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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,430 --> 00:00:07,110 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,110 --> 00:00:13,430 perception. You can't trust what you see, even with your own eyes. Meet the 3 00:00:13,430 --> 00:00:14,790 Masters of Illusion. 4 00:00:21,170 --> 00:00:22,850 Hello, everyone. Good evening. 5 00:00:23,070 --> 00:00:26,770 I'm Dean Cain, and welcome to Masters of Illusion. 6 00:00:30,800 --> 00:00:35,920 is impossible do that right okay right well the first thing i do is i try to 7 00:00:35,920 --> 00:00:40,000 rationalize and justify and come up with a reasonable explanation as to why this 8 00:00:40,000 --> 00:00:46,140 just happened but trust me what you're about to see will defy all explanations 9 00:00:46,140 --> 00:00:49,940 so try not to let it drive you too crazy are you ready to lose your mind 10 00:00:49,940 --> 00:00:56,840 this is an ancient map of how 11 00:00:56,840 --> 00:01:01,210 our world once looked It shows the route of a famous explorer and his three 12 00:01:01,210 --> 00:01:04,330 ships, the Pinta, the Nina, and the Santa Maria. 13 00:01:04,930 --> 00:01:09,410 Actually, this map also includes the portrait of the explorer himself. 14 00:01:09,790 --> 00:01:12,310 Do you see Christopher Columbus? 15 00:01:14,210 --> 00:01:19,470 How many hidden meanings will you discover in what is fantasy and what is 16 00:01:21,510 --> 00:01:23,890 This next performer is one of our favorites. 17 00:01:24,130 --> 00:01:27,630 He never fails to amaze us with his original ideas. 18 00:01:28,350 --> 00:01:32,030 Tonight, he conducts you in his performance. 19 00:01:32,410 --> 00:01:36,390 From Perrin, please welcome Xavier Mortimer. 20 00:01:44,390 --> 00:01:45,870 Hi, miss. What's your name? 21 00:01:46,090 --> 00:01:47,730 Amber. Amber. Where are you from? 22 00:01:48,070 --> 00:01:49,370 Los Angeles. Los Angeles? 23 00:01:49,770 --> 00:01:50,770 Me too. 24 00:01:51,710 --> 00:01:52,710 I'm kidding. 25 00:01:53,530 --> 00:01:56,130 I actually come from France. 26 00:02:00,620 --> 00:02:01,900 Oh, ooh la la. 27 00:02:03,360 --> 00:02:07,580 Amber, can you hold this ball for me, please? And someone else, anyone, go 28 00:02:07,580 --> 00:02:08,680 ahead, get the ball. 29 00:02:08,940 --> 00:02:09,940 Let's go. 30 00:05:07,340 --> 00:05:09,140 Yes, I had it on the tip of my tongue. 31 00:05:28,860 --> 00:05:33,540 Okay, let's go now to our audience camera and the unusual magic of a lady 32 00:05:33,540 --> 00:05:36,360 Vietnam who has a most unusual talent. 33 00:05:36,920 --> 00:05:39,300 Please welcome Mae Nguyen. 34 00:07:01,290 --> 00:07:05,650 Watch the astounding skill of JJ when we come back. 35 00:07:15,030 --> 00:07:17,510 Now for our friend from down in Sydney, 36 00:07:18,290 --> 00:07:22,410 Australia's quick -witted and too fast for words, JJ. 37 00:07:28,530 --> 00:07:29,530 Thank you. 38 00:07:30,030 --> 00:07:35,350 So as a con man, as a thief, as a pickpocket, it's getting harder for me 39 00:07:35,350 --> 00:07:36,630 steal in the 21st century. 40 00:07:37,210 --> 00:07:38,510 People are wearing less jewelry. 41 00:07:39,150 --> 00:07:40,550 People are wearing less clothes. 42 00:07:41,410 --> 00:07:45,930 But the new breed of pickpockets, the new breed of con men, thieves, have to 43 00:07:45,930 --> 00:07:49,190 more specific, have to be more subjective on who they choose. 