 --> 00:03:32,690
IF THAT MAN WANTS TO
BEG OFF,
95
00:03:32,734 --> 00:03:33,038
AFTER SEEING ME SHOOT,
I WOULD UNDER-
96
00:03:33,082 --> 00:03:33,822
[GUN COCKS]
97
00:03:33,865 --> 00:03:38,957
♪
98
00:03:39,001 --> 00:03:40,437
YO MISTER?
99
00:03:40,524 --> 00:03:42,613
SHE FEELS JUST FINE.
100
00:03:42,657 --> 00:03:47,357
[CROWD CHATTERING]
101
00:03:47,401 --> 00:03:48,793
ALL RIGHT.
102
00:03:48,837 --> 00:03:50,578
WHO'S THIS GAL
BELONG TO?
103
00:03:50,621 --> 00:03:51,927
WHO'S THE REAL CHALLENGER?
104
00:03:52,014 --> 00:03:56,540
[CROWD CHATTERING]
105
00:03:56,627 --> 00:03:58,890
OKAY.
106
00:03:58,934 --> 00:04:00,892
- UH...
- EXCUSE ME.
107
00:04:00,936 --> 00:04:02,242
IS THERE A REASON
YOU'RE GRABBING AT ME?
108
00:04:02,285 --> 00:04:04,766
LISTEN, MA'AM.
- MISS.
109
00:04:04,809 --> 00:04:06,246
MISS?
LISTEN...
110
00:04:06,333 --> 00:04:08,683
IT'S MISS MOSEY.
- I DON'T CARE.
111
00:04:08,726 --> 00:04:09,249
YOU WANT TO TELL ME
EXACTLY WHAT'S GOIN' ON HERE?
112
00:04:09,292 --> 00:04:11,076
WHAT DO YOU MEAN?
113
00:04:11,120 --> 00:04:12,643
I'M A BUSY MAN.
I WORK SIX SHOWS A WEEK,
114
00:04:12,687 --> 00:04:13,644
DOESN'T INCLUDE MATINEES.
115
00:04:13,731 --> 00:04:14,471
BULLY FOR YOU.
116
00:04:14,558 --> 00:04:16,125
IN CINCINNATI...
117
00:04:16,168 --> 00:04:18,214
WHICH IS A GOOD 80 MILES AWAY.
118
00:04:18,258 --> 00:04:20,434
I WAS LED HERE UNDER FALSE
PRETENSES.
119
00:04:20,477 --> 00:04:22,044
YOU'RE HERE FOR A SHOOTING
MATCH, AREN'T YOU?
120
00:04:22,087 --> 00:04:25,395
YES! THAT'S EXACT-
NO, NO I'M NOT.
121
00:04:25,439 --> 00:04:28,180
BECAUSE THIS IS NO LONGER
A FAIR CONTEST.
122
00:04:28,224 --> 00:04:31,662
WELL, IN THE INTEREST
OF FAIRNESS...
123
00:04:31,706 --> 00:04:35,753
I COULD...
GIVE YOU A HEAD START.
124
00:04:35,797 --> 00:04:37,625
I'LL SPEAK PLAINLY.
125
00:04:37,668 --> 00:04:39,540
I'M A PROFESSIONAL.
126
00:04:39,627 --> 00:04:41,455
AGAIN...
BULLY FOR YOU.
127
00:04:44,196 --> 00:04:46,242
NOW, WILL YOU STEP
TO THE LINE...
128
00:04:46,286 --> 00:04:47,374
OR ARE YOU BOWING OUT?
129
00:04:47,417 --> 00:04:54,119
♪
130
00:04:54,163 --> 00:04:54,598
[APPLAUSE]
131
00:04:54,685 --> 00:04:55,425
ANNIE.
132
00:04:55,469 --> 00:04:57,949
WHAT?
133
00:04:57,993 --> 00:05:00,038
MISS ANNIE MOSEY.
134
00:05:00,082 --> 00:05:01,605
♪
135
00:05:01,649 --> 00:05:03,607
REMEMBER IT.
136
00:05:03,651 --> 00:05:04,478
IT'S YOUR FUNERAL.
137
00:05:04,565 --> 00:05:14,488
♪♪
138
00:05:14,575 --> 00:05:16,881
♪
139
00:05:16,925 --> 00:05:17,621
[GUNSHOT]
[CLAY PIGEON EXPLODES]
140
00:05:17,665 --> 00:05:20,407
[CHEERING, APPLAUSE]
141
00:05:20,450 --> 00:05:24,411
♪
142
00:05:24,454 --> 00:05:27,327
ANNIE: PULL.
