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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes, because
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brain can be misled. Meet the Masters of
Illusion.
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Hello and welcome to Masters of
Illusion. I'm your host, Dean Cain. Can
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deliberately trick our brain?
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Look at this right here. You see a
floating pyramid.
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But is it really? By turning this
sculpture, the pyramid is gone.
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It's actually abstract metal bars. Only
when it is rotated do the spaces in
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between the bars reveal the artist's
true creation.
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00:00:48,860 --> 00:00:54,120
Our first performer proves that a
straight line can indeed be divided into
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parts. Here is Las Vegas legend Rick
Thomas.
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of illusion, Farrell Dillon, is having a
little trouble finding you a chair.
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Sometimes we magicians wish that we
could go back in time and understand
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about magic than we do now, because it
seems like the more we understand about
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magic, the less this stuff just feels
like magic, and the more it feels like
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psychology. So I would like to stop and
speak for just a moment about optical
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illusions. Now, according to Wikipedia,
an optical illusion is a visually
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perceived image that differs from
objective reality.
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Now, I'm sure you've all experienced an
optical illusion before, and if not, get
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ready as I present to you one of the
world's most famous optical illusions,
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chair in the Bach.
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Ooh, mysterious.
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Right.
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Thank you.
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Thank you. I know it's just a silly
trick, but I really enjoyed doing it, so
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hope you guys like it also.
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So I would like to stop and speak for
just a moment about optical illusions.
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Now, according to Wikipedia, an optical
illusion is a visually perceived image
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that differs from objective reality.
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Now, I'm sure you have all experienced
an optical illusion before, and if not,
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get ready, as I present to you...
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one of the world's most famous optical
illusions, the chair in the Bach.
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Ooh, mysterious.
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Thank you. Thank you.
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I know it's just a silly trick, but I
really enjoyed doing it, so I hope you
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guys liked it also.
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So I would like to stop and speak for
just a moment about... I'm sorry, did I
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this trick already?
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Okay, I'm sorry. You guys are just lucky
I'm not telling the same jokes over and
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over, because that would be redundant.
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00:06:34,120 --> 00:06:38,100
But by now, you guys have obviously
figured out that this trick is not about
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chair. flipping over inside the box, and
actually about something completely
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different. It is about the fact that
this box is a TARDIS.
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Now, you've probably never heard the
term TARDIS before, I mean, unless you
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an affinity for British television, but
according to Wikipedia, a TARDIS is any
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object that is bigger on the inside than
it is on the outside. It's a true
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impossibility. Now, I hope this all
makes sense to you, because by now, you
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probably think that I've made this up,
and I hope you all have a better
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understanding.
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Next,
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Las Vegas headliner Mack King will crack
you up.
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Mack King seems to find his fingers
giving him some trouble. Let's check it
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I'm going this way. Hi, this woman in
the blue. Catch that rope. What's your
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name? Shida. Shida, come this way.
Ladies and gentlemen, it is Shida.
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Watch your step there. Nice to meet you.
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Right this way. Shida, right over on
this side. Thanks for coming up. Shida,
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and I and that piece of rope are going
to do one of Houdini's most famous
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tricks. Okay.
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Yeah. This is called the Houdini
Challenge.
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naked rope escape.
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I just want you to take off your clothes
and tie me up.
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No, I'm kidding.
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You don't have to tie me up.
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No, we're going to do a quick card
trick, Shida.
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Take the deck in your own hands. Take
out any card you'd like. You can look
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through and find one you like or select
one at random, but... We need to be able
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to tell your card from all the others,
so I want you to write your name really
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00:08:34,690 --> 00:08:37,049
big on the other 51 cards.
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No, I'll take the deck. You keep your
card. I'll take the rest. You hold on to
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yours.
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It's very complicated.
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You got it? Okay. And just take this.
Write your name really big, Shidae,
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across. No, these are mine. Write it
across yours.
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00:08:52,430 --> 00:08:54,670
Yeah, that way, suppose she had the six
of clubs.
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00:08:55,210 --> 00:08:58,870
Even if I had two of them, I wouldn't
have two with Shidae across them.
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You got it?
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Not you, her.
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You got it?
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I'm out of time.
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00:09:07,330 --> 00:09:09,030
Show everybody your card. Show the
folks.