44 00:07:49,650 --> 00:07:50,650 We have to wait. 45 00:07:50,910 --> 00:07:51,910 We have to watch. 46 00:07:52,310 --> 00:07:57,650 We're like smooth, sophisticated serpents ready to strike on our next 47 00:08:00,620 --> 00:08:02,620 I need to borrow a sucker for this next script. 48 00:08:03,520 --> 00:08:04,900 Would you be my sucker for the show? 49 00:08:05,400 --> 00:08:08,160 Sure. What's your first name? Sarah. Give him a nice round of applause, 50 00:08:08,160 --> 00:08:08,739 and gentlemen. 51 00:08:08,740 --> 00:08:09,740 Hi. 52 00:08:15,120 --> 00:08:16,120 Hi. 53 00:08:16,280 --> 00:08:17,280 Hi. 54 00:08:18,020 --> 00:08:19,540 How do you feel that I'm a pickpocket? 55 00:08:19,980 --> 00:08:21,060 Stand up for two seconds. 56 00:08:21,700 --> 00:08:25,180 Okay. Stand up. You've got everything on you, right? There's no way I could take 57 00:08:25,180 --> 00:08:27,240 too much. You would feel everything. Take a seat for a second. 58 00:08:27,740 --> 00:08:30,020 Okay. That's your phone, by the way. Put the phone back. Okay. 59 00:08:31,460 --> 00:08:34,340 So pickpockets, they're looking for something. They're looking for a 60 00:08:34,400 --> 00:08:35,500 They're looking for a tell. 61 00:08:35,700 --> 00:08:37,880 Here's what's going to happen. I'm going to try to pick your tell. Well, do me a 62 00:08:37,880 --> 00:08:40,880 favor. In a pack of 52 cards, I just want you to think of anyone. 63 00:08:41,100 --> 00:08:42,100 Think of anyone. 64 00:08:42,179 --> 00:08:42,939 Have you got one? 65 00:08:42,940 --> 00:08:43,940 Don't say it. 66 00:08:44,600 --> 00:08:45,600 Yeah? 67 00:08:46,620 --> 00:08:50,360 Cool. Can you do me a favor? I want you to take the card outside of this deck. 68 00:08:50,480 --> 00:08:51,480 Take it outside the deck. 69 00:08:51,550 --> 00:08:54,230 Don't show the audience and have a look at it, but hold it on you. 70 00:08:54,470 --> 00:08:56,010 What he's going to do, he's going to look for a card. 71 00:08:56,390 --> 00:08:57,990 I'm very fascinated by how people lie. 72 00:08:58,190 --> 00:09:01,170 The more trust that I can have with you, the closer I can get towards you. 73 00:09:01,430 --> 00:09:02,670 I can get under your skin. 74 00:09:03,670 --> 00:09:04,970 I can start touching you. 75 00:09:05,870 --> 00:09:08,490 Okay, you take it out, pass it to me. Doesn't matter. Doesn't matter, but make 76 00:09:08,490 --> 00:09:09,670 sure that you remember it. Okay. 77 00:09:10,290 --> 00:09:11,930 You're going to look at a point in a room right now. 78 00:09:12,430 --> 00:09:15,270 You're going to look here and I'm going to ask you a series of questions. What 79 00:09:15,270 --> 00:09:18,570 I'm looking for is I'm looking for a pattern. I'm looking for the way he 80 00:09:18,650 --> 00:09:20,810 I'm looking for his health. Look at a point in the room and I'm going to ask 81 00:09:20,810 --> 00:09:23,390 a series of questions. You're going to repeat the word no to me. You're not 82 00:09:23,390 --> 00:09:25,890 going to speed it up. You're not going to slow it down. You're just going to 83 00:09:25,890 --> 00:09:26,589 the word no. 84 00:09:26,590 --> 00:09:29,670 I'm going to say, is your card this? You're going to say no. Is your card 85 00:09:29,710 --> 00:09:31,530 You're going to say no. Are you ready for the game? 86 00:09:32,130 --> 00:09:33,250 No. Very good. 87 00:09:34,790 --> 00:09:36,090 Is your card a red card? 88 00:09:36,490 --> 00:09:38,090 No. Is it a black card? No. 89 00:09:39,450 --> 00:09:40,450 Interesting. 