143
00:05:27,370 --> 00:05:28,023
[GUNSHOT]
[CLAY PIGEON EXPLODES]
144
00:05:28,066 --> 00:05:29,198
[CHEERING, APPLAUSE]
145
00:05:30,678 --> 00:05:33,507
PULL.
146
00:05:33,594 --> 00:05:34,116
[GUNSHOT]
[CLAY PIGEON EXPLODES]
147
00:05:34,159 --> 00:05:37,859
[CHEERING, APPLAUSE]
148
00:05:37,946 --> 00:05:38,468
[GUNSHOT]
[CLAY PIGEON EXPLODES]
149
00:05:38,512 --> 00:05:41,384
[CHEERING, APPLAUSE]
150
00:05:41,471 --> 00:05:41,950
[GUNSHOT]
[CLAY PIGEON EXPLODES]
151
00:05:42,037 --> 00:05:45,823
[CHEERING, APPLAUSE]
152
00:05:45,867 --> 00:05:47,564
PULL.
[GUNSHOT]
[CLAY PIGEON EXPLODES]
153
00:05:47,608 --> 00:05:49,174
PULL.
[GUNSHOT]
[CLAY PIGEON EXPLODES]
154
00:05:49,218 --> 00:05:49,697
PULL.
[GUNSHOT]
[CLAY PIGEON EXPLODES]
155
00:05:49,740 --> 00:05:51,089
[CHEERING, APPLAUSE]
156
00:05:51,133 --> 00:05:53,831
♪
157
00:05:53,875 --> 00:05:55,529
MR. BUTLER HAS STRUCK...
158
00:05:55,572 --> 00:05:56,660
25 TARGETS.
159
00:05:56,704 --> 00:05:59,271
[APPLAUSE]
160
00:05:59,315 --> 00:06:00,969
AND OUR MISS MOSEY
HAS STRUCK...
161
00:06:01,056 --> 00:06:02,840
21.
162
00:06:02,884 --> 00:06:05,190
BUT, BUT...
163
00:06:05,234 --> 00:06:08,237
SHE HAS FIVE SHOTS LEFT,
WITH WHICH SHE COULD TIE
164
00:06:08,280 --> 00:06:11,240
OR WIN.
165
00:06:11,283 --> 00:06:14,330
IF SHE DOESN'T, MR. BUTLER HERE
IS THE CHAMPION.
166
00:06:14,374 --> 00:06:22,599
♪
167
00:06:22,643 --> 00:06:25,210
PULL.
[GUNSHOT]
[CLAY PIGEON EXPLODES]
168
00:06:25,254 --> 00:06:26,560
[GUNSHOT]
[CLAY PIGEON EXPLODES]
169
00:06:26,603 --> 00:06:27,865
[GUNSHOT]
[CLAY PIGEON EXPLODES]
170
00:06:27,909 --> 00:06:28,213
[GUNSHOT]
[CLAY PIGEON EXPLODES]
171
00:06:28,300 --> 00:06:31,042
♪
172
00:06:33,480 --> 00:06:35,220
♪
173
00:06:36,570 --> 00:06:38,006
♪
174
00:06:38,049 --> 00:06:47,363
♪
175
00:06:47,407 --> 00:06:48,408
PULL.
176
00:06:51,715 --> 00:06:53,195
[GUNSHOT]
[CLAY PIGEON EXPLODES]
177
00:06:53,238 --> 00:07:02,813
[CHEERING, APPLAUSE]
178
00:07:02,857 --> 00:07:10,952
♪
179
00:07:11,039 --> 00:07:14,129
ANNIE: 26 TO 25.
180
00:07:14,216 --> 00:07:17,045
I'D CALL THAT...
181
00:07:17,132 --> 00:07:19,743
A FAIR CONTEST AFTER ALL.
182
00:07:19,787 --> 00:07:21,963
HEY...
183
00:07:22,006 --> 00:07:24,444
NO HARD FEELINGS.
184
00:07:24,487 --> 00:07:26,271
WHO TAUGHT YOU TO SHOOT?
185
00:07:26,358 --> 00:07:27,751
I DID.
186
00:07:27,795 --> 00:07:34,105
♪♪
187
00:07:34,149 --> 00:07:36,368
GOOD LUCK WITH YOUR ACT.
188
00:07:36,412 --> 00:07:37,413
I'D SURE LIKE TO
SEE IT SOMETIME.
189
00:07:37,457 --> 00:07:42,505
♪
190
00:07:42,592 --> 00:07:46,596
THAT WAS THE FINEST
BEATING I EVER TOOK.
191
00:07:46,640 --> 00:07:47,989
MOST MEN WOULDN'T BE ABLE
TO COUNTENANCE
192
00:07:48,032 --> 00:07:49,730
LOSING TO A GIRL.
