All language subtitles for masters_of_illusion_s06e06_floating_fire

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,310 --> 00:00:07,890 The art of tricking the brain, distorting the senses, challenging 2 00:00:08,189 --> 00:00:12,210 You can't trust what you see, even with your own eyes. 3 00:00:12,450 --> 00:00:14,730 Meet the Masters of Illusion. 4 00:00:22,350 --> 00:00:25,990 Welcome to Masters of Illusion. I'm Dean King. 5 00:00:26,310 --> 00:00:30,810 Now, in the imagination, anything can happen. But in real life... 6 00:00:31,100 --> 00:00:32,960 The possibilities are limited, right? 7 00:00:33,940 --> 00:00:35,240 Well, don't be so sure. 8 00:00:35,500 --> 00:00:39,540 See if you can tell whether what you're seeing is real or if you're just 9 00:00:39,540 --> 00:00:40,540 imagining it. 10 00:00:40,680 --> 00:00:41,860 Do you think you can do that? 11 00:00:43,820 --> 00:00:45,640 I bet you can't. 12 00:00:49,700 --> 00:00:54,880 If the mind searches for the unobvious, it can determine secrets of the artist. 13 00:00:55,140 --> 00:00:58,700 So in this silhouette of an African landscape, can you find the animals? 14 00:00:59,320 --> 00:01:00,720 that live here? Well, look closely. 15 00:01:01,000 --> 00:01:03,760 I see a gorilla and a lion. 16 00:01:03,980 --> 00:01:07,660 Well, I promise you our masters of illusion will uncover some hidden 17 00:01:07,660 --> 00:01:08,680 for you tonight. 18 00:01:13,060 --> 00:01:15,520 And now, the wizardry of the dungeon. 19 00:01:15,820 --> 00:01:17,620 Here is Tetra. 20 00:03:08,330 --> 00:03:12,070 Let's go down into the audience for a visit with a young lady who just might 21 00:03:12,070 --> 00:03:14,130 have her eye on your jewelry. 22 00:03:14,410 --> 00:03:16,610 Here is Ana de Guzman. 23 00:03:22,570 --> 00:03:24,610 Hello, what's your name? Cheryl. 24 00:03:24,830 --> 00:03:25,830 Cheryl, I'm Ana. 25 00:03:26,050 --> 00:03:27,410 So lovely to meet you. 26 00:03:27,710 --> 00:03:30,350 I actually wanted to do some shopping real quick. 27 00:03:30,670 --> 00:03:33,530 I was kind of needing a ring. 28 00:03:34,450 --> 00:03:35,450 Do you have one? 29 00:03:35,550 --> 00:03:38,010 Yeah. You do? Can I borrow your ring? Sure. 30 00:03:38,510 --> 00:03:39,510 Do you need it back? 31 00:03:39,810 --> 00:03:40,810 I actually do. 32 00:03:41,050 --> 00:03:42,009 Oh, you do? 33 00:03:42,010 --> 00:03:44,170 I'll make sure to return it back to you then. 34 00:03:44,610 --> 00:03:48,450 This is a very pretty ring, so I promise I won't break it. But this is your 35 00:03:48,450 --> 00:03:52,710 ring. I want you to keep a close eye on it. I don't know if it fits, but watch. 36 00:03:53,450 --> 00:03:54,450 I think I'll keep it. 37 00:03:56,070 --> 00:04:02,330 Some people think it's a trick ring, but it's not. It's actually my fingers. 38 00:04:02,690 --> 00:04:05,530 Watch your ring. It's on my pointer finger, correct? Yes. 39 00:04:06,299 --> 00:04:10,720 Right. Watch. It'll melt through all four fingers. 40 00:04:12,460 --> 00:04:13,920 But the last finger is the hardest. 41 00:04:14,360 --> 00:04:15,600 You can watch it from the back. Ready? 42 00:04:16,000 --> 00:04:18,019 Find a speed spot. One, two, 43 00:04:19,140 --> 00:04:20,740 three. Just like that. 44 00:04:21,140 --> 00:04:23,300 Oh, my gosh. Look at me. 45 00:04:24,100 --> 00:04:30,780 But the hard part is now trying to get it to go through your fingers. 