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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,770 --> 00:00:07,110 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:07,110 --> 00:00:13,430 perception. You can't trust what you see, even with your own eyes. Meet the 3 00:00:13,430 --> 00:00:14,770 Masters of Illusion. 4 00:00:16,790 --> 00:00:23,770 Welcome to Masters 5 00:00:23,770 --> 00:00:29,590 of Illusion. I'm Dean Cain. Now, our brains process information from all of 6 00:00:29,590 --> 00:00:30,590 senses. 7 00:00:31,150 --> 00:00:34,890 something doesn't seem to add up, if it doesn't seem to make sense, the brain 8 00:00:34,890 --> 00:00:37,670 will reject what our senses are telling it. 9 00:00:38,010 --> 00:00:42,170 Now, we're going to challenge our brains to make sense of things that I promise 10 00:00:42,170 --> 00:00:44,350 you will not add up. 11 00:00:44,970 --> 00:00:46,290 Are you up to the challenge? 12 00:00:47,650 --> 00:00:48,650 All right. 13 00:00:54,410 --> 00:00:58,090 Can you imagine playing chess or checkers on this board? 14 00:00:58,520 --> 00:01:02,280 Well, if you could, would you be playing on top of the board or under the board? 15 00:01:02,440 --> 00:01:03,980 I can see a castle on both. 16 00:01:04,920 --> 00:01:10,660 Hmm. Well, our Masters of Illusion will cause you to doubt yourself tonight. I 17 00:01:10,660 --> 00:01:11,660 promise you. 18 00:01:15,900 --> 00:01:21,180 Quick is the best way to describe the action of our magic ambassador from 19 00:01:21,180 --> 00:01:23,740 Korea. Here is Jackie Yu. 20 00:02:25,269 --> 00:02:29,530 Let's go to our audience camera now and take a look at some magic money with 21 00:02:29,530 --> 00:02:30,530 Greg Gleason. 22 00:02:30,610 --> 00:02:32,590 Greg, I'll take some of that magic money, please. 23 00:02:36,310 --> 00:02:39,970 You know, whenever I do a show, I always ask the audience who they think was the 24 00:02:39,970 --> 00:02:42,530 world's greatest magician. Who do you guys think was the world's greatest 25 00:02:42,530 --> 00:02:43,530 magician of all time? 26 00:02:44,750 --> 00:02:47,750 Houdini, that's what everybody says. Houdini. Now, he was actually an escape 27 00:02:47,750 --> 00:02:51,830 artist, but he did some amazing magic. And, in fact, he invented some of his 28 00:02:51,830 --> 00:02:52,769 magic illusions. 29 00:02:52,770 --> 00:02:56,230 One was called metamorphosis or the sub -trunk. And I'd like to do that with 30 00:02:56,230 --> 00:02:57,470 you. And I brought along a trunk. 31 00:02:57,970 --> 00:03:02,170 Unfortunately, I don't think we're going to fit in this trunk. So I did bring 32 00:03:02,170 --> 00:03:06,190 something along that would fit in the trunk. I brought along two $1 bills. I 33 00:03:06,190 --> 00:03:10,390 went ahead and signed my name across one of them. And this is Morgan from the 34 00:03:10,390 --> 00:03:12,350 studio audience. Morgan, if you would do the same thing. 35 00:03:12,800 --> 00:03:17,720 Just take this Sharpie and just write your name really big across the back of 36 00:03:17,720 --> 00:03:18,720 that. 37 00:03:19,640 --> 00:03:21,140 One dollar bill. Perfect. 