193
00:07:49,773 --> 00:07:52,646
I WASN'T IN A HURRY
TO TELL ANYBODY.
194
00:07:52,689 --> 00:07:53,647
BUT THE STRANGE THING WAS...
195
00:07:57,041 --> 00:08:00,741
I COULDN'T GET ANNIE
OUT OF MY HEAD.
196
00:08:00,784 --> 00:08:03,134
I'D FIND MYSELF
WRITING TO HER.
197
00:08:03,178 --> 00:08:04,919
EVERY MOMENT I HAD.
198
00:08:04,962 --> 00:08:06,747
LETTERS...
199
00:08:06,790 --> 00:08:09,401
EVEN POEMS.
200
00:08:09,445 --> 00:08:11,708
SOMETHING CHANGED IN ME
THAT DAY.
201
00:08:11,752 --> 00:08:13,928
IT'S LIKE A DOOR
HAD OPENED
202
00:08:13,971 --> 00:08:16,844
AND I HAD TO STEP
THROUGH IT...
203
00:08:16,931 --> 00:08:19,499
WITH HER.
204
00:08:19,586 --> 00:08:22,197
POEMS?
205
00:08:22,240 --> 00:08:24,025
WELL, THEY WEREN'T
SHAKESPEARE.
206
00:08:24,068 --> 00:08:25,940
BUT THEY DID THE TRICK.
207
00:08:25,983 --> 00:08:28,595
TO SOMEONE WHO'S NEVER
FELT WANTED...
208
00:08:28,638 --> 00:08:32,076
A LITTLE KINDNESS GOES
A LONG WAY.
209
00:08:32,120 --> 00:08:35,210
WE WERE MARRIED
THE NEXT SUMMER.
210
00:08:35,253 --> 00:08:36,603
I WAS AFRAID THE
TRAVELING LIFE
211
00:08:36,646 --> 00:08:37,908
WOULDN'T PROVE
SO GLAMOROUS,
212
00:08:37,995 --> 00:08:41,433
BUT ANNIE WAS GAME.
213
00:08:41,477 --> 00:08:44,480
BUT SHE WASN'T OFFICIALLY
PART OF THE ACT THEN, WAS SHE?
214
00:08:44,567 --> 00:08:46,656
SHE WAS CONTENT TO
HELP WITH THE GUNS
AND TARGETS BUT...
215
00:08:46,700 --> 00:08:48,528
SHE DIDN'T SHOOT.
216
00:08:48,571 --> 00:08:49,920
UNTIL ONE NIGHT...
217
00:08:49,964 --> 00:08:53,315
WHEN MY PARTNER TOOK SICK.
218
00:08:53,402 --> 00:08:56,579
THE NIGHT IT ALL CHANGED.
219
00:08:56,623 --> 00:08:59,669
AS SEEN IN THE GREAT
THEATERS AND COLISEUMS...
220
00:08:59,756 --> 00:09:02,193
FROM BALTIMORE
TO NEW ORLEANS...
221
00:09:02,280 --> 00:09:03,717
ALL THE WAY HERE
TO SPRINGFIELD.
222
00:09:03,760 --> 00:09:04,718
[APPLAUSE]
223
00:09:04,761 --> 00:09:07,416
I'M FRANK BUTLER.
224
00:09:07,459 --> 00:09:08,678
AND THIS IS MY BEAUTIFUL WIFE
AND ASSISTANT, ANNIE.
225
00:09:08,722 --> 00:09:15,250
[CHEERING, APPLAUSE]
226
00:09:15,337 --> 00:09:17,557
THE DARING FEATS OF MARKSMANSHIP
YOU'LL WITNESS HERE TONIGHT
227
00:09:17,600 --> 00:09:19,950
ARE DESIGNED TO THRILL
AND AMAZE.
228
00:09:19,994 --> 00:09:22,474
BUT REST ASSURED...
229
00:09:22,562 --> 00:09:25,477
YOU ARE IN THE STEADY HANDS
OF A PROFESSIONAL.
230
00:09:25,565 --> 00:09:26,783
[TWIRLS AND HOLSTERS GUNS]
231
00:09:29,830 --> 00:09:32,920
NOW, FOR OUR FIRST TRICK...
232
00:09:32,963 --> 00:09:35,749
ANNIE WILL THROW A GLASS BALL
AND I WILL SHOOT IT
233
00:09:35,792 --> 00:09:37,402
OUT OF MIDAIR.