46 00:04:31,740 --> 00:04:34,220 Okay. Okay. Ready? Can you hold out your pointer finger out? 47 00:04:35,890 --> 00:04:36,890 Ready? Yes. 48 00:04:38,090 --> 00:04:39,090 Watch the ring. 49 00:04:40,350 --> 00:04:41,830 Hold it out a little bit further. 50 00:04:42,230 --> 00:04:43,470 Bend. Stay still. 51 00:04:43,870 --> 00:04:44,870 Take the ring. 52 00:04:45,350 --> 00:04:47,430 I'm going to make it go through your finger. Do you feel this? 53 00:04:48,090 --> 00:04:49,090 Watch. 54 00:04:50,130 --> 00:04:51,130 Just like that. 55 00:04:52,210 --> 00:04:55,030 Wait, wait, wait. I'm going to make it disappear. 56 00:04:57,490 --> 00:04:58,550 I'm just kidding. 57 00:04:59,110 --> 00:05:03,290 I'm going to make it reappear and jump onto your shoulder. 58 00:05:16,580 --> 00:05:23,540 Our next performer is going to make one member of our 59 00:05:23,540 --> 00:05:24,840 audience a star. 60 00:05:25,120 --> 00:05:29,220 He has a card trick, but the card is a cue card. 61 00:05:29,660 --> 00:05:31,340 Here is Eric Jones. 62 00:05:42,160 --> 00:05:45,980 What I'd like to do now is give one of you an opportunity to do some magic. 63 00:05:48,220 --> 00:05:49,220 What's your name, love? 64 00:05:50,180 --> 00:05:53,840 Leticia? Guys, give Leticia a round of applause as she makes her way up. 65 00:06:01,600 --> 00:06:05,600 You are about to be the magician for all of these people for the next couple of 66 00:06:05,600 --> 00:06:07,840 minutes. I'm going to have a seat right over here, and I'm going to get you to 67 00:06:07,840 --> 00:06:10,340 read from some cue cards. Okay. And all of the success. 68 00:06:11,100 --> 00:06:12,220 is yours, all right? 69 00:06:16,120 --> 00:06:17,460 Whenever you're ready. 70 00:06:18,060 --> 00:06:19,160 Good evening, everyone. 71 00:06:23,020 --> 00:06:27,200 I will present for you the most amazing trick ever. 72 00:06:27,700 --> 00:06:28,700 Ooh. 73 00:06:30,680 --> 00:06:32,540 For this, I will need a volunteer. 74 00:06:33,960 --> 00:06:35,160 I need a man. 75 00:06:38,520 --> 00:06:40,000 So let me choose someone. 76 00:06:43,780 --> 00:06:46,180 Actually, you. You in the black -collar jacket. 77 00:06:47,160 --> 00:06:48,520 Give him a round of applause, guys. 78 00:06:53,880 --> 00:06:55,120 Please, step right over here. 79 00:06:56,620 --> 00:06:58,340 Please think of any playing card. 80 00:06:58,780 --> 00:06:59,759 Say it. 81 00:06:59,760 --> 00:07:00,760 Five of clubs. 82 00:07:01,420 --> 00:07:02,960 I knew you would name that card. 83 00:07:03,760 --> 00:07:04,900 You don't believe me? 84 00:07:05,260 --> 00:07:06,260 I wouldn't. 85 00:07:07,500 --> 00:07:08,840 Allow me to prove it. 86 00:07:09,600 --> 00:07:11,120 Earlier on today... 87 00:07:12,080 --> 00:07:18,980 I had this funny feeling about one special card, and I placed it 88 00:07:18,980 --> 00:07:19,980 inside an envelope. 89 00:07:22,920 --> 00:07:23,920 This one. 90 00:07:24,620 --> 00:07:25,740 This could be kind of cool. 91 00:07:26,380 --> 00:07:27,900 This could be really cool. 92 00:07:28,600 --> 00:07:31,860 You're the magician. I want you to go ahead and lift the envelope lid. 93 00:07:32,280 --> 00:07:34,500 You'll notice that there's one card inside. 94 00:07:35,300 --> 00:07:37,080 What was your card, bro? Five of clubs. 95 00:07:37,940 --> 00:07:40,980 Pull it out and fill the other. 