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Yeah, show everybody.
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Yeah, get them over on the left. Did you
get these guys over here? Did you show
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them? All right, good.
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Set that six of diamonds right back
there.
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00:09:17,740 --> 00:09:21,120
But you'll recognize that when you see
it because you wrote your name across
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face of the card. I sandwich her card in
the center so she's safe. Hold the hold
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deck if you would there, she did. Did
you bring any twist -ems handy home and
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garden ties up here with you?
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Oh, it's a good thing I did.
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We need two of these for the trick. Two
twist ties.
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I'm going to twist twist tie number one
around, twist tie number two.
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00:09:42,060 --> 00:09:45,760
So they're kind of locked together,
right? That one's twisted around that
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I'm going to twist this twist tie around
this thumb.
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You can give that a couple of twists if
you want. Just make sure that's good and
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tied around my thumb there.
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Good, just, yeah.
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I know that one goes around that thumb,
so my thumbs will be wired together like
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00:09:58,640 --> 00:10:01,960
a little pair of thumb cuffs. Yeah, can
you twist that up nice and tight so I
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can't escape?
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00:10:02,960 --> 00:10:05,900
Like a, no stale bread at your house.
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You want to sit down really badly, don't
you?
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I'm going to get you a chair.
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We'll slide this over here. You can have
a seat.
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Hold the deck
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between your hands. Kind of interlock
your fingers over the edge.
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Good.
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00:10:33,400 --> 00:10:36,560
Extend your arms away from your body.
Come towards me just a little bit, if
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would, and turn them sideways so the
deck's face down. Good.
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Don't separate your hands.
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The cards will drop on the floor, but
can you come towards me just a little
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00:10:43,170 --> 00:10:44,550
more? Hold them right up here.
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Here we go. I snap my fingers. Your card
jumps from the deck
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now into my pocket. Can you hold the
cards with one hand, reach in my pocket
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with your empty hand, and bring out your
card?
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Yeah, right there.
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Oh, yeah, that's the one.
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Oh, fig cookies.
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Put those back. I'm saving those for
later.
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00:11:20,880 --> 00:11:21,880
No card.
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00:11:22,860 --> 00:11:24,460
There's only one other place it could
be.
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00:11:29,820 --> 00:11:30,820
My birthday.
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00:11:32,480 --> 00:11:34,400
No, untwist me, untwist me, untwist me.
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00:11:35,680 --> 00:11:36,680
What was the card?
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00:11:37,560 --> 00:11:38,560
Six of diamonds?
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00:11:38,580 --> 00:11:41,300
I don't know what I'm doing. Can you go
through there, take out the six when you
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come to it? I'll get rid of this stuff.
Here you go. Enjoy yourself.
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00:11:44,720 --> 00:11:46,100
I can't believe it's not there.
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00:11:46,320 --> 00:11:49,560
Maybe I should check the directions. I
just read them on the box of Frosted
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Flakes. Do you like those, Frosted
Flakes?
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00:11:51,700 --> 00:11:54,920
Oh, yeah. The directions to the trick
are printed on the box. I will trade you
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the deck for the box. It says right on
the side, if the card is not in Mack
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King's pocket, tear open the top of the
safety seal box -o -tasty cereal to find
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out why.
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00:12:03,660 --> 00:12:04,660
Give it a rip.
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00:12:07,280 --> 00:12:10,620
Oh, that wax paper bag. Those are like
impossible to get into. Reached out
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amongst the Frosted Flakes.
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00:12:14,460 --> 00:12:20,720
Show everybody your card with your name
on it. The same exact six of diamonds.
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00:12:20,840 --> 00:12:25,500
Sidi, thank you so much for your help.
Here's a fine deck of Mack King cards
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Frosted Flakes for you. Sidi!
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00:12:34,190 --> 00:12:36,610
Next, Dana Daniels has gone to the
Burns.
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Dana Daniels has a very talented
assistant named Luigi.
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They're kind of a double billy.
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00:12:54,190 --> 00:12:56,310
Thank you. How about a nice round of
applause for Luigi?
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00:12:59,689 --> 00:13:03,150
Fantastic. Luigi here is a psychic
parrot. We're going to prove it right
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We're going to start off by having Luigi
read the mind of someone here in the
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audience. I'd like to get a lady
volunteer if we can. A woman, I'd like
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their mind read by a bird.
