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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,840 --> 00:00:03,680 What you are about to see is extremely dangerous. 2 00:00:04,059 --> 00:00:05,900 Do not try this at home. 3 00:00:06,120 --> 00:00:10,920 Any attempt to recreate these escapes could result in permanent injury or 4 00:00:12,280 --> 00:00:18,120 Illusion. The art of tricking the brain, distorting the senses, challenging 5 00:00:18,120 --> 00:00:24,020 perception. This is taken to a whole new level with the art of the escape. 6 00:00:24,640 --> 00:00:27,240 Meet the Masters of Illusion. 7 00:01:00,460 --> 00:01:03,620 Hello everybody, I'm Dean Cain and welcome to Masters of Illusion. 8 00:01:03,860 --> 00:01:08,320 You know, ever since the great Harry Houdini stunned the world with his 9 00:01:08,320 --> 00:01:12,820 and dangerous escapes a hundred years ago, people have been captivated by 10 00:01:12,820 --> 00:01:15,480 escapes and the artists who perform them. 11 00:01:15,740 --> 00:01:19,820 Well, this special edition of Masters of Illusion is dedicated to this most 12 00:01:19,820 --> 00:01:25,900 dangerous form of magic. I guarantee you, you will be on the edge of your 13 00:01:26,220 --> 00:01:27,280 I know I will. 14 00:01:28,080 --> 00:01:30,140 Are you ready to feel your blood pressure rise? 15 00:01:30,800 --> 00:01:31,800 Yes. 16 00:01:35,200 --> 00:01:38,840 Over the next hour, in addition to the escape that you're going to see 17 00:01:38,840 --> 00:01:44,080 live right here on this stage, we will also bring you escapes too big for the 18 00:01:44,080 --> 00:01:47,840 stage, performed outside and surrounded by spectators. 19 00:01:48,240 --> 00:01:50,240 So, let's get started. 20 00:01:58,080 --> 00:01:59,540 or face a certain demise. 21 00:02:00,020 --> 00:02:02,820 It is truly a race against time. 22 00:02:03,120 --> 00:02:07,660 Here, performing the Jaws of Death, is the amazing Ben Black. 23 00:02:15,220 --> 00:02:16,220 Thank you. 24 00:02:16,680 --> 00:02:19,520 The straight jacket escape is very difficult. 25 00:02:20,580 --> 00:02:23,640 It's even more difficult when you're hanging from the Jaws of Death. 26 00:02:23,880 --> 00:02:26,880 The Jaws of Death, as you can see, has razor sharp teeth on both sides. 27 00:02:27,280 --> 00:02:31,100 There's a rope at the top that holds the teeth up in the air. Holly, after she 28 00:02:31,100 --> 00:02:33,840 puts the jacket on me, will set that rope on fire, which will give me 29 00:02:33,840 --> 00:02:37,320 approximately a minute and a half to escape from the straight jacket and 30 00:02:37,320 --> 00:02:39,720 myself before the teeth crash down into my body. 31 00:02:44,220 --> 00:02:47,180 Straight jacket, it's made of canvas, heavy canvas, leather straps. 32 00:02:48,400 --> 00:02:50,760 Holly's buckling up a series of buckles in the back. 33 00:02:51,290 --> 00:02:54,090 When she gets to that, there's a strap in the middle, which prevents the jacket 34 00:02:54,090 --> 00:02:57,830 from coming easily over my head after she does that. So I do the strap that 35 00:02:57,830 --> 00:03:01,570 restrain my hands to my body, making it virtually impossible to make the escape. 36 00:05:33,980 --> 00:05:38,440 For this next escape, we travel to China for Man vs. 37 00:05:38,780 --> 00:05:39,780 feeding train. 38 00:05:39,820 --> 00:05:43,540 Any miscalculation in the timing could result in their demise. 