96 00:07:54,120 --> 00:07:56,800 will make you doubt your senses when we come back. 97 00:08:06,240 --> 00:08:09,580 Ever wonder what happened to that missing sock that got lost in the dryer? 98 00:08:09,800 --> 00:08:13,540 I know I do. But we're about to solve that mystery and I'm excited. 99 00:08:13,780 --> 00:08:15,420 Meet Joshua J. 100 00:08:20,740 --> 00:08:26,040 I need some... Help, and I will use you. Would you mind joining me? Come on up 101 00:08:26,040 --> 00:08:27,040 here. Give him a round of applause. 102 00:08:29,280 --> 00:08:33,240 Hi, what's your name? Dominic. Dominic, nice to have you here. Dominic, strange 103 00:08:33,240 --> 00:08:34,240 question for you. 104 00:08:34,580 --> 00:08:35,919 Are you wearing socks? 105 00:08:36,940 --> 00:08:37,940 Yeah. 106 00:08:38,140 --> 00:08:39,799 Do you mind if I look at them? 107 00:08:40,820 --> 00:08:41,820 Sure. 108 00:08:44,100 --> 00:08:45,079 Dinosaur socks? 109 00:08:45,080 --> 00:08:46,280 My son likes dinosaurs. 110 00:08:48,110 --> 00:08:49,670 Can we borrow your socks? 111 00:08:50,010 --> 00:08:51,010 Yeah. 112 00:08:51,330 --> 00:08:54,890 All right, great. So, Dominic, you're going to sit here, pop off your shoes 113 00:08:54,890 --> 00:08:59,290 your socks. I need them both. And while you're doing that, I have passed out 100 114 00:08:59,290 --> 00:09:03,470 unmatched socks throughout the theater. If you've got socks in your hands, hold 115 00:09:03,470 --> 00:09:07,110 them up right now. Some of you have two or three or five. I would like everybody 116 00:09:07,110 --> 00:09:10,970 with socks to stand up quick as you can, stuff them in the laundry bag. As you 117 00:09:10,970 --> 00:09:14,590 stuff them in, you can mix them around, make sure that you can see that all the 118 00:09:14,590 --> 00:09:15,810 socks are indeed different. 119 00:09:19,529 --> 00:09:20,509 Okay, perfect. 120 00:09:20,510 --> 00:09:27,150 100 unmatched socks, all different patterns and colors, plus Dominic. 121 00:09:27,990 --> 00:09:28,990 Thanks, Dominic. 122 00:09:29,710 --> 00:09:31,090 Thanks for that. I appreciate it. 123 00:09:31,330 --> 00:09:32,910 All right, stand up for me, sir. 124 00:09:33,850 --> 00:09:36,590 Here's how this is going to work. In a moment, you are going to reach in at 125 00:09:36,590 --> 00:09:39,290 random, and in each hand, you are going to grab a sock. 126 00:09:39,490 --> 00:09:43,630 And I hope that despite 100 unmatched socks, you're going to pull out the only 127 00:09:43,630 --> 00:09:46,890 perfect match in the whole bag. That would be an amazing trick, right? Yeah. 128 00:09:47,920 --> 00:09:51,020 Try and act excited, Dominic. Without looking. Without looking, yes. 129 00:09:51,220 --> 00:09:54,640 But we have to raise the stakes. We have to make this somehow more impossible. 130 00:09:54,720 --> 00:09:55,900 So I'm going to say this. 131 00:09:56,340 --> 00:10:02,300 Whatever socks you pull, right or wrong, those are the socks you're going to go 132 00:10:02,300 --> 00:10:03,540 home with from the theater tonight. 133 00:10:03,920 --> 00:10:04,920 Okay. 134 00:10:05,120 --> 00:10:06,099 Best of luck. 135 00:10:06,100 --> 00:10:08,960 So the only thing is you can't look. You have to look away. So we'll start with 136 00:10:08,960 --> 00:10:10,400 your right hand. You're going to reach inside. 137 00:10:10,920 --> 00:10:14,260 Feel all around, but just grab one. When you've got one, put it behind your 138 00:10:14,260 --> 00:10:15,760 back. And now. 139 00:10:16,320 --> 00:10:19,540 Hold out your other hand. And again, Dominic, you cannot go by the smell. 