38 00:03:21,440 --> 00:03:26,420 And what Houdini would do is he would take his lovely assistant, in this case 39 00:03:26,420 --> 00:03:30,440 it's Morgan, and he would take Morgan and he would tie her up in a bag. 40 00:03:31,120 --> 00:03:36,520 And then he would open up his trunk and he would put her in the trunk and then 41 00:03:36,520 --> 00:03:41,540 lock her down inside of the trunk. Would you go ahead and hold on to that one? 42 00:03:42,090 --> 00:03:47,910 Now, Houdini would then take himself, and he would stand on top of the trunk, 43 00:03:47,990 --> 00:03:53,530 and in just a matter of seconds, again, watch me, 44 00:03:53,650 --> 00:03:59,630 because the $1 bill will never, ever leave your sight. 45 00:04:00,790 --> 00:04:01,790 However, 46 00:04:03,570 --> 00:04:10,390 the signatures will change from my name to Morgan's name. 47 00:04:10,910 --> 00:04:15,670 That means, Morgan, you open the trunk, open up that bill, 48 00:04:15,870 --> 00:04:22,190 and there it is. 49 00:04:22,770 --> 00:04:25,850 And that's consuming genetomorphism. 50 00:04:26,150 --> 00:04:29,610 How about a big hand for Morgan? Thank you very much, Morgan. Thank you. 51 00:04:33,130 --> 00:04:37,590 You might be able to shuffle cards a hundred different ways, but to witness 52 00:04:37,590 --> 00:04:40,170 talents of our next performer is spellbinding. 53 00:04:40,620 --> 00:04:44,440 Do not take your eyes off the hands of Joshua Jones. 54 00:04:45,680 --> 00:04:46,680 All right. 55 00:04:50,680 --> 00:04:56,020 A blue deck of cards and a red deck of cards and something that's almost 56 00:04:56,020 --> 00:04:58,140 impossible. What's your name? 57 00:04:58,380 --> 00:05:01,920 Matthew. Matthew. Matthew, you're going to take this blue deck of cards and 58 00:05:01,920 --> 00:05:05,280 shuffle them up. When you're done shuffling, give them some cuts, and I 59 00:05:05,280 --> 00:05:08,800 the same with this red deck of cards. 60 00:05:10,390 --> 00:05:14,450 Now, while you're shuffling, I want you to take note of the fact the amount of 61 00:05:14,450 --> 00:05:20,470 shuffles possible in a deck of cards is an 8 with 67 zeros after it. 62 00:05:20,930 --> 00:05:24,510 It's almost hard to comprehend, and we're going to test that out now. So 63 00:05:24,510 --> 00:05:29,450 the cards in your hand and spread through until you get a feeling on a 64 00:05:29,450 --> 00:05:33,810 don't want you to look at the card. I just want you to take it and place it 65 00:05:33,810 --> 00:05:34,810 down. 66 00:05:36,650 --> 00:05:39,330 And you don't know what that card is, of course. And you don't know what that 67 00:05:39,330 --> 00:05:43,050 card is. Good. We're going to look at these cards, but not yet. Instead, I 68 00:05:43,050 --> 00:05:48,010 you to take that card and place it inside your breast pocket there, and 69 00:05:48,010 --> 00:05:49,010 the same. 70 00:05:49,270 --> 00:05:50,850 Yeah, and keep shuffling, please. 71 00:05:52,030 --> 00:05:56,570 You've watched me shuffle. You've watched him shuffle. Now I want all of 72 00:05:56,570 --> 00:05:57,890 watch me cut. 73 00:05:58,530 --> 00:06:01,650 The card, get one final cut. 74 00:06:02,790 --> 00:06:07,050 All of you watched me do it, and I'm not going to change the order again at all. 75 00:06:07,130 --> 00:06:08,250 Now it's your turn. 76 00:06:08,810 --> 00:06:11,910 Place the cards on the table and give them one final cut. 77 00:06:13,690 --> 00:06:14,690 And complete. 