90 00:09:41,110 --> 00:09:42,110 Don't laugh. 91 00:09:42,260 --> 00:09:44,720 Because try and see if we can focus on doing amazing. Is it red? 92 00:09:45,060 --> 00:09:47,320 No. Is it black? No. Okay, it's a red card. 93 00:09:48,780 --> 00:09:49,780 Is it a heart? 94 00:09:50,100 --> 00:09:51,600 No. Is it a diamond? No. 95 00:09:52,260 --> 00:09:55,500 Once again, is it a heart? Stay right there. No. Is it a diamond? 96 00:09:55,780 --> 00:09:56,780 No. 97 00:09:57,220 --> 00:09:58,220 Is it a heart? 98 00:09:58,720 --> 00:10:00,000 No. Is it a diamond? 99 00:10:00,220 --> 00:10:03,260 No. What he's doing really amazing, ladies and gentlemen, is he's keeping 100 00:10:03,260 --> 00:10:07,580 hands close like this, which gives him no chance to fiddle, tweak, but he 101 00:10:07,580 --> 00:10:09,960 move his thumb on the diamonds right there. So I know it's a heart. 102 00:10:11,260 --> 00:10:14,700 It's a heart. It's a red card. I'm going to go up the cards. 13 cards to a 2. 103 00:10:14,940 --> 00:10:15,940 Is it an 8? 104 00:10:15,980 --> 00:10:16,819 No. 2? 105 00:10:16,820 --> 00:10:20,620 No. 3? No. 4? No. 5? No. 6? No. 106 00:10:20,840 --> 00:10:23,400 6? No. 7? No. 8? No. 107 00:10:23,620 --> 00:10:25,680 9? No. 10? No. Jack? 108 00:10:25,880 --> 00:10:28,060 No. Queen? No. King? 109 00:10:28,320 --> 00:10:32,940 No. Every time I know when the card is close to what he said, he's speeding up 110 00:10:32,940 --> 00:10:35,900 his words. I know his card is a heart. I know it's a red card. 111 00:10:36,380 --> 00:10:39,220 I know it's between 8, 2, 3, 4, 5 of hearts. 112 00:10:39,720 --> 00:10:43,240 Be truthful. Is your card either the eighth, two, three, four, five apart? 113 00:10:44,300 --> 00:10:45,300 Yeah. 114 00:10:46,340 --> 00:10:47,820 Now this is your chance to play. 115 00:10:48,240 --> 00:10:50,880 Five cards left. Here we go. Life, you're doing amazing. 116 00:10:51,140 --> 00:10:52,380 Is your card the eighth apart? 117 00:10:52,680 --> 00:10:53,700 No. Two apart? 118 00:10:54,000 --> 00:10:57,000 No. Three? No. Four? No. Five? No. 119 00:10:57,200 --> 00:10:59,860 Three? No. Four? No. Five? 120 00:11:00,080 --> 00:11:04,200 No. Take the card out, the one that you chose, wherever it is. Just keep it to 121 00:11:04,200 --> 00:11:05,200 your choice. 122 00:11:05,260 --> 00:11:06,540 It's three, four, five apart. 123 00:11:07,730 --> 00:11:09,570 Three, four, five apart. Once again, lie for me. 124 00:11:09,910 --> 00:11:10,689 Three apart. 125 00:11:10,690 --> 00:11:12,530 No. Four apart. No. Five apart. 126 00:11:12,730 --> 00:11:13,730 No. 127 00:11:17,050 --> 00:11:20,410 The problem with laughter, and this is why it's such a communal, it's a great 128 00:11:20,410 --> 00:11:22,710 thing which brings us all together, it makes us very relaxed. 129 00:11:24,250 --> 00:11:27,070 Challenging for me, with the cameras, with the lights, but the laughter's the 130 00:11:27,070 --> 00:11:28,230 one that gets me the most. 131 00:11:29,270 --> 00:11:30,550 I'm going into the five apart. 