140 00:10:21,380 --> 00:10:23,400 One sock only. Put it behind your back. 141 00:10:23,640 --> 00:10:30,100 And now, do me a favor and please hold up the socks. You've got a perfect 142 00:10:33,240 --> 00:10:34,240 Oh, boy. 143 00:10:34,380 --> 00:10:36,180 Well, you've got a new pair of socks. 144 00:10:36,560 --> 00:10:40,160 I like those. But actually, you just see something impossible. 145 00:10:41,520 --> 00:10:46,420 Because you did manage to find the perfect match. You managed to find 146 00:10:46,420 --> 00:10:51,300 the perfect match to the socks I'm wearing. 147 00:10:55,060 --> 00:11:01,980 Now, Dominic, I'm a man of my word, so you can take these socks home with you, 148 00:11:02,020 --> 00:11:04,680 stick them in your pocket, and think of us when you wear them, mismatch. 149 00:11:05,000 --> 00:11:09,180 But... The question is, what happened to your sex? We have a consolation prize 150 00:11:09,180 --> 00:11:12,140 for you. I don't know if you've noticed this, but under the curtain, under the 151 00:11:12,140 --> 00:11:16,620 sheet, over this way, we have a consolation prize for you. Come back 152 00:11:16,620 --> 00:11:18,920 get to take this home with you. Stand right over this way. 153 00:11:19,280 --> 00:11:22,740 And the consolation prize is my best friend, Andy Gladwin. 154 00:11:24,440 --> 00:11:25,440 Give him a hug. 155 00:11:27,400 --> 00:11:32,780 The cool thing about Andy Gladwin is that he's got a sharp sense of style, 156 00:11:32,780 --> 00:11:35,380 in particular, he's got a killer... 157 00:11:35,870 --> 00:11:42,070 Show it to them. Those are your same dinosaur socks. 158 00:11:42,810 --> 00:11:46,830 We'll let both of you go backstage, switch out socks. Thank you guys very 159 00:11:55,090 --> 00:11:58,250 An impossible prediction by Tommy Wynn. 160 00:12:07,920 --> 00:12:09,320 Okay, you've heard the question before. 161 00:12:09,540 --> 00:12:11,720 Is the hand quicker than the eye? 162 00:12:12,620 --> 00:12:17,060 See if you can tell. Keep focused on the movements of Tommy Wayne. 163 00:12:18,180 --> 00:12:19,220 Thank you very much. 164 00:12:20,860 --> 00:12:21,860 Thank you. 165 00:12:22,080 --> 00:12:25,100 So we have a volunteer here from the audience. What's your name? 166 00:12:25,320 --> 00:12:27,740 Annalise. Annalise, a pleasure to meet you. Have we ever met before? 167 00:12:28,040 --> 00:12:31,900 No. I have a bunch of different art paintings here from all different 168 00:12:31,920 --> 00:12:35,520 so we're going to try to do a little experiment with those, but you can't see 169 00:12:35,520 --> 00:12:39,160 them. You see, it's part... of the effect that you don't know what you're 170 00:12:39,160 --> 00:12:41,180 to pick, but they're going to be able to see them, okay? 171 00:12:41,380 --> 00:12:44,660 So we have all different paintings. For example, the Mona Lisa. 172 00:12:45,500 --> 00:12:48,520 Everybody see the Mona Lisa painting right there? Okay. We're going to place 173 00:12:48,520 --> 00:12:52,360 this down right here on the table for just a second. We also have the 174 00:12:52,360 --> 00:12:56,680 okay? Totally different painting. We'll just place that right down over here as 175 00:12:56,680 --> 00:12:58,240 well. And then we also have Dali. 176 00:12:58,440 --> 00:13:02,220 Everybody sees that one? It's very different. And we have a Picasso here as 177 00:13:02,220 --> 00:13:05,660 well, too. The Picasso. And then we actually have another famous... 