39 00:05:43,880 --> 00:05:46,340 Why would anyone do this? 40 00:05:46,760 --> 00:05:50,260 Well, answering that question, here is Fran Ferrari. 41 00:05:54,800 --> 00:05:56,200 Hi, I'm Fran Ferrari. 42 00:05:56,500 --> 00:05:58,880 I'm a magician. I'm an illusionist. 43 00:05:59,560 --> 00:06:04,820 That is an enigmatic discipline, and it's very difficult to explain. We are 44 00:06:04,820 --> 00:06:08,380 in Guiyang, China, and we're here for one principal reason. 45 00:06:08,680 --> 00:06:13,340 These guys. If you steal something, if you hurt somebody in this city in China, 46 00:06:13,580 --> 00:06:17,020 you're going to prison for a really long time. 47 00:06:17,440 --> 00:06:22,740 But if you want to hurt yourself, if you want to do something to yourself, who 48 00:06:22,740 --> 00:06:25,100 cares? Nobody cares. This guy sure doesn't care. 49 00:06:25,580 --> 00:06:27,020 So that's why we're here. 50 00:06:27,280 --> 00:06:28,280 Let's do this. 51 00:06:30,119 --> 00:06:33,840 Wolf, you got communication with the girls, right? 52 00:06:34,040 --> 00:06:35,040 All right. 53 00:06:35,860 --> 00:06:37,340 Stay on that cell phone. 54 00:06:37,540 --> 00:06:38,860 Wait for their call. 55 00:06:42,800 --> 00:06:46,620 The moment we hear anything, let me know, because that's the only way I'm 56 00:06:46,620 --> 00:06:47,620 to know how much time we've got. 57 00:06:47,900 --> 00:06:48,900 Get the rope. 58 00:06:49,760 --> 00:06:50,760 Lock me in. 59 00:06:51,020 --> 00:06:52,400 What do we know from the girls? 60 00:06:52,780 --> 00:06:55,660 I haven't got any responding from her. 61 00:06:56,480 --> 00:06:58,680 We had trouble with the cell phones this morning. 62 00:07:00,020 --> 00:07:02,680 Get them just to respond. I want to make sure they're there. 63 00:07:03,000 --> 00:07:04,820 Okay. Okay, carry. 64 00:07:05,680 --> 00:07:06,680 Rope me up. 65 00:07:07,420 --> 00:07:09,200 And then make that rope as tight as you can. 66 00:07:10,100 --> 00:07:11,400 Tie it to the post over there. 67 00:07:36,710 --> 00:07:38,870 Seriously. I need it. Seriously. 68 00:07:39,150 --> 00:07:46,150 Get in here. Get out of here. 69 00:08:03,090 --> 00:08:05,210 Houdini's water escapes are legendary. 70 00:08:05,850 --> 00:08:10,350 A hundred years ago, he captivated the world with his daring episodes of Facing 71 00:08:10,350 --> 00:08:14,530 Death. He never revealed how he performed The Impossible. 72 00:08:14,910 --> 00:08:18,450 Well, tonight we present his famous water escape. 73 00:08:18,790 --> 00:08:20,850 Here is Alex Ramon. 74 00:08:25,270 --> 00:08:26,270 Thank you. 75 00:08:26,690 --> 00:08:31,950 In the teens of the 1920s, Harry Houdini would be locked inside a tank of water 76 00:08:31,950 --> 00:08:32,950 submerged. 77 00:08:33,580 --> 00:08:37,220 A velvet curtain would cover the tank so you couldn't see what was going on. You 78 00:08:37,220 --> 00:08:40,000 had no idea what was happening. A few minutes went by. 79 00:08:40,500 --> 00:08:43,620 The curtain ripped open. Houdini was standing there dripping wet. He had 80 00:08:43,620 --> 00:08:47,660 escaped. And no one knew how he did it. I'm not saying that Harry Houdini 81 00:08:47,660 --> 00:08:50,940 escaping a tank of water was easy or even magical because it wasn't. 82 00:08:51,680 --> 00:08:55,200 It takes a lot of hard work. It takes precise execution. 83 00:08:55,740 --> 00:08:59,940 And most critically, it's extremely dangerous. 