132 00:11:30,870 --> 00:11:33,270 Do me a favour, turn around the card, tell everyone what the card is. 133 00:11:34,990 --> 00:11:35,990 Ladies and gentlemen. 134 00:11:44,950 --> 00:11:48,170 laughs, and the unbelievable talent of Murray Satch. 135 00:11:58,030 --> 00:12:01,130 Our next illusionist is a popular Las Vegas performer. 136 00:12:01,430 --> 00:12:04,550 Tonight, he makes the obvious impossible. 137 00:12:05,150 --> 00:12:09,530 See if you can keep up with the fast innovations of Murray Satch. 138 00:12:16,200 --> 00:12:17,200 Thank you. 139 00:12:17,320 --> 00:12:21,240 I love history. I love aptitude tests. I find them interesting. 140 00:12:21,600 --> 00:12:24,580 I have to have my aptitude test right over here. 141 00:12:24,940 --> 00:12:28,160 And for those who know what they are, you get them for employment and all 142 00:12:28,160 --> 00:12:29,500 of things. They're pretty simple usually. 143 00:12:29,940 --> 00:12:33,480 So here's my test right here. And I actually have it inside the envelope 144 00:12:33,480 --> 00:12:36,940 here. I'm going to seal that up so no one can see it. All right. 145 00:12:37,300 --> 00:12:39,480 And I'll put that right here. Sir, what's your name? 146 00:12:40,180 --> 00:12:44,880 Rick. Do me a favor, Rick. Come to the stairs halfway and meet Stacy. Hang on 147 00:12:44,880 --> 00:12:49,820 the... Do not open it. That's your job, just to hang on to it. All right? 148 00:12:50,140 --> 00:12:52,580 Wonderful. Thank you very much, sir. That's all you've got to do. 149 00:12:53,120 --> 00:12:55,700 Now, here's what we're going to do. It's very simple. You match colors and 150 00:12:55,700 --> 00:12:57,840 switches. See, the green switch matches the green bulb. 151 00:12:58,540 --> 00:12:59,540 Blue matches the blue. 152 00:12:59,980 --> 00:13:01,020 Yellow matches the yellow. 153 00:13:01,320 --> 00:13:03,380 And the red matches the red. Pretty simple, right? 154 00:13:04,000 --> 00:13:05,000 All right, great. 155 00:13:05,020 --> 00:13:07,320 So, here we go. Let's have a look. 156 00:13:07,540 --> 00:13:08,960 Let me see. Sir, what is your name right there? 157 00:13:10,020 --> 00:13:12,740 Eric. Eric, you will be the red bulb, Eric. 158 00:13:13,000 --> 00:13:14,000 All right? 159 00:13:14,370 --> 00:13:17,090 Eric, the idea is not to put the bulb in the same socket because we know it 160 00:13:17,090 --> 00:13:20,070 works. All right? You can put it in any socket you want. This is socket number 161 00:13:20,070 --> 00:13:24,310 one, two, three, or four. Eric, where do you want your red bulb? Four. Four. 162 00:13:24,630 --> 00:13:25,630 All right. 163 00:13:25,970 --> 00:13:28,110 Socket number four. Thank you, Eric. Thank you very much. 164 00:13:28,450 --> 00:13:30,150 Let's have a look over here. What's your name? 165 00:13:30,350 --> 00:13:31,490 Right there, ma 'am. What's your name? 166 00:13:31,830 --> 00:13:32,990 Sydney. Sydney? 167 00:13:33,390 --> 00:13:34,390 All right, Sydney. 168 00:13:34,430 --> 00:13:35,570 You're going to be the yellow bulb. 169 00:13:35,790 --> 00:13:39,170 Where would you like the yellow bulb, Sydney? One, two, three, slot. Where 170 00:13:39,170 --> 00:13:40,170 you like it? Three. 171 00:13:40,250 --> 00:13:41,250 Three. You want... 172 00:13:41,320 --> 00:13:44,160 Yellow bulb in number three. Thank you, Sydney. I appreciate that. 173 00:13:44,380 --> 00:13:47,980 We've got two more bulbs in blue bulb over here. Let's have a look. 174 00:13:48,380 --> 00:13:49,380 What is your name, ma 'am? 175 00:13:49,580 --> 00:13:50,840 Chrissy. Chrissy. 