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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes. Meet the
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Masters of Illusion.
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00:00:20,310 --> 00:00:25,370
Hello, everyone. I'm Dean Cain, and
welcome to Masters of Illusion. Now, do
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00:00:25,370 --> 00:00:28,090
think you can tell the difference
between reality and illusion?
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00:00:28,760 --> 00:00:34,300
If our masters of illusion do their jobs
correctly, it might not be so easy, but
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it's going to be a lot of fun trying to
figure it out. I have a hard time ever.
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Hey, deep, deep, deep.
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00:00:39,140 --> 00:00:40,820
Ladies and gentlemen, it's Farrell
Dillon.
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How are you, my friend? Good to see you.
Good to see you. I know that you're,
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like, really into history and stuff like
that. I'm a history major from college.
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Yeah, I love history. So I want to ask
you something. Do you know, like, the
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history of the U .S. currency?
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Some of it. If you look really close,
you can see all these, like, little
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fibers. Do you see those? I do see
those. Yeah, there's, like, red ones and
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ones.
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What's really interesting is if you heat
it up a little bit, you can actually
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get some of the fibers out of that
cloth. Look, and you can see, look.
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They get a little bigger when you pull
them out of the cloth. Look.
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That doesn't seem right.
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That doesn't seem right at all.
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Just history, man.
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That's just more than history.
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That's just weirdness.
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Here, look. You can keep the 20. All
right?
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I appreciate you so much. I appreciate
$20.
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Have a good day, Dean. This performer
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is a collector of many things, but his
largest collection is the number of
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people he's left wondering, how did he
do that?
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00:01:44,890 --> 00:01:46,270
Here's Maurice Archer.
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00:01:47,990 --> 00:01:49,290
What's up, you guys? How you doing?
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So excited to be back here. I know, if
you know me, you know that I love
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and Vegas history.
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Miss Headdress.
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is actually from 1959.
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It's the original headdress, Pauline
Brugere in Las Vegas. These feathers
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here are from different costumes
throughout different shows.
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Stardust, Aledo. I also have programs,
which are pretty cool. The original
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program is Stardust. These are hotels no
longer around.
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Latin Quarter, New York City, and, of
course, Don Art and Jubilee. They're all
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00:02:12,360 --> 00:02:16,020
gone. So I thought I'd put this little
tribute together of the old showgirls of
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Las Vegas. Here we go.
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We all wonder what it would be like to
be in our favorite TV shows. Well,
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something tells me this performer has a
pretty good idea.
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00:04:11,940 --> 00:04:14,020
Let's give it up for Trig Watson.
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00:06:56,970 --> 00:07:01,330
Up next, the impossible is made possible
by Eric Jones.
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00:07:01,570 --> 00:07:02,730
When we return.
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00:07:11,810 --> 00:07:16,670
Magicians have always tried to push the
boundaries of what is considered humanly
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possible. Our next performer is doing
exactly that. It's the magic of Eric
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Jones.
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00:07:26,450 --> 00:07:32,950
Good evening, ladies and gentlemen. It
has been a long, long, long couple of
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00:07:32,950 --> 00:07:33,950
years. Don't you agree?
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00:07:34,030 --> 00:07:35,030
It's been kind of strange.
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00:07:35,250 --> 00:07:39,030
While I was sheltering in place, I
wanted to learn how to solve one of
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00:07:39,030 --> 00:07:42,830
Rubik's Cube. Now, I found out that a
very small number of people on the
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00:07:42,830 --> 00:07:46,030
have ever been able to solve a Rubik's
Cube. But I wanted to do something
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00:07:46,030 --> 00:07:49,850
special. I figured maybe I'd try a
second.
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00:07:50,550 --> 00:07:52,090
But I want to take it a step further.
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00:07:52,990 --> 00:07:56,370
Further than that. Now, I've got a
little bag here, and I'm going to place
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00:07:56,370 --> 00:08:00,710
Rubik's Cube, the smaller one, into a
bag, and I'm hoping I can have maybe you
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00:08:00,710 --> 00:08:03,690
all, if you don't mind, I'm going to
throw this at you.
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Catch.
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00:08:05,090 --> 00:08:06,290
Awesome catch, if you don't mind.
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00:08:07,030 --> 00:08:09,730
And what I'd like you all to do is mix
those cubes. It's going to be a little
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00:08:09,730 --> 00:08:13,210
bit more difficult for you because it is
in plastic, and you'll understand why
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00:08:13,210 --> 00:08:16,350
in just a moment. But I am going to try
something that I think is going to be
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00:08:16,350 --> 00:08:17,670
kind of unique. Are you happy?
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I'll take yours back.