234
00:09:37,446 --> 00:09:40,101
[CROWD CHATTERING]
235
00:09:43,931 --> 00:09:45,454
[GUNSHOT]
236
00:09:45,497 --> 00:09:46,063
[BALL FALLS TO THE GROUND]
237
00:09:46,107 --> 00:09:49,197
[CROWD GROANS]
238
00:09:49,284 --> 00:09:50,198
I'M JUST GETTING WARMED UP.
239
00:09:50,241 --> 00:09:51,852
[LAUGHTER]
240
00:09:51,895 --> 00:09:53,070
[CROWD CHATTERING, APPLAUSE]
241
00:09:53,157 --> 00:10:03,211
♪
242
00:10:03,254 --> 00:10:04,386
[GUNSHOT]
243
00:10:04,429 --> 00:10:06,257
[CROWD GROANS]
244
00:10:06,301 --> 00:10:07,650
WHY DON'T YOU LET THE GIRL
SHOOT?
245
00:10:07,737 --> 00:10:12,133
[CROWD HECKLING]
246
00:10:12,220 --> 00:10:13,917
I- I THOUGHT...
I DON'T UNDERSTAND.
247
00:10:13,961 --> 00:10:15,789
I- I PRACTICED THIS.
248
00:10:15,832 --> 00:10:19,140
I- I JUST...
249
00:10:19,183 --> 00:10:20,054
HOW ABOUT IT, FRANK?
250
00:10:20,097 --> 00:10:30,717
♪♪
251
00:10:30,760 --> 00:10:31,631
Y'ALL WANNA WATCH ME
HAVE A GO?
252
00:10:31,674 --> 00:10:38,463
[CROWD CHEERING]
253
00:10:38,507 --> 00:10:40,727
COME ON, HONEY.
254
00:10:40,770 --> 00:10:41,771
LET'S GIVE THEM WHAT THEY WANT.
255
00:10:41,815 --> 00:10:51,781
♪♪
256
00:10:51,825 --> 00:10:57,091
♪
257
00:10:57,178 --> 00:10:58,266
[CHEERING, APPLAUSE]
258
00:10:58,309 --> 00:11:00,007
HERE WE GO.
259
00:11:00,050 --> 00:11:02,052
COME ON NOW, ANNIE.
260
00:11:02,096 --> 00:11:12,062
♪ [OMINOUS MUSIC]
261
00:11:12,106 --> 00:11:16,023
♪ [OMINOUS MUSIC]
262
00:11:16,066 --> 00:11:20,505
[GUNSHOT]
263
00:11:20,549 --> 00:11:21,898
[GLASS BALL SHATTERS]
264
00:11:21,942 --> 00:11:25,728
[CHEERING, APPLAUSE]
265
00:11:25,772 --> 00:11:29,906
♪ IT'S A CERTAIN MAN
266
00:11:29,950 --> 00:11:32,779
♪ TO TAKE YOU BY THE HAND
267
00:11:32,866 --> 00:11:37,261
[CHEERING, APPLAUSE]
268
00:11:37,305 --> 00:11:41,004
♪ EVERY TIME THE ANTHEM PLAYS
ALL THE PEOPLE STAND ♪
269
00:11:43,441 --> 00:11:44,529
♪
270
00:11:46,967 --> 00:11:48,751
I CAN'T GET THE RINGING
OUT OF MY EARS.
271
00:11:48,795 --> 00:11:50,231
ALL THOSE PEOPLE CHEERING.
272
00:11:50,274 --> 00:11:51,928
CLAPPING AT ME.
273
00:11:51,972 --> 00:11:53,364
NO WONDER YOU DO IT!
274
00:11:53,408 --> 00:11:55,453
OH, OH!
AND HONEY...
275
00:11:55,497 --> 00:11:56,454
I WAS THINKING, FOR THE NEXT
SHOW...
276
00:11:56,498 --> 00:12:00,545
WATCH THIS.
277
00:12:00,632 --> 00:12:02,243
YOU CAN LIGHT A CIGAR AND I CAN
SHOOT IT OUT OF YOUR MOUTH.
278
00:12:02,286 --> 00:12:03,984
WHAT DO YOU THINK?
279
00:12:04,027 --> 00:12:06,377
YOU MEAN TO MAKE
A SPECTACLE OF ME?
280
00:12:06,421 --> 00:12:08,205
IT'S JUST AN IDEA.
281
00:12:08,292 --> 00:12:09,729
YOU SHOULD LEAVE
THE IDEAS TO ME.
282
00:12:09,772 --> 00:12:12,557
IT'S MY ACT.
283
00:12:12,601 --> 00:12:14,255
TONIGHT IT WAS
OUR ACT.
284
00:12:14,298 --> 00:12:16,736
AND THEY...FRANK: WHAT?