84 00:09:02,640 --> 00:09:03,840 I need someone from the audience. 85 00:09:07,340 --> 00:09:08,340 Hello, sir. How are you? 86 00:09:08,960 --> 00:09:09,960 What's your name? Sonny. 87 00:09:10,140 --> 00:09:13,140 Sonny. Sonny, I have a few things for you to take a look at. I have a set of 88 00:09:13,140 --> 00:09:14,140 handcuffs here. 89 00:09:14,240 --> 00:09:17,220 I want you to pull on the cups. Make sure they do, in fact, lock shut. They 90 00:09:17,220 --> 00:09:19,760 don't just pop open. Pull on the cups. Make sure they're locked. 91 00:09:21,540 --> 00:09:22,540 Good. 92 00:09:22,660 --> 00:09:23,660 Here's the key. 93 00:09:23,740 --> 00:09:24,740 Key goes in. 94 00:09:24,780 --> 00:09:26,460 Clockwise turn. Cups open right up. 95 00:09:27,340 --> 00:09:30,440 Key goes in. Clockwise turn. Cups open right up. 96 00:09:31,560 --> 00:09:34,420 I have a commercial lock for you, Sonny. Take a look at that lock. I want you to 97 00:09:34,420 --> 00:09:37,540 lock the lock. Pull on the shackle. Make sure it doesn't just pop open. 98 00:09:38,180 --> 00:09:39,740 Is the lock shut? Is it good? 99 00:09:41,140 --> 00:09:42,140 That's all you got to do. 100 00:09:43,200 --> 00:09:45,280 So, we had the cuts examined. 101 00:09:46,000 --> 00:09:47,240 We had the lock examined. 102 00:09:48,140 --> 00:09:50,720 And now, finally, the water. 103 00:09:51,160 --> 00:09:56,100 55 gallons in a clear plexiglass tank, so you can see everything. 104 00:09:56,400 --> 00:10:00,480 Now, I'm going to give you a secret that Houdini always kept. 105 00:10:00,860 --> 00:10:05,080 This ring was Houdini's priceless secret. Hidden on the inside 106 00:10:05,080 --> 00:10:09,520 this ring is a little tiny shim metal lockpick, smaller than a toothpick. With 107 00:10:09,520 --> 00:10:10,560 this ring, Houdini escaped. 108 00:10:11,720 --> 00:10:13,080 With this ring, I'm going to escape. 109 00:10:13,840 --> 00:10:17,220 Now, the average person can hold their breath for only 30 seconds under 110 00:10:17,220 --> 00:10:20,580 stressful conditions, and I think you'd all agree, this is going to be a very 111 00:10:20,580 --> 00:10:21,860 stressful situation. 112 00:10:22,260 --> 00:10:24,020 If you want to hold your breath with me, you can. 113 00:10:26,260 --> 00:10:28,520 And when you start gasping for air, you'll know how I feel. 114 00:11:16,970 --> 00:11:23,730 You know, sometimes when you know the secret of magic, 115 00:11:23,870 --> 00:11:27,630 like this ring, it's even more amazing. 116 00:11:28,350 --> 00:11:30,750 There's no curtain hiding you from what you're about to see. 117 00:11:31,950 --> 00:11:35,970 You're going to see exactly what it takes, exactly how it's done. 118 00:11:37,670 --> 00:11:38,830 There is no trick. 119 00:14:04,910 --> 00:14:09,130 Up next, one of the most dangerous escapes ever attempted. David Merlini is 120 00:14:09,130 --> 00:14:10,330 burned at the stake. 121 00:14:15,630 --> 00:14:18,610 What you are about to see is extremely dangerous. 122 00:14:19,030 --> 00:14:20,870 Do not try this at home. 123 00:14:21,130 --> 00:14:25,910 Any attempt to recreate these escapes could result in permanent injury or 124 00:14:30,310 --> 00:14:33,030 Fire is one of man's most deadly adversaries. 125 00:14:33,470 --> 00:14:38,130 So when man deliberately fuels that fire in an attempt to defy the element, it 126 00:14:38,130 --> 00:14:40,550 would seem nothing good would come from it. 127 00:14:40,930 --> 00:14:43,050 Here is David Merlini. 