78 00:06:14,910 --> 00:06:16,430 Perfect. Now we'll check mine first. 79 00:06:16,670 --> 00:06:20,090 For the people in the crowd out there, would you please verify those cards are 80 00:06:20,090 --> 00:06:22,490 not separated by color or suit? They really are shopping. 81 00:06:22,870 --> 00:06:26,230 And would you square them up and put them face down right there? And then 82 00:06:26,230 --> 00:06:27,230 check yours. 83 00:06:28,930 --> 00:06:29,970 Let's see how you did. 84 00:06:31,410 --> 00:06:32,410 Yeah, good work. 85 00:06:35,460 --> 00:06:39,660 Now, the odds of us shuffling these cards and then cutting to the exact same 86 00:06:39,660 --> 00:06:40,900 card, you know what the odds of that are? 87 00:06:41,500 --> 00:06:42,500 Oh, big. 88 00:06:42,900 --> 00:06:45,520 Just one in 52, actually, but I appreciate your enthusiasm. 89 00:06:47,080 --> 00:06:52,040 Check this out. I don't want to touch those cards. Turn it over. 90 00:06:53,700 --> 00:06:54,900 No. No. 91 00:06:56,180 --> 00:06:57,180 No. 92 00:06:57,320 --> 00:07:01,540 Well, if you think that's weird, if you think that's improbable, pick up the 93 00:07:01,540 --> 00:07:02,780 cards. I don't even want to touch them. 94 00:07:03,800 --> 00:07:05,840 Deal that five of diamonds right here. Yeah. 95 00:07:06,200 --> 00:07:11,080 Perfect. And whatever the next card is, take that card and deal it down. 96 00:07:13,800 --> 00:07:17,320 Deal with me as fast as you can. Look, four of hearts. 97 00:07:17,600 --> 00:07:23,440 Every single card in this deck matches perfectly. Look at this. 98 00:07:23,800 --> 00:07:27,160 every single card, the queen, the seven, the three, the eight, the eight, the 99 00:07:27,160 --> 00:07:30,440 five, the two, the nine, the six, the three, all the way down here to the 100 00:07:30,440 --> 00:07:33,140 the two, the three, the six, every card in this deck. 101 00:07:36,320 --> 00:07:42,020 But, but, you were drawn to a card before we did anything. While you were 102 00:07:42,020 --> 00:07:44,900 shuffling, I was drawn to a card. Take that card out now. 103 00:07:46,300 --> 00:07:52,540 My friends, this isn't just improbable. This is impossible. 104 00:07:58,700 --> 00:08:02,180 Bill Cook will make you doubt your senses when we come back. 105 00:08:11,240 --> 00:08:15,940 One thing we all know is when you pour liquid into a container, the liquid, it 106 00:08:15,940 --> 00:08:17,140 can't move by itself. 107 00:08:17,880 --> 00:08:22,000 But somehow, our magician from Chicago does not believe that. 108 00:08:22,380 --> 00:08:25,120 Of course. Here is Bill Cook. 109 00:08:34,320 --> 00:08:35,320 I am fun at parties. 110 00:08:38,240 --> 00:08:39,240 Looks like you agree. 111 00:08:39,559 --> 00:08:42,140 But for those of you that are skeptical, I will prove it to you. 112 00:08:47,120 --> 00:08:51,540 We'll start with blue, yellow, 113 00:08:51,700 --> 00:08:55,060 and the red. 114 00:09:17,800 --> 00:09:18,800 And the blue. 115 00:09:26,880 --> 00:09:33,440 Now, here's what I know from mixing colors with my needles. If you mix red 116 00:09:33,440 --> 00:09:38,060 yellow and blue together, you get brown. 117 00:09:39,640 --> 00:09:40,640 Wow. 118 00:09:49,580 --> 00:09:50,580 is red. 119 00:09:56,100 --> 00:09:58,960 That means yellow. 