285
00:12:16,823 --> 00:12:17,780
THEY CLAPPED.
286
00:12:21,262 --> 00:12:22,176
I COULD TEACH A POODLE
TO JUMP THROUGH A HOOP
287
00:12:22,219 --> 00:12:23,568
AND THEY'D CLAP.
288
00:12:23,612 --> 00:12:27,181
IT DOESN'T MATTER.
289
00:12:27,224 --> 00:12:28,443
ARE YOU ANGRY BECAUSE I HIT THE
BALL AND YOU COULDN'T?
290
00:12:28,486 --> 00:12:30,314
[SCOFFS]
PLEASE.
291
00:12:30,401 --> 00:12:32,969
I HAD A BAD NIGHT.
292
00:12:33,013 --> 00:12:34,362
GOT NOTHING TO DO WITH YOU.
293
00:12:34,449 --> 00:12:35,276
FRANK.
294
00:12:35,319 --> 00:12:38,409
YEAH?
295
00:12:38,453 --> 00:12:39,497
STOP LOOKING AT ME
LIKE I'M YOUR ENEMY.
296
00:12:39,541 --> 00:12:44,589
♪
297
00:12:44,676 --> 00:12:45,547
THERE WILL BE
BETTER NIGHTS.
298
00:12:45,590 --> 00:12:47,375
THERE WON'T BE
BETTER NIGHTS!
299
00:12:47,418 --> 00:12:49,333
NOT HERE.
300
00:12:49,377 --> 00:12:50,770
THE BOOKING'S UP,
ANNIE.
301
00:12:50,813 --> 00:12:52,423
WE'RE NOT FILLING
ENOUGH SEATS
302
00:12:52,467 --> 00:12:55,122
AND I DON'T KNOW WHERE
WE'RE GONNA END UP.
303
00:12:55,165 --> 00:12:58,168
I SEE.
304
00:12:58,255 --> 00:13:00,214
I DON'T KNOW HOW TO
GET US THROUGH THE WINTER.
305
00:13:00,257 --> 00:13:03,608
MUCH LESS KEEP YOU
IN NICE CLOTHES.
306
00:13:03,652 --> 00:13:05,480
I JUST DON'T KNOW.
307
00:13:05,523 --> 00:13:13,227
♪ [MELANCHOLY MUSIC]
308
00:13:13,270 --> 00:13:14,532
I KNOW WHERE WE SHOULD BE.
I SAW IT.
309
00:13:14,576 --> 00:13:15,969
♪
310
00:13:16,056 --> 00:13:25,500
♪
311
00:13:25,543 --> 00:13:27,676
BUFFALO BILL'S
WILD WEST?
312
00:13:27,763 --> 00:13:30,200
THAT'S OUR FUTURE.
313
00:13:30,244 --> 00:13:32,028
NO MORE SCROUNGING FOR BOOKINGS.
314
00:13:32,072 --> 00:13:35,336
NO MORE EMPTY SEATS.
315
00:13:35,379 --> 00:13:39,601
YOU BELONG IN THE BIG SHOW.
316
00:13:39,644 --> 00:13:42,386
BUFFALO BILL'S
BIG ALL RIGHT.
317
00:13:42,473 --> 00:13:45,955
MIGHT BE TOO BIG.
318
00:13:45,999 --> 00:13:50,046
NOT FOR THE TWO OF US.
319
00:13:50,090 --> 00:13:51,091
NOT IF WE'RE TOGETHER.
320
00:13:51,134 --> 00:13:55,312
♪♪
321
00:13:55,356 --> 00:13:57,445
I NEED ALL 7TH CAVALRY TROOPERS
ON HORSEBACK
322
00:13:57,488 --> 00:13:58,272
FOR THE CUSTER'S LAST STAND
REHEARSAL.
323
00:13:58,315 --> 00:14:03,712
♪♪
324
00:14:03,755 --> 00:14:05,322
ANNIE.
325
00:14:05,366 --> 00:14:07,847
THAT'S HIM.
326
00:14:07,890 --> 00:14:09,413
THAT'S BUFFALO BILL?YEAH.
327
00:14:09,457 --> 00:14:10,762
LET ME DO THE TALKING.
328
00:14:10,806 --> 00:14:13,461
♪
329
00:14:13,504 --> 00:14:15,855
MR. BUFFALO, EXCUSE ME.
MR. CODY...
330
00:14:15,898 --> 00:14:18,770
I'M FRANK BUTLER.
331
00:14:18,814 --> 00:14:20,294
I WANTED TO KNOW IF I COULD
TAKE A MOMENT OF YOUR TIME.
332
00:14:20,337 --> 00:14:22,862
I'M A BIT BUSY
RIGHT NOW.
