All language subtitles for masters_of_illusion_s02e09_spinning_the_classics_too

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,880 --> 00:00:06,860 Illusion, the art of tricking the brain, distorting the senses, challenging 2 00:00:06,860 --> 00:00:12,520 perception. You can't trust what you see even with your own eyes. 3 00:00:12,880 --> 00:00:15,460 Meet the Masters of Illusion. 4 00:00:20,740 --> 00:00:21,740 Hello. 5 00:00:22,420 --> 00:00:25,480 Hello and welcome to Masters of Illusion. 6 00:00:25,960 --> 00:00:27,500 Okay, look at this card. 7 00:00:27,960 --> 00:00:30,920 Is it possible that these lines are perfectly straight? 8 00:00:31,480 --> 00:00:33,620 Is our brain trying to fool us? 9 00:00:33,860 --> 00:00:36,920 Well, reality and perception are not always the same. 10 00:00:37,320 --> 00:00:38,380 Would you bet me? 11 00:00:38,600 --> 00:00:39,600 Would you bet me? 12 00:00:40,800 --> 00:00:47,660 Okay, then you'd lose, because these lines are perfectly straight. 13 00:00:50,920 --> 00:00:55,480 I'm a little slow, but they're perfectly straight. 14 00:00:57,740 --> 00:01:01,620 I would not bet that our next master of illusion is a great animal trainer. 15 00:01:02,060 --> 00:01:03,980 Here is Ed Alonzo. 16 00:01:09,880 --> 00:01:11,420 It's going to get hot in here. 17 00:02:28,250 --> 00:02:33,370 Now let's get all wound up in the beats as the great Las Vegas magician Rick 18 00:02:33,370 --> 00:02:36,890 Thomas shows us the twist can be more than a dance. 19 00:02:39,010 --> 00:02:41,050 Okay, people, I need your help. 20 00:02:42,330 --> 00:02:43,330 With me. 21 00:02:47,000 --> 00:02:48,000 Keep it going. 22 00:03:50,510 --> 00:03:51,510 Yeah. 23 00:04:23,110 --> 00:04:26,490 Can the fantasy of a simple drawing turn into reality? 24 00:04:27,090 --> 00:04:29,670 Well, it can, if you are Michael Grandinetti. 25 00:04:35,050 --> 00:04:38,670 I have something pretty special to show you. And for this, I need a couple 26 00:04:38,670 --> 00:04:39,850 people to come up here and help me out. 27 00:04:40,150 --> 00:04:41,150 Let me see here. 28 00:04:43,250 --> 00:04:44,250 Would you come up here? 29 00:04:44,390 --> 00:04:45,610 Yeah? Would you come up here? 30 00:04:46,010 --> 00:04:47,350 Give me a hand as they come up here. 31 00:04:49,290 --> 00:04:50,290 Would you stand right here? 32 00:04:50,910 --> 00:04:53,090 And stand right here. What's your name? Jasmine. 33 00:04:53,330 --> 00:04:54,390 Jasmine, nice to meet you. 34 00:04:54,710 --> 00:04:55,750 Courtney Rose. Courtney Rose. 35 00:04:55,970 --> 00:04:58,690 Thank you for coming up here, ladies. I have a couple of things for you. First 36 00:04:58,690 --> 00:05:00,930 of all, we have this wine glass. 37 00:05:01,890 --> 00:05:03,670 Courtney Rose, hold on to that. Okay. Okay. 38 00:05:04,250 --> 00:05:07,310 And I hold it from kind of the middle so that the audience can see inside. 39 00:05:07,670 --> 00:05:10,050 Give me one hand here and one hand there. Perfect. 40 00:05:10,630 --> 00:05:11,630 You've done this before. 41 00:05:12,550 --> 00:05:14,850 Now, question for you, Jasmine. Are you a good artist? 42 00:05:15,130 --> 00:05:17,610 Yes. I knew I picked the right person when I went down there. Yay! 43 00:05:17,950 --> 00:05:21,690 So I brought something for you. This is a little sketch pad, okay? I want you to 44 00:05:21,690 --> 00:05:24,850 look through it, make sure it's just a normal sketch pad, nothing hidden 45 00:05:25,510 --> 00:05:26,510 Does it look okay? 46 00:05:26,650 --> 00:05:28,630 Now I'm going to have you draw something for this audience. 