178 00:13:06,040 --> 00:13:08,040 Painting, the Van Gogh, the Van Gogh painting. 179 00:13:08,280 --> 00:13:12,940 Okay. And then, of course, last but not least, we have the Andy Warhol. Okay. So 180 00:13:12,940 --> 00:13:14,420 we have all of these different paintings. 181 00:13:14,800 --> 00:13:18,460 And the audience is your eyes and ears. It's a little bit opposite this time. 182 00:13:18,680 --> 00:13:20,300 So are all the paintings different? 183 00:13:20,740 --> 00:13:23,840 Yes. See, they're all different. All right. So this is what we're going to 184 00:13:23,900 --> 00:13:28,040 I'm going to actually need you to pick one of these. But first, I'm going to 185 00:13:28,040 --> 00:13:31,860 take one of these and I'm going to place a prediction right there. 186 00:13:32,160 --> 00:13:35,560 Okay, so I'm going to put my prediction and see if my prediction is correct. 187 00:13:35,780 --> 00:13:39,700 We'll just put one there like that, and that'll stay there the entire time. Now, 188 00:13:39,760 --> 00:13:43,820 what I'm going to need you to do is go ahead and put your finger on any one. 189 00:13:43,880 --> 00:13:48,120 They're all different, so just point to any one. That one there, we're going to 190 00:13:48,120 --> 00:13:52,180 move that one to give it to you. You just hold that to yourself, okay? 191 00:13:52,380 --> 00:13:57,380 So now, this was a free choice at random. All the paintings are different, 192 00:13:57,500 --> 00:13:59,540 right? Good. Okay, cool. 193 00:13:59,800 --> 00:14:05,480 So, for the first time, Out loud and showing the audience, what is the photo 194 00:14:05,480 --> 00:14:06,480 that you chose? 195 00:14:08,580 --> 00:14:09,580 Van Gogh. 196 00:14:15,780 --> 00:14:20,500 Well, I don't know if it's the same one I picked, because I actually picked Van 197 00:14:20,500 --> 00:14:24,440 Gogh, too. That was the one that I brought. Wasn't it, Steve Gray? Come on. 198 00:14:24,840 --> 00:14:27,820 Thank you so much. You did a wonderful job. Thank you. 199 00:14:29,900 --> 00:14:31,200 Thank you very much, folks. 200 00:14:37,220 --> 00:14:40,780 Time to go back to our audience to discuss the fears that we all face. 201 00:14:41,240 --> 00:14:44,100 This is more than just simply pick a card. 202 00:14:45,000 --> 00:14:46,940 This is fighting. 203 00:14:51,960 --> 00:14:56,360 We're going to try something with some phobias. I've got a stack of cards over 204 00:14:56,360 --> 00:14:57,540 here and each one has... 205 00:14:57,850 --> 00:15:00,650 One of the most common phobias in the world, things like heights and darkness 206 00:15:00,650 --> 00:15:02,850 and clowns and change and flying. Do you have a phobia? 207 00:15:03,230 --> 00:15:04,009 What is it? 208 00:15:04,010 --> 00:15:05,010 Spiders. Spiders. 209 00:15:06,150 --> 00:15:08,670 It's definitely in here. It's one of the top 50, so it's got to be in here. 210 00:15:08,670 --> 00:15:09,589 There it is, spiders. 