333
00:14:22,949 --> 00:14:24,820
BUT...
334
00:14:24,864 --> 00:14:27,867
MR. CODY.
335
00:14:27,954 --> 00:14:30,304
I'M AN ACCOMPLISHED TRICK
SHOOTER.
336
00:14:30,347 --> 00:14:33,524
I THINK WE'D MAKE A VALUABLE
ADDITION TO YOUR LINE UP.
337
00:14:33,568 --> 00:14:35,048
IF I HAVE TO HEAR ONE MORE
SALES PITCH FROM A FANCY SHOOTER
338
00:14:35,135 --> 00:14:36,484
I SWEAR.
339
00:14:36,527 --> 00:14:37,702
♪
340
00:14:41,271 --> 00:14:43,578
WE?
341
00:14:43,665 --> 00:14:45,536
MY WIFE AND I.
342
00:14:45,580 --> 00:14:47,190
WE'RE A... WELL...
343
00:14:47,234 --> 00:14:50,715
A DOUBLE ACT.
344
00:14:50,802 --> 00:14:52,326
YOU SHOOT?
345
00:14:52,369 --> 00:14:54,763
ALL MY LIFE.
346
00:14:54,850 --> 00:14:57,331
I'D LOVE TO GIVE YOU
A DEMONSTRATION.
347
00:14:57,374 --> 00:14:59,333
SUPPOSE I'VE SEEN
STRANGER THINGS.
348
00:14:59,420 --> 00:15:00,290
MR. CODY, I PROMISE
IT'LL BE WORTH YOUR WHILE.
349
00:15:00,334 --> 00:15:03,337
MY DEAR...
350
00:15:03,380 --> 00:15:05,382
I'VE ALREADY GOT
A GREAT SHOOTIN' ACT.
351
00:15:05,426 --> 00:15:06,775
CAPTAIN BOGARDUS.
352
00:15:06,818 --> 00:15:08,168
I RECKON YOU'VE HEARD
OF HIM.
353
00:15:08,211 --> 00:15:11,693
BILL? NEED YOU.
354
00:15:11,780 --> 00:15:12,389
BEST OF LUCK TO YOU BOTH.
355
00:15:12,476 --> 00:15:16,959
♪♪
356
00:15:19,396 --> 00:15:21,268
♪
357
00:15:23,400 --> 00:15:24,749
ANNIE WAS CRESTFALLEN.
358
00:15:26,969 --> 00:15:30,190
WE HEADED NORTH.
359
00:15:30,233 --> 00:15:32,192
PLAYED ANYWHERE
THAT WOULD HAVE US.
360
00:15:32,235 --> 00:15:33,758
I WAS USED TO
LEAN WINTERS BUT...
361
00:15:33,845 --> 00:15:36,413
ANNIE...
362
00:15:36,457 --> 00:15:38,633
IT BROKE MY HEART.
363
00:15:38,676 --> 00:15:39,286
I FELT LIKE I FAILED HER.
364
00:15:39,373 --> 00:15:45,553
♪
365
00:15:45,596 --> 00:15:48,948
THIS ISN'T THE LIFE
YOU ASKED FOR.
366
00:15:48,991 --> 00:15:51,602
WHAT ARE YOU SAYING?
367
00:15:51,646 --> 00:15:52,864
YOU'VE GOT MORE SPIRIT
368
00:15:52,908 --> 00:15:55,519
THAN ANYBODY
I'VE EVER KNOWN.
369
00:15:55,563 --> 00:15:57,608
AND I CAN'T BE THE ONE
WHO BREAKS IT.
370
00:15:57,652 --> 00:15:58,392
FRANK, YOU'RE NOT...
371
00:15:58,435 --> 00:16:01,264
I'M SAYING...
372
00:16:01,351 --> 00:16:03,484
IF YOU WANT TO
GO BACK HOME...
373
00:16:03,571 --> 00:16:05,051
I'LL UNDERSTAND.
374
00:16:05,094 --> 00:16:14,451
♪
375
00:16:14,495 --> 00:16:15,539
YOU'RE MY HOME.
376
00:16:15,583 --> 00:16:21,154
♪
377
00:16:21,197 --> 00:16:22,503
SOUNDS LIKE YOU WERE
HOLDIN' OUT FOR A MIRACLE.
378
00:16:24,766 --> 00:16:26,898
WELL, A MIRACLE'S
WHAT WE GOT.
379
00:16:26,986 --> 00:16:29,771
A LETTER CAME
FROM MR. CODY.