47 00:05:28,850 --> 00:05:29,850 Okay. 48 00:05:30,130 --> 00:05:31,130 Something simple. 49 00:05:31,630 --> 00:05:34,730 Let's make it a fish, okay? 50 00:05:35,470 --> 00:05:39,610 Take the marker, and right in the center of the pad, draw me a fish right about 51 00:05:39,610 --> 00:05:40,610 there. 52 00:05:51,280 --> 00:05:52,280 He needs an eye. 53 00:05:52,380 --> 00:05:53,380 Now, 54 00:05:53,600 --> 00:05:56,260 one more thing. He needs a little bit of water underneath him. 55 00:05:59,500 --> 00:06:01,100 Oh, you need a fin, too. 56 00:06:01,620 --> 00:06:02,880 That's perfect. What do you guys think? 57 00:06:03,860 --> 00:06:04,860 Huh? 58 00:06:05,480 --> 00:06:09,000 Very good job. Now, I'll tell you what. If you could just rip that drawing off 59 00:06:09,000 --> 00:06:10,000 there for me. 60 00:06:10,500 --> 00:06:16,360 Now, you know, they say a really good artist, their work actually comes to 61 00:06:16,360 --> 00:06:17,360 right off the page. 62 00:06:17,840 --> 00:06:19,940 So I'm going to prove to you that you are a really good artist. 63 00:06:20,260 --> 00:06:21,600 Okay? Watch. 64 00:06:21,900 --> 00:06:23,740 Everybody watch her fish. 65 00:06:27,960 --> 00:06:30,140 Now, I want you all to imagine with me. 66 00:06:30,580 --> 00:06:33,900 Everybody first, imagine the water that she drew. 67 00:06:34,800 --> 00:06:35,800 Watch. 68 00:06:44,080 --> 00:06:46,880 It almost looks like that water is pouring right off the page. 69 00:06:47,980 --> 00:06:48,980 You see that? 70 00:06:49,640 --> 00:06:51,320 I have one more thing for you. What? 71 00:07:08,640 --> 00:07:14,820 Thank you so much, everyone. 72 00:07:16,840 --> 00:07:18,660 Next, Johnny Ace Parker. 73 00:07:19,050 --> 00:07:22,790 Marion Stewart, Les Arnold, and Dazzle, and Michael Turco. 74 00:07:34,610 --> 00:07:37,510 Say hi to one of Masters of Illusion's favorites. 75 00:07:37,790 --> 00:07:41,290 We can always count on him to make our lives a little more colorful. 76 00:07:41,910 --> 00:07:43,510 Johnny Ace Palmer. 77 00:07:48,400 --> 00:07:49,460 Thank you very much. Hi. 78 00:07:50,740 --> 00:07:52,940 I'm very happy to be here to show you some magic. 79 00:07:53,240 --> 00:07:56,400 This is where I invite two people from the audience to come up and help me. 80 00:07:56,620 --> 00:07:58,320 There's a lady on the end in the yellow. 81 00:07:58,680 --> 00:08:02,480 Would you be kind enough to join me? And how about the lady in the blue in the 82 00:08:02,480 --> 00:08:06,080 third row there? Would you come up too? How about some encouragement for my two 83 00:08:06,080 --> 00:08:07,080 volunteers? 84 00:08:07,760 --> 00:08:08,880 Thanks for joining me. 85 00:08:09,200 --> 00:08:11,480 May I have one of you on each side of me, please? 86 00:08:11,920 --> 00:08:15,080 Once again, my name is Johnny Ace Palmer. And what's your name? 87 00:08:15,340 --> 00:08:17,080 I'm Ashley. This is Ashley, everybody. 88 00:08:17,790 --> 00:08:18,790 And what's your name? 89 00:08:19,070 --> 00:08:20,710 Kim? This is Kim, everybody. 90 00:08:21,550 --> 00:08:23,970 Kim and Ashley, this is everybody. 91 00:08:24,770 --> 00:08:28,770 I have three magic scarves, a blue one, a red one, and a yellow one. They are 92 00:08:28,770 --> 00:08:32,390 the primary colors, red, blue, and yellow. I'm going to tie a magic knot in 93 00:08:32,390 --> 00:08:35,390 blue scarf like this, and when I blow on the knot, the knot will disappear. 