120 00:10:04,740 --> 00:10:08,600 I like looking out into the audience and seeing adults trying to explain to 121 00:10:08,600 --> 00:10:10,380 themselves how this works, that there's something. 122 00:10:11,060 --> 00:10:15,860 No. That's why for blue, I pour it out this way and show that there's 123 00:10:15,860 --> 00:10:18,340 nothing in the bucket at all. 124 00:10:31,820 --> 00:10:36,240 away from Tokyo, Japan, our next master has a new way to use a punchline. 125 00:10:36,580 --> 00:10:40,480 Let's go to our audience camera and take a lesson from Shoot Ogawa. 126 00:10:47,060 --> 00:10:50,920 I use a few things here, but first of all, I have a few business cards. 127 00:10:51,140 --> 00:10:55,120 These days, business cards are not really important anymore because we can 128 00:10:55,120 --> 00:10:59,040 the internet, but I really like this as a souvenir for the people. So I use this 129 00:10:59,040 --> 00:11:00,040 card here. 130 00:11:00,060 --> 00:11:03,630 And also I use... card. These are like, you know, some of cards here. 131 00:11:03,950 --> 00:11:06,150 Could you take one card from here and put it on the table for me? 132 00:11:06,350 --> 00:11:07,950 Very good. Okay, you can turn over. 133 00:11:08,450 --> 00:11:09,450 Okay, just like that way. 134 00:11:09,570 --> 00:11:13,850 Okay, I have two of the clubs. I use this card here, and also I use this 135 00:11:14,010 --> 00:11:17,070 Could you hold this for me? Alright, this is what I'm going to do. Again, 136 00:11:17,070 --> 00:11:20,150 really hard to watch if you can't see it, so sorry for that. Open your hand. 137 00:11:20,470 --> 00:11:23,890 I make a hole on the playing card, like this. 138 00:11:24,370 --> 00:11:25,810 Sorry, I hope you can't see well. 139 00:11:26,010 --> 00:11:30,250 So, just keep my heart here, okay, on your palm, and you can see the hole. Can 140 00:11:30,250 --> 00:11:31,250 you see that? Yes. 141 00:11:31,569 --> 00:11:32,650 It's really tiny. 142 00:11:32,890 --> 00:11:37,930 So and I use the business card here and I put card here so you can see the hole 143 00:11:37,930 --> 00:11:38,930 here. Can you see that? 144 00:11:39,110 --> 00:11:40,770 Okay. And if you want you can touch here. 145 00:11:41,490 --> 00:11:45,210 You can feel right? Yes. This is hole. Real hole. Yes. Okay. You can see that. 146 00:11:45,290 --> 00:11:49,650 All right. So now I have a playing card here and also business card. Which card 147 00:11:49,650 --> 00:11:51,310 has a hole on? Playing card or business card? 148 00:11:51,730 --> 00:11:55,250 Playing card. Playing card. Yes. So when I count three, this hole is going to 149 00:11:55,250 --> 00:11:59,010 jump from playing card to the business card. Are you ready? I will count three. 150 00:11:59,110 --> 00:12:00,350 One. Two. 151 00:12:04,240 --> 00:12:05,540 It's very clean, okay? 152 00:12:05,780 --> 00:12:07,060 I knew I'd be good, right? 153 00:12:08,540 --> 00:12:12,700 Now I put this heart in a card like this way, so it fits exactly. 154 00:12:12,980 --> 00:12:16,500 And now this card is a little bit more special, so you can take my card and my 155 00:12:16,500 --> 00:12:17,500 heart together. 