176 00:13:51,180 --> 00:13:53,480 Chrissy, you're going to be the blue bulb. Where do you want the blue bulb in 177 00:13:53,480 --> 00:13:55,060 position number one versus number two? 178 00:13:55,300 --> 00:13:57,400 One. One. All right. Thank you, Chrissy. 179 00:13:57,740 --> 00:14:02,800 Blue bulb in position number one. Of course, we have the green bulb, and 180 00:14:02,800 --> 00:14:04,160 have a look over here. 181 00:14:04,540 --> 00:14:05,540 Sir, what is your name? 182 00:14:05,700 --> 00:14:06,700 Jose. Jose. 183 00:14:07,080 --> 00:14:08,960 Jose, you're the green bulb. 184 00:14:09,390 --> 00:14:10,990 Where would you like the green bulb? 185 00:14:11,850 --> 00:14:12,850 Where would you like to put it? 186 00:14:14,370 --> 00:14:15,229 Slot number two. 187 00:14:15,230 --> 00:14:16,230 Slot number two. 188 00:14:16,370 --> 00:14:17,370 Last show. 189 00:14:17,490 --> 00:14:19,870 They did not tell me to put it there. All right. 190 00:14:21,950 --> 00:14:24,870 There's our order. You guys made it, all four of you, all right? But the cool 191 00:14:24,870 --> 00:14:28,510 thing about this aptitude test, the red always works the red bulb. The yellow 192 00:14:28,510 --> 00:14:31,750 switch always works the yellow bulb. The green switch always works the green 193 00:14:31,750 --> 00:14:34,630 bulb. And the blue switch always works the blue bulb. What do you think? 194 00:14:40,420 --> 00:14:43,460 I'm going to put the cap. You looked a little confused, so let's confuse you 195 00:14:43,460 --> 00:14:48,160 some more. I'm putting the red cap on the red bulb. Pretty simple. Yellow cap 196 00:14:48,160 --> 00:14:52,720 the yellow bulb. Of course, the green cap right over here on the green switch. 197 00:14:52,920 --> 00:14:56,160 And then, of course, the blue cap right over here by the blue bulb. So there it 198 00:14:56,160 --> 00:14:59,780 is. That's it. They should match up. If you look really carefully, you'll see 199 00:14:59,780 --> 00:15:03,300 the red switch. The red bulb, yellow, is the yellow. Green is the green. Of 200 00:15:03,300 --> 00:15:05,640 course, the blue is the blue. What do you think? 201 00:15:09,860 --> 00:15:14,080 You guys created this test before. Your name again, sir, is? Rick. Rick. Rick, 202 00:15:14,160 --> 00:15:16,820 do me a favor. Put the test on the envelope, please. 203 00:15:17,620 --> 00:15:18,720 Excellent. Put that on the tray. 204 00:15:19,120 --> 00:15:23,220 Excellent. Now, you've never had anything prearranged between you and I? 205 00:15:23,220 --> 00:15:24,099 you sure? 206 00:15:24,100 --> 00:15:26,100 Okay, you seem proud of that. 207 00:15:26,440 --> 00:15:27,259 All right. 208 00:15:27,260 --> 00:15:29,640 I'm going to take this. Rick's going to take this. Give it a cut. 209 00:15:30,460 --> 00:15:31,460 That'll work. 210 00:15:31,780 --> 00:15:32,780 Thanks. 211 00:15:33,120 --> 00:15:34,099 Here we go. 212 00:15:34,100 --> 00:15:35,540 You sure you didn't do anything with this at all? 213 00:15:36,060 --> 00:15:37,060 All right. 214 00:15:37,300 --> 00:15:38,780 Watch carefully. 215 00:15:39,360 --> 00:15:40,620 All four of you. Ever meet before? 216 00:15:41,880 --> 00:15:42,880 None of you. All right. 