94 00:08:35,750 --> 00:08:36,750 See? 95 00:08:37,510 --> 00:08:38,750 Ashley, will you blow on that, please? 96 00:08:39,390 --> 00:08:41,010 Thank you. See, she's magic, too. 97 00:08:41,429 --> 00:08:44,470 And Kim, will you hold the blue one, please? Thank you. Here's the yellow 98 00:08:44,860 --> 00:08:46,140 Whoop, that's the floor show, everybody. 99 00:08:47,000 --> 00:08:48,800 Here's the yellow one. At least the act is picking up. 100 00:08:49,520 --> 00:08:53,000 And Ashley, will you hold the yellow one, please? Thank you. Here's the red 101 00:08:53,040 --> 00:08:56,560 Try to watch the red one. The reason I said try is because it will disappear 102 00:08:56,560 --> 00:08:57,940 right in front of your eyes. 103 00:08:58,200 --> 00:09:00,760 Keep one eye on this hand and one eye on the red scarf. 104 00:09:00,980 --> 00:09:02,620 Keep one eye on this hand, too. 105 00:09:02,820 --> 00:09:04,800 If you don't have three eyes, I'll go slow. 106 00:09:05,080 --> 00:09:08,380 The reason I invited these two young ladies up here is so that they could see 107 00:09:08,380 --> 00:09:09,460 the magic up close. 108 00:09:09,780 --> 00:09:13,960 You can see the red scarf right now, and you can see it until the last second. 109 00:09:14,020 --> 00:09:16,760 But then it's too late. The red scarf is gone. 110 00:09:17,670 --> 00:09:19,270 I'll show you where it is. Thanks. 111 00:09:19,810 --> 00:09:23,990 It's inside of the blue scarf, believe it or not. Inside of the blue one is the 112 00:09:23,990 --> 00:09:24,990 red one. 113 00:09:25,110 --> 00:09:26,830 See, now you can hold the red one. 114 00:09:27,090 --> 00:09:30,690 May I please have the yellow one? Thank you. I'll place the yellow one into the 115 00:09:30,690 --> 00:09:32,250 blue one. See it going down in there? 116 00:09:33,110 --> 00:09:34,210 See it going down in there? 117 00:09:35,370 --> 00:09:36,470 See it going down in there? 118 00:09:37,410 --> 00:09:39,850 Now the yellow scarf has magically disappeared. 119 00:09:40,710 --> 00:09:42,690 Of course, we know where it is. Thank you. 120 00:09:43,250 --> 00:09:46,270 Since the red one came out of the blue one, may I have the red one, please? 121 00:09:46,390 --> 00:09:50,150 Thank you. I'll reach right down inside of the red one, right in the middle, 122 00:09:50,230 --> 00:09:53,630 right in here, and I'll pull out the yellow. Oops, I missed. 123 00:09:54,550 --> 00:09:56,930 Kim, will you reach in there and pull out the yellow scarf, please? 124 00:09:57,170 --> 00:10:01,350 See, she's magic, too. I knew you could do it. Thanks for your help. Thanks for 125 00:10:01,350 --> 00:10:04,910 your help. Well, before you go, shall we try one more special illusion? 126 00:10:05,230 --> 00:10:07,670 It's something I've always wanted to do as a magician. 127 00:10:08,320 --> 00:10:12,640 That's right, ladies and gentlemen. I will now attempt, with the help of these 128 00:10:12,640 --> 00:10:17,840 two lovely ladies, to pull a real live bunny rabbit out of this very magical 129 00:10:17,840 --> 00:10:19,800 hat. Would you like to see that? 130 00:10:20,340 --> 00:10:21,940 Yeah? All right. 131 00:10:22,160 --> 00:10:23,580 How about the rest of you? 132 00:10:24,000 --> 00:10:25,500 All right, here we go. 133 00:10:25,700 --> 00:10:30,580 A spin, a wave, and a snap, and she's in there. 