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00:08:20,170 --> 00:08:21,170
Oh, nice.
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00:08:21,950 --> 00:08:23,950
And let me know when you're done as
well, sir.
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00:08:24,270 --> 00:08:25,410
Awesome. I'll take that back.
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00:08:26,330 --> 00:08:28,250
Perfect. Does anyone have a cell phone?
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00:08:28,630 --> 00:08:32,169
Yes? Could you do me a favor? Go to your
stopwatch app.
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00:08:32,750 --> 00:08:37,630
And in a moment, I'm going to have you
hit the go button, and you're going to
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00:08:37,630 --> 00:08:40,730
record it, but you're not going to hear
me when I say go.
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00:08:41,070 --> 00:08:45,210
The reason for that is one of these
Rubik's Cubes goes in my mouth. That's
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00:08:45,210 --> 00:08:46,790
it wasn't touched by human hands.
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Watch.
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00:08:53,200 --> 00:08:59,240
So the first thing we have to do is we
have to get the point to the center of
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the list.
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00:09:00,400 --> 00:09:03,520
That's the so -called, and the first is
dollar and two -thirds, all the way
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00:09:03,520 --> 00:09:04,520
around nine and forty.
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00:09:04,920 --> 00:09:05,980
So this has this.
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00:09:06,700 --> 00:09:09,820
Conversion is the next thing we have to
do, I don't know if you can understand
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00:09:09,820 --> 00:09:15,500
what I'm saying, is the next thing we
have to do is carve, how are we on time?
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00:09:17,320 --> 00:09:18,320
Do it.
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00:09:20,700 --> 00:09:21,700
Or carve.
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00:09:22,640 --> 00:09:23,960
Look at me. Look at me.
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This is crazy.
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00:09:30,660 --> 00:09:31,660
Look at me.
91
00:09:31,780 --> 00:09:32,780
Look at me.
92
00:09:35,440 --> 00:09:36,439
Look at me.
93
00:09:36,440 --> 00:09:42,780
Look at me.
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00:10:13,420 --> 00:10:16,280
The battle's good!
95
00:10:26,440 --> 00:10:31,300
We'll be right back with the super quick
hands of Eric Eaton when we return.
96
00:10:40,680 --> 00:10:45,960
Practice sure does make perfect,
especially with our very own Eric Eaton.
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00:10:48,360 --> 00:10:51,560
So today I thought I'd teach you guys
how to do a trick. To help me out today,
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00:10:51,560 --> 00:10:53,460
have my volunteer from the audience.
What's your name?
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00:10:53,680 --> 00:10:54,840
Tiffany. Tiffany, perfect.
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00:10:55,080 --> 00:10:58,020
Tiffany, I have this blindfold here. Can
I get you to see through the blindfold?
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00:10:58,140 --> 00:10:59,140
Can you see anything at all?
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00:10:59,300 --> 00:11:00,279
No. No?
103
00:11:00,280 --> 00:11:03,680
Perfect. I'm going to take this, and I'm
actually going to place it over my eyes
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00:11:03,680 --> 00:11:04,900
and tie it in a knot.
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00:11:07,020 --> 00:11:08,020
Tiffany, where are you at?
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00:11:08,440 --> 00:11:11,320
I'm here. You're right here. Perfect.
Can you hand me the deck of cards,
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00:11:13,420 --> 00:11:15,580
Good. I'm going to take the cards out of
the box.
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00:11:16,190 --> 00:11:18,950
As you guys can see, we have a red deck
of cards here, correct?
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00:11:19,750 --> 00:11:22,630
Yes. No, the blue. I can't see.
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00:11:22,890 --> 00:11:23,890
That's all right.
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00:11:24,130 --> 00:11:26,990
All right, Tiffany, can you agree that
all these cards are different?
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00:11:27,830 --> 00:11:30,510
Yes. They are? Perfect. I'm actually
going to shuffle them up.
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00:11:34,030 --> 00:11:36,790
Now, Tiffany, whenever you're ready, can
I get you to say stop?
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00:11:38,650 --> 00:11:40,410
Stop. Right there? Yes. Are you sure?
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00:11:40,650 --> 00:11:43,970
Yeah, I'm sure. Take that card. Show
everyone here your card. Do not show me.
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00:11:46,660 --> 00:11:48,940
Actually, Tiffany, you can show me as
well. What card do you have?
117
00:11:50,540 --> 00:11:51,920
All right, five of clubs. Perfect.
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00:11:53,540 --> 00:11:55,440
Can I get you to place your card back on
top?
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00:11:56,340 --> 00:11:57,520
And we will lose it there.