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Oh, we've got one right over here. Would
you like to come up and give her a nice
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round of applause? Bring her up on
stage.
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Hello, how are you? Stand over here. Hi,
what's your name?
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00:13:21,950 --> 00:13:24,830
Stephanie. Stephanie, nice to meet you.
Now, Stephanie, we're going to have
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Luigi here read your mind.
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All right?
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00:13:28,209 --> 00:13:30,950
Now I'm going to have you select a card
from this deck. Now these cards right
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here, you push on them.
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00:13:32,310 --> 00:13:35,770
They do squeak. You want to try? Try it.
A little push right there. You also
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need a squeaker in your hand.
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I'm a jerk.
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Now I'm going to riffle my thumb through
the card, say stop any time.
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That will be your selection. You ready?
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Okay, here we go.
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Stop. There we go. Take the card to stop
that.
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All right, let's make sure he doesn't
see it. We're going to turn him around.
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Show the card to the audience.
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And then place the card back inside the
deck anywhere.
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Anywhere back in the deck.
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There we go.
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Perfect. Good. Now, what we're going to
do saves a lot of time.
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Okay, we'll cut the cards.
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And now we're going to put the bird in a
hypnotic trance. Here we go.
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Right there. A little hypnotic trance.
He's now going to a deep hypnotic state
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like Iowa.
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Now concentrate on your card.
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Concentrate. Picture the card in your
mind.
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Here we go.
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Picture the card in your mind. Here we
go.
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There we go. Oh, I think we got a
connection here.
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All right, now we're going to take a
look over here. We're going to have
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look through the card.
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00:14:38,000 --> 00:14:41,440
As soon as he sees it, he'll reach up.
Look at that. Oh, he stopped at one
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one card only.
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What was the card you selected?
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Two of clubs.
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Two of clubs. And look at that. He
picked the jack of diamonds.
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Pretty close.
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It's a bird.
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It's pretty close for a bird.
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I would love to see your pet do better.
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00:15:06,820 --> 00:15:07,820
What?
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00:15:08,840 --> 00:15:10,600
Obviously, one of you is lying.
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00:15:14,340 --> 00:15:17,640
Tell you what, I have an idea. We're
going to try it again, but this time
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going to use larger cards.
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Larger squeaker.
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Same jerk.
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00:15:23,450 --> 00:15:28,410
These are cards that the bird is more
familiar with. See, we've got worms, a
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00:15:28,410 --> 00:15:35,050
cracker, cat in jail, and an airline
engine.
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00:15:39,290 --> 00:15:40,350
It's a bird.
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00:15:42,390 --> 00:15:44,370
Okay, we're going to turn them around.
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You say stop, and that will be your
card. Oh, right there. All right.
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00:15:50,090 --> 00:15:53,790
Okay, remember the card, please.
Remember, remember, remember, remember.
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I'm going to shuffle a card back inside
this deck.
202
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There we go.
203
00:16:01,770 --> 00:16:03,390
Okay, we'll just shuffle it in here
somewhere.
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00:16:03,770 --> 00:16:07,870
Okay, it's any one of these four cards.
Come on, let me see. Which one would you
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like? Just go ahead.
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00:16:09,010 --> 00:16:10,370
All right, reach up.
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00:16:10,610 --> 00:16:11,970
Just reach right down.
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00:16:12,250 --> 00:16:13,890
Reach right down. Pick one out.
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00:16:14,190 --> 00:16:16,070
Yeah, look at that. He's reaching right
down.
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00:16:16,410 --> 00:16:18,070
Oh, he likes that third one right there.
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00:16:18,690 --> 00:16:19,690
All right.
212
00:16:19,930 --> 00:16:20,950
What was your card?
213
00:16:21,430 --> 00:16:22,550
I think it was a cat.
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00:16:22,770 --> 00:16:23,769
A cat.
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00:16:23,770 --> 00:16:24,770
In jail.
216
00:16:25,570 --> 00:16:26,570
Unbelievable.
217
00:16:27,530 --> 00:16:28,530
Picked two clubs.
218
00:16:28,610 --> 00:16:29,790
There you have it right there.
219
00:16:31,070 --> 00:16:33,230
All right. Let's give her a nice hand.