134 00:10:31,360 --> 00:10:32,700 Now the hard part. 135 00:10:33,260 --> 00:10:34,260 She's gone. 136 00:10:35,840 --> 00:10:36,840 That's amazing. 137 00:10:37,160 --> 00:10:38,600 I don't have a tie, do I? 138 00:10:40,180 --> 00:10:43,820 Let's try again, but this time, Ashley and Kim, will you please wave your hands 139 00:10:43,820 --> 00:10:46,040 over the hat and snap. Go ahead. 140 00:10:46,980 --> 00:10:47,980 Look, 141 00:10:49,640 --> 00:10:53,440 we did it. Look right here. You see what I see? Look right here. 142 00:10:54,160 --> 00:10:55,460 It's just a little hair. 143 00:10:56,320 --> 00:10:57,780 You know, like the tortoise. 144 00:10:58,120 --> 00:11:00,360 Let's look under the table. Do you see anything? 145 00:11:00,700 --> 00:11:02,360 Do you see anything under the table? 146 00:11:02,890 --> 00:11:06,830 Neither do I. Let's try one more time. Will you all help me, please? Wave your 147 00:11:06,830 --> 00:11:07,830 hand and snap. 148 00:11:08,430 --> 00:11:09,530 We did it. Look. 149 00:11:09,790 --> 00:11:12,530 A real, live bunny rabbit out of the hat. 150 00:11:13,150 --> 00:11:14,750 I knew we could do it. 151 00:11:15,110 --> 00:11:17,050 You know how fast she is. You can see her. 152 00:11:17,270 --> 00:11:18,270 Doesn't she look weird? 153 00:11:18,630 --> 00:11:19,630 She is real. 154 00:11:19,690 --> 00:11:20,690 She's just outside. 155 00:11:21,990 --> 00:11:25,650 This is Snowball. She lives with me and my family in Huntington Beach. That 156 00:11:25,650 --> 00:11:26,730 makes her a beach bunny. 157 00:11:27,610 --> 00:11:31,110 Thank you for being a great audience, and thank you, ladies, so much for 158 00:11:31,110 --> 00:11:32,390 me. Thank you. 159 00:11:39,290 --> 00:11:44,850 Next, Barry and Stuart when we come back. And coming up, Les Arnold and 160 00:11:44,850 --> 00:11:46,210 and Michael Turco. 161 00:11:57,470 --> 00:11:59,170 Scotland's fast -talking duo. 162 00:11:59,610 --> 00:12:01,970 will now explain how they do a classic illusion. 163 00:12:02,330 --> 00:12:04,810 But don't let them disillusion you. 164 00:12:05,170 --> 00:12:06,610 Barry and Stuart. 165 00:12:09,790 --> 00:12:14,430 One of the most closely dotted secrets in magic is an illusion called the red 166 00:12:14,430 --> 00:12:15,430 carpet illusion. 167 00:12:15,450 --> 00:12:18,310 The red carpet illusion has an amazing history. 168 00:12:18,530 --> 00:12:24,870 In 1891, the amazing not -so had his assistant build him into a reclining 169 00:12:25,520 --> 00:12:29,640 Sadly, he was discovered when he was accidentally sat on. Before the 170 00:12:29,640 --> 00:12:34,560 of tape recorders, the one and only Billy the Baffler, he planted a parrot 171 00:12:34,560 --> 00:12:38,220 the dressing room of his rival, hoping that it would hear the secret and then 172 00:12:38,220 --> 00:12:39,640 repeat it back to his master. 173 00:12:39,940 --> 00:12:43,420 Unfortunately, all he learnt was that his rival was a pretty boy. 174 00:12:44,900 --> 00:12:50,020 Years later, Harry Houdini's not -so -famous brother, Gary Houdini, actually 175 00:12:50,020 --> 00:12:53,820 kidnapped his own brother in an attempt to extract the secret from him. 176 00:12:55,040 --> 00:12:56,080 Harry escaped. 177 00:12:56,720 --> 00:12:58,920 Gary really should have seen that one coming, shouldn't he? 178 00:12:59,340 --> 00:13:01,940 Barry, this is the wrong panel. It should be... Switch it. Yep. 179 00:13:02,160 --> 00:13:03,160 Switch it around. 