380
00:16:29,858 --> 00:16:32,078
IT SAID, CAPTAIN BOGARDUS'
COLLECTION OF ARMS HAD BEEN LOST
381
00:16:32,121 --> 00:16:34,515
WHEN A SHIP SANK
ON THE MISSISSIPPI
382
00:16:34,558 --> 00:16:36,082
AND HE QUIT THE SHOW.
383
00:16:36,169 --> 00:16:36,952
SO, CODY GAVE
YOU THE JOB?
384
00:16:36,996 --> 00:16:40,129
NOT QUITE.
385
00:16:40,173 --> 00:16:43,611
HE INVITED US DOWN
TO KENTUCKY FOR AN AUDITION.
386
00:16:43,698 --> 00:16:44,916
OUR FUTURE
WAS RIDING ON IT.
387
00:16:44,960 --> 00:16:50,966
♪♪
388
00:16:51,010 --> 00:16:52,837
I'VE NEVER BEEN
SO NERVOUS IN MY LIFE.
389
00:16:52,924 --> 00:16:55,623
♪
390
00:16:55,666 --> 00:16:57,494
WHERE'S MY RIFLE?
391
00:16:57,538 --> 00:16:59,975
WE DON'T NEED IT.
392
00:17:00,019 --> 00:17:02,195
USE MINE.
393
00:17:02,238 --> 00:17:04,371
I DON'T UNDERSTAND.
394
00:17:04,414 --> 00:17:05,415
WHAT ARE YOU SHOOTIN'?
395
00:17:05,459 --> 00:17:09,332
♪
396
00:17:09,376 --> 00:17:12,379
LISTEN TO ME...
397
00:17:12,466 --> 00:17:15,643
THE DAY WE MET...
BACK IN GREENVILLE?
398
00:17:15,730 --> 00:17:17,210
I THOUGHT I MET MY MATCH.
399
00:17:17,297 --> 00:17:20,256
I WAS WRONG.
400
00:17:20,343 --> 00:17:22,389
YOU'RE ONE BETTER.
401
00:17:22,432 --> 00:17:24,086
IN EVERY WAY.
402
00:17:24,173 --> 00:17:25,305
HAVE YOU LOST YOUR...
403
00:17:25,348 --> 00:17:28,134
♪
404
00:17:28,177 --> 00:17:29,483
WE'RE A TEAM.
405
00:17:29,526 --> 00:17:31,746
NO, ANNIE.
406
00:17:31,833 --> 00:17:33,052
YOU'RE THE ACT.
407
00:17:35,358 --> 00:17:38,448
FRANK...
408
00:17:38,535 --> 00:17:39,406
DON'T MAKE ME DO THIS.
409
00:17:39,493 --> 00:17:44,802
♪♪
410
00:17:44,889 --> 00:17:45,890
SHOW 'EM WHO YOU ARE.
411
00:17:45,977 --> 00:17:47,370
♪
412
00:17:47,414 --> 00:17:57,554
♪
413
00:17:57,598 --> 00:18:01,776
IT'S BEEN A LONG DAY.
414
00:18:01,819 --> 00:18:02,646
YOU GOT TIME FOR ONE TRICK.
415
00:18:05,867 --> 00:18:07,086
DAZZLE ME.
416
00:18:09,218 --> 00:18:10,828
FRANK: MR. CODY.
417
00:18:10,872 --> 00:18:13,614
YOU ARE ABOUT TO BE
AMAZED.
418
00:18:13,701 --> 00:18:16,095
ANNIE WILL SEVER THIS CARD
IN TWO...
419
00:18:16,138 --> 00:18:18,271
WITH A SINGLE SHOT.
420
00:18:18,314 --> 00:18:20,969
THAT'S YOUR TRICK?
421
00:18:21,012 --> 00:18:22,057
YOU'RE GONNA SHOOT
A PLAYING CARD FROM 20 FEET?
422
00:18:22,101 --> 00:18:23,841
FRANK: YES.
423
00:18:23,885 --> 00:18:24,581
BUT WITH ONLY
THE NARROW EDGE...
424
00:18:24,668 --> 00:18:27,628
♪
425
00:18:27,671 --> 00:18:28,933
FACING THE SHOOTER.
426
00:18:28,977 --> 00:18:36,071
[CROWD MURMURS]
427
00:18:36,158 --> 00:18:37,203
READY?
428
00:18:37,246 --> 00:18:39,161
♪
429
00:18:39,248 --> 00:18:40,423
[COCKS RIFLE]
430
00:18:40,467 --> 00:18:48,127
♪
431
00:18:48,170 --> 00:18:49,389
[COCKS RIFLE]
432
00:18:49,432 --> 00:18:59,399
♪
433
00:18:59,442 --> 00:19:02,141
♪
434
00:19:03,403 --> 00:19:05,274
[GUNSHOT]
435
00:19:12,368 --> 00:19:13,456
[CHEERING, APPLAUSE]
436
00:19:13,500 --> 00:19:23,466
♪
437
00:19:23,510 --> 00:19:32,519
♪
438
00:19:32,562 --> 00:19:34,434
YOUR NAME AGAIN?