128 00:14:47,250 --> 00:14:53,490 Fire is not only hypnotizing majestic power, but it's also something 129 00:14:53,490 --> 00:14:54,810 extremely dangerous. 130 00:14:55,610 --> 00:15:00,530 Tonight we will attempt an escape never done before, invented by the late Harry 131 00:15:00,530 --> 00:15:01,530 Blackstone. 132 00:15:01,960 --> 00:15:06,940 I will be tied up to this version stake and I will be filled with flammable 133 00:15:06,940 --> 00:15:11,500 material and lit on fire. I have to escape before it will be too late. 134 00:16:50,120 --> 00:16:51,120 I'm okay. 135 00:16:56,800 --> 00:17:00,900 To ensure survival, an escape artist's life is reliant upon personally 136 00:17:00,900 --> 00:17:05,140 inspecting every single detail of the preparation of their performance. 137 00:17:05,400 --> 00:17:08,339 They cannot afford to let anyone else take that responsibility. 138 00:17:08,579 --> 00:17:11,460 It is a matter of life or death. 139 00:17:12,160 --> 00:17:15,200 Let's welcome the fearless Brandi LaPlante. 140 00:17:16,480 --> 00:17:18,220 So what's going to happen here? 141 00:17:18,780 --> 00:17:24,660 is Matt and Chris are going to latch me by my wrist, by my ankle, and around the 142 00:17:24,660 --> 00:17:30,220 waist. That car is going to go up 40 feet in the air, and Matt is going to 143 00:17:30,220 --> 00:17:32,020 the fuse, and that car is going to fall. 144 00:17:32,340 --> 00:17:33,660 This is a Sweeney trick. 145 00:17:34,460 --> 00:17:40,180 The car hangs from here, and the fuse gets lit, it travels up, lights this 146 00:17:40,180 --> 00:17:44,280 pyrotechnic device, which opens the latch, and the car drops. 147 00:17:48,040 --> 00:17:52,300 Hard drop is a variation of an earlier escape that had the escape artist 148 00:17:52,300 --> 00:17:54,200 restrained under a grand piano. 149 00:17:54,720 --> 00:18:00,060 The ropes holding the piano were lit on fire, or they used some other way to 150 00:18:00,060 --> 00:18:01,220 time release the piano. 151 00:18:02,320 --> 00:18:05,960 The SUV we're using weighs about 5 ,000 pounds. 152 00:18:07,340 --> 00:18:12,240 That's why I've got a crane that's rated for 40 tons. It's more than adequate, 153 00:18:12,440 --> 00:18:15,480 but I always want to err on the side of caution. Nothing worse. 154 00:18:15,830 --> 00:18:18,690 than having a crane tip over in the middle of an escape. 155 00:18:21,310 --> 00:18:22,870 I got it. 70 seconds. 156 00:18:23,270 --> 00:18:25,210 So go ahead, latch me in. 157 00:18:26,870 --> 00:18:27,870 Yep. 158 00:18:31,610 --> 00:18:32,610 All right. 159 00:18:46,209 --> 00:18:47,209 Make it really tight. 160 00:18:57,630 --> 00:18:59,290 Good. Good height. 161 00:19:06,070 --> 00:19:07,070 Ready? 162 00:19:07,770 --> 00:19:08,770 Light it. 163 00:19:09,790 --> 00:19:11,670 Okay, they're lighting the fuse. Heads up. 164 00:19:53,550 --> 00:19:54,550 She's having trouble. 165 00:20:06,070 --> 00:20:07,350 This is taking too long. 166 00:20:33,070 --> 00:20:37,810 Next, 1 ,300 pounds of steel, including 28 spikes. 167 00:20:38,230 --> 00:20:41,210 Josephine Lee faces off with the table of death. 168 00:20:46,750 --> 00:20:49,770 What you are about to see is extremely dangerous. 169 00:20:50,030 --> 00:20:55,350 Do not try this at home. Any attempt to recreate these escapes could result in 170 00:20:55,350 --> 00:20:57,070 permanent injury or death. 