180 00:13:06,420 --> 00:13:08,020 In 1946, 181 00:13:08,740 --> 00:13:13,660 Francis the Astonisher hid in the lights that hung above the stage at the Empire 182 00:13:13,660 --> 00:13:18,160 Theatre. Upon finally discovering the secret to this illusion, a single tear 183 00:13:18,160 --> 00:13:24,060 joy rolled down his cheek and onto an exposed copper wire, electrocuting him. 184 00:13:24,510 --> 00:13:25,469 to death. 185 00:13:25,470 --> 00:13:29,970 This final panel will act as our front door. And now the final piece of the 186 00:13:29,970 --> 00:13:31,770 puzzle, the red carpet itself. 187 00:13:32,010 --> 00:13:36,050 Not only does that give the trick its name, but it's also the way that 188 00:13:36,050 --> 00:13:40,090 have been making their assistants appear from nowhere for over 100 years. 189 00:13:40,590 --> 00:13:41,590 Like this. 190 00:13:45,450 --> 00:13:46,450 Gabrielle! 191 00:13:46,950 --> 00:13:51,010 But tonight, we're going to tell you exactly how this thing is done. 192 00:13:51,490 --> 00:13:54,080 Let's... Reset the red carpet. Let's do it. 193 00:13:54,320 --> 00:13:59,160 New technology makes it a lot easier nowadays to find out the secret behind 194 00:13:59,160 --> 00:14:03,140 magic trick. And we don't just mean watching it again and again and again on 195 00:14:03,140 --> 00:14:08,040 YouTube. Not that. No, we're talking about a very special camera. An infrared 196 00:14:08,040 --> 00:14:12,520 camera. Because with one of those, you would be able to see right through these 197 00:14:12,520 --> 00:14:14,220 thin plastic sheets. 198 00:14:14,980 --> 00:14:18,880 And although magicians are supposed to never, ever give away their secrets... 199 00:14:19,130 --> 00:14:22,710 We're going to show you exactly how this works by using one of those special 200 00:14:22,710 --> 00:14:23,710 cameras now. 201 00:14:23,750 --> 00:14:27,410 It's going to be like having X -ray vision. You'll be able to see through 202 00:14:27,410 --> 00:14:30,950 panels. Here's the secret. Before the trick begins, Gabrielle starts out 203 00:14:30,950 --> 00:14:34,570 crouched behind these panels right here. If you look on the special cameras, you 204 00:14:34,570 --> 00:14:36,230 can see her body heat right through these panels. 205 00:14:36,710 --> 00:14:40,050 Everyone in the studio, you'll be able to follow along by watching on the big 206 00:14:40,050 --> 00:14:41,630 screens. Gabrielle, are you ready? 207 00:14:41,970 --> 00:14:42,970 Ready. Great. 208 00:14:43,440 --> 00:14:46,600 And now the secret behind the red carpet illusion. 209 00:14:47,020 --> 00:14:50,480 The first panel is slid along the ground and attached to the back of the box 210 00:14:50,480 --> 00:14:51,259 like this. 211 00:14:51,260 --> 00:14:55,060 As the second panel is slid along the ground, Gabrielle crawls along at the 212 00:14:55,060 --> 00:14:58,760 speed as it, then she hides behind the back panel. The third panel allows 213 00:14:58,760 --> 00:15:02,960 Gabrielle to sneak from behind the box to behind the red carpet. 214 00:15:03,200 --> 00:15:06,100 I then pretend that this piece does not... 215 00:15:06,590 --> 00:15:11,270 fit on the side of the box. This isn't a real mistake. This is actually just a 216 00:15:11,270 --> 00:15:15,210 fake mistake, allowing us to take the back panel off, letting you see briefly 217 00:15:15,210 --> 00:15:19,270 all the way through the box, making you think that everything is still fair and 218 00:15:19,270 --> 00:15:20,470 completely above board. 