439
00:19:34,477 --> 00:19:35,826
ANNIE...
440
00:19:35,913 --> 00:19:37,350
MOSEY.
441
00:19:37,437 --> 00:19:39,917
♪
442
00:19:39,961 --> 00:19:44,444
YEAH...
443
00:19:44,487 --> 00:19:48,448
YOU'LL NEED A STAGE NAME,
OF COURSE.
444
00:19:48,491 --> 00:19:49,666
WELCOME TO BUFFALO BILL'S
WILD WEST.
445
00:19:49,710 --> 00:19:52,539
[LAUGHTER]
446
00:19:52,626 --> 00:20:03,593
♪
447
00:20:03,637 --> 00:20:06,988
IT WAS THE BEGINNING
OF THE REST OF OUR LIVES.
448
00:20:07,075 --> 00:20:08,424
WE SAW MORE OF THE COUNTRY,
449
00:20:08,511 --> 00:20:10,644
MORE OF THE WORLD...
450
00:20:10,687 --> 00:20:13,081
THAN WE COULD HAVE
EVER IMAGINED.
451
00:20:13,124 --> 00:20:14,082
THERE WAS A COST THOUGH,
WASN'T THERE, FRANK?
452
00:20:17,303 --> 00:20:18,521
ANNIE BECAME FAMOUS,NOT YOU.
453
00:20:22,177 --> 00:20:24,701
CARVING OUT A PLACE FOR YOURSELF
IN THIS WORLD TAKES COURAGE.
454
00:20:24,745 --> 00:20:27,791
SURE, YOU NEED TALENT.
455
00:20:27,835 --> 00:20:29,402
BUT IT TAKES HELP,
LOTS OF IT.
456
00:20:32,187 --> 00:20:34,842
IT TOOK BOTH OF US
TO MAKE ANNIE FAMOUS.
457
00:20:34,929 --> 00:20:37,410
HOWEVER LONG THIS LASTS...
458
00:20:37,453 --> 00:20:40,413
WE DID IT TOGETHER.
459
00:20:40,456 --> 00:20:41,022
AND I WOULDN'T HAVE HAD IT
ANY OTHER WAY.
460
00:20:41,065 --> 00:20:47,637
♪♪
461
00:20:47,681 --> 00:20:48,551
BAT MASTERSON, V/O:
ANNIE OAKLEY WAS AMERICA'S
462
00:20:48,595 --> 00:20:51,075
FIRST FEMALE SUPERSTAR
AND ONE OF THE
463
00:20:51,119 --> 00:20:53,164
HIGHEST PAID ENTERTAINERS
IN THE WORLD.
464
00:20:53,208 --> 00:20:56,298
ANNIE PASSED AWAY IN 1926.
465
00:20:56,342 --> 00:20:58,779
A HEARTBROKEN FRANK DIED JUST
18 DAYS LATER.
466
00:20:58,822 --> 00:21:00,781
ANNIE: HOW ABOUT GREENVILLE?
467
00:21:00,824 --> 00:21:02,652
ANNIE GREENVILLE.
468
00:21:02,696 --> 00:21:05,133
NAH.
469
00:21:05,176 --> 00:21:07,483
BE NICE TO LET FOLKS KNOW
WHERE I'M FROM.
470
00:21:07,527 --> 00:21:10,399
BILL CODY'S GONNA WANT A BETTER
STAGE NAME THAN THAT.
471
00:21:10,443 --> 00:21:12,619
I STILL DON'T SEE WHAT'S WRONG
WITH MOSEY.
472
00:21:12,662 --> 00:21:15,274
FRANK: YOU DON'T HAVE TO.
BUT HE'S THE BOSS.
473
00:21:15,317 --> 00:21:17,232
ANY OTHER TOWNS YOU CONSIDERED
HOME?
474
00:21:17,276 --> 00:21:19,713
OAKLEY.
475
00:21:19,756 --> 00:21:22,411
IT'S A TOWN NEAR WHERE I'M FROM.
476
00:21:22,455 --> 00:21:24,979
FRANK: I LIKE IT.
477
00:21:25,066 --> 00:21:26,023
ALL RIGHT THEN.
478
00:21:26,067 --> 00:21:28,069
♪♪
479
00:21:28,112 --> 00:21:29,288
I'M ANNIE OAKLEY.
30639
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