171 00:21:02,280 --> 00:21:06,620 Our next escape artist is a woman who allows herself no time for mistakes. 172 00:21:07,040 --> 00:21:09,100 40 seconds, to be exact. 173 00:21:09,460 --> 00:21:15,720 This stunt requires precision and perfect timing. To miscalculate could 174 00:21:15,720 --> 00:21:19,980 death. From England, here is the amazing Josephine Lee. 175 00:21:26,780 --> 00:21:31,520 This is 1 ,300 pounds of steel. 176 00:21:32,380 --> 00:21:36,660 28 steel spikes hung by this rope. 177 00:21:37,180 --> 00:21:43,840 Once this rope is set on fire, I have only 40 seconds to free 178 00:21:43,840 --> 00:21:50,560 myself until that happens. 179 00:21:51,100 --> 00:21:57,440 But instead of standing here, I risk being underneath those spikes. 180 00:21:58,890 --> 00:22:01,590 Ladies and gentlemen, this is about precision. 181 00:22:02,070 --> 00:22:07,710 It's about accuracy and having one shot at getting this right. 182 00:24:35,370 --> 00:24:40,470 Once again, we go out on location, this time the Mojave Desert, where our next 183 00:24:40,470 --> 00:24:45,650 escape artist has cooked up a unique performance using found objects, a stick 184 00:24:45,650 --> 00:24:48,830 dynamite, and a cave you have to see to believe. 185 00:24:49,150 --> 00:24:53,070 With assistance from Kurt Anderson, here is Farrell Dillon. 186 00:24:55,190 --> 00:24:58,150 This is Farrell Dillon outside of Baker, California. 187 00:24:58,370 --> 00:25:02,730 I happened upon this cave on a hike the other day. I also found this. 188 00:25:04,070 --> 00:25:09,350 container inside the cave. I'm going to use the items that I found inside the 189 00:25:09,350 --> 00:25:13,530 cave to escape from a stick of dynamite that I've already planted inside the 190 00:25:13,530 --> 00:25:14,530 cave. 191 00:25:14,670 --> 00:25:18,470 It's not a stick of dynamite. It's a pack of dynamite. It's a bomb. 192 00:25:19,030 --> 00:25:21,370 This is a bad idea. 193 00:25:21,930 --> 00:25:23,090 You've done some crazy things. 194 00:25:23,450 --> 00:25:24,450 This is a bad idea. 195 00:25:25,090 --> 00:25:28,510 Trust me, it's a good idea. Here, let's go see what we have inside. 196 00:25:28,710 --> 00:25:29,449 Come with me. 197 00:25:29,450 --> 00:25:31,070 Here we are inside the cave. 198 00:25:31,590 --> 00:25:32,590 Here's the deal. 199 00:25:32,710 --> 00:25:36,940 This, is a bundle of dynamite set to explode when the timer goes off. 200 00:25:37,180 --> 00:25:40,940 The next thing that we're going to have are these three items, which I will use 201 00:25:40,940 --> 00:25:43,040 to pick the locks on the restraint. 202 00:25:43,500 --> 00:25:44,700 Let's talk about the restraint. 203 00:25:45,160 --> 00:25:49,760 This is an old set of Darby shackles. These are mid -1800s or so. 204 00:25:50,240 --> 00:25:52,860 They're not like the strength that you're used to? 205 00:25:53,100 --> 00:25:56,320 No, they're actually made completely different. They have a different locking 206 00:25:56,320 --> 00:26:00,280 mechanism on them, and I'm not certain that I'm really familiar with the actual 207 00:26:00,280 --> 00:26:02,080 locking mechanism for the Darby restraint. 208 00:26:02,410 --> 00:26:05,430 So this is going to lock your neck in. I've got two that are going to do your 209 00:26:05,430 --> 00:26:07,050 hands. They're strapped to the back of the chair. 