211 00:15:09,590 --> 00:15:11,830 Here's what we're going to try. I want to show you guys how phobias work. 212 00:15:12,230 --> 00:15:13,290 Can you hold out your hand for me? 213 00:15:13,490 --> 00:15:15,070 Yeah, that's perfect. I'm ready to do it. Yeah. 214 00:15:15,400 --> 00:15:18,420 I'm going to take a random phobia here, thunder. That is not your phobia, 215 00:15:18,460 --> 00:15:22,140 correct? I'm going to place this inside your hand right there. The thunder is 216 00:15:22,140 --> 00:15:24,580 going to go inside your hand. Now, here's the way phobias work. 217 00:15:25,080 --> 00:15:28,580 Because phobias are so limiting and fear is the most powerful emotion you could 218 00:15:28,580 --> 00:15:31,980 feel, when you think of your fear, just the fact that you said the word spiders 219 00:15:31,980 --> 00:15:33,340 could preoccupy your thoughts. 220 00:15:33,680 --> 00:15:37,340 So much so that magical things can happen. I put a card in your hand that 221 00:15:37,340 --> 00:15:42,200 thunder. But if you focus on that phobia enough, that could change. Take a look. 222 00:15:42,200 --> 00:15:43,200 Turn it over. Take a look. 223 00:15:46,060 --> 00:15:48,680 That's a spider, right? That's a spider. Look at that. Spider. 224 00:15:50,440 --> 00:15:52,980 Let's try this. I'm going to put this spider's card in the middle of the deck, 225 00:15:53,120 --> 00:15:55,580 and I want you to hold your hand out flat again. I'm going to place the whole 226 00:15:55,580 --> 00:15:57,720 deck in your hand. I want you to put your other hand on top like this. Hold 227 00:15:57,720 --> 00:15:59,760 really tight. Put your other hand on top like that. 228 00:16:00,060 --> 00:16:01,060 Exactly. Perfect. 229 00:16:02,140 --> 00:16:03,140 Let's try it. Do you have a phobia? 230 00:16:03,620 --> 00:16:04,619 Closed spaces. 231 00:16:04,620 --> 00:16:07,820 Closed spaces. So claustrophobic? Yes. Closed spaces. Okay. If you focus on 232 00:16:07,820 --> 00:16:11,320 phobia, check this out. If I just snap, don't move the card. Don't grab that top 233 00:16:11,320 --> 00:16:14,320 card. Just the top one because you can actually get your phobia. 234 00:16:14,910 --> 00:16:19,950 Because you focused on it, to jump to the top. It says closed spaces on the 235 00:16:19,950 --> 00:16:20,950 one. 236 00:16:23,650 --> 00:16:26,650 Once again, just don't move. Let me get that top one right there. Yeah, keep it 237 00:16:26,650 --> 00:16:29,590 closed like that. You start going in the middle, but because you're focusing on 238 00:16:29,590 --> 00:16:32,270 it, yours as well jumps right to the top. There it is. Spider. 239 00:16:33,030 --> 00:16:34,030 You know what I mean? 240 00:16:34,770 --> 00:16:35,770 It's you guys. 241 00:16:36,590 --> 00:16:39,090 But here's the thing about seers. They're so limited. 242 00:16:39,870 --> 00:16:43,510 that they can not only replace one thought or our predominant thought, they 243 00:16:43,510 --> 00:16:47,030 replace all our thoughts. You saw 50 cards with 50 different phobias go in 244 00:16:47,030 --> 00:16:49,330 hand. Lower your hands like this for me just a little bit. 245 00:16:49,650 --> 00:16:50,770 Your phobia is spiders. 246 00:16:51,330 --> 00:16:54,210 Check this out. All the thoughts lift your upper hand away. 247 00:17:03,310 --> 00:17:05,130 And that's a souvenir for you to take home. 248 00:17:08,329 --> 00:17:12,230 Next, The Impossible is Made Possible by Ed Alonzo. 249 00:17:21,210 --> 00:17:26,230 What you're about to see is the result of pure serendipity, raw talent, and a 250 00:17:26,230 --> 00:17:27,290 bit of craziness. 251 00:17:27,569 --> 00:17:31,810 This magician had planned on performing the traditional linking rings mystery, 252 00:17:31,990 --> 00:17:33,750 but then he realized he forgot the rings. 