217 00:15:43,000 --> 00:15:44,160 Check this out. Here's my test. 218 00:15:44,680 --> 00:15:45,680 Look at this. 219 00:15:45,780 --> 00:15:46,780 Here's my four balls. 220 00:15:47,000 --> 00:15:49,320 Matching exactly. There's two dozen patterns. 221 00:15:49,840 --> 00:15:51,820 Blue, green, yellow, red. 222 00:15:53,300 --> 00:15:54,300 No, no. 223 00:15:54,400 --> 00:15:56,060 No, you don't look that impressed, people. 224 00:15:56,640 --> 00:15:59,320 You know, I know why. Because you think, in this day and age, we could use 225 00:15:59,320 --> 00:16:02,780 wireless devices. It could be easy to figure out what switch works which. 226 00:16:02,980 --> 00:16:07,400 But here's the cool thing is, Christy, of course, had the blue. Jose had the 227 00:16:07,400 --> 00:16:08,400 green, of course. 228 00:16:08,880 --> 00:16:12,880 Red and Eric had the... And that's my attitude test, everybody. 229 00:16:19,940 --> 00:16:25,000 The wild and mind -bending deception of Garrett and Roger. After this. 230 00:16:34,680 --> 00:16:35,980 Back from Vegas. 231 00:16:36,350 --> 00:16:40,790 It's the dynamic duo that we all know and love. This time, they've figured out 232 00:16:40,790 --> 00:16:43,630 how to get an audience member to do the impossible. 233 00:16:44,170 --> 00:16:45,970 It's Jarrett and Raja. 234 00:16:55,910 --> 00:17:01,450 Raja has graciously allowed me to use his crate of sheet music for my magic. 235 00:17:01,830 --> 00:17:05,270 But first, I need someone from the audience. You're welcome, Jarrett. 236 00:17:06,019 --> 00:17:07,180 So, let's see here. 237 00:17:08,599 --> 00:17:09,599 Hey, 238 00:17:10,460 --> 00:17:11,460 can you help me? 239 00:17:11,560 --> 00:17:13,680 Yeah? Come on, let's give her a big hand. 240 00:17:16,599 --> 00:17:17,599 What's your name? 241 00:17:17,640 --> 00:17:18,780 Sophia. Sophia. 242 00:17:19,200 --> 00:17:20,280 Wow, how old are you? 243 00:17:20,540 --> 00:17:22,859 Eight. I'm going to do some magic. Are you ready for this? 244 00:17:23,060 --> 00:17:26,339 Yeah. All right, well, come over here. Okay. I want you to have a seat right on 245 00:17:26,339 --> 00:17:28,620 here, right on Roger's sheet music here. 246 00:17:29,280 --> 00:17:30,280 Wow, 247 00:17:30,580 --> 00:17:31,600 you're really good. Excellent. 248 00:17:31,880 --> 00:17:33,440 Awesome. That's good. 249 00:17:34,110 --> 00:17:35,110 I see Sophia. 250 00:17:35,550 --> 00:17:41,090 This is my magic pocket watch, okay? All I want you to do is follow with your 251 00:17:41,090 --> 00:17:42,090 eyes. 252 00:17:43,490 --> 00:17:45,410 Go ahead, that's good. 253 00:17:45,810 --> 00:17:48,110 Gently falling asleep. 254 00:17:49,470 --> 00:17:51,470 Slowly falling asleep. 255 00:17:52,010 --> 00:17:53,150 Close your eyes. 256 00:17:54,490 --> 00:17:55,630 She fell asleep. 257 00:17:57,850 --> 00:17:58,850 Okay, roger. 258 00:18:55,560 --> 00:18:56,940 There you go. 259 00:19:01,580 --> 00:19:03,760 Hey, everybody. Sophia. 260 00:19:12,680 --> 00:19:13,680 Wow. 261 00:19:14,080 --> 00:19:15,420 That was amazing. 262 00:19:15,740 --> 00:19:18,740 All of them. And that's it for this edition. 263 00:19:19,130 --> 00:19:23,390 of Masters of Illusion. So be sure to join us next time. Until then, I'm Dean 264 00:19:23,390 --> 00:19:24,390 Cain. Good night. 21564

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