210 00:26:07,370 --> 00:26:11,470 Then we've got two strapped to the chair to put your legs in so the chair can't 211 00:26:11,470 --> 00:26:12,469 move or anything. 212 00:26:12,470 --> 00:26:13,530 All right, let's give it a try. 213 00:26:15,610 --> 00:26:16,409 All right. 214 00:26:16,410 --> 00:26:17,410 You ready to do this? 215 00:26:17,570 --> 00:26:18,650 As ready as I'll ever be. 216 00:26:22,530 --> 00:26:23,530 Perfect. 217 00:26:23,710 --> 00:26:25,190 My arms go behind my back. 218 00:26:25,650 --> 00:26:29,370 That way I don't have access to the item on the table right away. 219 00:26:30,190 --> 00:26:31,190 Is it too tight? 220 00:26:31,210 --> 00:26:35,550 No, you're good. These are the old kind. They're really tight. 221 00:26:35,810 --> 00:26:38,530 Yeah, they don't actually make different sizes of these either. 222 00:26:39,070 --> 00:26:40,090 When you make them, 223 00:26:41,050 --> 00:26:43,710 it's all about the crescent part. 224 00:26:44,230 --> 00:26:48,910 Normally on a new style handcuff, they're one size fits all. These, 225 00:26:48,910 --> 00:26:49,910 only certain people. 226 00:26:49,990 --> 00:26:51,690 These blocks are corroded. 227 00:26:52,410 --> 00:26:55,070 This is crazy. This is a stupid thing to do. 228 00:26:56,490 --> 00:26:57,490 Last one right there. 229 00:26:57,710 --> 00:26:58,930 Do not try this at home. 230 00:27:01,800 --> 00:27:02,800 You good? 231 00:27:04,380 --> 00:27:06,000 Can you hand me the items off the table? 232 00:27:07,460 --> 00:27:08,960 Put one of the rings on my fingers. 233 00:27:10,100 --> 00:27:11,100 Yeah. 234 00:27:11,360 --> 00:27:12,900 Is that going to hold there? That's perfect, yeah. 235 00:27:18,720 --> 00:27:19,539 Good luck. 236 00:27:19,540 --> 00:27:20,540 Thanks. 237 00:28:37,200 --> 00:28:42,340 Coming up, escape artist Spencer Horsman risks being buried alive under 1 ,700 238 00:28:42,340 --> 00:28:44,000 pounds of wet cement. 239 00:28:50,640 --> 00:28:53,720 What you are about to see is extremely dangerous. 240 00:28:54,160 --> 00:28:59,240 Do not try this at home. Any attempt to recreate these escapes could result in 241 00:28:59,240 --> 00:29:01,020 permanent injury or death. 242 00:29:06,730 --> 00:29:09,810 How far would you go to prove your ability as an escape artist? 243 00:29:10,390 --> 00:29:13,650 Straight jacket, fire, handcuffed underwater? 244 00:29:14,550 --> 00:29:19,410 Well, here performing his own unique and death -defying escape is Spencer 245 00:29:19,410 --> 00:29:20,410 Horseman. 246 00:29:21,970 --> 00:29:26,550 I took the plastic Houdini water torture cell, which was lowered inside of a six 247 00:29:26,550 --> 00:29:30,510 -foot -tall container filled with water. It was padlocked shut and covered up 248 00:29:30,510 --> 00:29:34,370 with a cloth. He would make his escape a few minutes later. Took the same idea 249 00:29:34,370 --> 00:29:35,289 of the tank. 250 00:29:35,290 --> 00:29:38,290 and wanted to add something a little bit more dangerous than just water inside 251 00:29:38,290 --> 00:29:39,290 of it. 252 00:29:40,130 --> 00:29:46,770 We are going to be pouring 150 gallons, 1 ,700 pounds worth of wet 253 00:29:46,770 --> 00:29:48,410 cement on top of me. 254 00:30:28,400 --> 00:30:29,400 You put the bar in. 255 00:31:09,970 --> 00:31:10,970 Keep it going. 256 00:31:20,130 --> 00:31:21,130 Keep it going. 257 00:31:21,490 --> 00:31:22,490 Keep it going. 258 00:31:25,590 --> 00:31:26,590 Keep it going. 