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Illusion, the art of tricking the brain,
distorting the senses, challenging
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perception. You can't trust what you
see, even with your own eyes, because
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00:00:15,840 --> 00:00:20,320
brain can be misled. Meet the Masters of
Illusion.
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00:00:24,420 --> 00:00:29,120
Hello and welcome to Masters of
Illusion. I'm your host, Dean Cain.
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00:00:29,580 --> 00:00:33,280
For centuries, it was believed that the
world was flat, like this sheet of
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paper. But look at this graphic.
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00:00:35,560 --> 00:00:39,560
When we rotate it, our brain
reinterprets its configuration.
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00:00:40,100 --> 00:00:44,540
A two -dimensional image appears to
become three -dimensional.
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Rob Lake will challenge your perceptions
as well. Watch closely and see if you
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00:00:50,600 --> 00:00:53,380
can figure out this mind -blowing
illusion.
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00:01:38,090 --> 00:01:40,130
Joel Ward is really fast.
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Stay focused and try not to miss a
moment.
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00:04:04,970 --> 00:04:08,450
Next, Eric Buss takes comedy magic to
the next level.
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Eric Buss is leaps and bounds above the
competition.
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Watch and see how.
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I actually need to find somebody to help
me on stage.
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Let's see, who do we have?
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00:04:31,830 --> 00:04:33,090
How about you? You look friendly.
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Come up the stairs, careful.
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And right over here.
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Perfect. What is your name? Laura.
Laura, nice to meet you. Laura, where
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from? That's nice. All right, Laura.
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Do you like rope tricks?
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Yeah. You do? I don't. I'm going to do a
card trick.
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Is that okay?
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00:04:50,870 --> 00:04:52,670
Sure. Good. My show, I'm calling the
shots.
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This is a giant deck of cards. It's
huge.
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It is the Humvee of playing card decks,
except this does not anger hippies.
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Giant deck of cards. Laura, what I'd
like you to do, touch the back of one of
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those cards and leave your finger on
that card, and that will be the one you
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select.
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That one. Excellent. Is that the one you
want, or do you want to change your
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00:05:11,740 --> 00:05:15,300
mind? I like that one. Excellent. All
right. Go ahead and take that. Show
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everybody in the audience.
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Perfect. All right. Go ahead and stick
it right back. I will lose it into the
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deck. I'm going to try to find your card
in a very interesting yet dangerous
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way.
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00:05:31,960 --> 00:05:35,640
For that reason, I would like you to
stand right over here out of harm's way
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00:05:35,640 --> 00:05:36,640
out of my spotlight.
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00:05:38,700 --> 00:05:41,140
I will find Laura's card using this.
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Pogo stick of death.
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Death. Death.
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Death.
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Thanks.
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I call her the widow maker.
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All right, Laura, hop on.
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This is great. You should have wore
tennis shoes. You're screwed.
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00:06:05,500 --> 00:06:07,060
No, I'm kidding. I'm kidding. I'm just
kidding.
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If you fell off and broke your neck, you
would own the entire building.
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00:06:13,020 --> 00:06:14,380
Your family's like, hop on.
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00:06:15,180 --> 00:06:18,040
No, Laura, you're just going to do your
best Vanna White and the crowd will go
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nuts. Do a little Vanna White action.
Crowd will go nuts.
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That was good.
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Very nice.
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Best one all night.
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00:06:27,080 --> 00:06:30,760
First, I will bounce through a giant vat
of glue.
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After that, I will bounce through the
giant bin of cards.
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Hopefully, Laura's card will stick. Now,
ladies and gentlemen, for most
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audiences, this would be enough.
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But I can tell you want more.
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I can hear you screaming, more, more,
more.
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All right, for this audience and for
this audience only, I will add one more
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element to this already crazy trick.
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I will also bounce across 240 air
-filled landmines.
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I'll set one off to demonstrate.
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Take my coat off for this one.
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Men, hold on to your ladies.
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Okay, you won't need to.
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That's fine. Reminds me of high school.
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All right. To recap, minefield, glue,
card, wish me luck. Here we go.
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Take that. You hold on to the poker
stick. Perfect.
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Perfect.
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Stay right there. Almost done. Doing
great.
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I'm 38 years old.
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Stay in school, kids.
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I almost owned a studio. Hello.
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Hello.
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00:07:56,480 --> 00:07:57,480
Whee!
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No hands, people!