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00:11:58,420 --> 00:12:01,780
Now, I'm going to shuffle it one more
time so we can agree your card is mixed
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00:12:01,780 --> 00:12:02,820
and lost in the deck, correct?
122
00:12:03,160 --> 00:12:04,160
Yes.
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00:12:04,220 --> 00:12:07,720
The first step to practicing a trick is
actually being able to do just a simple
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00:12:07,720 --> 00:12:10,260
cut, like so, and locating your card.
125
00:12:10,800 --> 00:12:12,400
Tiffany, if that's your card.
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00:12:13,300 --> 00:12:14,300
Yes.
127
00:12:21,800 --> 00:12:24,660
We're going to place the card back on
top and actually cut the deck again.
128
00:12:24,660 --> 00:12:28,780
time, I'm actually going to make three
different stacks. One, two, and three.
129
00:12:29,100 --> 00:12:30,260
Tiffany, give me your hand, please.
130
00:12:31,380 --> 00:12:34,920
Tiffany, place my hand over whichever
one you think has your card.
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00:12:36,720 --> 00:12:38,400
Do you think this deck contains your
card?
132
00:12:38,660 --> 00:12:40,020
Yes. All right, you can take your hand
off.
133
00:12:40,660 --> 00:12:45,060
I'm going to stack them up. We'll leave
yours on top and yours on top.
134
00:12:45,960 --> 00:12:49,320
If I did this correctly, Tiffany, this
should be your card.
135
00:12:56,240 --> 00:13:00,960
We're now going to shuffle the deck one
more time, and this time we'll actually
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00:13:00,960 --> 00:13:02,260
give it one extra cut.
137
00:13:03,040 --> 00:13:05,240
All right, Tiffany, this is where the
trick gets good.
138
00:13:05,900 --> 00:13:11,280
After being able to cut it once, cutting
it three times, all you have to do is
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00:13:11,280 --> 00:13:13,840
bring the cards down and reach in at any
moment.
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00:13:15,220 --> 00:13:16,980
Tiffany, is that your card?
141
00:13:17,420 --> 00:13:18,420
Yes.
142
00:13:18,960 --> 00:13:22,260
Ladies and gentlemen, give Tiffany a
round of applause.
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00:13:26,480 --> 00:13:30,280
Sometimes what appears to be the
simplest trick can have the most
144
00:13:30,280 --> 00:13:33,460
reveals. It's the magic of surrender.
145
00:13:36,840 --> 00:13:37,960
Hi, everybody.
146
00:13:38,200 --> 00:13:39,200
I'm a magician.
147
00:13:39,320 --> 00:13:43,660
But, you know, there are some people
here who are magical, and they don't
148
00:13:43,660 --> 00:13:44,660
know it.
149
00:13:44,840 --> 00:13:50,540
So I brought my pendant to help us find
that special person. And, Madison, I
150
00:13:50,540 --> 00:13:52,840
think you might be that special person.
151
00:13:54,800 --> 00:13:57,700
As you can see, that pendant moves and
glides quite easily.
152
00:13:58,020 --> 00:14:01,660
Can you take it and move it just to the
top and move it up?
153
00:14:02,280 --> 00:14:03,420
And then just drop it.
154
00:14:04,200 --> 00:14:05,660
It goes pretty fast, right?
155
00:14:06,060 --> 00:14:08,520
It's a lot heavier than you think it
would be.
156
00:14:08,820 --> 00:14:14,240
This time, Madison, I want you to take
that pendant, move it up to any spot,
157
00:14:14,240 --> 00:14:15,240
just hold it there.
158
00:14:17,340 --> 00:14:18,199
All right.
159
00:14:18,200 --> 00:14:21,560
Now I want you to concentrate on the
word breathe.
160
00:14:22,240 --> 00:14:24,660
Sit over and over again in your mind.
161
00:14:25,820 --> 00:14:26,860
And now let go.
162
00:14:28,660 --> 00:14:34,180
Madison, that pendant is suspended in
midair. Let's take it one step farther,
163
00:14:34,300 --> 00:14:35,760
Madison. Put your hand out, palm up.
164
00:14:36,240 --> 00:14:38,340
I'm going to put this chain right
between.
165
00:14:39,040 --> 00:14:42,120
And this time I want you to think of the
word relax.
166
00:14:42,640 --> 00:14:43,900
Take a deep breath in.
167
00:14:44,720 --> 00:14:45,720
Relax.
168
00:14:46,260 --> 00:14:49,980
And just like that, Madison, I think we
found your magic.
169
00:14:56,610 --> 00:15:00,810
Labs and the unbelievable talent of Ed
Alonzo. Next.