220
00:16:33,730 --> 00:16:35,910
Thank you very much. It was very
delightful.
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00:16:36,150 --> 00:16:37,150
All right.
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00:16:37,990 --> 00:16:42,890
Next, go behind the scenes with Aaron
Raddatz and discover where the magic
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00:16:42,890 --> 00:16:43,890
happens.
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00:16:55,280 --> 00:16:59,960
is a master of magic, and he actually
wants you to know how it's done.
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00:17:00,920 --> 00:17:04,560
Thank you. Thank you very much, ladies
and gentlemen. Great to be here.
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00:17:04,819 --> 00:17:08,740
You know, magicians over the years
always have had a very distinct style to
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00:17:08,740 --> 00:17:14,140
performance, often incorporating classic
tuxedos, colorful boxes, and a pretty
228
00:17:14,140 --> 00:17:15,140
assistant or two.
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00:17:15,640 --> 00:17:19,040
You've got to remember, though,
magicians of yesteryear have had some
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00:17:19,040 --> 00:17:20,740
questionable costume choices.
231
00:17:21,359 --> 00:17:22,359
Everything set?
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00:17:22,700 --> 00:17:24,300
Yes? All right.
233
00:17:24,970 --> 00:17:25,970
Drum roll.
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00:17:37,970 --> 00:17:41,610
I feel like I should acknowledge his
costume. I kind of thought wearing it
235
00:17:41,610 --> 00:17:45,710
make me look like the Fred Astaire of
magic, but it looks kind of more like
236
00:17:45,710 --> 00:17:47,450
Lady Gaga of magic.
237
00:17:48,150 --> 00:17:50,390
You should see the matching underwear
that came with it.
238
00:17:50,950 --> 00:17:51,950
Don't worry.
239
00:18:24,110 --> 00:18:27,850
Thank you. Thank you. A simple yet
effective illusion.
240
00:18:28,250 --> 00:18:33,150
As a matter of fact, it's so simple, I
can't help but show you how it works.
241
00:18:33,490 --> 00:18:36,610
The way we're going to do that is we're
going to turn it around so you get to
242
00:18:36,610 --> 00:18:38,090
see the backstage view.
243
00:18:38,490 --> 00:18:43,190
And you'll get to see how I see all of
you. Now, here's how we're going to do
244
00:18:43,190 --> 00:18:46,030
this. You're going to get a backstage
view, so let's turn that prop around so
245
00:18:46,030 --> 00:18:48,450
they can see that perspective. Great.
246
00:18:48,850 --> 00:18:50,430
Let's go ahead and get in possession,
Chrissy.
247
00:18:50,750 --> 00:18:52,010
Very nice. Everyone ready?
248
00:18:52,860 --> 00:18:53,860
Looking good.
249
00:18:54,280 --> 00:18:56,040
Let's do this from backstage.
250
00:18:56,720 --> 00:18:57,960
Drum roll, please.
251
00:19:05,580 --> 00:19:11,960
I feel like I should explain this
costume I'm wearing. I thought wearing a
252
00:19:11,960 --> 00:19:16,580
jacket like this would make me look like
the Fred Astaire of magic. I feel more
253
00:19:16,580 --> 00:19:18,100
like the Lady Gaga of magic.
254
00:19:18,500 --> 00:19:20,520
You should see the matching underwear
they came with.
255
00:19:54,510 --> 00:19:56,130
You got to see part of the secret.
256
00:19:56,370 --> 00:19:57,690
Let me show you the other half.
257
00:20:00,330 --> 00:20:01,330
Oh!
258
00:20:08,910 --> 00:20:09,509
Well,
259
00:20:09,510 --> 00:20:16,450
there
260
00:20:16,450 --> 00:20:22,330
you have it. Aaron Raddatz flips
everything around, reveals all, and it's
261
00:20:22,330 --> 00:20:23,330
a mystery.
262
00:20:23,400 --> 00:20:24,640
How did he do it?
263
00:20:24,920 --> 00:20:26,000
I don't know.
264
00:20:26,400 --> 00:20:32,260
Remember who we're dealing with. These
are the best in the world. These are the
265
00:20:32,260 --> 00:20:33,440
masters of illusion.
266
00:20:33,700 --> 00:20:36,080
Until next time, I'm Dean Cain.
22634
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