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Yeah!
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Yip! Yip -a -hoo!
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It's okay. Thanks for catching me.
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It's good stuff. You want some?
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No?
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Okay, it's okay.
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Alright, big finish.
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Here we go.
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Can Arthur Trace string you along, or
are you afraid not?
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Tonight, I'm going to perform for you
something that's a little strange.
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00:09:23,870 --> 00:09:24,870
Brace yourselves.
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Okay, so
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it's very strange.
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And now for the hard part. Watch in the
middle of the rope.
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and the ends as they jump.
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00:09:45,730 --> 00:09:49,390
From one side to the other.
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Hold on, hold on.
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You know this isn't real magic, right?
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Otherwise you would have applauded.
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00:10:01,810 --> 00:10:04,410
What puzzles me is how the scissors
appear on the rope.
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What scissors?
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The B scissors.
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Yeah.
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I like the people who vocally react.
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Yeah, you know who you are.
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I'll tell you what.
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This trick is a lot more impressive.
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00:10:17,970 --> 00:10:23,130
It's a lot more impressive if I were to
tie the ends of the rope together right
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here.
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And I make the knot right here fly from
one side to
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the other.
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I love that part.
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00:10:38,110 --> 00:10:39,110
But you know what?
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it gets even, even better. And all you
have to do is just watch and listen.
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Watch as I melt the end right here
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off the rope, leaving me
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with just the middle.
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I can't believe this worked!
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Timing, it's everything.
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Whatever you do, do not blink.
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This goes for everybody.
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Watch as the end, as the end melts back
onto the rope.
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This is my favorite part.
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Now here's a challenge.
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00:11:58,570 --> 00:12:01,050
How much room is there in a box?
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00:12:01,610 --> 00:12:07,050
David Zerbel proves that even a full box
can be empty in the world of illusion.
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00:13:52,979 --> 00:13:53,979
No, do it a little more.
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There she is!
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Alright.
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Next,
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Rob Lake will perform one of magic's
most astonishing feats.
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right before your eyes.
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To Rob Lake, illusion is neither fact
nor fiction, but both.
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What do you think?
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I'm going to need some volunteers for
those hands up high.
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00:15:35,620 --> 00:15:39,340
The gentleman in the jacket there, and
the green shirt as well, the gentleman
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here on the end, if you'll join us.
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And the lovely lady right here.
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And let's give them all a big round of
applause.
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Right now, my assistants are taking
these boxes off this table.
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00:15:50,450 --> 00:15:53,210
If the two of you would please examine
the inside of this box, check it out,
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bang on it, make sure it is solid. And
if you sir would check out this here,
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it's the same.
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00:15:57,610 --> 00:15:58,610
How does it check out?
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00:15:59,590 --> 00:16:00,590
Good? Perfect.
145
00:16:00,950 --> 00:16:04,230
Check out all right. Please welcome my
lovely assistant, Allie, to the stage.
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00:16:09,270 --> 00:16:11,750
Gentlemen, if you would please come
forward, I want you to lock her ankles
147
00:16:11,750 --> 00:16:14,410
place. If you would please come forward,
I want you to secure her ankles in
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00:16:14,410 --> 00:16:16,230
place. Christiana, if you would please
come to the front.
149
00:16:16,890 --> 00:16:19,430
Lift this collar up, put it around her
neck, walk to the front here.
150
00:16:20,350 --> 00:16:23,930
Perfect. And tie her in place as tight
as you can, but please don't choke her.
151
00:16:23,970 --> 00:16:25,370
I've got to have her for another show
tomorrow.
152
00:16:26,790 --> 00:16:29,490
I want them to be the ones who lock her
in place so you don't think I do
153
00:16:29,490 --> 00:16:31,730
something that allows her to cheat or
escape somehow.
154
00:16:32,170 --> 00:16:33,630
As tight as you can. Perfect.
155
00:16:34,010 --> 00:16:37,370
My assistants are going to put these
coffins back over her body. Do not let
156
00:16:37,370 --> 00:16:38,189
of your leash.
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00:16:38,190 --> 00:16:39,210
Do not let go of your leash.
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00:16:39,890 --> 00:16:45,370
Even though she's momentarily covered,
you'll be able to view her body
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00:16:45,370 --> 00:16:49,030
through the windows in the front like
so.
160
00:16:50,850 --> 00:16:52,150
Now, gentlemen, Steve was right.