170
00:15:09,670 --> 00:15:14,190
Let's take a moment to enjoy the
spellbinding and comical stylings of the
171
00:15:14,190 --> 00:15:16,110
and only Ed Alonzo.
172
00:15:16,510 --> 00:15:20,390
Thank you so much. I need a little help
from the audience.
173
00:15:20,890 --> 00:15:23,410
Anyone at all. Just a little
involvement.
174
00:15:23,610 --> 00:15:24,610
Oh.
175
00:15:25,100 --> 00:15:26,780
It would be perfect. Could you help me?
176
00:15:27,060 --> 00:15:29,260
Come on up here. Give her some applause.
177
00:15:30,580 --> 00:15:31,580
Hello.
178
00:15:33,140 --> 00:15:35,860
Let me bring everything nice and close.
179
00:15:36,400 --> 00:15:38,420
My name is Ed Alonzo.
180
00:15:38,820 --> 00:15:39,820
What's your name?
181
00:15:40,200 --> 00:15:45,420
Roslyn. What is your favorite meal of
the day? Breakfast, lunch, or dinner?
182
00:15:45,520 --> 00:15:46,780
Which one do you like, Roslyn?
183
00:15:47,160 --> 00:15:48,400
Lunch. Lunch.
184
00:15:49,180 --> 00:15:50,560
You know what my favorite is?
185
00:15:50,880 --> 00:15:55,770
Breakfast. I'll tell you why. There's
pancakes and sausages and eggs.
186
00:15:56,130 --> 00:15:57,890
Eggs are my favorite. Do you like eggs?
187
00:15:59,410 --> 00:16:01,370
I'm going to make some magic eggs for
you today.
188
00:16:01,630 --> 00:16:03,750
This is a magic bag.
189
00:16:04,370 --> 00:16:05,370
There's nothing inside.
190
00:16:06,490 --> 00:16:09,490
Check it and make sure that I'm telling
the truth. Reach in there. Is there
191
00:16:09,490 --> 00:16:10,490
anything in there?
192
00:16:10,830 --> 00:16:14,130
There's nothing in there, right? You can
turn it inside out if you want. Sure.
193
00:16:14,630 --> 00:16:15,630
There's nothing there.
194
00:16:16,190 --> 00:16:19,050
And then we'll turn it back the other
way. Let me turn it this way too.
195
00:16:19,490 --> 00:16:20,810
Empty? Watch this.
196
00:16:22,090 --> 00:16:23,590
Go like that with your fingers.
197
00:16:24,330 --> 00:16:25,330
Yes, that's perfect.
198
00:16:25,610 --> 00:16:26,610
Punch.
199
00:16:35,330 --> 00:16:37,490
Hold that one carefully. Are you doing
good?
200
00:16:38,070 --> 00:16:39,350
Let's see if I can get another.
201
00:16:45,350 --> 00:16:46,350
Yes.
202
00:16:46,630 --> 00:16:48,170
Oh, you're doing perfect, Roger.
203
00:16:48,450 --> 00:16:50,730
Oh, I can't believe it. There's the
third one.
204
00:16:56,840 --> 00:16:59,140
Yeah, there's another egg there.
205
00:16:59,840 --> 00:17:00,940
You're doing good.
206
00:17:01,420 --> 00:17:04,160
You're getting pretty full there.
207
00:17:04,540 --> 00:17:06,200
Oh, and I have another one too.
208
00:17:06,599 --> 00:17:10,300
Just put that one right there. You're
doing so lovely.
209
00:17:12,079 --> 00:17:14,040
You're kidding me. You see what's in
here?
210
00:17:15,640 --> 00:17:16,640
Another egg.
211
00:17:32,690 --> 00:17:38,650
Can you believe it? There's still one
more egg.
212
00:17:39,050 --> 00:17:43,850
Oh, you know what? Put those in that
basket right there.
213
00:17:44,450 --> 00:17:46,010
Oh, that's okay.
214
00:17:46,250 --> 00:17:47,250
That's all right.
215
00:17:47,770 --> 00:17:50,350
Take a bow, Roslyn. You were so good.
216
00:17:51,690 --> 00:17:53,030
Yeah, that's perfect.
217
00:17:53,230 --> 00:17:55,290
Let me have a drumroll, please.
218
00:18:21,580 --> 00:18:22,860
Those aren't the bad ones.
219
00:19:02,750 --> 00:19:06,870
Well, that's our show for now. We have
lots more magic coming up in the next
220
00:19:06,870 --> 00:19:10,990
edition of Masters of Illusion. Don't
you miss it. Until then, I'm Dean Cain.
221
00:19:11,150 --> 00:19:12,190
Thank you for watching.
18522
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