219 00:15:20,710 --> 00:15:24,210 The final panel allows Gabrielle to sneak behind the box. 220 00:15:24,530 --> 00:15:28,090 I then hand this panel to Barry standing at the front. 221 00:15:28,510 --> 00:15:30,350 Stuart then gets the red carpet. 222 00:15:30,810 --> 00:15:35,490 and gives it a flick. This is actually misdirection, allowing Gabrielle to 223 00:15:35,490 --> 00:15:36,510 behind the front door. 224 00:15:36,830 --> 00:15:40,890 That's then slid along the ground, she walks along with it, and steps inside 225 00:15:40,890 --> 00:15:45,570 box. And that is the secret behind the red carpet illusion, but does not 226 00:15:45,570 --> 00:15:47,150 how we managed to do this. 227 00:15:50,870 --> 00:15:54,490 And definitely does not explain how we managed to do that. 228 00:16:07,440 --> 00:16:10,060 Les Arnold and Dazzle and Michael Turco. 229 00:16:20,880 --> 00:16:26,640 Time now for that dazzling couple of sophistication, Les Arnold and Dazzle. 230 00:18:30,980 --> 00:18:34,860 If you can't find a genie in the bottle, well, the next best thing to make a 231 00:18:34,860 --> 00:18:37,020 wish come true is Michael Turco. 232 00:18:39,520 --> 00:18:43,060 All right. Thank you. Thank you. Hey, we're going to have some fun here. Any 233 00:18:43,060 --> 00:18:44,120 single guy in the audience? 234 00:18:44,900 --> 00:18:47,460 Right here? What's your name? Garrett. Garrett, come on up here, Garrett. 235 00:18:47,780 --> 00:18:50,500 I'm going to ask you a couple questions, all right? Come on over here for me. I 236 00:18:50,500 --> 00:18:51,319 think it's right here. 237 00:18:51,320 --> 00:18:52,460 I'm going to ask you a couple questions. 238 00:18:53,400 --> 00:18:54,600 You got three favorite things? 239 00:18:54,920 --> 00:18:55,920 Yeah. Yeah? 240 00:18:56,020 --> 00:18:57,020 Cars. 241 00:18:57,140 --> 00:18:58,360 Cars? Yeah. 242 00:18:58,620 --> 00:18:59,700 Girls? Food. 243 00:19:00,080 --> 00:19:02,920 Food, okay. So cars. Do you like slow cars or fast cars? Fast. 244 00:19:03,240 --> 00:19:06,500 Fast cars, good answer. And girls, what do you think, blonde or brunette? 245 00:19:06,620 --> 00:19:10,040 Blonde. Blonde's all the way? Yes, sir. All right. So we've got fast cars, we've 246 00:19:10,040 --> 00:19:11,540 got blondes, and what's your favorite food? 247 00:19:12,280 --> 00:19:16,180 Pizza. Pizza. Well, I'm from the East Coast, so Jersey, New York pizza's good? 248 00:19:16,300 --> 00:19:18,680 New York will do it. All right, that's the best. I got something for you. All 249 00:19:18,680 --> 00:19:19,680 right, head right back to your seat. 250 00:19:19,840 --> 00:19:23,880 Fast cars, pizza, and blondes. Check this out. 251 00:19:24,100 --> 00:19:26,080 Hey, girls, flip that cloth up. 252 00:19:26,600 --> 00:19:29,880 Ladies and gentlemen, keep your eyes on this cloth the entire time. Don't take 253 00:19:29,880 --> 00:19:31,640 them off. Whatever you do, keep them on. 254 00:19:34,300 --> 00:19:35,300 Check this out. 255 00:19:51,820 --> 00:19:55,920 I hope you have been amazed as I have. Be sure to join us next time for more 256 00:19:55,920 --> 00:19:57,120 Masters of Illusion. 257 00:19:57,360 --> 00:19:59,260 Until then, I'm Dean Cain. 258 00:19:59,560 --> 00:20:00,560 Good night. 22014

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.