156 00:12:17,780 --> 00:12:18,780 Thank you very much. 157 00:12:23,820 --> 00:12:24,820 Next, 158 00:12:28,680 --> 00:12:31,460 an impossible prediction by Chipper Lowell. 159 00:12:41,520 --> 00:12:43,040 is your knowledge of geography? 160 00:12:43,460 --> 00:12:47,720 Well, you're about to take a trip with kind of a wacky tour guide. 161 00:12:48,000 --> 00:12:50,100 Let's see if you can pass his test. 162 00:12:50,540 --> 00:12:52,280 Here is Chipper Lower. 163 00:12:56,460 --> 00:12:58,800 I need the help of somebody. 164 00:12:59,440 --> 00:13:00,239 Let's see. 165 00:13:00,240 --> 00:13:04,660 What is your name? Lauren. Lauren, come on up. Give Lauren a nice hand. Let's 166 00:13:04,660 --> 00:13:05,660 hear it for Lauren. 167 00:13:06,720 --> 00:13:07,800 Right over here, Lauren. 168 00:13:08,620 --> 00:13:09,800 Very nice to meet you. 169 00:13:10,040 --> 00:13:14,060 I'm going to give you a dry erase board and a magic marker. 170 00:13:14,480 --> 00:13:17,020 And you may look over here. We have the United States. 171 00:13:17,500 --> 00:13:20,940 All right? The United States. Now, there's something very cool about this. 172 00:13:20,940 --> 00:13:23,980 going to have you think of one of the states. I want you to concentrate on a 173 00:13:23,980 --> 00:13:26,100 place that maybe you've never been but you'd like to go. 174 00:13:26,520 --> 00:13:29,800 Maybe someplace you've always been. Maybe a place your parents have gone to 175 00:13:29,800 --> 00:13:30,940 maybe they grew up there and moved. 176 00:13:31,280 --> 00:13:32,540 You got it? Okay. 177 00:13:32,780 --> 00:13:35,880 Hide it from me. Hide it from the audience and write in big letters 178 00:13:35,880 --> 00:13:37,680 that state is, if you would please. 179 00:13:39,870 --> 00:13:40,870 Are you all set? 180 00:13:40,950 --> 00:13:44,390 I'm going to take the marker. I want you to hold that against your chest. There 181 00:13:44,390 --> 00:13:47,070 you go. And I want you to come forward. Stand right about there. 182 00:13:47,330 --> 00:13:50,990 Look right at me. Do not mouth a word, but concentrate on the name of that 183 00:13:50,990 --> 00:13:54,950 state, okay? Because I have amazing hearing, and I can hear your thoughts. 184 00:13:55,410 --> 00:13:56,209 Oh, yeah. 185 00:13:56,210 --> 00:13:57,410 Here we go. Are you ready? 186 00:13:57,670 --> 00:13:58,670 Keep concentrating. 187 00:13:58,770 --> 00:13:59,770 Keep concentrating. 188 00:13:59,850 --> 00:14:02,450 It's... It's... Oh! 189 00:14:03,130 --> 00:14:06,010 Okay, I'm sorry. I'm sorry. No, it's just that one fog. 190 00:14:06,270 --> 00:14:07,270 It's fog. 191 00:14:09,039 --> 00:14:09,959 There we go. 192 00:14:09,960 --> 00:14:11,100 Oh. Oh. 193 00:14:11,700 --> 00:14:13,360 There. Okay. We'll save that for later. 194 00:14:13,680 --> 00:14:15,080 Okay. All right. 195 00:14:15,500 --> 00:14:18,720 We're going to do it again. All right. Look right at me. I think we're good. 196 00:14:18,980 --> 00:14:20,120 Here we go. Look right at me. 197 00:14:20,340 --> 00:14:21,940 You know what? It's still not working. 198 00:14:22,160 --> 00:14:25,940 I'm going to have to clean it out again. Sorry. 199 00:14:26,420 --> 00:14:28,380 Okay. I just feel. I feel like there's this. 200 00:14:28,840 --> 00:14:29,840 Oh, wait. Wait. 201 00:14:31,760 --> 00:14:32,760 Oh, 202 00:14:33,420 --> 00:14:34,420 that is bizarre. 