259 00:32:00,550 --> 00:32:02,370 Take deep breaths. Take a little deep breath, babe. 260 00:32:05,310 --> 00:32:07,730 Keep your head up. Keep it up one more time. 261 00:32:08,010 --> 00:32:09,010 Come on, keep it going. Anyone? 262 00:32:09,150 --> 00:32:09,889 Keep it going. 263 00:32:09,890 --> 00:32:10,890 Anyone? 264 00:32:58,220 --> 00:33:02,260 Earlier tonight, David Merlini battled fire, but that wasn't enough for him. 265 00:33:02,340 --> 00:33:06,500 With his next challenge, David will add liquid nitrogen to the equation. 266 00:33:06,900 --> 00:33:08,320 How impossible is that? 267 00:33:08,800 --> 00:33:10,080 We're about to find out. 268 00:33:10,360 --> 00:33:12,220 Welcome back, David Merlini. 269 00:33:14,620 --> 00:33:18,300 Tonight, I will attempt one of the most dangerous escapes ever conceived. 270 00:33:20,040 --> 00:33:26,660 In this cup, we have liquid nitrogen, which is 199 degrees below the zero 271 00:33:26,660 --> 00:33:32,040 centigrade. It's just the same contact of the tanks behind me. This portion of 272 00:33:32,040 --> 00:33:38,460 liquid nitrogen would transform any organic being in a piece of porcelain in 273 00:33:38,460 --> 00:33:39,500 fraction of a second. 274 00:33:40,040 --> 00:33:41,040 Same place. 275 00:33:58,300 --> 00:34:02,800 Preparation has to be divided into two parts. We have a physical preparation 276 00:34:02,800 --> 00:34:03,800 a mental preparation. 277 00:34:04,020 --> 00:34:08,639 The physical preparation is basically the easiest. You have to prepare your 278 00:34:08,639 --> 00:34:10,840 to survive an extreme temperature. 279 00:34:11,199 --> 00:34:16,120 The mental preparation is slightly more difficult. You have to accept that you 280 00:34:16,120 --> 00:34:20,800 will be in a situation never attempted before by other people. Anything almost 281 00:34:20,800 --> 00:34:25,560 can happen when you're in there. There is no way that anybody can save you, can 282 00:34:25,560 --> 00:34:26,560 rescue you. 283 00:36:47,270 --> 00:36:48,670 you 284 00:37:16,520 --> 00:37:21,400 Next, Ben Black returns for a terrifying crossbow finale that will have you 285 00:37:21,400 --> 00:37:23,320 holding your breath and covering your eyes. 286 00:37:28,840 --> 00:37:31,840 What you are about to see is extremely dangerous. 287 00:37:32,120 --> 00:37:34,100 Do not try this at home. 288 00:37:34,340 --> 00:37:39,140 Any attempt to recreate these escapes could result in permanent injury or 289 00:37:45,520 --> 00:37:51,140 I cannot watch this next artist without getting a little bit nervous. His task 290 00:37:51,140 --> 00:37:55,960 depends on exact timing, perfect preparation, and precise coordination. 291 00:37:56,480 --> 00:38:01,960 Every single detail must be checked and rechecked. A wrong move in the slightest 292 00:38:01,960 --> 00:38:04,420 direction means severe injury. 293 00:38:04,660 --> 00:38:08,320 I hold my breath every time I watch Ben Black. 294 00:41:18,440 --> 00:41:22,540 Thank you so much for joining us for this very special edition of Masters of 295 00:41:22,540 --> 00:41:26,140 Illusion, celebrating the most impossible escape of all time. 296 00:41:26,400 --> 00:41:30,220 We hope you've enjoyed this remarkable mixture of danger and excitement. 297 00:41:30,520 --> 00:41:31,640 I'm Dean Cain. 298 00:41:31,840 --> 00:41:32,840 Good night. 299 00:41:52,780 --> 00:41:53,780 Supposedly. 25627

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