253 00:17:34,230 --> 00:17:36,830 So, as they say, there's more than one way. 254 00:17:37,290 --> 00:17:38,290 To skin a cat. 255 00:17:38,730 --> 00:17:40,470 Here's Ed Alonzo. 256 00:17:42,670 --> 00:17:43,750 Thank you so much. 257 00:17:45,170 --> 00:17:49,310 You know, a lot of times when I perform my magic, I need a little table. 258 00:17:56,230 --> 00:17:59,410 I'm also concealing a footstool and a lit candle. 259 00:18:01,550 --> 00:18:04,350 I just blew out the candle. 260 00:18:05,590 --> 00:18:07,090 Don't ask me to produce the stool. 261 00:18:07,950 --> 00:18:11,010 And now I'm going to show you the very first trick that I saw. 262 00:18:11,890 --> 00:18:13,650 It was performed with some rings. 263 00:18:13,870 --> 00:18:17,470 Now these aren't rings. These are giant playing cards. But I'm going to change 264 00:18:17,470 --> 00:18:19,550 them into rings right before your eyes. 265 00:18:19,790 --> 00:18:21,610 Here's how you do it. Like this. 266 00:18:22,390 --> 00:18:23,610 Fold them in half. 267 00:18:25,870 --> 00:18:29,650 Tear a half circle into the center of those three cards. 268 00:18:30,510 --> 00:18:31,530 Ah, there we go. 269 00:18:31,750 --> 00:18:32,930 I'm destroying them. 270 00:18:33,419 --> 00:18:36,560 But when you open them up, there's a big hole in the middle. Now I'm going to 271 00:18:36,560 --> 00:18:41,300 see if I can link these rings together just like the magician did for me years 272 00:18:41,300 --> 00:18:42,300 ago. 273 00:18:49,380 --> 00:18:52,620 I remember I stood there quiet the first time I saw it, too. 274 00:18:58,100 --> 00:19:02,580 Now to take the cards apart, just fold the inside two in half. 275 00:19:03,110 --> 00:19:06,950 Give the middle one a twist, and it slides off like that. 276 00:19:10,590 --> 00:19:14,850 Now I'm going to set this one in the middle, unfold these two, and pass it 277 00:19:14,850 --> 00:19:18,530 across, attempting the fastest link in the world. 278 00:19:23,890 --> 00:19:25,490 One, two, three. 279 00:19:31,900 --> 00:19:35,880 Now, if you want to take the cards apart, it's easy. All you have to do is 280 00:19:35,880 --> 00:19:37,460 them just like this. 281 00:19:38,580 --> 00:19:40,880 That's not very magical, but I can fix that. 282 00:19:41,480 --> 00:19:46,300 All you have to do is take the card, pinch them right in the center like 283 00:19:46,360 --> 00:19:53,300 and they go back one, two, 284 00:19:53,520 --> 00:19:54,780 three. 285 00:19:58,600 --> 00:19:59,600 Now, 286 00:19:59,740 --> 00:20:03,100 I'm going to hand these cards out for examination. 287 00:20:05,200 --> 00:20:10,700 Watch my hands closely, because it's my feet that will be doing the magic. 288 00:20:16,620 --> 00:20:20,760 One for you, one for you, and one for you. 289 00:20:25,440 --> 00:20:26,720 Oh, my. 290 00:20:28,780 --> 00:20:29,840 Well, our time is up. 291 00:20:30,340 --> 00:20:34,840 Don't ask me how they do it. All I can say is they do it very well because they 292 00:20:34,840 --> 00:20:36,820 are the masters of illusion. 293 00:20:37,340 --> 00:20:40,520 I'm Dean Cain. Until next time, thank you so much for watching. We appreciate 294 00:20:40,520 --> 00:20:41,520 you guys being here. 295 00:20:41,560 --> 00:20:42,560 Thank you. 296 00:20:44,980 --> 00:20:45,980 Thank you. 297 00:21:05,810 --> 00:21:08,390 All right. All right. 25545

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.