203 00:14:34,890 --> 00:14:39,210 That is bizarre because I've been missing this particular postcard, I 204 00:14:39,510 --> 00:14:41,870 Do me a favor. What state were you thinking of? 205 00:14:42,290 --> 00:14:43,710 Ohio. Ohio? 206 00:14:44,130 --> 00:14:45,370 Did she show that to everybody? 207 00:14:45,790 --> 00:14:46,790 Ohio. 208 00:14:48,270 --> 00:14:49,270 No way. 209 00:14:49,590 --> 00:14:53,490 Ladies and gentlemen, greetings from Ohio. 210 00:14:54,170 --> 00:14:55,170 Yeah! 211 00:14:55,390 --> 00:14:56,570 You did fantastic. 212 00:14:56,830 --> 00:14:58,350 Thank you so much. Take a bow. 213 00:15:04,270 --> 00:15:08,870 Time to go down into the audience for a very unusual maneuver from the always 214 00:15:08,870 --> 00:15:11,370 unique perspective of Jibrizy. 215 00:15:13,130 --> 00:15:16,510 What's up, guys? This is Jibrizy, the hip -hop illusionist. Get up. 216 00:15:16,970 --> 00:15:19,550 Let's try something really, really cool. 217 00:15:20,370 --> 00:15:25,350 Now, Kara, I want you to hold your finger out. Hold it up just like this, 218 00:15:25,350 --> 00:15:27,210 want you to tap it down on one card. Just one. 219 00:15:28,310 --> 00:15:29,310 That one. 220 00:15:29,370 --> 00:15:32,130 Great. All right, Kara, remember your card. 221 00:15:33,110 --> 00:15:34,110 Got it? 222 00:15:34,370 --> 00:15:35,770 We'll show it to the camera. 223 00:15:38,090 --> 00:15:39,090 Take the deck. 224 00:15:40,550 --> 00:15:43,110 Kara, here we go. I'm going to tell you your card. 225 00:15:44,150 --> 00:15:45,150 File a club. 226 00:15:47,250 --> 00:15:48,270 Got a backup plan. 227 00:15:48,510 --> 00:15:49,510 It's all good. 228 00:15:49,830 --> 00:15:51,850 Check this out. Look at my shoes. 229 00:15:52,710 --> 00:15:55,750 I want to tie it, actually. I was just trying to show off my shoes and how cool 230 00:15:55,750 --> 00:15:56,750 they were. 231 00:15:56,850 --> 00:15:58,170 Let me try this. Look. 232 00:15:58,530 --> 00:15:59,530 I'm going to give them a shake. 233 00:16:03,660 --> 00:16:04,660 Tyler and Phil. 234 00:16:05,340 --> 00:16:06,340 Right? 235 00:16:08,540 --> 00:16:14,120 And if you also notice something about the shoes, if I take them off, 236 00:16:14,320 --> 00:16:16,800 it's kind of weird. 237 00:16:18,380 --> 00:16:21,200 But can you notice anything? 238 00:16:21,900 --> 00:16:25,700 It's in the shape of an A. And what's that shape? 239 00:16:25,980 --> 00:16:27,120 Heart. Is that your heart? 240 00:16:27,400 --> 00:16:28,359 Yes. 241 00:16:28,360 --> 00:16:33,080 I'm the reason a hip -hop illusionist, and I just gave that swag it's never 242 00:16:33,380 --> 00:16:34,380 It's that. 243 00:16:35,180 --> 00:16:39,480 Next, The Impossible is made possible by Jonathan Pendragon. 244 00:16:48,040 --> 00:16:52,440 Our next master of illusion is known throughout the world for his consummate 245 00:16:52,440 --> 00:16:54,160 ability and his matchless style. 246 00:16:54,400 --> 00:16:56,840 Here is Jonathan Pendragon. 247 00:19:26,380 --> 00:19:29,360 Time to wrap up another Masters of Illusion. 248 00:19:29,620 --> 00:19:32,540 I'm Dean Cain. Thank you so much for watching. Thank you. 249 00:19:33,220 --> 00:19:34,220 Thank you. 21047

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