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00:16:52,730 --> 00:16:55,750
Every time this window opens and closes,
I want you to come forward. I want you
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00:16:55,750 --> 00:16:57,990
to come forward. I want you to reach in
and feel her leg. Make sure she's still
163
00:16:57,990 --> 00:17:00,650
there. And let the audience know with
two thumbs up.
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00:17:00,950 --> 00:17:02,050
Mike, if you would come forward.
165
00:17:02,950 --> 00:17:04,270
Reach in there and make sure they're
real.
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00:17:11,640 --> 00:17:14,440
There's one more thing everybody needs
to examine. This is the blade we'll be
167
00:17:14,440 --> 00:17:16,500
using. Please bang on it. Watch out the
edge. It is sharp.
168
00:17:18,680 --> 00:17:19,680
Whatever.
169
00:17:25,960 --> 00:17:26,960
Yeah.
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00:17:28,620 --> 00:17:31,240
Gentlemen, if you would, please look
inside of your windows. I want you to
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00:17:31,240 --> 00:17:33,780
as the blade enters the box. You'll see
the blade enters the box.
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00:17:34,200 --> 00:17:36,760
Blade completely fills the box side to
side, top to bottom.
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00:17:37,120 --> 00:17:40,260
Rest on her middle. There's nowhere else
she can go, nowhere else the blade can
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00:17:40,260 --> 00:17:41,260
go. Is that right?
175
00:17:41,530 --> 00:17:44,730
Excellent. Take a step back, guys. Take
a step back. Do not let go. Do not let
176
00:17:44,730 --> 00:17:45,730
go.
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00:17:46,090 --> 00:17:49,570
We now will put solid matter through
solid matter.
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00:17:56,830 --> 00:17:57,970
Gentlemen, look below the box.
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00:17:58,470 --> 00:18:01,070
Make sure you can see the blade passes
completely side to side, completely
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00:18:01,070 --> 00:18:02,070
filling the box.
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00:18:05,570 --> 00:18:08,250
Come forward. Check every window out.
Make sure it's still there, still locked
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00:18:08,250 --> 00:18:09,250
in place.
183
00:18:13,590 --> 00:18:14,469
Don't let go.
184
00:18:14,470 --> 00:18:16,970
Don't let go. We're going to take this
one step further.
185
00:18:35,410 --> 00:18:38,190
Christiane, I think your side has
shifted a little bit. On the count of
186
00:18:38,290 --> 00:18:39,290
give it a tug.
187
00:18:39,430 --> 00:18:40,710
One, two, three, tug.
188
00:18:56,240 --> 00:18:57,640
Do not let go. Do not let go.
189
00:18:58,640 --> 00:19:02,060
We now have a woman divided.
190
00:19:22,020 --> 00:19:23,020
Let's put her back.
191
00:19:37,270 --> 00:19:38,270
Gentlemen, check out your windows.
192
00:19:38,850 --> 00:19:41,410
Make sure she's still there, still
secure, still locked in place. Do not
193
00:19:41,910 --> 00:19:44,630
My assistants are taking these coffins
off. Hold your leash very tight.
194
00:19:47,990 --> 00:19:50,950
And please give Allie some applause for
her bravery.
195
00:19:53,730 --> 00:19:55,550
Christiana, if you would come to the
front. Let her up. Come to the front.
196
00:19:55,850 --> 00:19:57,170
Let her up. She's going to sit up.
197
00:19:57,790 --> 00:19:58,790
Let her sit up.
198
00:19:59,190 --> 00:20:00,210
And if you would let her out.
199
00:20:01,050 --> 00:20:03,270
Gentlemen, let her out of the strap. Do
it yourselves. Put her in. And please
200
00:20:03,270 --> 00:20:05,310
give her a big round of applause.
201
00:20:13,350 --> 00:20:17,970
A lady split in half in front of a live
audience, in front of up -close
202
00:20:17,970 --> 00:20:20,350
witnesses, and right in front of your
eyes.
203
00:20:20,650 --> 00:20:21,930
Do you know how he did it?
204
00:20:22,590 --> 00:20:23,710
I don't.
205
00:20:24,250 --> 00:20:28,310
Remember who we're dealing with. These
are the best in the world.
206
00:20:28,510 --> 00:20:31,130
These are the masters of illusion.
207
00:20:31,490 --> 00:20:33,850
Until next time, I'm Dean Cain.
16631
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